Posts Tagged ‘The One Show’

Vox Political on the Private Police Force Now Being Unrolled by the Tories

May 8, 2018

Mike over on Vox Political has just put up a piece reporting and commenting on a private police force, My Local Bobby. This was first introduced in three of the wealthiest boroughs in London, and is now set to be unrolled nationally. He makes the point that we’ve known for a long time that the Tories have wanted a private police force. Now they look set to have one, while the real police are being run down and starved of funds and officers. He states that this looks like a protection racket to him, and asks what his readers think.

https://voxpoliticalonline.com/2018/05/08/private-police-or-protection-racket/

This another issue I really can’t let go. The Tories have been planning to set up a privatised police force since the late 1980s and early 1990s. I can remember Virginia Bottomley, one of Major’s cabinet, raving in the Mail on Sunday about how wonderful it would be.

It’s another idea that the Tories have taken straight from the Libertarians. It comes from the demented ideas of their leader, Rothbard, who would also like to privatise the courts. The Libertarians see themselves as Anarchists, though I think genuine Anarchists would vehemently dispute this. Especially as the Libertarians themselves have their own history of anti-Semitism. In the mid ’70s their journal in the states, run by one of the Koch brothers, ran an edition dedicated to denying the Holocaust. This included articles by some of the most notorious of the country’s real neo-Nazis. The purpose behind it was to attack Roosevelt. The Libertarians hate the minimum welfare state Roosevelt introduced with the New Deal. But Roosevelt is also popular for taking America into the War and helping to defeat the horrors of Nazi Germany. World War II is seen as a good war, because of the Shoah – the Holocaust. And so the Libertarians decided that to undermine the New Deal, they had to try and discredit Roosevelt generally. Thus the publication of the vile lies to try to convince people that the Holocaust never happened.

Then Ronald Reagan got into power, who supported the Libertarians. Finding themselves suddenly in the mainstream, they decided to bury their anti-Semitism and Holocaust denial to avoid this coming back to discredit them.

As for a private police force, there are several arguments against them. Firstly, justice must be the preserve of the state. Those who take the law into their own hands without the proper sanction of authority are vigilantes. And Fascist regimes have also incorporated right-wing paramilitary organisations as part of their police and military. The radical American journalist Chris Hedges, talked about how the Nazis did this with the SS. He predicted that Trump would do something similar with the paramilitary racist groups in the Alt Right, such as the violent, White supremacist ‘Proud Boys’. The private police here aren’t racist, but they are a private organisation carrying out police functions, and so somewhat like those predicted by Hedges. Which leads to the question: the Tories are deeply racist, as shown by Tweezer’s deportation of the Windrush migrants. How long will it be, if the Tories get away with this, before they start to give police powers to real, openly racist groups?

According to Mike’s article, these new private bobbies can use citizen’s arrests. Well, so can anybody. But the One Show a while tackled the issue, and it’s not as clear cut as it may appear. There are very strong legal restrictions on how they can be made. Put simply, you can only make a citizen’s arrest if there is a danger that the perp may escape before a real copper gets there. So these fake police are still dependent on the real thing.

Then there’s the argument from morality and efficiency. According to this scheme, you’re given the protection of this private police force, if you pay £200 a month. But what happens if not everyone in the area agrees to pay that, and some don’t sign up? Clearly, they don’t get police protection, which means they become at risk from crime. This is unjust. But it’s also a danger to the other residents. Say, for example, someone outside this scheme is murdered, and their home taken over by violent thugs. The private cops don’t move against them, because that person didn’t pay his £200 a month. But the occupation of his house by the gang also puts everyone else in the street or area in danger.

Private police are a rubbish idea. They don’t work and they’re immoral. Which is why this morally corrupt government backs them. This lot sound like a bunch of corporate vigilantes. And the fact that the scheme was tried out in three of London’s richest boroughs shows how classist this scheme is. The rich get policing, while the real police keeping the rest of us safe are deprived of staff and funding, making our streets much less safe.

Which is the Tories all round. It really is one law for the rich under them, and another for the poor.

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Pat Mills – Be Pure! Be Vigilant! Behave! 2000AD and Judge Dredd: The Secret History: Part Three

March 30, 2018

Although the comic has been revived and managed very successfully by Rebellion and its new editor for the past 15 or so years, some of the joy has gone. The close collaboration between writers and artists has disappeared, and the editor himself avoids close contact with the other creators. This is partly because of budget and time constraints. The attitude throughout the industry now seems to be one of diligent, quiet efficiency, rather than some of the fun-filled, boisterous meetings Mills and the others had, acting out what they wanted the characters to do in an atmosphere of playful fun. Not that it was always the case. Mills also worked hard, and as an editor he was often called up to deal with artists experiencing some form of crisis, including trying to stop one fellow from committing suicide. But the underlying cause of the decline in British comics remains unaddressed. This is the lack of ownership by the creators for their work. He states that this is the real reasons comics are declining, not computer games. They have those in France, but kids are still reading comics. He also talks about the immense fun he had over there with his Requiem: Vamnpire Knight strip, also available in English translation on the Net.

Mills also talks about some of the other strips he has worked on, which have influenced 2000AD, such as Battle, the notorious Action, Crisis and Toxic. Battle was a war comic, which Mills subverted with Charlie’s War, a First World War strip which had an anti-war message. Mills has come across a number of men, who joined the army through reading such comics. He’s very proud that Charlie’s War had the opposite effect, and after reading it one young lad decided he really didn’t want to after all. Mills is very political, and criticises British literature for its lack of working class heroes. He sees this as partly deliberate, as so many of the great adventure writers were connected to the Intelligence Services and the secret state. Names like John Buchan, Dennis Wheatly – who would have been gauleiter of London, had Hitler conquered Britain – and Ian Fleming. He describes how the script editor of Dr. who in the ’80s turned down a story he’d written, as it included a spaceship captain who was working class. The story has since been made into a CD adventure by Big Finish, and there have been absolutely no complaints.

Action was initially suspended, and then banned outright for its violence. It was also controversial as the first strip to feature a sympathetic, non-Nazi German hero in Hellman of Hammer Force. The comic was so hated by respectable society, that one of the presenters of Nationwide, a 70s current affairs magazine show pretty much like today’s One Show, tore a copy up on camera in front of one of the writers. After it returned, the violence because even more over the top to the point where it shocked Mills, leading to its eventual ban.

Mills is unhappy with SF as a vehicle for social comment, as he feels it is ducking the issue. And so he created Crisis and its Third World War strip, which was all about the exploitation of the Developing World and the politics of food. He’s particularly proud of one story about the scandal of Nestle’s baby milk. But this was completely beyond management’s ability to understand why he included this issue in a boy’s comic.

And Mills and his co-creators were also accused of anti-Semitism by the Board of Deputies of British Jews. They did a story about Palestinian, in which a militarised cop, or a member of the IDF, beats a protester so badly, that they break all his limbs, and he falls to the ground. The Board complained that the man’s broken body resembled a swastika, which shows they were reading things into it which weren’t there. The three other creators of the story were Jews, and Mills thought that the Board couldn’t accuse them all of being self-hating. The strip was published by Robert Maxwell, who told them where they could stuff their idea. He was a crook, who robbed the Mirror’s pension fund, but here he did the right thing. You can beat the Israel lobby if you stand up to them.

Mills is clearly a hard-working, passionate enthusiast for comics, and a determined supporter of his fellow writers and artist. He wishes the industry to go back and try to appeal again to young children, although he makes the point they’re ruder than the adult fans, with whom you can have interesting conversations at conventions. He admits that its much harder now to get published in 2000AD, but not impossible, and gives valuable, careful advice to aspiring writers and artists.

As well as a fascinating account of the rise and career of 2000AD, it was for me also quite a nostalgic read. I remember some of the strips Mills wrote for and created, including the comics Whizzer and Chips, Battle and Action. I have mixed feelings about Action. I enjoyed strips like One-Eyed Jack and Death Game 1999, based on the film Rollerball. I wasn’t so keen on Dredger, which did have some horrifying stories. One of these was a Russian dissident punished by having his brain gradually removed by surgery until he was vegetable, and another tale in which a foreign politician is murdered. Sulphuric acid is poured into his shower so that he literally goes down the drain. But the strip I really didn’t like was ‘Kids Rule UK’, set in a future where all adults had died, and Britain was run by violent kid’s gangs. I was bullied at school, and this was for me an all-too frightening concept. I also stopped reading 2000AD for a time, because the stories there were a bit too sadistic. Which was a pity, as I later found out, because I missed some great strips.

2000AD will celebrate its fiftieth anniversary in a decade’s time, thanks to the inspiration of Pat Mills and his fellow creators. And I hope that afterwards the comic will go on to enjoy another fifty years under new, equally enthusiastic, committed and inspiring creators.

Splundig vur Thrigg, as the Mighty Tharg used to say.

Art Robot O’Neill’s Twisted Take on Christmas

December 29, 2017

Kevin O’Neill is one of the great British comic artists, who came out of 2000 AD in the 1970s. His grotesque and nightmarish depictions of aliens, mutants and robots have been delighting and traumatising readers for decades. With writer Pat Mills, he created the Nemesis the Warlock strip, and has drawn the art for a number of classic comics, including Marshal Law and the League of Extraordinary Gentlemen. The last has been turned into a film with Sean Connery as Alan Quatermaine. This weird vision of the Christmas season is the wrap-around cover for 2000 AD 398, for the 29th December 1984. As you can see, it shows a monstrous Santa Claus, a chimney with jaw pursuing a flying Christmas turkey, snowmen fighting, and two houses trying to burn each other down with their chimneys. Oh yes, and the mechanical reindeer that’s part of Santa’s sleigh looks anything but jolly. Though he is red-nosed.

O’Neill’s artwork was considered so grotesque and revolting that it was banned by the Comics Code. The Comics Code were an unelected body of censors set up following the scare about Horror comics that devastated the industry in the 1950s. They were charged with making sure that American comics were good, wholesome fun, and were suitable for children. I can remember Mike telling me that American comics at the time worked to be suitable for a child of seven to read. It was supposed to be a voluntary code, meaning that its decision were not legally binding, and there were comics published far outside, and often deliberately against their control: the underground comics, like Robert Crumb, and the independents, like Cerebus the Aardvark. In practice, however, the Code had a near total grip dictating what comics could or could not publish. If a comic did not have their seal of approval, then the vast majority of newsagents and mainstream retailers simply wouldn’t sell it.

This whole system collapsed in the 1980s, as a new generation of fans objected to censorship and being told what they could or could not read in their favourite literature. The result was the emergence of adult comics ‘for mature readers’, like Marshal Law. But this was not before there were a few casualties. O’Neill was one of them.

He was the artist for a story in DC’s Green Lantern Corps, written by Alan Moore, who had also been one of the script robots working on 2000 AD. In the story, the Corps visit a planet which has been overrun by demons. The Code rejected it.

Moore rang them up, and asked if they would pass it if he made a few suggested changes. No, they told him. He tried again, suggesting taking out another incident in the strip. No, they still wouldn’t pass it. So Moore asked him what was wrong with the strip, that they didn’t want to pass it.

‘O’Neill’s artwork’, the faceless censors replied. ‘It is totally unsuitable for children’.

In the end, I think DC did go ahead and publish the story, but it appeared without the Comics Code approval badge on its cover.

I really like O’Neill’s art, but there’s no getting away from the fact that it is grotesque and disturbing. I can remember reading an interview with another British comics great, Dave Gibbons, who drew the Rogue Trooper strip in 2000 AD, where he said that a fan had told him at a comics convention that O’Neill’s artwork gave him nightmares. He could only dispel these by looking at Gibbons’ smooth art.

2000 AD later paid homage to the incident in one of their anniversary issues, where Tharg walked around various characters and art and script droids in his head. O’Neill is depicted as a crazed, stunted brat drinking at of a can marked ‘Bile’. During their brief conversation, Tharg describes O’Neill’s ban by the Comics Code as his great accolade.

It says something about American culture at the time that O’Neill’s art was considered too grim and upsetting for children across the Pond, but he had been published in 2000 AD for years and was one of the comic’s cult artists.

As for the nightmarish vision of Christmas, this strangely harks back to the type of humour the Victorians themselves like to put on their Christmas cards. There was a brief piece about Christmas cards on the One Show about a week ago, where they mentioned that the first Christmas cards showed scenes of anthropomorphised Christmas food or other items hunting each other over a wintry background. Art robot O’Neill’s weird, crazed interpretation of the festive season harks back to that, although its direct inspiration was probably the iconoclastic punk ethos that ran through 2000 AD.

Here’s the two pictures. Enjoy, and don’t have nightmares!

Counterpunch Demolishes Some Churchillian Myths

December 8, 2017

There’s a very interesting piece by Louis Proyect over at this weekend’s Counterpunch, The Churchillian Myths of 1940, where he takes a well-observed aim at two of the recent films about the Second World War. One is Christopher Nolan’s Dunkirk, the other is the forthcoming biopic about Winston Churchill’s battle against the appeasers in the British cabinet in 1940, The Darkest Hour. This hasn’t been released yet, and is set to come out on December 21st (2017). It stars Gary Oldman as Churchill, and is directed by Joe Wright.

Dunkirk’s already attracted much criticism because of its historical inaccuracies. I think it’s been accused of racism, because it ignores the large numbers of the British forces, who were Black and Asian. But Proyect also draws on a critique of the film by Max Hastings of the Telegraph to show how the film presents a very mythical view of Dunkirk. The film has it that the British troops are under constant shooting and bombardment by the Germans, and that they are saved by the flotilla of small vessels that went over there to rescue them. In fact, according to Hastings, the Germans largely left the retreating British alone. As for being saved by the small ships, 2/3 of the troops were rescued by the fleet of big ships that were sent by the navy. There were 37 of these, but six were sunk. Proyect also criticises a scene where the sailors aboard a sinking ship discuss how they are going to get to the surface without being mown down by the Germans. He compares this unfavourably to the Poseidon Adventure, producing the quotes by the critics to show that this is actually a far superior film.

More serious is the way the film deliberately omits atrocities committed on the civilian population by the retreating British. Proyect states that at the time the British squaddies were under immense physical and psychological stress. They responded by shooting anyone that moved, including old women and nuns. This is historical fact. Proyect cites and describes one of these incidents. The trooper had been told to take no prisoners, except for interrogation, and so blazed away accordingly.

As for the Darkest Hour, Proyect draws on an article by Clive Ponting on the Churchill Myth. Older readers of this blog will remember that Ponting was the civil servant Maggie tried to prosecute under the Official Secrets Act because he leaked two documents about the sinking of the Belgrano to the Labour MP Tam Dalyell. Ponting was acquitted, because the jury weren’t about to be told what to do by Maggie.

He points out that in fact the difference of opinion between Churchill and the appeasers, like Lord Halifax and Neville Chamberlain, was actually much smaller than most people realised. At the time, Churchill was in favour of making peace with Germany, and had sent feelers out to see what their terms were. Where he differed from Halifax and Chamberlain was that they were in favour of making an immediate peace, while he wanted to fight on for a few more months.

The film does show Churchill hesitating at one point, and Proyect states that this would have been unthinkable a few years ago, as the official archives were still closed and the only source material available were Churchill’s own self-aggrandising writings. In which he portrayed himself as the resolute warrior.

But this ignores just how pro-Nazi Churchill had been, as well as anti-Semitic. What! Churchill pro-Nazi? The very idea! But he was. In 1937 Churchill wrote of Hitler

Those who have met Herr Hitler face to face in public business or on social terms,” he said, “have found a highly competent, cool, well-informed functionary with an agreeable manner, a disarming smile, and few have been unaffected by a subtle personal magnetism.” Despite the arming of Germany and the hounding of the Jews, “we may yet live to see Hitler a gentler figure in a happier age,” Churchill wrote. He was doubtful, though.

As for Leon Trotsky, Churchill reviled him with all manner abuse, not just because he was a Bolshevik, but also because Trotsky was Jewish. He quotes Nicholson Baker’s Human Smoke, a revision history attacking the notion of World War II as ‘the good war’, from which he also took the above quote about Hitler from Churchill. Baker writes

Churchill also included a short piece on Leon Trotsky, king in exile of international bolshevism. Trotsky was a usurper and tyrant, Churchill said. He was a cancer bacillus, he was a “skin of malice,” washed up on the shores of Mexico. Trotsky possessed, said Churchill, “the organizing command of a Carnot, the cold detached intelligence of a Machiavelli, the mob oratory of a Cleon, the ferocity of Jack the Ripper, the toughness of Titus Oates.”

And in the end what was Trotsky? Who was he? “He was a Jew,” wrote Churchill with finality. “He was still a Jew. Nothing could get over that.” He called his article “Leon Trotsky, Alias Bronstein.”

https://www.counterpunch.org/2017/12/08/the-churchillian-myths-of-1940/

I am not surprised by Proyect’s description of Churchill’s highly equivocal attitude to Nazi Germany. Churchill himself was very authoritarian. He had visited Mussolini’s Italy, though he had not been impressed when the Duce compared the Blackshirts to the Black and Tans, and privately remarked that Musso was ‘a swine’. But he did like General Franco. The historian Martin Pugh, in his book on British Fascism between the Wars, states that Churchill’s opposition to Nazi Germany did not come from any deep ideological view, but simply because he was bitterly suspicious of Germany and believed that it would block British interests in the North Sea. Pugh points out that he didn’t seem concerned that a bloc of Fascist states in southern Europe could do the same to British interests in the Mediterranean.

It would be interesting to know what Peter Hitchens thinks of all this. Hitchens is deeply Conservative, but he is a fierce critic of the Second World War as ‘the good war’, and has absolutely no love of Churchill. Indeed, in his book taking aim at New Atheism a few years ago, The Rage Against God, he attacked the cult of Churchill as a kind of ersatz religion, put in place of Christianity. It’s a bit of stretch, as it wasn’t quite an exercising in God-building that the Soviets tried. In the former USSR there was a brief movement after the Revolution to create a kind of atheistic religion, centred around great revolutionary heroes, to harness religious sentiments for the cause of Communism. The cult around Churchill isn’t quite like that. But nevertheless, to some Churchill is almost a sacrosanct figure, against whom you must not utter a single word. You can’t, after all, imagine Dan Snow on the One Show, striding around what remains of Churchill’s office and papers, telling the world how ‘Winnie’ at one time looked approvingly on Hitler and was very nearly ready to make peace. Or that, when it suited him, he was viciously anti-Semitic.

Martin Odoni: Lack of Brexit Impact Assessments Means Government Should Go

December 7, 2017

There were calls last week for David Davis to reveal the 60 or so impact assessments on Brexit, that the government had compiled and was supposed to be suppressing. Davis himself was facing accusations of contempt of parliament for refusing to release them. Now he has revealed that, actually, there aren’t any. Mike over at Vox Political has put up a short piece from Martin Odoni over the Critique Archives, who makes the obvious point: the government is seriously negligent, and should go. The members of every opposition party in parliament should unite and demand their resignation. He makes the point that the referendum was conducted so that Cameron could get the Tory right on board, and that in the 2 1/2 years since it is absolutely disgraceful that the Tories simply haven’t bothered to work out how Brexit would affect Britain.

http://voxpoliticalonline.com/2017/12/07/if-there-are-no-brexit-impact-assessments-the-entire-tory-government-is-grossly-negligent-and-must-go/

I can’t agree more. Every day brings fresh news of how Brexit is damaging Britain’s economy and world status. Today there was a piece on the news reporting that universities are finding it difficult to recruit foreign graduates, thanks to Brexit. We have lost three regulatory bodies to Europe in the past week. Mike has also reported that Britain’s scientists will also losing funding due Brexit, as they will no longer be quite so much a part of the European science infrastructure.

At the same time the Tory right is trying to strip the human rights and workers’ rights legislation out of British law, to make it even easier to fire and exploit British workers. And British businesses are wondering how well they will fare without access to the single market.

Brexit is a mess. And you could tell it was going to be a mess, from the way the Maybot mechanically intoned ‘Brexit means Brexit’ whenever anyone asked her what Brexit meant, all the while staring at the interlocutor as if they, not she, were the stupid one. The Tories have no plan, only slogans and lies. In this case, we’ve seen Michael Gove pop up again and again to give his spiel about how wonderful everything will be after Brexit. As has Young Master Jacob Rees-Mogg. Gove was on the One Show Last Night in an article about the crisis hitting the British fishing industry. And guess what – he said that Britain would once again have the largest, or one of the largest fishing fleets in the world, after Brexit.

As Christine Keeler said all those years ago, well, he would say that, wouldn’t he?

Many people voted for Brexit because they were genuinely sick and tired of the neoliberal policies forced upon Britain and the other European countries by the EU. This was quite apart from the nationalist and racist fears stoked by UKIP about foreign, and specifically Muslim, immigration.

In fact, Brexit has been promoted by the financial sector and its Tory cheerleaders so that Britain can become another offshore tax haven. It’s part of a very long-standing Tory policy going right back to Maggie Thatcher, that has seen the financial sector given priority over manufacturing. The attitude became official policy under Blair, when it was announced that we shouldn’t try to restore our manufacturing industries, and should concentrate on the financial sector and servicing the American economy.

It’s a profoundly mistaken attitude. Ha-Joon Chang in his books on capitalism states very clearly that manufacturing is still vitally important for the British economy. If it occupies less of the economy, it’s because it hasn’t grown as much as the financial sector. But it’s still the basis of our economy.
But I doubt that will cut much ice with Tory grandees like Jacob Rees-Mogg, who makes his money through investments, rather than actually running a business that actually makes something.

And so the British economy is being wrecked, British businesses are looking at ruin, and British workers looking at precarity and unemployment, because the government in this issue is guided by tax-dodging bankers.

The Tories have been colossally negligent to the point of treating the British public with absolute contempt. Mike and Mr Odoni are absolutely right.

They should resign. Now.

May’s Grubby Deal with the DUP Has Undone Decades of Work in Ulster

July 5, 2017

Yesterday, Mike also put up a piece reporting that talks between Sinn Fein and the DUP about a new power-sharing agreement for Northern Ireland have broken down, resulting in acrimonious recriminations being hurled between the two parties. To illustrate it, there’s a photo of Michelle O’Neill, the leader of Sinn Fein, and Arlene Foster, the DUP’s leader together. The two are pointedly looking away from each other and it looks like they can’t stand even being in the same room.

The immediate cause of the breakdown in talks is failure to reach an agreement regarding protection for Gaelic-speaker in Northern Ireland, as well as the DUP’s intransigent opposition to gay marriage.

But Mike also points out that the ultimate cause is that May has unfairly favoured one side – the DUP – over the other in order to shore up her crumbling position in Westminster. And in so doing, she has undone the decades of work that has produced peace in the Six Counties.

In upsetting this delicate balance of power, Mike states that she has shown herself to be pathetic amateur rather than the serious professional she posed as. And he asks how long it will take to put her mistake right again.

See: http://voxpoliticalonline.com/2017/07/04/theresa-may-has-set-back-decades-of-work-for-peace-in-northern-ireland/

Some idea of the sheer irrational hatred the Unionists have for the Gaelic language can be gauged by a bizarre story that appeared in Private Eye a decade or more ago. One of their politicos had made a complaint to one of the local bus companies after a tour bus went past with what he thought was a message in Erse on the side.

Except it wasn’t. It was French.

As for homosexuality, Paisley himself led a campaign against its legalisation in Ulster under the slogan ‘SUS’ – ‘Save Ulster from Sodomy’, as if he feared that as soon as the legalisation of same-sex attraction between consenting adults would result in Ulster being flooded by gays from across the world.

Some of the practical benefits peace has brought to the province were also on display on television last night. Bus Wars followed a group of tour guides in Northern Ireland as they fought with their rivals to get the tourists on to their tour buses. These guys spoke glowingly about their love of telling foreign visitors about their country. Among the passengers on one of the buses, which included Americans, were a pair of Scots girls, who raved about Ulster and its people. The tour guides commented on artistic points of interest on paramilitary murals painted on the sides of houses, and the notorious peace wall in the Shankill Road, set up to proven the Nationalists and Loyalists from attacking each other.

While those signs of the Troubles are obvious, they also pointed out with pride the hidden signs of peace. The exterior of Queen’s University in Belfast is covered with a multi-coloured glass façade. The guide asked his passengers what that meant. They replied that it was because Ulster was enjoying peace. ‘That’s right,’ he said, ‘No more bombs.’

And The One Show the other day also interviewed Colm Meaney about his latest flick, in which he plays Martin McGuinness in a play about a fictitious car journey he made with Ian Paisley, played by Ralph Spall, in which the two were forced to work out their differences to bring about peace in Ulster. Meaney is a veteran actor, who’s been in any number of TV shows and movies, from Dixon of Dock Green onwards. But to Science Fiction he’s probably best known as Chief O’Brien from Star Trek: The Next Generation and Deep Space 9. Meaney said that what attracted him to the film was that it was also very funny, and that McGuinness and Paisley became so close they were known as ‘the Chuckle Brothers’. Some of the comedy in the movie was shown by a clip from the film, where the chauffeur asks the two politicos who they are. McGuinness introduces Paisley as the leader of the Free Presbyterian Church. Paisley in his introduction states that McGuinness is an officer in the IRA. To which McGuinness leans over and says, ‘Allegedly’.

The fact that this movie has been made shows how important the peace agreement has been in ending much of the paramilitary violence in Ulster, while the episode of Bus Wars also showed the reverse of the political situation there. That due to the peace agreement, this is a place which welcomes visitors from abroad, and is a place where workers in the tour industry can speak with pride about their country from a broad, inclusive perspective free of sectarianism.

Ulster still is a very divided community, and the political situation is very tense. These two shows together show how much is at stake, how much will be lost if May’s partisan deal with the DUP shatters the strained peace agreement. It’s a deal May should never have made. But she could correct it easily – by stepping down and leaving the way open for a Labour government.

David Cesarani’s Book on the Holocaust on Sale in Bristol

January 28, 2017

Last week was Holocaust Memorial Day, in which the world commemorates the six million Jews murdered by the Nazis. Last Sunday, Antiques Roadshow devoted an edition to the Holocaust, and on Wednesday the One Show had a piece reporting how a British Jewish lady was able to gain compensation for her family’s department store in Germany, which had been taken from them by the Nazis during the persecution that resulted in her leaving her homeland to come to Britain. It was a fascinating tale showing one woman’s quest to regain some part of what had been stolen from her family. Unfortunately, millions weren’t so lucky, as the majority of European Jews weren’t millionaires, but extremely poor. And there have been a number of vile cases, where people have launched legal cases to regain their property, only to gain absolutely nothing as any financial assets coming their way were eaten up by their lawyers’ fees.

Looking through the history shelves in the Bristol branch of Waterstone’s the week before last, I came across a copy of David Cesarani’s book on the subject, along with the various other books. Ceserani’s an Israeli historian, who holds very strong Zionist views. He very firmly defends Israel’s right to exist, and in the 1980s, according to Lobster’s John Newsinger, was one of the first to equate anti-Zionism with anti-Semitism. A little while ago I posted a piece up about a very fascinating article Newsinger had written about Caeserani’s book in Lobster. Despite his very strong ideological and patriotic bias, Ceserani’s book also discusses the Zionists’ initial collusion with the Nazis in sending German Jewish immigrants clandestinely to Palestine, then under the British Mandate. The book also reveals the hostility the Zionist founders felt towards the Jews, who wanted to remain in the European homelands. Those who did so included the patriotic Jewish servicemen’s league in Germany. As you can expect, these courageous people were extremely difficult for the Nazis to smear as evil subversives. After all, they’d put their lives on the line and proudly fought for their country. One of the Zionist leaders even remarked that he’d rather see half the Jews in Europe die under the Nazis, and the other half go to Israel, than the whole of European Jewry being saved through emigration to England. It’s a disgusting, chilling quote that reveals the leaders’ cynical disregard of the suffering of millions, if it didn’t result in new colonists for the fledgling state.

Newsinger was deeply impressed with the depth of scholarship amply displayed in Ceserani’s book, and recommended it to everyone with a genuine interest in this most horrific aspect of 20th century European history.

But Newsinger in discussing the book wanted to show how it actually confirmed the historical truth of the comments made by Ken Livingstone, which saw him accused and suspended for supposed anti-Semitism. Red Ken had committed the terrible crime of pointing out that the Zionists and the Nazis initially collaborated. Despite the loud assertions from the Blairites and the Israel lobby in the Labour party that he was a vile anti-Semite for saying so, Livingstone was entirely correct and is, from what I’ve read and her from him, certainly not a Jew-hater.

I mention the fact that I’ve seen the book on sale in Bristol to show that it is around and in print if anyone is keen to check the facts behind these allegations.

And regardless of this issue, I’m sure that by keeping the memory of the Holocaust present, it has done much to stop post-war Nazi movements gaining power, at least up to this point, through the simply fact that too many people know too much about the horrors they perpetrated ever to want to give them that power again.

Jeremy Corbyn Suggests Capping Director’s Pay – Media Goes Ballistic

January 11, 2017

Mike yesterday put up a piece reporting on another good suggestion from Jeremy Corbyn, and the predictable response of outrage and sneering from the meejah. The Labour leader had said on an interview on Radio 4 yesterday morning that he believed that there should be a cap on the pay earned by company directors and senior execs. The media naturally responded by pointing out that Corbyn has an annual pay of £138,000 a year, and tried to draw him into giving a price figure for what the maximum amount earned should be.

The story got onto the One Show yesterday evening, where they did a brief survey of people in the street. Opinions were, as they say, mixed. One elderly objected to the cap on the grounds that it might take away the incentive for people rising to the top. Looking at the headlines on the various papers this morning, it was very clear that it had riled someone at the Torygraph, as this was the story they shoved on their front cover. Other newspapers, like Mail, led by claiming that Labour’s policy in immigration was ‘in disarray’. Mike’s also written another article this week showing that’s also rubbish.

Mike in his article makes the point that compared to some of the vast, bloated salaries awarded to company executives, Corbyn’s own salary appears very modest indeed. He suggests that it is stupid to try to lay down a particular set figure – it should be based on company turnover and the lowest wage earned by an employee at that company. He also makes the point that the casting of particular star actors can make a great difference to how well a movie does, and that when this happens, everyone else who worked on the movie should also enjoy the films’ financial awards.

http://voxpoliticalonline.com/2017/01/10/if-we-examine-who-is-complaining-about-corbyns-maximum-wage-idea-well-know-why/

This is all correct. And there’s something else that needs to be added:

Japan already has maximum wage legislation.

Yep, it’s true. Japan is one of the world’s five wealthy countries with a very capitalist economy. The centre right Liberal Democratic party has ruled the country almost uninterrupted since the Second World War. And it also has a cap on how much company directors may be paid. I think it’s set at about 20 times that of the lowest paid employee, but I am not sure.

And the limitation of wage differentials is not something that has been simply added on in the course of reform, but an integral part of the dominant, guiding vision of the nature of Japanese society. East Asian societies can be extremely collectivist, stressing group loyalty over individual opportunity or achievement. In Japan the goal was to create a harmonious, middle class society, where there would be no extremes in wealth or poverty. This isn’t quite the case, as the Burakami, an outcast group rather like the Dalits in India, and those of Korean descent are still subject to massive poverty and discrimination.

The Japanese have also tried to justify their collectivist outlook through racist pseudo-anthropology. One school textbook claimed that Japanese society was more collectivist and co-operative because the Japanese people were descended from agriculturalists, who had to forge strong links with each other in order to cultivate and harvest rice. We Westerners, however, were all isolated individualists because we’re all descended from hunter-gatherers.

As anthropology, it’s rubbish, of course. Some social historians have argued that agricultural societies are more prone to tyranny and absolute government, which would include the type of Asian absolute monarchies described by Western observers as ‘oriental despotism’. But all human societies were originally hunter-gatherers, including the Japanese. And European society has practised settled agriculture since the beginning of the Neolithic 6,000 years ago.

The origins of Japanese and East Asian collectivism probably lie more in the influence of Confucianism, which stressed the right relationships between the members of society, such as between the prince and the people, and between elders, parents and children, and the still powerful influence of feudalism in structuring social relationships. Instead of a samurai warrior giving his loyalty and service to a daimyo feudal lord, it’s now the sarariman – the corporate warrior – becoming part of the retinue of company employees under the lordship of the director.

And European individualism probably comes not from any vestiges of our hunter-gatherer deep past, but from the effect of Hobbesian Social Contract political theorising and the free trade economics of the French Physiocrats and Adam Smith. Hobbes has been described as the first, of one of the first philosophers of the emerging bourgeois society of the 17th century. This was the period which saw Cromwell sweep away the last vestiges of feudalism in England, and the emergence of modern capitalism. But Hobbes’ philosophy views people as social atoms, all competing against each other, as opposed to other views of society, which may stress the importance of collective or corporate identities and loyalties, such as family, feudal lordship or membership of trade and professional bodies. Similarly, the founders of the economic theories of modern capitalism, such as the Physiocrats in France and Adam Smith and in Scotland, also stressed unrestrained individual competition. They were also specifically arguing against the mercantilist system, in which the state regulated trade. For example, in the 17th and 18th centuries the British government enacted a series of legislation governing trade with its emerging colonies, so as to tie them to the economy of the home country, which would benefit from their products. Modern Western individualism come from these theories of capitalist society and the perceived operation of its economy.

The collectivist nature of Japanese society also expresses itself in other ways in the structure and management of Japanese corporations. Singing the company song in the morning is one example. Management are also encouraged or required to share the same canteen as the workers on the shop floor. Both of these practices, and no doubt many others, are designed to foster group solidarity, so that management and workers work together for the good of the company.

This isn’t a perfect system, by any means. Apart from the immense pressure placed on individuals in a society that places such heavy emphasis on the value of hard work, that individuals actually keel over and die because of it when doing their jobs, it has also made Japanese society and corporations extremely resistant to change. Confucianism places great stress on respect for one’s elders and superiors. While respect for the older generation is an admirable virtue, and one which our society in many ways is sadly lacking, in Japan it has resulted in a mindset which resists change or apportioning due blame for historical crimes and atrocities.

At the corporate level, the slow down of the Japanese economy in the 1990s meant there was no longer such a pressing need for company staff to work such long hours. However, so great is the corporate inertia, that staff still feel that they have to keep working past six O’clock in the evening, even if there is little or no work to do, because they don’t want to be seen as breaking with the approved practices of previous generations of employees.

And at the national level, it has been suggested that the exaggerated respect for one’s elders and ancestors is the reason why Japan has had such immense difficulty confronting the atrocities their nation committed during the Second World War. Japanese school texts and official histories have been criticised because they’d don’t discuss the atrocities committed by the imperial Japanese army. One school textbook even talked about the army’s ‘advance’ through Asia, rather than its invasion. The reason for this failure to admit the existence of these crimes, and criticise those who perpetrated them, is that respect for one’s elders and social superiors is so engrained in Japanese society, that except for a few extremely courageous mavericks, casting shame on those responsible for such horrors and, by implication, the whole of society during this period, is unacceptable. Even though many over on this side of the Eurasian landmass would consider that a failure to confront the atrocities committed by one’s nation to be even more shameful.

Japanese and Asian collectivism is not, then, perfect. But a maximum wage cap certainly did not hinder Japan’s advance to become one of the world’s foremost industrial countries. And the goal of creating a harmonious, co-operative society where there is little disparity in wealth is a good one.

The title of Mike’s article on Corbyn’s suggestion for a maximum wage states that the identities of those complaining about it reveal why they’re doing so. Indeed. The proprietors and leading executives of newspaper companies, like the Barclay twins at the Torygraph, have awarded themselves immense salaries. They’re multimillionaires. This wealth is increasingly not being shared with the hacks, who do the actual work of putting the paper out. The Torygraph has been particularly struck with declining sales to the point that Private Eye’s ‘Street of Shame’ column regularly reported further job cuts. Many of the big newspaper companies depend on the work of unpaid interns, particularly the Groaniad. And even if they’re not being threatened with the sack, conditions for the paid staff are becoming increasingly Orwellian. For example, the Eye reported a few months ago that one of the managers at the Torygraph had tried to install motion detectors on the staff’s desks to prevent them moving around too much, just like the staff at call centres are also monitored. The hacks were so annoyed, however, that management had to back down and the motion detectors were removed.

As for the film industry, the presence of big name Hollywood stars can sink a movie simply through the sheer expense of paying. For example, Arnold Schwarzenegger was paid $7 million for his appearance in the second Terminator movie. While that was a box office success, the presence of ‘A’ list celebrities in a movie does not guarantee that a film will be a success. One of the reasons why the film Ishtar became such a notorious flop in the 1990s was that the producers cast three major stars, who all commanded multi-million dollar salaries. This pushed the bill for the movie towards $20 million or so, even before the film had been shot. The film was thus under financial pressure from the start.

Apart from the Japanese, there are other, successful European nations that also deliberately avoid huge inequalities in wealth. One of these is Denmark. The newspapers have been full of articles analysing and celebrating the traditional Danish concept of ‘hygge’. This has been translated as ‘cosiness’, but it actually means much more than that. The way I’ve heard it explained by a Danish friend, it’s about being content with the homely necessities. I got the distinct impression that it was similar to the Swedish notion of ‘lagom’, which translates as ‘just enough’. You make just enough to satisfy your basic needs, but no more. And from what I’ve heard about Danish society, the social attitude there is that no-one should try to appear ostentatiously better off than anyone else. This is not to say that everyone has to do the same low-paid job, or that they should not earn more than anyone else. But it does mean that they should not be conspicuously more affluent.

This is the complete opposite from the values promoted and celebrated by Thatcher and the wretched ‘New Right’ of the 1980s. They demanded making conditions harsher for the poor, and giving ever larger salaries to management on the grounds that this would act as an incentive for others to do well and try to climb up the corporate and social ladder. The result has been the emergence of a tiny minority, who are massively wealthy – the 1%. Like the Barclay twins, Rupert Murdoch and just about every member of Theresa May’s cabinet. For everyone else, wages have stagnated to the point where a considerable number are finding it very difficult to make ends meet.

But wage caps and an attitude that discourages inequalities of wealth have not harmed Japan, nor Denmark and Sweden, which also have very strong economies and a very high standard of living.

The massive difference between the millions earned by the heads of the big corporations has been a scandal here in Britain, to the point where David Cameron and May made noises urging company directors to restrain their greed. Corbyn’s suggestion is eminently sensible, if Britain is to be a genuinely inclusive, prosperous society. The outrage shown by various media execs to it shows that the Tories are still committed to a policy of poverty for the many, riches for a very few. And all their concern at reining in executive pay is just platitudes to make it appear that they’re concerned when the issue becomes too embarrassing.

The ‘I’ Newspaper on the Invention of Star Trek-Style ‘Tractor Beam’

January 4, 2017

The I newspaper today reported that Asier Marzo, an American doctoral student, now a research assistant at Bristol uni, has invented a tractor beam using sound which can be built by anyone with a 3D printer.

The article by Tom Bawden runs

Fans of Star Wars and Star Trek were given a huge boost last year when a doctoral student in America developed the first sonic tractor beam capable of pulling an object towards it by using sound waves. But alas its use was confined to fancy labs with expensive equipment.

Now, thanks to that same individual – who has since become a research assistant at the University of Bristol – it has become far more accessible, at least to anyone with 3D printing technology.

The tractor beam has long been a staple of science fiction, used in a series of Star Trek episodes to capture and tow other space ships, while the Death Star’s tractor beam memorably catches the Millennium Falcon in Star Wars.

A do-it-yourself handheld acoustic tractor beam will now become widely available, according to a new paper published in the journal Applied Physics Letters.

“Previously we developed a tractor beam, but it was very complicated and pricey because it required a phase array, which is a complex electronic system,” said Asier Marzo, the researcher behind the developments.

“Now, we have made a simple, static tractor beam that only requires a static piece of matter,” he said.

“We can modulate a simple wave using what’s called a metamaterial, which is basically a piece of matter with lots of tubes of different lengths. The sound passes through these tubes and when it exits the metamaterial it has the correct phases to create a tractor beam.”

With an effect that is determined by the shape of the tubes, the research team focused on optimising the design to allow fabrication with common 3D printers, ensuring it could be constructed by home hobbyists. (The I, 4th January 2017, p. 23).

I think the pseudoscientific explanation for the tractor beams in Star Trek is that they use gravitons – the subatomic particles that carry the force of gravity – to pull other ships and objects towards them. In an early episode of Star Trek: The Next Generation Wesley Crusher is shown having invented a handheld tractor beam. I think it’s in the episode ‘The Naked Now’.

There are some very clever things now being done with sound. There was a piece on The One Show or perhaps the Beeb’s pop science programme, Bang Goes The Theory, where they showed how sound waves could be used to levitate a series of small objects. I have a feeling it was the discovery of acoustic levitation back in the 1990s or early 2000s that inspired one episode of Far Scape, ‘Taking the Stone’ where Chiana joins a group of alien thrill seekers. These young people get their kicks from leaping off a cliff above an alien echo chamber while humming. If they get the tone right, the sound waves resonate and break their fall. If they don’t, they plunge to their deaths. I can’t imagine that ever catching on as sport in real life, but you never know.

Simon Callow on the Press’ Perverse Attitude to Gay Celebrities

July 21, 2016

Simon Callow was on the BBC’s One Show last night. He, and his co-stars Anita Dobson and Bill Paterson were on, talking about a forthcoming TV series in which they play a group of pensioners, who throw dignity to the winds and decided to grow old disgracefully. Callow’s character is a man, who finds that having reached 70 and done his duty of working for a living and raising children, he feels robbed of his life, and wishes to return to the time when he was 18, and dreamed of a world of poetry, booze and drugs. A kind of anti-Victor Meldrew, if you like. This led into an interesting little discussion about when people decide you’re too old to do various ‘young’ activities, like going to nightclubs, wearing skinny jeans and sneakers. All accompanied with a picture of Keith Richards in full Rock axeman mode, who is 72 and doing all of the above.

Apart from this little insight into changing attitudes to aging and the elderly, Callow also gave a very interesting little window into the bizarre and contrary attitude of Fleet Street in the 1980s. Callow’s gay, but his sexuality has always been something of an open secret. Indeed, he himself did not try to hide it at all, despite the advice of his friends. He tried to come out several times in the 1980s, but the press ignored it every time he did. This was thirty years ago when attitudes towards homosexuality were harsher than they are now. There were gay celebrities, like Jimmy Somerville and Mark Almond, but attitudes generally were so hostile that many stars were very firmly in the closet. I can remember Elton John and Freddie Mercury both suing the press for printing that they were gay, before they finally came out.

Callow believed that honesty was the best policy, and so described how he gave several interviews to the press, in which he admitted his sexuality. What is strange and interesting, is that the press didn’t want to know. They never printed these stories, according to the great man. He said that they wanted to find people out.

This, it seems to me, indicates a kind of cynical, calculating cruelty in the press’ attitude to dealing with same-sex attraction. Clearly, what matter to them was the scoop, the revelation of an aspect of a celebrity’s life that they’d otherwise like to keep quiet. A prurient, salacious attitude, cynically exploited to boost sales by intruding on other people’s private lives. it seemed to me to be little more than a nasty delight in publicly humiliating someone, who was vulnerable to abuse because of their sexuality.

They couldn’t get Callow, however, because unlike many of his contemporaries, he believed and still believes that gay people are better off being open about their sexuality. He specifically mentioned the T-shirt slogan produced by the gay activist group, Stonewall, ‘Some people are gay. Get over it’. Clearly, the press at the time were mightily upset that Callow wasn’t tormented by the idea of people knowing about his sexual orientation. If I recall correctly, I think it was known at the time that he was gay, but that nobody was bother. I can remember hearing about how he was gay when I was at school, when he was in a family serial on ITV. It didn’t stop any of the kids I knew, who watched the programme from doing so. Callow now is one of Britain’s best-loved thesps. He’s toured the country presenting a one man show on Dickens, and appeared in an early episode of the revived Dr Who as his hero. So his sexuality clearly hasn’t set him back there. Nor should it.

But the anecdote does show the weird, persecutory and exploitative attitude of the press towards homosexuality and other’s privacy. It’s another example of why Private Eye’s column about the newspapers is called ‘Street of Shame’.