Posts Tagged ‘Genocide’

Vandals! Israel Destroys Ancient Canaanite Cemetery for Settler-Only Road

July 19, 2021

Mike’s also written an excellent article about Starmer’s planned purge of the Labour left while remaining absolutely complacent and ineffective against the Tories. He also makes the point that the purge is being directed against socialists and genuine supporters of traditional Labour values and policies. This includes decent, principled men and women who are opposed to Israel’s brutalisation and ethnic cleansing of the Palestinians. Many of them, who have been terribly demonised and vilified, are self-respecting, upstanding Jews, like Jackie Walker and Tony Greenstein. Mike’s put up a series of tweets by peeps criticising Starmer for this renewed persecution, as well as some of the atrocities Israel is pushing through without a murmur from him. This includes the destruction of an ancient Canaanite cemetery as reported by the independent Lebanese journalist Sarah abdallah, who tweeted

Israel just destroyed the oldest known Canaanite cemetery in Palestine, a 4,200-year old site, to build an Israeli-settlers-only road. This is a war crime. The occupation regime is literally erasing Palestine’s history as the world looks on in silence.

This is absolutely true. Tony’s put up a series of pieces on his blog pointing out that there is an absolute ban on teaching or using books about Palestinian history and culture in Israeli schools. Furthermore, some archaeologists have criticised Israel for its imposition of nationalist Israeli interpretations on Israeli archaeology. For example, the periods into which the ancient history of Israel are divided are given names based on the country’s history as described in the Bible, such as that of King Solomon. The remains of ancient towns mentioned in the Bible, which have been excavated by Israeli archaeologists, generally lay underneath Palestinian settlements. The result has been that the information archaeologists have gained about ancient Israel has come at the expense of the destruction of Palestinian communities. I’m an historians and archaeologist, and while I support Biblical archaeology as far as it can reasonably be defended, I am definitely opposed at the destruction of the Palestinian people’s own archaeological heritage, which includes the country’s Canaanite remains. The destruction of the Canaanite cemetery is indeed a war crime. I think it may also count as an act of genocide under international law. If I remember correctly, this includes not just the massacre and physical extermination of a people, but also the forcible destruction of their ethnic identity. And I’d say that the destruction of Palestinian monuments and archaeology constitutes just such an atrocity, as well as a barbaric destruction of the past in itself.

But I’m not surprised Starmer hasn’t said anything against it. By his own admission, he’s an avowed Zionist and the Blairites showed the contempt they had for historical truth when they claimed that Ken Livingstone was an anti-Semite when he said that Hitler initially supported Zionism. Nothing in that statement is an anti-Semitic, as it’s factually correct. This was the Ha’avara Agreement made between Nazi Germany and the Zionists in which German Jews were to be smuggled into Palestine, then under the British mandate. It didn’t last long, unsurprisingly, but it certainly existed and is described on the website of the Yad Vashem Holocaust museum in Israel itself. But it contradicts the approved Zionist view of Jewish history, and so those that mention it, like Livingstone, and their defenders, like Mike over at Vox Political, are smeared and libelled as anti-Semites.

History is valuable and needs to be protected from assault and falsification, regardless of who’s doing it. And Starmer is showing himself to be completely incapable of defending objective truth and fair, reasonable comment against politically motivated lies.

Book Setting British Empire and the Debate in Its Historical Context

May 31, 2021

Jeremy Black, The British Empire: A History and a Debate (Farnham: Ashgate 2015)

This is another book I got through the post the other day after ordering it from a catalogue. Jeremy Black is, according to the book’s potted biography, Professor of History at Exeter University, and the author of over 100 books. He’s also written for the Journal of Military History, RUSI, which is the journal of the Royal United Services Institute and History Today. The list of other publications about the British Empire lists another book edited by him, The Tory World: Deep History and the Tory Theme in British Foreign Policy, 1679-2014. From this, it might be fair to conclude that Black’s a man of the right.

I read his book, Slavery: A Global History a few years ago when I was writing my own book on the British Empire and slavery a few years ago, and really enjoyed it. Instead of dealing with the British transatlantic slave trade in isolation, it showed how slavery was widespread right across the world and described how the British imperialists tried to end it in their subject territories. I bought this because, in the wake of the Black Lives Matter protests, British imperialism has once again become a matter for heated debate and violent denunciation. The motives of the people behind some of these denunciations and demands for justice seem more than a little suspect to me. For example, a month or so ago one of the speakers in an Arise Festival online meeting was the head of the Black Liberation Movement, the British branch of Black Lives Matter. In her speech she declared that Britain should take asylum seekers ‘because you oppressed us under colonialism’. The short answer to that is that this was supposed to be corrected when the former colonies were granted their independence. Instead, many of them very swiftly degenerated in horrific, murderous dictatorships, like Idi Amin’s Uganda and Robert Mugabe’s Zimbabwe. There was a very deliberate decision in her speech to ignore and gloss over post-colonial misgovernment and oppression, no doubt because it doesn’t fit the narrative she wants to present of Britain being responsible for all her former colonies’ woes.

I am also not impressed by the very loud demands for Oxford University to remove Cecil Rhode’s statue. Don’t get me wrong, he was a blackguard. He’s supposed to have said that the people he liked to employ were greedy sycophants, or something like that. Some critics have also said that his imposition of the colour bar in Rhodesia was particularly hypocritical, as he didn’t personally believe in it. But pre-colonial east Africa was hardly some idyllic Wakanda. Many of the indigenous peoples practised slavery themselves, and were preyed on by Arab, Swahili, Marganja and Yao slavers. And you can argue that, as horrendous as White rule was, it was far better than Mugabe’s genocidal dictatorship. The people calling for the statue’s removal seem to me to be Black African nationalists, butthurt over what they see as a slight to their racial and national dignity. But I also wonder if some of its also motivated by a consciousness of their nations’ failures post-independence.

I bought the book as it promised to discuss the debate surrounding the British Empire as telling its history. Black states that it needs to be seen in its historical context and not judged by the standards of the present day. This is actually what I was taught in my first year of studying history at College. You’re not supposed to create ‘goodies’ and ‘baddies’ of history, because if things had turned out differently, our standards and culture would have been different.

The blurb for the book runs

What was the course and consequence of the British Empire? The rights and wrongs, strengths and weaknesses of empire are a major topic in global history, and deservedly so. Focusing on the most prominent and wide-ranging empire in world history, the British Empire, Jeremy Black provides not only a history of that empire, but also a perspective from which to consider the issues of its strengths and weaknesses, and right and wrongs. In short, this is a history both of the past, and of the present-day discussion of the past, that recognises that discussion over historical empires is in part a reflection of the consideration of contemporary states.

In this book Professor Black weaves together an overview of the British Empire across the centuries, with a considered commentary on both the public historiography of empire and the politically-charged character of much discussion of it. There is a coverage here of social as well as political and economic dimensions of empire, and both the British perspective and that of the colonies is considered. The chronological dimension is set by the need to consider not only imperial expansion by the British state, but also the history of Britain within an imperial context. As such, this is a story of empires within the British Isles, Europe, and, later, world-wide. The book addresses global decline, decolonisation, and the complex nature of post-colonialism and different imperial activity in modern and contemporary history. Taking a revisionist approach, there is no automatic assumption that imperialism, empire, and colonialism were ‘bad’ things. Instead, there is a dispassionate and evidence-based evaluation of the British Empire as a form of government, an economic system, and a method of engagement with the world, one with both faults and benefits for the metropole and the colony.

Black states that criticism of British imperialism is also a criticism of capitalism, which in many cases is very definitely and obviously true. However, he also criticises Kwesi Kwarteng’s history of the British empire for its denunciations of British colonial oppression in some of the colonies, like Nigeria. And while British imperialism may well have brought some benefits, much of it is still indefensible by modern standards. Like the plantations in Ireland, the genocide and dispossession of indigenous peoples, like aboriginal Australians and the American Indians, the seizure of native land in Africa and so on. He notes that the most successful colonies are White settler nations like Australia, Canada and New Zealand, but this hardly outweighs the disastrous consequences of the White invasion for the indigenous peoples.

I haven’t read it yet – I’m still making my way through a number of other books – but I hope to do so, and will probably blog about it in the future to give my views and conclusions about what looks like a timely and provocative book.

Tory Flag-Waving Now Reaching Reaganite Proportions

April 6, 2021

Patriotism, someone once said, is the last refuge of the scoundrel. And the Tories have done their best to show how true this is, especially last week when it seemed that they wasted no opportunity to wave the flag. This also led them to generate more synthetic outrage towards the BBC. Charlie Stayt and Naga Munchetty raised Tory ire when Stayt joked about the relatively small size of the union flag on display during an interview with Matt Hancock or one of the other Tory ministers. This led to howls from the Tory press that the Beeb was sneering at the flag. They weren’t. They were laughing about the Tory’s sheer opportunistic use of it.

It’s no accident that they’ve started waving the flag in the weeks running up to the local elections. Their performance on health, the economy, Brexit and just about everything else has been dire. They’re still trying to privatise the health service by stealth, they insulted the nurses with a 2 per cent pay rise, which is in real terms a cut in their salaries, wages are still frozen, more people are being forced into real, grinding poverty, the queues at the food banks are as long as ever, or longer. The Brexit that Boris has been so desperate to ‘get done’ is spelling disaster for Britain’s manufacturing industry, and businesses dealing with the continent and ordinary Brits wishing to travel abroad are now faced with mountains of paperwork and bureaucracy. Bureaucracy which the Brexiteers blithely assured us wouldn’t happen. Hopefully this year will see us coming out of lockdown and the Coronavirus crisis. We’ve a far higher rate of peeps receiving the vaccine than the EU, but that shouldn’t distract attention from the colossal way the Tories have mismanaged the Covid crisis as a whole. As Mike’s pointed out in one of his articles, Tory bungling and corruption – they gave vital medical contracts to companies owned and run by their friends and supporters, rather than to firms that could actually deliver – that over 100,000 people have died of the disease. One of the good peeps on Twitter has shown how this compares to the numbers killed in some of the genocides and ethnic massacres that have plagued recent decades. And the report, which was supposed to show that Britain isn’t institutionally racist, has been torn to shreds with some of the academics cited claiming they were not properly consulted and seeking to distance themselves from it. And then there are the mass demonstrations up and down the land against their attempts to outlaw any demonstration or protest they don’t like under the guise that it would be a nuisance.

And so, with all this discontent, they’ve fallen back to Thatcher’s tactics of waving the flag at every opportunity. One of the hacks at the Absurder in the 1980s said that Britain had three parties – the patriotic party, who were the Tories, the loony party, which was Labour, and the sensible party, which was the SDP/Liberals. Which showed you the paper’s liberal bias even then. The SDP, Liberals and their successors, the Lib Dems. have sold out utterly, while after four decades of Thatcherism Michael Foot’s Labour party looks far less than loony. But the hack was right about the Tories and patriotism. Thatcher waved the flag as frantically as she could and constantly invoked the spirit of Winston Churchill and World War II. One particularly memorable example of this was the Tory 1987 election broadcast, which featured Spitfires zipping about the sky while an overexcited voice told the world ‘Man was born free’ and concluded ‘It’s great to be great again’.

Here’s another feature of Fascism that’s been adopted by the Tories to add to those on Mike’s checklist. Fascism is an ideology of national rebirth and revival. Thatcher was claiming she was making us great again, just as Donald Trump claimed he was doing for America. Just as Oswald Mosley called one of his wretched books The Greater Britain. And unfortunately, as Zelo Street has also pointed out, Fascists like the Nazis have also used people’s natural loyalty to their flag as a means of generating support for their repulsive regimes. British Fascism was no different. Mosley also made great use of the flag at his rallies, and this tactic was taken over by his successors in the National Front and BNP. This has been an embarrassment to ordinary, non-racist Brits, who simply like the flag. One of my friends at school was a mod. At the time, the union flag and British bulldog formed a large part of mod imagery without meaning that the person was a racist or White supremacist. During one of the art lessons my friend started painting a picture with those two elements – the union flag and bulldog. The teacher came over and politely asked him not to do so, as he was afraid people would like at it and come to the wrong conclusion. This was just after the 1981/2 race riots, so you can understand why. But it is frustrating and infuriating that ordinary expressions of reasonable patriotism or simple pop culture iconography have become suspect due to their appropriation by the Far Right.

But the real excesses of flag-waving were to be seen over the other side of the Pond in Reagan’s America. Reagan was wrecking his country with privatisation and an assault on what the country had in the way of a welfare state, while murdering the people of countries like El Salvador and Nicaragua by supporting Fascist dictators and their death squads. But, like Thatcher, he did everything he could to use the symbols of American nationhood. Like the Stars and Stripes. A Republican party political broadcast in 1984 or thereabouts showed the American flag being raised no less than 37 times. This was so bizarrely excessive that one of the Beeb’s foreign correspondents commented on it. As far as I am aware, no-one took him to task for sneering at it.

This flag-waving is part of the Tories attempts to present themselves as the preservers of British national identity, tradition and pride against the assaults of the left, particularly Black Lives Matter and their attacks on statues. I’m not impressed with the attacks on some of the monuments, like that of Winston Churchill, even though he was a racist. But in Bristol the only statue attacked was that of the slavery and philanthropist Edward Colston. None of the other statues in and around Bristol’s town centre of Edmund Burke, Queen Victoria, Neptune and the sailors who made my city a great port, were touched. And then there was the protest last week against the new school uniform policy at Pimlico Academy in London. This ruled out the wearing of large afro hair styles. So the students started protesting it was racist. The headmaster also raised the union flag, which led the statement from one of the students, Amna Mukhtar, that it weirdly felt like they were being colonised. And then some idiot burnt the flag in protest. The headmaster has now rescinded the school’s uniform code and taken the flag down. Now I gather that one of the Tories is now calling for every school to fly the union flag.

It all reminds me of the comments the late, great comedian Bill Hicks made when Reagan and his supporters were flying the flag and their outrage when a young member of the Communist party burned it. After making jokes about the Reaganite rage and hysteria, Hicks said that he didn’t want anyone to burn the flag, but burning wouldn’t take away freedom, because it’s freedom. Including the freedom to burn the flag.

Quite. And the Tories are wrecking our country and taking away our freedoms while cynically waving the flag.

So when they start spouting about it, use your scepticism and think of Hick’s comment instead. And vote for someone else.

Bristol South Labour Party Passes Motion of Solidarity with Indian Farmers

February 16, 2021

Bristol South CLP held its monthly meeting last Thursday, and passed a number of motions. Due to the Coronavirus, these are now held over Zoom, like many meetings up and down the country generally. A number of motions were debated and passed during the meeting, one of which was solidarity with the Indian farmers. Explaining the issues was a guest speaker, Dal Singh, from the Sikh community. According to Mr Singh, the central issue is the poverty caused by the BJP’s government’s privatisation of the state purchasing apparatus for agricultural goods. The Indian government had a state organisation that bought up the farmer’s produce, giving them a fair price. But now Modi is handing this process over to private entrepreneurs, who are paying starvation prices for the produce purchased. Singh said that as a result, the farmers are going to be in debt for the rest of their lives. The farmers affected and involved in the protests aren’t all Sikhs, but Sikhs form a majority of those affected. When asked what the attitude of the Sikh community was to it, Mr Singh seemed to indicate that they were more or less resigned to it. He called it a ‘genocide’ several times, and said that Sikhs regarded it as part of the long history of their people’s suffering going back to the horrors of the partition of India and the British occupation of the Punjab. He also described how the police and armed forces were being used by the Modi government to brutalize protesters and muzzle the press, with the arrest and beating of journalists covering the protests. As well as explaining the situation, Mr Singh also gave details of charities to which people could donate to help the affected farmers, though I’m afraid I’ve forgotten what they were.

I had absolutely no problem supporting the motion. Socialists are internationalists, as the Style Council song reminds us, and we have to stand in solidarity with working people around the world. ‘Workingmen of all countries, unite!’ as Marx and Engels said in their little Manifesto. I am very pleased that others agreed, and that the motion was passed.

Someone at the meeting commented that the Indian farmers were yet more victims of Neoliberalism. Absolutely. Around the world, working people are being pushed further and further into poverty as wages are slashed, hours increased, rights at work taken away, industries privatised and deregulated. The book Falling Off the Edge, which is a critical examination of this process, the poverty it’s causing, and the violence and terrorism that it engenders as a backlash, describes very clearly how its affecting the average Indian worker. And this poverty is the creation of Modi’s BJP Hindufascist government.

Hindufascist? Yes, absolutely. The BJP is a nationalist organisation, which actively persecutes non-Hindus like Christians, Sikhs and Muslims. One of Modi’s fellow BJP politicos was the governor of a province, which took absolutely no action when pogroms broke out against the Muslim population back in the 1990s. The BJP also have connections to the RSSS, a Hindu nationalist paramilitary outfit modelled on Mussolini’s Fascists. Not only has the BJP followed the standard Neoliberal policies of privatisation, deregulation and low wages, they’ve also been trying to abolish the affirmative action programmes intended to improve the conditions of the Dalits, the former ‘Untouchables’. Debt slavery was one of the forms of exploitation and servitude that afflicted many Indians, and Mr Singh’s comment that Modi’s privatisation will mean that farmers will not be able to get out of debt certainly makes you wonder if the scumbag is actively trying to bring it back.

It’s not only non-Hindus and the lower castes Modi is persecuting. The BJP, or at least parts of it, have a real, bitter hatred of Gandhi and his influence on Hinduism, because he preached tolerance and the inclusion of the Muslims rather than turning India into a Hindu state. The party also actively persecutes liberal Indian journalists and writers. Tony Greenstein, the long term campaigner against Zionism, racism and Fascism, has also rightly criticised Labour party leader Keir Starmer for supporting Modi. Yes, I know – India is now a global powerhouse. Yes, it’s a vital trade partner with this country. But the country’s prosperity should not come through the exploitation of its working people. Just like ours shouldn’t. But this seems lost on Starmer and the rest of the Blairites.

I am very glad, however, that my local Labour party has made this gesture of support for the Indian farmers, and hope this will give them strength in their struggle with a Fascistic, exploitative government.

Book on Fascism in Black American Literature Between the Two World Wars

January 20, 2021

Mark Christian Thompson, Black Fascisms: African American Literature & Culture between the Wars (Charlottesville: University of Virginia Press 2007).

This is one of the other books I’ve been reading during the last few days. It’s a fascinating examination of a little known episode of Black American literary history when, in the 1930s and early 1940s, a number of Black American authors and activists took over elements from European Fascism to form their own version of the totalitarian creed. The blurb reads

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.

Taking on a subject generally ignored or denied in African American cultural and literary studies, BLACK FASCISMS seeks not only to question the prominence of the Left in the political thought of a generation of writers to change how we view African American literature in general.

Following the introduction, it has the following chapters:

  1. Black Literary Fascism
  2. The Myth of Marcus Garvey: Black Fascism and Nationalism
  3. George S. Schuyler and the God of Love: Black Fascism and Mythic Violence
  4. “In Turban and Gorgeous Robe”: Claude McKay, Black Fascism, and Labor
  5. His Rod of Power: Zora Neale Hurston, Black Fascism and Culture
  6. Richard Wright’s Jealous Rebels: Black Fascism and Philosophy

Conclusion: Historical Black Fascism, Black Arts, and Beyond

For some, this is no doubt shocking and uncomfortable reading. Thompson states that his book will be controversial, because it seems to challenge the dominance and achievements of Marxism in Black American politics and culture of the period. He does not seek to deny this, but to argue that there was a significant turn away from Communism towards Fascism at the tail end of the Harlem Renaissance, and that this was no mere blip in the career of the figures discussed, as some historians and critics have claimed. It’s also remarkable, in that as victims of racism it seems to run counter to reason that Black Americans would embrace a viciously racist ideology associated with White supremacy. But by the early 1940s some Black youngsters had become so alienated from their country, that they were singing songs about how they thought they’d move to Germany because they’d be better off there. The likelihood is that these kids probably didn’t understand what Nazi Germany was really like. The Black intellectuals, who turned to Fascism, didn’t support its specific European versions. They didn’t want to become Nazis or supporters of Mussolini’s Fascists. But they took elements of generic Fascism and adapted it as a vehicle for their own nationalist aspirations and desire for pan-African racial uplift.

Defining Features of Black Fascism

Thompson considers that the main elements in this turn were a dissatisfaction with Communist multiculturalism, the expectation that Ethiopia would produce a strong, modernising leader to redeem Blacks across the world, admiration for newly independent Haiti, and anti-Semitism. Black Fascists rejected Communism, because they were afraid that its emphasis on racial collaboration and the class war would lead to Blacks’ own aspirations and needs being neglected and Blacks used instead to improve conditions for White liberals. The Communist party in turn attempted to harness Black nationalism for the general class struggle, by defining Black Americans as working class. But this also created an anti-White racism that characterised all Whites as members of the exploiting classes. Which strikes me as not at all unlike Black Lives Matter and Critical Race Theory. The expectations of Black leadership from Ethiopia came from Psalm 68 in the Bible, which states that, after Egypt, Ethiopia will raise its hands to God. Ethiopia was the one African nation not conquered by the Europeans in the 19th century, which seemed to many Black Americans that the country was destined to lead the Black people. Coupled with this was the hope that Black Americans would return to Africa to take up positions of leadership and power in the continent, and free her from the European colonial oppressors. At the same time, the American army had just withdrawn from its occupation of Haiti. Many Black Americans admired this Caribbean nation because of the way it had thrown off French rule in the late 18th century to become a free, Black republic. At the same time, its new president, Stenio Vincent, sweeping autocratic powers dissolving the lower house and allowing him to appoint a sizable proportion of its senate. It was not a democracy in the American sense, as Zora Neale Hurston recognised, but an elected monarchy. Anti-Semitism and a hatred of Italians and Greeks among working class Blacks in Harlem was also part of the turn towards Fascism. The Black soapbox Caesar, Sufi Abdul Hamid, wished to create a separate trade union exclusively for Blacks. He was one of the leaders of a boycott against the White-owned department stores, which refused to employ Black clerks. He succeeded in getting this reversed, but his inflammatory anti-Semitic rhetoric – many of the stores were Jewish owned – resulted in the 1937 Harlem race riot.

Marcus Garvey and the Invasion of Ethiopia

Chapter one is a general discussion of Black American fascist aesthetics. The first of the writers and activists to be examined is Marcus Garvey, the founder and leader of the United Negro Improvement Association. This was a mass organisation, whose hierarchy was based on that of the army, with Garvey giving his followers various military ranks. Militantly nationalistic, the organisation also campaigned for a return to Africa, and Garvey was also impressed with the Italian Fascist corporatist state. Rejecting Communism, he instead supported private property. Blacks should work to acquire wealth, that they should then use to build the new Black state. However, private wealth should also be limited. Only the state should be able to hold investments over $5 or $6 million.

Of the figures discussed in the book, Garvey is the most overtly Fascist. Indeed, in a 1937 interview he claimed that Hitler and Mussolini based their movements on his. He was no fan of Mussolini, however, after the Italian invasion of Ethiopia, which also caused him to become a bitter critic of its former emperor, Hailie Selassie. Selassie had scarpered to London following the invasion, which bitterly disappointed Garvey. He had also expected the Ethiopian emperor to modernise the country, turning it into a modern, Fascist, corporate state, which would embark on its own destiny of imperial conquest. Selassie had not done this. Garvey also sneered at him because of the Biblical lineage of the Ethiopian monarchy. This claimed descent from Solomon and the Queen of Sheba. Thus, Garvey attacked him because he was, by virtue of this descent from the great Israelite king, Jewish. This was in contrast to Simon of Cyrene, who was Black, and Jesus, who was mostly Black.

Schuyler’s Pulp Fiction Supervillain Black Liberator

George S. Schuyler was a Black American writer and journalist, described by the book as somewhat like H.L. Mencken. He had started off as a vague socialist, believing that Africans were innately Communistic, and pan-African. Well, he was until he visited Liberia, which left him bitterly disillusioned to the extent that he wished the US army would invade so that America could take over and improve the country. This changed again with the Italian invasion of Ethiopia. Schuyler, like many other Black Americans, was outraged and wanted to raise an army of Black American volunteers, who would go and fight for the African nation. Seeking advice from the American foreign department, he was told that was impossible as America wished to preserve its neutrality. Schuyler thus turned to literature to express his anger and desire for revenge, writing the pulp story Black Empire. This tells the story of Dr. Belsidus, a Black American genius, who takes over Africa with his organisation, the Black Internationale, turning it into a military superpower through able to repel the Italians and then embark on the genocidal conquest of Europe through advance Black super science. Black scientists create death rays, hydroponic farms, fax machines and hypno-robots. Hypno-robots? Yes. Belsidus creates a new religion and deity, the God of Love, whose mission is to inculcate Black Africans with belief in their noble descent from the Babylonians and Egyptians and their future greatness. The hypno-robot is a giant, 50-foot tall figure of a naked Black man representing the God of Love, which has the power to move, raising its arms and nodding its head. Its eyes light up to hypnotise the congregation, so that they will become mentally receptive to Belsidus racial doctrines. Aiding Belsidus are a series of White women, his lovers, whom he casually murders if they fail him in bed or in their tasks of bringing down European rule. Belsidus comes across as Yaphet Kotto’s villain in the Bond film, Live and Let Die, but even nastier. He’s a genocide who ruthlessly kills White men, women and children. The story’s a nasty revenge fantasy, written by Schuyler to compensate for the Italian invasion. Schuyler himself didn’t stay a Fascist, but instead became a noted Black Conservative intellectual.

McKay, Sufi Abdul Hamid and Black Labour

Claude McKay was another Black American who had started out as a Communist, but then moved away from it, converting to Roman Catholicism. In the 1930s and ’40s McKay was also concerned with building a Black labour movement for which he also adopted aspects of Fascism. He was also an admirer of Sufi Abdul Hamid, an eccentric individual who styled himself Bishop Amiru Al-Minin Sufi Abdul Hamid, an Egyptian, but whose real identity may have been Eugene Brown of Philadelphia. Hamid had founded his own cult, the Universal Temple of Tranquillity. In 1932 he led a jobs boycott in Chicago and in 1934 led a similar boycott against Blumstein’s department store in Harlem. He was not popular with the other Black intellectuals, who regarded him as a charlatan and racketeer. Before his death in the late 1930s he was trying to promote himself as a cult leader in an attempt to challenge Father Divine. Called the Black Hitler because of his virulently anti-Semitic speeches, Hamid was partly responsible for the 1937 race riot, for which he was unsuccessfully prosecuted by the Jewish Minute Men. He appears as ‘Omar’ in McKay’s unfinished novel, Harlem Glory. This is partly an examination of the divided psychology of Black America. ‘Omar’ represents its Fascist side, while Father Divine, who appears as ‘Glory Savior’, and his cult, the ‘Glory Soulers’, represent religion and Communism.

Hurston, Moses and Haiti

Zora Neale Hurston is included because of her novel about Moses leading the Exodus, Moses, Man of the Mountain, in which both the greatest of the Hebrew prophets and his adversary, Pharaoh, have the nationalistic, genocidal qualities of modern Fascist dictators. Hurston also linked Moses to Haiti’s founder, Toussaint L’Ouverture. L’Ouverture’s power was represented by the Voodoo god, Damballah, who was also Moses’ rod of power. Damballah’s a snake god, while one of the miracles Moses performed was changing his staff into a snake. This novel is strongly influenced by Hurston’s admiration for Haiti and its authoritarian leader.

Cross Damon, Fascist Murderer or Existentialist Anti-Hero

Wright was another Communist intellectual, who then went to France to hang out with Sartre. He then wrote his own existentialist novel, The Outsider, about a former postal worker, Cross Damon. After losing his job, and suffering problems from the women in his life, Damon becomes a murderer, committing a series of killings across America. The novel was widely criticised at the time for not saying anything about the condition of Black America. Thompson argues that this is untrue. The book does examine their plight, as Damon personifies the Fascist tendency within Black America through his ruthless pursuit of the power over life and death. His murder of two twins, one a Communist, the other a Fascist, shows that to Wright these political creeds were essentially the same, and that Damon is also similar to them through their murder.

The Black Arts Movement and Neo-Fascism

The Black Arts movement was a post-War phenomenon, in which Black intellectuals and artists attempted to create a distinctly Black artistic culture, in contrast and opposition to that of White America. This chapter argues that historic fascism ended with the Second World War, and that its post-War successor, neo-Fascism, is markedly different. Fascism itself is also broader than Nazism, with which it has been identified, and which has itself been reduced to murderous anti-Semitism. It is a distortion, therefore, to describe the Nation of Islam as Fascist and genocidal simply because they held a joint rally with the American Nazi party, for which the party’s Fuhrer, Lincoln Rockwell, donated $20 to them. The chapter nevertheless states that the Black Arts movement constitutes an extreme form of Black nationalism, and ends with a call for it to be examined as a form of neo-Fascism.

Belsidus’ Statue and Fascist Homosexuality

Thompson’s a professor of English at the University of Illinois at Urbana-Champaign, so the book is less a work of political science as literary criticism. Thus it frequently refers to the works of such literary theorists as Georges Bataille, Foucault, Althusser and Guy Debord. I found some of the book’s arguments extremely convoluted, particularly in the chapter on Wright and The Outsider. There are times when he seems to be arguing for the Fascist nature of Cross Damon, from that character’s difference to or opposition to Fascism. He also follows the German writer, Ludwig Theweleit, in considering that their is a homosexual component to the Fascists’ adoration of their leaders. This causes the book to contain some bizarre passages about the significance of the penis in some of the pieces discussed. For example, he writes of the Belsidus’ 50 foot statue of a naked Black man

The statue is what Siegried Krakauer calls the “mass ornament”: a ritual object that is “an end in itself”. But even after the “ritual meaning” of such objects is discarded, “they remain the plastic formation of the erotic life which gave rise to them and determined their traits”. (146). The mass ornament is emptied of its ritual content and plenitude and re-cathected with an erotics of power that seeks to control the masses’ libidinal urges by converting them into an iconic religious outpouring. This is why Schuyler’s mass ornament is depicted as “a huge statue of a nude Negro standing with legs apart, gazing sardonically downward with arms crossed. It was all of 50 feet high and every part of the body was clearly depicted” (58). The bearer of the sardonic gaze cannot be mistaken. “Sardonic” is, after all, one of Schuyler’s favorite adjectives for the good Doctor and his notorious gaze. Also inescapable in this mammoth fifty-foot statue of a male Negro is an anatomical accuracy that surpasses the bounds of decency. If one wondered whether Dr. Belsidus’s movement followed the fascist phallocentric logic of male ego-reintegration Theweleit theorizes, the appearance of the fifty foot “God of Love” in all his anatomical glory removes all doubt. (pp. 90-1).

Black Fascism and other Forms of Dictatorship

The book acknowledges that none of the authors and activists discussed founded Fascist parties or movement, and he regards them as individual figures rather than the leaders of mass Fascist organisations. Garvey, with his militaristic nationalism and claims to have inspired the European Fascist dictators is the closest figure to European Fascism. So too is Sufi Abdul Hamid with his emphasis on labour, Black separatism and anti-Semitism. Hamid’s similar to the Nazis in another way: they also hated the department stores as an example of ‘Jewish capital’. Schuyler’s Black Empire is a revenge fantasy, whose hero – or anti-hero – would certainly qualify as a Fascist, even though Belsidus himself doesn’t appear to his followers to make speeches from the balcony. He just leaves that to his naked 50-foot robot. But this doesn’t make Schuyler himself a Fascist or mean that he is calling for a similar Fascist movement. It is questionable, however, whether Hurston’s Moses or Pharaoh are really fascist either. Political scientists have debated the difference between Fascism and other forms of authoritarianism and aggressive, intolerant nationalism. Noel O’Sullivan in his book, Fascism, argues that it possesses distinct features that distinguish it from the militant, dictatorial regimes of some of the nations in Africa and the Developing World. Stenios Vincent was highly authoritarian, but it’s questionable whether his regime can be considered Fascist. This also raises the question of how far Hurston’s Moses and Pharaoh are Fascists, although they certainly act in a way which could be described as fascistic. I find the argument about Wright’s The Outsider rather less convincing. It may be that Cross Damon partakes of part of the psychology of Fascist and Communist dictators through his murders, but it seems to me to be a straightforward piece of existentialist literature rather than an examination of Black American Fascism. It reminds me of Albert Camus’ novel of the same name, about a Frenchman in Algeria who murders an Arab out of boredom. Wright’s outsider is another murderer, but is a Black American rather than French.

Conclusion

I don’t know how far the Black Arts movement could be described as neo-Fascist, but historians of post-War British Fascism have noted the radical revisions of doctrine the BNP went through under its generalissimo, Nick Griffin. But Critical Race Theory does seem very similar to the Communist party’s simplification of race relations in America to Black workers versus White exploiters. My guess is that an examination of the Black Arts movement would uncover clear parallels and influences from European neo-Fascism, as would Black Lives Matter today.

Archaeologists Find More Skulls in Aztec Tower in Mexico City.

December 15, 2020

Yesterday’s I for the 14th December 2020 also carried the news that archaeologists had discovered even more skulls, which formed part of a tower built with the remains of the heads of victims sacrificed to the Aztec god Huitzilopochtli. The article on page 33, titled ‘Tower of skulls found at Aztec dig’, runs

Dozen more skulls have been found by archaeologists digging at an Aztec temple beneath the centre of Mexico City.

The 119 skulls made up part of a tower of heads of sacrificed humans kept as a trophy by the pre-Columbian civilisation. A five-year dig beneath old buildings near the city’s Templo Mayor ruins has so far revealed 603 skulls.

The latest are thought to be part of a skull rack from a temple dedicated to teh Aztec god of the sun, war and human sacrifice. Known as the Huey Tzompantli, it stood on the corner of the chapel of Huitzilophchtli, the patron of the Aztec capital, Tenochtitlan. The Aztecs dominated large parts of central Mexico from the 14th to the 16th centuries.

Their empire was overthrown by invaders led by the Spanish conquistador, Hernan Cortes, who captured Tenochtitlan in 1521.

The piece included this photo showing the skulls encased in the tower’s walls.

The Aztecs were one of the world’s great civilisations, no question, and its destruction by the Conquistadors and the decimation of the Amerindian peoples by slavery and disease is one of the great crimes of western imperialism. But they were aggressive, warlike and cruel. They believed that the sun god, Tezcatlipochtl, depended on a constant supply of human blood to sustain him. Hence, while other peoples made treaties with their neighbours trying to make peace, the Aztecs did the opposite. They made a treaty with two of their neighbouring civilisations for perpetual war in order to supply the sacrificial victims their religion required. Their architecture reflected the bloodthirstiness of their religion. Some of their great buildings have carvings of the flayed skins of their enemies, which were hung on poles and worn by the priests. So horrific are some of their monuments, that when the British Museum held a special exhibition on them, ‘Empire of Blood’ a few years ago, the Independent’s arts journo, Philip Hensher, compared them to Auschwitz and said he wanted nothing to do with it. It sounds like an overreaction, but as I’ve hard it said that about 30,000 people a year were sacrificed in their temples, and that these deaths were celebrated in their architecture and sculpture, which Hensher also found unattractive, describing it as ‘blocky’, you can see his point. Some western archaeologists have also said that the destruction of their religion was no loss to humanity. I was reading a book on the archaeology of death around the world, and the author described the horrors of the Aztec sacrificial cult. He said very clearly that no matter how bad Christianity was, it was far better than the religion it replaced.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

December 14, 2020

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.

The ‘Empire Files’ on the Plot to Attack Iran

December 4, 2020

This is an excellent little video that explains Trump’s and the US state and military’s hostility to Iran and the real reasons behind the latest attacks. This ultimately goes back to western imperial control over the country’s oil industry. From 1908 until 1951 the Iranian oil industry was owned and controlled by a British company, Anglo-Persian Oil, now BP. It was nationalised by the democratically elected Iranian Prime Minister, Mohammed Mossadeq, who was consequently overthrown in a CIA-backed coup. The Shah was installed as an absolute monarch, ruling by terror through the secret police, SAVAK. Which the CIA also helped to set up.

Causes of American Hostility

The Shah’s oppression was eventually too much, and he was overthrown in the Islamic Revolution of 1979, and the American state has resented the country ever since. Iran and Israel were America’s bulldogs in the Middle East, so the US lost an important locus of influence in the region. Iran is now politically independent, and is one of the leaders of the group of non-aligned nations. This was set up for countries that did not wish to align themselves either with America or the Soviet Union, but after the Fall of Communism is now simply for nations not aligned with America. America is also unable to control what Iran does with its own oil, from which American companies are excluded from profiting. Another major cause for America’s hostility may be that Iran and Syria are obstacles to Israel’s territorial expansion and the creation of a greater Israel.

Trump’s Attacks on Iran

The Empire Files is a Tele Sur show dedicated to exposing the horrors and crimes of American imperialism. Presented by Abby Martin, it was originally on RT. In this edition, she talks to Dan Kovalik, a human rights lawyer and author of the book The Plot to Attack Iran. The show was originally broadcast in January this year, 2020, when there had been a series of incidents, including Trump’s assassination of the Iranian general, Soleimani, which many feared would bring about a possible war. As tensions and reprisals increased, many Americans also took to the streets to protest against a possible war. The tensions had begun when Trump unilaterally reneged on an agreement with the Iranians over the enrichment of nuclear materials. Barack Obama had made this agreement with the Iranians, in which they pledged only to enrich it to levels suitable for civilian use but not for the creation of weapons. In return, Obama had agreed to lift the sanctions imposed on them. The Iranians had kept to their side of the agreement, but Trump had abandoned it because he wanted to impose further conditions containing Iran. For their part, it had been a year before the Iranians had reacted to the agreement’s failure. The EU had been keen to keep the agreement, despite American withdrawal, but now were unable or unwilling to do so. Kovalik states that Iran doesn’t want nukes. In the 1950s America and General Electric were helping the country set up nuclear power for electricity production. The Ayatollah Khomeini also issued a fatwa against nuclear weapons, condemning them as ‘unIslamic’. The claim that Iran is now a threat to America is based on intelligence, which claims in turn that Iran had a list of American targets in Syria. As a result American troops, ships, missiles and planes were moved to the Gulf. It was also claimed that the Iranians had attacked three civilian ships. Some of these are very dubious. One of the attacked vessels was Japanese, and the ship’s owners deny that any attack occurred. The attack also makes no sense as at the time it was supposed to have happened, the Japanese and Iranians were in negotiations to reduce tensions. Kovalik states here how devastating any war with Iran is likely to be. According to retired General Williamson, a war with Iran would be ten times more expensive in financial cost and lives than the Iraq War. It also has the potential to become a world war, as Russia and China are also dependent on Iranian oil.

Iran Potential Ally, Not Threat

Trump has also re-imposed sanctions on Iran at their previous level before the nuclear agreement. As a result, the Iranians are unable to sell their oil. They are thus unable to buy imported foodstuffs or medicines, or the raw materials to manufacture medicines, which is naturally causing great hardship. Kovalik and Martin are also very clear that Iran doesn’t pose a threat to America. It doesn’t pose a threat to American civilians, and the country was actually a partner with the US in the War on Terror. Well, that was until George W. declared them to be an ‘axis of evil’ along with North Korea and Saddam Hussein. This disappointed the Iranians, whom Martin and Kovalik consider may be potential allies. America wishes to overthrow the current regime because the 1979 Revolution showed countries could defy America and topple a ruler imposed by the US. Although America may resent the country’s freedom to do what it wishes with its oil, the US doesn’t actually need it. America is an exporter of oil, and so one goal of US foreign policy may simply be to wreck independent oil-producing nations, like Iran, Libya and Venezuela, in order to remove them as competition.

The programme also attacks the claims that Iran is a supporter of terrorism. This is hypocritical, as 73 per cent of the world’s dictatorships are supported by the US. This includes the absolute monarchy of Saudi Arabia, which in turn supports al-Qaeda and ISIS. Iran does support Hizbollah in Lebanon and Hamas in Palestine, but most political analysts don’t consider them terrorist organisations. They’re elected. The American state really objects to Iran having influence in its own region, but it is the Iranians here who are under threat. They are encircled by countries allied with the US.

Iran anti-Israel, Not Anti-Semitic Country

Kovalik also personally visited Iran in 2017, and he goes on to dispel some misconceptions about the country. Such as that it’s particularly backward and its people personally hostile to Americans. In fact Iran has the largest state-supported condom factory in the Middle East. Alcohol’s banned, but everyone has it. The country also prides itself on being a pluralist society with minorities of Jews, Armenian Christians and Zoroastrians, the country’s ancient religion. And contrary to the claims of Israel and the American right, it’s got the second largest Jewish population in the Middle East outside Israel, and Jews are actually well treated. Kovalik describes meeting a Jewish shopkeeper while visiting the bazaar in Isfahan. He noticed the man was wearing a yarmulka, the Jewish skullcap, and went up to talk to him. In answer to his inquiries, the man told him he was Jewish, and didn’t want to leave Iran. He also told Kovalik that there was a synagogue, and led him a mile up the road to see it. Despite the regime’s genocidal rhetoric, when polled most Iranian Jews said they wish to stay in Iran. There’s a Jewish-run hospital in Tehran, which receives funding from the government. After the Revolution, the Ayatollah also issued a fatwa demanding the Jews be protected. The status of women is also good. Education, including female education, is valued and women are active in all sectors of the economy, including science.

Large Social Safety Net

And the Iranian people are actually open and welcoming to Americans. Martin describes how, when she was there, she saw John Stuart of the Daily Show. The people not only knew who he was, but were delighted he was there. Kovalik agrees that the people actually love Americans, and that if you meet them and they have some English, they’ll try to speak it to show you they can. Martin and Kovalik make the point that Iran is like many other nations, including those of South America, who are able to distinguish between enemy governments and their peoples. They consider America unique in that Americans are unable to do this. Kovalik believes that it comes from American exceptionalism. America is uniquely just and democratic, and so has the right to impose itself and rule the globe. Other countries don’t have this attitude. They’re just happy to be left alone. But America and its citizens believe it, and so get pulled into supporting one war after another. They also make the point the point that Iran has a large social safety net. The mullahs take seriously the view that Islamic values demand supporting the poor. Women enjoy maternity leave, medicine is largely free and food is provided to people, who are unable to obtain it themselves. In this respect, Iran is superior to America. Kovalik states that while he was in Iran, he never saw the depths of poverty that he saw in U.S. cities like Los Angeles. These are supposed to be First World cities, but parts of America increasingly resemble the Third World. He admits, however, that the US-imposed sanctions are making it difficult for the Iranians to take care of people.

British Imperialism and Oil

The programme then turns to the country and its history. It states that it has never been overrun, and has a history going back 4,000 years. As a result, the country has preserved a wealth of monuments and antiquities, in contrast to many of the other, surrounding countries, where they have been destroyed by the US and Britain. Iran was never a formal part of the British empire, but it was dominated by us. Oil was first discovered there in 1908, and Britain moved quickly to acquire it for its own military. The oil company set up favoured British workers and managers, and the profits went to Britain. This was bitterly resented at a time when 90 per cent of the Iranian population was grindingly poor. People wore rags, and some oil workers actually slept in the oil fields. Conditions reached a nadir from 1917-1919 when Britain contributed to a famine that killed 8-10 million people. Those, who know about it, consider it one of the worst genocides.

The Iranian oil industry was nationalised by Mossadeq, who gained power as part of the decolonisation movement sweeping the subject territories of the former empires. Mossadeq offered Britain compensation, but no deal was made before he was overthrown in a CIA-backed coup. Details of the coup came to light a few years ago with the publication of official records. It was the first such coup undertaken by the intelligence agency, but it set the rules and strategy for subsequent operations against other nations.

CIA Coup

The CIA paid protesters to demonstrate against the government, and they were particularly keen that these were violent. They wished to provoke Mossadeq into clamping down on the protests, which they could then use as a pretext for overthrowing him. But Mossadeq was actually a mild individual, who didn’t want to use excessive force. He was only convinced to do so when the CIA turned the Iranian tradition of hospitality against him. They told him Americans were being attacked. Mossadeq was so mortified that this should happen in his country, that he promptly did what the CIA had been preparing for. The Shah was reinstalled as Iran’s absolute monarch with General Zadegi as the new prime minister. Zadegi got the job because he was extremely anti-Communist. In fact, he’d been a Nazi collaborator during the War. After the restoration of the Shah in 1953, there were some Nazi-like pageants in Tehran. The CIA assisted in the creation of SAVAK, the Shah’s brutal secret police. They gave them torture techniques, which had been learned in turn from the Nazis. By 1979, thanks to SAVAK, Amnesty International and other organisations had claimed Iran was the worst human rights abuser in the world.

Reagan, the Hostage Crisis and Iran-Contra

The attack on the left meant that it was the Islamicists, who became the leaders of the Revolution as revolutionary organisation could only be done in the mosques. The left also played a role, particularly in the organisation of the workers. The pair also discuss the hostage crisis. This was when a group of students took the staff at the American embassy hostage, although the regime also took responsibility for it later. This was in response to the Americans inviting the Shah to come for medical treatment. The last time the Shah had done this had been in the 1950s before the coup. The hostage-takers released the women and non-Whites, keeping only the White men. The crisis was also manipulated by Ronald Reagan and the Republicans. They undercut Jimmy Carter’s attempts to free the hostages by persuading the Iranians to keep them until after the US election. America also funded and supplied arms to Saddam Hussein during the Iran-Iraq War, which left a million people dead. They also supplied arms to Iran. This was partly a way of gaining money for the Contras in Nicaragua, as the US Congress had twice stopped government funding to them. It was also partly to stop Saddam Hussein and Iraq becoming too powerful. Kovalik notes that even in the conduct of this war, the Iranians showed considerable restraint. They had inherited chemical weapons from the Shah, and the Iraqis were using gas. However, Khomeini had issued a fatwa against it and so Iranians didn’t use them.

The pair also observe that Trump is bringing back into his government the figures and officials, like John Bolton, who have been involved in previous attacks on Iran. This raises the possibility of war. Kovalik believes that Trump is a brinksman, which means that there is always the danger of someone calling his bluff. He believes that the American military doesn’t want war, but it’s still a possibility. The American public need to protest to stop Trump getting re-elected as a war president.

Stop War, But Leave Iranians to Change their Regime

This raises the question of how to oppose militarism and support progressive politics in Iran. Iranian Communists, the Tudeh are secular socialists, who hate the Islamicists. They state that it is up to them to overthrow the Islamic regime, not America or its government. They just want Americans to stop their country invading and destroying Iran. External pressure from foreign nations like America through sanctions and military threats actually only makes matters worse, as it allows the Islamic government to crack down on the secular opposition. However, Kovalik believes that the American government doesn’t want reform, but to turn Iran back into its puppet. The video finally ends with the slogan ‘No War on Iran’.

The Plot to Attack Iran – Myths, Oil & Revolution – YouTube

Readers of this blog will know exactly what I think about the Iranian regime. It is a brutal, oppressive theocracy. However, it is very clear that Iran is the wronged party. It has been the victim of western – British and US imperialism, and will be so again if the warmongers Trump has recruited have their way.

Events have moved on since this video was made, and despite Trump’s complaints and accusations of electoral fraud, it can’t really be doubted that he lost the US election. But it really does look like he means to start some kind of confrontation with Iran. And even with his departure from the White House, I don’t doubt that there will still be pressure from the Neocons all demanding more action against Iran, and telling us the same old lies. That Iran’s going to have nuclear weapons, and is going to attack Israel, or some such nonsense.

And if we go to war with Iran, it will be for western multinationals to destroy and loot another Middle Eastern country. The video is right about western oil companies wanting the regime overthrown because they can’t profit from its oil. Under Iranian law, foreign companies can’t buy up their industries. A few years ago Forbes was whining about how tyrannical and oppressive Iran was because of this rule. I think the Iranians are entirely justified, and wish our government did the same with our utilities. I think about 50 per cent of the country’s economy is owned or controlled by the state. Which is clearly another target for western companies wishing to grab a slice of them, just as they wanted to seize Iraqi state enterprises.

And at least in Iran medicines are largely free, and food is being provided to those who can’t obtain it themselves. They’ve got something like a welfare state. Ours is being destroyed. We now have millions forced to use food banks instead of the welfare state to stop themselves starving to death, and the Tories would dearly love to privatise the NHS and turn it into a private service financed through private health insurance. The Iraq invasion destroyed their health service. It also destroyed their secular state and the freedom of Iraqi women to work outside the home.

We’ve got absolutely no business doing this. It shouldn’t have been done to Iraq. Let’s make sure it doesn’t happen to Iran.

JLM-Backed Candidate for Young Labour Chair Withdraws After Commenting on ‘Good-looking’ Nazis

November 21, 2020

Oh the irony! After years of twisting comments by their opponents to smear them as anti-Semites and Fascists, some of the folks with the JLM are getting a taste of their own medicine. According to an article in the Morning Star, Eluned Anderson, one of the candidates for the Young Labour leadership, was the regional ambassador for the Holocaust Education Trust and had the backing of the Jewish Labour Movement. However, she had to withdraw after she called two of the most notorious Nazis ‘incredibly good-looking’. This was on the Facebook page of the Young Free Speech Society, where another member had asked “Have you ever met/seen/know [sic] of a physically attractive Nazi?” She replied “Look, I know they were evil bastards, but Eichmann and a young Ribbentrop were incredibly good looking.” This naturally upset many people, most obviously Jews, whose family were murdered by the Nazis. Anderson apologised, and said there was no call for her comment. It was stupid, she said, and she was stupid to make it.

What makes it ironic is that she was one of the people, who had posted on social media that Jeremy Corbyn was an anti-Semite, and Rebecca Long-Bailey was a racist. David Rosenberg, of the Jewish Socialist Group, therefore remarked that her tweet showed how cynical that was.

https://morningstaronline.co.uk/article/b/young-labour-chair-candidate-withdraws-over-comments-about-incredibly-good-looking

Hoisted by her own petard! Ho-ho! But unfortunately, she did have a point. The Aristotelian view, that one’s physical appearance reflects the state of one’s soul, so that those with beautiful souls are themselves physically beautiful, isn’t true. You don’t want to say anything remotely complimentary about these monsters, but it is a fact that some of the most horrific tyrants in history were good-looking people, and used their attractiveness in their drive to power. In his paranoia and megalomania, Stalin murdered 30 million Soviet citizens. But he had been good-looking chap in his youth, and had reputation as a seducer. As well as fancying himself, Hitler also had legions of female followers and did his level best to exploit this. This photograph of the Nazi leader is in the 1936 English translation of Mein Kampf, ‘My Struggle’, published by Paternoster Press. It clearly shows Hitler trying to pose as best he can as some physically attractive, as well as the dynamic, charismatic leader.

Years ago there was an item on Radio 4 which included a woman, who had been a member of the resistance against Hitler in either Germany and Austria. She stated that the girls in her class all found Hitler attractive with the very definite exception of herself. Historians have noted that Hitler had many aristocratic women admirers, and he deliberately reserved the first two rows at Nazi meetings and rallies for women because they would take the rest of the crowd with them when swayed by his oratory.

And it wasn’t just Hitler. Mussolini was, like Stalin, also a thug and a seducer. But he also had legions of female fans. Christopher Duggan discusses the mass of mail the Duce received from women besotted with him in his book Fascist Voices: An Intimate History of Mussolini’s Italy (London: Vintage Books 2013). The British Fascist leader, Oswald Mosley, was a promiscuous adulterer who had a string of affairs with the wives of various other aristos.

Now many of the Nazis were indeed physically repulsive. Not just Hitler, but also Goebbels, Goering and Himmler, but the sad fact is, not every murderous thug looks it. If all Nazis and Fascists were ugly bruisers with beer guts, then it would be easy to see them for what they were and fight against them. But they’re not. Monsters can be good-looking people, just as people who aren’t physically attractive can be noble, decent and good. This is why it’s important to look beyond stereotypes and superficial impressions, in order to see the real character beneath.

And it is important to remember, if just as a warning, that some people did think Hitler and the rest sexy, and so supported them. Which is why people should never judge politicos by their looks.

Duce Trump Fascistizes American Education

September 19, 2020

Yesterday Mike put up a piece about Donald Trump’s proposal to attack the ‘liberal indoctrination of America’s youth’ by making American education even more patriotic. Trump made his announcement in a Constitution Day speech at the White House Conference on American History at the National Archives Museum. CNN quoted the Orange Generalissimo as saying:

“We must clear away the web of twisted lies in our schools and classrooms and teach our children the magnificent truth about our country. We want our sons and daughters to know that they are the citizens of the most exceptional nation in the history of the world,” Trump said.

He also denounced the New York Times’ 1619 Project, which has been awarded a Pulitzer Prize for its aim to teach American students about slavery, ‘toxic propaganda’.

Trump is instead going to launch a national commission to promote patriotic education, which will be called the 1776 Commission.

Mike and a number of the peeps on Twitter naturally aren’t impressed, making the obvious comparison to the Hitler Youth, the perverted Nazi version of the boy scouts.

https://voxpoliticalonline.com/2020/09/18/donaldtrump-accused-of-launching-us-version-of-hitleryouth/

In fact, it looks far more to me like the way Mussolini’s Fascists and the Nazis reformed the Italian and German school system to indoctrinate their countries’ young people with their perverted ideas and values. For example, Declaration 1 of the Italian Fascist School Charter of 1939 states

Schools are the cornerstone of the solidarity that binds together all social forces, from the family to the corporation to the party. They shape the human and political conscience of new generations in the moral, political and economic unity of the Italian nation whose full realization is found in the fascist state.

Fascist schooling has as its aim to introduce a popular culture inspired by the eternal values of the Italian race and its civilisation, into the realm of practice by means of study (understood as the shaping of mature human subjects). Through the promotion of work, schools bring this culture to bear on the concrete activities carried out by the trades, arts, professions, sciences and armed forces.

Olivia E. Sears, trans., ‘Excerpts from the School Charter: The Twenty-Nine Declarations: Principles, Goals and Methods of Fascist Schools (1939)’, in Jeffrey T. Schnapp, ed., A Primer of Italian Fascism (Lincoln: University of Nebraska Press 2000), 314-7, p. 314.

I don’t think Trump’ll go as far as the Nazis in their reform of the German education. They introduced special courses on the origins of the Nazi party and biology, stressing Mendelian genetics. I also don’t think that, unlike the Nazis, he’ll start issuing school leavers with a 10 point eugenics plan for their lives, telling them ‘health is a precondition of eternal beauty – choose not a playmate but a comrade for marriage – wish for as many children as possible’. Though Toby Young’s a supporter of eugenics, so you wonder about him. Trump also won’t go as far as introducing the history syllabus suggested in the Nazi National Socialist Educator, in which senior secondary schoolchildren were to be taught that everything from the industrial unrest and profiteering of pre-First World War Germany, it’s defeat and the chaos and dismemberment afterwards were all caused by the Jews. In weeks 25-28 on that course the poor souls got to be taught about Adolf Hitler and National Socialism, declared to be ‘Judah’s Foe!’. In weeks 33-6 to they had ‘National Socialism at grips with crime and the underworld’ foisted on them, which was supposed to teach them about ‘Jewish instigators of murder’. The course finally ended with ‘Germany’s youth at the helm! The victory of faith.’ This was described as ‘The last fight against Judah’. The syllabus recommended the appropriate reading matter for each section. For Adolf Hitler this included Mein Kampf, and at the end included the Reich Party Congress.

(See ‘A Nazi History Syllabus’ in D.G. Williamson, The Third Reich (Harlow: Longman 1982) p. 86.)

I bet the poor kids could hardly contain their boredom. On the other hand, Trump’s supporters and cabinet officials also included members of the White supremacist Alt Right, some of whom were anti-Semites. It’s a good question then, what they’d like to inflict on the minds of America’s kids.

History can be a particularly controversial area because of its role in shaping national identity and self-image. That’s especially true when it comes to issues of race and persecution. And that’s not confined to America. A few years ago one of the Conservative Australian politicos caused a furor when he declared that he was sick of the ‘black armband’ view of Australian history. By which he meant that Australians should constantly be taught about and feel guilty for the genocide of the Aboriginal people. The Tories would like to do the same thing with our education system. Michel Gove a few years ago also managed to annoy people, when he said he didn’t want the ‘Blackadder’ view of the First World War taught. Which neglects the fact that Blackadder is very definitely comedy.

The Tories want to impose on British schoolchildren a flag-waving, patriotic view of our country’s past and what it did around the world. But this would be to falsify history. Historians recognise that you can never get to an absolutely objective view history. But nevertheless, that is what you aim for as far as is possible. And you need to understand the history behind present-day political and social movements in order to make sense of them. You don’t have to be supporter of Black Lives Matter, for example, to recognise that it’s a powerful movement that does have the support of very many people, and that the movement’s rise can be explained through the history of persecution of American and British Blacks.

Trump’s announcement also seems to follow some of the movements among the local, state schoolboards in the US. A few years ago the Republican administration in Arizona voted to take the civil rights movement of the school syllabus, arguing that it was decisive or some such nonsense. What did they decide to replace it with? Readings from the speeches of Ronald Reagan. We’re almost back to Nazi Germany and the enforced reading of Hitler’s Mein Kampf in schools, and the various other wretched dictatorships around the world, whose citizens had to consume their leader’s literary efforts. Like Chairman Mao and his little red book in China. Reagan at least praises freedom and democracy, but the reality for the South American victims of the American empire was Fascism and mass murder during his tenure of the White House.

A week or so ago Trump banned the teaching of critical race theory to the police and other departments of the American state. And I think he was quite right. Critical race theory states, quite overtly, that all Whites are racist and that any institution established by Whites is therefore automatically discriminatory to people of colour. It is itself a nasty, racist doctrine that should have no place being taught for the same reason that White supremacist ideology shouldn’t either. But Trump’s demand that American schooling should be even more patriotic is wrong and deeply troubling.

He seems to want Americans to support their country ‘right or wrong’. Which brings to my mind a line from the 1980s British space detective series Star Cops. Interviewing a suspect, the hero Nathan Spring remarks of the other’s patriotism, ‘My country right or wrong, eh?’

‘There are worse philosophies.’

‘Yes, most of them start with that one.’

It’s the same with Trump’s view of history. This is another, troubling move towards Fascism with ideology taught as fact. It is not education. It is indoctrination and propaganda.