Archive for the ‘Roman Catholicism’ Category

Racist Pakistani Muslim Book Demonising Roman Catholicism and Whites

June 9, 2021

For a brief period about 1991 I tried pursuing a research degree in British Islam. I ended up giving it up because it would have been mostly sociology and I was having difficulty getting informants, and because I found it difficult to cope with some of the anti-Christian polemic. I’ve Muslim friends, and didn’t want my experience of this material poisoning my relationship with them or my overall view of British Islam. I’ve blogged before about the passages I found in books published by British Islamic publishers like TaHa calling for autonomous Muslim colonies in the UK. But one of the very worst books I found was one of the college bookshelves literally demonising Whites. This was published in Pakistan, but in English and so clearly aimed at the global Muslim community. It was written by someone who had clearly spent time in Britain before moving back to Pakistan. And a fair section of it was loud denunciations of White Brits and British society for being mean and racist.

In the years since, I forgot its title, but the book’s sheer vitriol has stayed with me, and I do think that it and books like it are fuelling the rise of militant Islam around the world and the alienation of many western Muslims. Among the book’s claims was that the White peoples of Europe, particularly those who speak languages related to German, Dutch, English and the Scandinavian languages, are the descendants of the tribes of Gog and Magog, known in Islam as Juj and Majuj. These are anti-Muslim peoples, the servants of al-Dajjal, the Muslim equivalent of the anti-Christ in Christianity, who were walled up behind a mountain chain by the Islamic hero Dhu’l-Carneyn. I went Googling for it yesterday to see if I could find it on the internet. I think I have, or something very like it. It’s Cain’s Creed, The Cult(s) of Rome, by Dr. Omar Zaid. The book seems to be largely a rant directed against the Roman Catholic church and particularly the Jesuits, as well as, inevitably, the Jews. It draws heavily on the bonkers 19th century anti-Catholic Protestant diatribe, the Two Babylons. If it isn’t that book, then Zaid’s is very like it and certainly following it ideological line in the demonisation of White Europeans. Zaid put up a blog post about his wretched tome, which contains this dainty little passage.

This region (Anatolia, Syria, Lebanon, Khazaria etc.) is a major focus of Monotheism’s eschatology and deviancy as it holds ancient houses of satanic cults that are directly related to the present globalist menace.  It appears that Gog & Magog refer to the peoples descended from Tubal-Cain and Noah’s errant stock that became Slavonic and Teutonic Caucasian Races respectively and then trod in all directions during the course of two dispersions, reaching Egypt, Persia, Pakistan and beyond.

See ‘GOG & MAGOG BY DR. OMAR’ at Gog & Magog by Dr. Omar – zaidpub, which is an extract from Omar Zaid’s book, Cain’s Creed, The Cult(s) of Rome, published by Dar al-Wahi.

If it is the same book, then it also contains long passages ranting about how Whites Brits are all racist and callous. He states that we don’t care if an elderly woman dies in the street, but shamefully get upset about the maltreatment of dogs, which are an unclean animal in Islam. But he’s also massively impressed with how wealthy the country is, which betrays something of the mentality of the hostile invader. It very reminiscent of Napoleon’s description of Britain – ‘a good land with a bad people’.

Now I’m very much aware that this is only one book, but I can remember that as an undergraduate studying Islam for my Religious Studies minor that one of the lecturers told us that some of the material being published in Pakistan was vitriolically anti-Christian. This was nearly forty years ago, and I think the situation must have become much worse since as the country has become intolerantly religious. Christians and other religious minorities, like the Shi’a and Ahmadis are increasingly persecuted, accused and imprisoned under spurious blasphemy charges or murdered in mob violence.

Now I am very definitely not trying to demonise Muslims here by posting about it. I’m very aware of the rise of Islamophobia, especially as stoked by Boris Johnson and the Tory party, despite their denials. I can quite believe that the author was the victim of terrible racism in Britain, having heard of some of the ‘pranks’ and maltreatment meted out to Asian workers at the time and more recently.

But I wanted to discuss this to make the point that other nations and cultures too have their own prejudices and racial hatreds. The BLM protests have renewed discussions and attacks on White western racism, but there is little or no discussion or examination of Black and Asian prejudice. This exists, but is denied and any mention of it suppressed or silence by accusations of racism in turn. You’re a racist bigot if you dare talk about anti-White racism in Britain or elsewhere. And so we have a very unbalanced view where all Whites are increasingly seen through the lens of Critical Race Theory as embodying White privilege and embedded in a racist system, while any attempt to discuss Black and Asian anti-White racism is furiously denied.

This has to change. All forms of prejudice and racial hatred have to be fought and attacked, even if this is uncomfortable for parts of the Left.

Because if it isn’t, the Tories will exploit it to divide the working class and inflict more misery, poverty and death on working people of all colours and religions.

The Satanic Rites of Glossop Tories

May 29, 2021

Ho ho! We suspected as much! People as evil as Boris Johnson, Dominic Cummings, Iain Duncan Smith and Esther McVile have to be in league with the forces of darkness. Now there’s the proof that at least one local Conservative club has had truck with the Evil One. ‘Cause archaeologists dug up the occult image they were using, as well as the remains of candlewax, chicken bones and other paraphernalia from their diabolical ceremonies.

A friend of mine helps run a psychic research society. Unlike the ghost hunters you see on TV, who every week seem to encounter real, unquiet spirits and run around screaming that they’re possessed, his organisation is very serious about investigating the paranormal scientifically. Quite a few of them have backgrounds in the medicine and the sciences. There is a very sizable academic literature on parapsychology and the proper investigation of paranormal events, including the proper scientific protocols to rule out misperception, fraud and false results. The paranormal is now regarded by very many people as something as a joke, but it was taken very seriously at one time. The founders of the British Society for Psychical Research included some of the most prominent politicians, academics and scientists of the 19th century.

As they’re unable to meet in person due to lockdown restriction, my friend’s been arranging a series of Zoom talks about the paranormal. He asked me if I’d like to give one. I agreed, and chose the archaeology of magic as the talk’s topic. There’s been a revival of interest in the history of magic and witchcraft by historians since the 1960s. This was pioneered in the 1960s and ’70s by French historians, who wanted to investigate the ‘mentalites’ – the mental worldview – of previous ages. Interest in witchcraft and the witch craze of the 16th and 17th is immense, because of the parallels between them and the persecution of minorities by the horrific totalitarianisms of the 20th century – Nazism, Fascism and Stalinist Communism – as well as parallels to the Cold War and ‘reds under the bed’. They’re also investigated because of what they say about these centuries attitudes towards women. Feminists are thus particularly interested, including activists who believe that the witches weren’t servants of Satan, but female adherents of an ancient mother goddess cult. Historians are also interested in witchcraft because it marks the transition from the enchanted world of the Middle Ages, when the universe was occupied by angels, demons, fairies and magicians, to secular modernity and the rationalism of the 18th century. And finally there’s the modern occult revival, which began in the 19th century, which has been particularly investigated by Dr Ronald Hutton of Bristol University.

Archaeologists have been rather late to the party. I think this is partly because archaeologist tended to identify anything with a vaguely supernatural use as ‘ritual’, rather than religious. There was an attitude that archaeologists could not reconstruct the religious ideas of past societies from their material remains, although in the case of temples and shrines, that’s clearly not the case. But it can be difficult without textual information. Also, many archaeologists didn’t want the sensationalism that came with the words ‘magic’ and ‘supernatural’. The first major book on the subject was Ralph Merrifield’s The Archaeology of Ritual and Magic. The kinds of items and remains investigated by archaeologists as magic include human and animal remains buried under houses, possibly as foundation sacrifices, charms and amulets, curse tablets, witch posts – carved posts in houses to stop witches or the walking dead entering – witch dolls and bottles, as well as items of clothing like shoes also left behind walls in houses. One of the books I’ve been using is The Materiality of Magic, edited by Ceri Houlbrook and Natalie Armitage (Oxbow: 2015). This is a collection of papers on archaeology and magic that came out of an interdisciplinary course run by the University of Manchester.

One of these papers, by A.J.N.W. Prag, ‘The Little Mannie with his Daddy’s Horns’, recounts how Manchester museum acquired a devil figure – so they thought – in the 1970s. The museum was running an exhibition of Celtic heads, and the cleaner at the local Tory club in Hollingworth had discovered one when she was cleaning the cellar. The museum experts came down, examined it, and found the remains left from the last time it was used. Which was apparently in 1916 to benefit the troops at the front. The museum quickly arranged to purchase it from her, partly because they were afraid that Satanists, especially American, would get wind of it. However, after they acquired it, their staff suffered a series of accidents. People who hadn’t had a car accident in their life suddenly scratched both sides of their vehicles, one worker cut his head open and then managed to lock the keys in the car of the colleague who took him to hospital. Eventually it got to the point where no-one really wanted to touch, until one of the women took to soothing it physically. But there was a further surprise when they were about to put it on display. A visiting expert on Africa told them that it wasn’t actually Celtic, but African. Specifically, it was a nomoli figure from the Mende people of Sierra Leone. This raises the question how such an exotic item found its way to a Tory club near Glossop. The paper speculates that it may have been brought to Manchester by one of the Jesuits involved in the exorcism of the possessed nuns at the 17th century French convent, which formed the basis for the Aldous Huxley book, The Devils of Loudoun, and the Ken Russell movie, The Devils, with Oliver Reed. It’s possible that the image, brought to the convent by a missionary clergyman, may have been at the heart of the accusations of witchcraft.

The idea of the local Tories practising their Satanic rites sounds like something from Last of the Summer Wine. Back in the 1980s there was an episode in which Sid and his wife at the local cafe were catering for a Masonic-style secret society, the Bullocks. As Foggy and Clegg are talking about it downstairs with Sid and Ivy, Compo comes down from their upstairs room where they’re holding their secret ceremony. He calls them a load of pansies, or something similar. When asked, they’re all there stamping their feet like hooves and holding their fingers in front of their heads like horns, chanting ‘Who’s a pretty bullock then, moo, moo? Who’s a pretty bullock then, you, you.’ Later Clegg and Compo embarrass Foggy by stealing their banner and running across one of the hills with it, so it proclaims to all and sundry, ‘Bullocks’.

Is this the kind of thing that’s going on in Tory clubs up and down England, we wonder? I find the whole thing peculiar and funny, and it inspired me to make this painting of Thatcher as the Satanic figure, Baphomet. If you can’t quite make out the text, it’s supposed to read ‘The Satanic Rites of Thatcher’. Hope you enjoy it and don’t have nightmares.

Students of Colour Object to Oxford Music Curriculum Because of Slavery

March 29, 2021

The Telegraph ran a story yesterday claiming that they’d received documents showing that Oxford University was considering changing their classical music course. This was because, following Black Lives Matter protests, students of colour at the university had complained that they were left very distressed by the course on European music from Machaut to Beethoven, because this was the period when the transatlantic slave trade was developing. They also made the same complaint about western music notation.

Now this comes from the Torygraph, part of Britain’s exemplary right-wing press, who are known for their rigorous commitment to journalistic truth and integrity, ho, ho. So you wonder if it true, or is the product of some Tory hack’s fevered imagination, like many of the stories about the Labour party produced by Guido Fawkes. Is this all made up to discredit Black Lives Matter?

Thinking about the issue, it seems very much to me that the problem isn’t the curriculum’s links to colonialism, but an attitude of entitlement and the cultural prejudices of the rich and monumentally uninformed.

Let’s deal with their objection that western musical notation developed during the time of the Black slave trade. As the Torygraph pointed out, it didn’t. It developed before the transatlantic slave trade from the church’s Gregorian Chant. This is absolutely true. The origin of the western musical tradition is in the music written for church services. This soon expanded to take in secular subjects, such as the courtly lyrics of the troubadours, the celebration of kings and princes, drinking, war, and just about every aspect of life. As a genre, the emergence of western classical music has nothing to do with the slave trade. Machaut, the French composer mentioned as the beginning of that part of the Oxford music course, lived in the 12th century, three centuries or so before the development of the transatlantic slave trade in the 15th. The modern system of musical notation was also developed in that century by Guido d’Arezzo. The scale, Do Re Mi Fa Sol La Te Do, comes from the initial syllables of a line in the Latin Mass. And whoever thinks that Beethoven is connected to the slave trade is clean out of their tiny mind. Beethoven, I think, was a German liberal with a profound sympathy for the ideals of the French Revolution. His Eroica was originally dedicated to Napoleon, until the Corsican bandit invaded Austria. His Ode to Joy looks forward to a world where nations live together in peace and fraternity. Furthermore, it’s also been suggested that he may have had Black ancestry. Either way, I doubt very much that he had any sympathy for slavery or any other form of human servitude whatsoever.

The complaint about that part of the music course is just so wrong, that I do wonder about the motives of the people making these complaints. Assuming they exist, and that the complaints are genuine. Because the complaints are so wrong, and so ignorant, that either the complaint is some kind of mickey-take, or else the people making them are simply monumentally stupid and lazy. For example, what kind of individual, who seriously wants to learn music, objects to learning the notation? Yes, people can and do play by ear, and many non-western musical traditions don’t have a system of notation. But if you seriously want to play music, and certainly if you’re studying it an advanced level, then understanding its notation is very much a basic requirement. This includes not only classical music, but also Jazz, rock and pop. Much of this is composed through improvisation and jam sessions by the musicians themselves, and its form of reproduction is primarily through records rather than print. But nevertheless, they’re also published as sheet music. I’ve got several books of pop, rock and Jazz music on my shelves. They’re published as sheet music as people not only want to listen to some of these great pieces, but also play them for themselves.

So basic is an understanding of written music as well as the development of western music from the Middle Ages onwards, that I really do wonder if the people behind these complaints actually want to study music, or do so to the extent that they have to do some serious work that might stretch them. It doesn’t look like they do to me. I also wonder why, if they consider western music so intimately linked to colonialism and slavery that it causes them distress, that, if they’re foreign, they wanted to come to Europe to study it.

It’s therefore occurred to me that, if the complaints are real, the people doing the complaining may not actually want to study the subject. They just want the cachet of studying at Oxford. Years ago I read a history of Japan, which warned about giving in to the insularism and xenophobia of many Japanese. The Japanese highly value an education at Oxbridge and/ or the British public schools (God help them!) but they don’t like mixing with non-Japanese. Thus one or the other of Oxford or Cambridge was building a separate college to accommodate Japanese students so they wouldn’t have the inconvenience of mixing with people of other nationalities. Perhaps something similar is the case here? Do they want the prestige that goes with an Oxford education, but have their own racist prejudices about European culture and music?

If this is the case, then it’s a scandal. It’s a scandal because education at one of Britain’s leading universities is being dumbed down for these morons. It’s a scandal because it cheapens the real problems of Britain’s Black community, which were behind many of the Black Lives Matter protests. For example, there’s a programme on the Beeb this evening investigating the reasons Black British mothers are four times more likely to die in childbirth than Whites. It’s a scandal because there are doubtless plenty of kids of all colours in the UK, who would just love to study music at Oxford and have a genuine love of classic music. There’s a campaign at the moment to get more Black and Asians into orchestras. It’s been found that people from these ethnicities are seriously underrepresented. Hence there’s an orchestra, Chinikwe!, purely for non-Whites, in order to produce more Black and Asian orchestral musicians. This has also followed attempts to recover the works of Black classical composers. Back in the 1990s one of the French labels issued a CD of harpsichord pieces written by Black composers. Earlier this year, Radio 3 also played the music of Black classical composers. The best known Black British classical composer, I’m sure, is Samuel Coleridge-Taylor, who lived from 1875 to 1912. His father came from Sierra Leone while his mother was British. He was the composer of Hiawatha’s Wedding Feast, based on Longfellow’s poem, which is still performed by choral societies up and down the country. And yes, it’s written in western musical notation. But these attempts to encourage the performance of classical, orchestral music by Black and Asian performers, and to restore and include Black and Asian classical composers in the western musical tradition, has also been effectively spurned by what seems to be rich, entitled, lazy brats.

The fault therefore seems not to lie with the Oxford music course or with Black Lives Matter, but with an admissions policy that favours the wealthy, even when they are racist and xenophobic, over those from poorer backgrounds, who are genuinely dedicated and talented. If, on the other hand, the people making those complaints seriously believe them, then the response should be to educate them to dispel their prejudices, not accommodate them.

Radio 4 Programme Next Week about British Pensioner Who Was Really Nazi Collaborator

March 18, 2021

Here’s another potentially interesting programme on the radio. Next Tuesday, 23rd March 2021 at 8.00 pm Radio 4 is broadcasting a documentary about the campaign by two men, one a journalist and the other the stepson of the suspected man, to prove that a local pensioner was really a former Nazi collaborator involved in the massacre of Jews during the War in occupied Belarus. The programme’s entitled The Nazi Next Door, and the blurb for it runs

The five-year investigation of journalist Nick Southall into the true identity of Stanislaw Chrzanowski, a seemingly friendly pensioner in a Midlands village who died in 2017, aged 96. Chrzanowski’s stepson John Kingston believed he was a Nazi collaborator who helped kill thousands of Jews in his homeland Belarus, and spent decades amassing evidence against him.

There’s an additional paragraph about the story on the facing page by David Crawford, which adds the following

How good are you at recognising faces? Reporter Nick Southall’s uncanny ability to pick a person out of a crowd proves pivotal to this riveting investigation into whether a Nazi war criminal was given safe harbour in Britain. John Kingston worked for decades to prove his stepfather Stanislaw Chrzanowski was a collaborator who had helped slaughter thousands of Jews in Belarus; his suspicions first raised as a child by terrifying bedtime stories of torture and murder. He succeeded in exposing his stepfather in the media, but not in getting him prosecuted. Here Southall investigates why, even when the authorities were informed, Chrzanowski never faced justice. It’s a story full of intrigue that highlights a shameful truth hidden in two words uttered by Chrzanowski – “English secret”.

I don’t know why Chrzanowski wasn’t prosecuted, but I think I can guess. After the War the western security services, including Britain’s, deliberately recruited Nazis and former Nazi collaborators for their supposed expertise in combating Communism. Lobster has published several pieces discussing this. ‘Red’ Ken Livingstone also discusses it in his 1987 book, Livingstone’s Labour. These Nazis were often given jobs in the mining industry. Needless to say, their presence down the pits was not welcomed by their workmates when they showed their Nazi tattoos in the showers. I don’t know how many other British politicians at the time were trying to alert the public to this massive injustice, but I doubt there were very many. Livingstone was probably one of a very small group of politicians and activists. The fact that he condemns Britain giving sanctuary to these monsters, as well as anti-Semitism along with anti-Black racism, should show very conclusively that the Trotskyite newt fancier and bane of Maggie is very definitely not any kind of Jew-hater.

One of our uncles was Polish. He had worked his way across Europe after the Second World War until he settled in England, where he married another of my aunts. He too worked in the mines around Bristol. The Nazis committed horrific atrocities in Poland, not just of Jews but also of ethnic, and especially Roman Catholic Poles. Apart from the Jews, who were the major victims of Nazi persecution, the Poles were the next largest group to suffer massacre and torture.

I can’t imagine how angry and disgusted my uncle would have been had he found out he was working alongside one of these disgusting creatures.

I Stand with Piers Morgan Against Meghan Markle’s Racism Allegations

March 12, 2021

The big news this week has obviously been Harry and Meghan’s interview with Oprah Winfrey, and specifically Markle’s allegations of racism against unnamed royal advisors and flunkeys. Yesterday Piers Morgan got the heave-ho for very baldly stating his objections to Markle’s allegations. Standing outside his own not unimpressive residence yesterday, the former editor of the Mirror said that he didn’t believe a word Markle said, and that she had done enormous damage to the royal family, especially when Prince Philip was lying in hospital. Zelo Street has published a piece critiquing his remarks, and pointing out that Morgan’s claims to believe in and defend democracy and free speech are a bit rich, considering how he shouts down those he doesn’t agree with. He was also the editor of the Mirror when its journos and those of the Scum were hacking phones left, right and centre. Back in the 1990s he was also in the pages of Private Eye as it was under his editorship of the Mirror that the two hacks in the paper’s ‘City Slickers’ column committed the share ramping that got them arrested. The Eye presented very strong evidence that Piers ‘Boy’ Morgan was also involved, but somehow managed to escape arrest and prosecution. Morgan has fully reciprocated the magazine’s animus towards him. According to Ian Hislop, Morgan sent round a hack to talk to his parish priest, hoping that the good clergyman would betray a few confidences Hislop had made during Confession. In this instance, he was disappointed. Hislop’s like me, an Anglican. Individual confession is part of Roman Catholic belief and practice, not Church of England. And I don’t think the priest told Morgan’s boy or girl any secrets anyway.

Of course, the right-wing scumbag press have been engaged in a long campaign against Harry and Markle. They dislike her as an intrusive left-winger. Alex Belfield, the arch-Tory YouTuber and internet radio host, sneeringly refers to her as ‘Meghan Mallarky’. Not only does he hate her for being left-wing, feminist, anti-racist and ‘woke’, he also sees her as aggressively self-centre and manipulative. His short videos about the couple frequently included him urging Harry to dump her and return to the bosom of the royal family. Zelo Street has also pointed out that there is more than a touch of racism in the press’ antipathy to Markle. Part of their hatred was also due to the fact Markle wasn’t prepared to play their games. She wanted all media access and interviews to be on hers and Harry’s terms, not theirs. Snubbed with their power to make or break celebrities under attack, the press responded with hostile coverage of the royal couple.

But this time I do think Morgan is right. Markle’s allegations simply don’t ring true, and are likely to damage the royal family. Simon Webb, the author of the ‘History Debunked’ YouTube channel, put up a video the other day critiquing some of the remarks Hal and Megs made to Winfrey. Webb is, I think, a Telegraph-reading Tory. He’s also a very strong critic of some of the assertions and fake history put out by anti-racist activists and believes in the ‘Bell Curve’ nonsense about there also being differences in intelligence between the races. But he also seems not to be personally racist, and has put up several excellent videos tearing down the vile conspiracy theory about the Jews promoting mass immigration to destroy the White race. His arguments also seem to be based on real, historic fact.

His video critiquing the allegations Hal and Megs made begins with him commenting on Harry’s complaint that his father had cut him off financially. Webb thought this was peculiar, because by the time he was 20, he’d been supporting himself financially and independently of his family. He was somewhat out of touch with contemporary young people, but it seemed quite odd to him that a 36 year old man on the edge of middle age should complain about no longer being sent money by his father. It can also be added that Harry is immensely wealthy anyway, and so can well afford to look after himself and his wife in the style to which they have become accustomed.

He also wondered how true the allegations of racism could be, considering that Markle doesn’t look particularly Black to him. He observed that she looks more like the olive-skinned people of the Mediterranean. Which, I think, is a fair comment. I know people, who as far as I know are completely White, who go her colour or darker in the summer. Black anti-racists have complained for a long time about ‘colourism’. This is the form of racism in which lighter-skinned people of colour are given higher status, better opportunities and respect than their darker-skinned kindred. It’s another hangover from slavery and the caste system that it gave rise to. Darker skinned, ‘Black’ slaves were held to be more suitable for tough, physical work, while lighter skinned slaves were given less arduous duties commanding greater respect out of the sun. It seems to me that if colourism does exist, then Markle is probably a beneficiary of it, and not a victim of racism.

Then there is that comment by a courtier, speculating what colour the baby would be. It’s actually highly questionable whether this is actually racist. People usually speculate about the appearance of an expected child, and which one of the parents it will take after. Webb here recalls how one of his friends was a bi-racial young woman, who had an affair with a White guy, and became pregnant. Their Black friends freely speculated on whether the child would be White or Black. It seemed to Webb that the royal courtiers were being accused of racism simply for doing what people, including Blacks normally do, without any racist intent.

And the more I look back at Markle’s conduct over the past few years, the more it seems to me that, unfortunately, the scumbag right-wing press do have a point. I think she is manipulative, egocentric and self-promoting. And while I am no great fan of Morgan, I don’t think he should have been forced out of his position on GMB for his opinions on Markle. It very much looks like another piece of cancel culture, where individuals are being silenced for having controversial opinions. Mostly it’s been done against the left, but there have been instances where someone has been removed from YouTube for expressing a reasonable opinion someone has taken exception to as racist, sexist, transphobic, homophobic or whatever. I’m sure Zelo Street is right when they point out that Morgan is no real defender of free speech and democracy himself. But Morgan’s forced departure is itself an attack on someone’s right to express their reasonable opinion.

In this matter, it’s Morgan’s opponents who are undermining free speech. Just as the pair’s interview with Oprah threatens to further undermine the monarchy.

No, It Is Not Anti-Semitic To Question Whether Jews Are An Ethnic Minority

March 3, 2021

Ever keen to bash the Beep, the Torygraph printed another story yesterday accusing the Corporation of anti-Semitism. Benjamin Cohen, the CEO of Pink News, had been invited on to Politics Live to debate whether Jews should be included as an ethnic minority in the national census. Coming out of the show, Cohen tweeted how offended he was by the question, and that he was the only Jewish person facing a panel of four gentiles. He was absolutely sure that Jews should be treated as an ethnic minority, and asked rhetorically if the Beeb would have asked that question of a Black or Asian guests.

Actually, it’s a very good question whether Jews are an ethnic minority, and colour is a part of the issue. Before the rise of biological racism, Jews were largely persecuted in Christian Europe because of their religion. The persecution generally ceased if they converted. Before the outbreak of Nazism and the horrors of the Third Reich, the majority of Jews in Europe did not wish to be seen as a separate people from those the countries in which they lived. The British Jewish establishment opposed the Balfour Declaration because they believed that Jews were ‘Englishmen of the Jewish religion’. The British government’s support for a Jewish homeland in Palestine, they feared, would lead to Jews being viewed as foreigners, whose ultimately loyalty was to the new state, rather than loyal British citizens.

Even now there is a healthy debate within Judaism about whether it is a ethnic group, a religion or a descent group. Not all Jews are happy with being considered an ethnic minority. The comedian, opera director and broadcaster, Dr Jonathan Miller, is one of them. One of the team of satirists in Beyond the Fringe, along with Peter Cook, Dudley Moore and Alan Bennett, Miller was once introduced as a Jew on a programme covering the jolly funsters. Miller responded by stating that he was a ‘Jewish’. He had not interest in being an ethnic minority.

Jews also differ from the other groups regarded as ethnic minorities in terms of race, and socio-economic status. Traditional, indigenous European Jews are White, as the founder of modern scientific racial classification, Ludwig Blumenbach, maintained. Some of them, like Tracy-Anne Oberman, are more ‘Aryan’ in appearance than the Nazi scumbags, who abuse them. Which shows how wrong scientifically Nazism is, as well as evil. Where there has been anti-Semitic abuse and violence, it has been generally directed against Orthodox Jews, no doubt because of their characteristic dress and appearance.

The British Jewish community is also largely more prosperous than other ethnic groups. The mighty Tony Greenstein has cited sociological studies that have shown that 60 per cent of British Jews are upper middle class. Furthermore, while there is still anti-Semitic persecution and hostility, Jews don’t suffer from the same level of prejudice as Blacks and Asians. Tony again has quoted statistics showing that 77 per cent of Brits have positive views of Jews. Those that don’t generally regard them as no better or worse than anyone else. The number of people with negative views of Jews has risen from 5 to 7 per cent, but they’re far outweighed by the mass of the Brits who don’t share their opinions. This is no doubt one of the reasons the NF decided to stop goose stepping about in Nazi uniforms in the 1970s. When National Action turned up in Liverpool a couple of years ago screaming their hatred, the good peeps of that fair city, including socialists and trade unionists, chased them out of town. Literally. They had to retreat to the train station to await the next train out of there.

While the persecution of the Jews has been particularly vicious, it’s reasonable to compare it to the persecution of dissident Christian groups in Europe. Such as the Manichaean heretics in the Middle Ages, and Protestants in Roman Catholic countries. In Britain before Roman Catholic emancipation and the repeal of the Test and Corporation Acts, Catholicism was banned. It had to go underground in Ireland, and worship was carried out at secret locations in the countryside. British Protestant nonconformists, such as Quakers, Baptists and Methodists, were barred from serving on juries or in local and national government. By law their chapels had to be built five miles away from towns. You can also compare the British Jewish community’s current prosperity with the Quakers. The actual membership of the Society of Friends was small, but they became influential and prosperous businessmen because of their exacting standards of commercial conduct. You could trust them. A book I read a few years ago on the history of the Jewish people, written by an Anglican clergyman, made the same claim about them. The Jewish laws governing food purity meant that, if you bought a wheaten loaf from a Jew, that’s exactly what you got. Instead of being full of cheats determined to defraud gentiles, Jewish businessmen could be trusted. As for the traditional Jewish prohibition against marrying outside the religion, there are also Christian sects, such as the Exclusive Brethren and Particular Baptists, who also reject marriage with those outside the sect.

In short, Jews are integrated and accepted into British society to a far greater extent than Blacks and Asians, who are obviously different because of their colouring, dress and religion. Muslims are particularly subject to suspicion and abuse following 9/11, and are, with Blacks, generally poorer and more marginalised than the rest of British society.

I suspect the issue here isn’t so much about the question of whether Jews constitute an ethnic group in themselves, but over the benefits membership of an ethnic minority confers. Ethnic minorities are specifically protected by law against persecution, and in the case of Blacks and Asians may be assisted by affirmative action programmes. Even though Jews don’t suffer the level of violence and prejudice that Blacks and Asians do, they are still regarded as particularly vulnerable. As a result, they enjoy a degree of protection far greater than other ethnic minorities. For example, there’s the Community Security Trust, a paramilitary vigilante set up to protect Jews, synagogues, Jewish cemeteries and other Jewish sites and monuments from attack. The group is supposedly trained in self-defence by members of the Israeli security services. This is, as far as I know, unique. I am not aware of any other ethnic group or religion being permitted their own private police force. Far from it. When the Islamofascists in London launched their Muslim Patrols harassing non-Muslims outside their mosques, they were rightly pounced upon by the authorities and arrested. But the CST is allowed to continue, stewarding Zionist and pro-Israel rallies despite reacting violently to counterdemonstrators. At several of these rallies, Muslim and Jews marching together in protest against Israel were forcibly separated and beaten. The victims included elderly Jewish women and rabbis.

The Zionist Jewish establishment were also able to exploit the general high regard and acceptance of Jews in British society by mobilising it to smear Jeremy Corbyn and his followers as anti-Semites. This is part of the general ultra-Zionist campaign to suppress criticism of Israel and its monstrous persecution of the Palestinians. Mass rallies and protests were arranged, and the lies and mendacious denunciations repeated in the national news and press.

Other ethnic groups have not nearly received such sympathy and support. For example, while the Labour party actively complied in the witch-hunt against suspected anti-Semites in the party, it has been extremely reluctant to investigate and punish those responsible for the racist bullying of Black and Asian MPs and activists. Probably because the racist bullies were the Blairite plotters and saboteurs, who collaborated with the anti-Semitism smear campaign as part of their own attempts to oust Corbyn. The affirmative action programme designed to assist Blacks and Asians achieve the same level of prosperity and acceptance as Whites are still extremely controversial. And rather than support allegations of racism by members of those ethnic groups, the reaction of the right-wing press has largely been to denounce them.

It therefore seems to me to be a good question whether Jews should be treated as an ethnic group, rather than simply a religion practised or not by some Brits, not so very different from various traditional Christian sects, which were also persecuted by which are now accepted as integral parts of British culture. I think that the determination by Jews like Cohen to retain their demarcation as an ethnic minority is doubtless partly motivated by a quite understandable fear of the return of the biological racism which led to the monstrous horrors of the Holocaust.

But I also wonder how much also comes from Zionist ideology. The IHRA definition of Zionism claims that it is anti-Semitic to deny Jews their national aspirations. Jews are a nation, and so it is supposedly anti-Semitic to deny them the right to their own state, Israel. But these national aspirations become highly questionable if Jews are not seen as a nation or ethnic group, but as a religion. Zionism becomes spiritual, not political. Jerusalem and Israel become the spiritual centres of the Jewish faith, just as Christians regard them as the spiritual centres of their religion. But this does not necessarily translate to a desire to return to the Promised Land. Some Jewish denominations removed the traditional Passover toast, ‘Next year in Jerusalem’. Many other Jews simply repeated it as part of the revered ritual celebrating their deliverance from Pharaoh’s persecution in Egypt without actually meaning it.

All this makes me wonder whether the Torygraph’s article isn’t really about whether British Jews really constitute a separate ethnic group or not, but whether it’s was just a way of exploiting the anti-Semitism witch hunt to attack the Beeb, a favourite Tory target, on the one hand, while subtly trying to reinforce support for Israel on the other.

Israel’s Racist Persecution of Black Jews

March 1, 2021

I’m not surprised that the Blairites in the Labour party had Tony Greenstein thrown out as an anti-Semite in their vile witch-hunt, and the Zionist Jewish establishment hates him with a passion. He’s that most dangerous creature, you see, a self-respecting, passionately socialist and anti-racist Jew, who loathes Zionism as a Jewish form of Fascism. And with a wealth of documented fact at his fingertips, he is more than able to cut through the hasbara – the official Jewish propaganda – and prove it. His articles, frequently reprinting and commenting on stories of persecution and atrocity reported in the Jewish press, convict Zionism as an ideology and the Israeli military and political establishment again and again of crimes against humanity.

He is, like the mighty Jackie Walker, Naomi Wimborne-Idrissi and Ilan Pappe, the ‘wrong kind of Jew’, who must be silenced and persecuted at all costs. Just like the western mainstream media really doesn’t want you to hear such dissident Jewish voices, whether from liberals and the left, or from the extremely traditional. The latter include the ultra-Orthodox Hasidic Jews, who reject modern Israel out of their belief, rooted in the Talmud and the Tanakh, the Hebrew Bible, that Israel can only be restored and her people redeemed by divine action through the Mashiach, the Messiah. This was also the view of some members of Britain’s Jewish establishment. He has quoted a former Chief Rabbi, who also rejected the Israeli state for the same reason. This reverend gentleman believed that not only should and would Israel be redeemed in this way by the God of Abraham, Isaac and Jacob, but the removal of the Palestinians from the newly restored nation would be done through peaceful negotiation and agreement. Israel has done neither. He has also quoted other prominent figures from Britain’s Jewish community, who hated Zionism as a Jewish version of the anti-Semitism they had so staunchly fought against in gentiles. Zionism seemed to these men to be a concession to the prejudiced view that there were profound racial difference between Jew and gentile and the two could never mix. Thus, according to the anti-Semites, they should be kept apart. The ultimate development of this idea was that Jews should be given their own state, to which diaspora Jews should be encouraged or forced to emigrate.

In his latest piece, posted on Saturday, Tony posts and comments on an article by Gavin Lewis, a mixed-race Black British writer, who chillingly describes Israel’s racist persecution of Black Jews in an article published in America’s Monthly Review Online on December 4th, 2020. Lewis discusses Israel’s refusal to allowance entry to a Black American Jewish mother, Idit Malka and her son, when they tried to visit the country. They were detained for 10 hours before being deported. Before her departure, an Israeli woman screamed at her that Israel was no country for ‘Cushim’, an Israeli term of abuse for Blacks. In 2013, Haaretz and The Times of Israel reported that over 130,000 Black Jews had been forcibly sterilised by the Israeli authorities, a policy that evokes Nazi eugenics. YTNews in 2009 reported that some Israeli neighbourhoods, such as Ashkelon, who maintained a Whites only police. The Daily Beast also reported in 2017 that Israeli kindergartens also had a policy of segregation, separating White and Black toddlers. The Israeli state has also rejected blood donations from Blacks as ‘unclean’. The San Francisco Bay View National Black Newspaper also reported in 2016 that racial discrimination against Blacks in Israel was so appalling, that 300 Black Jews had declared their intention not to report for reserve service because of official racism against Ethiopian Jews.

The article also discusses the theft of babies born to Yemeni parents, who were sold to Ashkenazi Jewish parents, because of the racist belief that Yemeni Jewish culture was so inferior that it was an unsuitable environment for raising Jewish children. Just as shocking was that many of these innocents had been given an experimental treatment. The hearts of some of the dead babies were surgically removed for study by American doctors curious about the absence of heart disease in Yemen. He also talks about the massive racial hatred against Palestinians and Arabs, including the incident where two Chechen players were hounded out of Beitar Jerusalem football club.

Lewis states unequivocally that Israel is an apartheid state, as Desmond Tutu and former President Jimmy Carter has said, but the IHRA definition of anti-Semitism has ruled that it is anti-Semitic to compare it to Nazism, even though this is clearly warranted by some of its policies. He also describes how Israeli racism is routinely covered up by western politicians. In Britain, Labour’s odious leader, Keir Starmer, sacked Rebecca Long-Bailey from his team after she correctly pointed out that the choke-hold that killed George Floyd had been taught to the police by the Israelis. His action may not be un-adjacent to the fact that Starmer had received a £62,000 donation from a pro-Israeli lobbyist.

The second-class status of Black Britons is also shown in the differences in treatment between them and members of Britain’s gay community regarding visits to potentially hostile countries and regions. In 2016 the British government and media warned gay, bi and trans people not to visit North Carolina. But neither Starmer nor the rest of the political and media class have taken it upon themselves to warn Black Brits of the dangers of visiting the parts of Israel that are off the tourist itineraries.

Over the other side of the pond, America’s politicos and media have thrown their weight behind Israel. CNN even sacked one of their reporters, a Black American, Dr. Marc Lamont Hill, because he publicly sided with the Palestinians. Although he was an American, Hill was considered inferior to the interests of Israel, a foreign country, because of his colour.

In his afterword, Lewis compares contemporary Israel to the White settler societies of the US, Australia, New Zealand, South Africa and Rhodesia, and their respective systems of apartheid, segregation and/ or official policies of limiting or banning non-White immigration. He concludes

Yet, in twenty-first-century, in the form of Israel, Black and Indigenous peoples of the world are expected to put up with variants of these traditional white-settler offenses. And, alarmingly, even parts of the left are threatened into exempting Zionism from the sort of critique and anticolonial resistance leveled against other white-settler societies.

Tony’s introduction to the piece is also worth reading, as he argues that it is a mistake to see Israeli racism purely in terms of White supremacy. It’s a Jewish supremacist state, in which only Jews can be citizens and enjoy full civil rights. He also describes how the Mizrahi Jews, who were Arabic in culture and language, were so maltreated that the once formed a Black Panthers organisation of their own in solidarity with the Black American group. Since then, the Mizrahim have become even more fanatically anti-Arab than the Ashkenazim who founded Israel, who then supported Menachim Begin. At the same time Ethiopian Jews in Israeli have no sympathy for the Palestinians, but wish instead to have racial equality with White Jews of European, or White American descent. Nevertheless, colour prejudice is a major factor. Yemeni Jews were tested to see if they had ‘Negro’ blood, and a group of Ugandan Jews were refused Jewish citizenship because of their colour.

See: Tony Greenstein’s Blog: A racist endeavor: Zionist Israel’s Black Jewish victims of color (azvsas.blogspot.com)

This is horrific stuff, and it’s an indictment of mainstream western politicos and the media that this is not reported and condemned over here. Or if it is, it’s done very half-heartedly. The theft and infanticide of the Yemeni babies is comparable to the Nazi theft of blonde children from Slav parents, such as the Poles, to be brought up by approved, ‘Aryan’, German parents. The Nazis considered these children to be the product of German bloodline amongst conquered, ‘subhuman’ Slavs.

It also bears a horrible similarity to one of the crimes of the Magdalen Laundries in Ireland. These were homes run by the Roman Catholic church for unmarried mothers. These unfortunate women had their babies removed to be sold for adoption to rich Americans while their mothers were forced to work as laundrywomen. But only strong, bonny babies had this good fortune. The weak were left to perish in ‘dying rooms’. Incidentally, when a leading member of the Irish feminist organisation, The Countess Didn’t Fight For This, revealed this during a discussion with Graham Linehan and his conversationalists, Helen Staniland and Arty Morty it reduced the latter to tears. Linehan and his allies have been terribly reviled for their opposition to the transgender craze and accused of transphobia. I believe this to be profoundly wrong – they are moved instead by the great harm transgender ideology is doing to the vulnerable, especially girls and young women. But like Posie Parker, they certainly do not wish to see transpeople themselves assaulted or murdered. Morty is a gay Canadian, deeply immersed in his community. His unostentatious tears over the deaths of children left to die in Eire to me amply demonstrate that he, Linehan and Staniland very definitely do not wish harm on anyone. If the Nazi-like experimentation and mass deaths of the Yemeni children had been performed by a gentile organisation, like the Roman Catholic Church, it would eventually have been exposed across the world. There has been a film about one woman’s experiences of it, Philomena, which I believe stars Steve Coogan as the British reporter who uncovers the heroine and her story. It’s a testament to the institutional power of the Roman Catholic church in Eira that this horrific policy continued until the ’90s. But it was eventually exposed, along with the systematic abuse of children in the Roman Catholic and other churches, including my own, the Anglican Church, across the world. Would the media and politicians have allowed the story to get out if it were instead an Israeli organisation preying on Jews? I somehow doubt it.

Tony’s and Lewis’ articles amply demonstrate that Israel is a profoundly racist state. But anyone who tells the truth about this in the lamestream media or politics over here will be viciously attacked and hounded on the grounds that they are ‘anti-Semitic’. Even if they are decent, self-respecting men and women, who had suffered anti-Semitic abuse and assault themselves, or, if gentiles, because they dared support Jews, Blacks and Asians to live in peace, equality and dignity.

Book on Fascism in Black American Literature Between the Two World Wars

January 20, 2021

Mark Christian Thompson, Black Fascisms: African American Literature & Culture between the Wars (Charlottesville: University of Virginia Press 2007).

This is one of the other books I’ve been reading during the last few days. It’s a fascinating examination of a little known episode of Black American literary history when, in the 1930s and early 1940s, a number of Black American authors and activists took over elements from European Fascism to form their own version of the totalitarian creed. The blurb reads

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.

Taking on a subject generally ignored or denied in African American cultural and literary studies, BLACK FASCISMS seeks not only to question the prominence of the Left in the political thought of a generation of writers to change how we view African American literature in general.

Following the introduction, it has the following chapters:

  1. Black Literary Fascism
  2. The Myth of Marcus Garvey: Black Fascism and Nationalism
  3. George S. Schuyler and the God of Love: Black Fascism and Mythic Violence
  4. “In Turban and Gorgeous Robe”: Claude McKay, Black Fascism, and Labor
  5. His Rod of Power: Zora Neale Hurston, Black Fascism and Culture
  6. Richard Wright’s Jealous Rebels: Black Fascism and Philosophy

Conclusion: Historical Black Fascism, Black Arts, and Beyond

For some, this is no doubt shocking and uncomfortable reading. Thompson states that his book will be controversial, because it seems to challenge the dominance and achievements of Marxism in Black American politics and culture of the period. He does not seek to deny this, but to argue that there was a significant turn away from Communism towards Fascism at the tail end of the Harlem Renaissance, and that this was no mere blip in the career of the figures discussed, as some historians and critics have claimed. It’s also remarkable, in that as victims of racism it seems to run counter to reason that Black Americans would embrace a viciously racist ideology associated with White supremacy. But by the early 1940s some Black youngsters had become so alienated from their country, that they were singing songs about how they thought they’d move to Germany because they’d be better off there. The likelihood is that these kids probably didn’t understand what Nazi Germany was really like. The Black intellectuals, who turned to Fascism, didn’t support its specific European versions. They didn’t want to become Nazis or supporters of Mussolini’s Fascists. But they took elements of generic Fascism and adapted it as a vehicle for their own nationalist aspirations and desire for pan-African racial uplift.

Defining Features of Black Fascism

Thompson considers that the main elements in this turn were a dissatisfaction with Communist multiculturalism, the expectation that Ethiopia would produce a strong, modernising leader to redeem Blacks across the world, admiration for newly independent Haiti, and anti-Semitism. Black Fascists rejected Communism, because they were afraid that its emphasis on racial collaboration and the class war would lead to Blacks’ own aspirations and needs being neglected and Blacks used instead to improve conditions for White liberals. The Communist party in turn attempted to harness Black nationalism for the general class struggle, by defining Black Americans as working class. But this also created an anti-White racism that characterised all Whites as members of the exploiting classes. Which strikes me as not at all unlike Black Lives Matter and Critical Race Theory. The expectations of Black leadership from Ethiopia came from Psalm 68 in the Bible, which states that, after Egypt, Ethiopia will raise its hands to God. Ethiopia was the one African nation not conquered by the Europeans in the 19th century, which seemed to many Black Americans that the country was destined to lead the Black people. Coupled with this was the hope that Black Americans would return to Africa to take up positions of leadership and power in the continent, and free her from the European colonial oppressors. At the same time, the American army had just withdrawn from its occupation of Haiti. Many Black Americans admired this Caribbean nation because of the way it had thrown off French rule in the late 18th century to become a free, Black republic. At the same time, its new president, Stenio Vincent, sweeping autocratic powers dissolving the lower house and allowing him to appoint a sizable proportion of its senate. It was not a democracy in the American sense, as Zora Neale Hurston recognised, but an elected monarchy. Anti-Semitism and a hatred of Italians and Greeks among working class Blacks in Harlem was also part of the turn towards Fascism. The Black soapbox Caesar, Sufi Abdul Hamid, wished to create a separate trade union exclusively for Blacks. He was one of the leaders of a boycott against the White-owned department stores, which refused to employ Black clerks. He succeeded in getting this reversed, but his inflammatory anti-Semitic rhetoric – many of the stores were Jewish owned – resulted in the 1937 Harlem race riot.

Marcus Garvey and the Invasion of Ethiopia

Chapter one is a general discussion of Black American fascist aesthetics. The first of the writers and activists to be examined is Marcus Garvey, the founder and leader of the United Negro Improvement Association. This was a mass organisation, whose hierarchy was based on that of the army, with Garvey giving his followers various military ranks. Militantly nationalistic, the organisation also campaigned for a return to Africa, and Garvey was also impressed with the Italian Fascist corporatist state. Rejecting Communism, he instead supported private property. Blacks should work to acquire wealth, that they should then use to build the new Black state. However, private wealth should also be limited. Only the state should be able to hold investments over $5 or $6 million.

Of the figures discussed in the book, Garvey is the most overtly Fascist. Indeed, in a 1937 interview he claimed that Hitler and Mussolini based their movements on his. He was no fan of Mussolini, however, after the Italian invasion of Ethiopia, which also caused him to become a bitter critic of its former emperor, Hailie Selassie. Selassie had scarpered to London following the invasion, which bitterly disappointed Garvey. He had also expected the Ethiopian emperor to modernise the country, turning it into a modern, Fascist, corporate state, which would embark on its own destiny of imperial conquest. Selassie had not done this. Garvey also sneered at him because of the Biblical lineage of the Ethiopian monarchy. This claimed descent from Solomon and the Queen of Sheba. Thus, Garvey attacked him because he was, by virtue of this descent from the great Israelite king, Jewish. This was in contrast to Simon of Cyrene, who was Black, and Jesus, who was mostly Black.

Schuyler’s Pulp Fiction Supervillain Black Liberator

George S. Schuyler was a Black American writer and journalist, described by the book as somewhat like H.L. Mencken. He had started off as a vague socialist, believing that Africans were innately Communistic, and pan-African. Well, he was until he visited Liberia, which left him bitterly disillusioned to the extent that he wished the US army would invade so that America could take over and improve the country. This changed again with the Italian invasion of Ethiopia. Schuyler, like many other Black Americans, was outraged and wanted to raise an army of Black American volunteers, who would go and fight for the African nation. Seeking advice from the American foreign department, he was told that was impossible as America wished to preserve its neutrality. Schuyler thus turned to literature to express his anger and desire for revenge, writing the pulp story Black Empire. This tells the story of Dr. Belsidus, a Black American genius, who takes over Africa with his organisation, the Black Internationale, turning it into a military superpower through able to repel the Italians and then embark on the genocidal conquest of Europe through advance Black super science. Black scientists create death rays, hydroponic farms, fax machines and hypno-robots. Hypno-robots? Yes. Belsidus creates a new religion and deity, the God of Love, whose mission is to inculcate Black Africans with belief in their noble descent from the Babylonians and Egyptians and their future greatness. The hypno-robot is a giant, 50-foot tall figure of a naked Black man representing the God of Love, which has the power to move, raising its arms and nodding its head. Its eyes light up to hypnotise the congregation, so that they will become mentally receptive to Belsidus racial doctrines. Aiding Belsidus are a series of White women, his lovers, whom he casually murders if they fail him in bed or in their tasks of bringing down European rule. Belsidus comes across as Yaphet Kotto’s villain in the Bond film, Live and Let Die, but even nastier. He’s a genocide who ruthlessly kills White men, women and children. The story’s a nasty revenge fantasy, written by Schuyler to compensate for the Italian invasion. Schuyler himself didn’t stay a Fascist, but instead became a noted Black Conservative intellectual.

McKay, Sufi Abdul Hamid and Black Labour

Claude McKay was another Black American who had started out as a Communist, but then moved away from it, converting to Roman Catholicism. In the 1930s and ’40s McKay was also concerned with building a Black labour movement for which he also adopted aspects of Fascism. He was also an admirer of Sufi Abdul Hamid, an eccentric individual who styled himself Bishop Amiru Al-Minin Sufi Abdul Hamid, an Egyptian, but whose real identity may have been Eugene Brown of Philadelphia. Hamid had founded his own cult, the Universal Temple of Tranquillity. In 1932 he led a jobs boycott in Chicago and in 1934 led a similar boycott against Blumstein’s department store in Harlem. He was not popular with the other Black intellectuals, who regarded him as a charlatan and racketeer. Before his death in the late 1930s he was trying to promote himself as a cult leader in an attempt to challenge Father Divine. Called the Black Hitler because of his virulently anti-Semitic speeches, Hamid was partly responsible for the 1937 race riot, for which he was unsuccessfully prosecuted by the Jewish Minute Men. He appears as ‘Omar’ in McKay’s unfinished novel, Harlem Glory. This is partly an examination of the divided psychology of Black America. ‘Omar’ represents its Fascist side, while Father Divine, who appears as ‘Glory Savior’, and his cult, the ‘Glory Soulers’, represent religion and Communism.

Hurston, Moses and Haiti

Zora Neale Hurston is included because of her novel about Moses leading the Exodus, Moses, Man of the Mountain, in which both the greatest of the Hebrew prophets and his adversary, Pharaoh, have the nationalistic, genocidal qualities of modern Fascist dictators. Hurston also linked Moses to Haiti’s founder, Toussaint L’Ouverture. L’Ouverture’s power was represented by the Voodoo god, Damballah, who was also Moses’ rod of power. Damballah’s a snake god, while one of the miracles Moses performed was changing his staff into a snake. This novel is strongly influenced by Hurston’s admiration for Haiti and its authoritarian leader.

Cross Damon, Fascist Murderer or Existentialist Anti-Hero

Wright was another Communist intellectual, who then went to France to hang out with Sartre. He then wrote his own existentialist novel, The Outsider, about a former postal worker, Cross Damon. After losing his job, and suffering problems from the women in his life, Damon becomes a murderer, committing a series of killings across America. The novel was widely criticised at the time for not saying anything about the condition of Black America. Thompson argues that this is untrue. The book does examine their plight, as Damon personifies the Fascist tendency within Black America through his ruthless pursuit of the power over life and death. His murder of two twins, one a Communist, the other a Fascist, shows that to Wright these political creeds were essentially the same, and that Damon is also similar to them through their murder.

The Black Arts Movement and Neo-Fascism

The Black Arts movement was a post-War phenomenon, in which Black intellectuals and artists attempted to create a distinctly Black artistic culture, in contrast and opposition to that of White America. This chapter argues that historic fascism ended with the Second World War, and that its post-War successor, neo-Fascism, is markedly different. Fascism itself is also broader than Nazism, with which it has been identified, and which has itself been reduced to murderous anti-Semitism. It is a distortion, therefore, to describe the Nation of Islam as Fascist and genocidal simply because they held a joint rally with the American Nazi party, for which the party’s Fuhrer, Lincoln Rockwell, donated $20 to them. The chapter nevertheless states that the Black Arts movement constitutes an extreme form of Black nationalism, and ends with a call for it to be examined as a form of neo-Fascism.

Belsidus’ Statue and Fascist Homosexuality

Thompson’s a professor of English at the University of Illinois at Urbana-Champaign, so the book is less a work of political science as literary criticism. Thus it frequently refers to the works of such literary theorists as Georges Bataille, Foucault, Althusser and Guy Debord. I found some of the book’s arguments extremely convoluted, particularly in the chapter on Wright and The Outsider. There are times when he seems to be arguing for the Fascist nature of Cross Damon, from that character’s difference to or opposition to Fascism. He also follows the German writer, Ludwig Theweleit, in considering that their is a homosexual component to the Fascists’ adoration of their leaders. This causes the book to contain some bizarre passages about the significance of the penis in some of the pieces discussed. For example, he writes of the Belsidus’ 50 foot statue of a naked Black man

The statue is what Siegried Krakauer calls the “mass ornament”: a ritual object that is “an end in itself”. But even after the “ritual meaning” of such objects is discarded, “they remain the plastic formation of the erotic life which gave rise to them and determined their traits”. (146). The mass ornament is emptied of its ritual content and plenitude and re-cathected with an erotics of power that seeks to control the masses’ libidinal urges by converting them into an iconic religious outpouring. This is why Schuyler’s mass ornament is depicted as “a huge statue of a nude Negro standing with legs apart, gazing sardonically downward with arms crossed. It was all of 50 feet high and every part of the body was clearly depicted” (58). The bearer of the sardonic gaze cannot be mistaken. “Sardonic” is, after all, one of Schuyler’s favorite adjectives for the good Doctor and his notorious gaze. Also inescapable in this mammoth fifty-foot statue of a male Negro is an anatomical accuracy that surpasses the bounds of decency. If one wondered whether Dr. Belsidus’s movement followed the fascist phallocentric logic of male ego-reintegration Theweleit theorizes, the appearance of the fifty foot “God of Love” in all his anatomical glory removes all doubt. (pp. 90-1).

Black Fascism and other Forms of Dictatorship

The book acknowledges that none of the authors and activists discussed founded Fascist parties or movement, and he regards them as individual figures rather than the leaders of mass Fascist organisations. Garvey, with his militaristic nationalism and claims to have inspired the European Fascist dictators is the closest figure to European Fascism. So too is Sufi Abdul Hamid with his emphasis on labour, Black separatism and anti-Semitism. Hamid’s similar to the Nazis in another way: they also hated the department stores as an example of ‘Jewish capital’. Schuyler’s Black Empire is a revenge fantasy, whose hero – or anti-hero – would certainly qualify as a Fascist, even though Belsidus himself doesn’t appear to his followers to make speeches from the balcony. He just leaves that to his naked 50-foot robot. But this doesn’t make Schuyler himself a Fascist or mean that he is calling for a similar Fascist movement. It is questionable, however, whether Hurston’s Moses or Pharaoh are really fascist either. Political scientists have debated the difference between Fascism and other forms of authoritarianism and aggressive, intolerant nationalism. Noel O’Sullivan in his book, Fascism, argues that it possesses distinct features that distinguish it from the militant, dictatorial regimes of some of the nations in Africa and the Developing World. Stenios Vincent was highly authoritarian, but it’s questionable whether his regime can be considered Fascist. This also raises the question of how far Hurston’s Moses and Pharaoh are Fascists, although they certainly act in a way which could be described as fascistic. I find the argument about Wright’s The Outsider rather less convincing. It may be that Cross Damon partakes of part of the psychology of Fascist and Communist dictators through his murders, but it seems to me to be a straightforward piece of existentialist literature rather than an examination of Black American Fascism. It reminds me of Albert Camus’ novel of the same name, about a Frenchman in Algeria who murders an Arab out of boredom. Wright’s outsider is another murderer, but is a Black American rather than French.

Conclusion

I don’t know how far the Black Arts movement could be described as neo-Fascist, but historians of post-War British Fascism have noted the radical revisions of doctrine the BNP went through under its generalissimo, Nick Griffin. But Critical Race Theory does seem very similar to the Communist party’s simplification of race relations in America to Black workers versus White exploiters. My guess is that an examination of the Black Arts movement would uncover clear parallels and influences from European neo-Fascism, as would Black Lives Matter today.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

December 14, 2020

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.

A 17th Century Anglican Plea for Religious Toleration

November 21, 2020

Jeremy Taylor was the chaplain of King Charles I and the rector of Uppingham. After the royalists were defeated in the British Civil War, he fled to Carmarthenshire in Wales, where he wrote his book arguing for religious freedom, The Liberty of Prophesying. After the Restoration he was appointed bishop of Down and Connor. He was also the author of a number of devotional works and sermons, but it’s his defence of religious freedom that I find particularly interesting. He said ‘they were excellent words which St. Ambrose said in attestation of this great truth, that the civil authority has no right to interdict the liberty of speaking, nor the sacerdotal to prevent speaking what you think.’

See the article on him in John Bowker, ed., The Oxford Dictionary of World Religions (Oxford: OUP 1997) 958.

I’m very much aware that throughout Christian history there has been very little freedom of religion and conscience, and that the Anglican church’s toleration of Dissenters was very limited until the repeal of the Test and Corporation Acts in the 19th century. Until then Protestant nonconformists were excluded from the grammar schools, universities and government, and could only hold their services five miles away from towns. Atheism and Roman Catholicism were illegal again until the 19th century. But it was clergymen like Taylor and his fellows in the Nonconformist churches, like the Quaker William Penn and a number of Presbyterian ministers, who laid the foundations for the British and American tradition of religious tolerance. The most famous of the works calling for religious freedom from this period is Milton’s Areopagitica.

Despite the passage of the centuries, their message is still acutely relevant. Many countries still don’t have freedom of conscious or religious liberty in the 20th century. The Communists attempted to destroy religious and viciously persecuted people of faith, while the Nazis, apart from trying to exterminate the Jews, also sent their other religious opponents, especially Jehovah’s Witnesses, to the concentration camps.

We have recently seen a French teacher murdered for showing schoolchildren the Charlie Hebdo cartoons of Mohammed in a class about free speech, and mass demonstrations against France for permitting the cartoons in Muslim countries. To many people, their calls for legislation against such disrespect seem like demands for Muslim blasphemy laws. Christians and members of other religious minorities, such as Shia and Ahmadiyya Muslims have been murdered in Pakistan as well as orthodox Sunni Muslims because of supposed blasphemy. This is banned in Pakistan and punishable with the death penalty. The only permitted religion in Saudi Arabia is Wahhabi Islam, and a few years ago the Saudis declared that atheism was terrorism. This was just atheist unbelief itself, regardless of any act of genuine terror, such as killing people or destroying property.

I’m sympathetic to Muslims regarding the Charlie Hebdo cartoons. I don’t like the way Christianity and Christ are mocked by certain sections of the media and the entertainment business either. I’ve also heard the argument that Charlie Hebdo is a nasty rag. It’s not left-wing, but right, apparently, and its targets also include Roman Catholicism and immigrants.

But there’s a greater principle of free speech and the sanctity of human life here. All religions and ideologies, including atheism, should be up for debate, with people free to choose as they will. They’re fundamental human rights, the violation of which either leads or is part of tyranny.