And now – more SF! This is a very short video from the Quinn’s Ideas channel on YouTube. Quinn is another vlogger on science fiction, and particularly Frank Herbert’s Dune. Denis Villeneuve, the French Canadian director of Blade Runner 2049, is currently making a Dune movie that promises to be very faithful to the book, and a new Dune graphic novel is also coming out. It’s been welcomed by Brian Herbert, Frank’s son, who has also written a series of prequels for the Dune saga expanding its fictional universe.
Quinn says he’s looking forward to the graphic novel because, while the Dune books are very concerned with explaining the philosophy, there is very little description of what things actually look like – the thopters, shields and so on. This is why all the adaptations so far – David Lynch’s 1984 version, and the Dune 2000 mini-series, look very different. Quinn states that his idea of what a graphic novel could do was revolutionised by Neil Gaiman’s Sandman. The medium is ideally suited to portray scenes that would be difficult for films, and are suitable for any subject.
Although the video says that it has the first images from the graphic novel, these are among other paintings and drawings of Dune drawn for places like Deviantart, so that it’s not exactly clear which are the graphic novel’s and which are those of other artists. He also says remarkably little about it, except that it’s also faithful to the book, urges viewers to look at an article published elsewhere on the web, for which he provides a link.
This is still a fascinating look at what the graphic novel may be like, and features some superb art from elsewhere.
Something different from politics this time, which I hope will pique the interest of fans of the 20th century SF/Horror writer H.P. Lovecraft. Richard Stanley has directed a film version of Lovecraft’s short story, ‘The Colour Out Of Space’. Starring Nicholas Cage, Joely Richardson, Tommy Chong and others, the film’s due to be released in Britain on the 28th February.
Mr H Reviews is a film news and reviews channel on YouTube, largely specialising in SF, Horror and superhero flicks. The titular presenter is a massive fan of H.P. Lovecraft, who wrote tales of cosmic horror and madness for pulp magazines such as Weird Tales. The film is largely the work of Richard Stanley, who is best known for his SF movie Hardware. This was about a sculptress in a decay future city, whose partner finds the remains of an unknown robot in a radiation-poisoned desert. He brings it back to her so she can turn it into art. When she reassembles it, it is a lethally efficient military robot that then goes on a killing spree to fulfill its programming. The film was extremely similar to a short tale illustrated by the mighty Kevin O’Neill in 2000AD, and Stanley lost the case when the comic sued for plagiarism. Stanley doesn’t seem to have a directed a motion picture since the debacle of The Island of Dr Moreau back in the 1990s. This fell apart, and Stanley was sacked as director, largely because of the casting in the title role of Marlon Brando. Brando behaved extremely bizarrely, making odd demands and requests and seems to have been determined to have the movie shut down. With costs mounting and shooting overrunning, Stanley was sacked and the film completed by another director. The script was also written by Amaris and has superb cinematography by Stephen Annis, who has also made videos for Florence and the Machine.
Stanley is, however, a superb director and Hardware is highly praised. In this review Mr H gives fulsome praise to the movie without giving too much away. Based on the short story of the same title, this is about a surveyor in Arkham telling the story of the strange events in order to try and make sense of it. Something strange falls out of the sky and begins to change the people and environment. The humans suffer bouts of madness, but in contrast to this the environment grows ever more beautiful. The visitor from space is an alien creature, and Mr H praises the work that has gone into it. He says that the film is like Annihilation, which is also about something from space falling to Earth and changing the environment, making it bizarrely beautiful. However, H believes that the Lovecraft film is better. He also states that the creature in it is similar to The Thing, John Carpenter’s classic ’80s adaptation of John W. Campbell’s short story, ‘Who Goes There’. The creature work is excellent and it is more of a homage to the earlier film, rather than a rip-off.
There are a number of Easter eggs in the movie referring to earlier adaptations of Lovecraft’s work. One of these is the name of one of the daughters, Lavinia. I also noted scrawled on the wall in one of the video clips played in this review is the slogan ‘No flesh shall be spared.’ It’s a line from Mark’s Gospel which was used as the slogan for Stanley’s Hardware.
The film’s intended to be the first of a series set in Lovecraft’s universe. Unfortunately, it doesn’t have wide distribution over here and is only showing in Showcase cinemas. But he highly recommends seeing it, even if you have to drive several hours to the nearest cinema.
I’m a fan of Lovecraft’s fiction, which unfortunately has had a very uneven history when it comes to film adaptations. This one looks extremely promising however.
It’s on in the Showcase cinema in Cabot Circus in Bristol, and I shall hope to see it. If you’re interested, then Google to see if its playing anywhere near you.
One of the shops in Cheltenham has a very unusual piece of street art decorating its door. It’s of the rocket motor designed to power the Russian N1 spaceship to the Moon. The N1 was the Russian counterpart of the massive American Saturn V, and was similarly intended for a manned mission. Unlike the Americans, the Russian rocket would have a small crew of two, only one of whom would make the descent to the lunar surface in a module very much like the American. Unfortunately the project was a complete failure. Korolyov, the Soviet rocket designer, had died by the time it was being designed, and the head of the design bureau was his second-in-command, Mishin. Mishin was an excellent lieutenant, but this project was far beyond him. The N1 space vehicles kept exploding on the launch pad. These were powerful spacecraft, and the explosions destroyed everything within a radius of five miles. After three such explosions, one of which, I think, killed Mishin himself, the project was cancelled. The Russians never did send a man to the Moon, and instead had to satisfy themselves with the Lunakhod lunar rover.
I’d been meaning to take a photograph of the painting for sometime and finally got around to it yesterday. The full painting isn’t visible during the day, as much of it is on the cover that gets put over the door at night. This is the part of the painting shown in the top photograph. During the day only the bottom part of the engine, painted on the door itself, is visible.
The shop-owner himself was really helpful. He saw me crouching trying to photograph the bottom part of the engine, and asked if I knew what it was. When I told him it was a rocket motor, he proudly replied that it was TsK-33 for the N-1, and asked if I wanted to photograph the whole thing. I did, so he got down the door cover. Talking to him about the painting both then, and later on with a friend, who also has an interest in space, he told us a bit more about the rocket engine and his painting of it. Although the N-1 was scrapped, the Russians still retained the rocket engines. Someone from the American Pratt and Whitney rocket engine manufacturers met one of the engineers, designers or managers on the N-1 motors, who showed him 33 of the engines, which had been mothballed after the project’s cancellation. The Pratt and Whitney guy was impressed, as it turns out that these Russian motors are still the most efficient rocket engines yet created. He made a deal with the Russians to take them back to America, where they are now used on the Atlas rockets launching American military satellites. Or that’s the story.
My friend asked if the shopkeeper had painted it himself. He hadn’t. It had been done by a street artist. The shopkeeper had seen him coming along painting, and asked him if he would do an unusual request. And so the artist came to paint the Russian rocket engine.
There’s much great street art in Cheltenham, though as it’s an ephemeral genre you have to catch it while it’s there. Just before Christmas there was a great mural of Jeremy Corbyn and the Labour logo in one of the town’s underpasses. I wanted to photograph that too. But when I tried yesterday, it had gone, replaced with another mural simply wishing everyone a happy Christmas.
But I hope the rocket engine, as it was done specifically for the shop, will be up for some time to come.
It also seems to me to bear out the impression I’ve had for a long time, that the real innovative art is being done outside of the official artistic establishment. The painting would have delighted the Futurists, who were into the aesthetics of the new machine age. And also the French avant-garde artist, Marcel Duchamps. Duchamps anticipated the Futurists concern with the depiction of movement in his painting, ‘Nude Descending a Staircase’. He also painted a picture of ‘The Star Dancer’, which isn’t of a human figure, but a ship’s engine, which also anticipates the Futurists’ machine aesthetic. Unfortunately, what he is best known for is nailing that urinal to a canvas and calling it ‘The Advance of the Broken Arm’ as a protest against the artistic establishment. This went on to inspire Dada, and other anti-art movements. It’s now in Tate Modern, although it no longer has the same urinal. As a work of art, I really don’t rate it at all. Neither do most people. But for some reason, the artistic establishment love it and still seem to think it’s a great joke.
The real artistic innovations and explorations are being done outside the academy, by artists exploring the new world opened up by science and the literature of Science Fiction. And it’s to that world that this mural belongs.
Yasmin Alibhai-Brown issued another stinging attack on Brexit in the I yesterday. She sharply criticised the Brexiteers triumphalism, that made them demand the mass celebration of Britain’s departure from the EU with a ‘festival of Brexit’, churches ringing their bells up and down the country, street parties and ‘a big, fat, jingoistic party in Parliament Square on January 31st’. She compared the proposed celebrations with the forced, state-mandated festivities of North Korea, and quoted the Roman satirist Juvenal on how the rich distracted the plebs with bread and circuses while taking away their liberties. She also bitterly complained about the way Remainers were now seen as somehow treacherous for their rejection of this wave of jingoism despite the closeness of the vote in the referendum. But she also made very good points about the immense cost Brexit had already inflicted on our economy, education, and society. She wrote
According to a detailed report by ratings agency S&P, Brexit has already cost the economy £66bn. It calculates that the amount is more than we paid into the European Union for 47 years. The economy is stagnant. The Union of the four nations may not hold. Migrants and black, Asian and minority ethnic Britons are experiencing more hostility. Complaints are met with increased hostility or disbelief. Universities are panicking about the potential loss of EU grants and the Erasmus+ scheme – a travel bursary for young people which enriched their lives.
Musicians and artists are losing essential EU connections. Care homes cannot get workers because EU citizens are leaving. Too many feel unwelcome or are discouraged by new, costly and unfair immigration rules. NHS workers from elsewhere are becoming disillusioned.
She then describes how an Asian friend, Priti, told her about the increasing racism she was experiencing.
My friend Priti, a nurse who came over from India five years ago, says: “This is not the country I came into. Not the place my parents loved when they studied here. It has become so impolite. Even when I am changing a bandage or putting drops in their eyes, some patients shout at me to go bac. My colleagues are great but I am going – I have a job in Dubai. They need us but don’t behave well.”
We need these foreign nurses and doctors, who do an excellent job caring for our sick. It’s disgusting that they should be treated with such contempt and abuse.
Brexit is wrecking our economy, placing the Union under potentially devastating stress, and impoverishing our education system, our arts and culture, and denying needed expertise and labour to the NHS. But somehow we are meant to celebrate all this as a victory for Britain.
Alibhai-Brown herself says that Remainers should follow Will Hutton’s advice, and light candles on 31st January before going back to Brexit. She says that we must, for the sake of the younger generation and the future of this once-formidable nation.
I don’t think we can reasonable go on opposing Brexit forever without isolating ourselves politically. But I think we should be trying to get the best possible deal with the EU and trying to forge lasting, beneficial links with it.
While pointing out that so far, it is a massive, astronomically expensive failure.
I want to do a series of drawings sending up the Tory party and its leaders based on horror films. I thought I’d start with one about Margaret Thatcher, based on the classic ‘B’ movie, They Saved Hitler’s Brain. So please see the drawing below, ‘They Saved Maggie’s Brain’. This shows the Leaderene’s brain in a jar, with a shadow of her head beyond. The red blotches are supposed to be her blazing red eyes. I hope you like it.
Also of interest in yesterday’s I was a review by Sarah Kent of the exhibition, Eco-Visionaries, at the Royal Society in London. This was about the current ecological crisis, and showcased some possible solutions to the problem, some of them developed by architects. This included a moving desert city, the Green Machine, which also planted a watered crops as it moved. The article ran
Melancholy humming welcomes you to the exhibition, with a globe suspended in the cloudy waters of a polluted fish tank. This simple installation by the artist duo HeHe neatly pinpoints our predicament: our planet is suffocating.
“The absence of a future has already begun,” declare Ana Vaz and Tristan Bera in a film, Reclaimed (2015). We know this already – according to the UN, we need to cut carbon emissions to zero by 2050 if we are to prevent the collapse of the Earth’s ecosystem. So what are we waiting for?
Vaz and Bera highlight the problem. The situation requires a wholesale change in attitude: minor tinkering can’t solve it. We need “reciprocity with nature rather than domination… We are nature.” We are mesmerised by events such as the Arctic on fire, Greenland’s ice-cap melting and Venice drowning. But the scale of the problem is so enormous that we can only watch, “fascinated by the acceleration” of the crisis.
The collective Rimini Protokoli encourages us to confront our imminent extinction. On film we see a tank full of languidly floating jellyfish. They flourish in the warming seas and, with diminishing fish stocks, there’s less competition for the plankton they feed on, so their numbers are increasing dramatically. Humans are similarly multiplying – by 2050, according to the UN, there will be 9.7 billion of us – but unlike jellyfish, we require too much energy to adapt to climate change so, like the dinosaurs, our days are numbered. At the end of the presentation they invite us to go with the words: “Your time is up; you will have to leave.”
The Royal Academy is to be congratulated for hosting an exhibition that tackles this urgent issue, but the show exemplifies the problem. The warnings are persuasive, but the solutions envisaged are pitifully inadequate, mainly by architects who don’t address the catastrophe but instead offer us post-apocalyptic follies. The Green Machine (2014) is Studio Malka’s answer to desertification. Resembling a giant oil rig, this monstrosity trundles across the Sahara on caterpillar treads that plough the ground then sow and water the seeds to produce 20 million tons of food per year. Solar towers, wind turbines and water-capturing balloons create a “self-sufficient urban oasis” for those inside. What percentage of the 9.7 billion will they accommodate, I wonder?
Studio Malka’s Green Machine mobile desert city.
It’s a grim subject, and clearly the ecological crisis requires drastic action across the entire globe and very soon. But I am fascinated by the Green Machine. It reminds me of the giant moving cities that cross the devastated future Earth in the SF film Mortal Engines. As for how many people such a machine could house, the answer is: very few. Douglas Murray’s book Last Futures: Nature, Technology and the End of Architecture predicts that if we carry on as we are, we will end up with a future in which the rich will inhabit closed, protected environments like the various biodomes that were created in the 1990s, while the rest of humanity will be left to fend for itself in the decaying world outside.
It’s a bleak, dystopian prediction, but one I fear will come true if we carry on electing leaders like Trump and Johnson.
This is absolutely disgusting. I really do wonder how the alleged ladies and gentlemen of the scumbag British press sleep at night. Zelo Street this afternoon reported that Layla Moran, the MP for Oxford West and Abingdon, came out last week. She revealed that she was pansexual, and was in a loving, supportive relationship with another woman. Moran’s a contender for the Lib Dem leadership, and her announcement that she was gay was on ITV news. Moran says that their relationship started six months ago. So naturally, Zelo Street raises the obvious question: why is she telling us all this now?
It’s because, according to Hacked Off, the group representing the victims of press phone hacking, Moran was put under pressure by hacks from the Mail on Sunday. The organisation said
“Ms Moran has described how several reporters have been asking questions, door-knocking neighbours and even offering payment to a former partner seeking information about her personal life over the last few months. Ms Moran writes that the Mail on Sunday threatened to publish details relating to her sexuality last Saturday, and that she herself only decided to reveal her sexuality publicly last week because she feared the newspaper would go on to publish”.
She did so on social media, which really annoyed the MoS, who were reduced to running a piece about Mumsnet showing bitterly critical posts of her by its users. One of these accused her of ‘weaponising’ her relationship with the Lib Dems former head of media, Rosy Cobb.
The Street then quotes Nathan Sparkes of Hacked Off on the squalid cruelty the MoS has shown:
“Newspapers have no business revealing an individual’s sexuality against their will, far less a politician who has devoted much of her career to date to furthering the cause of LGBT+ rights and equality … The decision of the Mail on Sunday … to publish an article attacking Ms Moran based on a handful of abusive tweets on a social media site speaks to the vindictiveness and cruelty of parts of our unregulated press”.
The Street concludes ‘Our free and fearless press’ attitude to sexuality stinks. And that has to change.’
I think I saw something in the I written by Moran about her experience of ‘coming out’. It had the title ‘In the 21st Century Coming Out Shouldn’t Be An Issue’, or something along those lines. I didn’t read it because quite frankly I wasn’t interested. So many public figures have come out over the past decades – pop stars, sportsmen and women, actors, politicos – that you get used to it, even bored. With many public figures, whether gay or straight, who they’re romantically involved with is the least interesting aspect of their lives. What’s more interesting is their talent, or issues such as whether they have an unusual personal background, skill or medical condition. Such as, for example, whether they can speak an exotic language, have mastered an arcane science or intellectual discipline like quantum physics, or are able to fly an aircraft. Or have overcome personal misfortune or a medical condition like autism or depression. For a politician, what really matters is how hard they work for and represent their constituents, and their policy positions. Like where they stand on Brexit, the destruction of the welfare state, rising inequality, racism, the privatisation of the NHS and so forth. Provided that they’re not breaking the law and their partners are consenting adults, who they share their private lives with is their own business.
I grew up in the 1980s, when the gay rights organisations were aggressively outing politicians, who kept their sexuality hidden. I thought that this was pretty shabby, until a gay friend of mine told me that the politicos they targeted were hypocrites, who publicly opposed homosexuality and its toleration. There was a serious point to their actions. But there doesn’t seem to be anything like that here, just a simple desire to boost sales figures through scandal.
And unfortunately, the press has got plenty of previous in trying to bully people into revealing their sexuality in this way. Way back in the 1990s the ‘Street of Shame’ column in Private Eye carried a story about an attempt by one of the tabloids – something like the Scum or the News of the Screws – to blackmail one of the pop stars of the day into coming out in its pages. Wisely, he decided to thwart them by going to one of the other papers instead to make the revelation.
And stalking celebrities in order to find out if they’re gay or not is pretty squalid anyway. A few years ago there was a programme on how the Mirror got that story about George Michael going into a gay toilet in Beverley Hills or wherever. That was when it was edited by Piers Morgan, now adorning ITV’s breakfast news. The photographer was there for a week staking the place out waiting for a celebrity, any celebrity, to come and use it. The photographs he took from a car parked over the road were worth tens of thousands. Which itself shows the squalid morals of the newspaper business. I’ve no doubt his family and children were well fed, clad and educated by the profits of his job, but it’s not exactly something your children can boast about in school. After hearing from all the other children how their parents are builders, engineers, scientists, business people, artists or whatever, what child really wants to answer the question ‘What does your mum/dad do?’ with the reply, ‘He/she hangs around gay toilets hoping to catch rock stars getting arrested by the rozzers’?
As for Mumsnet, they’ve been described as ‘4chan with prosecco’. From what I gather of 4chan, it’s an internet platform seething with racism, sexism and vicious trolls, so that’s hardly an endorsement.
The Mail on Sunday’s treatment of Moran, and the British press’ treatment of innocent people just trying to live their lives in peace is deeply shameful, and shows why it really does need to be subject to a press watchdog with teeth.
The History of the T.U.C. 1868-1968: A Pictorial Survey of a Social Revolution – Illustrated with Contemporary Prints and Documents (London: General Council of the Trades Union Congress 1968).
This is another book on working class history. It’s a profusely illustrated history of the Trades Union Congress from its origins in 1868 to 1968, and was undoubtedly published to celebrate its centenary.
Among the book’s first pages is this photograph show the TUC’s medal, below, which reads: Workingmen of Every Country Unite to Defend Your Rights.
There’s also these two illustrations on facing pages intended to show the TUC as it was then and now.
After the foreword by the-then head of the TUC, George Woodcock, and the list of General Council in 1967-8, the book is divided into four sections on the following periods
1868-1900, on the first Trades Union Congress and the men who brought it to birth.
1900-1928, in which the TUC was consulted by Ministers and began to take part in public administration.
1928-1940, which are described as the TUC’s formative years and the fight for the right to be heard.
and 1928-1940, in which wartime consultation set the pattern for peacetime planning.
These are followed by lists of trade unions affiliated to the TUC circa 1968 and the members of the parliamentary committee from 1868 and the General Council from 1921.
The text includes articles and illustrations on the Royal Commission of Inquiry into trade unions, including a photograph of Queen Victoria’s letter; from the beehive of 1867 to the TUC of 1967; the early leaders of the TUC and the political causes at home and abroad, for which they rallied trade union support; some of the events that led to the TUC’s foundation and the Royal Commission on Trade Unions; the TUC and the Criminal Law Amendment Act; working men voting during the dinner hour; working hours and conditions which the TUC wanted to reform, particularly of women and children; Punch cartoon of the sweated workers exploited for the products displayed at the Great Exhibition; Alexander McDonald, the man behind the miners’ unions; campaigns for compensation for industrial injury and safeguards for sailors; farm labourers’ unions, the public and the church; the advent of state education and the birth of white collar unions; mass unemployment and demonstrations in the Great Depression of the 1880; the trade union leaders of the unemployed and their political allies; squalor and misery in London; forging the first link with American unions; the TUC on the brink of the 20th century; the ‘new unionism’ and the matchgirls’ strike; the dockers’ strike of 1889; the birth of the Labour Party in 1906; passage into law of the TUC’s own trade union charter; the trade unions and the beginnings of the foundation of the welfare state by the Liberals; Women trade unionists, the Osborne Judgement; the introduction into Britain of French and American syndicalism; the great dock strike of 1911, and the great transport strike of 1912; the Daily Herald; Will Dyson’s cartoons; the TUC on the eve of World War I; the War; the wartime revolution in trade unions; the TUC’s contribution to the war effort; rise of shop stewards; the impact of the Russian Revolution on the British Labour movement; peace time defeat; the appearance of Ernest Bevin; the replacement of the Parliamentary Committee by the General Council in the TUC in 1921; the first proposal for the nationalisation of the coal mines; 1924, when Labour was in office but the trade unions were left out in the cold; the gold standard and the General Strike; the Strike’s defeat and punitive Tory legislation; the TUC’s examination of union structure after the Strike; TUC ballots the miners to defeat company unionism; Transport House in 1928; the Mond-Turner talks and consultations between workers’ and employers’ organisations; Walter Citrine and the IFTU; the 1929 Labour government; opposition to McDonald-Snowden economies; McDonald’s 1931 election victory; propaganda posters for the National Government; the 1930s; the state of industry and TUC plans for its control; union growth in the young industries; young workers fighting for a fair chance; the TUC and the British Commonwealth; the Nazi attack on the German unions; the TUC and the international general strike against the outbreak of war; the waning of pacifism inside the TUC; the Labour Movement and the Spanish Civil War; Neville Chamberlain and ‘Peace in our Time’; summer, 1939, and the outbreak of World War II; Churchill’s enlistment of the TUC and Labour Party in government; the coalition government and the unions; TUC organises aid to Russia after the Nazi invasion; plans for post-War reconstruction; the TUC, godfather to the Welfare State; the Cold War; the bleak beginning of public industries in 1947; David Low’s cartoons of the TUC; the drive for productivity; the Tories and the Korean War; TUC aid to Hungary and condemnation of Suez; the official opening of Congress House; TUC intervention in industrial disputes; trade union structure; from pay pause to planning; trade unionists given a role in industry; government pressure for a prices and incomes policy; TUC overseas contacts; and recent changes to the TUC.
The book’s an important popular document of the rise of the TUC from a time when unions were much more powerful than they were. They were given a role in government and industrial movement. Unfortunately, the continuing industrial discontent of the post-War years have been played on by nearly every government since Thatcher’s victory in 1979. The result is stagnant and falling wages, increasingly poor and exploitative conditions and mass poverty and misery. All justified through Zombie laissez-faire economics. Corbyn offered to reverse this completely, and give working people back prosperity and dignity. But 14 million people were gulled and frightened by the Tories and the mass media into rejecting this.
Strong trade unions are working people’s best method for expressing their economic and political demands along with a strong Labour party, one that works for working people, rather than solely in the interest of the employers and the financial sector. Which is why the Tories want to destroy them and are keen that books like these should be forgotten.
Let’s fight against them, and make sure that books like this continue to inspire and inform working class people in the future.
Like many children in the ’70s I was into plastic model kits. I was particularly into air- and spacecraft, and so spent some of my free time and pocket money gluing together and painting kits of the Apollo Lunar Module and the mighty Saturn V rocket that took men to the Moon, the Space Shuttle, and a spaceship from the Science Fiction film and TV series, Buck Rogers in the 25th Century. I was therefore pleased to find looking through W.H. Smith’s magazine shelves that not only had the hobby not died out, but that manufacturers were producing models of contemporary spacecraft. You can find plastic model kits on sale at some hobby shops and in Waterstone’s, but these tend to be of military aircraft, usually, but not exclusively from the Second World War II, tanks, and high performance modern jet fighters. Spacecraft seem to be dominated by Star Wars. So it was a real surprise when I found Scale Modelling: Real Space.
The kits built and described are those of the International Space Station; the Retriever Rocket, designed in the 1950s by Werner von Braun as part of the original concept for the Moon Landings which was then abandoned; the early Redstone rocket which launched some of the first Mercury capsules; the American Skylab space station; the Chinese ‘Celestial Palace’ space station, formed from their Shenzhou-8 and Tiangong-1 spacecraft; the French Ariane 5 rocket; the Russian Buran orbiter, their answer to the American Space Shuttle, which has been built but never flown; the Titan IIIC launcher; NASA’s Space Launch System heavy lifting rocket.
Interspersed with these are articles on some of the real spacecraft themselves, written by NASA scientist David Baker. These are on the history of the ISS, how the final Saturn V launch for Skylab was very nearly a disaster, and the station became a success, and the Space Launch System rocket and its Orion capsule.
The very last model kit of a real spacecraft I built was of the Jupiter C way back in the 1990s. This was one of the early rockets that launched one of America’s first satellites into orbit. I’m very glad that people are still enjoying the hobby and building models of the real spacecraft which are carrying men and women into orbit. I was very pleased indeed when James May in one of his programmes on boy’s hobbies of the past, tried to revive interest in plastic model kits for a new generation of boys and girls a few years ago. As part of it, he built a full-scale replica of a Spitfire as a plastic model kit, complete with a dummy pilot, whose face was his own. It was cast by the artist Esther Freud, using the same techniques used to create creature masks for SF/Fantasy/Horror movies.
This issue of the magazine celebrates the 50th anniversary of the Moon landings with these kits. As NASA, ESA, India, and China again discuss plans for a return to Earth’s airless companion world, I hope the magazine and the kits encourage and inspire more children to become interested in space and the great vehicles that take us there.
Oh the irony! Melanie ‘Mad Mel’ Phillips, Daily Mail hack, author, and determined opponent of anti-Semitism and Islamism, has been slapped down for an article she wrote in the Jewish Chronicle denying Islamophobia. According to her highly informed opinion (sarcasm), islamophobia is simply a made-up term used to close down criticism of the Islamic world, including Islamic extremism.
According to Zelo Street, without any trace of irony or self-awareness, Phillips started the piece off by conflating anti-Semitism with anti-Zionism. Anti-Zionism, she declared, was merely the latest mutation of anti-Semitism. The two, according to her, share ‘the same deranged, obsessive falsehoods, demonic conspiracy theory and double standards. It is furthermore an attack on Judaism itself, in which the land of Israel is an inseparable element.’ This is twaddle. Zelo Street points out that Zionism and Judaism certainly aren’t the same, because how else can you explain Christian Zionism? It’s a good question, especially as Christian and non-Jewish Zionism often stemmed from anti-Semitism. Many genuine anti-Semites and Fascists supported the foundation of a Jewish state as a way of clearing Jews out from their own countries. This attitude was so strong that, when one German aristocrat was approached by the Zionists c. 1920 and asked why he didn’t support the creation, he replied that he did, but didn’t want to make it public in case people thought he was an anti-Semite. The Nazis and other European Fascists considering setting up a Jewish homeland in Madagascar, and the were similar schemes among British Fascists for Uganda. This was succeeded by the infamous and short-lived Ha’avara Agreement between the Zionists and the Nazis, in which the Nazis smuggled Jewish settlers in Palestine, then under the British Mandate. But mentioning this, according to the Israel lobby in this country, means that you’re an anti-Semite. Look what happened to Mike when he did in his long piece defending Ken Livingstone, The Livingstone Delusion.
The identity of Zionism and Judaism is also highly dubious. Ultra-Orthodox Jews, such as the Haredi and True Torah Jews, passionately reject the state of Israel for religious reasons. They believe that Israel can only be founded by direct divine action through the Messiah. Modern Israel was founded by secular atheists, and so to them is an abomination. Before the Second World War, most Jews throughout the world, whether in America or Europe or wherever, simply wanted to be equal citizens of the countries, where they had lived for centuries, if not millennia. They regarded these as their real homelands.
As for the accusation that anti-Zionism is based on conspiracy theories, well, there is a mass of very strong evidence showing that the attacks on anti-Zionists and critics of Israel as anti-Semites are very much instigated and supported by the Israeli state through its Office of Strategic Affairs. And recognising that is very different from believing idiotic, murderous myths about the Jews controlling capitalism and trying to destroy the White race.
Philips then went on to declare that ‘Islamophobia’ was invented by the Muslim Brotherhood to mimic antisemitism’. Er, no. Zelo Street states that the term was invented before 1923, citing the article in Wikipedia, which suggests that the term was first used in a 1918 biography of the Prophet Mohammed by the painter Alphonse Etienne Dinet and the Algerian intellectual Sliman ben Ibrahim. The Muslim Brotherhood wasn’t founded until 1928. Philips then went on to claim that “‘Islamophobia’ appropriates to itself the unique attribute of antisemitism – that it is deranged – in order falsely to label any adverse comment about the Islamic world as a form of mental disorder”. Zelo Street succinctly demolishes this absurd claim by stating that the term is simply used to describe anti-Muslim bigotry. Which is correct. I haven’t heard of anyone seriously suggesting that anti-Muslim prejudice is a form of mental illness, or demanding that those who allegedly suffer from it should somehow need psychiatric treatment to cure them. Philips then continued “The concept of ‘Islamophobia’ is thus profoundly anti-Jew. Islamophobia’ is not equivalent to antisemitism. It facilitates it”.
The Board of Deputies found these sentiments to be unpalatable, and issued the following statement in professed solidarity with Muslims and others suffering racism. the Jewish Chronicle’s “fearless journalism has been at the forefront of tackling antisemitism & its denial. The publication of this piece was an error. Anti-Muslim prejudice is very real & it is on the rise. Our community must stand as allies to all facing racism”.
The Muslim Council of Britain also wasn’t impressed. Zelo Street quote a tweet by Miqdad Versi, describing how the Jewish Chronicle has a lot of previous in stirring up anti-Muslim sentiment, especially with articles by Philips. Versi said
“We should not be surprised by the Jewish Chroncile – it’s not the first time. When many Muslims were reeling after the massacre in Christchurch, they published a similar hate-filled piece by Melanie Phillips.They lied about the [MCB] & had to correct their lie … They lied about a Muslim charity, falsely linking it to terrorism, necessitating an apology and paying libel damages … When Baroness Warsi speaks up against Islamophobia in the Conservative Party, its editor tries to slur her … In one of a *number of articles* intending to undermine the definition of Islamophobia, it made false claims of links to extremism, about Professor Salman Sayyid, which it had to retract … This latest article is not a one-off but part of a pattern of behaviour – an editorial line on Muslim-related issues as the thread shows”.
Zelo Street concludes that at least the Board of Deputies has called the Jewish Chronicle out on this one. It’s just a pity that it won’t have any effect on either Philips or the editor, Stephen Pollard.
I also find the Board’s statement somewhat hypocritical.
David Rosenberg of the Jewish Socialist Group stated in one of his articles that when he was growing up in the 1980s, the Board of Deputies did not want Jews such as himself attending any of the anti-racism marches or protests by organisations like Rock Against Racism. The ostensible reason was that they were trying to stop Jewish youth from hearing anti-Zionist propaganda. But others on the Left thought the real reason was simple racism on their part. Whatever the reason, some of the meetings held by Jewish anti-racists had to be held in non-Jewish venues, like Quaker meeting houses and church halls, because the Board forbade synagogues to allow them to meet there.
The Board of Deputies is a Zionist organisation. It’s in their constitution. And as such, it has absolutely no qualms accommodating real Islamophobes. Let’s take their mass demonstrations with the Chief Rabbi and the Jewish Labour Movement against Jeremy Corbyn last year or so. The former Chief Rabbi, Jonathan Sacks, has led a group of British Jews to participate in the annual March of the Flags in Jerusalem. This is when Israeli super-patriotic bovverboys parade through the city’s Muslim quarter waving the country’s flag, vandalising Arab property and terrorising the neighbourhood’s people. Liberal Jewish organisations asked Sacks not to go. But he went anyway. As far as I am aware, there was not a peep of criticism from the Board, and they were happy to join the attacks on Corbyn by Sacks and his successor, Ephraim Mirvis, who may also have participated in the March. I also remember that among the protesters was one young man wearing a Kach T-shirt. Kach are an Israeli far-right organisation, which was banned under their terrorism laws. I am similarly aware of no criticism of this man by the Board.
In my experience, the issue of the Palestinians looms very large amongst this country’s Muslims. I studied Islam at College in the 1980s and early ’90s. I once came across the equivalent of a Christian parish magazine put out by one of the mosques. Among its articles was coverage of the closure of a mosque and a nearby church by the Israeli authorities. The Israeli state has a policy of closing down unauthorised non-Jewish places of worship as part of the general pressure and discrimination against the Palestinians. And certain sections of the Muslim community in this country were very aware of it. My guess is that the mosque that published the article wasn’t alone in its concern for its coreligionists in the Holy Land, and that this attitude is general and persists to the present day. That does not mean that they all hate Jews or want to see Israel destroyed and its people massacred. It does mean, though, that they want the religious and ethnic persecution of the Palestinians stopped. But the Board of Deputies flings around accusations of anti-Semitism in order to stop criticism of Israel for its actions against the Palestinians.
If the Board of Deputies is really serious about standing in solidarity with Muslims against racism, then one excellent place would be to start protesting against the treatment of Muslims – and by extension Christians – in Israel.
Until that happens, the Board is just being hypocritical.
