Archive for the ‘Ireland’ Category

Counterpunch Demolishes Some Churchillian Myths

December 8, 2017

There’s a very interesting piece by Louis Proyect over at this weekend’s Counterpunch, The Churchillian Myths of 1940, where he takes a well-observed aim at two of the recent films about the Second World War. One is Christopher Nolan’s Dunkirk, the other is the forthcoming biopic about Winston Churchill’s battle against the appeasers in the British cabinet in 1940, The Darkest Hour. This hasn’t been released yet, and is set to come out on December 21st (2017). It stars Gary Oldman as Churchill, and is directed by Joe Wright.

Dunkirk’s already attracted much criticism because of its historical inaccuracies. I think it’s been accused of racism, because it ignores the large numbers of the British forces, who were Black and Asian. But Proyect also draws on a critique of the film by Max Hastings of the Telegraph to show how the film presents a very mythical view of Dunkirk. The film has it that the British troops are under constant shooting and bombardment by the Germans, and that they are saved by the flotilla of small vessels that went over there to rescue them. In fact, according to Hastings, the Germans largely left the retreating British alone. As for being saved by the small ships, 2/3 of the troops were rescued by the fleet of big ships that were sent by the navy. There were 37 of these, but six were sunk. Proyect also criticises a scene where the sailors aboard a sinking ship discuss how they are going to get to the surface without being mown down by the Germans. He compares this unfavourably to the Poseidon Adventure, producing the quotes by the critics to show that this is actually a far superior film.

More serious is the way the film deliberately omits atrocities committed on the civilian population by the retreating British. Proyect states that at the time the British squaddies were under immense physical and psychological stress. They responded by shooting anyone that moved, including old women and nuns. This is historical fact. Proyect cites and describes one of these incidents. The trooper had been told to take no prisoners, except for interrogation, and so blazed away accordingly.

As for the Darkest Hour, Proyect draws on an article by Clive Ponting on the Churchill Myth. Older readers of this blog will remember that Ponting was the civil servant Maggie tried to prosecute under the Official Secrets Act because he leaked two documents about the sinking of the Belgrano to the Labour MP Tam Dalyell. Ponting was acquitted, because the jury weren’t about to be told what to do by Maggie.

He points out that in fact the difference of opinion between Churchill and the appeasers, like Lord Halifax and Neville Chamberlain, was actually much smaller than most people realised. At the time, Churchill was in favour of making peace with Germany, and had sent feelers out to see what their terms were. Where he differed from Halifax and Chamberlain was that they were in favour of making an immediate peace, while he wanted to fight on for a few more months.

The film does show Churchill hesitating at one point, and Proyect states that this would have been unthinkable a few years ago, as the official archives were still closed and the only source material available were Churchill’s own self-aggrandising writings. In which he portrayed himself as the resolute warrior.

But this ignores just how pro-Nazi Churchill had been, as well as anti-Semitic. What! Churchill pro-Nazi? The very idea! But he was. In 1937 Churchill wrote of Hitler

Those who have met Herr Hitler face to face in public business or on social terms,” he said, “have found a highly competent, cool, well-informed functionary with an agreeable manner, a disarming smile, and few have been unaffected by a subtle personal magnetism.” Despite the arming of Germany and the hounding of the Jews, “we may yet live to see Hitler a gentler figure in a happier age,” Churchill wrote. He was doubtful, though.

As for Leon Trotsky, Churchill reviled him with all manner abuse, not just because he was a Bolshevik, but also because Trotsky was Jewish. He quotes Nicholson Baker’s Human Smoke, a revision history attacking the notion of World War II as ‘the good war’, from which he also took the above quote about Hitler from Churchill. Baker writes

Churchill also included a short piece on Leon Trotsky, king in exile of international bolshevism. Trotsky was a usurper and tyrant, Churchill said. He was a cancer bacillus, he was a “skin of malice,” washed up on the shores of Mexico. Trotsky possessed, said Churchill, “the organizing command of a Carnot, the cold detached intelligence of a Machiavelli, the mob oratory of a Cleon, the ferocity of Jack the Ripper, the toughness of Titus Oates.”

And in the end what was Trotsky? Who was he? “He was a Jew,” wrote Churchill with finality. “He was still a Jew. Nothing could get over that.” He called his article “Leon Trotsky, Alias Bronstein.”

https://www.counterpunch.org/2017/12/08/the-churchillian-myths-of-1940/

I am not surprised by Proyect’s description of Churchill’s highly equivocal attitude to Nazi Germany. Churchill himself was very authoritarian. He had visited Mussolini’s Italy, though he had not been impressed when the Duce compared the Blackshirts to the Black and Tans, and privately remarked that Musso was ‘a swine’. But he did like General Franco. The historian Martin Pugh, in his book on British Fascism between the Wars, states that Churchill’s opposition to Nazi Germany did not come from any deep ideological view, but simply because he was bitterly suspicious of Germany and believed that it would block British interests in the North Sea. Pugh points out that he didn’t seem concerned that a bloc of Fascist states in southern Europe could do the same to British interests in the Mediterranean.

It would be interesting to know what Peter Hitchens thinks of all this. Hitchens is deeply Conservative, but he is a fierce critic of the Second World War as ‘the good war’, and has absolutely no love of Churchill. Indeed, in his book taking aim at New Atheism a few years ago, The Rage Against God, he attacked the cult of Churchill as a kind of ersatz religion, put in place of Christianity. It’s a bit of stretch, as it wasn’t quite an exercising in God-building that the Soviets tried. In the former USSR there was a brief movement after the Revolution to create a kind of atheistic religion, centred around great revolutionary heroes, to harness religious sentiments for the cause of Communism. The cult around Churchill isn’t quite like that. But nevertheless, to some Churchill is almost a sacrosanct figure, against whom you must not utter a single word. You can’t, after all, imagine Dan Snow on the One Show, striding around what remains of Churchill’s office and papers, telling the world how ‘Winnie’ at one time looked approvingly on Hitler and was very nearly ready to make peace. Or that, when it suited him, he was viciously anti-Semitic.

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Kevin Logan’s Angry Message to America about Donald Trump’s ‘Britain First’ Retweets

December 2, 2017

This is a very angry little snippet from Kevin Logan, where he tears into Donald Trump, and asks Americans to keep their ‘monkey boy’ on a leash because of Trump’s infamous retweets of the Britain First Islamophobic videos. He starts by hoping that one day, Trump will be in a different kind of institution than the one he’s occupying now. He states that it’s disturbing that Trump has the same thoughts and opinions as Britain First He points out that Britain First aren’t any kind of genuinely constructive, respectable group, but a race-hate group with a list of convictions as long as your arm. He states that the videos and retweets have been condemned by politicos across the spectrum, from both Left and Right. He states that if Americans want to f*ck up their own country, they can do it. Looking forward to 2020, he predicts a joint ticked by Richard Spencer, the head of the Alt-Right and David Duke, the notorious anti-Semite and head of the Ku Klux Klan in Alabama. It’s the direction America’s been travelling down for a very long time, so they may as well do it. But just don’t f*ck up ours.

I’m posting this as Logan speaks for most people in England, and their anger at the Orange Nazi deciding to promote these racist videos. Britain First are a Nazi grouplet, who’ve specialised in invading mosques to harangue the worshippers there. Which is very definitely not a way to bring anyone to Christ. Fransen herself is a devout Roman Catholic, which is kind of odd as I think the group also has links to Protestant terror gangs in Northern Ireland.
There’s an article on here and the retweets at Hope Not Hate at
https://hopenothate.com/2017/11/29/trump-retweets-uk-far-right-extremist/

Since their article was posted, a bit more information has come forward about some of the videos. One of them, which purports to show a Muslim attacking a boy on crutches in the Netherlands, has been investigate by Holland’s finest. They state that the attacker was not a Muslim, and not a migrant either.

Yesterday one of the foreign correspondents for the I talked about his investigation of one of the videos, of youths in Egypt throwing another gang off a roof to their deaths. This came from the Egyptian uprising in 2012, and neither of the gangs were Islamists. It was simply one political faction attacking another. He also states that the violence wasn’t all one way, as on the same day that occurred the army had shot 51 members of the Muslim brotherhood.

Even if the videos were all true and accurate, and did show genuine Muslim violence, this still wouldn’t reflect the reality of Islam in Britain. Of course you can find Muslim criminality, violence and bigotry. Just as you can amongst every other religious, ethnic or political group in the world. All it means is that Muslims aren’t saints, but human beings like the rest of us. And the people carrying out the attacks would be carrying them out because they’re thugs, who happen to be Muslims, not necessarily because of some deep reason within the religion itself.

I do have reservations about Logan holding the whole of America collectively responsible for Donald Trump. I think that, looking at the number of votes, neither he nor Killary actually had any kind of mandate to govern. It wasn’t the case the of the most popular winning, but of the least unpopular.

And by rights, it should have gone to Killary. But she won because of that terribly undemocratic American institution, the Electoral College. Which was set up in the 19th century to give the southern, slave-holding states a big enough population for them to affect presidential elections, without having to emancipate their Black slaves and give them the vote.

Large sections of the American population very definitely didn’t vote for Trump. Blacks didn’t, on the whole. Neither did the Asian community. Working class Whites didn’t either. The people, who did vote for Trump tended to be whatever remains of the affluent middle class, who feel threatened by organised labour and immigration. And even then, their reasons for voting for the monster may have been much more complex than simple racism. Trump threw out all kinds of policies during his election campaign, basically saying anything on the spur of the moment that sounded good. Thus, at one point he was anti-interventionist, and wanted to pull the country out of the foreign wars. He also briefly appeared to back single-payer healthcare.

So in some ways, and some points, he actually appeared more left-wing than Killary.

And Killary is as monstrous as he is. She is a vicious warmonger, who backs Fascist dictators and goes on holiday with Henry Kissinger, a man responsible for atrocities around the world of which the Nazis would have been both ashamed and proud. I’ve no doubt that Sarah Sarandon was right, and that had Killary won, we would be at war by now. Probably against Russia and China, as she has a bitter hatred of these nations.

And despite her protestations of multicultural warm fuzziness, Killary has shown throughout her career just how little respect she has for the Black folks, who actually vote Republican. She was responsible for framing the drugs legislation that sent a disproportionately high number of Black men to jail. She referred to ‘superpredators’ at a time when that phrase was only used of young Black men. And when they overthrew Gaddafi, she giggled about it, and was proudly seen with the Islamists responsible waving their guns. The same Islamists responsible for enslaving Black migrants and Libyans. When they aren’t massacring them.

But, unlike Trump, she is marginally better at simulating being a civilised, urbane human being. Unlike the expensively educated savage now sitting in the Oval Office. What she couldn’t hide was her greed, her arrogance, her overwhelming sense of entitlement and her sheer lack of sympathy for ordinary Americans. She was the wrong candidate, but she had clout and the backing of the corporations.

It isn’t America that’s responsible for Trump. It’s the corrupt American military-industrial complex and the corporatist system it’s spawned.

And millions of severely normal Americans aren’t happy. Trump’s had city after city defy his Muslim ban, which has been rejected by one governor and attorney general after another as unconstitutional, including bright red Republicans. It’s why there are moves to have him impeached.

Trump is the creation of a corrupt American political system. But it’s one that an increasing number of Americans are mobilising against, as well as fighting to bring down the president, who’s destroying their country.

Still From My Abortive Cartoon Revenge on Iain Duncan Smith

November 25, 2017

Speaking about Iain Duncan Smith, the man who has reduced millions of poverty, forced something like a quarter of million on us to use food banks to keep body and soul together, and whose sanctions systems have been responsible for tens of thousands of deaths of the poor and disabled, here’s a still photograph from a short animated piece I tried making about the man about three years ago. It was my attempt to get some of the hatred and bile out of my system by giving him a virtual comeuppance, if only as a cartoon.

So I portrayed him as a Nazi, making the Fascist salute in front of a portrait of the Leaderene, Maggie Thatcher. Instead of the Nazis’ black or brown shirts, he wears a blue one – the colour of the Tories. Although blue was the colour of the shirts worn by Owen O’Duffy’s Irish Fascist stormtroopers in the 1920s.

Following the conventions of Monty Python, I had a giant hand come out from off screen to punch him and knock him over. As he deserves. And more.

I finally tried animating the whole piece last week, only to find I couldn’t do it on YouTube. They’ve withdrawn the feature that allows you to upload single photos to make a slideshow, which I had been using to make animated shorts. Apparently it was little used. I’ve another programme, which I have used, which turns it into a Gif. Unfortunately, you can’t use gifs with the basis package for WordPress, which I have. So, unfortunately, for the present you’re just going to have to be satisfied with this image of Duncan Smith getting his deserts.

Radio 4 Programme on British Invasion of Russia to Overthrow Russian Revolution

October 13, 2017

Also on Radio 4 next week, on Friday, 20th October 2017 at 11.00 am., is a programme on the British invasion of Russia. This followed the Bolshevik coup of 1917, and was intended to overthrow the new Communist regime. The blurb for the programme in the Radio Times states

The story of a little-known war that took place a century ago along the frozen rivers of the Russian Arctic and transformed Russia’s relations with the West for decades to come. After the October Revolution, thousands of foreign troops under British command fought Russians on Russian soil for more than 18 months. Lucy Ash meets the 93-year-old son of General Edmund Ironside, who wrote at the time that he was in charge of “a tiny army of not very first class troops” stranded in the icy vastness of Russia “in the midst of a bitter civil war”. (Page 139).

Again, there’s a bit more information on the facing page, 138, written by Tom Goulding. This reads

The UK’s relationship with Russia has always seemed cold – coloured by by decades of menacing but empty rhetoric on both sides. so it’s often overlooked that just under 100 years ago a real and bloody conflict took place between Britain and the Bolsheviks in the frozen Arctic. Journalist Lucy Ash investigates this infamous incursion of British boots on Russian soil by speaking to the 93-year-old son of Edmund Ironside, the general who led Churchill’s crusade to put down the fledgling Bolshevik state. The intervention was a disaster, and the resulting mistrust between the two countries looms large to this day.

With 20/20 hindsight, it could be said that it’s a pity that the invasion didn’t succeed. The Bolsheviks were authoritarians from the start. They suppressed the other political parties and organisations, including left-wing and socialist groups such as the Mensheviks, Trudoviks and the Socialist Revolutionaries. Strict discipline was reintroduced, and the Bolsheviks reinstated the same proprietors and managers to manage the factories and other industrial concerns that they’d nationalised, against the desires of the anarchists, syndicalists and Left Communists, who wished to create a genuine worker’s state with worker’s control of industry. These were also suppressed, and their leaders and members arrested.

And if Bolshevik rule had been overturned, the Nazis may never have come to power as there would not have been a Communist threat that they could claim to be protecting Germany and the upper and middle classes from. And Stalin would not have come to power, to kill and imprison something like 30 million Soviet citizens – although some estimates put the death toll higher at 45 million – in the gulags and purges.

On the other hand, the Whites were also extremely brutal and oppressive. They, like the Bolsheviks during the Civil War, also held out the prospect of restoring democracy. However, the leader of one of the White counter-revolutionary bands was a maniac, who I think believed himself to be Jesus Christ or Buddha – or both. This butcher used to throw cold water over his prisoners’ naked bodies in the depths of the Russia winter so that they froze to death, and snap pieces of their bodies. Tony Greenstein in a recent blog post describes how the Zionist leaders approached another anti-Semitic White General, Petlyura, about sending Jews from Russia to Palestine. The Russian novelist Mikhail Bulgakov vividly describes the outbreak of anti-Semitic violence during the Civil War in the Ukraine in his classic, The White Guard, adapted from his play, The Days of the Turbins. He mentions the lynching of Jews by the peasants, and one of the characters killed by the mob in this way is a Jewish man, whose only crime was to have left his home to try to buy food and medicine for his family.

And if you read accounts of the Russian Revolution, it’s very clear why the peoples of the Russian Empire rose up, even if they mostly didn’t support Lenin and the Bolsheviks: they were pushed to the end of their tether through losing a war for which the ordinary squaddies were poorly treated and equipped, and by social conditions of horrendous poverty and near starvation in industry and the countryside. Russia was beset by strikes, and their were hundreds of peasant uprisings that occurred one after the other in the Russian countryside.

As for the British invasion, it seems to me it had two objectives. These were to keep the Russians in the War, fighting the Germans and Austrians, and to overthrow the Bolshevik state as a threat to capitalism. I dare say that it was accompanied with claims that it was about defending democracy, but as it wasn’t until the ’20s that all men got the vote regardless of property qualifications, and women finally gained the suffrage, such claims are probably rather specious.

Pat Mills, in one of the interviews I put up a few weeks ago, mentioned that he wrote a story for the First World War strip, Charlie’s War, in the comic Battle, which dealt with the British invasion of Russia. Mills is very left-wing, and says in the interview that the British officers ‘behaved like animals’. Which I don’t doubt they did, considering the stupid brutality they later unleashed in Ireland during their Revolution, though this was mostly done by the auxiliary units, the Black and Tans, rather than the regular army.

Justine Greening Wants Tories to Re-Introduce Maintenance Grants – More Lies from the Tories?

October 5, 2017

The I newspaper yesterday reported that Justine Greening, the Tory education minister, wants to reintroduce maintenance grants for the poorest students in order to combat Labour’s popularity with them over the issue of student debt.

The I wrote

Ministers are preparing plans to bring back university maintenance grants. The move is part of the “broader thinking” being undertaken by the Department for Education to implement policies that will have greater appeal to younger voters.

The level of debt in which graduates are leaving university has come under mounting scrutiny in recent months. Tuition fees became a major election battleground following Jeremy Corbyn’s promise to scrap the policy which saw young voters flock to Labour in their droves.

Over the weekend, Theresa May announced plans to freeze tuition fees at £9,250 a year while the income threshold at which graduates will be expected to start paying back their loans was raised from £21,000 to £25,000.

But I understands that the DfE wants to go further and bring back maintenance grants to help the poorest students as the Education Secretary, Justine Greening, battles with the Treasury to push through the plans.

“We didn’t think it is right that the poorest students come out of the university with the most debt,” a senior DfE source said.

The source refused to rule out that the plans could be contained in the Budget next month, although separate sources said the plans were not that advanced.

According to the Institute for Fiscal Studies, bringing back maintenance grants would cost just under £500m. the IFS published research yesterday showing that the Prime Minister’s plans to raise the repayment threshold would cost the taxpayer £2.3bn a year, and lead to 83 per cent of graduates never paying off the full amount of their loan.

The former Chancellor George Osborne announced in 2015 that maintenance grants would be scrapped in time for the start of the 2016 academic year as part of the Government’s austerity drive. The grants were kept by the devolved government in Scotland, Wales and Northern Ireland.

The move to abolish the funding meant students from the lowest-income households were forced to take out loans on top of their tuition fees loans to pay for living costs.

Labour has said it would bring back the grants, and the policy is gaining support from university vice-chancellors. Universities UK, which represents the majority of higher education institutions in Britain, said the return of maintenance grants would be a “welcome enhancement”.

Alistair Jarvis, UK’s chief executive, said: “Students tell us that it is cash in their pockets while studying that matters most.

“It is right to continue to examine how the current system can be improved to ensure that money isn’t a barrier for students.”

See Greening battles Treasury for maintenance grants return, in the I for Wednesday, 4th October 2017, page 4.

So an anonymous source in the Department of Education claims that Justine Greening would like to bring back maintenance grants, as Labour intends to do so, thus becoming massively popular with the young people looking at being saddled with massive debt. And other sources say the plans aren’t that advanced, and the Treasury don’t want it.

This shows that the claims is yet another lie, intended to make the Tories look more like they actually care about providing for the British public, rather than giving more money to the extremely rich.

Just as the article shows that Theresa May’s plan to cap student debt still would leave four-fifth of all students unable to pay it off.

And Mike has shown how May’s claim to freeze tuition fees actually represents an increase. And who’s going to bet that the freeze only lasts as long May decides it’s convenient. Which from the evidence of the rest of her broken promises, means that it’ll be dumped as soon as she gets back into power. Assuming that ever happens.

The Tories are lying to us again. Just like they always do. But students aren’t daft, and I doubt anyone is going to be taken it.

If you want to make sure our young people are able to go to uni to get the education they want, and which this country needs, then vote Labour so that Corbyn can do something about the monstrous level of student debt forty years of Thatcherism have inflicted on students.

Kevin Logan on Scots Alt Rightist, Millennial Woes

October 3, 2017

More Alt Right Fascism, I’m afraid. This is another video in Kevin Logan’s vlog series, The Descent of Manosphere, where discusses and attacks the international men’s movement and its disgusting, far right denizens. This is about Millennial Woes, a Scots vlogger and member of the Alt Right, who spoke at the infamous meeting at the National Policy Institute’s Ronald Reagan room by the Alt Right, at which their fuehrer, Richard Spencer, cried ‘Hail Trump! Hail our race!’ and made the Nazi/Fascist salute, which some of his assembled squadristi made back.

I’m posting this up because I said in my posts about the increased vote for the Fascist Alternative fuer Deutschland in Germany, and their entry into the German parliament, that we have to support our German friends in their struggle against Fascism, as we will need their help in ours. Fascism is international. Members of the BNP and related British Fascist and Nazi groups are active on the continent, and continental Fascists from Poland, Ukraine, Lithuania and Italy have turned up over here, marching with them. And amongst the American Alt Right are Brits like Milo Yiannopolis, Millennial Woes and the wretched Katie Hopkins.

In this video Logan examines Millennial Woes, his racism, anti-Semitism, anti-feminism, Islamophobia and sheer, general downbeat cultural pessimism. Woes really has swallowed all that nonsense about White genocide, and believes there really is a conspiracy to destroy the White race through the importation of non-White immigrants. At one point in the video he states very plainly that he is against racial mixing. And one race he particularly objects to is Muslims. Here Logan disposes of the arguments usually marshalled to defend attacks on Islam, which is that it’s perfectly reasonable to criticize immigration and Islam. Logan readily admits that there are perfectly legitimate concerns with immigration, such as the way it puts pressure on scarce resources and leads to depressed wages, as more unskilled workers come into the economy. But that’s not why Millennial Woes and people like him oppose immigration. They oppose it on racial ground, for fear that it will lead to the White race becoming a slightly smaller proportion of the population.

It is also true that Islam is not a race. There are Black and White Muslims, as well as Brown ones. And it is perfectly reasonable to criticize Islam and its teachings. Logan is an atheist, and states that he finds some tenets of Islam barbarous, which is why he isn’t a Muslim. But Millennial Woes and those like him hide behind the arguments for a reasoned critique of Islam as a religion and ideology, along with all others, their own bitter hatred of Muslims, whom they see as terrorist Brown people. Indeed, there’s another clip of Woes referring to Muslims as ‘warmongering’. This is rich, considering that it was us, who invaded their countries as part of the War on Terror.

Woes shows his anti-Semitism in comments about George Soros, Jared Kushner and the way America is run by them and the Jews around Donald Trump. He also casts scorn on the conventional explanation about the Holocaust. He also at one point states that the anti-masculine strain in feminism was started by a Jewish feminist. From this it seems that Woes believes – and I might be wrong – the stupid conspiracy theory that the Jews are actively planning the destruction of the White race through the importation of non-White immigrants. He certainly says that they aren’t part of western civilization and are hostile to it.

He is also anti-feminist, with a very Conservative attitude towards women and their place in society. He believes that feminism is one of the causes of the coming destruction of the White race. He believes that abortion is murder, and that women should not be sexually promiscuous and should have as few sexual partners as possible. Men should not show solidarity with women. They should help and support them. As for the unemployed, he states that as we live in an economy of scarcity, people should be forced into work. Logan concludes that he is thus as alternative in his views regarding sexual morality and unemployment as all the other Conservatives. And he makes very plain that he does not have the same regard for the rape of a non-White woman as he does for one of his own skin colour.

Unsurprisingly, he also has a double-standard on political violence. He is absolutely appalled by antifa attacks on Fascists, such as Richard Spencer getting punched in the street, but has absolutely no qualms talking about encouraging keeping the names and addresses of hostile journalists and other political opponents, beating up their enemies and looking forward to ‘a final reckoning’ when the Alt Right’s enemies will be ‘hanging from lamp posts’.

And he is obsessed with nihilism. Everything he dislikes about the current state of western civilization, including its egalitarianism, multiculturalism and the sexual promiscuity of some of its members, he sees as nihilistic, often coupling this with atheism.

Well, he does call himself ‘Millennial Woes’, and as Logan points out at the beginning of the video, his style of presentation is very downbeat and depressing. It largely consists of him in a darkened room, frequently in a bathrobe, smoking while he sounds off about the imminent collapse of western civilization.

Logan also describes the way Woes was outed as a member of the racist Alt-Right by a group of Antifa and the press in Scotland. He shows the edition of the Scots newspaper, the Daily Record, in which this occurred, with Woes splashed all across the front page. He’s edited out the information on his personal identity, as although it’s now in the public domain, he really doesn’t agree with doxing. Woes went silent for a while, not posting anything for a few weeks, but has since re-emerged. I think he may have moved to America after the press revealed his identity. Woes went on to deny he was racist, misogynist, anti-Semitic and so on, but as Logan says, this video shows that he is.

Warning: As well as offensive views, Woes also uses some racially offensive language about Blacks and non-Whites. And Logan also points out how sad his attitude is when he visits other countries like America and Ireland. He goes round very multicultural parts of the country, like California, which has so much sunshine even the White people are darker than those in Britain, and laments the absence of White people, completely failing to appreciate the colour and cultural diversity brought by the non-White inhabitants.

TeleSur English on Police Violence and State Repression in Catalonia

October 2, 2017

This is another short video from TeleSur English. TeleSur, I think from its logo is a South American broadcaster, which covers issues relating to the continent, Central America and the Caribbean. As so much of the continent was colonized by the Spanish, it’s only natural that the station should also be covering the terrible events now unfolding in Catalonia.

The video’s just under two minutes long, and show the police charging the protestors and those Catalans, wishing to exercise their democratic right to vote. It also includes testimony from the protestors themselves, who states that the police charged them, and that grandparents, women and children were crying. The police also fired rubber bullets, and the video shows some of the wounds inflicted by them. They also forcibly broke into polling stations, burned and destroyed ballot boxes and arrested volunteers working there. The video states that this was after a vicious campaign by the Spanish government against the referendum campaign. The video ends by asking if this is the end of democracy in Europe?

That last is a good question. Mike has also put up an excellent article this evening commenting on the brutality and assault on democracy this constitutes. He makes the point that this is how an undemocratic government, like May’s, hangs on to power. May is rigging parliament so that the Tories dominate parliamentary committees, despite the fact that they have lost their majority. And you do have to wonder if May wouldn’t send in the cops and the army to behave excellently like this against the Scots or Welsh if they dared to vote against remaining in Britain. And this isn’t even a question regarding Northern Ireland. The province has been under military policing during the terrorism and violence that the Good Friday Peace Agreement was supposed to put an end to. Of course May would have no qualms about sending in the army and the cops if the people of Ulster looked like they wanted to leave Britain. And that would include the whole people of the Six Counties, not just Roman Catholics and Nationalists, if the Northern Irish people felt that they would be better off being independent or negotiating some kind of deal to join Eire, rather than chance their economy and prosperity with a Britain outside the EU.

I don’t think it’s the end of democracy in Europe. But it is extremely ominous.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Credo! Pat Mills on 40 Years of Thrillpower!

September 14, 2017

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.

Crisis and Closures in the Academy Schools

September 13, 2017

One of the major issues is the Tories’ continuing attempts to destroy whatever remains of value in the British education system, all for the profit of big business. Last week, one of the academies closed only a week after it had opened. I did wonder what would happen to its pupils. Would they be thrown out and denied an education, as they had enrolled in the wrong school and there may not be places available in the other local schools.

Fortunately, that’s not going to happen. From what I understand the school will be kept open until someone else is found to take it over.

But it is still absolutely scandalous that British schools are now run by private companies, who can announce at any time that they are no longer interested in running them. Especially as tens of millions of taxpayers’ money is given to individual academies, far beyond the budget for the local LEA. In some cases, the amount spent on an academy can reach £40 million, while the budget for the LEA is under a million.

As for replacing LEA’s, from what I understand from talking to friends about them, the authorities dictate that schools can only join certain academy chains. This makes a mockery of the claim that they are outside LEAs, as these chains in effect act as them. But I suppose as the academy chains are all privately run, the government thinks this is just as well then.

I also understand that one of the academies in Radstock in Somerset doesn’t even belong to a chain based in the UK. The chain’s based in Eire, and all its directors live across the Irish Sea. I can’t say I’m surprised. Eire attempted to encourage investment by massively cutting corporate taxes, in the same way that the Tories are doing for Britain. Thus you find many businesses, that actually do their work in Britain, have their headquarters over there, using the country as a tax haven. And the ordinary people of Ireland have paid for this, just as we Brits are paying for the Tories’ self-same policy over here. One of the books I found rooting through one of the bargain bookshops in Park Street was by an Irish writer describing the way his country’s corporate elite had looted the country and caused its recession. Like the banksters in Britain and America.

The academies are a massive scam. They were launched under Maggie Thatcher, and then quietly wound up as they didn’t work. Blair and New Labour took over the idea, as they did so much else of the Tories’ squalid free market economics, and relaunched them as ‘city academies’. And then, under Dave Cameron, they became just ‘academies’.

They were never about improving education. They were about handing over a lucrative part of the state sector to private industry. They aren’t any better at educating children than state schools. Indeed, many can only maintain in the league tables by excluding poorer students, and those with special needs or learning difficulties. And if state schools had the same amount spent on them as those few, which are more successful than those left in the LEAs, they too would see improved standards.

In fact, academies offer worse teaching, because as private firms in order to make a profit they have to cut wages and conditions for the workforce to a minimum. And with the Tories freezing public sector workers’ wages, it’s no wonder that tens of thousands of teachers are leaving the profession.

And those companies interested in getting a piece of this cool, educational action are hardly those, whose reputation inspires confidence. One of them, apparently, belongs to Rupert Murdoch, at least according to Private Eye again. Yes, the man, who has almost single-handedly aimed at the lowest common denominator in print journalism, lowering the tone and content of whatever newspaper he touches and whose main newspaper, the Sun, is a byword for monosyllabic stupidity and racism, now wants to run schools. Or at least, publish the textbooks for those who do.

Academy schools are a massive failure. They’re another corporate scam in which the public pays well over the odds for a massively inferior service from the private sector, all so that Blair and May’s mates in the private sector could reap the profits.

It’s time they were wound up. Get the Tories out, and private industry out of state education.