Archive for the ‘Uncategorized’ Category

Kim Leadbeater – A Vapid Candidate for a Vacuous, Manipulative Leadership

July 3, 2021

Okay, the Batley and Spen by-election has happened, and the results are. The good news is that the extreme right-wing parties, who went there hoping to clean up, have all done spectacularly badly. I saw something that said they only got two per cent of the vote, and lost their deposits. So well done to the good voters of that constituency. More problematic is the fact that the Labour candidate, Kim Leadbeater, won, scraping through with a majority of 360 odd votes. As Mike’s pointed out in his piece about the election, this has effectively turned a Labour safe seat into a marginal. But Starmer has hailed it as a great victory, and according to one of the papers has told everyone that Leadbeater is the ‘future of Labour’.

I profoundly hope he’s wrong, but I fear that under is persecutory, opportunistic and factional leadership, he might be right.

Leadbeater was apparently parachuted into the constituency on a shortlist of precisely one. She was not even a Labour member until four months ago. She’s another Blairite Tory – I won’t say Tory lite’, as these scumbags may be more extreme in their views than the true Tories. Also according to Mike, in 2017 she was telling disabled people that there was no magic money tree for them. Despite the fact that the Tories raid the magic money tree whenever its convenient for them or their patrons, the superrich. Then there’s a whole orchard of the plants. As for her policies in this campaign, the Preston Journalist posted the video below analysing her electoral video. In it she talks about fighting local problems like litter and dog mess. This is all well and good, but as the Preston Journalist points out, it’s local authority stuff. MPs deal with bigger issues like attracting investment to the area. He also argued she made a mistake, in that, as the local council was Labour and so should have been tackling these issues, she’s attacking her own side.

I think there’s a simple reason behind her failure to articulate a set of policies: under Starmer, Labour doesn’t have any. There’s a policy review going on at the moment, but Starmer was elected promising to continue the great manifesto polices set by Jeremy Corbyn. Which he then promptly broke, ditching the policies, suspending the Labour leader and going on yet another witch hunt against his supporters. Like Blair, Starmer doesn’t really have any different policies. He’s a Tory, as are his supporters and the Blairite party bureaucracy. They have nothing to offer working people except more privatisation and the destruction of the welfare state and NHS for corporate profit. Like Blair, his whole election strategy seems to be to appeal once again to the middle class, swing voters and corporate donors, with the promise that somehow his administration will be more efficient at carrying out Tory policies than the Conservatives themselves. But as he has no real policies himself, he’s constantly flailing around trying to find an issue that he can jump on. The last one was trans rights. Before then he opportunistically took the knee to support BLM, even though he dismissed it when it broke out last year. Worse, he has shown himself entirely complacent and unwilling to confront real racism, and particularly the bullying of Black MPs and activists like Diane Abbott, in the party. Hence Black people are deserting the party in droves. So apparently, are Muslims.

One of the issues at the election was Kashmir. Simon Webb, the man behind the History Debunked Channel, produced a video discussing this in which he sneered at the Labour party. I’ve said many times before that Webb is a Torygraph reading Conservative, although he also said he didn’t have much time for Boris’ crew either. He’s a staunch critic of multiculturalism, and so said that it was a peculiar situation when an election in an English town could be decided by the situation in a country thousands of miles away. He also talked about pro-Palestinian demonstrations by Labour supporters in a neighbouring area, and then repeated the Campaign Against Anti-Semitism’s line that most Muslims are anti-Semitic. Webb is very pro-Israel, and he says he spent some time in Israel when he was younger working on a kibbutz, as many idealistic young people did way back in the 80s or so. He claimed that Muslim antagonism to Starmer’s leadership was anti-Semitic. They hate the Labour leader because his wife’s Jewish and his children are being raised in that faith. This is the first I’ve heard of it, and quite honestly I don’t care about the personal religious beliefs of himself or his family either. What matters far more is that Starmer has declared himself a firm Zionist, and continued the witch hunt against decent, anti-racist folk, including Jews and gentiles, who have fought real anti-Semitism, who have dared to make even the mildest criticism of Israel. As for Kashmir, Modi is a Hindu supremacist, whose party persecutes not just Muslims, but also Sikhs and Christians, as well as liberal Hindus concerned about his assault on democracy, plurality and interfaith tolerance. There are good reasons why people of all three of those faiths, and not just Muslims, should be sceptical about Starmer’s apparent backing of Modi. Muslims have an especially good reason to despise Starmer, because of the brutality of the Indian occupation. A month or so ago, Private Eye did a ‘Letter From Kashmir’ about it. Among other atrocities, this mentioned how Indian troopers were rounding up Muslim youths and then raping them. It’s a very good reason why people, who care about human rights, should be concerned about Starmer and his support for the Indian prime minister. But I doubt you’ll hear a word about this from Starmer.

Webb’s comments about Muslims, Kashmir and Palestine also shows the double standard behind the IHRA’s definition of anti-Semitism. According to this, which the Board of Deputy and its allied Zionist organisation were so keen to foist on the Labour party, it is anti-Semitic to claim that Jews are more loyal to another country. In all too many cases, this is true. Central to the real, anti-Semitic conspiracy theories is the belief that Jews have no love or loyalty to their host nations, and are really more loyal to rival nations. At the time of the First World War, Jewish German businessmen like Mond were suspected by the xenophobic right of being more loyal to Germany, while in later years it’s been Israel. When the fear hasn’t been that the Jews are just more loyal to each other, of course, and are actively plotting to enslave their non-Jewish compatriots.

But that example of anti-Semitism also raises problems, as there are Jewish Zionists, who made no secret that their primarily loyalty was to Israel. One of the most notorious of these was the casino magnate, Sheldon Adelson, who made no secret that his first loyalty was not to his home, America, but to Israel. There’s a double standard in Webb’s attitude in that I assume he would find it anti-Semitic for Jews to be accused of such conflicting loyalties, but not British Muslims.

Back to Leadbeater, it seems to me that she was selected primarily because she’s the sister of the late Jo Cox, assassinated years ago by a Nazi. She’s also a lesbian, and while this shouldn’t make any difference to whether someone’s suitable for a political career, I think support for gay rights and anti-racism are also a part of the Blairite political ideology and one of the few areas that mark the Labour party as a party of the left. It’s been pointed out that Blair was a liberal, not a socialist. He ditched the party’s Clause IV, pledging it to nationalisation, but retained the concern for tackling prejudice against minorities, which is a liberal policy. But Starmer’s complete lack of interest in retaining Black and Muslim voters shows that he’s not really interested in anti-racism either. And as the Tories also claim to support gay rights since David Cameron’s leadership, and Johnson has marked Pride week or month by decorating the front of No.10 in Pride colours, I don’t know how far support for that issue differentiates the two parties.

The mad right-winger, Alex Belfield, also couldn’t resist the opportunity to take another swipe at Diane Abbott. Abbott, apparently, congratulated Jeremy Corbyn for Leadbeater’s victory. To Belfield, this is yet another demonstration of how stupid she is. Well, I can’t say Abbott is my favourite MP, but I think she’s right. Under Corbyn, Labour’s majority in the constituency was 8,000. I think Leadbeater’s election was helped by the scandal about Hancock’s affair and subsequent resignation, but I’m sure that it was also helped by some of those, who had voted Labour under Corbyn, continuing to support the party.

Before the election, people were predicting that Labour would lose and it would spell the end of Starmer’s leadership of the party. That hasn’t happened, and it looks like he’s still going to hang on. But it’s not a stunning victory, and the Tories know it. Sargon of Gasbag and his fellow Lotus Eaters put up a video afterwards laughing at how terrible the result was. While it’s good that Labour was able to hang on to the seat after the humiliation of the previous elections, it’s still doesn’t dispel the fears of further electoral disaster.

Together, Leadbeater and Starmer decimated the Labour majority in Batley and Spen, showing how much of a busted flush Blairism is and why Starmer still needs to go as party leader. But he’s determined to hang on, and so we can expect further and worse results in the future.

Mr H Reviews the Concept Art for Neil Blomkamp’s Aborted Alien 5

June 18, 2021

Mr H Reviews is a YouTube channel devoted to SF, Fantasy and Horror TV, film and comics, and particularly Clive Barker’s Hellraiser, which is one of Mr H’s favourites. Over the past months and weeks he’s posted a number of pieces about the concept art for Alien 5 which is just being released. Alien 5 would have been directed by Neil Blomkamp, the director of the awesome District 9. This was an SF film in which alien refugees arrive in South Africa, and are isolated in shanty towns, where they’re oppressed by a government determined to stop them breeding, and preyed on by criminal gangs who want to use their body parts for muti sorcery. The hero was a government official in one of the government anti-breeding teams, who starts to mutate into one of the aliens after an accident destroying one of their makeshift hatcheries. He is then sought and has to fight in his turn government agents, who wish to use him to unlock the secrets of the military technology the aliens have brought with them.

Alien 5 would have followed on directly from James Cameron’s Aliens, making Alien 3 and Alien 4 elseworlds stories set in an alternative timeline. In the universe of Alien 5, corporal Hicks and Newt would both be alive, as would Ellen Ripley, and ready to fight H.R. Giger’s most infamous brainchild yet again. The film was apparently all set and ready to go into production with Cameron scouting out locations for filming. It was stopped because Ridley Scott, Alien’s director, didn’t want it interfering with his Alien films. Scott claimed that Alien 5 didn’t have a script, which has been contradicted by the concept artist, Geoffroy Thoorens, who said his paintings were based on a preliminary treatment. Apparently the real reason Alien 5 was cancelled was Scott’s ego. He was jealous because Cameron’s Aliens was more popular than his, the film which launched the franchise.

Whatever the personal politics and clash of egos behind the decision, it’s a pit that Alien 5 wasn’t made because it would have been awesome. The art shows Hicks as a combat vet, scarred from the acidic blood with which he was sprayed during his battle with the evil critters in Aliens, but ready to put on that combat armour. From the art, Mr H. surmises that the plot is about Ripley and her team coming aboard a facility somewhere – there are paintings of a space station and a oil-rig like structure on a storm-tossed ocean. This facility may not be run by Wayland-Yutani, the evil company in the Alien movies. There are no Wayland-Yutani logos or markings. However, it seems the facility has got a Leviathan spacecraft, which is covered in the resin secreted by the Aliens. This also seems to be taken apart in an attempt to back engineer it. The company are also harvesting the eggs, and it seems that the company has actually won. They’re farming the Aliens to use them as bioweapons. A queen alien escapes, and all hell breaks loose.

The film adds a new stage to the Alien lifecycle. This is the trematode, a wormlike creature with pincers and proboscis, which eats its way into its victim’s guts and lays tiny facehuggers. The art shows one marine pulling one of these little bastards of his stomach, while another character is attacked while pinned under a door. There’s also a nod to the cityscape of Blade Runner, in that one of the paintings shows a futuristic city very much like Scott’s depiction of the LA of 2019. But this has a gigantic tower, which may be a space elevator or space bridge, and which contains a hollow running its length, possibly to throw something up into orbit. The company appears to have produced biomechanical armoured suits, resembling the Alien exoskeletons. Ripley dons one of these to fight the queen, who is killed by fire from a railgun or something similar. Another painting shows the space bridge or whatever it is on fire. This suggests that it’s the corporate head office, and that not only has Ripley or her successor defeated the Aliens, but she’s also taken down the company that thinks it can cultivate and control them. Here are the videos.

I’m afraid I’ve posted these videos out of chronological sequence, as I haven’t watched them in order. I hope you can still follow the progress through them, however.

Mr. H speculates that the art may be released because there is renewed interest in the movie. However, he eventually settles on the explanation that the Non-Disclosure Agreements that have prevented release of the art have finally lapsed, as Disney is on the point of buying Fox. I find this a particularly grim prospect. I don’t think it’s at all healthy for a sizable portion of Hollywood and western film entertainment to be part of a giant, global monopoly. I also don’t think Disney are the corporation that’s best suited to real, innovative Horror or dark SF. They’re based on family-friendly entertainment, and while they have considerably diversified, especially with the acquisition of Lucasfilm and Star Wars, I really don’t think they’re suited to managing darker films and concepts.

It’s a pity that Alien 5 wasn’t made. It would have been far better than Alien: Covenant, which I found disappointing and uninspired. It got rid of the interesting ideas and sole remaining character in Prometheus. The Engineers are all wiped out by the evil robot David, who has also murdered Shaw, and is now just keen on breeding more of the proto-Alien creatures, until one finally appears at the end. This threatens the new heroes, is defeated, but not before the heroine finds out right at the end as she’s going into hypersleep that the robot she has trusted up to now isn’t the ship’s good android, but David, who has smuggled the Alien eggs and embryos on board.

I think part of the problem is that Scott simply has lost interest in the Xenomorphs. He’s said that they’re not scary anymore, and that robots are more frightening. Hence the appearance of the evil robot, David. But I think he’s misunderstood the situation. People still want to see the Xenomorph. A year or so ago there were a series of short films released on YouTube by various directors set in the Alien universe and where different characters have to fight or deal with the Aliens. These generally speaking weren’t long – about 15 minutes or so, more or less. But they were well done with some interesting ideas. They showed that directors could still make an entertaining and original story with the creatures, and that there were more than enough fans willing to watch them.

It also seems that Scott’s role in the original movie has been overhyped. Some of the creative decisions that built the franchise were not his, but came from the two producers, Hill and Giler. These included the appearance of an android and the hiring of H.R. Giger as concept artist for the creature. Scott was brought on as director at the very last minute. It’s an excellent movie, and Scott is a brilliant director – I rate Alien and Blade Runner as masterpieces of 20th century cinema – but he isn’t the be-all and end-all of the Alien franchise. I agree with Mr H that the studio shouldn’t have bowed to him and cancelled Blomkamp’s flick.

One of the commenters on one of these videos suggests that, if the film isn’t going to be made, then a comic or graphic novel should appear to tell the story. Apparently this has been done with the alternative Alien 3s that were submitted and scripted. I think it would be an excellent idea. I’d also like another Alien movie to appear, though I’m not sure I’d like it to be the final episode of the trilogy Scott set up with Prometheus. Not after Covenant, unless there’s far more interest in the Aliens. Scott’s a great director, and part of me thinks that it would be good to see how his trilogy ends, but I also think that it’s time the franchise was perhaps handed over to someone younger and with a greater appreciation of the Xenomorph’s popularity.

But the release of this concept artist shows not only the imagination and skill of Thoorens, the artist behind it, but also that there is still considerable interest in Alien movies and that they haven’t been exhausted of ideas. Not just yet. They just need the right director.

History Debunked on Nigerian Statue Celebrating Black African Slave Trader

June 14, 2021

Quite honestly, I’m sick and tired of posting pieces about racial politics, especially from a perspective that could be seen as anti-Black. I’m very aware that, as a whole, the Black community in Britain is poor, marginalised and suffers from poor educational performance, a lack of job opportunities. And I’m very much aware of institutional racism. Black and Asian friends and relatives have changed their names from their exotic originals to something more White British to get job opportunities. I’m also very much aware how the Tories are exploiting the issues around Black identity politics to drive a wedge between the Black community and the White working class in order to dominate both and drive them further into poverty, starvation and despair. But these issues are important. There is a real strain of anti-White racism in what is now being presented as anti-racism post-Black Lives Matter. It’s in the shape of Critical Race Theory, which parents are challenging in American schools. It’s also in the bad, tendentious history pushed by David Olusoga. One of History Debunked’s videos is a debunking of the claim by Olusoga and Reni Eddo-Lodge about a supposed lynching in Liverpool. This was of a sailor, who was chased into the docks. But instead of the innocent victim of a violent and prejudiced mob, the Black sailor instead was a vicious thug, who was part of a gang that had started a fight with Scandinavian and Russian seamen, and who had responded to the intervention of the rozzers by shooting two policemen.

A few days ago Simon Webb, the main man of History Debunked, put up the video below commenting on a statue in Nigeria to Efunroye Tinubu. She was a merchant in the Abeokuta region in the 19th century who traded in tobacco and slaves among other commodities. Through this she became extremely wealthy, enough to acquire a private army and act as kingmaker in Nigerian tribal politics. She also has a square in Lagos named after. There is, Webb says, absolutely no shame about her and her wretched trade. Rather, I think the Nigerians are proud of her. And she had absolutely no qualms about selling Black peeps. When she was hauled before a court on a charge of slave dealing after selling a boy, she cheerfully admitted it, saying she had a large household that needed to be fed well. When we went to war against the Nigerian city states involved in the slave trade, she announced that she was prepared to do anything for Britain, except give up slaving.

Webb uses her to attack the ignorance and hypocrisy of the present anti-racist iconoclasts, the people who tore down Edward Colston’s statue and wanted Rhodes’ removed, but say nothing about African participation in slavery and its memorialisation in statues like this. He is particularly scathing about David Olusoga, who produced the documentary last week on the Beeb about the controversy surrounding the felling of Colston’s statue. I didn’t watch it, but my parents did. According to them, Bristol’s elected mayor, Marvin Rees, came out of it very well. I’ve been extremely impressed with his handling of what is a very delicate affair, and I hope he seeks election as an MP. Olusoga comes in for criticism as he was born and raised in Nigeria, but while he’s glad that Colston’s statue was torn down, he has nothing to say about Tinubu’s.

There does indeed seem to be a concerted effort to blame the blame for the Black slave trade firmly on White Europeans and Americans. In Bristol this was shown by the motion proposed by Cleo Lake, the Green councillor for Cotham, and seconded by Asher Craig, Bristol’s deputy mayor, who is also head of equalities. This called for reparations for slavery to be paid to all ‘Afrikans’, including both Afro-Caribbean folk and Black Africans. I sent an email to both of them stating the objections to this, the foremost of which is that it was Black Africans that did the actual messy job of raiding and enslaving. So far I have received no reply. I doubt I ever will.

I think this attitude partly comes from W.E.B. Dubois, one of the pioneers of the civil rights movement. Dubois wanted equality at home for Black Americans, and freedom from European imperial domination for Africa. It was Dubois who first described the slave trade as a ‘holocaust’. In Britain, I was told when working at the Empire and Commonwealth Museum that West Indians and Ghanaians didn’t get on, because the Ghanaians looked down on Afro-Caribbean people as the slaves they sold. This was certainly what Caryl Philips, the Black British writer, found when he visited Ghana a few decades ago, even though the country was trying to encourage western Blacks to migrate there.

I think the acceptance of the Black African participation in the slave trade is changing. A little while ago I posted a piece about a Ghanaian journalist and broadcaster on their television networks, who had made documentaries about this issue. I believe the traditional chiefs in both countries are coming under increasing criticism to acknowledge and apologise for their participation in the transatlantic slave trade. There’s also been friction in Ghana between Black Americans and Ghanaians about the memorialisation of the slave trade at one of the old slave forts. The Americans would like the whole building used as a monument to the slave trade, But the fort is the locus for a number of different social functions, including the local market and so the local peeps definitely don’t want this to happen.

Black African involvement in the slave trade was the subject of a Channel 4 documentary back in the 1990s, back when the channel was still worth watching. I think Tinubu was mentioned there. I recall there being some discussion about a female Nigerian slaver, who made the trip to antebellum America to negotiate slaves of slaves over there. This aspect of the slave trade had been withheld from the Black Americans, who came to visit the slave sites in West Africa. The result was literally shock and horror. Some of them reacted with screams, wails and tears, and you can understand why. All their dreams of Black brotherhood and common victimhood at the hands of White racists were suddenly dashed. I mentioned this one day at the Museum to a Black historian with whom I was working. He told me that in the Caribbean, their mammies told them very clearly who sold them to whom.

But it seems to be completely absent from the consciousness of Black Brits. When the BLM mob was tearing down Colston’s statue, a reporter asked members of the crowd how they felt about it. One of them, a young man, said simply ‘I’m Nigerian’. Of course, the answer to that is ‘But you sold them to us!’ But the reporter didn’t say that, and the Nigerian young man clearly didn’t connect his nationality to the sale of Black slaves to people like Colston.

I’ve posted pieces by History Debunked before, and the usual caveats apply. He’s a Torygraph-reading man of the right who believes in racial differences in intelligence. Some of his facts may well be wrong, such as his claim that the government didn’t encourage Black migration to Britain. But here he cites both an article on Tinubu on the website, The Black Past, and a book on her published in Nigeria by Oladipo Yemitan, Madame Tinubu: Merchant and King-maker, (University Press, 1987). I’m reasonably confident, therefore, that he has got his facts right.

I strongly believe that we should resist the oversimplification of the history of the slave trade into virtuous, wronged Blacks, and evil, racist Whites. All racism and enslavement has to be condemned, even if it makes the self-proclaimed anti-racists uncomfortable. If we are to have racial justice, it must be founded on good history.

Racist Pakistani Muslim Book Demonising Roman Catholicism and Whites

June 9, 2021

For a brief period about 1991 I tried pursuing a research degree in British Islam. I ended up giving it up because it would have been mostly sociology and I was having difficulty getting informants, and because I found it difficult to cope with some of the anti-Christian polemic. I’ve Muslim friends, and didn’t want my experience of this material poisoning my relationship with them or my overall view of British Islam. I’ve blogged before about the passages I found in books published by British Islamic publishers like TaHa calling for autonomous Muslim colonies in the UK. But one of the very worst books I found was one of the college bookshelves literally demonising Whites. This was published in Pakistan, but in English and so clearly aimed at the global Muslim community. It was written by someone who had clearly spent time in Britain before moving back to Pakistan. And a fair section of it was loud denunciations of White Brits and British society for being mean and racist.

In the years since, I forgot its title, but the book’s sheer vitriol has stayed with me, and I do think that it and books like it are fuelling the rise of militant Islam around the world and the alienation of many western Muslims. Among the book’s claims was that the White peoples of Europe, particularly those who speak languages related to German, Dutch, English and the Scandinavian languages, are the descendants of the tribes of Gog and Magog, known in Islam as Juj and Majuj. These are anti-Muslim peoples, the servants of al-Dajjal, the Muslim equivalent of the anti-Christ in Christianity, who were walled up behind a mountain chain by the Islamic hero Dhu’l-Carneyn. I went Googling for it yesterday to see if I could find it on the internet. I think I have, or something very like it. It’s Cain’s Creed, The Cult(s) of Rome, by Dr. Omar Zaid. The book seems to be largely a rant directed against the Roman Catholic church and particularly the Jesuits, as well as, inevitably, the Jews. It draws heavily on the bonkers 19th century anti-Catholic Protestant diatribe, the Two Babylons. If it isn’t that book, then Zaid’s is very like it and certainly following it ideological line in the demonisation of White Europeans. Zaid put up a blog post about his wretched tome, which contains this dainty little passage.

This region (Anatolia, Syria, Lebanon, Khazaria etc.) is a major focus of Monotheism’s eschatology and deviancy as it holds ancient houses of satanic cults that are directly related to the present globalist menace.  It appears that Gog & Magog refer to the peoples descended from Tubal-Cain and Noah’s errant stock that became Slavonic and Teutonic Caucasian Races respectively and then trod in all directions during the course of two dispersions, reaching Egypt, Persia, Pakistan and beyond.

See ‘GOG & MAGOG BY DR. OMAR’ at Gog & Magog by Dr. Omar – zaidpub, which is an extract from Omar Zaid’s book, Cain’s Creed, The Cult(s) of Rome, published by Dar al-Wahi.

If it is the same book, then it also contains long passages ranting about how Whites Brits are all racist and callous. He states that we don’t care if an elderly woman dies in the street, but shamefully get upset about the maltreatment of dogs, which are an unclean animal in Islam. But he’s also massively impressed with how wealthy the country is, which betrays something of the mentality of the hostile invader. It very reminiscent of Napoleon’s description of Britain – ‘a good land with a bad people’.

Now I’m very much aware that this is only one book, but I can remember that as an undergraduate studying Islam for my Religious Studies minor that one of the lecturers told us that some of the material being published in Pakistan was vitriolically anti-Christian. This was nearly forty years ago, and I think the situation must have become much worse since as the country has become intolerantly religious. Christians and other religious minorities, like the Shi’a and Ahmadis are increasingly persecuted, accused and imprisoned under spurious blasphemy charges or murdered in mob violence.

Now I am very definitely not trying to demonise Muslims here by posting about it. I’m very aware of the rise of Islamophobia, especially as stoked by Boris Johnson and the Tory party, despite their denials. I can quite believe that the author was the victim of terrible racism in Britain, having heard of some of the ‘pranks’ and maltreatment meted out to Asian workers at the time and more recently.

But I wanted to discuss this to make the point that other nations and cultures too have their own prejudices and racial hatreds. The BLM protests have renewed discussions and attacks on White western racism, but there is little or no discussion or examination of Black and Asian prejudice. This exists, but is denied and any mention of it suppressed or silence by accusations of racism in turn. You’re a racist bigot if you dare talk about anti-White racism in Britain or elsewhere. And so we have a very unbalanced view where all Whites are increasingly seen through the lens of Critical Race Theory as embodying White privilege and embedded in a racist system, while any attempt to discuss Black and Asian anti-White racism is furiously denied.

This has to change. All forms of prejudice and racial hatred have to be fought and attacked, even if this is uncomfortable for parts of the Left.

Because if it isn’t, the Tories will exploit it to divide the working class and inflict more misery, poverty and death on working people of all colours and religions.

The Satanic Rites of Glossop Tories

May 29, 2021

Ho ho! We suspected as much! People as evil as Boris Johnson, Dominic Cummings, Iain Duncan Smith and Esther McVile have to be in league with the forces of darkness. Now there’s the proof that at least one local Conservative club has had truck with the Evil One. ‘Cause archaeologists dug up the occult image they were using, as well as the remains of candlewax, chicken bones and other paraphernalia from their diabolical ceremonies.

A friend of mine helps run a psychic research society. Unlike the ghost hunters you see on TV, who every week seem to encounter real, unquiet spirits and run around screaming that they’re possessed, his organisation is very serious about investigating the paranormal scientifically. Quite a few of them have backgrounds in the medicine and the sciences. There is a very sizable academic literature on parapsychology and the proper investigation of paranormal events, including the proper scientific protocols to rule out misperception, fraud and false results. The paranormal is now regarded by very many people as something as a joke, but it was taken very seriously at one time. The founders of the British Society for Psychical Research included some of the most prominent politicians, academics and scientists of the 19th century.

As they’re unable to meet in person due to lockdown restriction, my friend’s been arranging a series of Zoom talks about the paranormal. He asked me if I’d like to give one. I agreed, and chose the archaeology of magic as the talk’s topic. There’s been a revival of interest in the history of magic and witchcraft by historians since the 1960s. This was pioneered in the 1960s and ’70s by French historians, who wanted to investigate the ‘mentalites’ – the mental worldview – of previous ages. Interest in witchcraft and the witch craze of the 16th and 17th is immense, because of the parallels between them and the persecution of minorities by the horrific totalitarianisms of the 20th century – Nazism, Fascism and Stalinist Communism – as well as parallels to the Cold War and ‘reds under the bed’. They’re also investigated because of what they say about these centuries attitudes towards women. Feminists are thus particularly interested, including activists who believe that the witches weren’t servants of Satan, but female adherents of an ancient mother goddess cult. Historians are also interested in witchcraft because it marks the transition from the enchanted world of the Middle Ages, when the universe was occupied by angels, demons, fairies and magicians, to secular modernity and the rationalism of the 18th century. And finally there’s the modern occult revival, which began in the 19th century, which has been particularly investigated by Dr Ronald Hutton of Bristol University.

Archaeologists have been rather late to the party. I think this is partly because archaeologist tended to identify anything with a vaguely supernatural use as ‘ritual’, rather than religious. There was an attitude that archaeologists could not reconstruct the religious ideas of past societies from their material remains, although in the case of temples and shrines, that’s clearly not the case. But it can be difficult without textual information. Also, many archaeologists didn’t want the sensationalism that came with the words ‘magic’ and ‘supernatural’. The first major book on the subject was Ralph Merrifield’s The Archaeology of Ritual and Magic. The kinds of items and remains investigated by archaeologists as magic include human and animal remains buried under houses, possibly as foundation sacrifices, charms and amulets, curse tablets, witch posts – carved posts in houses to stop witches or the walking dead entering – witch dolls and bottles, as well as items of clothing like shoes also left behind walls in houses. One of the books I’ve been using is The Materiality of Magic, edited by Ceri Houlbrook and Natalie Armitage (Oxbow: 2015). This is a collection of papers on archaeology and magic that came out of an interdisciplinary course run by the University of Manchester.

One of these papers, by A.J.N.W. Prag, ‘The Little Mannie with his Daddy’s Horns’, recounts how Manchester museum acquired a devil figure – so they thought – in the 1970s. The museum was running an exhibition of Celtic heads, and the cleaner at the local Tory club in Hollingworth had discovered one when she was cleaning the cellar. The museum experts came down, examined it, and found the remains left from the last time it was used. Which was apparently in 1916 to benefit the troops at the front. The museum quickly arranged to purchase it from her, partly because they were afraid that Satanists, especially American, would get wind of it. However, after they acquired it, their staff suffered a series of accidents. People who hadn’t had a car accident in their life suddenly scratched both sides of their vehicles, one worker cut his head open and then managed to lock the keys in the car of the colleague who took him to hospital. Eventually it got to the point where no-one really wanted to touch, until one of the women took to soothing it physically. But there was a further surprise when they were about to put it on display. A visiting expert on Africa told them that it wasn’t actually Celtic, but African. Specifically, it was a nomoli figure from the Mende people of Sierra Leone. This raises the question how such an exotic item found its way to a Tory club near Glossop. The paper speculates that it may have been brought to Manchester by one of the Jesuits involved in the exorcism of the possessed nuns at the 17th century French convent, which formed the basis for the Aldous Huxley book, The Devils of Loudoun, and the Ken Russell movie, The Devils, with Oliver Reed. It’s possible that the image, brought to the convent by a missionary clergyman, may have been at the heart of the accusations of witchcraft.

The idea of the local Tories practising their Satanic rites sounds like something from Last of the Summer Wine. Back in the 1980s there was an episode in which Sid and his wife at the local cafe were catering for a Masonic-style secret society, the Bullocks. As Foggy and Clegg are talking about it downstairs with Sid and Ivy, Compo comes down from their upstairs room where they’re holding their secret ceremony. He calls them a load of pansies, or something similar. When asked, they’re all there stamping their feet like hooves and holding their fingers in front of their heads like horns, chanting ‘Who’s a pretty bullock then, moo, moo? Who’s a pretty bullock then, you, you.’ Later Clegg and Compo embarrass Foggy by stealing their banner and running across one of the hills with it, so it proclaims to all and sundry, ‘Bullocks’.

Is this the kind of thing that’s going on in Tory clubs up and down England, we wonder? I find the whole thing peculiar and funny, and it inspired me to make this painting of Thatcher as the Satanic figure, Baphomet. If you can’t quite make out the text, it’s supposed to read ‘The Satanic Rites of Thatcher’. Hope you enjoy it and don’t have nightmares.

Photo of Israeli Flag Flying Alongside Confederate at Pro-Trump Rally Shows Real Racism and Fascism of the Ultra Zionists

March 2, 2021

In a previous piece Tony Greenstein wrote protesting against the rabid witch-hunters of the Zionist Jewish establishment attacking Bristol Uni lecturer David Miller, he described the close relationship and collaboration between Israel and its supporters and real Fascists and islamophobes. Like Katie Hopkins and the noxious founder of the English Defence League and Pegida UK, and all round thug, Tommy Robinson. He illustrated this with several damning photos. The one below shows Israeli flags being waved alongside the banners of the English Defence League at an EDL rally.

There’s also this Tweet from Gabriel Kanter-Webber, whose name suggests to me that he might be Jewish, asking why the Zionist Federation invited ‘Hatey’ Katie Hopkins to their annual dinner.

And then there’s this pic of the Israeli flag being waved alongside the Confederate flag at a pro-Trump rally at the Capitol, attended by real Fascists and White supremacists.

Tony writes of these shameful incidents

‘Who can forget the flying of an Israeli flag outside Capitol Hill on January 6th alongside the Confederate flag and an assorted group of neo-Nazis and White Supremacists? Our own fascist groups such as the EDL fly the Israeli flag at demonstrations. Tommy Robinson and his Football Lads Alliance have worked closely with a group of far-Right Zionists led by Jonathan Hoffman, a former vice chair of the Zionist Federation without any criticism from the Board. That darling of the far-Right, Katie Hopkins, was a guest at an Israeli Embassy dinner and had her picture taken with the Ambassador Mark Regev.’

See: Defend Bristol University’s Professor David Miller – Defend Academic Freedom – Defend Free Speech – Tony Greenstein

This should shock many Jews, as there is a proud history of American Jews supporting Blacks in their campaign to end segregation. Jackie Walker’s parents are a Black American civil rights activist, and Russian Orthodox Jew, who met during a civil rights rally. But now it seems that Israel’s supporters have turned their back on such genuine anti-racism. Over here it seems that support from the official Jewish establishment towards such anti-racism was always somewhat lukewarm. David Rosenberg has said on his blog that the Board of Deputies tried to stop young Jews from attending Rock Against Racism events, because they were afraid this would expose them to SWP anti-Zionist propaganda. Now it seems the Zionist establishment is actively allying with real racists and Islamophobes.

And so long as this alliance continues, the ultra-Zionist organisations have no business lecturing anyone about racism.

Does Tracy Anne Oberman Really Believe She Isn’t White?

March 1, 2021

Tony Greenstein’s latest piece and reposting of an article by mixed-race Black British author discussing institutional anti-Black racism in Israel also raises a few awkward questions about one of the Israeli’s states staunchest defenders, the actor and broadcaster Tracy Anne Oberman. Oberman appears as a passionate opponent of anti-Semitism, but like the Campaign Against Anti-Semitism and her friend, Rachel Riley, it appears that the anti-Semitism she is most determined to root out is simply criticism of Israel and its abominable maltreatment and ethnic cleansing of the Palestinians. Hence her determined attacks on Twitter and elsewhere with supporters of Jeremy Corbyn and the socialist left in the Labour party as a whole.

Back in 2019 she got into a Twitter spat with the awesome Ash Sarkar of Novara Media, whom she also accused of anti-Semitism. Sarkar is Asian, and so responded by pointing out that she was Black woman being abused by a White woman who was a favourite of the blue tick brigade. Oberman responded by stating that she was as White as Sarkar. This is quite a claim, as Oberman at least in her photos very definitely has White skin and light brown or blonde hair. Sarkar, on the other hand, has the rich brown colouring of many people of South Asian descent. Of course, Oberman wasn’t saying she wasn’t physically White, but that she wasn’t considered as such by White supremacists like the Klan, the Nazis and the various other Fascist parties. Sarkar ably rebutted this by stating that she was very away of the racist persecution of the Jews.

But Jews weren’t always considered to be non-Whites. Ludwig Blumenbach, the 19th century German scientist responsible for modern racial classification, placed Jews among the Caucasian race. He believed they had some ‘negro’ features, and so considered them the ‘negroes’ of the White race. He was almost certainly speaking about European Jews, rather than the non-White Jewish communities of Africa, India and even China. I think most, severely normal Americans and European would consider Jews of traditional European origin to be White. The only people who don’t are Nazis and Fascists, who are wrong as well as monstrously vile. Nevertheless because of their similar histories of persecution, many Jewish Americans joined forced with Black to attack segregation and racial injustice in America.

Oberman clearly believed she had a right to claim to be non-White based on this common persecution by White supremacists. But Greenstein’s and Lewis’ articles, as well as Abbie Martin’s coverage of the issue for The Empire Files, shows that Israeli society is also marred by deep anti-Black racism.

This casts real doubt on Oberman’s ability to draw on her people’s persecution by White supremacists to claim that she is somehow not White, when the country she passionately supports and whose critics she tries to silence permits and legitimises systematic, institutional racism against Black Jews.

For further information, see: Zelo Street: Tracy Ann Oberman Crosses The Line (zelo-street.blogspot.com)

Labour In Exile Network Conference Today

February 27, 2021

I realise this is short notice, but I only came across it on Tony Greenstein’s blog yesterday. The Labour In Exile Network is a group of suspended and expelled Labour party members formed in opposition to Keir Starmer’s utterly inept and persecutory leadership.

Tony’s article on them accurately describes Starmer’s continuing attempts to purge the party of left-wingers and traditional socialists, all under the spurious guise of fighting anti-Semitism. He also makes the point that Starmer is very much a creature of the establishment, as shown by his support for the prosecution of the Julian Assange, his hostile attitude to rape victims, whose attackers were acquitted, and membership of the Trilateral Commission. He has also employed an Israeli spy, Assaf Kaplan, as a member of his staff.As Labour leader, he has consistently failed to oppose the Tories, even outrageously declaring that Matt Hancock should not resign. He makes the point that the ban on the three Liverpudlian ladies standing for elected mayor in their fair city should be the last straw for socialists. He makes the point that Starmer has little time for Black people and that Anna Rothery, one of the three women barred without explanation from standing as mayor of Liverpool, was barred because she was a Black socialist.

Tony describes the Labour In Exile Network thus

Labour In Exile Network was formed in the wake of Jeremy Corbyn’s suspension and the ensuing suspension of officers of the Labour Party who had the temerity to allow their parties to discuss such mundane matters as whether Starmer was out of his reactionary mind to suspend his predecessor.

LIEN has received considerable publicity in its call for an explanation from Starmer as to why he employed an Israeli spy, Assaf Kaplan, as a member of his staff, with the remit to snoop on members. LIEN has threatened, given the wholesale suspensions and expulsions, to simply reprint its own Labour Party cards. We have also made it clear that we will only canvass for and support those opposed to the present witch-hunt and attack on Labour Party democracy…..

The idea behind the LIEN is simple. It is to form a non-geographical CLP along the lines of the non-geographical International CLP. We aim to keep expelled and suspended socialists together.

It is clear that Starmer’s project, gutting Labour of its socialists and ending its reliance on trade unions, is destined to end in failure.  In the words of the inestimable Rachel of Swindon, Starmer’s

mind-boggling inability to lead a once-great party is ensuring a generation of Conservative rule. Let’s be honest here folks, Starmer is a fucking disaster for the Labour Party, and a credit to the Conservative Party.

The Corbyn Project attracted hundreds of thousands of people to the idea that a better world was possible.  They were betrayed by people like Jon Lansman and John McDonnell who thought they could trim their sails to the wind and bow to the ruling class ‘anti-Semitism’ attack that was launched against Corbyn and his supporters.

The time to organise is now overdue.  Although Momentum claims to have 20,000 members it is like the Titanic.  It is unable to turn round in time.  We can be more nimble.

The links are in Tony’s original article. For further information, including how you can attend the conference, go to

Labour In Exile Network Conference – This Saturday February 27th – Tony Greenstein

The speakers include Graham Bash, Tosh MacDonald, Chris Knight, Leah Levane, Jackie Walker and Roger Silverman.

Lien’s formation follows the establishment several years ago of Labour Against the Witch-hunt, a similar network of people expelled from the Labour party for supposed anti-Semitism, but whose real crime was socialism, supporting Jeremy Corbyn and proper treatment of the Palestinians.

I feel passionately that we need these groups, and support their actions against a vicious, factional, racist, and hypocritically anti-Semitic Tory-supporting leadership.

Real Boob Armour from the Middle Ages?

January 3, 2021

There was a bit of controversy a few months ago over an episode of the Star Wars spin-off TV show, The Mandalorian. The Mandalorians are a race of mercenaries, one of whom was the Star Wars film villain, Boba Fett. The show’s titular character roams the Galaxy with a baby clone of Yoda righting wrongs as law and order has broken down in the battle between the Empire and the Rebellion. Or I think that’s what the show’s about. The row erupted over an episode which showed female Mandalorians wearing fitted breastplates shaped for women’s breasts. Feminist critic of video games and the SF/Fantasy genre was not impressed, and posted a tweet expressing her disapproval.

She was then answered by the show’s fans, who certainly did not believe that such armour was sexualising or demeaning women. Many of those rebutting Sarkesian were women. One of them posted an interesting piece by a female veteran of the Iraq invasion, who described how uncomfortable the breastplates worn by American squaddies are, particularly for women. She wanted breastplates shaped for women’s breasts. Others pointed out that women boxers today wear breastplates to protect their boobs.

I found this picture of a set of armour from the later Middle Ages at Churburg in Frederick Wilkinson’s Arms and Armour (London: Hamlyn 1978) p. 66. As you can see, the breastplate really is only a strip across the upper torso, leaving the stomach, throat and shoulders protected by chain mail. I don’t doubt that the armour was made for a man. There are records of women fighting in armour during the Middle Ages, such as Joan of Arc, but they were very much exceptions to the rule. When they did fight, they wore men’s armour. However, looking at the Churburg armour, it does seem to me to be the kind of armour women may have worn if they were a regular part of medieval armies and it was made especially for them.

There’s an awful lot of SF and Fantasy in which the women warriors do indeed wear very little. But I don’t see the female breastplates on the Mandalorian as sexualising the women mercenaries. Indeed, from the above illustration – which is admittedly for a man – it does seem to be the kind of armour fighting women would wear in such a society.

‘The Dig’: New Netflix Movie about the Discovery of the Sutton Hoo Anglo-Saxon Burial

December 12, 2020

I found this trailer on YouTube for a forthcoming movie from Netflix, The Dig. Starring Carey Mulligan and Ralph Fiennes, this about the excavation of the Sutton Hoo ship burial in 1939. The film’s description on the YouTube page runs

As WWII looms, a wealthy widow (Carey Mulligan) hires an amateur archaeologist (Ralph Fiennes) to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain’s past resonate in the face of its uncertain future‎. THE DIG stars Carey Mulligan, Ralph Fiennes, Lily James, Johnny Flynn, Ben Chaplin, and Ken Scott. In Select Theaters January 15 and on Netflix January 29.

THE DIG starring Carey Mulligan and Ralph Fiennes | Official Trailer | Netflix – YouTube

The Sutton Hoo ship burial is one of the most iconic archaeological remains of Anglo-Saxon England. One of the objects found in the grave is the richly decorated helmet, which is now one of the most famous of the objects and monuments left from that period of British history, and which has been reproduced on the covers of countless books, magazine and newspaper articles about the Anglo-Saxons.

One of the books about the dig and its magnificent finds is Angela Care Evans’ The Sutton Hoo Ship Burial (London: British Museum Publications 1986).

The blurb for this runs:

The summer of 1939 saw one of the most exciting archaeological finds ever dug from British soil, an undisturbed Anglo-Saxon ship burial at Sutton Hoo, near Woodbridge in Suffolk. The ship, nearly 30m long, had been dragged uphill from the estuary of the river Deben to a royal gravefield and buried beneath a large circular mound. Amidships in a textile-hung chamber a sumptuous burial was laid out, unique in its glittering wealth of jewellery and unrivalled in the variety of objects that had been selected to represent every facet of the dead man’s life. Gold and garnet jewellery, silver from the Eastern Mediterranean, drinking vessels with silver gilt fittings, a magnificent helmet and parade shield, a lyre and a sceptre were amongst the spectacular finds excavated in two hectic weeks just before the outbreak of the Second World War.

Although no remains of a body survived and no personal possessions were found, the gold and garnet regalia alone implied that the burial was that of a kind. But his identity remained elusive until modern research resulted in a date of 625/30 for the latest of a collection of small gold coins found n the ship, suggesting that it may have been the grave of Raedwald, king of East Anglia, who died in 624/5.

In this new survey, the excavation of the ship and its contents are described and illustrated and the results of many years’ research at the British Museum are summarised. Angela Care Evans also brings the story right up to date, outlining current work at Sutton Hoo and the prospects for future discoveries.

The book has the following chapters, beginning with an introduction:

  1. The Early Excavations, divided into the following sections
  1. The Sutton Hoo gravefield.
  2. The first three mounds, 1938.
  3. The great discovery, 1939
  4. The ship.

2. The Ship Burial and its Treasures.

5. The burial chamber

6. Warrior king.

7. Mediterranean silver.

8. Feasting in the great hall.

9. Symbols of power.

3. Modern Times

10. Treasure Trove?

11. Restoration work.

12. Excavations 1965-70

13. The kingdom of East Anglia

14 Dating the ship burial

15. Sutton Hoo: poetry and style

16. Sutton Hoo today.

This is followed by a diagram of the East Anglian kings and their relationship to each other, a bibliography and an index.

The film looks really good, a factual depiction of a real archaeological excavation, rather than Fantasy or Horror. It’s very much the kind of period drama that Channel 4 Films used to make at one point. However, I don’t think very many people will get the chance to see it. Its cinema release is confined to a few, selected theatres and there is the continuing problem of the restrictions imposed by the new Covid wave. And then it’s on Netflix, which means that only those with that streaming service will get to see it. Which means that it’s probably only going to be seen by a very few people. But perhaps we can look forward to it appearing later on one of the terrestrial or larger cable channels, like Channel 4, Yesterday or History.