Archive for the ‘Comics’ Category

Richard Coughlan Lays into Farage for Confusing Jews with Zionism

November 17, 2017

This is another, very well-informed rant by Richard ‘the Dick’ Coughlan. Coughlan’s a stand-up comic in his other job, and his videos on YouTube presumably are in the same style as his comedy shows. As you can tell by his signature farewell at the end ‘May God be less’, he’s also quite a militant atheist. I don’t support his atheism, but I am reblogging this because, like many of his other videos on race, it has some very important things to say about prejudice, and how things are really different from the way they’re presented by the Right.

In this video, he’s mostly concerned with attacking Nigel Farage for confusing American Jews with Zionism and the Israel lobby. Farage has his own show on LBC. The other day he took a call from ‘Ahmed’, who said that it was peculiar that everyone was talking about the way Russia interfered in the American elections, but no-one was talking about AIPAC’s and the Israeli’s interference. The man parodied in the Judge Dredd strip as ‘Bilious Barrage’, agreed, and said it was down to the fact that there were 6 million Jews in America. He then went on to talk a little more about how powerful and influential the Jewish lobby in America is.

Coughlan points out that this isn’t very much as a piece of racial prejudice, but it is nevertheless dangerous, as Farage has confused American Jews and the Zionist lobby. He’s afraid this will act as a kind of dog-whistle to promote anti-Semitism further amongst those with racist and far right-wing views. So Coughlan goes on to show how profoundly mistaken Farage is. Most Jews in America are profoundly liberal politically, and many are deeply critical about Israel’s religious and political constitution, and the treatment of the Palestinians. Israel’s biggest supporters aren’t Jewish Americans, but American Christians.

But before he gets on to this issue, he talks about some of the other news about the far right he finds amusing or irritating. Such as the fact that the blogger, Peter Sweden, has a YouTube channel, in which he devotes a nine minute video to discussing a kebab he bought in Norway. He also talks about Milo Yiannopolis briefly getting a job with the Daily Caller, presumably another right-wing media outlet. But he didn’t last there long. He was sacked, and the person, who hired him was also sacked. The Caller, Coughlan goes on to say, has some truly horrendous people working for it. But Yiannopolis was too much even for them.

I can’t say that I’m surprised Yiannopolis got sacked. But it probably has nothing to do with Milo’s own, very right-wing political views, where he’s attacked Blacks and non-Whites, feminism and ‘SJW’ – Social Justice Warriors – in general. No, it’s far more likely they got rid of Milo because of his comments defending paedophilia, comments which he later retracted. Sort of. Before recognising that he was also a victim through being abused by a Roman Catholic priest when he was 14.

Coughlan points out that Israel mostly attracts the support of very hardline, racist, anti-Islamic individuals and organisations like the English Defence League, Jihad Watch, Gert Wilders, Pamela Geller, and the hardline American Conservatives. The biggest organisation lobbying for Israel in the Land of the Free is the CUFI – Christians United For Israel. This was presided over by the Roman Catholic bigot, John Hagee, before his death, and had Jerry Falwell, the extreme right-wing Christian evangelist on its board. It has 2.5 million members. AIPAC – the largely Jewish Israeli lobbying group, is more influential, as it has more powerful and influential members. Here he runs through a list of American politicos. But its actual membership is much smaller -100,000. American Conservatives love Israel, because Israel’s a profoundly Conservative nation. In the 2012 elections, 65 per cent of Israelis favoured Mitt Romney. But extremely politically Conservative Jews, such as Pamela Geller and Jonah Goldberg, the author of Liberal Fascism, aren’t representative of American Jewry as a whole.

Coughlan points out that about 22 per cent of Jewish Americans aren’t religious. This is so high a percentage, that the census has had to create another category specifically for them. There are now two entries for Jews – one for religious Jews, and another for non-religious. American Jews are also overwhelmingly liberal. 65 per cent of them vote Democrat. The majority also support a two-state solution to the Palestinian issue, and 66 per cent believe that Israel and an independent Palestine could co-exist peacefully. It’s just that their leaders don’t want to. 44 per cent of American Jews are opposed to Israel building further settlements in Palestinian territory. As for the theological view that Israel was given to the Jews by the Almighty, only 40 per cent of American Jews believe this. Which contrasts with the 82 per cent of American Christian Evangelicals, who think this is the case. And 77 per cent of American Jews have an unfavourable view of the orange simian creature, now skulking in the White House.

Regarding Israel’s religious constitution, 43 per cent of American Jews want synagogue and state to be separated. A further 20+ per cent want there to be more separation between synagogue and state, but not a total separation. He also notes the rise in Jewish concerns about anti-Semitism. Last year, in 2016, only 21 per cent of American Jews felt anti-Semitism to be a problem. This year, 2017, it has risen to 41 per cent.

And on social issues American Jews are very liberal. 90 per cent of American Jews, whether religious or not, support gay marriage and LGBT rights, as opposed to 50 per cent of Americans in general. They are also for gun control, against global warming, and do not support the war in Iraq nor the War on Terror.

Coughlan then discusses the size of the various Jewish denominations in America, and the political stance of the largest, the United Reform Judaism Union. 35 per cent of American Jews belong to Reform Judaism. The next largest Jewish denomination in America are the Conservatives, with 18 per cent, and then the Orthodox, with 10 per cent. The president of the URJU is Rabbi Robert Eric Yoffre. Yoffre ran unopposed as leader between 1996 and 2012. He’s very much in favour of equality, social justice and tolerance and religious dialogue, having spoken at Christian and Islamic religious conferences. But most people probably haven’t heard of him. And despite the size and numerical importance of this gentleman’s denomination, when he goes to Israel he is not treated as a rabbi. Because Israeli law does not recognise Reform Judaism as a denomination.

Coughlan states before he begins his discussion of real political and religious views of American Jews that he doesn’t intend to say anything about Israel, either for or against. This is simply about the facts about American Jewish opinion, as gleaned by polling groups like Pew Research.

He then continues his attack on Farage by stating that his conflation of ‘Jews’ with the Israel lobby will act as a dog-whistle to anti-Semites with stupid conspiracy theories about Jewish power and influence. And while he’s at it, he also wonders why Farage is no longer talking about Brexit. He should, because he spent 20 years campaigning for it, as well as being massively in favour of Trump. But now it’s a complete failure, supported only by bitter, racist Little Englanders.

As for stupid conspiracy theories, Farage’s conflation of the Jews with the Israel lobby may only be a small piece of prejudice, but he wonders what’s next: Farage raving about the Protocols of the Elders of Zion, perhaps? This is the notorious Tsarist forgery, which supposedly revealed that there was a massive Jewish conspiracy to enslave gentiles around the world. It was concocted by the Tsar’s secret police, the Okhrana, or Department 4, to convince the Tsar to increase the persecution of the Jews further. It’s a deeply malign document that has inspired racists and Nazis since its publication, such as Oswald Mosley in Britain and Adolf Hitler in Germany. Coughlan then concludes that the Protocols of the Elders of Zion are so important, that he’ll probably produce another video debunking them.

This is video is really good, as it gives the facts and figures to support some of the arguments I’ve put up before now, stating that Judaism and Zionism are entirely separate, and that many Jews are deeply critical of Israel. The veteran Jewish critique of Zionism and the Israeli lobby, Professor Norman Finkelstein, has made the point that historically support for Israel was very much a minority opinion amongst Jewish Americans. Many Jews in America and over here support the Palestinians and the campaign for their civil and political rights, joining groups like the Boycott, Divestment and Sanction campaign against Israel. And in Israel itself there are proud Jews, who also protest against the house seizures and demolitions, the construction of the illegal settlements, and the brutalisation and ethnic cleansing of the Palestinians from their ancestral lands.

This probably explains the sheer venom of the Israel lobby, and its organs in the Labour party, in persecuting them, as well as gentile critics of Israel. I’ve pointed out time and again how the majority of people suspended and expelled from the Labour for anti-Semitism were nothing of the sort. They were very largely decent, anti-racist men and women, who hated anti-Semitism as another form of the racism they detested. They opposed Israel, or at least the brutalisation of the Palestinians, because they saw Israel as a White, European settler state, based on the same racist, imperialist and colonialist attitudes towards indigenous peoples, that has led to the brutalisation of other indigenous peoples and the theft of their land by Europeans across the globe.

However, the Israeli lobby both here and in America has libelled and vilified these people as anti-Semites, even when its obvious to everyone else that they aren’t. Those so maligned have included self-respecting Jews, who have themselves been the victims of real, anti-Semitic abuse or assault. This does not matter. Zionist and pro-Israel organisations, like the horribly misnamed Jewish Labour Movement and the Campaign Against Anti-Semitism, have adopted a tortuous definition of anti-Semitism, which deliberately conflates it with opposition to Israel. And so it doesn’t matter how genuinely anti-racist a person is, whether they have a positive view of Jews, or simply have no strong opinion of them one way or another. Or if they’re Jewish, how observant they are, or otherwise self-respecting. Simply for denouncing Israel’s attack on Jews, they’re attacked as self-hating and anti-Semitic. And many people, including the British comedian Alexei Sayle, have noticed that the majority of the victims of the witch-hunt in the Labour party over this issue have been Jewish.

It looks very much like it’s because these organisations know how weak their position is, and how repugnant very many ordinary people, including Jews, find their persecution of the Palestinians. And so to keep up the image that Jew = Zionism/ Israel, as dictated by Likudnik doctrine, they have to try to marginalise and vilify those who deny it. And that means particularly persecuting Jews.

One of the books that was published a few years ago on the Israel Lobby noted that the lobby affected American elections through the funding of political candidates by organisations and Jewish businesses. AIPAC and similar groups give ample funds to pro-Israel candidates. And where an aspiring congressman or senator is critical of Israel, they will donate heavily to their opponent, thus ensuring that they will lose the election.

But as Coughlan has shown, not all American Jews support Israel, or at least not its maltreatment and ethnic cleansing of the Palestinians. Some American Jewish businessmen even donate to Palestinian charities and organisations, as well as Israeli. One of them is featured in the book Bushwhacked, published a few years ago, which exposes everything nasty and corrupt about George Dubya. This gentleman is included because he stands out against the bigotry and intolerance of the Bush administration.

Others have pointed out that Christian Zionism is much larger, and has a very theological agenda. It’s adherents believe that in order for Jesus to return to Earth in the Second Coming, the Jews must return to the Holy Land and Israel restored. This will culminate in a final battle between the forces of good and evil. Twenty years ago the forces of evil were the Communist bloc. Now it’s Islam. These people are a real, terrifying danger to world peace.

And the Israel lobby also has a profound connection to real anti-Semites going right back to the Nazis and the Ha’avara agreement. As anti-Zionists like Tony Greenstein and very many others have documented, the pioneers and leaders of the Zionist movement were all too willing to deal with anti-Semites, because they believed that increased anti-Semitism against diaspora Jews would benefit Zionism by encouraging more Jews to emigrate to Israel. Hence the Judischer Rundschau, the main Zionist newspaper in 1930s Germany, hailed the infamous Nuremberg laws, and urged its readers to wear their yellow star with pride. This was before the Holocaust, which the magazine did not foresee, but it’s still chilling nonetheless. And the head of the Zionist movement in Hungary during the War, Kasztner, allowed the Nazis to deport a greater number of Jews to the Death Camps than may otherwise have occurred, because he hoped that they would also spare some and send them to Israel instead.

But if you dare mention these historical facts, you’re an anti-Semite.

And more recently, the real Nazis and anti-Semites connected with Trump’s administration, like the Alt-Right ‘White Zionist’ Richard Spencer, have very strongly supported Israel. Spencer’s even been on Israeli TV. And Sebastian Gorka, a former member of Trump’s administration with extensive connections to the Hungarian Fascist right, has also been one of the guests at the Herzliya conference, the annual jamboree for the Israeli military. Many real Fascists and anti-Semites support Israel because they see it as another way of getting rid of their domestic Jews, by forcing them to emigrate there.

Judaism is certainly not synonymous with Zionism. And some Zionists and Zionist organisations will collaborate with Fascists and anti-Semites against diaspora Jews, in the hope of boosting their country’s population.

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Radio 4 Programme Next Week Asking ‘Where Are All the Working Class Writers?’

November 15, 2017

Next Thursday, 23rd November 2017, at 11.30 in the morning, Radio 4 are broadcasting a programme, Where Are All the Working-Class Writers? by the writer Kit de Waal. The blurb for the programme on page 137 of the Radio Times runs

Birmingham-raised writer Kit de Waal published her first novel in 2016, aged 55. She used part of the advance to set up a scholarship in an attempt to improve working-class representation in the arts. She talks to writers, agents and publishers about barriers for writers from working-class backgrounds.

More information about her and the programme is in another piece on the opposite page, 135. This states

“I never expected to be a writer,” says Kit de Waal in this thoughtful exploration of class and writing. “I was working class, I was the daughter of immigrants. People like me weren’t even expected to go to university. ” De Waal did go to university, but at 51; she’d left school at 16. She knows that her background and – and how it influences the stories she tellls – makers her an oddity in literary circles. As she speaks to writers, agents and publishers to find out why this is, it becomes clear that class is an intrinsic part of the under-representation question, overlapping with race and gender. She gleans erudite contributions – take Tim Lott’s description of working-class writing as “the literary equivalent of soul music”, as he asks, “who’s making the soul music?’ Who’s making the rock ‘n’ roll?’

This is an issues that the great British comics writer, Pat Mills, raised in some of the interviews I posted up on here. Mills, who created the classic anti-war strip, Charley’s War, and wrote and created many of the classic characters in the SF comic, 2000 AD, has said that he felt angry that there were no working class characters in comics and very few in mainstream literature. Worse, there was an attitude amongst the media that was determined to exclude them. He has described how he was working on a story for Dr. Who in the 1980s, which was to have a working-class spaceship captain. This was rejected by the script editor, who really didn’t like the idea.

As for popular music, I was told by a friend of mine a little while ago that this was another traditional working class area that was being taken over by the middle classes. Most of the stars now in the charts, or at least at the time, were graduates of university courses in music or the performing arts. The pub rock scene, which emerged in the ’70s and which the launched the careers of many of the great working class bands of the ’70s and ’80s is now very much disappearing.

Once upon a time, back in the 1980s and 1990s, Private Eye’s literary column took a somewhat similar view of the contemporary literary scene. The reviewer back then was acutely critical of the snobbishness and cliquishness of literature and the publishing industry. The Eye believed and very strongly argued that British literature was dominated by a small clique of writers, who were largely vastly overhyped, to the exclusion of better writers and aspiring authors, who were rejected out of hand. They gave as an example of this a conversation they’d heard about with one of the editors of Granta. When the editor was asked about a piece submitted by one aspiring author, they responded by asking what colour the enveloped it was send in was. This, the Eye’s reviewer went on, showed precisely what the attitude towards outside submissions at the magazine was. It was geared entirely towards people within the literary clique. Those outside were automatically rejected, manuscript unread.

The Eye wasn’t particularly interested in the class aspects of this question. Which isn’t surprising, as Richard Ingrams, the former editor pointed out during a talk one year at the Cheltenham Literary Festival that the magazine’s founders – himself, Willie Rushton, Peter Cook and so on, were all middle-class and privately educated. The Eye’s reviewer said several times that there was no reason why working class writers should be particularly promoted over others. They also made the occasional sneering comments directed at left-wing authors stressing their very working class roots that they were ‘prolier than thou’. I think they may even have made a comment about ‘Prole-lit’ for a type of very stereotypical ‘working class’ literature.

But they also attacked authors, who seemed to be published solely on snob value, because they were members of the aristocracy or the upper-middle classes, rather than because their writing had any intrinsic merit. Regarding one such author, the Eye’s reviewer said that any miner, who ever picked up a pen to write a sonnet, was of far more interest and value than them. They also savaged authors from the upper classes, who struck them as having a particularly patronising attitude to the lower orders, who read her books. There’s one review, which takes Jilly Cooper to task for this, whether the reviewer writing as her, sends her up by describing her readers as ‘pawps’ as an example of the class snobbishness in her novels. I’ve never read Cooper, so can’t really say whether this attitude is entirely fair or not, or, if it is, whether Cooper is any worse than many other authors.

I think that in more recent years the Eye’s literary column lost a little of that fierce opposition to the cliquishness of the literary scene, and particularly the London literary milieu. It still attacks and parodies overhyped, bad writing, but this seems part of a simple attack on overrated, mediocre literature. This now includes the works of the stars of reality TV shows and vapid, but inexplicably popular, bloggers and vloggers on the Net. But working class representation in writing, and other areas of the arts is a genuine part of the wider issues of access and exclusivity. Whether the Net will have an impact here, in popularising the work of working class writers, who would otherwise remain unpublished if left to the world of traditional literary agents and publishers, remains to be seen.

‘Florence’ Suggests I should Compile a Book about British & American Support for Fascist Dictators

November 12, 2017

Yesterday I put up a piece commenting on a video from the Aussie left-wing blogger, Democratic Socialist. This showed the Tory media’s double standard in reviling Jeremy Corbyn as a supporter of terrorism, Iran, and an anti-Semite, when he is none of those things. But the hacks of the Telegraph definitely did not make those accusations against their Tory molten idol, Maggie Thatcher, when she by association supported all of the above through her friendship with General Pinochet.

Corbyn’s support for Iran was based on an interview he made to an Iranian group, the Mossadeq Project. Mohammed Mossadeq was the last, democratically elected prime minister of that ancient and extremely cultured nation. He was no theocrat, but a secular liberal. He was also a Baha’i, a post-Islamic, syncretistic faith which embraces human equality, including that of men and women. The Shi’a Muslim establishment have hated them since the faith first emerged in the late 19th and early 20th centuries, and there have been terrible pogroms against them. This hatred is not shared by all Iranian Muslims, and I have personally known Iranian Muslims, who are heartily sick of the way their Baha’i friends are treated.

Mossadeq’s crime was that he dared nationalise the Iranian oil industry, then dominated by the British-owned Anglo-Persian Oil, which became BP. This resulted in us and the Americans organising a coup, which toppled Mossadeq, and began the long process by which the Shah gradually assumed absolute power, ruling through terror and a secret police force, SAVAK.

‘Florence’, one of the many great commenters on this blog, commented

In the early 70s I volunteered to help type up translation transcriptions of reports from torture victims of the “Shit” of Iran, as Private eye called him. (It was as evidence for Amnesty.) Its not something you can ever forget. When the revolution happened, it was simply new bosses at the same slaughter houses. This is another lesson learned; the violence required by a state to terrorise its own people seeps into the culture, and remains for generations (maybe longer, its too early to tell in most of the cases you cover in this interesting and evocative piece). The violence of the state becomes symmetrical in the revolution in many countries, Iran, Iraq, etc. that follows such repression.

(For this reason I also worry that, for example, the almost visceral hatred of the disabled (and other poor) in the UK bred by the eugenics of neoliberalism for decades will not be so easily dislodged with a change in government. )

I see that the experience of having lived through those times is no longer part of the wider political education of the younger members of the left. In Labour the excesses of the neoliberals all but wiped out that generation and the links. I talk sometimes to our younger members in the Labour party and they are fascinated – but totally clueless. I do try to point them at this blog for this very reason. They are oblivious to who Pinochet was, why it mattered to us then and now, the refuge given to that butcher by Thatcher, the entire history of the Chicago school etc. The traditional passing in of this history, personal history too, through social groups in the Labour party has all but broken down.

As a suggestion, perhaps you could edit your blogs into a book we could use in discussion groups? You would help us be that collective memory board for the newer (not just younger) activists. It would help tease out the older members stories of their personal part in the struggles at home and abroad, but more than that your pieces on the collision of religious and political also show the rich complexities of life.

I am really honoured that my blog is so highly regarded and useful. While talking to Mike earlier today, I mentioned the idea to him. He was enthusiastic and supportive, making a few suggestions on how I should go about it. I told him I have had problems finding a mainstream publisher for some of my other books I have written. He suggested I should try Lulu again, and have the cover done by a professional artist. This would be a great help to actually selling the book, and he could put me in touch with some of the great comics artists he’s worked with.

I am therefore definitely going to look into this.

Now for the other points ‘Florence’ has raised in her comment.

As for the point about how a whole generation in the Left and the Labour party having an awareness and opposition to the various Fascist leaders run riot around the world thanks to British and American support as part of their political education, I think that’s how very many people got involved in politics. Private Eye covered these issues, as it still does, and there was the series of comedy reviews put on in support of Amnesty in the 1980s called The Secret Policeman’s Ball. These featured some of the greatest comedy talents of the day, such as the Pythons and the languid, caustic wit of Peter Cook. I don’t think you had to be particularly left-wing to be a fan, only a supporter of democracy and civil liberties. Very many of the other kids in my Sixth Form were into it, including those, who could be described as working-class Tories.

But come to think about it, we haven’t seen anything like that on our screens for many, many years. The series was becoming long and drawn out towards the end, but nevertheless there’s no reason something else like it, which could be launched. And I don’t doubt that there are young, angry, talented comedians out there, who are perfectly capable of stepping up to the mike and doing it.

And some of the absence of comment and criticism of the monsters, who ran amok across the globe thanks to British and American support does come from the victory of neoliberalism. Including its adoption by New Labour. Blair was an Atlanticist, and an alumni of the Reagan-founded British-American Project for the Successor Generation, or BAP for short. This was a group that trained up future British political leaders, sending them on free jaunts to the US, so that on return to Britain they would be enthusiastic supporters of the ‘Special Relationship’. And they did a superb job on Blair. Before he went on one jaunt, he was a supporter of unilateral disarmament. When he returned, after meeting the American nuclear lobby, he was fully on board with us supporting America’s siting of nukes in Britain, as well as our own, independent nuclear deterrent.

Much of the activism against these thugs came out, it seems to me, of the campaigns against the Vietnam War. This inspired the radical young people of the time to look more closely at what America and the West were doing in the Cold War, and the people we supported as the bulwark of ‘freedom’ – which really meant ‘capitalism’ and western big business – against the Soviets. And the brutal realities of Pinochet’s regime, and that of the Shah of Iran, and very many others, were extensively reported. Clive James in one of his TV reviews written for the Observer, acidly commented on an interview on British TV with some high level thug from the Shah’s Iran. This torturer was asked about the brutal methods of interrogation employed by SAVAK, the Shah’s secret police. There was no problem, said the thug. They were improving all the time. Oh yes, commented James, or something similar.

Incidentally, an Iranian friend of mine told me had some experience of the activities of the Shah’s secret police himself. Back in Iran, he’d been a footie fan. But he noticed that several of his mates kept disappearing. He then found out that one of his friends was a snitch for the secret police, and had been informing on them. It’s when you hear these experiences from the people, who observed what was happening, that really begin to understand why so much of the world is less than enthusiastic about western imperialism. And why so many Iranians were taken in by that other thug, Khomeini. When he returned to Iran, he promised freedom to all Iranians. That didn’t last long, as it was back to normal with the rapists and torturers in Evin prison under his regime.

I was also part of a British medieval re-enactment group. One of the great peeps I met in that was an American chap, whose ancestry was South American. He was proud of his Incan heritage, and in America he’d been part of a similar group, that recreated the warrior traditions of this Andean people. He’d also been a translator for one of the human rights organisations, translating documents on abuses from Spanish.

There is indeed a whole generation out there, with personal experience of the dictatorship supported by the West, people whose wealth of knowledge and experience should be passed on.

But part of the problem is the supposed break with dictatorship and the entry of neoliberalism into the Labour party. The Fall of Communism was meant to be the End of History, as heralded by Francis Fukuyama. From now on, Western liberal democracy and capitalism would reign unchallenged. And with the threat of Communism gone, the Americans decided to cut their losses and move against the Fascist dictators they’d been propping up. Hence their ouster of General Noriega.

This gave the impression that the world was going to be nicely democratic, with the unspoken assumption that western, Euro-American culture would remain dominant and unchallenged.

But the old culture of lies, coups and regime change when the dominated countries in the developing world get too uppity is still there. As are the Cold Warriors. We didn’t invade Saddam Hussein’s Iraq to free its peoples. We invaded because the Neocons wanted their state industries for American multinationals, and the Saudi-American oil industry wanted their oil fields. And Israel wanted to stop Hussein from aiding the Palestinians. Human rights was just a convenient pretext. And it’s been like this for the last 14 years.

Just like we’re also being told lies about the situation in Ukraine. The Maidan Revolution was not spontaneous. It was staged by the CIA, National Endowment for Democracy, George Soros, and Victoria Nuland in Obama’s state department. It was to stop Ukraine becoming too close to Putin’s Russia. Ukraine has always had strong links to its eastern neighbour. Indeed, Kiev was one of the earliest and most powerful of the Russian states to emerge in the Middle Ages. Trying to sever the links between the two is similar, as someone put it, to Canada moving away from America to side with the Communist bloc.

But we aren’t being told any of that. Nor are we told that real, unreconstructed Nazis from the Pravy Sektor are in the ruling coalition, and that there is credible evidence that human rights abuses have been visited on the Russian minority and Russian speaking Ukrainians.

We are just being told that Putin is a thug – which is true – and that he’s ready to invade the former Soviet satellites. Which probably isn’t.

There is also a further problem, in that some of the countries, whose Fascist leaders Britain and America supported, are very remote. I’d guess that many people really wouldn’t be able to find them on a map, let alone know much about their history. And so we face the same problem the Czechs faced, when Chamberlain sacrificed their country to Hitler at Munich. They are faraway countries, of which we know nothing.

And this is a problem with British imperial history generally. Salman Rushdie once said that the British don’t know their own history, because so much of it happened abroad. This is true. British capitalism was stimulated through the colonisation of the West Indies, the slave trade and the sugar industry. How much is a matter of debate. Black and West Indian scholars have suggested that it was the prime stimulus behind the emergence of capitalism and the industrial revolution in Britain. Others have argued instead that it added only 5 per cent to the economy. But that it did have an effect is undeniable, especially on its colonised peoples. In the West Indies, this meant the virtual extermination of the indigenous Amerindian peoples and their replacement with enslaved Africans.

Well, the Empire has gone, and been replaced by the Commonwealth. But western domination of these countries’ economies still remains through the various tariff barriers that the Swedish economist Gunnar Myrdal called Neocolonialism. As well as the domination of their industries by western multinationals.

There are book available on the British Empire, some of them critical. Like John Newsinger’s The Blood Never Dried, and a recent book about the internment, torture and mutilation of the indigenous Kenyans during the Mao Mao crisis, Africa’s Secret Gulags. But the people, who appear on TV to talk about imperialism tend to be those on the right, like Niall Ferguson, who will admit that the British Empire was seriously flawed, but on balance did more good. Which might be true, but still glosses over some of the horrors we perpetrated.

And many of these are still kept from us. The public documents supporting the allegations of the victims of British torture in Kenya only came to light because they fought a long and hard battle in the British courts to get them released. I honestly don’t know what other nasty little secrets are being kept from us, in case it embarrasses senior ministers or industrialists.

So if you want to see the brutal reality behinds the West’s foreign policy, you have to read specialist magazines, many of them small press. Like Robin Ramsay’s Lobster, which has been going since the 1980s, and which is now online, and Counterpunch, an American radical magazine and website, which has been digging the sordid truth up about the American Empire and the rapacity of capitalism and the global elite. I also recommend William Blum’s The Anti-Empire Report, and his books, as well as Greg Palast’s dissection of the real reasons we invaded Iraq, Armed Madhouse.

More material on the rapacity of western imperialism is coming to light through the internet, and especially the emergence of alternative news sites. And there is a growing audience for it, as young and older people from across the world are brought together through international links. This isn’t just business, but also through the foreign students coming to Britain, as well as Brits living, working and studying elsewhere in the world.

The problem is getting it out there, and moving it from the sidelines so that it becomes a major topic that can be used to challenge our leaders and hold them to account, without being written off as ‘loony radical lefties’ spouting about things no-one else wants to know about or even hear. About other ‘faraway places, of which we know nothing’.

Democratic Socialist on Thatcher, Cobyn and the Double Standards of the Right Wing Press

November 11, 2017

I’ve reblogged a number of videos from Democratic Socialist, an Aussie Leftie, who knows his stuff about capitalism’s connection to Fascism, the Nazi privatisation programme and support for businessmen as the eugenic elite, and Thatcher’s hideous support for general Pinochet in Chile.

This is another of his videos.

In it, he takes apart the double standards of the British right-wing media, and in particular the Daily Telegraph in its smears of the British Labour leader, Jeremy Corbyn, and its absolute refusal to condemn its idol, Margaret Thatcher, for her friendship with General Pinochet. Pinochet was, as I’ve mentioned frequently before, the brutal dictator of Chile, who overthrew the democratically elected Marxist president, Salvador Allende. The Tories smear Corbyn as a supporter of the Iran, Hamas and Hizbollah, and an anti-Semite. He is in fact none of these things. But Thatcher certainly was friends with Pinochet, who was a terrorist, torturer and anti-Semite.

The Torygraph smeared Corbyn as supporting the Iranian theocracy In fact, he did nothing of the sort. The article the Torygraph refers to appears on the page of the Mossadegh Project, an Iranian group that supports and celebrates the work of Iran’s last democratically elected president, Mohammed Mossadeq, who was tolerant and secular. Mossadeq was overthrown by a British-American coup in 1953 because he dared to nationalise the Iranian oil company, then consisting of the British owned Anglo-Persian Oil, which later became BP. His fall resulted in the gradual assumption of absolute power by the Shah, who instituted a reign of terror that eventually culminated in the Islamic Revolution of 1979, when he was overthrown by the Ayatollah Khomeini.

This section of the video includes a clip of an American expert describing how he was corrected by the Iranians, when he told a group of them that their country was incapable of democratically electing a leader. ‘It was,’ they replied, ‘before the Americans came’.

Oh yes, and there’s another reason why Corbyn’s support for Mossadeq certainly does not mean he supports the current Iranian theocracy. Mossadeq was a Baha’i, which is post-Islamic syncretistic religion, that the Shi’a regime in Iran despises as a vile heresy. I’ve been told by Iranian Muslim friends, who are profoundly disgusted by the fact that expatriate Iranian Baha’is cannot go to their homeland without signing a document stating that they have renounced their faith. The regime has killed 60,000+ Baha’is in pogroms, and subjected many to the same kind of tortures that Pinochet oversaw in Chile. I doubt very much that Corbyn’s support for the former Iranian president endears him to the Iranian regime.

As for supporting Hamas and Hizbollah, and therefore terrorism, Corbyn actually didn’t say anything like that. He condemned terrorism, but said that he had to negotiate with them.

Democratic Socialist contrasts this with Thatcher and Pinochet. The head of Pinochet’s secret police, Michael Townley, was responsible for the assassination of Orlando Latelier, who served as foreign minister in Allende’s government. Latelier had fled the country and noted the construction of the prison camps in which 100,000 people were incarcerated. He was killed by a car bomb in Washington D.C.

Corbyn is accused of anti-Semitism simply through guilt by association with these groups. But Pinochet was also a brutal murderer of Chile’s Jews. There’s a memorial in Chile now to the Jewish victims of Pinochet’s regime. Pinochet also gave sanctuary to the Nazis, who fled to Chile to escape justice. One of these was Walter Rauff, an utterly despicable person, responsible for inventing the gas cars. This was the method by which Jews and the disabled were murdered by the SS before the establishment of the great death camps. They were vans, specially adapted so that the exhaust was fed back into the truck’s rear compartment, in which the victim was placed. The van was driven around until the poor soul was gassed by the carbon monoxide. Not surprisingly, Emile Zubroff, one of Germany’s great Nazi hunters, was particularly angered by Pinochet giving this man sanctuary.

And then there’s the butcher’s extensive use of terror. Here’s another trigger warning: some viewers may find this very hard to watch. This part of the video has footage of an Englishwoman describing how she was raped and tortured with electric shocks by the regime. She does not go into details, but she simply states what the shocks and rapes consisted of. As well as how one woman was caged until she went made. This section starts at c. 350 mark. And it shows how vile and subhuman Pinochet and his torturers were.

This lady was abducted and tortured because Pinochet’s thugs believed she had treated the deputy leader of the anti-Pinochet resistance, and knew where the leader was. The woman was kidnapped, despite the fact that she was living with missionaries at the time. Before they took her, they shot the maid dead. I’m emphasising this because the Christian right in America and Britain has deluded itself and others that somehow Pinochet and other Fascists like him were great defenders of Christianity against Communism.

Rubbish. Fascists all over Latin America killed, raped and tortured committed Christians, including clergy, who worked for the poor against exploitation by the elites. This included Roman Catholic nuns, and Archbishop Romero. Romero was killed in the 1980s. He was not a supporter of Liberation Theology, the mixture of Roman Catholic doctrine and Marxism that had gained ground in Latin America. However, he moved left politically on his appointment, when he saw how oppressed and impoverished the mass of the people in his new archdiocese were. Before the Fascists killed him, they sprayed on the wall of his cathedral ‘Be a patriot. Kill a priest’.

I’m afraid I can’t remember off the top of my head in which country this was – Nicaragua, Guatemala or El Salvador. What I do remember is that he was murdered by the type of people Ronald Reagan hailed as ‘the moral equivalent of our Founding Fathers’, as he called the Contras in Nicaragua. And nearly all of these thugs have been trained by the American intelligence establishment on one of the military bases then called the ‘School of the Americas’.

This is followed by one looks like a BBC report, which shows Thatcher, already looking frail, congratulating Pinochet on having peacefully stepped down. This is true, but ignores the fact that the thug didn’t want to. He was forced out of power by a referendum he wanted to ignore, but his generals chose to enforce. Put simply, he was pushed.

Democratic Socialist then asks what the press would do if Corbyn really was like Thatcher, who was friends with a Fascist dictator, who ruled by terror, rape and torture.

He concludes by stating that he likes Corbyn, but doesn’t see him as being able to withstand the assaults on him by the British press.

Democratic Socialist put this up two years ago in 2015. And I am very glad to say that since then, Corbyn has gone on from strength to strength, not just despite, but because of the hostility of the British press and media.

And the moral character of the hacks in the British right-wing press is appalling. I remember reading a story in Private Eye back in the 1990s about the reaction of some of the journos in the British right-wing press, who were sent down to one of the South American countries to cover its transition from Fascism to democracy. I think it was El Salvador. On their visit, they met members of the El Salvadoran opposition before meeting General Noriega. Later talking about the meeting with the opposition leaders, one of the hacks said to the other that if he were the dictator, he’d shoot them.

Just let that sink in. This hack said that he was in favour of a Fascist dictator, responsible for appalling crimes against humanity, killing the very people, who wanted to lead their country to a new, democratic, better life. Now I dare say it was probably meant as a joke, but it’s a sick one. Especially as the Times and other establishment newspapers a few years after Pinochet seized power in Chile were demanding a coup in 1975 to oust the minority Labour government. The Times didn’t, it is fair to say, want a right-wing government. They wanted a ‘Government Of All the Talents’, containing right-wing Labour as well as Tories to govern after a military uprising. If you want some of the details, see Francis Wheen’s book Strange Days: Paranoia in the 70s. ‘Red’ Ken Livingstone also revealed in his book, Livingstone’s Labour, how MI5 also had plans to round up British leftists in a coup and imprison them in camps in the Hebrides or somewhere else remote.

This is the political background behind Alan Moore’s and David Lloyd’s graphic novel and film, V For Vendetta, starring Natalie Portman, Hugo Weaving, John Hurt, and Stephen Fry. I don’t like the movie because of its pronounced anti-Christian bias. But it does depict a chillingly plausible view of what a future fascist Britain would look like, based on what really happened in Nazi Germany. With the exception that the victims of biological experimentation in the Nazi camps never developed superpowers, and single-handedly inspired the masses to revolt and topple Hitler.

The right-wing press just loved Thatcher. They still do, but did not condemn Thatcher for her friendship with Pinochet. They were candid about the nature of his regime, or at least, some where. And some of the hacks, who supported Thatcher maintain that they would have loved to have killed Pinochet. Julie Burchill, a long-time staple of the Mail, went on about what would happen to the Chilean Fascist if she and him were in a locked room with her having a gun. Well, I’m very sceptical about that. Not least because in another of her articles, La Burchill vilified the idealistic young men and women, who went to Spain to fight for the Republicans against Franco during the Civil War as the equivalent of the bloodthirsty tourists, who go to watch a bullfight. So she was quite prepared to support the Spanish Fascists against the anti-Fascists, who risked and lost life and limb against him.

Burchill hates the left, and probably thinks that the Republicans were all Communists and Anarchists, but they also included POUM, which was roughly the equivalent of the British Labour party at the time, and liberals. They were a coalition of forces, united against the threat of Fascism. As the ‘Red’ Duchess of Atholl pointed out at the time.

Now it seems to me that if Britain had suffered a military coup in 1975 against the Labour administration, it would have not differed much from the Fascist regimes in Latin America. We would still have mass incarceration, the suspension of traditional British constitutional freedoms and rape and torture.

And I have no doubt that the Tory press, which lauds Thatcher and vilifies Corbyn, would have been 100 per cent behind it all.

TYT Interviews Director of ‘Medicare For All’ Cartoon

October 26, 2017

In this short clip, The Young Turks’ Nomiki Konst interviews Josh Fox, the director and creator of a series of political cartoons, Anti-Totalitarian Bedtime Stories. Here they talk about his cartoon promoting Medicare For All. The film stars Susan Sarandon as the Doctor, and Louisa Gomez as the little Girl.

The film is unusual in that its hero is a leech. The leech is having an existential crisis, as he has found out that every other creature except him has a purpose. So he jumps off his log and goes swimming. A little girl enters his pool, and he attaches himself to her chest in order to suck her blood. As leeches do. The little girl’s mother takes her to the hospital, as they can’t get the leech off. The little girl is a haemophiliac, and so there is the danger that she will die from bleeding. The doctor pulls the leech off, but finds that the leech’s saliva contains a coagulant. This coagulant can be used to treat other haemophiliac.

This is what would happen if America got Medicare For All. Not only would people be treated free of charge, but science would advance, and new medicines and procedures would be developed to help the sick. Unlike today’s private, for-profit healthcare system, which is only interested in extracting money from the sick.

Fox states at the outset that it’s popular across the board with both Republicans and Democrats. The only people who don’t like it are the private healthcare companies and their associates.

The video is somewhat fanciful, as leeches’ saliva actually contains the exact opposite: it has an anti-coagulant. Nevertheless, as New Scientist reported back in the 1990s, this is still very important for treating certain conditions.

As for the cartoon’s message, clearly research is done into disease by for-profit healthcare and drug companies, but there is a problem in that some of these are engaged in horrendous price gouging. Like Martin Shkreli, the CEO of one company, who increased the price of one drug so that it cost hundreds of dollars, so that only the rich could afford it. Such price gouging is also a problem with the multinational drug companies on this side of the Atlantic as well, as needs to be tackled.

This is a fascinating little video, and I hope it reaches more Americans and encourages more people to support Medicare For All. America desperately needs it.

Radio 4 Programme on British Invasion of Russia to Overthrow Russian Revolution

October 13, 2017

Also on Radio 4 next week, on Friday, 20th October 2017 at 11.00 am., is a programme on the British invasion of Russia. This followed the Bolshevik coup of 1917, and was intended to overthrow the new Communist regime. The blurb for the programme in the Radio Times states

The story of a little-known war that took place a century ago along the frozen rivers of the Russian Arctic and transformed Russia’s relations with the West for decades to come. After the October Revolution, thousands of foreign troops under British command fought Russians on Russian soil for more than 18 months. Lucy Ash meets the 93-year-old son of General Edmund Ironside, who wrote at the time that he was in charge of “a tiny army of not very first class troops” stranded in the icy vastness of Russia “in the midst of a bitter civil war”. (Page 139).

Again, there’s a bit more information on the facing page, 138, written by Tom Goulding. This reads

The UK’s relationship with Russia has always seemed cold – coloured by by decades of menacing but empty rhetoric on both sides. so it’s often overlooked that just under 100 years ago a real and bloody conflict took place between Britain and the Bolsheviks in the frozen Arctic. Journalist Lucy Ash investigates this infamous incursion of British boots on Russian soil by speaking to the 93-year-old son of Edmund Ironside, the general who led Churchill’s crusade to put down the fledgling Bolshevik state. The intervention was a disaster, and the resulting mistrust between the two countries looms large to this day.

With 20/20 hindsight, it could be said that it’s a pity that the invasion didn’t succeed. The Bolsheviks were authoritarians from the start. They suppressed the other political parties and organisations, including left-wing and socialist groups such as the Mensheviks, Trudoviks and the Socialist Revolutionaries. Strict discipline was reintroduced, and the Bolsheviks reinstated the same proprietors and managers to manage the factories and other industrial concerns that they’d nationalised, against the desires of the anarchists, syndicalists and Left Communists, who wished to create a genuine worker’s state with worker’s control of industry. These were also suppressed, and their leaders and members arrested.

And if Bolshevik rule had been overturned, the Nazis may never have come to power as there would not have been a Communist threat that they could claim to be protecting Germany and the upper and middle classes from. And Stalin would not have come to power, to kill and imprison something like 30 million Soviet citizens – although some estimates put the death toll higher at 45 million – in the gulags and purges.

On the other hand, the Whites were also extremely brutal and oppressive. They, like the Bolsheviks during the Civil War, also held out the prospect of restoring democracy. However, the leader of one of the White counter-revolutionary bands was a maniac, who I think believed himself to be Jesus Christ or Buddha – or both. This butcher used to throw cold water over his prisoners’ naked bodies in the depths of the Russia winter so that they froze to death, and snap pieces of their bodies. Tony Greenstein in a recent blog post describes how the Zionist leaders approached another anti-Semitic White General, Petlyura, about sending Jews from Russia to Palestine. The Russian novelist Mikhail Bulgakov vividly describes the outbreak of anti-Semitic violence during the Civil War in the Ukraine in his classic, The White Guard, adapted from his play, The Days of the Turbins. He mentions the lynching of Jews by the peasants, and one of the characters killed by the mob in this way is a Jewish man, whose only crime was to have left his home to try to buy food and medicine for his family.

And if you read accounts of the Russian Revolution, it’s very clear why the peoples of the Russian Empire rose up, even if they mostly didn’t support Lenin and the Bolsheviks: they were pushed to the end of their tether through losing a war for which the ordinary squaddies were poorly treated and equipped, and by social conditions of horrendous poverty and near starvation in industry and the countryside. Russia was beset by strikes, and their were hundreds of peasant uprisings that occurred one after the other in the Russian countryside.

As for the British invasion, it seems to me it had two objectives. These were to keep the Russians in the War, fighting the Germans and Austrians, and to overthrow the Bolshevik state as a threat to capitalism. I dare say that it was accompanied with claims that it was about defending democracy, but as it wasn’t until the ’20s that all men got the vote regardless of property qualifications, and women finally gained the suffrage, such claims are probably rather specious.

Pat Mills, in one of the interviews I put up a few weeks ago, mentioned that he wrote a story for the First World War strip, Charlie’s War, in the comic Battle, which dealt with the British invasion of Russia. Mills is very left-wing, and says in the interview that the British officers ‘behaved like animals’. Which I don’t doubt they did, considering the stupid brutality they later unleashed in Ireland during their Revolution, though this was mostly done by the auxiliary units, the Black and Tans, rather than the regular army.

Russell Brand Takes Down Jacob Rees-Mogg

September 25, 2017

I realise that Russell Brand probably isn’t everyone’s favourite comedian ever since that stunt he and Jonathan Ross pulled leaving sneering prank messages about Andrew Sachs’ granddaughter on the old fellow’s answerphone a few years ago. I also don’t agree with his anarchistic stance encouraging people not to vote. However, in his Trew News videos on YouTube he has produces some very incisive critiques and demolitions of contemporary capitalism, right-wing politics and bigotry.

In this video he takes on Jacob Rees-Mogg, now the darling of the Tory party, many of whom would just love him to take over the reins from Theresa May, whose own failings are increasingly obvious. And they definitely prefer him to Boris after BoJo showed his complete lack of scruple and personal loyalty by stabbing Cameron and then Gove in the back over Brexit.

They like Mogg, because he’s soft-spoken and courteous. But as Brand points out here, his opinions are absolutely toxic. Brand shows the clip of Mogg wrong-footing John Snow when Suchet was interviewing him about May’s Brexit speech. Suchet stated that many people thought here speech was a shambles. So Mogg says ‘It seems a bit harsh to compare her speech to a butcher’s slaughterhouse.’ This throws Snow for a moment, who clear wasn’t aware that that was what the word originally meant, and throws it back to Mogg, saying that it seems a harsh thing for him to say. Only for Mogg to tell him that this is what Suchet himself has said, as that’s what the word means. Brand rightly mocks Mogg for this piece of rhetoric.

In fact, the word shambles actually means the stalls butchers occupied in medieval market places. Bridgwater in Somerset had its shambles, and a fish shambles as well, in the Cockenrow, the name of which means ‘Cook’s Row’, and refers to the shops in that part of town selling cooked meat. The medieval shambles at Shepton Mallet has survived, and you can visit it with the benches on which the medieval tradesmen used to display their wares, above which is mounted a small tiled roof.

In discussing the etymology of the word, Mogg is clearly being pedantic, simultaneously using his knowledge to play down just how awful and uninspiring May’s speech was, while also showing off his superior knowledge in the hopes that this will impress everyone with the depth of his aristocratic education. In fact, the word’s etymology is immaterial here. The word is simply used commonly to mean a mess. Of course, if you wanted to make the point in a more elevated and highfalutin manner, Snow could have said ‘I was using the term synchronically’, which is modern philologist’s parlance for what a term means now. I doubt Mogg’s own knowledge of the theory of linguistics goes that far, and it would have thrown his own rhetorical strategy back at him. But unfortunately, thinking about such responses is usually the kind of thing you do on the way home after it’s all over.

Brand then goes on to talk about Mogg’s appearance on Breakfast TV, where he showed himself against gay marriage and abortion, even after rape. Brand is like many others – impressed by Mogg’s honesty, while at the same time horrified by the views he holds.

And then he attacks Mogg’s performance on LBC Radio, where he declared that the growth in food banks was ‘uplifting’, and goes on to talk about how the state couldn’t provide everything. Brand states that what brings this argument down is the fact that most of the people forced to use food banks are actually working. They’re just not paid enough to live on.

He also rebuts Mogg’s claims that his views are based in Christianity. They aren’t. Most of Christ’s message in the Gospels is about being nice and kind. Mogg, however, prefers to see Christ as being harder towards the poor and sick. To support his point about Mogg’s highly selective interpretation of Christian morality, he cites and shows a letter published by one of the papers, that makes this point.

In fact, Mogg’s views on food banks are more or less standard Tory rhetoric. Many Tories will say something about preserving a welfare state to give some provision for the poor, but will then do exactly what Mogg did, and then say that the state can’t provide everything. When challenged about cuts to the welfare state, they’ll probably make some comment about needing to target the support to those who really need it, rather than scroungers.

This is all highly mendacious. The cuts don’t just attack scroungers – they create real poverty amongst those in genuine need. And nobody expects the state to do everything. They just expect them to provide real support for the poor and the disabled. This support is not being provided, and the Tories are intent on destroying the welfare state piecemeal, so that no-one notices. Rees-Mogg’s comments about retaining some kind of welfare state are a sham, whether he believes it or not, are designed to gull people into believing that the Tories really do want to look after ordinary people. They don’t.

As for Mogg being delighted with the charity and generosity shown by people giving to the food banks, this was actually one of the reasons Thatcher wanted to abolish the welfare state. She thought that, with the state unable to provide for the poor there would be a resurgence in private generosity as people rose to the task of giving themselves, rather than relying on state aid. But as Lobster noted in a piece in its editorial, The View from the Bridge, a little while ago, this didn’t happen, And Thatcher realized it. As for the state being unable to provide adequately for the poor, the opposite is true. Conservative, religious Americans do give generously to charity. They’re often more generous than secular liberals, according to polling done a few years ago and cited in the book, The Truth about Evangelical Christians. But this personal generosity is completely inadequate for tackling the deep, widespread and grinding poverty that’s now spreading across America thanks to nearly forty years of Reaganite neoliberalism.

Brand gives Rees-Mogg his professional appreciation as a comedian. He states that Mogg is a comedic character. He makes the point that he seems mostly compounded from Maggie Thatcher. That’s certainly where Mogg got his mistaken and disgusting views about the efficacy of private charity over state aid. Just as Thatcher got it from her mentor, Keith Joseph. And if Mogg was the creation of a comedian sending up the Tories, he would be highly funny. He comes across somewhat as a mix of the Slenderman, the sinister internet meme, and Lord Snooty from the Beano. Or was it the Dandy? Looking at the photo Mike put up, showing Mogg trying to lift his leg over a style reminding me of nothing less than the Monty Python sketch, the ‘Ministry of Silly Walks’. Brand goes on to the compare Mogg to Trump. Mogg’s a comedic figure in exactly the same way Trump is. But only from a distance. Brand says that if he lived in America, which has to deal with the problems Trump is creating, he wouldn’t find Trump funny at all. The same with Mogg. Like Trump, he can appreciate Mogg as a comic character, but in reality, as a politician, Trump and Mogg are anything but funny.

Counterpunch Article on the Growing Links between Netanyahu’s Israel and Alt Right Nazis

September 20, 2017

Jonathan Cook has published an article today on the Counterpunch website examining the increasing love-in between the White supremacists, anti-Semites and Nazis of the Alt Right, and Netanyahu’s Israeli establishment. And it’s exactly as Tony Greenstein, the British Jewish opponent of racism, Nazism and Zionism has said in his blog posts.

Cook’s article describes how the Alt Right embraced Netanyahu’s wretched son, Yair, as ‘a total bro’ after he posted an anti-Semitic cartoon about George Soros, along with an Ickian Reptoid and various other anti-Semitic caricatures, as well as a cartoon of Ehud Barak, a former Israeli PM, who has also criticized Netanyahu’s regime. The article states that Yair Netanyahu has been groomed as Netanyahu’s successor, to the point where he’s been described as the Israeli ‘crown prince’. It also describes how, after Viktor Orban’s anti-Semitic government in Hungary vilified Soros, who is of Hungarian Jewish heritage, instead of condemning him, Netanyahu actually rushed to defend Orban, saying that Soros had also defamed Israel. Sebastian Gorka, another member of Trump’s government, who has been active in extreme right-wing politics, was also invited to the Herzliya conference, an annual meeting of the Israeli security establishment. Gorka is also of Hungarian descent, and was active amongst the extreme right-wing parties in his parents’ country. He also wears the medal set up by Admiral Horthy, the Fascist dictator of Hungary, who collaborated with Hitler over the deportation and murder of the Jews there.

Cook’s article notes the very strong ideological connections between the two movements. Zionism, despite promoting Israel as the Jewish people’s homeland, despises liberal, anti-Zionist Jews. Jewish critics or opponents of Israel are banned from the country. Both the Alt Right and Netanyahu’s Zionists are intensely Islamophobic, and both want to create a militaristic society ruled by fear. The article concludes by saying that Netanyahu and his vile government hope that increasingly intolerant regimes in America will make life so uncomfortable for Jewish Americans, that they seek refuge in Israel, and it will force liberal Jews to make a decision, whether they stay in America or renounce their opposition and move to Israel.

The Israeli prime minister has repeatedly called on all Jews to come to Israel, claiming it as the only safe haven from an immutable global anti-semitism. And yet Netanyahu is also introducing a political test before he opens the door.

Jews supporting a boycott of Israel are already barred. Now liberal Jews and critics of the occupation like Soros are increasingly not welcome either. Israel is rapidly redefining the extent of the sanctuary it offers – for Jewish supremacists only.

The paradox may turn out to be more apparent than real, however. For Netanyahu may believe he has much to gain by abandoning liberal Jews to their fate, as the alt-right asserts its power in western capitals.

The “white Zionists” are committed to making life ever harder for minorities in the west, in a bid to be rid of them. Sooner or later, on Netanyahu’s logic, liberal Jews will face a reckoning. They will have to concede that Israel’s ultra-nationalists were right all along, and that Israel is their only sanctuary.

Guided by this cynical convergence of interests, Jewish and white supremacists are counting on a revival of anti-semitism that will benefit them both.

https://www.counterpunch.org/2017/09/20/how-netanyahus-son-became-the-poster-boy-for-white-supremacists/

Pat Mills Going Underground on Class and Politics on Comics

September 19, 2017

This is another video to add to the two others I’ve posted in which Pat Mills, one of the great creators of modern British comics, talks about industry and the political dimension to his work. In this video, he talks to Afshin Rattansi of RTUK’s Going Underground.

Mills starts by talking about how, when he first got into comics, he was frustrated and it was only when he started to look back on it and analyze it that he realized he was annoyed by the lack of working class role models in comics. They were all members of the upper middle classes. It’s why in 2000 AD he wanted to include working class characters and heroes, and why he liked Jeeves in the Jeeves and Wooster books, because here was a working class character, who makes a complete mockery of his master. But what brought home to him how the system is so completely opposed to working class heroes was his attempt working on a story for Dr. Who. He wanted to include a working class spaceship captain. The spaceship itself was to be a kind of abattoir in space, and he based the captain’s character on a real person, the captain of dredger. This would have made it realistic, and the captain of such a vessel would not have been like Richard Todd. But he was told by the script editor that this was unacceptable, and he could not have a working class spaceship captain.

When Rattansi asks him whether this censorship is internal or imposed from outside, he remarks that it’s a good question, and he believes it to be a bit of both. In the case of anti-war stories, it’s imposed from outside. That was brought home to him when he was involved in an exhibition on anarchy and comics. He wanted to include Charley’s War, the anti-war strip from Battle, as there was nothing more anarchist than that. But this was refused, just as the centenary of the outbreak of the First World. It was why TV never showed any of the great anti-war programmes and films about it, like Blackadder Goes Forth or the Monocled Mutineer.

He also comments on the massive influence the American military exerts over the film and TV industry. The Pentagon and the armed forces, including the CIA, have acted as advisors on 500 films and 800 TV programmes, from Meet the Parents to the Incredible Hulk and Iron Man. Mills has said that he has always disliked superheroes as he feels that they are corporate characters, standing for the values of the system. They are there to show people that you can’t be heroic unless you’re a tycoon or an arms manufacturer, who goes out at night to beat up members of the working class. He doesn’t think the military were involved in the last Judge Dredd film, as that was made by an independent, which is probably why it was so good. Rattansi replies that Dredd is still upper middle class, as he’s a member of the judiciary. Mills states in turn that he’s a footsoldier, and that part of the attraction of the character is that he’s also partly a villain. Villains are often more interesting to watch than heroes, who can be quite boring.

He also talks about an incident in which the Board of the Deputies of British Jews objected to one of the strips in Crisis. This was based on a real situation, which Mills had heard about from talking to a Palestinian. In the story, the IDF caught and beat up a Palestinian boy in protest, leaving lying on the ground with all his limbs broken. The Board complained because they thought the lad’s body had been deliberately arranged so that it resembled a swastika. Well, replied Mills, it wasn’t, as comics writers and artists aren’t that clever to sneak those kind of subliminal messages in. And what left him dismayed was the Board was not concerned about what was going on Israel, and which is still going on in Gaza. The incident was also somewhat ironic, in that the Board complained to the comic’s publishers, which at that time was Robert Maxwell, the corrupt thief of the Mirror pension fund. The Board’s complaint fell on deaf ears, and Cap’n Bob ‘told them to get knotted’.

Mills also observes in the interview that they were able to get away with much more in 2000AD as it wasn’t real, it was science fiction. Things are all right if they occur In A Galaxy Far, Far Away. But as soon as it’s real people, the censorship is imposed.

It’s always interesting hearing Mills’ views on comics and the subversion he put into his stories. He also told the story about the Beeb’s rejection of a working class spaceship captain for Dr. Who before, at the conference on Marxism organized by the Socialist Workers’ Party. The producers of Going Underground in the clip state that they contacted the Beeb to check the story, but the BBC had not replied by the time the programme was broadcast.

Mills is wrong in claiming at Jeeves is working class. He isn’t. He’s upper middle. Butlers are ‘a gentleman’s gentleman’, and Jeeves himself makes it very clear in one of the episodes of Jeeves and Wooster that he ‘and the working class are barely on speaking terms’. This is when the Fascist leader, Spode, tries to recruit him, saying that his wretched band need working class people like him. Nevertheless, the broad point remains true: Jeeves is an attractive character for the same reason another fictional butler is, Crichton, in the Admirable Crichton. He’s a servant, who is more knowledgible, intelligent and capable than his master.

I’ve commented in previous blog posts that I think the reason that the authorities don’t want to see any anti-War material broadcast during the centenary of the First World War, is because we still have ambitions of being an imperial power, backing the Americans in their wars around the world and particularly in the Middle East. The Beeb would also probably argue that to broadcast such material as Blackadder would be ‘disrespectful’, or some other spurious excuse.

I was aware that the American military was influencing Hollywood as advisors, but I had not idea how extensive it was. Back in the 1990s the American army advised the director Paul Verhoeven on his adaptation of Starship Troopers. This was an adaptation of the book by Robert Heinlein, who really did believe that only those, who had served in the armed forces should have the right to vote. It’s a notoriously militaristic book, and provoked a very anti-military response from a range of other SF writers, including Harry Harrison, who wrote Bill the Galactic Hero to send up Heinlein. Verhoeven wasn’t impressed with Heinlein’s militarism either. He’s Dutch, and grew up during the Nazi occupation. Thus, while the film can be enjoyed as a straightforward adventure, it also contains a very strong element of satire, such as modelling the uniforms on those of the Nazis.

I was disappointed to hear that the army had collaborated with the producers of The Hulk, as this comic was genuinely countercultural. In the comic, Banner becomes the Hulk after being exposed to the nuclear blast of an atomic bomb test saving Rick, a teenager, who has wandered into test zone. Rick is a classic disaffected teenager with more than a little similarity to the alienated kids played by James Dean. In the 1970s the comic was very firmly anti-military. The Hulk fought the army across America. Banner’s personal enemy was the general in charge of the forces sent to tackle the force, who was also the father of his girlfriend. And while the Hulk was a raging behemoth, what he really wanted was to be left alone. Some of the subversive character of the Hulk came across in Ang Lee’s film, which I actually like, even though no-one else does. But it’s still disappointing to read that the American armed forces were involved.

There’s a touch of irony to Mills speaking on the programme, as ‘Going Underground’ was the first of the two ‘Comic Rock’ strips to appear in 2000AD, the other being ‘Killerwatt’, which introduced Nemesis the Warlock and his struggle against Torquemada, the Fascist grand master of Termight, Earth in the far future. The story, set in the underground maze of rapid transit tunnels within Earth’s vast subterranean network of cities, took it’s title from the track by The Jam.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.