Okay, the conspiracy theory about Coronavirus being spread by 5G mobile phone masts has reached a new level of Batshit craziness. Zelo Street today has put up a piece debunking the latest wrinkle, which is that the conspiracy is shown on the £20 note. This shows a mobile phone mast, and a schematic of something that looks like the virus, according to the people, who believe this bilge.
But it doesn’t. According to a piece in the Express on Friday, what looks like a phone mast is actually no such thing. It’s a picture of Margate lighthouse, which was a favourite location for the great Victorian painter, Turner. And the putative virus schematic is actually a diagram of Tate Britain’s staircase. Because the £20 note is in honour of Turner, and Tate Britain has got his portrait in it. The Depress is a terrible newspaper, but this time they’ve done something right, especially as, according to the Groan, 20 phone masts have now been set alight. Some of them aren’t even 5G, but 3G or 4G.
This type of rumour – that signs of the conspiracy are in hidden in plain sight, on dollar bills or company logos – has been running around since at least the ’60s. One of the most famous examples is Proctor & Gamble’s logo. This used to show a bearded old man’s head, and thirteen stars. This was alleged to be proof that the company was run by Satanists. Curls in the old man’s hair were supposed to form 666, the number of the Great Beast of the end times, while the thirteen stars represented the 13 members of a witches’ coven. It was all rubbish. Proctor & Gamble’s an American company, and the 13 stars were supposed to represent the 13 founding states of the USA. The old man did not represent Satan, and it really was just happenstance the way those curls fell. The logo’s since been redesigned, so that the curls have been straightened out so nobody can mistake them for a Biblical prophecy that partly refers to the emperor Nero. The company has been accused of Satanic connections so many times, however, that they have made it very clear that they take an extremely proactive stance to anyone making the claim. This means that the moment someone puts together a flyer, pamphlet or otherwise disseminates the myth, the company goes after them with a suit.
Another example is Marlboro cigarettes. There was a rumour that the company head, Philip Marlboro, was a member of the KKK, and that the company’s connection to the Klan was covertly shown on the cigarettes’ packaging. Looked at the right way, the faces of the packet showed a ‘K’ in red, black and gold. This was supposed to show that the company was part of the Klan against Reds – Socialists and Communists – Blacks, and Golds – the Jews. It’s another myth, though Marlboro won’t say one way or another if it’s true, which is probably a mark of corporate disdain. As a tobacco company, Marlboro’s evil enough without having to include the Klan.
The rumours going around about the £20 note just seem to me to be another example of people finding spurious patterns and meaning where there isn’t any. Now there really are covert conspiracies out there, and sometimes the rumours of secret symbolism are actually true. The city of Bath was planned and laid out in the early 18th century by a freemason, and so the Royal Crescent there really is a lunar symbol, according to masonic symbolism. But that’s far from saying that Bath is run by any kind of Masonic conspiracy now, although I don’t doubt that it has its lodges. That type of secret society and its symbolism exists.
But the myth about the Coronavirus and 5G phone masts is just a myth. Treat it as such.
According to next week’s Radio Times, Radio 4 next Saturday, 28th March 2020, is broadcasting an adaptation of Jules Verne’s ‘The Mysterious Island’ at 3.00 pm. The blurb for it runs
‘Drama: To the Ends of the Earth: the Mysterious Island
Three very different people escape the American Civil War by stealing a balloon – which crashes near a deserted island. But perhaps it is not quite as deserted as they think. Gregory Evan’s dramatisation of Jules Verne’s sequel to 20,000 Leagues Under the Sea.’
What struck me about this is that Captain Nemo is played by an Asian actor, Sagar Arya. There’s a bitter controversy at the moment over ‘forced diversity’, the term used for writers, directors and producers altering the gender and race of established characters in order to make traditional, or long-established stories, plays, films or TV series more multicultural, feminist or otherwise inclusive. It might be thought that this is another example, but it would be wrong.
In an interview with Alan Moore I found on YouTube a few months ago, the comics legend behind Watchmen, V for Vendetta and a series of other strips and graphic novels, explained why he made Nemo an Indian prince in The League of Extraordinary Gentleman. The comic, which was made into a film a little while ago starring Sean Connery, imagines a kind of late 19th – early 20th century superhero group formed by Alan Quartermain, the Invisible Man, Dorian Grey, Dr. Jekyll and his alter ego, Mr Hyde, and Captain Nemo. The group travels on their adventures in Nemo’s ship, the Nautilus. The strip was drawn by 2000 AD art robot, Kevin O’Neill, whose art back in the 1980s for an edition of the Green Lantern Corps was judged too horrific for children by the late, unlamented Comics Code. So far, however, I have heard of no-one being left psychologically scarred by his art on The League. Moore stated that he made Nemo Indian, with O’Neill’s art consequently showing the Nautilus’ interior decorated with Indian art and architectural motifs, because that is exactly how Verne described him in The Mysterious Island. He wasn’t at all like James Mason in the Disney movie.
Now I dare say that the Beeb may very well have chosen to adapt The Mysterious Island for radio in order to give this favourite Science Fiction character a new, multicultural twist. But it is faithful to Verne’s original conception of the character. It’ll be interesting to hear what it’s like.
Here’s the video from the AlanMooreVids channel on YouTube, in which Moore talks about the strip. It’s a segment from the BBC 4 series on comics, Comics Britannia. The video shows O’Neill’s art, and the artist himself working. Moore praises his collaborator on the strip, saying that he take the most disturbing of his ideas and make them two or three times more upsetting. But he admires his skill for the grotesque, which in Moore’s view places him up there with the caricaturists Gilray and Hogarth. It’s high praise, but I think Moore’s actually right. If O’Neill had become a caricaturist instead of a comics artist, I think he would be admired as the equal of such greats as Gerald Scarfe and Ralph Steadman.
Here’s something that I hope will cheer you all up, or at least the SF fans among you. It’s another of my cartoons, though this time it’s not satire, but a mock movie poster for one of my favourite SF novels, The Stainless Steel Rat by Harry Harrison. Harrison was a serious SF writer. One of his novels was Make Room, Make Room!, which was filmed in the 1970s as the dystopian thriller Soylent Green with Charlton Heston. However, he’s probably best known for his series of humorous SF novels, beginning with the Stainless Steel Rat, about the galactic archcriminal, Slippery Jim DiGriz. They’re set in the far future, when humanity has spread across the Galaxy, and living conditions, society and psychology/ social services have all advanced so that crime is all but unknown. All but. Slippery Jim, the ‘Stainless Steel Rat’ of the title, is a career criminal who does it simply for the joy of outwitting the authorities. The interstellar police, however, eventually catch up with him, and he’s forcibly recruited into their ranks. And he’s shocked to find that they’re all former criminals. His boss, Inskip, was a notorious thief who robbed a spaceliner in mid-flight. It’s done on the principle of ‘set a thief to catch a thief’. And his first assignment is to capture a stunningly beautiful woman, who’s murdering her way across space. Spoilers: he finally catches her, she’s given psychiatric treatment to rehabilitate her, she’s also recruited by the space rozzers. Di Griz marries her, and the two then become a team, whose adventures are then told in the succeeding books as they, and their sons with them, travel across the universe solving crimes, overthrowing dictators and stopping wars with alien races.
I was wondering who I’d cast as the heroes, and have as director and the scriptwriter adapting it for cinema. The text on the cartoon shows who I decided upon. It reads
A Terry Gilliam film. From the book by Harry Harrison. Adapted by Douglas Adams.
Jacqueline Pearce David Tennant Don Warrington.
It’s definitely fantasy, because Adams and Pearce have sadly passed away, as has Harrison himself. Tennant would be the Stainless Steel Rat, Pearce, who you will remember was Servalan in the epic Blake’s 7, would be the murderess, Angelina, and Don Warrington would be the police chief, Inskip. Yes, I am thinking of his character in Death in Paradise, so it would be a bit of type casting. But he has done humorous SF before. He appeared in an episode of Red Dwarf in the ’90s as one of the members of a spaceship crew of Holograms, all of whom had massive intellects and egos to match. His character appeared on board Red Dwarf and promptly started making sneering remarks about Kryten and Lister. Kryten was described as nearly burnt out, while he described Lister as some kind of subhuman creature, that could in time perhaps be taught some tricks. Until Lister parodied him with a mock report of his own, in which he informed him that he had a sturdy holowhip in the ship’s armoury and was going to use it on his backside pronto if he didn’t leave. At which point Warrington’s arrogant spaceman vanished. And with a threat like that hanging over him, who could blame him?
Here’s the cartoon. I hope you like it and it give you a chuckle in these grim times and keep your chin up! The Coronavirus won’t last forever.
As we know, embarrassing the Tories is good and righteous work. So Carl Benjamin, aka Sargon of Akkad, the man who broke UKIP, deserves especial congratulations for making the Tories uncomfortable over the whole question of free speech. He didn’t do it intentionally. It’s just that they found the similarities between Toby Young’s Free Speech Union and a rival right-wing organisation founded by Sargon and the islamophobic thug Tommy Robinson far too close for comfort.
Last month the Spectator’s vile Toby Young announced that he was founding the Free Speech Union along with a load of other rightists. This was going to defend those expressing controversial opinions from being silenced and kicked out of their jobs. The Heil on Sunday quoted Tobes as saying
“People who become the target of ‘Twitter storms’ after making controversial remarks will be defended by a new body called the Free Speech Union. The organisation will ‘stand up for the rights of its members to tell the truth in all circumstances’. The union has been set up by the journalist Toby Young in response to police investigations into a string of ‘non-crime hate incidents’ triggered by outspoken comments”.
“If someone at work writes to your boss to complain about something you’ve said, we’ll write to them, too, and explain the importance of intellectual tolerance and viewpoint diversity. If self-righteous social-media bullies pick on you, we’ll return the fire. If someone launches an online petition calling for you to be sacked, we’ll launch a counter-petition. The enemies of free speech hunt in packs; its defenders must band together too.”
The organisation has a Latin motto, which runs something like ‘Audi altri partem’, which I think means ‘Hear the other side.’
However, it’s not a union, but an incorporated, whose five directors are all spokesmen for the right. They include Young himself, Prof Nigel Biggar, who defends colonialism, Douglas Murray, who has islamophobic opinions, and Radomir Tylecote, who was suspended from the Treasury for writing a book against the EU. And their record of defending their opponents’ right to express their opinions is actually very poor. Zelo Street in their article about the wretched union quoted Paul Bernal, who tweeted
“As Toby Young should know, your commitment to free speech isn’t shown by how well you defend those whose speech you agree with, but how you defend those whose speech you don’t. When his ‘free speech union’ talks about the excesses of the Prevent programme, then see”.
The Street himself commented that it was just free speech for the right, and a way for Tobes and co. to complain about how unfair the world is.
Unfortunately for Tobes’ outfit, Sargon and Tommy Robinson, the founder and former leader of the EDL, have launched their own right-wing free speech organisation, the Hearts of Oak Alliance. And the similarities between the two concerned Tory feminist academic Zoe Strimpel to write a piece for the Torygraph on the first of this month, March 2020, complaining about this fact. Strimpel’s a Cambridge graduate with an M. Phil in gender studies. She’s the author of a series of book on men’s psychology, feminism, dating and romance. She began her article with the statement that her circle of friends has taken on a left-wing hue. It includes many Labour supporters, against whom she has to defend capitalism and Zionism. Well, at least she said ‘Zionism’, rather than accuse them once again of anti-Semitism. She’s upset by them chuckling off her fears about the erosion of free speech and thought, which, she claims, is under attack by a visible machinery of censorship in offices, the cops, universities, arts and online. She cites approvingly a report by the right-wing think tank Policy Exchange, which advised universities to guard against being the voice of critics of those, who despise the supporter of the traditional values of patriotism, family, faith and local traditions. They have to be willing to represent and not sneer at those, who feel justifiable pride in British history, culture and traditions.
However, she was worried whether it was possible to defend free speech, without sullying the cause with too many real thugs, who wanted to get as close as possible to inciting actual violence under the guise of expressing their democratic rights. Was it possible to challenge the climate of intimidation, snide snitching, and mendacious and manipulative accusations of hate-mongering, racism and making people feel ‘unsafe’, without being a magnet for the alt-right? She agreed to become a member of the advisory board, but has her reservations. She’s uncomfortable about Sargon’s and Robinson’s organisations, because of Sargon’s own anti-feminist, misogynistic views. Sargon was, she declared, far right, a thug, who called feminism ‘a first world female supremacy movement’, and ‘all kinds of blokeish’. He’s also the man responsible for sending that Tweet to Labour MP Jess Philips, telling her that he ‘wouldn’t even rape her’.
She concluded her article by stating that the aims of Tobes’ outfit were perfectly legitimate and free speech is under threat. But it was ‘just a shame that in defending those who ought to speak freely, one has to defend those, who – in an ideal world – wouldn’t have anything to say.’
Sargon was naturally upset at this assault on his character. He therefore posted a piece up on his YouTube channel, Akkad Daily, on the 2nd of March defending himself from her attack. He didn’t deny he was anti-feminist, and defended his own comments on this. But he roundly denied being a thug and far right. He was, he repeated, a Lockean classical liberal, and believed in precisely the same values as those Policy Exchange’s report claimed were under attack.
Sargon is indeed far right. He’s a libertarian, who would like everything privatised and the end of the welfare state. He’s against the European Union and immigration, and is bitterly critical of feminism and affirmative action for women and ethnic minorities. And yes, he is an islamophobe like Robinson. But in very many ways he and Robinson are absolutely no different from Young and his crew. Young is also far right. He’s a right-wing Tory, who attended eugenics conferences whose members and speakers were real Nazis and anti-Semites. And Young also is all kinds of blokeish as well. He’s posted a number of tweets expressing his obsession with women’s breasts. Way back in the ’90s, he also wrote a piece for the men’s magazine, GQ, about how he once dressed up in drag in order to pose as a woman, because he wanted to snog lesbians in gay clubs.
And it’s not just the people in the Free Speech Union, who have no real interest in free speech. Neither does Conservatism or Zionism. Thatcher tried to pass legislation making it illegal for universities to employ Marxists. A week or so ago, Turning Point UK announced that it was launching a British version of its parent organisation’s Professor Watch, a blacklist of university lecturers, who dared to express or teach left-wing views. And anti-Zionist and Israel-critical bloggers, like Tony Greenstein and Martin Odoni have described how Israel’s super-patriotic supporters, like Jonathan Hoffman, don’t want to permit free debate about Israel and its barbarous treatment of the Palestinians. Rather, they turn up at pro-Palestinian meetings with the intention of heckling, shouting down and otherwise disrupting the proceedings. They also seek to use the law to suppress criticism and factual reporting of Israeli atrocities as anti-Semitism.
Now there are opponents of free speech on the left. But Stimpel, as a good Tory, doesn’t want to recognise that it exists on the right. She’s embarrassed that supporting right-wing speech also means supporting extreme right-wing figures like Sargon and Robinson. But she doesn’t recognise, because she can’t afford to, that Sargon and Robinson aren’t actually much different from Toby Young, Douglas Murray, Radomir Tylecote, Nigel Biggar and the rest. In fact, there’s little difference between the two groups in fundamental attitudes.
It’s just that Sargon’s a little more extreme and doesn’t have a column in a major right-wing newspaper or magazine.
Here, for your enjoyment, is another of my cartoons satirising the Tory party and the horrors that lead it. This one isn’t based on a science fiction or Horror film, but a great piece of art by the 18th century Swiss painter, Henry Fuseli. Fuseli’s ‘Nightmare’ is a masterpiece of Gothic art. It shows a sleeping woman, a naked imp with a sinister grin crouching on her stomach and a white horse looming over her. I also based it on that photo of the Honorable Member for the 18th century, Jacob Rees-Mogg, lounging, dozing on the green benches in parliament. Which seemed to show how seriously he took the proceedings, and especially the grinding poverty and deprivation his government has inflicted on normal people.
I’ve therefore tried to depict this image in the style of Fuseli’s masterpiece. The sleeper is Rees-Mogg, and the crouching imp is supposed to be our comedy Prime Minister, Boris Johnson. Although I’m afraid that my drawing of him here makes him somewhat effeminate, more like a girl. It’s purely accidental, I assure you. And the head of the horse looking at them both is a skull, representing the death and suffering the Tories inflict on people, the economy and British society.
I hope you enjoy it, and please, don’t have nightmares!
Despite Melanie Phillips and Ephraim Mirvis trying to keep the anti-Semitism smears going, there has been some good news. The anti-racism charity, Show Racism the Red Card, politely told smear merchant Rachel Riley where she could stick her complaints about the judges they had selected for a youth competition. The organisation had launched a competition for school children, and chose as judges the left-wing film director, Ken Loach, and Children’s Poet Laureate Michael Rosen. Both are eminently suitable. One of Loach’s most recent film, Dirty Pretty Things, is about the immigrants, who do the dirty, menial work we don’t want to, like cleaning. Michael Rosen is Jewish and an educator on the Holocaust. He has presented evidence about the latter to parliament. But Riley and her matey Tracey-Ann Oberman, and a journalist, Ebner, objected to the decision to appoint the two because they had a ‘problematic’ relationship with British Jews. This was, in my opinion, the insinuation that they were anti-Semitic. Loach has been accused of it before, because he directed a film or a play years ago about the gross maltreatment and dispossession of the Palestinians by the Israelis. Of course, like so many others so smeared, he is nothing of the sort. He was given a very warm welcome a few years ago when he was invited to attend a meeting of Jewish Voice for Labour. They’re a group formed to campaign against the anti-Semitism smears against the party and its leader, Jeremy Corbyn. Unlike the Jewish Labour Movement, they really were all Jewish, although gentiles could become associate members, and they were members of the party. Neither of these stipulations apply to the JLM, whose members don’t have to be Jews or party members, but who somehow claim the right to represent Labour’s Jews. Loach and Rosen were smeared by Riley and her buddies because they had the audacity to support Jeremy Corbyn.
Now Show Racism the Red Card has issued a statement confirming that they are very pleased to have Loach and Rosen as judges. They lament the way the competition has been overshadowed by these accusations. However, they were contacted by prominent figures in education, the arts, sport, law, media, science and politics, who endorsed their decision and refuted the allegations against Loach and Rosen. They also thank the public for the kind messages of support they received from them. Loach has been a member of the charity’s Hall of Fame because of his work with them. The charity says of Loach and Rosen that
As award-winning icons in their respective fields, it is very exciting for us that Ken and Michael have agreed to be judges. But equally important is the compassion we have seen them show to people – of all races and religions – who our charity is here to help.
Mike rightly describes Riley and her fellows as bigots. They are, in the sense that they are utterly intolerant of the opinions of others. They have consistently tried to silence and deplatform supporters of Jeremy Corbyn by smearing them as anti-Semites, even self-respecting Jews like Michael Rosen. However, Riley isn’t concerned about real anti-Semitism from outside the Labour party. She is silent when people send her examples of such to her Twitter feed. Mike gives two such cases. One is a Tweet from the Prole Star asking her what she has to say about a video contained in the Tweet. This shows the islamophobe Tommy Robinson greeting his followers with ‘Shalom’ – the traditional Jewish greeting – and asking them to send money so he can continue his work of destroying the White race. Robinson is a gentile, and this is a reference to the notorious anti-Semitic conspiracy theory about Jews. Robinson’s probably joking, but this isn’t funny, just grossly offensive.
Derek Lucas sent Riley and the noxious editor of the Jewish Chronicle, Stephen Pollard, a Tweet from the Auschwitz Memorial. The Museum was appealing to Amazon to take down from the book store real anti-Semitic books. These included one by Reinhard Heydrich, the Nazi governor of Czechoslovakia and one of the chief organisers of the Holocaust, and three by the Nazi ideologue, Alfred Rosenberg. One of these was an explicitly anti-Semitic piece with the title, The Jew and His Trace through History. And another was The Sins of High Finance, which you can guess is about the Jewish control of capitalism. There’s no question that these books should not be for sale. But Riley has said that she’s not interested in anti-Semitism outside the Labour Party. And so she’s silent about these real works of anti-Jewish hatred, by men who were active in the Jews’ mass murder.
Mike is currently fighting a libel action against him brought by Riley, who wishes to silence him and a number of others for the horrendous crime of blogging about her alleged bullying and smearing of a vulnerable schoolgirl as an anti-Semite. Because, surprise! Surprise! – the girl also dared to support Corbyn on line. Mike states that it is important that he win, so he can very publicly defeat her and her wretched bigotry. He therefore ends his article by appealing for donations and giving details how people may give them, if they choose to do so.
It’s excellent that Show Racism the Red Card has stood up to the real bullies in this, and backed Loach and Rosen. I have no doubt that they’ll be excellent judges.
And Riley’s silence on real Nazism and anti-Semitism would seem to indicate that she’s the real bigot in all this.
Welcome to yet another of my cartoons attacking the Tory party and its odious ministers. They’re inspired by old Horror and SF films. In this case, it’s Basket Case, a bit of ’80s grue about a young lad travelling around America carrying a basket containing something unpleasant that kills people. It’s his deformed conjoined twin, and the two are on a mission to kill the doctors and surgeons that separated them. The pic’s also based on an incident in which IDS apparently hid in a laundry basket to hide from angry demonstrators. So much for the courage of the man, who once led the Tory party. He also once turned up at a parliamentary inquiry surrounded by armed policemen to protect him, just in case the disabled people and their carers in the public gallery turned violent. He’s a bully and a coward, who has killed tens, if not over a hundred thousand people, with his wretched welfare reforms of benefit sanctions and fitness to work tests.
As always, I hope you enjoy this bit of humour at the Tories’ expense. And please, don’t have nightmares.
There’s some areas of the American right still pining for the days of the McCarthy witch hunts. And unfortunately, it looks like they want to export them to these shores as well. Turning Point UK is one of them. If you don’t remember, Turning Point UK is the British spawn of the American Conservative outfit, Turning Point USA. Founded by the repulsive Charlie Kirk, who ‘LIVES AS A CAPITALIST EVERY DAY’, as he shouted at the Young Turks’ Cenk Uighur, this is supposed to be dedicated to inspiring young people with right-wing ideals, turning back the evil tides of liberalism, socialism and so forth. Its British branch got off to a notoriously bad start when Candace Owens, another prominent American rightist, told the assembled faithful at its inauguration that Adolf Hitler wasn’t really a nationalist. She declared that what he did would have been all right if he’d stuck to his own country, but he wanted to make everyone German. This was the opposite of nationalism. This was the opposite of history and morality, as was soon pointed out to her. TPUK have kept a quiet profile since. So much so that it has been suggested that the outfit is no more than a trick to part elderly American Conservatives from their money through encouraging them to donate to it, so little has it actually done. Unfortunately, it still seems to be around and making a nuisance of itself. Zelo Street has posted a couple of articles about the organisation posting attack ads libeling former Labour leader Jeremy Corbyn and leadership contender Rebecca Long-Bailey as anti-Semites, terrorist supporters and claiming they aid paedophiles.
And now Zelo Street has also reported that one of its scummy number has announced on Twitter that they want to import their parent organisation’s campaign of blacklisting left-wing academics. TPUSA has a ‘Professor Watchlist’ of academics they claim have a ‘left-wing agenda’. One critic, the Skeptical Seventh, has said of this that “They must know that what they are doing will lead to people being harassed, being shut down … It is undermining academic freedom, which is ironic for an organisation that claims to be in favour of free speech”. Yes, but for them it’s a case of free speech for me, but not for thee. However, the Beeb reported that it had been told by Dominique Samuels, one of the TPUK’s influencers, that they wouldn’t be introducing that policy over here.
This has been flat-out contradicted by the odious Darren Grimes. Grimes was upset when Priyamvada Gopal, a lecturer at Cambridge, tweeted a particularly apt quote from Lord Macauley to describe Priti Patel. She said: “We should acknowledge, as we look at Priti Patel, that there was one very successful cultural eugenics project: ‘We must at present do our best to form…a class of persons, Indian in blood and colour, but English in taste, in opinions, in morals, and in intellect’”. This was too much for Grimes, who didn’t recognise the quote, and ranted “This person is a lecturer at Cambridge. Is it any wonder our students are churned out of these university factories like hard-left, braindead sheep when this is what is teaching them?! What a truly bloody horrendous thing to think, never mind tweet”. Gopal herself was highly amused by Grimes’ reaction. She said “Before I withdraw again for a bit, I thought I should share my enjoyment of Mr Grimes’ condemnation of Lord Macaulay’s‘truly bloody horrendous thing to think’ … The great thing about British far-right is their complete ignorance of their own history &literature”. Macauley’s comment demanding the anglicisation of Indians is notorious. It frequently appears in textbooks as an illustration of the hostile attitude of the British colonisers to their subject peoples’ indigenous cultures.
The TPUK twitter feed then joined in with the ominous statement “Our uni campuses are overrun by leftist lecturers who teach their overt political bias as objective truth. This is not ok. The fight back begins now. Introducing ‘Education Watch’: Documenting University Lecturers’ Political Bias”.
This is, as Zelo Street has commented, the right using the false assumption that not only do they have the right to their own opinions, but also their facts, to start a witch hunt. And as Grimes was at the launch of Toby Young’s wretched Free Speech Union, it also shows that’s a sham as well.
Paul Bernal, an associate professor of Law at UEA, commented: “Can I just ask, what do the thought-police *want* us lefty academics to teach our students? Obviously facts are out. Analysis is against the law. Nothing foreign. Nothing expert”.
Tim concluded his article on this latest right-wing assault on free speech with the observation that TPUK were obviously trying to whip up hate and harassment because they were so desperate for the publicity. And so he was sure that they would be condemned by all good Conservatives.
Let’s be clear what Turning Point are demanding – the harassment and purging from academic of lecturers, whose politics they disapprove of. This is a feature of just about every totalitarian regime and movement. The Italian Fascists did it. The Nazis did it in the ‘coordination’ of the universities, which saw Jews and Marxists purged. The Communists did it. And it got really unpleasant in China under Mao during the Cultural Revolution, when children were called upon to denounce their parents and teachers. The BNP or National Front also tried something like it in Britain in the 1980s. They urged nationalist schoolchildren to write to them informing on ‘Communist’ teachers. They would then send a couple of their thugs round to assault them. TPUK haven’t called for having them attacked, but this is what such a list would lead to.
As for this wave of left-wing lecturers churning out a generation of impressionable kids indoctrinated with cultural Marxism or whatever, this is, in my opinion, somewhat of an hysterical overreaction. Yes, there are outspoken left-wing academics, and always have been. But there are also Conservatives and all shades of political opinion in between. And, with a few obvious exceptions, such as those calling for sectarian or racist violence and hatred, for example, they should all have the right to teach what they believe to be objective fact. Because this is what democracy and freedom of speech means.
Freedom of speech and conscience means putting up with speech, ideas and opinions of which you don’t necessarily approve. It certainly does not mean tolerating only those opinions that you share. That, whether done by the left or the right, leads to intolerance and persecution.
And in the intellectual context, it also means the massive impoverishment of national culture. As a result of the Nazi purges of the universities and the arts, German culture suffered immensely. That of other countries, particularly America, benefited immensely, as talented scientists, mathematicians, writers, film-makers and artists took sanctuary on the other side of the Pond. It’s been said that if the Nazis hadn’t taken power, and pushed their greatest minds abroad, the 20th would have been hailed as the German century rather than the American.
This is what Turning Point would like to do to America, and which their equally idiotic counterparts on this side of the Pond would like to do over here – a stifling, stagnant, impoverished culture in order to enforce their own intellectual agenda.
Hello, and I hope everyone’s having a great day. Here’s another cartoon, which I hope will bring a smile to your lips as well as express my absolute revulsion at the Tories. This time the subject is Boris Johnson’s adviser and pet polecat, Dominic Cummings. The tone is, as you can see, still dark and horrific, but the inspiration comes from great art rather than film. The cartoon shows Cummings, naked except for his woolly hat, eating someone. It’s based on Goya’s famous painting, ‘Saturn Eating his Children’, painted in the artist’s old age on the walls of his house.
Goya is one of the great figures of Romantic art. I think he was a moderate liberal, who hoped for reforms that would give his country great political liberty, as well as education and reason against widespread superstition. He depicted some of these superstitious beliefs and customs in his art, like witches’ sabbaths and the ‘Burial of a Sardine’. But he was left disappointed and bitter by the conservative reaction and then the violence and atrocities of the Napoleonic Invasion, which he also depicted in his sequence ‘The Horrors of War’. These drawings show firings squads, women throwing stones at armed troopers, mutilated corpses. In an age which glorified warfare as noble and heroic, Goya stands out – and still stands out – for showing how horrific it really is. And their titles are truly prophetic and eternal. I believe that the drawing of the firing squad has the title ‘It Will Be the Same Again’. As it has been, in just about every war since, all over the world.
His ‘Saturn Eating His Children’ was one of number of similar paintings, all against a black background. In Graeco-Roman myth, the god Saturn was afraid of being usurped by his children, so he ate them. Jupiter, his son, outwitted him by tricking him into eating a stone instead. Saturn then vomited up the other gods, who united under Jupiter’s leadership, and overthrew their father, fulfilling the prophecy.
Where the Roman myth ends in victory and triumph, Goya’s painting just shows bleakness and horror. Saturn is shown naked except for his long hair, his eyes wide and staring in madness, part way through consuming one of the bodies. I thought it would form a fitting metaphor for the sheer, unrelenting, insane ferocity with which Cummings and the rest of the Tories attack the poor, the unemployed, the disabled and marginalised. They aren’t personally violent, except in a few cases, but the welfare reforms initiated by Dave Cameron and Iain Duncan Smith, and carried on by Tweezer and Johnson, have called tens, if not hundreds of thousands of innocents. All because they’re greedy and afraid – of the poor and of the working class. The same kind of insane fear and hate that Goya gave his figure of Saturn.
Here’s the cartoon. I hope you enjoy it, and, as always, don’t have nightmares.
Mike yesterday put up a piece mischievously suggesting that Sajid Javid, the current Chancellor of the Exchequer, bears an uncanny resemblance to the Dr. Who villain, the Collector, from the Tom Baker era story The Sunmakers, and also Gollum from Lord of the Rings. Javid was posing in publicity photo with the new 50 pence piece, which will be issued to mark Brexit. And yes, he does look somewhat like Gollum, shown in a still from the movie in which he peers at the One Ring.
In the same spirit, I’ve also noticed an uncanny similarity between the former Tory minister, Eric Pickles, and a monster in Tim White’s awesome cover painting for the third volume of Grafton’s H.P. Lovecraft Omnibus, The Haunter of the Dark.
Eric Pickles
Lovecraftian Horror
Of course, there’s no similarity whatsoever between stories of a group of monsters aiming to enslave and destroy humanity, and the creatures of H.P. Lovecraft.
