Archive for the ‘Comics’ Category

Steampunk Car – and the Real Victorian Vehicle that Inspired It?

May 28, 2017

On Friday I put up a post about the Science Fiction sub-genre of Steampunk, and some of the real Victorian inventions that have inspired it, and which even today seem like things from the imagination of H.G. Wells and Jules Verne. Steampunk takes its imagination from 19th century Science Fiction writers like Wells and Verne, and pioneering scientists, such as Charles Babbage, the inventor of the first mechanical computer, the Difference Engine. It imagines what might have happened, if the Victorians had developed space travel, time machines and a true information age. William Gibson and Bruce Sterling depicted a Victorian Britain, which had indeed entered a steam-driven, mechanical computer age following the construction of Babbage’s machine in their 1990 book, The Difference Engine.

This week, one of the topical issues programmes on Radio 4 is going to be discussing Britain’s serious lack of engineers, and ask how more young people can be persuaded to take up the subject.

It’s a complex issue, but I suggested in my piece that one way might be to harness the interest in Victorian-style SF hardware that exists amongst the fans of the genre. I also noted that you could possibly combine this with an appeal to the petrolheads, whose hobbies are restoring and working on cars and motorbikes, by getting people interested in the real, steam-driven motor vehicles that were developed during the 19th century on the way to the invention of the modern car.

There are steampunk conventions in Britain, America and other parts of the world. The other year, Phil Jupitus presented a programme on it on Radio 4. The members of the genre wear Victorian-style clothes, weapons, and pseudo-scientific devices inspired by the esoteric technology of this age that never was. And some of them have made their own, steampunk road vehicles. This is a very brief clip of one such car I found on YouTube, which had been lovingly made by a fan of the genre.

The blurb about it on YouTube merely describes Steampunk as a genre, but doesn’t say anything about the car itself. But the metal semicircle arcing over the vehicle suggests that it was partly inspired by a real Victorian invention, the velocipede designed by Richard Hemmings of Connecticutt, in 1869 (below). Hemmings said that his five year old son could propel a similar machine of about 5 feet ‘at a good pace’.

From Jeremy Sumner, ‘How Pedal, Steam and Petrol Put Horse Power Off the Roads’, in John Mortimer, ed., The Engineer: Highlights of 120 Years (London: Morgan-Grampian Ltd 1976) 124.

Looking through this book, which is a glossy, commemorative edition of the magazine, is fascinating for anyone with an interest in the history of technology, and carries a treasure-trove of inspiring ideas for enthusiasts of the genre. There are real life steam carriages and buses, a mid-Victorian mechanical traffic signals, an amphibious paddle steamer, a Zeppelin, and a petrol-driven tractor from 1916, which ran on caterpillar tracks. There are also designs for great towers in London to rival France’s Eiffel Tower, including one which would have been 1,240 feet tall. And instead of the Chunnel, Britain and France would have been linked by a truly colossal bridge.

I intend to post a piece about the book and its astounding and inspiring inventions later. I’ve no doubt that many of the people building vehicles and other gadgets based on their own interest in this particular genre, probably have an interest in science and engineering anyway. But the fact that people are trying to recreate and create science fictional Victorian cars and other machines shows that the steam punk genre does possess the power to inspire people with an interest in science and invention. Just as, no doubts, early generations were drawn to space and astronomy through the adventures of Dan Dare.

Guy Debord’s Cat on the Scum and the Heil’s Smear of Corbyn as Supporter of Terrorism

May 25, 2017

Yesterday the French philosophical feline, Guy Debord’s Cat, put up a great article rightly condemning the Scum and the Daily Heil for claiming that Jeremy Corbyn is somehow a supporter of terrorism. This follows leaked information that MI5 kept a file on him in the 1980s because he, along with many other members of the Labour party and the Left at the time, advocated talking to the IRA in order to end the cycle of violence in Northern Ireland.

I’ve already posted a couple of pieces about this smear. It also appeared in the Torygraph and the Sunday Torygraph, as well as the Scum and Mail. Buddy Hell describes how the Sun’s editorial column, ‘The Sun Says’ claimed that innocent people were murdered because Corbyn and John McConnell ‘sucked up to the IRA’. Mr Hell states that this was an attempt to make Corbyn appear somehow responsible for Monday nights horrific terrorist attack in Manchester.

Equally grotesque was the cartoon by the Daily Mail’s ‘Mac’, real name Stanley McMurty. This shows a couple peering out from behind their curtains as a couple of men with Kalashnikovs and black ski masks head up the drive. Below is the hilarious caption, “Oh dear. Will you answer the door? I think they’re canvassing for Jeremy Corbyn”.

The Cat describes the Sun’s attack on Corbyn as what it is: libel. He says

isn’t journalism or anything like it. It’s a blatant smear; a character assassination that is based entirely upon a historical revisionism. But The Cat has a question: who signed this off? This is evidently libellous and we know Murdoch has pockets that are as deep and as wide as the Pacific Ocean, but did The S*n’s editorial team think it could swerve around the law? Clearly it did and the paper has learned nothing from the Leveson Report.

As for Mac’s wretched cartoon,

Mac can claim he’s being humorous, but it doesn’t wash: this is a blatant piece of propaganda dressed up as humour. In this, it is reminiscent of the cartoons found in Der Sturmer, the official newspaper of the Nazi Party (below).

Underneath is a cartoon from the Nazi newspaper showing a cowed, blonde ‘Europa’, being shown off by a stereotypical evil Jew to a stereotypically thuggish Black man. Unfortunately, this type of racism and the racist conspiracy theory it produced didn’t die when Hitler blew his brains out in the Berlin bunker. The real, anti-Semitic neo-Nazis really do believe that the Jews are promoting racial intermixing between Whites, Blacks and other people of colour in order to destroy the White race. This presumably includes the members of the Alt-Right screaming about ‘White genocide’ whenever they see a film or TV series with a non-White as the star. And especially if the lead is female.

The Cat goes on to make the point that

What is quite absent from the claims about Corbyn’s non-existent sympathy with terrorists, is any acknowledgement on the part of the media’s interviewers and commentators of the role of the British state in Loyalist violence. Worse, perhaps is the morbid nostalgia that seems to accompany these claims. It’s as though the Good Friday Agreement never happened and the power-sharing government never existed. Instead, what we’re treated to are selected fragments of Tory memory larded with a narrative that’s been constructed from misrepresentations and outright lies. For the Tories and others, the Provisional IRA is still active and still bombing the country. Meanwhile, the Loyalist paramilitaries are treated, in not so many words, as heroes or simply not mentioned.

He also points out that May is trying to look like a stateswoman again, after her party cut the police, army and firefighters over the past seven years. He concludes

Who’s the bigger threat to the country? I’d say it’s Theresa May and the British press. (Emphasis mine).

https://buddyhell.wordpress.com/2017/05/24/this-is-not-journalism-or-anything-like-it/

There’s an abundance of evidence showing that the British secret state colluded with Loyalist terrorists in Ulster, and that the SAS operated in secret there, beyond the control of the regular army, as a death squad murdering prominent republicans. The parapolitics magazine, Lobster, has published any number of articles on this over the years.

http://www.lobster-magazine.co.uk/

Regarding the question of who signed off on the Scum’s smear of Corbyn, it may well have been the paper’s editor, without any referral to the Dirty Digger himself. One of the facts that emerged about Murdoch’s sordid empire has been that, while Murdoch has tried to present himself as being a ‘hands-off proprietor’, he still bears the responsibility for the actions of his underlings. They’re very carefully selected to do exactly what he wants them to do. He doesn’t have to interfere in the day to day running of his empire of filth, because he knows they’ll do exactly what he wants anyway.

And in cases where the Digger’s own views are required, Murdoch has a very cavalier attitude to libel. It was reported by one of his underlings that when the question of libel comes up, Murdoch used to look over to his legal advisor, who would hold up the number of fingers representing the thousands of pounds or so that News International would have to pay in fines and damages if the victim sued. Murdoch would take note of the figure, and if it was low enough compared to the number of papers he hoped to sell with the smear, authorise its publication.

As the judge tells Norman Stanley Fletcher in the voiceover in the opening titles of the Beeb’s prison comedy, Porridge, he’s ‘an habitual criminal’. Unfortunately, unlike the character played by Ronnie Barker, he has never been sent to HM Prison Slade for five years.

The Sun itself also has form for publishing racist material. Way back in the 1990s, or the first years of this century, Private Eye reported that the Scum had had 19 judgements against it by the Press Complaints Commission on this score. This includes its cartoons. One of the most noxious showed a couple peering at a line of pigs marching in the street waving placards. The caption read ‘Now the pigs are protesting against being compared to Arabs’.

And Mac in the Daily Mail has also published other racist, or racially offensive, cartoons. This seems to clash with the effort of at least one of their cartoonists to appear hip and bohemian. I remember a documentary on TV back in the 1990s, which featured the Heil and showed its cartoonist at the time. From what I recall, he seemed to be dressed in the Beatnik style of 1950s intellectuals. This made an impression, as the Daily Mail is anything but hip and bohemian. It’s ferociously anti-intellectual to the point where I get the distinct impression that Paul Dacre and the entire editorial staff would have a fit if they caught someone in the office reading Sartre or any of the French phenomenologists.

Also, the title of the Sun’s editorial column is surely a misnomer. The Scum has slavered, screamed, shrieked, yelled, ranted, raved, accused, denounced, thundered and harangued, but it has never, ever merely ‘said’ anything.

And through its history, it has spread lies and smears about the Labour party and its leaders. It’s started doing it again, doing to Corbyn precisely what it did to Michael Foot, Ken Livingstone and the others back in 1983.

Don’t be taken in by the lies and hysteria.
Vote Labour on June 8th for a genuinely safer Britain. Without the Sun’s and Daily Mail’s xenophobia and ultra-nationalism.

Zionist Collaboration with Nazi Germany: Tony Greenstein’s Refutation of Anti-Semitism Smears against Livingstone

May 24, 2017

Back in April, Tony Greenstein wrote a series of articles about Zionist collaboration with the Nazis in support of Ken Livingstone. Livingstone, along with too many others, including Mike, has been smeared as an anti-Semite because of his criticisms of Israel and Zionism. Livingstone when he was leader of the GLC was notoriously anti-racist, and his 1987 book, Livingstone’s Labour, not only shows his very firm support for ethnic minorities, it also heartily condemns the British state’s recruitment of former Nazis and Nazi collaborators as part of their strategy to undermine and contain Communism during the Cold War. Those given sanctuary in Britain, often in the mining industry, were men, who had actively participated in the Holocaust and the pogroms against the Jews in eastern Europe. They had committed some of the most heinous and sickening crimes against humanity.

But no matter. Livingstone was smeared as an anti-Semite, because he had dared to say that Hitler had briefly supported sending Jews to Israel.

He had. This was the Ha’avara agreement. It was an early pact with the Zionist leaders in Palestine to smuggle Jews there as part of their efforts to build the future Jewish state. Hitler only supported it from expediency. He was never a Zionist, but he did want to expel the Jews from Germany using any means he could.

Nevertheless, the Ha’avara agreement is a documented historical fact. And Greenstein in the article below shows that it was a hardly a secret. The Nazis had a medal struck to commemorate Baron von Mildenstein’s diplomatic visit to the Zionist authorities in Palestine. Von Mildenstein was head of the Jewish desk of the Gestapo, the infamous Nazi intelligence agency. The medal bore the legend

‘Ein Nazi Faehrt Nach Palastina Und Erzaehlt Davon in Angriff’.
This roughly translates as ‘A Nazi Travels to Palestine and Tells the Story about it in the Angriff. Angriff, which means ‘Attack’ in German, was one of the Nazi newspapers, along with the vile Der Sturmer.

On their side, the Zionist press ran a cartoon of a depressed Adolf slumped at his desk, drunk, and with a gun in front of him. One of his brown shirts is seen bursting into the room, waving a piece of paper. The caption, in Hebrew, reads ‘Don’t worry Hitler, the Jews of Palestine are helping you’.

Greenstein’s article also shows the cover and discusses the contents of a book on the Ha’avara agreement, The Transfer Agreement: The Dramatic Story of the Pact Between the Nazis and Jewish Palestine, by the right-wing Zionist historian, Edwin Black.

He also shows up the hypocrisy of the Daily Express attack on Livingstone as an anti-Semite, when that paper, along with the Daily Mail, was venomously pro-Hitler. There’s a photograph of the front page from 1933 with the vile headline ‘Judea Declares War on Germany – Jews of all the world unite in action’. This laid the blame for the Nazi persecution of the Jews firmly on the victims themselves, and was repeatedly used by the Nazis in their propaganda, citing it as proof that they were attacking the Jews for reasons of self-defence.

Much of the article is devoted to refuting the claims of Professor Rainer Schulze, a German historian, who had weighed in against Livingstone a year earlier on this issue. Schulze claimed that Zionism and Nazism did not share the same goals. But as Greenstein shows, they certainly shared some.

For example, the Zionist newspaper, Judisches Rundschau carried an article on its front page supporting the infamous Nuremberg Laws, which stripped Jews of German citizenship. He also notes how prominent Zionist organisations, including Mapai in Palestine, and Jewish organisations that had been dominated by them, such as the Board of Deputies of British Jews, actively campaigned against the trade boycott of Nazi Germany. Greenstein also quotes other historians of the Third Reich, and even Reinhard Heydrich, writing in the SS newspapers, Die Schwarze Korps, that the Nazis were keen to promote Zionism amongst German Jews.

Moreover, in June 1933 the German Zionist Federation sent this memo to Hitler claiming that that they and he had similar interests. This said

On the foundation of the new state, which has established the principle of race… fruitful activity for the fatherland is possible. Our acknowledgement of Jewish nationality provides for a clear and sincere relationship to the German people and its national and racial realities. Precisely because we don’t wish to falsify these fundamentals, because we too are against mixed marriages and are for maintaining the purity of the Jewish group…. Boycott propaganda… is in essence fundamentally unZionist, because Zionism wants not to do battle but to convince and to build.

He also quotes other Zionist leaders, like David Ben-Gurion, who stated very clearly that they only supported the emigration of Jews from Nazi Germany if they came to Palestine. As for the transfer agreement, by which Jews were allowed to send their finances to Israel, the Zionists made it very clear that this was about securing investment for the future Jewish state. The survival of the people, who sent it, was much less of a priority.

Greenstein also refutes the Zionist claim that describing Israel as a colonialist settler state is somehow horribly anti-Semitic, simply by showing how the Zionist leaders described it as such themselves. Herzl described it as such in a letter to that most notorious of British colonialists, Cecil Rhodes. And Vladimir Jabotinsky also described the Jewish settlement of Palestine, and the consequent forcible expulsion of the indigenous Palestinians, as ‘colonial’.

Greenstein concludes

There isn’t even one instance of any reference to a ‘national liberation movement’ in the writings of the founders of Zionism. Zionism only became a national liberation movement when colonialism got a bad name! Today’s Zionists have decided to disguise what even the Zionists themselves used to admit was a colonialist movement in the apparel of the oppressed in order to deceive the innocent. Rainer Schulze’s history lessons are in reality an act of deception.

Rainer Schulze finished his article by indulging in a piece of straw man rhetoric:

‘Any claim that Nazis and Zionists ever shared a common goal is not only cynical and disingenuous, but a distortion of clearly established historical fact.’

That is, of course, true. But no one has claimed that they shared common goals. Clearly the Zionists didn’t support the mass genocide of European Jewry. Marshall Petain collaborated with the Nazis but that doesn’t mean he supported the aims of the Nazis. He collaborated because he didn’t want a Nazi occupation of France. When a weaker party collaborates with a stronger party they rarely if ever share the same goals. Unfortunately Professor Schulze, having very little knowledge or understanding of the topic he wrote about decided to engage in an old debating tactic. Attack something your opponent hasn’t said!

http://azvsas.blogspot.co.uk/2017/04/ken-livingstone-faces-labours-star.html

This effectively refutes the main charge of anti-Semitism against Ken Livingstone, though the terror of Maggie Thatcher and the Jewish Labour Movement has said other things since, which are not supported by historical fact.

It also helps to clear Mike of the libel against him, as Mike also did not say that Hitler was a Zionist. In fact, the woefully misnamed Campaign Against Anti-Semitism itself tacitly recognised that fact in its article against Mike, as it deliberately misquotes him and accuses him of saying things he never said.

Mike, and those he defended, are not anti-Semites. They were decent men and women. Some of them were Jews, and the gentile friends of Jews, who had dedicated their careers to fighting racism in all its forms, including anti-Semitism. Many of them had suffered real, anti-Semitic attacks themselves, or had close family who had.

It is a disgrace and complete travesty that these people should be so smeared. It is not Mike and people like Livingstone, Jackie Walker, and many, many others, who have lied and misused history. It is the Zionists of the Jewish Labour Movement and their allies in the Campaign Against Anti-Semitism. They are the real hate-mongers in this.

‘Bloom County’ Cartoon on TV Advertising and Media Bias

May 8, 2017

I used to be a fan of the newspaper cartoon strip, Bloom County, which was syndicated in America and over here, in the pages of the Guardian, in the 1980s. Set in the American Midwest, and with cast of characters that included a corrupt lawyer, a talking penguin and his similarly loquacious animal friends, and a primary schoolboy working as a cub reporter, it commented on and satirised the social and political conditions of Reagan’s America.

One of the issues it commented on was the increasing power of television advertising over the minds of the young. This was when TV shows, like Masters of the Universe, were appearing which were tied to lines of toys, and whose purpose was really to promote them.

At the same time, politicians and the public were becoming increasingly concerned about media bias, particularly on television.

In this cartoon from Bloom County, a worried mother tries to get her husband to notice how the television is brainwashing their son into buying a line of toys, somewhat like the Masters of the Universe figures. But her husband isn’t listening, being brainwashed by his television into voting for a particular senator.

If you can’t read it, click on the image to enlarge.

Even though this cartoon dates from c. 1988, nearly 30 years ago, that issue hasn’t gone away. It’s come back with a vengeance in the way Trump’s popularity as a television presenter on the American version of The Apprentice undoubtedly helped to get him into the White House.

And in Britain the media, including the BBC, has been resolutely determined to attack, belittle and sneer at Labour party and particularly Jeremy Corbyn and his supporters in Momentum, the most egregious bias being shown by Laura Kuenssberg. Instead of Senator Glump as the person people should be voting for, this cartoon could easily be republished today with the TV telling them to vote for Theresa May. As for being a ‘Bolshevik weenie’, this is the line that the Tory press and the Blairites in Labour have been using against Jeremy Corbyn by smearing him as a Trotskyite. Just as the Republicans fell over themselves in fits screaming that Barack Obama was a dangerous Commie Muslim Nazi, who wanted to destroy all Whites.

Things don’t seem to have got better over the past three decades.

It’s time to stop this nonsense right now, and shake off challenge the lies of mainstream media.

The Influence of Metal Hurlant on Science Fiction Cinema

April 25, 2017

Yesterday I put up a piece I found on YouTube about the influence French Science Fiction comics had on Star Wars. This short video by the same poster, Abstract Looper, explores the profound influence the artists of the French adult SF comic, Metal Hurlant, known to the Anglophone world as Heavy Metal, has had on modern Science Fiction cinema. Metal Hurlant was founded in 1974 by Les Humanoides Associees Jean ‘Moebius’ Giraud, Dionnet and Philippe Druillet. The video shows the striking visual similarities between scenes and designs in the comic’s various strips, and the films Mad Max, Alien, Blade Runner, Nausicaa – Valley of the Wind, Avatar, the original 70s Battlestar Galactica TV series, Hellboy, Prometheus and the Matrix. There’s a clip of Ridley Scott saying that when he made Alien, he was influenced by the visual material produced by Moebius and the French magazine. Guillermo del Toro also confessed that he was influenced by Richard Corben, another of the magazine’s artists. Terry Gilliam also states that the magazine was an influence on him. As does James Cameron. Rutgar Hauer, who played Roy Batty in Blade Runner also appears, telling how the producers visualised the future as already old. In fact, the producers of Blade Runner based their vision of Los Angeles on the towering cityscapes of Philippe Druillet. As well as Druillet, Dionnet, Corben and Moebius, another of the comic’s creators, the Franco-Yugoslavian artist Enki Bilal, was also influential. Also making the point are the similarities between the comics’ art and the concept drawings produced for the Alien and Matrix movies.

You could also add the Judge Dredd movies to this list as well. 2000 AD’s creator, Pat Mills, hates superhero comics. When he launched the Galaxy’s Greatest Comic way back in the 1970s, he was influenced by the French SF comics. Which naturally includes Metal Hurlant. Judge Dredd’s look was created by Carlos Ezquerra, a Spanish artist living in London, who has an artistic style very similar to Moebius.

As an aside, I was also pleased that the interview with Ridley Scott also had Russian subtitles. This shows how much the world has changed since I was at school. This was the years of the new Cold War, created by Thatcher and Reagan, when there were real fears of nuclear Armageddon. I felt profoundly optimistic when the Berlin Wall fell, along with Communism. There seemed at last a real possibility of a genuine, lasting peace between eastern and western Europe. I believe very strongly that it has been a massive improvement in world affairs that the peoples of the former eastern bloc can come to Britain to live, work and raise families.

And I am appalled and angry that Trump and the Democrats are pushing a new Cold War with Putin, and thus endangering the world all over again.

Warning: Heavy Metal was an ‘adult’ comic, which means that there’s some cartoon nudity. This was the magazine that was filmed as The Heavy Metal Movie, and which became notorious for the female nudity of the ‘Taarna’ sequence, which in turn inspired the episode ‘Major B***age’ in South Park. This may have changed, however. In an interview in the comics press a few years ago, its British editor stated that the magazine was dropping the nudity, because it was irrelevant given the amount of real nudity on the Web. He promised that the magazine would still be sexy, however.

The Influence of French Science Fiction Comics on Star Wars

April 24, 2017

This is another fascinating video about French SF comics and the influence they may have had on George Lucas’ Star Wars. In his description for the video, the post, Abstract Loop, writes

Beginning in the late 1960s and early 1970s, French comics artists revolutionized their medium and created groundbreaking works of science fiction. Artists like Jean-Claude Mézières, Philippe Druillet, and Jean Giraud, aka Moebius, had a significant, if rarely recognized, influence on many Hollywood films. Star Wars is one of the most prominent examples.

“There are quite a few illustrators in the science-fiction and science-fantasy modes I like very much. I like them because their designs and imaginations are so vivid […] Druillet and Moebius are quite sophisticated in their style.”
– George Lucas, 1979

Unless noted otherwise, all art in this video is taken from the following comics and comics series:
Jean-Claude Mézières & Pierre Christin: „Valérian and Laureline“ („Valérian et Laureline“)
Jean-Claude Mézières: „Les baroudeurs de l’espace“
Moebius & Dan O‘Bannon: „The Long Tomorrow“
Moebius & Alejandro Jodorowsky: „The Incal“ („L’Incal“)
Moebius: „Le Bandard fou“
Moebius: „The Airtight Garage“ („Le Garage hermétique“)
Philippe Druillet & Jacques Lob: „Delirius“
Philippe Druillet: „The 6 Voyages of Lone Sloane“ („Les 6 Voyages de Lone Sloane“)
Philippe Druillet: „Salammbô“
Philippe Druillet: „La Nuit“

Film stills: „The Empire Strikes Back“, „The Return of the Jedi“ & „Star Wars: Droids“
Concept art and storyboard panel by Joe Johnston

Music: Tycho „Awake“

For further reading:
“Valérian and Laureline”
: http://kitbashed.com/blog/valerian-an…
“The Moebius Probe”: http://kitbashed.com/blog/moebius
“Als die Zukunft wieder cool wurde” (in German): http://www.tagesspiegel.de/kultur/com…

Certainly the artists mentioned have had an impact on Science Fiction cinema. Scott used Philippe Druillet’s depictions of soaring futuristic sky-scraper cities as the basis for the Los Angeles of Blade Runner, and Moebius certainly was a profound influence on the style of Luc Besson’s The Fifth Element. From this video I’m not sure how much influence French comics had on Star Wars. Some of the pieces shown are very similar, others less so, and some of the similarity between Star Wars and the comics could simply be due to coincidence between two similar scenes that were produced entirely independently. Nevertheless, the video does how the power and individuality of the vision of the future produced by the great French SF artists in their comics.

Chris Foss on Working with Giger and Moebius on ‘Dune’

April 24, 2017

Chris Foss is one of the great masters of British SF art. Apart from painting numerous book covers, he also worked as the concept artist for Alien, Superman, and the version of Dune that was being made by the Franco-Chilean surrealist, Alejandro Jodorowsky. Sadly, his work for Alien and Dune was never seen. Ridley Scott rejected his depictions of the ‘Nostromo’ for alien, as he thought it was far too interesting and would distract the audience from the main action. And despite extensive preparation, Jodorowsky’s Dune was never made. The studio pulled the plug at the last minute. It wasn’t a wasted effort, however, as the work Jodorowsky and the French comic artist, Moebius, had put into Dune was used by them as the basis for the comic book series, the Metabarons.

A documentary came out a few years ago about the making of Jodorowsky’s Dune. Jodorowsky states that he wanted it to blow the audience’s mind. It was to have the effect of taking LSD, but without actually using the drug. Certainly the concept art looks truly awesome. Apart from Foss and Moebius, Jodorowsky also employed as concept artist H.R. Giger, the creator of the ‘Alien’. Giger produced various designs for Vladimir Harkonnen’s cast, and for a train, very much in his distinctively nightmarish style. Among the actors lined up for the film were Orson Welles as Vladimir Harkonnen and Mick Jagger as Feyd Rautha. Jodorowsky’s son, Brontes, was to play Paul Atreides. And the Emperor of the Galaxy would be played by the great surrealist egotist himself, Salvador Dali. But only for half an hour. So Jodorowsky and his team intended to fill in the rest of the time, that have been occupied by Dali, by using a robotic version of him. It’s a pity that the film was not made, as with those artists and performers, it truly would have been a genuinely mind-blowing experience.

In this clip, Foss talks about how wonderful it was working with Moebius and Giger, but says that he enjoyed it because what he was doing did not interfere with them, and their work did not interfere with his own. Looking on YouTube a few years ago, I found that Foss had put up a series of short videos about himself and his work, so if you’re interested, try looking to see if they’re still there.

The Fantastic Space Art of Angus McKie

April 21, 2017

I found this great video showing some of the space art of Angus McKie, one of the artists, whose depictions of spaceships and future worlds was used by Stuart Cowley as the basis for his Spacecraft 2000-2100 and Great Space Battles books.

The poster, Martin Kennedy, describes McKie and his career in the following blurb:

Angus McKie is best known as an English science fiction illustrator whose work appeared on the covers of numerous science fiction paperback novels in the mid-1970s and 1980s, as well as in Stewart Cowley’s Terran Trade Authority series of illustrated books. His illustrations often present highly detailed spacecraft against vividly colored backgrounds and high-tech constructions as demonstrated by his pioneering work on The Dome: Ground Zero for DC Comics imprint Helix in 1998. Like Peter Elson, Tony Roberts, Chris Foss and some other artists of the period, he influenced an entire generation of science fiction illustrators and concept artists. This lasting influence is probably visible at its best, about twenty years later, in the visual look developed for the Homeworld videogame.

In 1993 he wrote and drew the first 2 parts of a science fiction comic published by Dark Horse entitled “The Blue Lily”, based on Dave Weir’s short story. As of 2011, McKie was reportedly working on the last 2 parts of the work in his spare time. He also wrote and illustrated a story entitled “So Beautiful and So Dangerous” for Heavy Metal magazine, which later became a segment in the eponymous movie Heavy Metal. (Source: https://en.wikipedia.org/wiki/Angus_M…)

Richard Seymour on the Anti-Semitic Smears against Jeremy Corbyn

April 6, 2017

The decision against Ken Livingstone yesterday, sentencing him to suspension for another year because of his entirely accurate statement about the initial collaboration between the Nazis and the Zionists was declared to be anti-Semitic, brought fresh denunciations and anger from Jewish leaders. Members of the Jewish establishment from Rabbi Mirvis, the Chief Rabbi of the British Empire, downwards, ranted about how Labour was riddled with anti-Semitism, the sentence was insufficient, and Red Ken should be expelled.

It’s all nonsense. As the five Jewish Labour party members, whose statements Mike put up on his blog yesterday pointed out, the Leninist newt-fancier had said absolutely nothing anti-Semitic. Indeed, at least one pointed out that in her experience she had encountered no anti-Semitism in the party. Florence in her comments about this shabby affair states that Labour has far fewer racists and anti-Semites in its ranks than the Tories. What really infuriated Mirvis and his fellows wasn’t that Ken was an anti-Semite, but that he and Naz Shah – who actually had a very good relationship with her local synagogue – had dared to criticise Israel for its brutal and barbarous treatment of its indigenous population. The Zionists have worked long and hard to try to forge a spurious equivalence between anti-Semitism and anti-Zionism. It’s rubbish, because not all Jews are Zionists by any means, and that the real definition of Anti-Semitism, as used by Wilhelm Marr, the founder of the League of Anti-Semites, was hatred of Jews simply for being Jews. The League of Anti-Semites were one of the odious precursors to the Nazi party, so this definition of anti-Semitism comes from ‘the horse’s mouth’.

Furthermore, two of the people giving their statements about this issue came from homes, which were staunchly Zionist. One lady stated that her mother had lived in Palestine after being forced to leave Ukraine due to the anti-Semitist outrages there. Her paternal grandmother had also been an active supporter of Zionism in Britain. In a letter sent to the NCC, and signed by 30 Jewish Labour party members in support of the man Private Eye calls ‘Leninspart’, the signatories point out that not only aren’t all Jews Zionists, but many Zionists believe that Zionism itself has to be open to criticism, and hence the outrage to Ken’s entirely accurate statement is unwarranted.

Richard Seymour, in the chapter on how Project Fear failed to stop Corbyn in his book Corbyn: The Strange Rebirth of Radical Politics, also discusses some of the anti-Semitism smears against the Labour leader. He writes

One of the most insidious attacks from the Right was organised by the Jewish Chronicle, edited since 2008 by the Tony-Blair worshipping neoconservative pundit Stephen Pollard. In an article published a month before the outcome, the Chronicle posed a series of ‘key questions Jeremy Corbyn must answer’. Most of these were insinuation, guilt-by-association tactics. So, for example, it queried his links to Carlos Latuff, whom it characterised as ‘the notorious anti-Semitic cartoonist.’ Latuff is notoriously pro-Palestinian, but support for Palestine is a far cry from anti-Semitism. Even the Jewish daily Forward considers it a ‘stretch’ to call his cartoons ‘anti-Semitic’. Far more insidious was the attack on Corbyn for supporting Raed Salah, whom the Chronicle depicted as ‘a man convicted of the blood libel’. This was particularly obnoxious, because Salah had been the subject of a deportation struggle, in which these claims of anti-Semitism were used by the government to support his expulsion from the UK. What the Chronicle failed to mention was that Salah won that court case precisely because these claims were shown to be false and based on mistranslations. The fact that Salah was being slandered by the government is the reason why Corbyn, quite ethically, stood by him. Nonetheless, the Chronicle’s article provided material for reams and reams of similarly insinuating media attacks, such as Dan Hodge’s claim that Corbyn’s victory would be ‘cheered by terrorists and racists; and it served as ammunition for Labour mayoral candidate Sadiq Khan to attack Corbyn in the Daily Mail for ‘encouraging terrorism’. (pp. 35-6).

The Zionists have had very strong links to Blair and New Labour ever since Blair bumped into the future Lord Levy at a gathering at the Israeli embassy in the 1990s. It was Levy, who got Blair funding from Jewish businessmen, funding that allowed him to be independent of the unions, whom he despised. The Blairite coterie have benefited from trips to Israel, paid for by the Israeli state, and have given their wholehearted support to Israel.

This has absolutely nothing to do with real anti-Semitism, about which, as one of those giving their statements yesterday pointed out, the Board of Deputies of British Jews will say nothing if it also serves their purposes. The Board kept their mouths firmly shut when the Mail used dog-whistle tactics to make a series of anti-Semitic smears against Ed Miliband when he was Labour leader. This is all about a Blairite political establishment, which was always a minority, trying to cling on to power, hysterically supported by a Zionist establishment desperate to criminalise support for the Palestinians against Israel’s massacre and deportation of them.

Michael ‘Poundland Pinochet’ Howard Rattles Sabre over Gibraltar

April 3, 2017

Mike over Vox Political posted up a piece today reporting Michael Howard’s belligerent comments about Gibraltar. Theresa May didn’t mention Gibraltar when she gave the EU her notification that Britain would like to trigger Article 50. As Spain also has territorial claims to the Rock, the EU then inserted a clause stating that Spain would have a veto over any negotiations.

This has caused Howard to start getting his toy sword out, and start waving it around whichever parliamentary play room he now inhabits. Howard has declared that Britain will defend Gibraltar, and that the country will rally round the Tory party, just like they rallied around Mrs T. over the Falklands.

Mike over at Vox Political points out how stupid this is, and includes a selection of tweets about it from the many others, who also think that Howard has gone off the deep end. At least one of them points out that NATO countries cannot go to war on each other. Others point out that the EU was formed to stop European countries attacking each other. And there’s a piece from 2000 AD’s Calhab Justice way back in the 1990s, in which Britain nukes Spain over Gibraltar.

And Mike also points out that Gibraltar, unlike England, voted to stay within the EU.

See: http://voxpoliticalonline.com/2017/04/03/poundland-pinochet-michael-howard-thinks-uk-should-declare-war-on-spain-over-gibraltar/

There are number of aspects to this latest piece of Tory warmongering that need to be commented on. Firstly, the Tories have nearly always been the War Party. During the 1990s under Blair the situation was reversed, and many Tories campaigned against his evil and mendacious invasion of Iraq. Now that they’re in power, the situation has reversed again and the Tories are back to demanding more fire and blood. As usual.

Now dictatorial regimes faced with a domestic crises often start an international crisis in order to divert attention away from their weaknesses. Franco used to do it too with Gibraltar. As soon as his regime started to look insecure and unrest increased, he’d start banging on about sovereignty in order to get the Spanish people to rally round him. Mussolini and Hitler were both imperialists by conviction, rather than expediency, but they also used their imperial ambitions to divert resentment away from their regimes to the countries they fought and invaded.

Now under Theresa May, Michael Howard is using the same tactic.

Which suggests that you really can’t trust the polls. They may show that the Tories are way ahead in the polls, but the fact that Howard feels that a war is needed to rally Brits around them, and raise the spectre of Thatcher and the ‘Falklands Factor’ again, suggests otherwise. Whatever the polls say, it appears that secretly some Tories are very worried.

Good. Let’s make ’em petrified.

Howard talks about Margaret Thatcher and the Falklands, but it could very easily have gone the other way. At the time, Thatcher was cutting back the armed forces. I got the impression that we were able to defeat the Argentinians because we had the help of the Americans and Chile.

The Tories have similarly cut back the armed forces since David Cameron took power. Even before then, British troops in Afghanistan had problems acquiring needed kit, to the point where Private Eye reported that they were being nicknamed ‘the borrowers’ from their American comrades because they were forced to borrow theirs.

America also cannot be relied upon to give its support automatically to Britain. Britain lost the Suez canal when it was seized by Nasser back in the 1950s, because the Americans refused to back Eden’s proposal for military action. This effectively ended Britain as a leading superpower, and our replacement by the Americans.

Lobster’s editor, Robin Ramsay, is very critical of the EU as an instrument of economic domination across the Continent in favour of big business. He’s run several articles arguing very strongly, and with very good evidence, that Britain’s membership of the Common Market, or EEC, as it then was, was due to lobbying by right-wing business groups and the Americans. Now I don’t support Brexit, but do accept that there is much about the EU that is undemocratic and massively needs reform. I mention that the Americans pressured us into the joining the EEC to make the point that they may not support us if we withdraw.

In short, the Americans will embarrass May’s government by denying Britain their support to safeguard their own interests, just like they did Eden.

But let’s suppose that somehow, Britain did go to war with Spain. This could escalate, as both sides start trying to find allies. It’s unlikely, but this could end up with NATO divided, and several of its countries shooting and bombing each other.

In which case, congratulations, Howard and May. You’ve just destroyed 70 years of western European peace and divided a continent, causing massive bloodshed. Because you wanted to get yourselves re-elected by causing another Falklands War.

And finally there’s a lesson from the First World War. This was opposed by radical Socialists across Europe as an imperialist war. It was fought by the great powers for the benefit of big business. The ordinary Brit, Frenchman, German or Austrian was being told to sacrifice his or her life for the profit or their country’s ruling classes. Ordinary working people across Europe had more in common than national divisions, and so should not participate in a fratricidal war.

The same criticism applies exactly today to Howard’s ludicrous outburst. Neoliberalism is the economic doctrine espoused by the political elites across Europe and the rest of the globe. But it is doing nothing to benefit the poor and working people. Indeed, quite the opposite. Poverty is increasing. Now Howards wants to start a war with Spain, or threaten a war with Spain, so that his neoliberal party of exploiters can benefit by bamboozling working people into dying on their behalf.

Just like Blair did in the invasion of Iraq.

We were lied to about that war. Millions have perished and been displaced as a result. We will not be lied to again.