Archive for the ‘Egypt’ Category

Sokal and Bricmont on the Harm Done to Developing Countries by Postmodernism

July 10, 2021

I’ve put up a number of articles recently attacking various forms of postmodernism, such as Critical Race Theory, for their radical rejection of Enlightenment values of rational debate and liberalism. In the case of Critical Race Theory, this has produced an ideology with definite Fascistic characteristics in its appeal to irrationalism, feelings and racial feeling against Western rationalism, which is held to be a form of enslavement when taken up by or foisted on Blacks. This is exactly like the Nazi denunciation of democracy as a Jewish plot to enslave Aryan Germans. Postmodernism is modern philosophy that explicitly preaches radical scepticism. It states that there is no such thing as objective fact and questions scientific objectivity with the claim that scientific theories are merely the product of particular historical events. It was developed by radical sociologists of science, such as the French scholar Bruno Latour, from the work of Willard Quine and Paul Feyerabend. Latour’s anti-scientific scepticism went so far as to question the death of one of the pharaohs from tuberculosis, as suggested by medical researchers in the ’70s. He did so, not because of any medical evidence suggesting another cause, but because tuberculosis was only identified as a specific disease in the 19th century. He stated that the disease only began when it was discovered by Koch, and so couldn’t have existed back in ancient Egypt to kill the pharaoh.

One of the first major attacks on Postmodernism was by the American mathematicians and physicist Alan Sokal and the Belgian philosopher Jean Bricmont. Sokal had kept a dossier of postmodernist papers which cited scientific and mathematical concepts and terminology, but were in fact utterly nonsensical. The two published a book based on these, Intellectual Impostures, which showed how these philosophers abused science and maths. Sometimes they had a vague notion what they were talking about, but the concepts cited were used loosely with no explanation why they were supposed to be relevant to what was supposed to be the subject of their papers, like psychoanalysis. In short, they were attempts by the postmodernists to make their arguments sound more impressive than they really were by couching them in incomprehensible prose and arbitrarily selected bits and pieces of science and maths.

They write that postmodernism is harmful in the Developed World, but the real damage is being done in the Developing World through the postmodernist demand for respect for indigenous traditions, even when they are exploitative, citing a left-wing Indian activist and scientist, Meera Nanda. They write

Unfortunately, postmodern ideas are not confined to European philosophy departments or American literature departments. It seems to us that they do the most harm in the Third World, where the majority of the world’s population live and where the supposedly ‘passe’ work of the Enlightenment is far from complete.

Meera Nanda, an Indian biochemist who used to work in the ‘Science for the People’ movements in India and who is now studying sociology of science in the United States, tells the following story about the traditional Vedic superstitions governing the construction of sacred buildings, which aim at maximizing ‘positive energy’. An Indian politician, who found himself in hot water, was advised that

‘his troubles would vanish if he entered his office from an east-facing gate. But on the east side of his office there was a slum through which his car could not pass. [So he] organized the slum to be demolished.’

Nanda observes, quite rightly, that

‘If the Indian left were as active in the people’s science movement as it used to be, it would have led an agitation not only against the demolition of people’s homes, but also against the superstition that was used to justify it… A left movement that was not so busy establishing ‘respect’ for non-Western knowledge would never have allowed the power-wielders to hid behind indigenous ‘experts’.

I tried out this case on my social constructionist friends here in the United States … [They told me] that seeing the two culturally bound descriptions of space at par with each other is progressive in itself, for then neither can claim to know the absolute truth, and thus tradition will lose its hold on people’s minds.

From Sokal and Bricmont, Intellectual Impostures (London: Profile Books 1998) 94-5.

Now, 23 years after that was written, the philosophical and moral relativists who demanded a completely uncritical respect for indigenous tradition are demanding that it should be incorporated into western science and culture in order to decolonise them. Thus we had the squalid spectacle of a video that appeared a little while ago of a debate in a South African university in which a Black student angrily claimed that western science was racist because it did not accept that African shamans could cause it to rain. The reason why science does not do so is because the supernatural is, by its nature, beyond and outside science’s purview.

But such radical postmodernism and attacks on science and rationality threaten the very foundations of civilisation and spread ignorance and prejudice, leading to the further impoverishment and exploitation of the very people the postmodernists claim to want to help.

James Lindsay Versus the Postmodernists Who Think 2+2=4 Is Racist

July 10, 2021

No, I’m really not making this up. This is what some of the idiots who support Critical Race Theory actually believe. And it really does frighten me what will happen if this morons ever get the power they’re aiming for.

I came across the video from The Same Drugs in which host Meghan Murphy talks to James Lindsay. Murphy’s a feminist, who graduated in gender studies. She’s very definitely on the left and says that her views on welfare and the economy are socialist. However, she now describes herself as a liberal because of the immense importance of defending free speech and debate. Lindsay is also a man of the left. He’s a doctor of mathematics, although he says that he’s been away from the discipline for so long that he wouldn’t describe himself as a mathematician. He’s a member of the group with Peter Boghossian and Helen Pluckrose that attacks and refutes Critical Race Theory and the other forms of Postmodernism which reject rationality, evidence and reasoned debate because these are all supposed to be the oppressive values of White males.

I started watching this video, but didn’t get any further than about ten minutes because I was so astonished at what I was hearing. Lindsay apparently got into an internet argument with radical postmodernists and racial activists, who really do believe that 2+2=4 is a form of colonial oppression. Lindsay says the fight started when he put up a kind of Devil’s Dictionary in the tradition of Ambrose Bierce, giving satirical definitions of words sending up CRT and related ideologies. In this instance, it was about Critical Race Theorists rejecting 2+2=4 because by choosing four as the solution, other values were suppressed. This was then picked up by his opponents on the other side, who then posted on Twitter and social media that, yes, 2+2=4 was racist. One of these was the woman in charge of decolonising Seattle’s educational curriculum. Another was a Guardian hack, who snidely posted that it was rich of him to say that while using Arabic numerals. He points out that she couldn’t refute his mocking definition, because that really was what she believed. She could only respond by attacking him. And then he was met by a flood of people trying to prove that 2+2=5. When asked if you can do this, he replies by saying that it isn’t. All the proofs they’re using are wrong. This was then followed by people talking about how western traders cheated the various indigenous peoples around the world, who can’t count beyond three. Yes, they also exist. This was to show that 2+2=4 really was part of an ideology of imperialist and colonialist oppression. Lindsay states that the people arguing against him were maths educators rather than mathematicians, including someone on a science and technology course at Edinburgh University in Scotland.

This is genuinely frightening as it’s a rejection of one of the simplest, foundational sums of mathematics, and by extension, all maths simply for reasons of ideology. Of course people have been speculating that their might be other regions in the cosmos or multiverse in which 2+2=5 for some time. There’s a bit in the Tim Burton SF flick, Mars Attacks, in which Piers Brosnan’s scientist character explains this to a fashion journalist. Back in the 1990s I picked up a postmodernist book on maths, which claimed it was taking God out, and the body back in. And when I was at school there were various books for children which contained trick sums that gave stupid values for simple sums like 2+2=4. These were always based on a carefully concealed mistake.

Well, western maths goes all the way back to ancient Sumeria, Babylon and Egypt, and I’m very certain that these African and Asian cultures knew exactly that 2+2=4. As did the superb mathematicians of Islam, India, China and Japan. And I think it’s insulting to any Black people wishing to study maths and science that these idiots are now telling them that the foundational principles of western mathematics aren’t suitable for them and are a form of ideological enslavement which must be torn down in order to decolonise the discipline.

I am sure the people, who believe this nonsense regard themselves as intellectual sophisticates at the very cutting edge of maths and progressive politics. But I think they’re really just barbarians, who will wreck maths and science with pseudointellectual gibberish, destroying western civilisation for an intellectually bankrupt, racist ideology.

Marvel Studios’ Teaser Trailer for the Eternals Movie

May 24, 2021

Marvel have released the teaser trailer for the movie of their comic, The Eternals. This shows a race of highly advanced, superpowered people landing on prehistoric Earth to teach early humanity. The voiceover announces that they’ve watched us create some splendid achievements, but have never interfered. Until now. There’s then scenes of them making their presence known, and family gathering in which a juvenile member talks about leading the Avengers and them all joking about it. The movie debuts in November.

After watching this, I’m in two minds about going to see it. I’m not really into superhero movies. Don’t get me wrong, I don’t hate them. It’s just that I’ve no interest in most of them. I loved the original Superman flicks when they came out in the ’70s -80s with Christopher Reeve as the Man of Steele. I like the first Guardians of the Galaxy movie, and I actually think the Ang Lee Hulk movie is seriously underappreciated.

I actually got choked up a bit when I saw it at our local cinema. Yeah, it took liberties with the Hulk’s origin, but it actually got the tone of the book right. The Hulk was always a profoundly countercultural figure. Banner was a former nuclear scientist conducting bomb tests for the military. His girlfriend was the daughter of the senior officer in charge of the project. He was exposed to the gamma radiation that turned him into a ‘raging behemoth’, in Smilin Stan’s somewhat overheated prose, by rescuing a disaffected teenager, Rick, who had driven into the testing range playing his harmonica. I think the model for the character was probably James Dean in Rebel Without A Cause and similar teen anti-heroes. Banner threw him into the protective trench just in time to save him from the blast, but was himself caught in release of deadly radiation as the bomb detonated. And the army Banner served hated his alter ego. The army was determined to hunt him down, and so the Jolly Green Giant was constantly fighting running battles with the American military. And with the revelations of atrocities by American forces during the Vietnam War and the Watergate scandal, in some of the strips Banner was critical of the military and the dehumanisation of ordinary soldiers who participated in covert military experimentation. I am not surprised it flopped when it pitched its hero against the American army at a time when the American, British and European public were all being urged to support our troops during the War on Terror.

But I got choked up on the flick because it was faithful to that aspect of the strip. And in the scenes when the Hulk faces down and fights his father, who has also used the gamma ray process to become the supervillain, the Absorbing Man, they were shot almost exactly like the comic’s depiction of the Hulk’s battles with superpowered enemies. At least as they were drawn by mighty Bill Mantlo.

And then there was the nod right at the end to the Hulk TV series starring Bill Bixby and Lou Ferrigno. This is the scene where a group of paramilitaries walk into a camp where Banner is giving medical care to the local Latin American peasants. They declare they’re seizing his drugs and supplies. Banner naturally objects with the classic line ‘Don’t make me angry. You wouldn’t like me when I’m angry’. All the while the camera is pulling upward until all you see is the tops of the trees. And then it ends with the Hulk’s roar.

Blow what the critics think, I thought it was awesome!

But back to the Eternals. They were drawn by Jack Kirby, and first appeared over this side of the Pond in Star Wars Weekly, if I remember correctly. The strip was based on the theories of Erich von Daniken. He’s the Swiss hotelier and the author of Chariot of the Gods and its various sequels, which claimed that humanity had been visited by spacefaring aliens in antiquity, who’d been worshipped as gods. Alien expertise were behind the construction of various monuments, like the pyramids, the Easter Island heads. The mysterious Nazca lines out in the Chilean desert weren’t made by the genius of the pre-Columbian Indian peoples. No! They were landing strips for the aliens’ spaceships. His ideas have been extensively debunked, most notably in Crash Go The Chariots. But they still exert a certain influence on the ancient astronaut crowd, along with the bonkers theories of Zechariah Sitchin and his wretched Nephilim.

In the strip, the Eternals were a sister race to humanity. Both peoples were the results of experimentation on ancient pre-human apes by the Celestials. These were fifty foot tall ‘space gods’, encased entirely in space armour and possessed of immense powers. The Eternals were blessed with immortality, highly advanced technology, and superpowers. Their names recalled those of the Graeco-Roman divinities. One of the leaders of the Eternals in their dealing with humanity was Ikaris, whose name is obviously a form of Icarus, the son of the inventor Daedalus, who died because he flew too close to the sun. Alongside the benign Eternals were a malign third race, the Deviants. Make up your own jokes here. I wonder if they’re going to be in the film, and if they are, whether they’ll give them a different monicker because of its sexual connotations. While the genomes of humans and Eternals were genetically stable, that of the Deviants very definitely wasn’t. They were thus monstrous in appearance, and were bitterly jealous of the handsome appearance of their cousins. Human-looking Deviants were hated and persecuted, forced to fight against each other in gladiatorial combat and the Deviants were constantly seeking ways to destroy humanity.

Meanwhile, the Space Gods themselves had returned to Earth to judge the results of their experiments. They would take fifty years doing so, during which time they remained immobile and hidden at the sites of their ancient landings and cults. If humanity was judged a failure, the Celestials would destroy us.

I liked it because at the time I was really into the possibility of ancient astronauts, and Kirby’s art was magnificent. He’d taken pains to educate himself about science and cosmology, and nobody drew ‘cosmic’ like Jolly Jack. Even now I’d say that he’s peerless in his depiction of alien gods and godlike beings like the Celestials and Galactus. In the 1970s he was approached to provide the concept art for a film of Roger Zelazny’s novel, Lord of Light. This fell through, but the idea and his art was later used by the CIA as a cover for rescuing American hostages in Iran. If you see some of it, you’ll see just how impressive Kirby was.

Kirby’s Art for the abortive film, Lord of Light, from Desirina Boskovich, Lost Transmissions – The Secret History of Science Fiction, Film and Fantasy (New York: Abrams Image 2019) 234.

But I’m in two minds about this movie.

I was fascinated by the Celestials themselves. They were huge, ridiculously powerful, and totally alien. They were roughly humanoid, with the same number of arms and legs, but encased in armoured suits that suggested more the gods of the ancient, primal societies of some Amerindian peoples and ancient Japan. They also had no interest in communicating with us whatsoever. When they returned, their emissary just took up his position in an ancient Mayan/ Aztec temple and then stood stock still. This was how he’d remain for the next fifty years. And the Celestials made it very clear that they wanted to be left alone. When a villainous scientist ignores the urgings of the Eternal Ikaris, in human disguise as Ike Harris, to leave, the Celestial uses his advanced technological powers to transform him into a cube of inert matter. The scientist will remain in this state for the next fifty years, when he will be restored when the Space Gods pronounce their final judgement on humanity.

They were like true aliens in that they were incomprehensible. And genuinely awesome in their immense power. You couldn’t challenge them, you couldn’t negotiate with them or even talk to them. You could only stay out of their way.

But the trailer doesn’t show them. The Guardians of the Galaxy showed glimpses of them, which is one of the reasons I like them. Apart from the fact that they also had Steve Gerber’s avian hero from a parallel dimension, Howard the Duck. I’d like them to be in the flick, and that they are as powerful and awesome as they were in the original comics and in their very brief appearances in the two Guardians movies.

But I’m afraid they won’t, or they will be underused, and that the film will be simply another superhero movie, as enjoyable as they are for Marvel aficionados. At the moment I’m cautiously optimistic, as Cosmic Book News and other SF/Fantasy/comics websites have covered photos released way back in 2019 showing the Space Gods tombs. These were originally passed off as sets for the latest Star Wars movie, but later revealed to be for The Eternals film. And they do show the influence of Jolly Jack.

See: Eternals Set Images Reveal Jack Kirby Influence | Cosmic Book News

This might make the film worth seeing, just for another reminder of the sheer cosmic awesomeness of Kirby’s creations.

Private Eye on Johnson’s Appointment of Neocon as Anti-Extremism Chief

April 14, 2021

A few weeks ago the Labour left staged an event on Zoom in which a series of Labour MPs and activists, including the head of the Stop the War Coalition, explained why socialists needed to be anti-war. They stated that after going quiet following the debacles of the Iraq invasion, Libya and elsewhere, the Neocons were being rehabilitated. There was therefore a real danger that the ideology behind those wars was returning, and Britain and America would embark on further imperialist, colonialist wars. And now, according to this fortnight’s Private Eye, for 16th – 29th April, 2021, Boris Johnson has appointed Robin Simcox, a Neocon, as head of the government’s Commission on Countering Extremism. Simcox is a member of the extreme right-wing Henry Jackson Society, firmly backing the wars in the Middle East. He also supported the rendition of terrorists to countries, where they would be tortured, as well as drone strikes and detention without trial. And when he was in another right-wing American think tank, the Heritage Foundation, he objected to White supremacist organisations also being included in the American government’s efforts to counter violent extremism.

The Eye’s article about his appointment, ‘Brave Neo World’, on page 14, runs

Robin Simcox, appointed as the new head of the government’s Commission on Countering Extremism (CCE), has neoconservative view that will themselves seem pretty extreme to many observers. He replaces Sara Khan, the first head of the CCE, which Theresa May set up in 2017 as “a statutory body to help fight hatred and extremism”.

Simcox was researcher at the neoconservative think tank the Henry Jackson Society (HJS), before leaving for the US to become “Margaret Thatcher fellow” at the conservative Heritage Foundation. He was also a regular contributor to Tory website ConservativeHome, writing there in 2011 that David Cameron was wrong to criticise neoconservatives “what has been happening in the Middle East is proving the neocons right” (ie that invasions could build democracies.

In a 2013 study for the HJS, Simcox argued: “Rendition, drones, detention without trial, preventative arrests and deportations are the realities of the ongoing struggle against today’s form of terrorism; they are not going to disappear, because they have proved extremely effective.” Rendition meant the US and UK handing terror suspects over to nations such as Libya or Egypt so they could be tortured for information. He complained that politicians “failed to adequately explain to the public” why these methods were needed and were “failing to explain that the complexities of dealing with modern-day terrorism meant that not all roads lead to a court of law”.

Simcox spent many years looking at Islamist terrorism, but at the Heritage Foundation he argued that making “white supremacy” the subject of a “countering violent extremism policy” was mostly driven by “political correctness” and could be “overreach”, regardless of the terrorist acts by white racists in the UK, US and elsewhere.

Simcox has been appointed interim lead commissioner of the CCE, possibly because bring him in as a temp means his recruitment wasn’t subject to the same competition and inspection as a permanent appointment.

Johnson has therefore appointed as head of the commission an extreme right-winger, who supports unprovoked attacks on countries like Iraq and Libya. The argument that these invasions were intended to liberate these nations from their dictators was a lie. It was purely for western geopolitical purposes, and particularly to remove obstacles to western political hegemony and dominance of the oil industry in the region. In the case of Iraq, what followed was the wholesale looting of the country. Its oil industry was acquired by American-Saudi oil interests, American and western multinationals stole its privatised state industries. The country’s economy was wrecked by the lowering of protectionist trade tariffs and unemployment shot up to 60 per cent. The country was riven with sectarian violence between Sunni and Shia, American mercenaries ran drugs and prostitution rings and shot ordinary Iraqis for kicks. The relatively secular, welfare states in Iraq and Libya, which gave their citizens free education and healthcare vanished. As did a relatively liberal social environment, in which women were to be regarded as equals and were free to pursue careers outside the home. And western intervention in the Middle East created an environment leading to the further, massive growth in Islamist extremism in al-Qaeda and then Daesh. And this has led to the return of slavery. This was Islamist sex-slavery under Daesh in the parts of Iraq under their jackboot, while Black Africans are being enslaved and sold by Islamists in slave markets that have reappeared in Libya.

Domestically, Simcox’s appointment is also ominous. He clearly doesn’t believe in human rights and the protection of the law. Just as he doesn’t believe in tackling White supremacist extremism, even though at one point there were more outrages committed by White racists than Islamists.

His appointment is part of continuing trend towards real Fascism, identified by Mike over at Vox Political, of which the Tories proposed curtailment of the freedom to demonstrate and protest in public is a major part. At the same time, it also appears to bear out the Labour left’s statement that the warmongers responsible for atrocities like Iraq and Libya are coming back. And I fear very much that they will start more wars.

The people warning against this and organising to defend real freedom of speech is the Labour left, whatever the Tories might say about ill-thought out legislation designed to outlaw ‘hate speech’. We need to support left politicos like Richard Burgon, Bell Ribeiro-Addy, Diana Abbott and Apsana Begum. The last three ladies, along with former head of Liberty, Shami Chakrabarti, held another Zoom event as part of the Arise festival of left Labour ideas, Our right to resist – the Tory attacks on our civil liberties & human rights, in March. We need to support the Stop the War Coalition, because I’m afraid the Tories and the Blairite right in the Labour party will start more wars.

Blair lied, people died. And Johnson lies as easily and as often as other people breathe. If not stopped, the Neocons will start more wars and more innocents will be massacred for the profit of big business.

My Letter to Councillors Lake and Craig About their Slavery Reparations Motion

March 11, 2021

Last week Bristol city council passed a motion supporting the payment of reparations for slavery to Black Britons. The motion was brought by Cleo Lake, a Green councillor for Cotham, and seconded by Asher Craig, the city’s deputy mayor and head of equality. Lake stated that it was to include everyone of ‘Afrikan’ descent as shown by her preferred spelling of the word with a K. She claimed this was the original spelling of the continent before it was changed by White Europeans. The reparations themselves would not be a handout, but instead funding for schemes to improve conditions for the Black community to put them in a position of equality with the rest of society. The schemes were to be guided and informed by the Black communities themselves.

This is all well and good, and certainly comes from the best of motives. But it raises a number of issues that rather complicate matters. Apart from her eccentric spelling, which looks to me like Afrocentric pseudohistory, there is the matter of who should be the proper recipient of these payments. Arguably, it should not include as Africans, as it was African kingdoms and chiefs who actually did the dirty business of raiding for slaves and selling them to European and American merchants.

Then there is the fact that the payment of reparations for slavery in the instance also sets a general principle that states that every nation that has engaged in slaving should pay reparations to its victims. So, are the Arab countries and India also going to pay reparations for their enslavement of Black Africans, which predates the European slave trade? Are Morocco and Algeria, the home countries of the Barbary pirates, going to pay reparations for the 2 1/2 million White Europeans they carried off into slavery?

And what about contemporary slavery today? Real slavery has returned in Africa with slave markets being opened by Islamists in their areas of Libya and in Uganda. What steps are being taken to counter this, or is the city council just interested in historic European slavery? And what measures are being taken by the council to protect modern migrants from enslavement? A few years ago a Gloucestershire farmer was prosecuted for enslaving migrant labourers, as have other employers across the UK. And then there is the problem of sex trafficking and the sexual enslavement of migrant women across the world, who are frequently lured into it with the lie that they will be taken to Europe and given proper, decent employment. What steps is the council taking to protect them?

I also don’t like the undercurrent of anti-White racism in the motion. By including Africans, Lake and Craig are attempting to build up and promote a unified Black British community by presenting the enslavement of Black Africans as something that was only done by Whites. This is not only historically wrong, but it promotes racism against Whites. I’ve heard Black Bristolians on the bus talking to their White friends about other Whites they know in the Black majority parts of Bristol, who are suffering racist abuse. Sasha Johnson, the leader of Black Lives Matter in Oxford, was thrown off Twitter for advocating the enslavement of Whites. Lake’s and Craig’s motion, while well meant, seems dangerous in that it has the potential to increase Black racism towards Whites, not lessen it.

I therefore sent the following letter to councillors Lake and Craig yesterday. So far the only answer I’ve received is an automatic one from Asher Craig. This simply states that she’s receiving a large amount of messages recently and so it may take some time before she answers it. She also says she won’t respond to any message in which she’s been copied. As I’ve sent the email to both her and Lake, it wouldn’t surprise me if this means that I don’t get a reply at all from her. Councillor Lake hasn’t sent me any reply at all. Perhaps she’s too busy.

I do wonder if, by writing this letter, I’m setting myself up for more condescension and gibes about my race and gender by Craig and Lake. When I Craig a letter expressing my concerns about the comments she made about Bristol and slavery on the Beeb, which I believed were flatly untrue, I did get a reply. This simply asserted that I wouldn’t make such comments if I had heard the whole interview, but gave no further information. It ended by telling me that their One Bristol schools curriculum would promote Black Bristolians, both Caribbean and African. They would be inclusive, ‘which hasn’t always happened with White men, I’m afraid’. So no facts, no proper answers, just evasions and the implication that I was somehow being racist and sexist, because I’m a White man.

Nevertheless, I believe very strongly that these a real issues that need to be challenged, rather than ignored or simply gone along with for the sake of a quiet life, or the desire to be seen to be doing the right thing.

I blogged about this a few days ago, and will write something further about any reply I receive, or the absence of one. As I said, I feel I’m setting myself up for patronising sneers and evasions from them, but it will be interesting to read what they have to say.

Dear Madam Councillors,

Congratulations on the passage of your motion last week calling for the payment of reparations for slavery to the Black British community. I am writing to you not to take issue with the question of paying reparations and certainly not with your aim of creating a sustainable process, led and guided by Black communities themselves, to improve conditions for the Black British community. What I wish to dispute here is the inclusion of Black Africans as equal victims of the transatlantic slave trade, as well as other issues raised by your motion.. Black Africans were not just victims of transatlantic slavery..  They were also trading partners, both of ourselves and the other nations and ethnicities involved in the abominable trade.

I’d first like to question Councillor Lake’s assertion that Africa was originally spelt with a ‘K’ and that Europeans changed it to a ‘C’. We use the Latin alphabet, which the Romans developed from the Etruscans, both of which cultures were majority White European. I am not aware of any African culture using the Latin alphabet before the Roman conquest of north Africa. The ancient Egyptians and Nubians used hieroglyphs, the Berber peoples have their own ancient script, Tufinaq, while Ge’ez and Amharic, the languages of Christian Ethiopia, also have their own alphabet. The Coptic language, which is the last stage of the ancient Egyptian language, uses the Greek alphabet with some characters taken from Demotic Egyptian. And the Arabic script and language was used by the Muslim African cultures before the European conquest of the continent. I am therefore at a loss to know where the assertion that Africans originally spelt the name of themselves and their continent with a ‘K’.

Regarding the issue of Africans receiving reparations for slavery, it existed in the continent long before the development of the transatlantic slave trade in the 15th century. For example, in the early Middle Ages West African kingdoms were using slaves in a form of plantation agriculture to grow cotton and foodstuffs. Black Africans were also enslaved by the Arabs and Berbers of North Africa, and the first Black slaves imported into Europe were taken to al-Andalus, Muslim Spain. And when the European transatlantic slave trade arose, it was carried on not just by Europeans but also by powerful African states such as Dahomey, Whydah, Badagry and others in West Africa. These states were responsible for enslaving the surrounding peoples and selling them to European and later American slave merchants. There were occasional slave raids by Europeans themselves, as was done by Jack Hawkins. But mostly the European slave traders were confined to specific quarters in the West African city states, which were sufficiently strong to prevent European expansion inland.

The British mostly took their slaves from West Africa. In eastern Africa the slave trade was conducted by the Arabs, Portuguese and the Dutch, who transported them to their colonies further east in what is now Indonesia. There was also a trade in African slaves in the 19th century by merchants from India. It was also carried out by east African peoples such as the Ngoni, Yao, Balowoka, Swahili and Marganja. These peoples strongly resisted British efforts to suppress the slave trade. In the late 1820s one of the west African slaving nations attacked a British trading post with the aim of forcing the British to resume the trade. In the 1850s the British fought a war against King Guezo of Dahomey with the intention of stamping out slaving by this west African state. In the 1870s the British soldier, Samuel Baker, was employed by the Khedive Ismail of Egypt to suppress Arab slaving in what is now the Sudan and parts of Uganda. The campaign to suppress the slave trade through military force formed part of the rationale for the British invasion of the continent in the Scramble for Africa. But it was also to protect their newly acquired territories in the Sudan and Uganda from slave-raiding by the Abyssinians that the British also launched a punitive expedition into that nation. And the Mahdi’s rebellion in the Sudan, in which General Gordon was killed, was partly caused by the British authorities’ attempts to ban the slave trade and slavery there.

In addition to the use of force, the British also attempted to stamp it out through negotiations. Talks were opened and treaties made with African kings as well as the Imam of Muscat, the suzerain of the east African slave depots and city states, including Zanzibar and Pemba. Subsidies were also paid to some African rulers in order to pay them off from slaving.

I am sure you are aware of all of this. But regrettably none of it seems to have been mentioned in the motion, and this greatly complicates the issue of reparations for slavery. Firstly, there is the general question of whether any Africans should receive compensation for slavery because of the active complicity of African states. So great has this historic involvement in the transatlantic slave trade been that one commenter said that when it came to reparations, it should be Africans compensating western Blacks. Even if it’s conceded that reparations should be paid to Africans for slavery, this, it could be argued, should only apply to some Africans. Those African nations from which we never acquired our slaves should not be compensated, as we were not responsible for their enslavement or the enslavement of other Africans.

When it comes to improving conditions and achieving equality for Bristol and Britain’s Black communities, I do appreciate that Africans may be as underprivileged and as subject to racism as Afro-Caribbeans. I don’t dispute here either that they should also receive official aid and assistance. What is questionable is including them in reparations for slavery. It should be done instead, in my view, with a package of affirmative action programmes, of which reparations for slavery for people of West Indian heritage is one component. This would mixed amongst other aid policies that equally cover all sections of the Black community. I am not trying to create division here, only suggest ways in which the issue of reparations should in accordance with the actual historical roles of the individual peoples involved in the slave trade.

And this is another matter that concerns me about this motion. It seeks to simplify the African slave trade into White Europeans preying upon Black Africans. It appears to be an attempt to promote a united Black community by placing all the blame for slavery and the slave trade on Whites. This is completely ahistorical and, I believe, dangerous. It allows those states that were involved to cover up their involvement in the slave trade and creates hostility against White British. The Conservative journalist Peter Hitchens, speaking on LBC radio a few weeks ago, described how an Ethiopian taxi driver told him that he hated the British, because we were responsible for slavery. He was completely unaware of his own cultures participation in slavery and the enslavement of other African peoples. I’m sure you are also aware that Sasha Johnson, the leader of Black Lives Matter Oxford and the founder of the Taking the Initiative Party, was thrown off Twitter for a tweet advocating the enslavement of Whites: ‘The White man will not be our equal. He will be our slave. History is changing’. I am also concerned about possible prejudice being generated against White members of majority Black communities. I have heard Black Bristolians telling their White friends about the abuse other White people they know get in some  majority Black or Asian parts of Bristol because of their colour. I appreciate the need to protect Black Bristolians from prejudice and abuse, but feel that this also needs to be extended to Whites. Racism can be found in people of all colours.

The lack of discussion of African involvement in the slave trade also concerns me just as a matter of general education. Councillor Craig said in an interview on BBC television during the BLM protests that she would like a museum of slavery in Bristol, just as there is in Liverpool and Nantes. I feel very strongly that any such museum should put it in its proper, global context. White Europeans enslaved Black Africans, yes, but slavery was never exclusive to White Europeans. Other nations and races throughout the world were also involved.

The question of reparations also brings up the issue of possible payments for White enslavement and the question of measures to suppress the resurgence of slavery in Africa. As you are no doubt aware, White Europeans also suffered enslavement by north African pirates from Morocco and Algeria. It is believed about 2 ½ million Europeans were thus carried off. This includes people from Bristol and the West Country. If Britain should pay compensation to Blacks for enslaving them, then by the same logic these nations should pay White Britons reparations for their enslavement. Would you therefore support such a motion? And do you also agree that the Muslim nations, that also enslaved Black Africans, such as Egypt and the Ottoman Turkish Empire, as well as Morocco, should also pay reparations to the descendants of the people they enslaved?

Apart from Britain’s historic role in the slave trade, there is also the matter of the resurgence of slavery in Africa today. Slave markets have been opened in Islamist-held Libya and Uganda. I feel it would be unjust to concentrate on the historic victims of slavery to the exclusion of its modern, recent victims, and hope you agree. What steps should Bristol take to help suppress it today, and support asylum seekers, who may have come to the city fleeing such enslavement?

This also applies to the resurgence of slavery in Britain. There have been cases of migrant labourers being enslaved by their employers in Gloucestershire, as well as the problem of sex trafficking. What steps is the city taking to protect vulnerable workers and immigrants here?

I hope you will appreciate the need for proper education in Bristol about the city’s role in the slave trade and the involvement of other nations, one that does not lead to a simplistic blaming of all of it on White Europeans, as well as the question the issue of reparations raises about the culpability of other nations, who may also be responsible for paying their share.

Yours faithfully,

Not All Africans Were the Victims of European Slavery – Some Were the Slavers

March 5, 2021

As I mentioned in a previous post, a few days ago Bristol city council passed a motion brought by Green councillor Cleo Lake and seconded by Labour deputy mayor and head of equalities Asher Craig supporting the payment of reparations to the Black community for slavery. Bristol becomes the first town outside London to pass such a motion. Although the motion is a radical step, on examination it seems not so very different from what Bristol and other cities are already doing. Lake herself said something like the reparations weren’t going to be a free handout for everyone, or something like that. The motion, as I understand it, simply calls for funding for projects, led by the ‘Afrikan’ community itself, to improve conditions and create prosperity in Black communities so that they and their residents enjoy the same levels of opportunity and wealth as the rest of us Brits. This has been coupled with calls for ‘cultural reparations’. What this means in practice is unclear. It appears to me that it might include monuments to the people enslaved by Bristol and transported to the New World, the repatriation of stolen cultural artefacts or possibly more support for Black arts projects. But as far as I am aware, the city has already been funding welfare, arts and urban regeneration projects in Bristol’s Black majority communities, like St. Paul’s, since the riots forty years ago. It looks to me far more radical than it actually is.

The motion was passed by 47 votes to 11. Those 11 opposing votes came from the Tories. They stated that while the motion came from a ‘good place’, they were not going to vote for it because it was just reducing a complex issue to a binary. Mike in his piece about it says that it sounds like doubletalk to him. It does to me, too, but there might be a genuine issue there as well. Because Lake has made the motion about the ‘Afrikan’ community in Bristol as a whole, including both Afro-Caribbean and African people. Both these parts of Bristol’s Black community are supposed to qualify equally for reparations. Her eccentric spelling of the ‘African’ with a K exemplified this. She claimed that this was the originally spelling before Europeans changed it to a C. The K spelling indicated the inclusiveness of the African community. This looks like total hogwash. Western European nations use the Latin alphabet, which was developed by the Romans from the Etruscans. The Romans and the Etruscans were both Europeans. I am not aware of any Black African nation having used the Latin alphabet, let alone spelt the name of their continent with a K. The Berber peoples of north Africa have their alphabet, used on gravestones. The ancient Egyptians wrote in hieroglyphs. Coptic, the language of the indigenous Egyptian Christian church, which is descended from ancient Egyptian, uses the Greek alphabet with the addition of a number of letters taken from the demotic ancient Egyptian script. Ge’ez, the language of Christian Ethiopia, and its descendant, Amharic, also have their own scripts. It’s possible that medieval Nubian was written in the Latin alphabet, but it might also be that it was written in Greek. It therefore seems to me that K spelling of Africa is a piece of false etymology, invented for ideological reasons in order to give a greater sense of independence and antiquity to Africa and its people but without any real historical support.

At the same time there is a real difference between the experience of the descendants of enslaved Africans taken to the New World and the African peoples. Because the latter were deeply involved in the enslavement of the former. Some Europeans did directly enslave Africans through raids they conducted themselves, like the privateer Jack Hawkins in the 16th century. But mostly the actual raiding and enslavement of the continent’s peoples was done by other African nations, who sold them on to the Europeans. European slave merchants were prevented from expanding into the continent through a combination of strong African chiefs and disease-ridden environment of the west African coast. As a result, the European slave merchants were confined to specific quarters, like the ghettoes for European Jews, in African towns. Britain also mostly took its slaves from West Africa. The east African peoples were enslaved by Muslim Arabs, the Portuguese or by the Dutch for their colonies at the Cape or further east in what is now Indonesia.

Slavery also existed in Africa long before the arrival of the Europeans. Indeed, the kings of Dahomey used it in a plantation agricultural economy to supply food and cotton. They were also enslaved by the Arabs and Berbers of north Africa. The first Black slaves imported to Europe were taken to al-Andalus, Muslim Spain. The trans-Saharan slave trade survived until 1910 or so because the Europeans did not invade and conquer Morocco, one of its main centres.

Following the ban on the slave trade within the British Empire in 1807, Britain concluded a series of treaties with other nations and sent naval patrols across the world’s oceans in order to suppress it. Captured slavers were taken to mixed courts for judgement. If found guilty, the ship was confiscated, a bounty given to the capturing ship’s officers, and the slaves liberated. Freetown in Sierra Leone was specifically founded as a settlement for these freed slaves.

The reaction of the African peoples to this was mixed. Some African nations, such as the Egba, actively served with British sailors and squaddies to attack slaving vessels. I believe it was British policy to give them the same amount of compensation for wounds received in action as their White British comrades. Other African nations were outraged. In the 1820s there was a series of attacks on British trading stations on the Niger delta in order to force Britain to resume the slave trade. As a result, Britain fought a series of wars against the west African slaving states of Dahomey, Badagry, Whydah and others. On the other side of the Continent, Britain invaded what is now Uganda, Malawi, Zambia and Zimbabwe partly to prevent these countries being claimed by their European imperial rivals, but also to suppress slavery there. In the 1870s the British soldier, Samuel Baker, was employed by the ruler of Egypt, the Khedive Ismail, to stamp out slaving in the Sudan and Uganda. Later on, General Gordon was sent into the Sudan to suppress the Mahdi’s rebellion, one cause of which was the attempt by the British authorities to outlaw the enslavement of Black Africans by the Arabs. The Sudan and Uganda also suffered from raids for slaves from Abyssinia, and we launched a punitive expedition against them sometime in the 1880s, I believe. Some African chiefs grew very wealthy on the profits of such misery. Duke Ephraim of Dahomey in the 18th century had an income of £300,000 a year, far more than some British dukes.

Despite the efforts to suppress slavery, it still persisted in Africa. Colonial officials reported to the British government about the problems they had trying to stamp it out. In west Africa, local custom permitted the seizure of someone’s relatives or dependents for their debts, a system termed ‘panyarring’ or pawning. The local authorities in Sierra Leone were also forced to enact a series of reforms and expeditions further south as former slaves, liberated Africans, seized vulnerable local children and absconded to sell them outside the colony. Diplomatic correspondence also describes the frustration British officials felt at continued slaving by the Arabs and the collusion of the Ottoman Turkish authorities. While the Ottomans had signed the treaty formally outlawing the slave trade, these permitted individuals to have personal servants and concubines. The result was that slaving continued under the guise of merchants simply moving with their households. The Turkish authorities were generally reluctant to move against slavers, and when police raids were finally launched on the buildings holding suspected slaves, they found the slaves gone, taken elsewhere by their masters.

Slavery continued to survive amongst some African societies through the 20th century and into the 21st. The 1990s book, Disposable People, estimated that there were then 20 million people then enslaved around the world. Simon Webb, the Youtuber behind ‘History Debunked’, has said in one of his videos that the number is now 40 million. Slave markets – real slave markets – have been reopened in Uganda and in Islamist held Libya following the western-backed overthrow of Colonel Gaddafy.

From this historical analysis, some African nations should very definitely not be compensated or receive reparations for slavery, because they were the slavers. Black civil rights activists have, however, argued that the continent should receive reparations because of the devastation centuries of warfare to supply the European slave trade wrought on the continent. Not everyone agrees, and I read a comment by one diplomat or expert on the issue that, when it came to reparations, it should be Black Africans paying the Black peoples of the Americas and West Indies.

Nevertheless, Lake’s motion states that all Black Bristolians or British are equal victims of British enslavement. This seems to be a view held by many Black Brits. A reporter for the Beeb interviewed some of those involved in the Black Lives Matter protest last summer when the statue of the slaver Edward Colston was torn down in Bristol. The journo asked one of the mob, a young Black lad, what he thought of it. ‘I’m Nigerian’, said the lad, as if this explained everything. It doesn’t, as the Nigerian peoples practised slavery themselves as well as enslaving others for us and their own profit.

It feels rather churlish to raise this issue, as I’ve no doubt that people of African descent suffer the same amount of racial prejudice, poverty and lack of opportunity as West Indians. If the issue was simply the creation of further programmes for improving the Black community generally, then a motion in favour really shouldn’t be an issue. At the same time, if this was about general compensation for injustices suffered through imperialism, you could also argue that Black Africans would have every right to it there. But the issue is reparations for slavery and enslavement. And some Black Africans simply shouldn’t have any right to it, because they were the slavers.

It would be difficult if not impossible to create schemes for improving the condition of Britain’s Black community under the payment of reparations without including Africans as well as Black West Indians. But it also seems to me that the Tories unfortunately also have a point when they complain that Lake has reduced it to a binary issue. She has, simply by claiming that all ‘Afrikans’ were the victims of British enslavement.

And it’s been done in order to create an inclusive Black community, which ignores the different experiences of slavery by the various peoples that make it up, against White Bristol.

Book on Fascism in Black American Literature Between the Two World Wars

January 20, 2021

Mark Christian Thompson, Black Fascisms: African American Literature & Culture between the Wars (Charlottesville: University of Virginia Press 2007).

This is one of the other books I’ve been reading during the last few days. It’s a fascinating examination of a little known episode of Black American literary history when, in the 1930s and early 1940s, a number of Black American authors and activists took over elements from European Fascism to form their own version of the totalitarian creed. The blurb reads

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.

Taking on a subject generally ignored or denied in African American cultural and literary studies, BLACK FASCISMS seeks not only to question the prominence of the Left in the political thought of a generation of writers to change how we view African American literature in general.

Following the introduction, it has the following chapters:

  1. Black Literary Fascism
  2. The Myth of Marcus Garvey: Black Fascism and Nationalism
  3. George S. Schuyler and the God of Love: Black Fascism and Mythic Violence
  4. “In Turban and Gorgeous Robe”: Claude McKay, Black Fascism, and Labor
  5. His Rod of Power: Zora Neale Hurston, Black Fascism and Culture
  6. Richard Wright’s Jealous Rebels: Black Fascism and Philosophy

Conclusion: Historical Black Fascism, Black Arts, and Beyond

For some, this is no doubt shocking and uncomfortable reading. Thompson states that his book will be controversial, because it seems to challenge the dominance and achievements of Marxism in Black American politics and culture of the period. He does not seek to deny this, but to argue that there was a significant turn away from Communism towards Fascism at the tail end of the Harlem Renaissance, and that this was no mere blip in the career of the figures discussed, as some historians and critics have claimed. It’s also remarkable, in that as victims of racism it seems to run counter to reason that Black Americans would embrace a viciously racist ideology associated with White supremacy. But by the early 1940s some Black youngsters had become so alienated from their country, that they were singing songs about how they thought they’d move to Germany because they’d be better off there. The likelihood is that these kids probably didn’t understand what Nazi Germany was really like. The Black intellectuals, who turned to Fascism, didn’t support its specific European versions. They didn’t want to become Nazis or supporters of Mussolini’s Fascists. But they took elements of generic Fascism and adapted it as a vehicle for their own nationalist aspirations and desire for pan-African racial uplift.

Defining Features of Black Fascism

Thompson considers that the main elements in this turn were a dissatisfaction with Communist multiculturalism, the expectation that Ethiopia would produce a strong, modernising leader to redeem Blacks across the world, admiration for newly independent Haiti, and anti-Semitism. Black Fascists rejected Communism, because they were afraid that its emphasis on racial collaboration and the class war would lead to Blacks’ own aspirations and needs being neglected and Blacks used instead to improve conditions for White liberals. The Communist party in turn attempted to harness Black nationalism for the general class struggle, by defining Black Americans as working class. But this also created an anti-White racism that characterised all Whites as members of the exploiting classes. Which strikes me as not at all unlike Black Lives Matter and Critical Race Theory. The expectations of Black leadership from Ethiopia came from Psalm 68 in the Bible, which states that, after Egypt, Ethiopia will raise its hands to God. Ethiopia was the one African nation not conquered by the Europeans in the 19th century, which seemed to many Black Americans that the country was destined to lead the Black people. Coupled with this was the hope that Black Americans would return to Africa to take up positions of leadership and power in the continent, and free her from the European colonial oppressors. At the same time, the American army had just withdrawn from its occupation of Haiti. Many Black Americans admired this Caribbean nation because of the way it had thrown off French rule in the late 18th century to become a free, Black republic. At the same time, its new president, Stenio Vincent, sweeping autocratic powers dissolving the lower house and allowing him to appoint a sizable proportion of its senate. It was not a democracy in the American sense, as Zora Neale Hurston recognised, but an elected monarchy. Anti-Semitism and a hatred of Italians and Greeks among working class Blacks in Harlem was also part of the turn towards Fascism. The Black soapbox Caesar, Sufi Abdul Hamid, wished to create a separate trade union exclusively for Blacks. He was one of the leaders of a boycott against the White-owned department stores, which refused to employ Black clerks. He succeeded in getting this reversed, but his inflammatory anti-Semitic rhetoric – many of the stores were Jewish owned – resulted in the 1937 Harlem race riot.

Marcus Garvey and the Invasion of Ethiopia

Chapter one is a general discussion of Black American fascist aesthetics. The first of the writers and activists to be examined is Marcus Garvey, the founder and leader of the United Negro Improvement Association. This was a mass organisation, whose hierarchy was based on that of the army, with Garvey giving his followers various military ranks. Militantly nationalistic, the organisation also campaigned for a return to Africa, and Garvey was also impressed with the Italian Fascist corporatist state. Rejecting Communism, he instead supported private property. Blacks should work to acquire wealth, that they should then use to build the new Black state. However, private wealth should also be limited. Only the state should be able to hold investments over $5 or $6 million.

Of the figures discussed in the book, Garvey is the most overtly Fascist. Indeed, in a 1937 interview he claimed that Hitler and Mussolini based their movements on his. He was no fan of Mussolini, however, after the Italian invasion of Ethiopia, which also caused him to become a bitter critic of its former emperor, Hailie Selassie. Selassie had scarpered to London following the invasion, which bitterly disappointed Garvey. He had also expected the Ethiopian emperor to modernise the country, turning it into a modern, Fascist, corporate state, which would embark on its own destiny of imperial conquest. Selassie had not done this. Garvey also sneered at him because of the Biblical lineage of the Ethiopian monarchy. This claimed descent from Solomon and the Queen of Sheba. Thus, Garvey attacked him because he was, by virtue of this descent from the great Israelite king, Jewish. This was in contrast to Simon of Cyrene, who was Black, and Jesus, who was mostly Black.

Schuyler’s Pulp Fiction Supervillain Black Liberator

George S. Schuyler was a Black American writer and journalist, described by the book as somewhat like H.L. Mencken. He had started off as a vague socialist, believing that Africans were innately Communistic, and pan-African. Well, he was until he visited Liberia, which left him bitterly disillusioned to the extent that he wished the US army would invade so that America could take over and improve the country. This changed again with the Italian invasion of Ethiopia. Schuyler, like many other Black Americans, was outraged and wanted to raise an army of Black American volunteers, who would go and fight for the African nation. Seeking advice from the American foreign department, he was told that was impossible as America wished to preserve its neutrality. Schuyler thus turned to literature to express his anger and desire for revenge, writing the pulp story Black Empire. This tells the story of Dr. Belsidus, a Black American genius, who takes over Africa with his organisation, the Black Internationale, turning it into a military superpower through able to repel the Italians and then embark on the genocidal conquest of Europe through advance Black super science. Black scientists create death rays, hydroponic farms, fax machines and hypno-robots. Hypno-robots? Yes. Belsidus creates a new religion and deity, the God of Love, whose mission is to inculcate Black Africans with belief in their noble descent from the Babylonians and Egyptians and their future greatness. The hypno-robot is a giant, 50-foot tall figure of a naked Black man representing the God of Love, which has the power to move, raising its arms and nodding its head. Its eyes light up to hypnotise the congregation, so that they will become mentally receptive to Belsidus racial doctrines. Aiding Belsidus are a series of White women, his lovers, whom he casually murders if they fail him in bed or in their tasks of bringing down European rule. Belsidus comes across as Yaphet Kotto’s villain in the Bond film, Live and Let Die, but even nastier. He’s a genocide who ruthlessly kills White men, women and children. The story’s a nasty revenge fantasy, written by Schuyler to compensate for the Italian invasion. Schuyler himself didn’t stay a Fascist, but instead became a noted Black Conservative intellectual.

McKay, Sufi Abdul Hamid and Black Labour

Claude McKay was another Black American who had started out as a Communist, but then moved away from it, converting to Roman Catholicism. In the 1930s and ’40s McKay was also concerned with building a Black labour movement for which he also adopted aspects of Fascism. He was also an admirer of Sufi Abdul Hamid, an eccentric individual who styled himself Bishop Amiru Al-Minin Sufi Abdul Hamid, an Egyptian, but whose real identity may have been Eugene Brown of Philadelphia. Hamid had founded his own cult, the Universal Temple of Tranquillity. In 1932 he led a jobs boycott in Chicago and in 1934 led a similar boycott against Blumstein’s department store in Harlem. He was not popular with the other Black intellectuals, who regarded him as a charlatan and racketeer. Before his death in the late 1930s he was trying to promote himself as a cult leader in an attempt to challenge Father Divine. Called the Black Hitler because of his virulently anti-Semitic speeches, Hamid was partly responsible for the 1937 race riot, for which he was unsuccessfully prosecuted by the Jewish Minute Men. He appears as ‘Omar’ in McKay’s unfinished novel, Harlem Glory. This is partly an examination of the divided psychology of Black America. ‘Omar’ represents its Fascist side, while Father Divine, who appears as ‘Glory Savior’, and his cult, the ‘Glory Soulers’, represent religion and Communism.

Hurston, Moses and Haiti

Zora Neale Hurston is included because of her novel about Moses leading the Exodus, Moses, Man of the Mountain, in which both the greatest of the Hebrew prophets and his adversary, Pharaoh, have the nationalistic, genocidal qualities of modern Fascist dictators. Hurston also linked Moses to Haiti’s founder, Toussaint L’Ouverture. L’Ouverture’s power was represented by the Voodoo god, Damballah, who was also Moses’ rod of power. Damballah’s a snake god, while one of the miracles Moses performed was changing his staff into a snake. This novel is strongly influenced by Hurston’s admiration for Haiti and its authoritarian leader.

Cross Damon, Fascist Murderer or Existentialist Anti-Hero

Wright was another Communist intellectual, who then went to France to hang out with Sartre. He then wrote his own existentialist novel, The Outsider, about a former postal worker, Cross Damon. After losing his job, and suffering problems from the women in his life, Damon becomes a murderer, committing a series of killings across America. The novel was widely criticised at the time for not saying anything about the condition of Black America. Thompson argues that this is untrue. The book does examine their plight, as Damon personifies the Fascist tendency within Black America through his ruthless pursuit of the power over life and death. His murder of two twins, one a Communist, the other a Fascist, shows that to Wright these political creeds were essentially the same, and that Damon is also similar to them through their murder.

The Black Arts Movement and Neo-Fascism

The Black Arts movement was a post-War phenomenon, in which Black intellectuals and artists attempted to create a distinctly Black artistic culture, in contrast and opposition to that of White America. This chapter argues that historic fascism ended with the Second World War, and that its post-War successor, neo-Fascism, is markedly different. Fascism itself is also broader than Nazism, with which it has been identified, and which has itself been reduced to murderous anti-Semitism. It is a distortion, therefore, to describe the Nation of Islam as Fascist and genocidal simply because they held a joint rally with the American Nazi party, for which the party’s Fuhrer, Lincoln Rockwell, donated $20 to them. The chapter nevertheless states that the Black Arts movement constitutes an extreme form of Black nationalism, and ends with a call for it to be examined as a form of neo-Fascism.

Belsidus’ Statue and Fascist Homosexuality

Thompson’s a professor of English at the University of Illinois at Urbana-Champaign, so the book is less a work of political science as literary criticism. Thus it frequently refers to the works of such literary theorists as Georges Bataille, Foucault, Althusser and Guy Debord. I found some of the book’s arguments extremely convoluted, particularly in the chapter on Wright and The Outsider. There are times when he seems to be arguing for the Fascist nature of Cross Damon, from that character’s difference to or opposition to Fascism. He also follows the German writer, Ludwig Theweleit, in considering that their is a homosexual component to the Fascists’ adoration of their leaders. This causes the book to contain some bizarre passages about the significance of the penis in some of the pieces discussed. For example, he writes of the Belsidus’ 50 foot statue of a naked Black man

The statue is what Siegried Krakauer calls the “mass ornament”: a ritual object that is “an end in itself”. But even after the “ritual meaning” of such objects is discarded, “they remain the plastic formation of the erotic life which gave rise to them and determined their traits”. (146). The mass ornament is emptied of its ritual content and plenitude and re-cathected with an erotics of power that seeks to control the masses’ libidinal urges by converting them into an iconic religious outpouring. This is why Schuyler’s mass ornament is depicted as “a huge statue of a nude Negro standing with legs apart, gazing sardonically downward with arms crossed. It was all of 50 feet high and every part of the body was clearly depicted” (58). The bearer of the sardonic gaze cannot be mistaken. “Sardonic” is, after all, one of Schuyler’s favorite adjectives for the good Doctor and his notorious gaze. Also inescapable in this mammoth fifty-foot statue of a male Negro is an anatomical accuracy that surpasses the bounds of decency. If one wondered whether Dr. Belsidus’s movement followed the fascist phallocentric logic of male ego-reintegration Theweleit theorizes, the appearance of the fifty foot “God of Love” in all his anatomical glory removes all doubt. (pp. 90-1).

Black Fascism and other Forms of Dictatorship

The book acknowledges that none of the authors and activists discussed founded Fascist parties or movement, and he regards them as individual figures rather than the leaders of mass Fascist organisations. Garvey, with his militaristic nationalism and claims to have inspired the European Fascist dictators is the closest figure to European Fascism. So too is Sufi Abdul Hamid with his emphasis on labour, Black separatism and anti-Semitism. Hamid’s similar to the Nazis in another way: they also hated the department stores as an example of ‘Jewish capital’. Schuyler’s Black Empire is a revenge fantasy, whose hero – or anti-hero – would certainly qualify as a Fascist, even though Belsidus himself doesn’t appear to his followers to make speeches from the balcony. He just leaves that to his naked 50-foot robot. But this doesn’t make Schuyler himself a Fascist or mean that he is calling for a similar Fascist movement. It is questionable, however, whether Hurston’s Moses or Pharaoh are really fascist either. Political scientists have debated the difference between Fascism and other forms of authoritarianism and aggressive, intolerant nationalism. Noel O’Sullivan in his book, Fascism, argues that it possesses distinct features that distinguish it from the militant, dictatorial regimes of some of the nations in Africa and the Developing World. Stenios Vincent was highly authoritarian, but it’s questionable whether his regime can be considered Fascist. This also raises the question of how far Hurston’s Moses and Pharaoh are Fascists, although they certainly act in a way which could be described as fascistic. I find the argument about Wright’s The Outsider rather less convincing. It may be that Cross Damon partakes of part of the psychology of Fascist and Communist dictators through his murders, but it seems to me to be a straightforward piece of existentialist literature rather than an examination of Black American Fascism. It reminds me of Albert Camus’ novel of the same name, about a Frenchman in Algeria who murders an Arab out of boredom. Wright’s outsider is another murderer, but is a Black American rather than French.

Conclusion

I don’t know how far the Black Arts movement could be described as neo-Fascist, but historians of post-War British Fascism have noted the radical revisions of doctrine the BNP went through under its generalissimo, Nick Griffin. But Critical Race Theory does seem very similar to the Communist party’s simplification of race relations in America to Black workers versus White exploiters. My guess is that an examination of the Black Arts movement would uncover clear parallels and influences from European neo-Fascism, as would Black Lives Matter today.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

December 14, 2020

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.

Ta-Ha Book on Learning Arabic

November 28, 2020

A.T. Ayyad, Teach Yourself Arabic: Rules of Reading and Writing (London: Ta-Ha Publishers 1982).

This is another book on Arabic that I bought when I was briefly trying to learn the language three decades ago. Ta-Ha are, I think, an Islamic publisher and this book begins with the Fatiha, the opening chapter of the Quran. I think they take their name from two of the syllables that begin various chapters of the Quran, whose meaning according to some Quranic scholars, is known only Allah.

Ayyad was a teacher of Arabic at the Lycee Francaise in Cairo from 1930 to 1953, and says in his introduction that the book is an English version of the methods used to teach the language to Arab students. The book is really a short – 114 pages – introduction to standard Arabic, and includes the alphabet as well as transliterations of the Arabic vocabulary. The book subtitle says it for understanding the rules for reading and writing the language, and it concentrates on grammar rather than vocabulary. It’s probably intended for those wishing to learn Arabic so they can read the Quran, but apart from the quote at the beginning of the book, the sample sentences and exercises aren’t religious. As well as practice exercises, it also includes sample conversations, traditional folktales and proverbs, as well as a section on punctuation, abbreviation and the numerical values of the Arabic alphabet. This seems to be used as a system of numerals rather like the Latin alphabet. There is also a grammatical appendix.

I am definitely no expert, but my guess is that this book gives a basic grounding in the standard, written language. Where I think it might be improved is by providing a little more information about actually writing the letters. Some books on languages that use a different alphabet actually show how they are written with diagrams of the individual pen strokes. This doesn’t. It simply shows the shape of the letters, leaving the reader to work out for themselves how to write them.

History Debunked Tears to Shreds the Protocols of the Elders of Zion

November 28, 2020

Simon Webb, the man behind the YouTube channel History Debunked seems to me to be a man of the right. The channel’s devoted to refuting fake history, but much of the myths it debunks are false claims made in the name of anti-racism by Black activists. He also believes that there are racial differences in intelligence, with Blacks on average less intelligent than Whites, and Whites also on average less bright than Asians. In other words, the Bell Curve stuff that has been loudly denounced and refuted over the past decade or so. That said, his videos are always based on solid fact and well argued, and I don’t believe that he is personally racist. Indeed, he has put up a video about home schooling, in which he states very clearly that not only has he done it himself, but he is also helping and giving advice to a group of Black British parents, who wish to do it.

In this video History Debunked takes on the infamous Tsarist forgery, the Protocols of the Elders of Zion. Webb states that he’s doing this after some of his previous videos were taken down by YouTube, or he was warned that they may be taken down because of their controversial content. But this video is not only historically right, no-one should be able to accuse him of racism or hate speech because of it. The Protocols of the Elders of Zion is a notorious anti-Semitic forgery, which is at the heart of the various stupid conspiracy theories about the Jews secretly trying to take over the world through controlling the media, banks, business and so on. It was concocted in the very early 20th century by the Russian monk, Nilus, for the Tsar’s secret police, the Okhrana, in order to make Nicholas II persecute the Jews even more harshly. As Nicholas II believed in the Blood Libel, the myth that Jews murder Christians to use their blood in the matzo bread at Passover, it’s hard to see how Nicholas could be even more anti-Semitic. Especially as his attempts to prosecute one Jewish man, Beilis, for this, was worrying his ministers who viewed it as a serious embarrassment to the autocracy.

In the video, Webb shows how the Protocols was based on an earlier book, a Dialogue between Machiavelli and Montesquieu in Hell. This was an attack on the government of Napoleon III of France, who French liberals feared was trying to take over and control everything, including the press and business. He illustrates this through pointing to some of the metaphors that Nilus took from the earlier book. The Dialogue describes Napoleon as having a hundred arms, like the Hindu god Vishnu, each arm extended into some part of society. And here it appears again in the Protocols, which describes the Jewish conspiracy as like the Hindu deity with hundreds of arms extending through society.

Apart from the Dialogue, Nilus also plagiarised Theodor Herzl’s Altneuland Herzl was the founder of modern Zionism, and the Altneuland was his attempt to depict and popularise a Jewish state. In my view, Zionism has caused immense suffering and conflict in the Middle East, and led to the persecution and ethnic cleansing of the indigenous Palestinians. I’d say they were entirely justified in despising Herzl’s book. But it isn’t about a global conspiracy or a programme for the mass enslavement of non-Jews, as the Protocols purports to be.

Webb jokes that if there is a Jewish conspiracy as the Protocols claims, then it can’t be much of one if they’ve had to take their ideas from a satire published decades earlier about Napoleon III, and Herzl’s Altneuland. He also states that the other daft conspiracy theories about Jews are ultimately based on the Protocols. One of these is the Kalergi Plan. From what little I know of it, the Kalergi Plan is supposed to be a secret plot by a cabal of European leaders to import non-Whites into the continent and the west in order to destroy the White race. Yep, it’s another permutation of that heap of bilge.

Here’s History Debunked thoroughly refuting the Protocols.

An old French political satire which has, indirectly, had an immense effect upon the world – YouTube

The Protocols are notorious as a forgery, but have been massively influential in spreading real Fascism and Jew-hatred. They inspired many of the Fascist movements that arose after the First World War. At least one of the British papers serialised them, until they saw sense and realized that they were a forgery. Then they published criticisms and refutations. However, even when readers of the wretched book have had it shown to them that they’re a forgery, such is their power that some of them continue to believe that they’re ‘symbolically true’.

The Protocols have been responsible for some of the most horrific anti-Semitic persecution and violence. And unfortunately they’re still being published. Apparently you can’t pick up copies on street corner kiosks in Putin’s Russia, and they were turned into a major television series on Egyptian TV. Way back in the 1990s a branch of Waterstone’s in this country stocked them because they were cited by various UFO conspiracy theorists that Reptoid aliens really were running the world or some such nonsense. One of these books claimed that the ‘Jews’ referred to in the Protocols were really the Illuminati of much contemporary American conspiracy theorising. No, the authors of the Protocols meant to attack the Jews, and whether someone chooses to believe that it’s really about the Illuminati or not, the Protocols are still vile, dangerous, murderous rubbish.

There’s a large body of literature debunking the Protocols. One of the classics is Norman Cohn’s Warrant for Genocide. And this video is also an excellent short but acute refutation of them.