Posts Tagged ‘Edinburgh’

Short Video on Richard Trevithick’s Real Steampunk Bus

February 24, 2021

I’ve already put up one video about the great Cornish inventor, Richard Trevithick, who created the ‘Puffing Devil’, a passenger-carrying steam engine for use on the roads. I found this video on Patrick Reed’s channel on YouTube. Taken from the National Geographic channel, and narrated by Chris Barry, the actor behind Red Dwarf’s Rimmer, this very short video describes another of Trevithick’s awesome steam vehicles. This was a London bus. It was so ground-breaking and unprecedented when it was first demonstrated, that shops were closed as the streets filled with people desperate to see the new invention. The video shows a modern replica of the vehicle, and describes how it worked. By placing the boiler within the main water tank, steam could be produced at a higher pressure, and with the placement of its piston about the tank it was far more powerful than Watt’s steam engines. Sadly, however, the steam carriage was far too radical and ahead of its time to catch on.

Trevithick’s London “Bus” – YouTube

Nevertheless, Trevithick’s machine was one of the first of a series of steam carriages that inventors in Britain and elsewhere continued to develop throughout the 19th century. In the 1820s there was briefly a steam bus service in Edinburgh. That pioneering invention was halted because of problems getting through the turnpike roads the bus had to use, and opposition from the cabbies and their horse-drawn vehicles. This did not, however, prevent scientists and engineers continuing to experiment and develop new steam passenger vehicles. This culminated in the invention of the internal combustion engine when Karl Benz and others decided that coal was not a suitably efficient and powerful fuel for these machines, and so turned to oil and petrol instead.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

December 14, 2020

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.

Ed Davey Elected Leader of Hated, Failing Party

August 27, 2020

Ed Davey has beaten his rival Layla Moran and been elected leader of the Lib Dems. But according to an article in Monday’s I by Nigel Morris, ‘Liberal Democrats to crown new leader as party hits ‘rock bottom’, the Lib Dems are still in major trouble with the electorate. The article states that the British public may still hate them for joining the Tories in the coalition government under David Cameron and their leader, the noxious and duplicitous Nick Cligg. The article runs

The new Liberal Democrat leader, who will be crowned this week, will inherit a party whose fortunes remain at “rock bottom” following a succession of dire electoral performances, the polling expert Sir John Curtice has said.

The party’s support has fallen to a 50-year low amid signs that it is still being punished for its part in the Tory-led coalition government of 2010-15.

Sir Ed Davey and Layla Moran are vying to become the Lib Dems’ fifth leader in five years, with the victor facing the daunting task of carving out a distinctive niche for a party at risk of being reduced to a bit player on the political stage.

The winner also must decide how to respond to moves by the Labour leader, Sir Keir Starmer, to steer his party towards the political centre ground.

Despite their initial optimism that they could attract anti-Brexit voters, the Lib Dems won just 11 seats in last year’s election, and two polls this week showed them languishing on 6 and 7 per cent support.

Sir John, professor of politics at the University of Strathclyde, told I: “There was a brief moment last year when it looked as though they might be able to turn around their fortunes on a wave of Remain discontent with Brexit, but by polling day in December most of these voters had slipped through their fingers.

“As a result, the party finds itself still at rock bottom and having to start from scratch in persuading voters of its relevance and message.”

Although its vote share edged up to 11.6 per cent in December, it finished the night with two fewer MPs and suffered the embarrassment of its leader, Jo Swinson, losing her seat, plunging the party inito yet another leadership contest. Lib Dem insiders predict a close finish as Sir Ed, who has been acting leader for nine months and served in the Coalition cabinet, faces the insurgent appeal of Ms Moran, who has been an MP only since 2017.

Voting closes on Wednesday, with the result being announced on Thursday.

Mark Pack, the editor of Liberal Democrat Newswire, said the party had some grounds for optimism, including increased membership, a growing local government base and stable finances.

“We cannot afford to be blase about the situation, but there is material for a new leader to have a decent opportunity,” he said.

“One of the clear needs is to communicate the positive vision we have for the country. People just don’t notice we are around. The new leader has to make voters feel we are relevant.”

Mike in his report on Davey’s election reminds us that this is the party of mischief. The Lib Dems targeted the Labour party in various constituencies with misleading graphs and polling figures claiming that Labour couldn’t win there. Davey and Moran have also adopted some of the popular Corbynite policies, like increased taxes for the rich and Universal Basic Income, that Starmer has dropped like the good, corporatist Blairite he is. There’s therefore a real danger that some Labour voters may go over to the Lib Dems, thus weakening opposition to the Tories even further. Because after the Lib Dems’ betrayal of their supposedly liberal principles to join the Tory government in the coalition, you really can’t expect them to honour their promises one bit.

And some of the centrists in the Labour party are also worried about the fate of the Lib Dems. A few weeks ago, Labour MP Ayesha Hazarika was in the pages of the I arguing that Starmer should work out some kind of partnership or pact to save them. Why? She confessed she liked them, and wanted to create some kind of anti-Brexit opposition bloc. I have no time for Hazarika. She seems to me to emblematic of much that is wrong with the Labour party under Starmer. She comes across as a Blairite, and I think her media prominence is entirely due to the fact that she is a young woman from an ethnic minority. Her parents are Indian Muslims, and according to Wikipedia, she went to Laurel Bank, a private girls’ school in Edinburgh. She’s thus a very privileged ex-private schoolgirl, who really doesn’t have anything to offer the working class. But due to her gender and ethnic background, she represents diversity and liberal values.

In fact, it could be argued that centrist, Labour MPs like Hazarika are a particular liability to the Labour party. The Tory media are currently whipping up White resentment against current affirmative action programmes and the anti-racist political consensus. You only have to look at Alex Belfield’s wretched output on YouTube, in which he posts rant after rant attacking ‘left-wing snowflakes’ and their attacks on Britishness and Whites. Such as attacks on the singing of ‘Rule, Britannia’ and ‘Land of Hope and Glory’ on the Last Night of the Proms, and an announcement by Channel 4 that one day next year will be entirely given over to Black presenters. And one of the other far-right websites on YouTube has put up a video on the ‘Demonisation of the White Working Class’.

UKIP’s core support came from older, White working class voters, who felt left behind by the mainstream parties. Blair and Brown turned the party away from its working-class roots to concentrate on getting the votes of middle class swing voters. They rejected traditional Labour policies and embraced privatisation, the free market and the destruction of the welfare state. But nevertheless they complacently believed that the working class would still support them as they had nowhere else to go. There is clearly a need to increase the representation of women and ethnic minorities in politics and parliament, but the selection of privileged, Blairite MPs like Hazarika threaten to further weaken parts of working class support for the Labour party. Because if working class voters don’t see Labour offering them anything except more poverty, and appearing to favour the BAME community instead, then some of them will respond to the barely coded racism of the Tories.

As for the Lib Dems, they are treacherous and completely unprincipled. They’ve shown that, whatever they may say about being a centre party and pulling the Tories in a more moderate direction when they were in government with them, they actually did anything but. It was Nick Clegg who wanted to raise tuition fees, for example. Cameron was prepared to give in to the Lib Dems, who had pledged not to raise them. Clegg, Cable, and Swinson have all shown that they are simply another neoliberal party of deceit with nothing to offer Britain’s working people except more poverty and despair. Instead of being given a life-line, the party should die.

And it would only be a good thing if the Blairite faction in the Labour party died out with them.

See also: https://voxpoliticalonline.com/2020/08/27/ed-davey-elected-leader-of-the-party-of-mischief/

 

 

 

BBC Chief Says Corporation Could Axe News Programmes

August 22, 2020

Here’s another piece from yesterday’s I, for 21st August 2020. Written by Adam Sherwin, it reports the comments by the Beeb’s Fran Unsworth in an interview with the Torygraph that the corporation could axe the 6 O’clock and 10 O’clock News from its mainstream channels in a decade. The article runs

The BBC’s News At Six and News At Ten could disappear from television screens as the corporation’s coverage shifts to digital, its head of news has said.

Fran Unsworth said that a push to attract younger viewers meant that the BBC’s flagship bulletins could move from broadcast channels to the iPlayer within a decade.

Ms Unsworth said: “Ultimately, in 10 years’ time, we probably won’t be consuming linear bulletins. I might be wrong about that but I doubt it. There might be one (bulletin) a day, but video will just be in a different space… you know, iPlayer, your tablet, your iPhone.

One of the flagship bulletins, whose audiences have doubled during the pandemic, might survive, she told The Daily Telegraph.

Figures released at the start of lockdown showed news programmes’ ratings had risen.

In the week to 28 March, five of the 10 most-watched broadcasts were editions of the BBC News At Six, with the bulletin on 23 March attracting a TV audience of 8.3 million, nearly double its typical rating so far this year. The 10pm programme had reported audiences of six million.

But Ms Unsworth said that while young viewers had discovered the BBC delivered information they could trust during a crisis, the surge in TV news viewing was a temporary phenomenon.

The corporation has announced already that it will axe the Newsround afternoon bulletin, which has run for nearly 50 years.

The BBC is slashing more than 500 jobs from its news division in a bid to make savings of £80m. Reports and interviews will be shared between BBC outlets.

This is going to delight the Tories and the Murdoch empire, who would like to see the Beeb privatised completely. About 70 per cent of news consumed in the UK comes from the Beeb, and obviously Murdoch and his squalid minions would like to see this greatly reduced so that they can move in. And that means extremely biased right-wing news, like Fox in America. Or Sky News Australia, which is so right-wing it can only get further to the right by beginning with an evocation of the Eureka Stockade and calls for the reintroduction of the White Australia policy.

The Beeb is having trouble attracting a young audience. According to the reports I’ve read, they simply aren’t interested in it. And unless the corporation can find ways of attracting them, that means the Corporation won’t have an audience and so consequently, no future.

However, many young people have learned that the Beeb doesn’t produce information they can trust. Not after its constant, vicious smearing of Jeremy Corbyn and its blatant anti-Labour bias. And Scots viewers, I’ve no doubt, will remember how Nick Robinson very carefully edited down SNP leader Alex Salmond’s full answer to a question about the impact Scottish independence would have on Edinburgh’s financial sector. Salmond stated fully that they’d gone into it, and Edinburgh’s banks would remain in the Scots capital after independence. They wouldn’t leave for London. But this didn’t satisfy the Macclesfield Goebbels, and his answer was first cut so that Robinson claimed he hadn’t properly answered it, and then completely edited out so that he finally claimed that Salmond hadn’t answered it all. It was a piece of propaganda worthy of a totalitarian state. I realise that Salmond, despite his acquittal, is still under the shadow of the multiple rape accusations. But this is a different issue, and shows how desperate the Beeb and the British establishment were to discredit him when it came to Scotland leaving the union.

Millions have learned that the Beeb does not produce information they can trust. That’s why they’re turning to alternative news sources, like those on the Net.

I think it would be disastrous if the Beeb did abandon proper news bulletins on its broadcast channels, leaving that space to be filled by Murdoch and the other media magnates. I want it to get better, not to go completely. But through its concerted campaign against the Labour party, the Beeb has successfully alienated the very people, who would have otherwise supported it the most against Tory demands for its privatisation.

And so the Beeb has only itself to blame for the crisis it is now facing, whatever delusions Unsworth might have about winning back young people.

 

 

Radio 4 Programme on Welsh 20th Century Decline

March 11, 2020

This might be of interest to Welsh readers of this blog, particularly as Mike’s a long-time resident of mid-Wales. Next Monday, 16th March 2020, Radio 4 are also broadcasting a programme on how Wales declined during the last century. The programme, Wales: A 20th-Century Tragedy?, is described thus in the blurb on page 131 of the Radio Times:

Simon Jenkins looks at the fortunes of Wales over the past century, asking how it might be possible to restore some glory to its valleys and mountains.

Rather more information is given in the short piece about the programme on the opposite page, 130, by Chris Gardner. This says

Simon Jenkins is passionate about Wales, the land of his father. His 2008 book Wales: Churches, Houses, Castles showcased the beauty and majesty of Welsh architecture, but the author and journalist is now worried for the nation’s future, citing among other factors the rise in the poverty index, while counties just over the border, such as Cheshire, have become richer. Examining Wale’s illustrious cultural, political, industrial and intellectual heritage over the last century, Jenkins uncovers historical reasons for this comparatively recent decline.

I think the major reason for this decline has been decline of the major Welsh industries during the last century – coal mining and iron working. There have been various history programmes on the Beeb that have shown that Swansea and Cardiff were major centres of the copper and iron industries from the 19th century onwards. I think Swansea was the world centre of copper production at one point, so that it was nicknamed ‘Copperopolis’. But this all gradually vanished due to competition from cheaper, foreign products. And this has continued into this century under the Tories, as we saw a few years ago with the proposed closure of one of the last surviving steelworks in the principality.

The country also hasn’t been helped by the fact that we haven’t had a Welsh prime minister, or one whose constituency was in Wales, for a long time. I seem to recall that Cardiff became the great city it is, housing Wales’ national museum, partly because Lloyd George wanted to turn it into a great national centre for Wales, like England and Scotland had London and Edinburgh respectively. The Labour PM, Jim Callaghan, attempted to do something for Wales, from what I recall, by diverting money that was earmarked to go to Bristol’s Portbury Docks to Cardiff. But his tenure of 10 Downing Street ended with Thatcher’s victory in 1979. And the Tories made it very plain that they weren’t going to help ailing industries, so that coal pits, and iron and steelworks up and down Britain were closed. This was partly because she wanted to destroy the coal industry so that a Tory government could no longer be overthrown by the miners, as Ted Heath’s had in the early ’70s.

I don’t know why Cheshire should have become more prosperous, unless it’s connected to the success of Liverpool FC. A friend of mine from that way told me that there’s a district in the county, which has become the country home of rich Liverpudlians, including footballers. Perhaps that’s part of the explanation.

If you want to listen to it, the programme’s on at 8.00 pm in the evening.

 

A Conservative Accusation of Liberal Bias at the Beeb

February 15, 2020

Robin Aitken, Can We Trust the BBC (London: Continuum 2007).

Robin Aitken is a former BBC journalist, and this book published 13 years ago argues that the BBC, rather than being unbiased, is really stuffed full of lefties and the broadcaster and its news and politics programmes have a very strong left-wing, anti-Conservative bias. Under Lord Reith, the BBC upheld certain core British values. Its news was genuinely unbiased, giving equal time to the government and opposition. It also stood for essential institutions and such as the monarchy, the constitution, the British Empire and Christianity at home, and peace through the League of Nations abroad.

This changed radically between 1960 and 1980 as the BBC joined those wishing to attack and demolish the old class-bound institutions. Now the BBC stands for passionate anti-racism, ‘human rights’, internationalism and is suspicious of traditional British national identity and strongly pro-EU. It is also feminist, secular and ‘allergic to established authority whether in the form of the Crown, the courts, the police or the churches.’ This has jeopardised the ideal at the heart of the Corporation, that it should be fair-minded and non-partisan.

Aitken does marshal an array of evidence to support his contention. This includes his own experience working for BBC Scotland, which he claims was very left-wing with a staff and management that bitterly hated Margaret Thatcher and made sure that the dismantlement of the old, nationalised industries like shipbuilding was properly lamented, but did not promote it as ‘creative destruction’ as it should, nor the emergence of the wonderful new information industry north of the border. A later chapter, ‘Testimonies’, consists of quotations from other, anonymous rightists, describing how the Beeb is biased and bewailing their isolated position as the few Conservative voices in the Corporation. He is particularly critical of the former director-general, John Birt. Birt was recruited in the 1990s from ITV. He was a member of the Labour Party, who brought with him many of his colleagues from the commercial channel, who also shared his politics and hatred of the Tories. He goes on to list the leading figures from the Left, who he claims are responsible for this bias. These include Andrew Marr, the former editor of the Independent, and the left-wing, atheist journo and activist, Polly Toynbee.

Aitken also tackles individual topics and cases of biased reporting. This includes how the BBC promoted the Labour Party and the EU before Labour’s landslide victory in the 1997 general election. The Conservatives were presented as deeply split on the issue and largely hostile to EU membership. The EU itself was presented positively, and the Labour Party as being united in favour of membership, even though it was as split as the Tories on the issue. Another chapter argues that the Beeb was wrong in challenging the government’s case for the Iraq Invasion. He claims that in a poll the overwhelming majority of Iraqis supported the invasion. The government did not ‘sex up’ the ‘dodgy dossier’ in order to present a false case for war, and it was wrong for the Beeb to claim that Blair’s government had.

The chapter ‘The Despised Tribes’ argues that there are certain ethnic or religious groups, who were outside the range of sympathy extended to other, more favoured groups. These include White South Africans, the Israeli Likud Party, Serb Nationalists under Milosevic, the Italian Northern League, Le Pen and the Front National in France, the Vlaams Blok in Belgium, American ‘Christian Fundamentalists’, conservative Roman Catholics, UKIP ‘and other groups who have failed to enlist the sympathies of media progressives’. These include the Orange Order and Ulster Protestants. He then claims that the Beeb is biased towards Irish Republicans, who have successfully exploited left-wing British guilt over historic wrongs against the Roman Catholic population. He then goes on to claim that Pat Finucane, a lawyer killed in the Troubles, was no mere ‘human rights’ lawyer but a senior figure in the IRA.

The chapter, ‘The Moral Maze’ is an extensive critique of a Panorama documentary claiming that the Roman Catholic condemnation of premarital sex and contraception was causing needless suffering in the Developing World through the procreation of unwanted children and the spread of AIDs by unprotected sex. This is contradicted by UN evidence, which shows that the African countries with the lowest incidence of AIDS are those with the highest Catholic populations. The Catholic doctrine of abstinence, he argues, works because reliance on condoms gives the mistaken impression that they offer total protection against disease and pregnancy, and only encourages sexual activity. Condoms cannot offer complete protection, and are only effective in preventing 85 per cent of pregnancies. The programme was deliberately biased against the Roman Catholic church and the papacy because it was made from the viewpoint of various groups with an explicit bias against the Church and its teaching on sexuality.

Aitken’s evidence is impressive, and I do accept part of his argument. I believe that the Beeb is indeed in favour of feminism, multiculturalism and human rights. I also believe that, the few remaining examples of the Beeb’s religious programming notwithstanding, the Corporation is largely hostile to Christianity in ways that would be unthinkable if applied to other religions, such as Islam. However, I don’t believe that the promotion of anti-racism and anti-sexism is wrong. And groups like the Northern League, Front National and other extreme right-wing political and religious groups, including UKIP, really are unacceptable because of their racism and should not be given a sympathetic platform. Their exclusion from the range of acceptable political and religious views is no bad thing.

But the book also ignores the copious documentation from the various media study units at Cardiff, Glasgow and Edinburgh universities of massive BBC Conservative bias. Jacky Davis and Raymond Tallis have a chapter in their book on the gradual, slo-mo privatisation of the NHS, NHS – SOS, on the way the media has promoted the Tories’ and New Labour’s project of selling off the health service. And this includes the Beeb.  The Corporation was hostile to Labour after Thatcher’s victory, promoting the SDP splinter group against the parent party in the 1983 election, as well as the Tories. This pro-Tory bias returned with a vengeance after the 2010 Tory victory and the establishment of austerity. Barry and Savile Kushner show in their book, Who Needs the Cuts, how the Beeb excludes or shouts down anyone who dares to question the need for cuts to welfare spending. Tories, economists and financiers are also favoured as guests on news shows. They are twice as likely to appear to comment on the news as Labour politicians and trade unionists.

And we have seen how the Beeb has pushed the anti-Labour agenda particularly vigorously over the past five years, as it sought to smear Jeremy Corbyn and the Labour Party as institutionally anti-Semitic at every opportunity. Quite apart from less sensational sneering and bias. The guests on Question Time have, for example, been packed with Tories and Kippers, to whom presenter Fiona Bruce has shown particular favour. This has got worse under Johnson, with the Beeb now making it official policy not to have equal representation of the supporters of the various political parties in the programme’s audience. Instead, the majority of the audience will consist of supporters of the party that holds power in that country. Which means that in England they will be stuffed with Tories. Numerous members of the BBC news teams are or were members of the Tory party, like Nick Robinson, and a number have left to pursue careers at No 10 helping Cameron, Tweezer and Boris.

The evidence of contemporary bias in favour of the Tories today is massive and overwhelming.

With the exception of particular issues, such as multiculturalism, feminism, a critical and sometimes hostile attitude towards the monarchy, and atheism/ secularism, the BBC is, and always has been, strongly pro-Tory. The Birt era represents only a brief interval between these periods of Tory bias, and I believe it is questionable how left-wing Birt was. Aitken admits that while he certainly was no Tory, he was in favour of free market economics.

This book is therefore very dated, and overtaken by the Beeb’s massive return to the Right.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ian Hislop Tackles Fake News with Reassurances about Lamestream Media

October 8, 2019

I watched Ian Hislop’s Fake News: A True Story last night. I blogged about it a few days ago after reading the blurbs for it in the Radio Times. It seemed to me that part of the reason for the programme’s production was the Beeb, and by extension, the mainstream media as a whole, trying to reassure the public that they were truthful and reliable by tackling what is a genuine problem. I don’t think I was wrong. Hislop is a good presenter, and the programme was well-done, with eye-catching graphics. As you might expect from Hislop’s previous programmes on British heroes and the the British education system, it was strong on history. He pointed out that while Donald Trump used it to described factual news that he didn’t like, because it criticised him, the term actually predated Trump all the way back into the 19th century. He illustrated this with quotes and contemporary cartoons. But it was also a very much an establishment view. The last piece of fake news created by the British state it mentioned was a story concocted during the First World War that the Germans were boiling down human bodies for their fat and other chemicals. It presented the main threat to truthful reporting as coming from the internet, specifically software that allows the mapping of a public figure’s face onto the body of another to create fake footage of them, Alex Jones and Infowars, and, of course, the Russians and their adverts and propaganda for the American election. We were assured that the British state no longer interfered in the politics of other countries. A former BBC official, now running the New York Times, appeared to talk to Hislop about how papers like his now spend their time diligently fact checking stories. He also talked to the MP, who called for an inquiry into fake news in parliament. All very reassuring, and very misleading.

The New York Sun Moon Hoax and the Spanish-American War

The programme began with the 1836 Moon hoax story run by the New York Sun. The Sun was one of the first tabloid newspapers, aimed at a working class audience with the low price of only a cent, a price a sixth that of its competitors. It published a series of articles claiming that an obscure British astronomer had discovered man-bats, unicorns and bison on the Moon. The story ran for six days until it was exposed as a hoax by a rival newspaper. The next item in this list of journalistic infamy was about the attempts by Pulitzer and William Randolph Hearst to start a war with Spain in support of Cuban rebels at the end of the 19th century. There wasn’t much fighting going on, and there weren’t any available reports of Spanish atrocities to inflame the patriotic, moral sentiments of the American public. So they made them up. The papers first claimed that a young American woman had been brutally strip-searched by suspicious Spanish male officials. Well, not quite. She had been searched, but privately by a respectable older Spanish woman. When that didn’t work, they seized on an explosion that destroyed an American ship in harbour. In all likelihood, the ship was destroyed by an accident. The papers claimed, however, that it had been destroyed by the Spanish, while issuing a small caveat stating that the cause had yet to be determined. And so the papers got the war they wanted.

The programme then moved on to the American Civil War, and the exploits of one of the world’s first photojournalists. This gentleman used photography to bring home with hitherto unknown realism the horrors of that conflict. But he was not above faking some of the photographs. One of these was of a young Confederate soldier lying dead in a trench. In fact, the photographer had dragged the corpse into the trench from elsewhere, move the head so that it faced the camera to make it even more poignant, and added a rifle that the photographer himself always carried. This little episode was then followed by the story of William Mumler and his faked spirit photographs. Mumler ended up being prosecuted for fraud by one of the papers. However, while the judge sympathised with the papers, the prosecution hadn’t proved how he had faked it. They merely showed he could have done it in nine different ways. And so the case was dismissed, Mumler went back to faking his photos for a satisfied, grieving clientele, one of whom was the widow of Abraham Lincoln.

Deepfake and the Falsification on Online Images

This brought Hislop on to the Deepfake software, used by pornographers for adding the features of respectable actors and actresses onto porn stars. This was used to map Hislop’s own features onto the mug of a dancer, so that he could be shown doing the high kicks and athletic moves. He also interviewed a man, who had used it to parody Barack Obama. Obama’s face was mapped onto a Black actor, who mimicked the former president’s voice. This produced fake footage in which Obama said, with statesman like grace and precision, that Donald Trump was a complete dipsh*t. He also interviewed another young man, who was producing fake stories on the internet, which were nevertheless clearly labeled satire, intended to rile the Alt-Right by feeding their hate and paranoia. Hislop asked him if he wasn’t actually encouraging them. The man stated that he wasn’t converting anyone to the Alt-Right. They were already angry, and stupid if they didn’t read the statements that what they were reacting to was fake. He was just showing up their stupidity.

The Protocols of the Elders of Zion

The programme then moved on to the noxious Tsarist forgery, the Protocols of the Elders of Zion, which is one of the main sources for the bogus conspiracy theories about the Jews running everything. He pointed out that it was first run in Russian newspaper, which blamed them for introducing capitalism and democracy into Russia. Then in 1917, they were updated to claim that the Jews once again were responsible for the Bolshevik Revolution. Hislop said very clearly, waving a copy of the infamous book he’d managed to get hold of, that it was long and contradictory. It had also been disproved as long ago as the 1920s, when the Times in a series of articles showed that it was based on an 18th century novel that had nothing to do with Jews. This showed how the press could correct fake news. He himself said that, whereas when he started out as journalist, he spent move of his time trying to get new stories, now he spent most of his time checking them. Despite its falsehood, the Protocols were seized on by Goebbels, who insisted that it was spiritually true, if not literally, and had it taught in German schools. This was a different approach to Hitler, who had argued in Mein Kampf that it’s very suppression by the authorities showed that it was true. Nevertheless, the wretched book was still available all over the world, illustrating this with Arabic versions on sale in Cairo bookshop.

Infowars and Pizzagate

The programme also showed a contemporary conspiracy theory. This was the tale spun by Alex Jones on Infowars that the Comet pizza parlour was supplying children to be abused and sacrificed by the evil Democrats. Talking to the parlour’s owner, Hislop heard from the man himself how he and his business still suffer horrendous abuse because of this fake story. But it got worse. One day a few years ago a young man, incensed by what he had heard online, came into the story with a high-powered rifle, wishing to free the children. The conspiracy theory about the place claimed that there was a basement and tunnels running to the White House. The proprietor tried explaining to the man that there was no basement and no tunnels. The gunman went through the building until he found a locked door. He fired a few rounds into it, destroying the store’s computer. Hislop found this ironic, considering computers were the medium that spread it in the first place. The man then lay his gun down, put his arms up and let himself be arrested. It was a peaceful end to a situation which could have resulted in many people dead. But even this horrible incident hadn’t silenced the conspiracy theorists. They still believed that the stories were true, and that the incident had been faked with an actor as a false flag.

Russian Interference

The programme then went on to talk about Russian interference in American politics, and how they had set up a bot army to spread adverts aimed at influencing the result of the American election. RT was deeply involved in this, as the Russian state-owned news service was defending the country and its leader, Putin, from allegations that this had been done. It had also spread lies denying that Russia was responsible for the Skripal poisoning.

British Propaganda and the First World War

Had the British state done anything similar? Yes, in 1917. This was when the War Office, tired of the First World War dragging on, had seized on the news that the Germans were boiling down animal carcasses for their fat, and elaborated it, changing the corpses into human. Some might say, Hislop opined, that this was justified, especially as the German had committed real atrocities. But if we told lies like that, that meant we were no better than they. Stafford Cripps, who served in Churchill’s cabinet during the War, said that if winning it meant using such tactics, he’d rather lose. The fake story about human carcasses also had an unforeseen, and deeply unpleasant aftereffect. Following the realisation that it was fake, the first news of what the Nazis were doing in the concentration camps was also initially disbelieved. We don’t do things like that now, he said. And in a side-swipe at the ‘Dodgy Dossier’ and Saddam Hussein, he said, that no-one would believe stories about a mad dictator possessing weapons of mass destruction.

The Message: Trust the Mainstream Media

Hislop and his interlocutors, like the MP, who’d called for an inquiry into fake news, agreed that it was a real problem, especially as over half of people now got their news from online media. But the problem wasn’t to regard it all with cynicism. That is what the retailers of fake news, like Putin and RT want you to do. They want people to think that it is all lies. No, concluded Hislop, you should treat online information with the same scepticism that should apply to the mainstream media. Because there was such a thing as objective truth.

The Mainstream Media and Its Lies: What the Programme Didn’t Say

Which is absolutely right. There is an awful lot of fake news online. There’s also an awful lot of fake news being retailed, without any objection or scepticism by the lamestream media. And the only people tackling this fake news are the online blogs, vlogs and news sites. I’ve mentioned often before the anti-Semitism smears against Jackie Walker, Marc Wadsworth, Ken Livingstone, Mike, Martin Odoni, Tony Greenstein, Chris Williamson, and too many others. It’s all fake news, but there is not a word against it in the lamestream press, including the Eye. I’ve also mentioned how the British state during the Cold War had its own disinformation department pushing fake news, the IRD. This also turned to smearing the domestic, democratic Left in the shape of the Labour party and CND by claiming that they had connections to the Communist bloc. And in the case of Labour, that they supported the IRA. This is documented fact. Is it mentioned by the Beeb and the rest of the lamestream media? Don’t be daft! Is it still going on today? Yes, definitely – in the shape of the Democracy Institute and the Institute for Statecraft, which have connections to British intelligence and the cyberwarfare section of the SAS. And they are smearing Corbyn as too close to Putin, along with other European dignitaries, officials and high ranking soldiers. And we might not seek to overthrow government, but the Americans certainly do. The CIA has a long history of this, now given over to the National Endowment for Democracy, which kindly arranged the 2012 Maidan Revolution in Kiev, which threw out the pro-Russian president and installed a pro-Russian one. As for the New York Times, the editors of Counterpunch showed in their book on official propaganda in the American media, End Times: The Death of the Fourth Estate, how the Grey Lady ran a series of articles of fake news to support George Dubya’s invasion of Iraq. The Beeb has also done its fair share of broadcasting fake news. It’s supported the bogus allegations of anti-Semitism against Corbyn and his supporters. It altered the footage of the fighting between police and miners at the Orgreave colliery during the miners’ strike to show falsely the miners attacking the police. In reality, it was the other way round. And then there was the way they edited Alex Salmond in a press conference during the Scottish Referendum. The Macclesfield Goebbels, Nick Robinson, had asked Salmond a question about whether the Edinburgh banking and big financial houses would move south if Scotland gained its independence. Salmond replied with a full answer, explaining that they wouldn’t. This was too much for the Beeb, which edited the footage, subsequently claiming that Salmond hadn’t answered fully, and then denying that he had answered the question at all. It was fake news, courtesy of the Beeb.

Mike and the Sunday Times’ Smears

None of this was mentioned, unsurprisingly. The result is a cosy, reassuring view of the mainstream media. Yes, fake news is out there, but it’s being done by internet loons and nasty foreigners like the Russians. But never fear, all is well. The mainstream media can be trusted to check the facts, and give you the truth. Except that they don’t check the facts, or when they do, immediately ignore them. As Gabriel Pogrund and the editor of the Sunday Times did when they wrote their nasty hit piece on Mike. Pogrund rang Mike up, Mike explained very clearly that he certainly was no kind of Jew-hater and certainly did not deny the Holocaust. Pogrund and his editor ignored that, and published their piece anyway. Complaints to IPSO then followed. Mike won, but some people still continue to believe the lies.

You can’t trust the lamestream media. Instead, I thoroughly recommend you go for corrections and alternative views to the left-wing blogs, vlogs and news sites like Mike’s, Vox Political, Another Angry Voice, Zelo Street, the Skwawkbox, Gordon Dimmack and the American sites, Sam Seder’s Majority Report, The Michael Brooks’ Show, the David Pakman Show, Democracy Now! and the work of Abbie Martin attacking the American Empire and Israeli apartheid and ethnic cleansing. Those sites provide an important corrective to the lies and falsehood being daily fed to us by the lamestream media. Including the Beeb.

 

 

Biased Fiona Bruce Reassures Tory Chairman Brandon Lewis on Question Time

September 20, 2019

Can the Beeb’s political bias get any more blatant? This is a piece of news that Mike covered on his blog last Friday, and it’s important. I’m afraid it’s taken me a week to cover it myself here, because I’m afraid I’ve been unavoidably busy. But this does need further scrutiny, as it’s part of a mountain of evidence showing just how blatant the Beeb is in its outright bias towards the Tories. On last Thursday’s edition of Question Time, host Fiona Bruce asked Tory chairman Brandon Lewis a question he couldn’t answer. After Lewis struggled to say something, Bruce decided to reassure him by saying that she was ‘only teasing’.

https://voxpoliticalonline.com/2019/09/13/more-question-time-bias-as-fiona-bruce-pats-brandon-lewis-im-just-teasing-you/

As Mike asked in his article, how is that impartial? It contrasts very strongly with the way the show and Bruce herself treats left-wing guests. Bruce gaslit Diane Abbott when she appeared on the show, telling her that she was wrong even when she was perfectly right. She allows right-wing guests time to answer while cutting left-wing panellists short when they give a reply she doesn’t like. The producers also suddenly sprang right-wing mouthpiece Isobel Oakeshott on Carole Cadwalladr when the Guardian journo was due to appear on the show in order to embarrass her. And in a glaring show of massive journalistic cowardice, QT’s producers pulled out of appearing with Cadwalladr at an event at the Edinburgh Television Festival. Despite having agreed to appear with her, they suddenly found that unavoidable events meant they couldn’t.

The Sage of Crewe over at Zelo Street has also pointed out how the Beeb regularly packs the panel and audience with people from Conservative and right-wing organisations to the exclusion of the left. All while claiming impartiality, of course.

And then there’s the massive bias on the mainstream news programmes. This was shown yesterday by Laura Kuenssberg revealing that Omar Salem, who had criticised BoJob to his face for his destruction of the NHS, was a Labour activist and gave his twitter handle. Salem was the father of an ill seven-day old child being treated at the hospital the Comedy Prime Minister was visiting. He was supported in his comments by a doctor at the hospital, who was appalled at the low standards of patient care due to government policies. But Kuenssberg’s action had the effect her Tory masters were no doubt hoping for: Salem was deluged with abuse by right-wing trolls. Kuenssberg has rightly been criticised for this, and defended on ITV by the odious Piers Morgan in a demonstration of the kind of boorishness and plain bias that has made him notorious.

Kuenssberg the troll: She started a Twitter dogpile on the father of a sick child

https://zelo-street.blogspot.com/2019/09/piers-morgan-attacks-father-of-sick.html

Kuenssberg, like her mate John Pienaar and the rest of the BBC news team, has hardly wasted any opportunity that has come her way to attack the Labour party. She has vociferously and aggressively promoted the anti-Semitism smears, as has a recent Panorama special. And there have been any number of the news team, who have left the Beeb to take up residence as Tory spin doctors. And several them have come to the Beeb from the ranks of the Tory party. Like the Manchester Goebbels, Nick Robinson, who was head of his branch of the Young Conservatives or whatever.

It looks to me very strongly like there are only two questions that mean anything in any application to the Beeb’s news service.

  1.  Did you go to public school?
  2. Are you a member of the Tory party?

If you answer ‘yes’ to both questions, you’re in.

Dictator Johnson Unites Country Against Him

September 2, 2019

On Wednesday there were demonstrations against BoJob’s proroguing of parliament the same day as he, or rather, the West Country’s answer to the Slender Man, Jacob Rees-Mogg, persuaded the Queen to sign his wretched order. Even more followed on Saturday, with people marching up and down the country holding banners and placards, making it very clear what Johnson is: a dictator.

Jeremy Corbyn spoke to protesters in Glasgow denouncing BoJob’s decision. The Labour leader also issued a tweet thanking everyone who had taken to the streets both their and across the country, and pledging the Labour party to oppose BoJob’s attack on British democracy and stop a no-deal Brexit.

In London, demonstrators marched on Buckingham palace to make their feelings very known about the Queen’s decision to give in to his demand to assume authoritarian rule. The were also demonstrations in Hereford, Staffordshire, Nottingham, Oxford, King’s Lynn, where the local radio station for West Norfolk, KLFM 967 came down to cover the demo; and in Trafalgar Square in London.

Please see Mike’s blog for the images peeps posted on Twitter of these demonstrations: https://voxpoliticalonline.com/2019/08/31/britons-take-to-the-streets-across-the-country-to-stopthecoup/

One of the most sharply observed was the banner at the beginning of Mike’s article, showing BoJob wearing a swastika armband and Nazi officer’s cap, flanked either side by the evil clown from Stephen King’s It, with balloons above them showing his and Rees-Mogg’s heads. This bore the slogan ‘Before 1933 People Thought Hitler Was A Clown Too…’. Yes, they did. One of the characters in Bernardo Bertolucci’s cinematic classic, The Conformist, makes that exact same point. The film’s about a man, who becomes a Fascist assassin after believing he has shot and killed the paedophile, who had attempted to assault him. In one scene, one of the characters reminisces how, when he was in Germany in the 1920s, there was a man, who used to go round the beer halls making speeches and ranting. ‘We all used to laugh at him’, the character recalls, and adds that they used to throw beer glasses at him. He then sombrely concludes ‘That man was Adolf Hitler’. And before he came to power, some Germans used to go to his rallies just for the fun of seeing who he would abuse next. Presumably this was in the same manner that people used to tune in to the genuine comedy character, Alf Garnett, although Garnett was very definitely a satirical attack on racism and the bigotry of working class Conservatism. Another banner made the same comparison with the Nazi machtergreifung: ‘Wake Up, UK! Or Welcome to Germany 1933′. Again, this is another, acute pertinent comparison. Everything Hitler did was constitutional, as was Mussolini’s earlier coup in Italy. Democracy collapsed in those countries because of its weakness, not because of the Fascists’ strength. And they were helped into power by right-wing elites in the political establishment, who believed that including them in a coalition would help them break a parliamentary deadlock and smash the left.

Zelo Street also covered the demonstrations against Johnson’s attempt to become generalissimo. The Sage of Crewe noted that not only were people marching in London, and large provincial cities like Leeds, Sheffield, Nottingham, Bristol, Manchester, Birmingham, Liverpool, Newcastle, Glasgow, Edinburgh, and Brighton, but they were also occurring in middle ranking towns like Shrewsbury, Bournemouth, Cirencester, Lichfield, Stroud, Colwyn Bay, Clitheroe, Oxford, Swindon, Middlesborough, Exeter, Southampton, Derby, Weston-super-Mare, Falmouth, Bangor, York, Poole, Leamington Spa. Cheltenham Spa, Chester and others. ‘Places that do not usually do protests’. And the protesters are not, whatever BoJob’s focus groups say, going to vote for him.

https://zelo-street.blogspot.com/2019/08/stop-coup-people-speak.html

I doubt that the demonstrations will personally have much effect on Johnson himself. He’s a typical Tory, and so has absolutely nothing but contempt for popular protest. However, the march on Buckingham Palace may have made an impression on the genuine guardians of the British constitution. The monarchy is supposed to be one of Britain’s central institutions, like parliament. Prime ministers come and go, but the monarchy is a central pillar of the British constitution. And its guardians in the British establishment may not take kindly to Johnson dragging the Queen down with him. There may also be some hope in that it was popular demonstrations and dissatisfaction with an unjust policy – the poll tax – that culminated in the removal of Thatcher. I hope it isn’t long before BoJob goes the same way.

 

 

 

Historic British Space Rocket Rescued to Go on Display in Scotland

January 22, 2019

Yesterday’s I for Monday, 21st January 2019, carried a very interesting bit of news for fans of the British space programme. The article, ‘UK rocket to go on show 50 years after Australian crash landing’ by Conor Riordan, reported that the Black Arrow satellite launcher has been retrieved from the Ozzie outback, and is due come back to Britain to be put on show in Penicuik in Scotland. The article ran

The UK’s only rocket to successfully blast a satellite into orbit is to go on show nearly 50 years after its crash landing in the South Australian outback.

Black Arrow, which lifted off on 28 October 1971 from a launch site 280 miles north-west of Adelaide, has been returned home after decades of exposure to vandalism and the elements. It has been transported by Skryrora, a space technology firm, and will be unveiled in Penicuik, Midlothian, later this month.

The Prospero satellite that Black Arrow propelled into orbit, was sent up to study the effects of space environment on satellites.

Daniel Smith, director at Skyrora, said: “This is quite feasibly the most important artefact linked to the UK’s space history.
“While our engineers have been working on our own launches, our Stem ambassadors have been arranging all of this in the background.

“We’ll be unveiling it in Penicuik later this month, not far from our headquarters and workshop in Edinburgh. With the UK Government aiming to make us a launch nation again, it seemed like the perfect time to bring Black Arrow back. We really hope the rocket will help to inspire current and future generations of scientists and engineers.”

The UK Space Agency has previously announced 2.5m pounds of funding for a proposed vertical launch spaceport in Sutherland.

Developed and tested on the Isle of Wight, the Black Arrow programme completed four rockets between 1969 and 1971. The third flight was the first and only successful UK-led orbital launch, but the programme was then cancelled. This is said to have given the rocket cult status.

Skyrora has also commissioned a plaque to be placed where Black Arrow had lain.

Dr Graham Turnock, chief executive of the UK Space Agency, said: “Black Arrow is testament to Britain’s longstanding heritage in the space sector which continues to thrive today.” (p. 13).

The video below is a short video of just under two minutes from James Bignell’s YouTube channel showing a montage of all the Black Arrow launches.

It’s great that Britain is finally going to launch rockets again after nearly half a century, and that this superb piece of British space engineering is coming back to Blighty to inspire a new generation of space cadets.