Posts Tagged ‘BBC’

Republicans Try to Block RT from Being Shown in US

September 22, 2017

The Republicans are up to their tricks again, trying to stop American audiences from taking their news from alternative sources and so getting a clearer, different picture from that the corporate media wishes to impose. In this report by Samira Khan from RTUK, Republican Senator John McCaine and one of his colleagues are trying to pass a bill, which would allow American network providers to avoid having to carry RT – Russia Today – in the US. The ostensible reason is that Russia is using the broadcaster, which is owned by the Russian state, to influence American politics. There’s a clip in the programme of various Republicans in Congress debating and complaining that too many Americans are getting their views from RT.

The programme notes that there are three other state-owned foreign broadcasters in the US. These are France 24, Al-Jazeera, which is owned by Qatar, and, of course, the Beeb. None of these will be subject to the McCaine’s and Graham’s bill.

I’m very much aware that RT is owned by Russia, which since the Second World War has been America’s ideological and geopolitical opponent. And, despite the Fall of Communism and the introduction of capitalism, Russia still is in geopolitical opposition to America. But the claims that Russia is interfering in US politics is pure rubbish.

This twaddle ultimately comes from Hillary Clinton and her attempts to blame everyone else for her failure and corruption at the elections. She claimed that the leaked emails from the Democratic National Convention, which showed how corrupt she was in her dealings with corporate backers, and how she and Debbie Wasserman Schultz unfairly manipulated the internal electoral process within the party to stop Bernie Sanders coming to power, came from the Russians. They weren’t. They came from disgruntled members of her own party.

As for the accusation that Russia was influencing US politics, there’s no evidence that they were doing so unduly, or at least, no more than they had been. And as William S. Blum has pointed out on his Anti-Empire Report, that’s a lot less than America has interfered in other countries. He has a whole list of the countries, in which America has interfered in their politics and elections, not counting those, which the US has actively invaded or organized or backed coups to overthrow liberal and left-wing, but not necessarily Marxist or even Socialist governments. And there are pages and pages on this in Blum’s book.

This is just another attempt by the political establishment to try and shut down alternative media, and stop the American people from finding out what their country is really doing. Not just around the world, but also to them. Thanks to both the establishment Democrats and the Republicans’ promotion of corporate interests, as Pat Mills observed in one of his talks on politics and comics, there are pockets of America which are like the Third World. And this is White America, never mind Blacks, who still remain much poorer.

The corporate establishment is panicking, both in America and over here in Blighty, because people are no longer buying the right-wing propaganda churned out by Fox News and MSNBC, or by a supine BBC over here, which has turned its news into a kind of British TASS for Conservatives. (TASS was the Soviet state news agency before the collapse of Communism). They’re taking their news from alternative sources, like the Real News Network, RT, Democracy Now!, The Young Turks, Secular Talk, the David Pakman Show, Sam Seder’s Majority Report in the US, RTUK over here, media commentators like Chunky Mark the Artist Taxi Driver, and a whole plethora of bloggers and vloggers. And they’re getting worried.

It’s why establishment journos in the press and on the Beeb are whining about how the decline of their sector of news gathering and publication means that there will no longer be a consensus view that broadly unites people of all shades of political opinion. What this actually translates into is a panic that they won’t be able to shape public opinion like they could. They argue this means that opinions are becoming increasingly polarized and oppositional. It also means that they’re afraid that they can’t shape public opinion for the benefit of their corporate proprietors like they used to, and without influence and declining sales they could see all that lucrative advertising money that keeps so many of them going, drying up.

And the giants of the internet are also panicking. It’s why Google is so keen to demonetize ‘controversial’ material on YouTube. The excuse is that they’re doing so to stop racist, Alt Right, Nazi and Islamist propaganda appearing on the platform. But as so much of what is demonetized extends to left-wing news outlets, like David Pakman, Sam Seder and Democracy Now!, this excuse is very spurious and flimsy indeed. Google has said it wants to prioritise corporate content. It’s therefore just another big corporation trying to silence the critics of the corporate capitalism that’s destroying the planet and impoverishing everyone in the world except the super-rich 1 per cent.

It’s also why Facebook has also changed its policy, so that bloggers like Mike over at Vox Political also find it hard to reach their audience.

People the world over aren’t buying the corporate, establishment propaganda. They are turning to alternative media, which includes Russia Today, to find out about what’s really going on. And the corporate media is terrified. Hence this wretched bill. And I’ve no doubt that if this gets through Congress, the Tories will try something similar over here. After all, RT is also over here, as is the Iranian state broadcaster, PressTV, and they also tell the British public facts and information that they really don’t want people to see. Like George Galloway talking about the oppression of the Palestinians in Israel, and western militarism and imperialism in eastern Europe and the Middle East.

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Pat Mills Going Underground on Class and Politics on Comics

September 19, 2017

This is another video to add to the two others I’ve posted in which Pat Mills, one of the great creators of modern British comics, talks about industry and the political dimension to his work. In this video, he talks to Afshin Rattansi of RTUK’s Going Underground.

Mills starts by talking about how, when he first got into comics, he was frustrated and it was only when he started to look back on it and analyze it that he realized he was annoyed by the lack of working class role models in comics. They were all members of the upper middle classes. It’s why in 2000 AD he wanted to include working class characters and heroes, and why he liked Jeeves in the Jeeves and Wooster books, because here was a working class character, who makes a complete mockery of his master. But what brought home to him how the system is so completely opposed to working class heroes was his attempt working on a story for Dr. Who. He wanted to include a working class spaceship captain. The spaceship itself was to be a kind of abattoir in space, and he based the captain’s character on a real person, the captain of dredger. This would have made it realistic, and the captain of such a vessel would not have been like Richard Todd. But he was told by the script editor that this was unacceptable, and he could not have a working class spaceship captain.

When Rattansi asks him whether this censorship is internal or imposed from outside, he remarks that it’s a good question, and he believes it to be a bit of both. In the case of anti-war stories, it’s imposed from outside. That was brought home to him when he was involved in an exhibition on anarchy and comics. He wanted to include Charley’s War, the anti-war strip from Battle, as there was nothing more anarchist than that. But this was refused, just as the centenary of the outbreak of the First World. It was why TV never showed any of the great anti-war programmes and films about it, like Blackadder Goes Forth or the Monocled Mutineer.

He also comments on the massive influence the American military exerts over the film and TV industry. The Pentagon and the armed forces, including the CIA, have acted as advisors on 500 films and 800 TV programmes, from Meet the Parents to the Incredible Hulk and Iron Man. Mills has said that he has always disliked superheroes as he feels that they are corporate characters, standing for the values of the system. They are there to show people that you can’t be heroic unless you’re a tycoon or an arms manufacturer, who goes out at night to beat up members of the working class. He doesn’t think the military were involved in the last Judge Dredd film, as that was made by an independent, which is probably why it was so good. Rattansi replies that Dredd is still upper middle class, as he’s a member of the judiciary. Mills states in turn that he’s a footsoldier, and that part of the attraction of the character is that he’s also partly a villain. Villains are often more interesting to watch than heroes, who can be quite boring.

He also talks about an incident in which the Board of the Deputies of British Jews objected to one of the strips in Crisis. This was based on a real situation, which Mills had heard about from talking to a Palestinian. In the story, the IDF caught and beat up a Palestinian boy in protest, leaving lying on the ground with all his limbs broken. The Board complained because they thought the lad’s body had been deliberately arranged so that it resembled a swastika. Well, replied Mills, it wasn’t, as comics writers and artists aren’t that clever to sneak those kind of subliminal messages in. And what left him dismayed was the Board was not concerned about what was going on Israel, and which is still going on in Gaza. The incident was also somewhat ironic, in that the Board complained to the comic’s publishers, which at that time was Robert Maxwell, the corrupt thief of the Mirror pension fund. The Board’s complaint fell on deaf ears, and Cap’n Bob ‘told them to get knotted’.

Mills also observes in the interview that they were able to get away with much more in 2000AD as it wasn’t real, it was science fiction. Things are all right if they occur In A Galaxy Far, Far Away. But as soon as it’s real people, the censorship is imposed.

It’s always interesting hearing Mills’ views on comics and the subversion he put into his stories. He also told the story about the Beeb’s rejection of a working class spaceship captain for Dr. Who before, at the conference on Marxism organized by the Socialist Workers’ Party. The producers of Going Underground in the clip state that they contacted the Beeb to check the story, but the BBC had not replied by the time the programme was broadcast.

Mills is wrong in claiming at Jeeves is working class. He isn’t. He’s upper middle. Butlers are ‘a gentleman’s gentleman’, and Jeeves himself makes it very clear in one of the episodes of Jeeves and Wooster that he ‘and the working class are barely on speaking terms’. This is when the Fascist leader, Spode, tries to recruit him, saying that his wretched band need working class people like him. Nevertheless, the broad point remains true: Jeeves is an attractive character for the same reason another fictional butler is, Crichton, in the Admirable Crichton. He’s a servant, who is more knowledgible, intelligent and capable than his master.

I’ve commented in previous blog posts that I think the reason that the authorities don’t want to see any anti-War material broadcast during the centenary of the First World War, is because we still have ambitions of being an imperial power, backing the Americans in their wars around the world and particularly in the Middle East. The Beeb would also probably argue that to broadcast such material as Blackadder would be ‘disrespectful’, or some other spurious excuse.

I was aware that the American military was influencing Hollywood as advisors, but I had not idea how extensive it was. Back in the 1990s the American army advised the director Paul Verhoeven on his adaptation of Starship Troopers. This was an adaptation of the book by Robert Heinlein, who really did believe that only those, who had served in the armed forces should have the right to vote. It’s a notoriously militaristic book, and provoked a very anti-military response from a range of other SF writers, including Harry Harrison, who wrote Bill the Galactic Hero to send up Heinlein. Verhoeven wasn’t impressed with Heinlein’s militarism either. He’s Dutch, and grew up during the Nazi occupation. Thus, while the film can be enjoyed as a straightforward adventure, it also contains a very strong element of satire, such as modelling the uniforms on those of the Nazis.

I was disappointed to hear that the army had collaborated with the producers of The Hulk, as this comic was genuinely countercultural. In the comic, Banner becomes the Hulk after being exposed to the nuclear blast of an atomic bomb test saving Rick, a teenager, who has wandered into test zone. Rick is a classic disaffected teenager with more than a little similarity to the alienated kids played by James Dean. In the 1970s the comic was very firmly anti-military. The Hulk fought the army across America. Banner’s personal enemy was the general in charge of the forces sent to tackle the force, who was also the father of his girlfriend. And while the Hulk was a raging behemoth, what he really wanted was to be left alone. Some of the subversive character of the Hulk came across in Ang Lee’s film, which I actually like, even though no-one else does. But it’s still disappointing to read that the American armed forces were involved.

There’s a touch of irony to Mills speaking on the programme, as ‘Going Underground’ was the first of the two ‘Comic Rock’ strips to appear in 2000AD, the other being ‘Killerwatt’, which introduced Nemesis the Warlock and his struggle against Torquemada, the Fascist grand master of Termight, Earth in the far future. The story, set in the underground maze of rapid transit tunnels within Earth’s vast subterranean network of cities, took it’s title from the track by The Jam.

Boris Back to Lying about Giving Money from Brexit to the NHS

September 19, 2017

Late last week, Boris Johnson threw the Tories into further chaos as he published his own, 4,000 word document outlining his vision for Brexit. It’s clearly another bid for power from someone, who desperately wants to be in the driving seat and doesn’t care what he says or who he betrays to get there. May responded by calling him a ‘backseat driver’ and insisted that she is in control. Well, as people have commented, if she has to say it, then she obviously isn’t.

And Mike the other day put up a piece showing that Johnson is back to repeating the old Brexit lies he used last time. Yup, he’s told the British people once again that we pay £350 million a year to the EU, when with rebates and other considerations it’s far less than that, and in fact Britain has a net benefit from remaining within the European Union. And he’s also trotted out the old lie that some of this money will be spent on the NHS when we come out.

In fact, Johnson and his fellow Brexiteers have absolutely no intention of doing this. No surprise there. They didn’t when Britain narrowly voted to Leave the European Union. Instead, Johnson did what Tories always do, and reneged on the promise. He made a lot of huffing and puffing about not actually having promised to give that money to the NHS, and only said that if we left the EU, some of that money, for example, could be spent on the Health Service.

Despite the fact that the buses that went round the country clearly stated that the money would be spent on the NHS.

Johnson lied. And he’s doing it again.

It’s all part of his cynical maneoevrings to get himself into No. 10. He was a Remainer, until he decided to throw in his lot with Michael Gove. Whom he then betrayed. And how far he really believes that leaving the EU will benefit Britain is a very good question. From the ashen expression on his face when the result came in that Britain, well, really only England, had voted to Leave, he doesn’t believe in it at all.

The man has no principles, and is just cynically repeating an old, tired lie to get himself a bit closer to becoming PM. Don’t be taken in.

Fool me once, shame on you.
Fool me twice, shame on me.

As George Dubya nearly said correctly.

http://voxpoliticalonline.com/2017/09/18/boris-johnsons-350-million-eu-claim-is-still-a-lie-no-matter-how-he-dresses-it-up/

Mike’s article is also worth reading for what the folks on Twitter have to say about this latest resurrected falsehood from Johnson. One of the more interesting observations comes from a Beeb journo, who reports that they were under pressure from their bosses to find a positive story about how Brexit would benefit the UK. They couldn’t find any. Eventually, they were going to have to settle for the news that the vaping canisters for e-cigarettes would be bigger. But even that was wrong.

And the piccie Mike uses for that article is also quite fun. It shows one of the buses with Johnson’s infamous lie on its side, stuck halfway up a cliff face.

Which is rather like one of the urban legends that went round in the 1990s, and which got into the pages of Private Eye. According to this tale, American police had found the remains of a chevy out in the Nevada Desert. It seemed the former owner, with a need for speed that went beyond even Jeremy Clarkson’s, had had the bright idea of sticking a JATO engine on his car’s roof. These are small rocket engines that are used to assist air force jets to take off from small runways. This clown forgot just how powerful these engines are, and was completely unprepared for the 8 G acceleration which kicked in when he fired it. According to the story, under its thrust the car left the road and ‘the surly bonds of Earth’, flying five miles before ending its journey by crashing 30 feet up into a cliff face. The impact was so severe that all that was left of the driver was his false teeth.

Fortunately, this story turned out to be untrue. It was a lie, just like Johnson’s porkie about £350 million being paid to the EU, and how that will instead go to the NHS. It never happened, though there isn’t actually anything improbable about the details. Burt Rutan, a former NASA engineer, and the man designing SpaceShip Two for Beardie Branson’s Virgin Galactic, built his own spacecraft, the Volksrocket, for $70,000 using rocket motors that the government had manufactured, then discarded in the local rubbish dump. It shows what private individuals could and are doing in developing space technology, that has the potential to make space vastly more accessible.

As for Johnson, all I can say is that I hope his lies about Brexit, and indeed his entire political ambitions, go the same way as the JATO propelled rocket in the story, and meet a very sudden, and well-deserved end.

‘Bomber’ Fallon and the Merchants of Death Arms Fair in London

September 17, 2017

Mike today has put up a piece over at Vox Political commenting on Michael Fallon’s speech yesterday at the DSEI arms fair in London. Fallon, who earned the monicker ‘Bomber’ because of a speech in which he declared that Britain had a moral duty to bomb the peoples of the Middle East, now went on to say that, thanks to Brexit, Britain’s future as the world’s leading arms exporter looked good. And that we should try to sell armaments to anyone in the world, regardless of morality.

Mike makes the point that Fallon’s comments are insensitive, coming as they do when Britain is selling arms to Saudi Arabia, which is using it to kill innocent civilians, including children in schools and madrasas, in Yemen. And Saudi Arabia has no qualms whatsoever against using such armaments against us. 17 of the 19 people involved in the 9/11 hijacking were Saudis, and the trail of responsibility for that atrocity goes right up to the top of the Saudi government itself.

http://voxpoliticalonline.com/2017/09/17/warmonger-fallon-wants-the-uk-to-sell-arms-to-anyone-who-wants-them/

This weekend’s Counterpunch also carries an article by Michael Dickinson, ‘Stop the London Death Fair’, about the DSEI trade fair and its dealings with some of the world’s most evil and repressive governments. It begins

Roll up! Roll up! Ballistic missiles and hand grenades! Drones, helicopters and warships! Rocket launchers, tanks and assault rifles! Welcome to the biennial London Arms Fair! Showing now until 15th September at the Excel Centre in Docklands, the Defence Systems and Equipment International (DSEI) – “a world-leading event that brings together the defence and security sector to innovate and share knowledge” – presents one of the world’s biggest arms bazaars, displaying the latest high-tech arms and surveillance technology, crowd control and weaponry. This year the exhibition is split into five key zones: air, land, security and joint, all showcasing the latest equipment and systems. DSEI is organised by Clarion Events, with extensive cooperation from the British government.

Military personnel, politicians, private defence contractors and consultants mingle as they shop. Countries accused of war crimes and human rights abuses, Algeria, Angola, Colombia, Iraq, Oman, Qatar, Pakistan, Turkey, the UAE, and Ukraine are among the invited. Although not an official guest, the Israeli arms industry has special pavilions at the venue, where over 34,000 visitors are expected to view the latest in killing weaponry for sale, exhibited by more than 1,600 arms companies, including the US and UK giants Lockheed Martin, Boeing, Raytheon and BAE Systems.

With authoritarian regimes such as Saudi Arabia, Egypt, Bahrain and Azerbaijan among the official UK government guests in attendance, this year’s keynote speakers at the opening day conference included British Defence Secretary Sir Michael Fallon, International Trade Secretary Liam Fox and many of the top brass in the UK military establishment. Fox said that overseas governments had an inaliable right to defend themselves and that if they could not buy the equipment they required from developed countries with effective controls, like the UK, they would look elsewhere. Last year Britain’s arms export industry turned over 3 billion pounds.

Andrew Smith, a spokesman from the activist group Campaign Against the Arms Trade (CAAT) said: “DSEI is one of the biggest arms fairs in the world. It exists purely to maximise arms sales. Prime Minister Theresa May and her colleagues may talk about promoting human rights but DSEI could not happen without the full support of government. A lot of the regimes in attendance have been linked to terrible human rights abuses, and events like DSEI only make them more likely in future. It is vitally important to spread as much awareness as possible of this terrible arms fair taking place. ”

https://www.counterpunch.org/2017/09/15/stop-the-london-death-fair/

Conservative governments, including Margaret Thatcher’s, keenly supported the British arms industry, and this policy was taken over, along with just about everything else, by Tony Blair and New Labour. It’s hardly surprising. George Orwell remarked when he finally gave up his anti-War stance in the face of the Nazi threat, and went to work for the BBC writing anti-Nazi and pro-war material, that if you’re a member of the British upper and upper middle classes, you’re bred for war. This has always been true, ever since the modern armed forces emerged from the military aristocracies of the Middle Ages. The officer elite has always been solidly middle class, although there has been some efforts to make it more diverse.

The government has tried to defend its massive support for the arms industry by arguing that arms sales open up foreign markets to British industry generally. After buying some of that ‘wonderful kit’ David Cameron enthused about, foreign nations would go on to buy other British products and services. But they don’t. They buy British weapons, tanks and other pieces of hardware, and nothing else.

And the British ruling class, its politicians and senior civil servants, also stand to benefit personally from the arms trade. Private Eye for decades has exposed the revolving door between the MOD and British defence ministers, and the arms industry, in which British generals and officials find very lucrative places on the boards of defence contractors and arms manufacturers once they retire or leave office.

As for the private military contractors, previously known as mercenaries, that the British government has supported, these have been used by the Tories to give unofficial support to regimes, where it would have been otherwise embarrassing for Britain to send in the regular army. Like Sri Lanka.

It hardly needs stating that the arms industry is a deeply immoral trade, and that by lauding Britain’s role in it Fallon has shown the complete absence of any kind of moral consideration for the victims of these weapons and a complete indifference to the nature of the regimes he intends to sell them to.

As far as he’s concerned, war is a business. And business is good.

Close down the arms fair, and kick out Fallon and the rest of his vile government.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Counterpunch: Bernie Sanders Outlines His Plans for ‘Medicare for All’

September 14, 2017

Today’s Counterpunch has a piece by the radical, progressive Democratic politician, Bernie Sanders, reblogged from the New York Times. In it, Sanders discusses the outrageous scandal that 28 million Americans have no medical coverage, despite the fact that their country spends more on healthcare than almost any other nation. He points out that this is because the insurance-based healthcare system is designed not to give Americans access to decent healthcare, but to enrich the companies’ executives and shareholders. He describes how many Americans cannot afford healthcare, and are forced to cut down on the drugs they need, simply because they cannot pay for them. He argues that the experience of Canada, and the Medicare programme brought fifty years ago, both show that single-payer healthcare is cheap, popular and effective.

He states that he intends to introduce a bill for Medicare for All into Congress next Wednesday, and outlines how he envisages an initial four year transition period from the current American system. He also makes it plain that there will be concerted opposition to his proposal.

His piece begins

This is a pivotal moment in American history. Do we, as a nation, join the rest of the industrialized world and guarantee comprehensive health care to every person as a human right? Or do we maintain a system that is enormously expensive, wasteful and bureaucratic, and is designed to maximize profits for big insurance companies, the pharmaceutical industry, Wall Street and medical equipment suppliers?

We remain the only major country on earth that allows chief executives and stockholders in the health care industry to get incredibly rich, while tens of millions of people suffer because they can’t get the health care they need. This is not what the United States should be about.

All over this country, I have heard from Americans who have shared heartbreaking stories about our dysfunctional system. Doctors have told me about patients who died because they put off their medical visits until it was too late. These were people who had no insurance or could not afford out-of-pocket costs imposed by their insurance plans.

I have heard from older people who have been forced to split their pills in half because they couldn’t pay the outrageously high price of prescription drugs. Oncologists have told me about cancer patients who have been unable to acquire lifesaving treatments because they could not afford them. This should not be happening in the world’s wealthiest country.

Americans should not hesitate about going to the doctor because they do not have enough money. They should not worry that a hospital stay will bankrupt them or leave them deeply in debt. They should be able to go to the doctor they want, not just one in a particular network. They should not have to spend huge amounts of time filling out complicated forms and arguing with insurance companies as to whether or not they have the coverage they expected.

Even though 28 million Americans remain uninsured and even more are underinsured, we spend far more per capita on health care than any other industrialized nation. In 2015, the United States spent almost $10,000 per person for health care; the Canadians, Germans, French and British spent less than half of that, while guaranteeing health care to everyone. Further, these countries have higher life expectancy rates and lower infant mortality rates than we do.

Please go to the Counterpunch site and read the whole article. It’s at:
https://www.counterpunch.org/2017/09/14/why-we-need-medicare-for-all/

The state and state-funded healthcare systems of the European countries have contributed immensely to their people’s health and wellbeing, ever since Bismarck introduced it in Germany in 1875 in an attempt to steal working class votes away from the socialist SDP.

And it’s driving the Reaganites and Thatcherites of the corporate sector up the wall, because it denies them so much of the juicy profits that comes from the insurance-driven sector. That’s why the Tories over here have been privatizing the NHS piecemeal by stealth ever since the days of Maggie Thatcher. It’s why the corporate bosses of the big healthcare firms, like the fraudster Unum, came over here at the beginning of New Labour’s tenure in office to lobby Blair to privatize the NHS.

And it’s part of the reason the Blairites, Tories and Lib Dems, and their paymasters in big business and lackeys in the media, including the Beeb, fear and hate Jeremy Corbyn, as the Republicans and the corporatist Democrats around Hillary Clinton despise Bernie Sanders in the US.

Any civilized country has to demand proper medicine for its people, regardless of the demands of the corporatists to keep it the expensive privilege of the affluent. So, go Bernie! And may Corbyn also win in his fight to renationalize the NHS.

Redacted Tonight on How Trump Is Lying to Us about Iran and North Korea

September 9, 2017

This is a very short video from RT’s Redacted Tonight, presented by the left-wing comedian Lee Camp. Camp shows how Trump is lying to America and the world, in order to bring us closer to war with both of these countries. Trump has said this week that he could declare war with Iran over its failure to keep to the agreement regarding its nuclear programme. Except that, according to the Intercept, UN weapons inspectors have found that Iran has kept to the agreement.

Americans have also been told that North Korea is unwilling to negotiate over its nuclear weapons. Except that the North Koreans have said they’re unwilling to negotiate getting rid of theirs, unless America ends its hostile stance and military threat to them.

Which as Camp points out, means that they are willing to negotiate.

Others have pointed out that the real reason Trump wants a war with Iran is that, while the country certainly is abiding by the treaty limiting its nuclear capability, it is still supplying arms and other aid to groups like Hezbollah in Lebanon, Assad in Syria and the Shi’a in Iraq. In other words, America’s geopolitical enemies. But they have not violated the international treaty regulating their development of nuclear power, so that shouldn’t be an issue Trump can use for pushing America into another devastating war in the Middle East.

As for the North Koreans, while I don’t trust them, and Kim Jong Un really is a murderous b*stard, with the same taste for killing his family as the most degenerate Roman emperors, past experience with other nations has taught him he can’t trust America if he gives up his nuclear weapons. Saddam Hussein did, and the US invaded anyway.

This looks very much like the American military-industrial complex trying to start yet another series of wars, including one that could very easily set off nuclear Armageddon. In Iran’s case, Trump seems simply to be following the policy set by the Likudniks in Israel and the Neo-Cons in the US. They wanted to overthrow the governments of seven nations, including Iraq, Libya, Syria and Iran.

As for Israel itself, Tony Greenstein on his blog has posted a piece discussing how no-one wants to discuss the real elephant in the room: Israel’s own nuclear weapons. Israel isn’t supposed to have any, but they do. Nobody has held them to account for breaking the international treaty, and officially the Israel’s don’t have them. But in practice, everyone knows that they do.

http://azvsas.blogspot.co.uk/2017/08/israels-nuclear-weapons-consistency.html

I still remember the uproar back in the 1990s when Mordechai Vanunu leaked the information to the international press that Israel had broken the treaty and produced nuclear weapons. He was prosecuted and imprisoned for a very long time. And it seemed shortly thereafter that Robert Maxwell, the obese fraudster, who owned the Mirror, one of the British papers which I think broke the news, fell off his yacht. Of course, I might be wrong about all of this. Maxwell was probably up to his ears in international intrigue, but at the moment it seems that his death was just an accident.

Hmmm….

But back to Greenstein’s article, one of the very interesting things he says there is that a few decades ago one of the Middle Eastern countries did propose a plan for a nuclear-free Middle East. This would have made the world a much safer place.

And the country that put forward this proposal was Iran. Now unfairly accused of building nuclear weapons.

Which bears out in spades what Lee Camp has said about Iran and North Korea. We’re being lied to about them and their supposed nuclear ambitions. And in the case of Iran, they’ve been lying to us for a very long time.

Both of these countries are extremely repressive states, though Iran is more democratic and freer than North Korea. Indeed, according to the book on the country written by the veteran BBC correspondent, John Simpson, Iranians often said things to him about their government, which made him fear for their safety. When he asked them about it, they’d respond with ‘Why not? This isn’t Russia.’ But those countries’ lack of freedom isn’t why the Orange Generalissimo is spoiling for another war with them.

General Smedley Butler was right: war Is a racket. And the western military machine want to be the gangsters that run it.

Guy Debord’s Cat: Violence to Fascists Is Justified

September 9, 2017

Following the violent clashes between the White supremacists, neo-Confederates and outright Nazis and the counter-protesters in Charlottesville the week before last, there have been a series of articles and denunciations of the Anti-Fascists for their physical attacks on the marching hordes of the extreme Right. One of those criticizing them is the veteran critic of capitalism, racism and imperialism, Noam Chomsky, who stated that by using violence, Antifa handed them a ‘propaganda coup’. Others have gone further, and complained that Antifa are against free speech, and so are as bad, or worse, as the Nazis they attacked.

The French philosophical feline strongly rejects this attitude, and has written a blog post explaining just why he supports violence against Fascism. This includes two videos, both of which are well worth watching. One is about the 43 Group, a band of Jewish ex-servicemen, who had seen for themselves the horrific results of Nazi anti-Semitism when they were among the troops, who liberated Auschwitz. After the War, they were disgusted to find the kind of people, who had committed such monstrous atrocities were not only at large, but preaching their murderous doctrines and hatred. They resolved to treat them as they deserved, and hit them time and again force them off the streets.

The second video is presented by Mensi Mensforth, a member of the eighties band Angelic Upstarts. He also talks about the long history of anti-Fascists using physical violence, from struggles in the 1930s against Mosley’s BUF, to today’s battles with the NF and related Nazi gangs. Mensforth and the others speaking on the programme make the point that the people the Antifa are fighting are themselves extremely violent. They talk about Asians in the poorer parts of Britain being firebombed out of their homes. Mensforth himself describes how his stance against the NF so infuriated them, that they tried to silence him by attacking him at one of the Upstart’s gigs. He was saved by Antifa, who were there to defend him.

The Cat starts off by making the point that Antifa is a position, not an organization. The word stands for Anti-Fascist Action, and while later in the article he states that Anti-Fascist Action was set up in 1985 by Red Action and other anti-Fascist groups, he makes the point that if you are opposed to Fascism, then you are Antifa. He also makes the point that Nazis and related organisations in the US have been allowed to march by claiming free speech as their defence, and supported by the local law enforcement agencies and Libertarian organisations, some of whom have their own, very dubious agendas.

Buddy Hell is particularly annoyed by the middle class liberals, who are defending the Nazis’ right to say the unspeakable. He makes the point that Fascists are capitalism’s shock troops. Their leaders come from the middle and upper classes, and they and their vile doctrine emerge when capitalism is in crisis. And they don’t march through White, middle class areas. Their purpose is to divide the working class, and they march through working class and immigrant neighbourhoods as a display of triumphalism and a provocation.

He also makes the point that Fascists are also supported by the petite bourgeoisie and sections of the free press. The free world has tolerated the seizure of power by innumerable right-wing dictatorial groups, but the moment a left-wing government appears the supposed free world immediately tries to destabilize it.

And Fascists themselves are extremely violent. He states very graphically that if you turn the other cheek to a Fascist, they’ll slash it with a razor, and says

I support the activities of militant anti-fascists because I think their use of force is a necessary tactic to counter the violence of the far-right on the streets. If you think allowing neo-fascists a platform to say whatever they like is necessary because you believe everyone has a right to free speech, just imagine what would happen if the far-right ever came to power. The free speech, that you cherish so dearly, would be taken away and you’d be carted off to prison or worse. Now you can accuse me of histrionics if you like, but you’ll have to name a country in which the far-right have gained power and have allowed people to criticize them. I can’t think of one.

See: https://buddyhell.wordpress.com/2017/09/05/militant-anti-fascism-why-i-support-it/

Now I don’t support violence against anyone, and don’t wish to encourage any more of it, even against the Far Right. Real violence is anything but fun, and people have been seriously hurt and killed in the battles between Fascists and anti-Fascists.

But the Cat is right on several points. Fascists are and have always been extremely violent. They’ve been so every since George Sorel wrote his ‘Reflexions sur la Violence’ as a militant 19th century anarcho-syndicalist. Sorel later rejected syndicalism in favour of extreme right-wing nationalist and monarchist groups, but his book remained popular and influential amongst right-wing intellectuals like Mussolini. The kernel of Fascism in Italy were the Fasci di Combattimenti, bands of demobilized ex-servicemen, who went around beating up Socialists, Communists and anyone they thought that was insufficiently patriotic, or just didn’t like. One of their symbols, was the fasces – the bundle of rods with an axe sticking out, which symbolized the power of the lictor, the Roman official, who could have citizens beaten and beheaded. The other, rather less official, but very widely used, was the manganello. This was the club with which Fascist gangs used to beat their opponents in street battles, after which the victims were dosed with castor oil to humiliate them by making them soil themselves.

Before the Nazis seized power in Germany, they also used to go round fighting street battles and beating up Jews and leftists. One of their songs in Berlin was all about how they were going to carry on beating people up, ‘until the Jew lies bleeding at our feet’.

And they weren’t any better in Britain. Mosley’s BUF lost its support partly because it was notorious for its violence, particularly after the infamous Olympia rally, where the BUF’s stewards savagely beat a number of left-wing protestors. And after the war, the BNP, NF and related groups deliberately recruited ‘bovver boys’ and football hooligans. Or as one of their leaders themselves said at the time, ‘robust young men to defend Britain against Communism’. And the evidence for their extreme violence is extremely plentiful. If you go on YouTube, there are a number of videos from World In Action and other documentaries showing just how brutally violent they are. And more often than not, their victims are the weak and defenceless. One of the speakers in one of these documentaries is a female teacher, who describes how she and her colleagues were attacked without provocation by a group of NF thugs when they were having a meeting in a pub. Matthew Collins in his book, Hate, describes how he participated in an attack on an anti-Nazi meeting in one of the rooms above the local library. Those they attacked were mostly women, including a pregnant Asian lady, who was so terrified she tried to barricade herself in the toilets. These are not thugs attacking other thugs. They’re bullies. And when they do meet concerted, violent resistance, as one of the speakers in one of the videos says, they run away.

The decision of the ’43 group to give a dam’ good hiding to the Fascists is entirely understandable. One of the speakers in the video describes how he and the other old comrades put their hands together with Rabbi Hardman, the Jewish army chaplain, and swore ‘Never again’ when they saw the sheer carnage and barbarity at Auschwitz. Rabbi Hardman states he saw bodies piled as high as the surrounding buildings. Another squaddies tells how he met one woman, one of the death camp’s inmates, who had been driven mad because the Nazis had snatched her baby away from her, thrown it up into the air, and then shot it. This treatment wasn’t unique to the Jews. The Beeb a little while ago screened a programme about the Nazi occupation of Poland. One of the incidents that occurred there was when Polish mothers were required to take their children to be examined by the reich authorities. One woman’s child was deemed biologically unfit. It was snatched out of its mother’s arms, thrown onto the floor, and shot.

Most normal people would have felt horror and anger if they had witnessed what these servicemen had seen. And when it is done to one’s own ethnic or religious group, when one thinks how it could have been one’s own spouse, parents, children, or other relatives and friends lying down there among the bodies, those feelings are naturally going to turn into an intense rage, or in this case, a steely determination to do everything they could to stop it ever occurring again.

The speakers in the video make the point that they didn’t reject non-violent persuasion. They tried it, and found that it didn’t work. They state that it was a case of ‘both…and…’ rather than ‘either…or…’. But it didn’t work on the convinced Fascists. And so they resolved to disrupt their meetings and force them off the streets.

At the time there were 40 or so Fascist meetings every month in London, and the BUF, or Mosley’s successor organisations, were not opposed, and indeed supported, by the London police. This has been corroborated by other historians. Larry O’Hara wrote an article in Lobster back in the 1990s about how the metropolitan police turned a blind eye to Fascist meetings, even when they openly broke the law. Such as drinking a toast to the destruction of the Jews. Indeed, it was quite often anti-Fascist protesters, who were arrested, rather than the stormtroopers.

Not all police forces were as tolerant as London’s, however. One of the speakers describes how they heard that the Blackshirts were planning to go down and hold a rally in Brighton. So the ’43 Group let the Brighton fuzz know they would also be down there to disrupt the meeting. The rozzers duly replied that the Fascists were quite within their rights, and the police would allow them to go ahead following the principle of free speech. But in practice, they only sent one officer. He was obviously just a token presence, and the former servicemen were able to give their opponents a sound beating.

They describe how, when they attacked a Fascist gathering, their intention was to seize and overturn the podium. Among those, who got what they deserved was Hamm, Mosley’s second in command. They also reveal that they had considerable information given to them about the location of meetings and so on from informers within the Fascists’ own ranks. These were people, who had joined the party, and found out it wasn’t what they thought it was. Ultimately, the ’43 group were successful. They point out that due to their attacks Mosley couldn’t appear in public, and they talk about their pride as Jews and citizens in closing him down.

Mensforth’s video also begins with people from the East End describing the antics of Mosley’s Blackshirts in their day, and their role in the Battle of Cable Street. This was when the BUF tried to march through the East End, but were beaten off by a group of trade unionists, Communists and Jews. The speakers describe how they also fought the police, who were protecting the Fascists.

Describing the activities of contemporary Nazis, they point out that they want to keep the working class divided, and encourage racial hatred to that end. When there are no ethnic minorities available for them to whip up hate against, as in Glasgow, they find another outsider group to serve the same purpose, like Roman Catholics. One of the speakers is a Glaswegian, who was a former member of one of the Fascist groups in Scotland, as well as a Protestant supporter of one of the very Unionist football clubs. One of the songs their supporters sing is ‘Billy’s Boys’. He states most of the supporters think it’s about William of Orange, but in fact it’s about one of Mosley’s lieutenants in that part of Scotland in the 1930s. This particular speaker was drawn into it through the sectarian politics of Scots football clubs. He left when he started getting leaflets from the organization telling him to support their policies against Israel, and supporting South American dictators and death squads.

Watching these videos, it struck me that some, at least, of the violent antifa, aren’t thugs using violence for the sheer pleasure of it. They’re just people, who actually take Fascism seriously. Very seriously. To many people, the Fascist fringe are so grotesque that they’re a joke, and the numbers involved in their marches are so trivial that there’s absolutely no danger of these morons gaining power. They’re figures of fun, like the American National Socialist White People’s Party in the Blues Brothers. And it’s because they aren’t taken as a serious threat, that they and their wretched marches are tolerated. Despite considerable, and very vocal opposition, I hasten to add.

And indeed there is a certain amount of grim humour to be found there. They are so twisted, that they can be unintentionally hilarious, and mocking them does have the right effect. Hope Not Hate a few days ago put up a piece about how one of the squadristi was upset with the organization, because it was taking the mick out of him. And Private Eye also reported how members were leaving the BNP after it had been mocked in the pages of Ian Hislop’s mighty organ. The Third Reich was long ago, and so were the various Fascist dictatorships in Central and South America, as well as all the other brutal right-wing regimes that have seized power around the world.

But if you’ve seen what Fascism has done, and your family and friends have been attacked or worse by its supporters over here, your attitude might be very different. The Klan and the neo-Confederates really aren’t a joke to Blacks, Jews and other minority groups, because of the lynchings and the use of terror and extreme violence. Over in Britain, the British Fascist groups supported not only the Unionist paramilitaries in Northern Ireland, but they also gave sanctuary to a group of Italian Fascists in the 1980s following the Bologna railway bombing, which killed more than a hundred people. And given the horrific atrocities the death squads committed in Latin America – things so revolting that they cannot be decently described in a family blog, it becomes a very good question why the members of various Conservative and Libertarian societies weren’t attacked or beaten when they decided to invite these scum to their annual dinners.

I don’t support violence, let alone vigilanteeism, but the Cat has done a good job in explaining why violent resistance against Fascism may be justified. As he points out, this is violence against those, who are absolutely serious in their intention to imprison, torture and kill millions, if they came to power. Their tolerated at the moment because they aren’t a significant threat. But that can change. Free speech is not an absolute, and there have to be limits to toleration. It’s why we have laws against hate speech, no matter how they right may decry them as ‘political correctness’.

Painting of Blake’s 7’s ‘Liberator’ by David A. Hardy

September 9, 2017

This is for all the fans of the classic British SF series, Blake’s 7. It’s a painting of their spaceship, the Liberator, before it came crashing to an end in ‘Tereminus’, the last programme of the third series. I found the painting on the SF/ weird art site, Tomorrow and Beyond.

David A. Hardy is one of the great veterans of British space and SF art. He’s illustrated numerous books on astronomy, including several with the late Sir Patrick Moore. The best known of these is probably The Challenge of the Stars. Hardy’s unusual in that he crosses the divide between space and SF art. It seems ridiculous to me that there is such a division, considering how so much science fiction art is set in the Black, and the care with which many SF artists take to portray it. I was rather surprised to find this. I knew Hardy also painted SF, I didn’t think he’d painted any TV material.

Stephen Hawking on Why We Need to Colonise Space

September 6, 2017

Next Monday evening, 11th September 2017, on BBC 2 at 9 pm, Professor Stephen Hawking will present a programme arguing that humanity needs to colonise another world. Entitled The Search for a New Earth, the blurb for the programme on page 72 of the Radio Times runs

Physicist Stephen Hawking thinks the human species will have to populate a new planet within 100 years if it is to survive, with climate change, pollution, deforestation, pandemics and population growth making life on Earth increasingly precarious. In this programme he examines whether humans could relocate to other planets, travelling the globe to meet scientists, technologists and engineers working on the means and method.

There’s more information about the programme on page 71. This passage states that

Stephen Hawking is convinced that, if we are not to risk annihilation, humans need to leave Earth within the next 100 years and make a new home on another planet.

It sounds like sci-fi, but a planet has already been discovered “in our neighbourhood” that’s a contender: Proxima B is in the Goldilocks Zone (the narrow orbit where conditions are perfect to sustain human life), but we’d need a massive technological feat just to get us there.

Astrophysicist Danielle George and Hawking protégé Christophe Galfard explore the practicality of where and how e could create a human colony in space.

There’s also a single page feature about the programme in the Radio Times on page 31, which includes Danielle George’s replies to the following questions

Do we really need to leave Earth?

What does a new planet need to be human-friendly?

How many people will it take to set up a colony?

Stephen Hawking believes Proxima B may be the most suitable planet. Why?

How far away is Proxima B?

How long would it take to travel 4.2 light years?

Could we fit 20 years’ worth of astronaut food into a spaceship?

Dow we have the right to take over another planet?

Do you think there is the will to make this happen?

Regarding the amount of time required to journey to Proxima B, George states that using current chemical rockets it would take 250,000 years. But there is a project at Caliphornia where they are experimenting with propelling a nano probe the size of a mobile phone sim card using a laser beam. This may make it possible for such a probe to reach Proxima in 20 years.

That last sounds like a version of the old proposal to use space-based lasers to send a light sail to another star. One of the proposed missions was Starwisp, which would use solar sails to carry a 50 kilo instrument package to Alpha Centauri. The probe would reach a speed of 1/3 of the speed of light, and make the journey in something like 20 years.

The veteran hard SF writer, Larry Niven, also used the idea of laser-driven solar sails in his classic The Mote in God’s Eye. This is about the encounter between an expanding human galactic empire, and an alien race, the Moties. These are so called because their homeworld is a planet in a nebula dubbed Murchison’s Eye by humanity. The Moties are highly intelligent, but lack the Anderson Drive that has made it possible for humans to move out into the Galaxy. Instead, they have sent a vessel out on the centuries long voyage across interstellar in a ship using such a solar sail, powered by laser beam from their own system. It is the light from the laser beam which has given the Moties’ nebula its characteristic red colour.

As well as being super-intelligent, the Moties also possess between three and four arms, depending on their caste and function, and change sex throughout their life. Which makes me wonder whether the writers of the X-Files’ episode, ‘Gender Bender’, about a group of sex-changing aliens, who live an existence like the Amish had also drawn on the book for their inspiration. As well as the writers of Doctor Who when they decided that the Time Lords are also not restricted to remaining the same sex when they regenerate.