Archive for the ‘Music’ Category

Facebook Bans Israeli Company for Interfering in Elections Around the World

May 18, 2019

Here’s another very interesting piece from Mike over at Vox Political. The social media giant, Facebook, has banned the Archmides Group, an Israeli company based in Tel Aviv, because it was trying to manipulate elections in Africa, Asia and Latin America by posting propaganda and setting up fake accounts. It took down 265 Facebook and Instagram accounts, pages, groups and events, followed by 2.8 million Facebook accounts, because they were judged or disseminated manipulative content.

Mike asks the obvious questions. Like whether this means that the Israelis have been trying to influence politics in this country, whether other countries, like Russia, are also doing the same, and whether Facebook itself can be trusted. It hosts ‘dark advertising’, which is targeted as specific individuals. This makes it hard to follow for anyone but the specified recipient, and so can be used by political parties to hide how much they are spending on electoral campaigns.

And Mike wonders if the Tories realised that their support of globalisation would mean that they would be allowing other countries to influence elections right here?

Israeli company banned from Facebook after interfering with elections around the world

This is another instance where, unfortunately, I’m not remotely surprised. It seems that the Israeli state has no scruples whatsoever in its dealings with other nations. From the 1970s onwards it formed alliances with extremely repressive, Fascist states around the world. This included not only apartheid South Africa, which shocked many Israelis, but also the Fascist regimes in Latin America. Like Guatemala, where Israeli experts showed the Fascist government how to isolate and imprison the indigenous peoples in special villages in its genocidal war against the Mayan Indians. They supported the horrific regimes of Nicaragua and El Salvador, as well as General Pinochet in Chile. Even though the bloody butcher also tortured and murdered Jews in his roundup of Left wing activists.

And they’re still doing pretty much the same today, supporting the far right regimes in Poland, Hungary, the Baltic States and Ukraine, because these regimes buy their guns and armaments. Right at the same time those same regimes are celebrating Nazi collaborators, or pushing anti-Semitic propaganda. Like the Polish Law and Justice Party, which has passed legislation prohibiting discussion of Polish collaboration in the Holocaust.

As for the Tories allowing foreign influence in our elections, frankly, they really don’t care. You think of all the Russian oligarchs that are funding the Tory party. And the way the Tories were very keen to shut down any further discussion of Israeli influence in the party after al-Jazeera expose Shai Masot. Not that Blair was much different. Under international law, allied countries may not spy on each other. However, the Israelis have been caught several times doing so in Britain. They did it under Thatcher, who went berserk and threatened them with closing down their embassy. They duly caved in. When they did it again under Blair, he issued a feeble reprimand, but did nothing. Possibly because Blair was receiving donations from Zionist businessmen he’d met through the Israeli embassy.

Israel is a brutal, Fascist, manipulative state. But proper exposure of just how nefarious it is, is prevented through threats and accusations of anti-Semitism. It’s high time this was stopped, and Israel really shown for what it is. Especially as it is using the Eurovision Song Contest to brighten its foul image.

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Video Urging Boycott of Eurovision to Combat Israeli Artwashing

May 15, 2019

The Eurovision Song Contest is nearly upon us, and TV stations all across Europe have started showing the contestants going through their moves and ditties ready for the big event. This year it’s in Israel, and last night the Beeb started their broadcast from that country. This raises the awkward issue of how the Israeli state is using the event as propaganda, to try to present itself as a liberal, progressive nation while in fact its the reverse. It’s an apartheid state, which has practised a 70 + year campaign of apartheid, arrest, torture and ethnic cleansing against its indigenous people, the Palestinians.

This video comes from Breadtube’s European All-Stars, with speakers including the Spanish Javi, Amelia Jane, Brit Kevin Logan, and Paul Morrin. It’s done with humour, with Javi himself opening the video with a piece in Spanish explaining to his compatriots that they are to hang on, because they’re experiencing cultural difficulties. But it’s very solidly factual, and presents a powerful, irrefutable argument why decent people should not go to Israel and should boycott the Song Contest.

Amelia Jane begins by describing the Song Contest’s origins. It’s staged by the European Broadcasting Union, and was devised to pull the various European nations together after the Second World War. It’s gone from a very upper class oriented event to something rather more democratic. It’s now campy and so LGBTQ positive that it’s almost the precursor to the full Pride parades later in the year.

Despite the EBU’s claim that it is apolitical, the contest has always had its share of controversies, and even the existence of state broadcasters like the EBU in an age of post-Milton Friedman neoliberalism is controversial. Turkey pulled out of the contest a few years ago in protest at two women kissing during one of the pieces. But before that, Austria refused to broadcast it following the inclusion of Franco’s Spain. The ghastly thug was using it to open up his Fascist state to the rest of the world. Since the fall of Communism, it’s included a number of states that were in the former Soviet Union, with the exception of Russia itself. These are using the Song Contest to position themselves as more liberal, progressive, and oriented towards north-west Europe and the free market.

It’s also expanded far beyond the conventional boundaries of Europe. Since the beginning its included Israel, but now also includes Morocco and Australia. This was supposed to be only for a single time, but has somehow continued.

Here Kevin Logan takes up the narrative, talking about Israel as a colonialist, apartheid state. He states that it is a colonialist state, that took over a large proportion of Palestinian territory after the war of 1948 and the departure of the British. It is a religious state, where Jews are the privileged citizens. The indigenous Arabs, however, have been subjected to continuing arrest, massacre and ethnic cleansing. Those who remain in Israel are subjected to a form of apartheid. He states that current technology means that the Israelis cannot hide their atrocities, which include the arrest and torture of children as young as five. He compares this with apartheid South Africa, which also experienced boycotts in sport, the arts and elsewhere in protest at its racism.

This part of the video shows clips of the Israeli forces doing precisely what Logan describes, including arresting small children and a journo shot by the IDF. And to show what ordinary Israelis think of Islam and Palestinians, he shows clips from Abby Martin’s Empire Files, in which various young Israelis declare their hatred of Islam, desire to see Arabs and Israelis segregated, and that the whole of Palestine is theirs and Jews and Arabs should not intermarry, because they are God’s Chosen People.

Phil Morrin then takes over to show how the Israelis are turning to the arts and culture to burnish their very soiled image. He explains what green-, art-, and pinkwashing are. Greenwashing would be if the IDF tried to convince the world that it was now a progressive, caring organisation by putting its squaddies on a vegan diet. He declares that the real vegans wouldn’t be impressed, and would say that the diet was merely plant-based. Similarly, the Israeli state has also used Eurovision and queer issues to try to present itself as more humane and progressive than it really is. This was twenty years ago, when the Israeli contestant was bearded woman Dana International. Actually, I though International was really a pre-operative transsexual, meaning that she was biologically male, rather than completely female at that point. And then the other year their entry was a song about resisting bullying, performed by a plus-sized singer determined to combat stereotypes about body size. He wonders how that would have gone down with the 27 people the Israelis shot that year, which actually was one of the quietest.

The video ends with a call for people to get involved with the boycott campaign and stay away from Israel in order to overturn it, and create a Palestine, which is free, democratic, and where all its citizens enjoy equal rights. And this includes the wider Boycott, Divestment and Sanction movement. It may not do much, but the Eurovision Song Contest now has such cachet that Madonna wanted to take part and was denouncing people, who were urging its boycott. Okay, Javi says, they’ve got Madonna, but we’ve got Roger Waters, formerly of Pink Floyd. So the guitar on our side is better, but probably not the dancing. The video ends with Javi appealing for donations.

I’ve no doubt that this video, posted on May 7th, has already got the Zionists’ teeth gnashing. It’s precisely the kind of material that will have the Campaign Against Anti-Semitism, the Board of Deputies, and the various parties’ ‘Friends of Israel’ all screaming ‘anti-Semitism’, including Labour Friends of Israel and the Jewish Labour Movement. The groups, who howl with outrage at anyone, who dares to suggest that Israel has no right to exist as a state that declares itself as the homeland of the Jews, while denying the Palestinians a right to their homeland, or to live as equal citizens in a religiously and racially neutral Israel. But this doesn’t stop the video being true, and its arguments valid.

And Israel and its supporters are ultimately behind the anti-Semitism smears against Jeremy Corbyn and the Labour Party, and the foul lies against decent, anti-racists and campaigners and anti-Semitism and Fascism like Jackie Walker, Marc Wadsworth, Mike Sivier, Martin Odoni, Tony Greenstein, Cyril Chilson, and so many, many others.

Given how the Israeli state and its craven supporters have behaved to Mike and the rest, I don’t even want to see it on TV. Go boycott it, even if you’ve no intention of going to Israel anyway. Watch something on the other channels, or put in a DVD, listen to a CD, go on YouTube, play footie, snooker, go down the pub. Do anything, in fact, but give your precious time and attention to Israel’s efforts to divert the world’s attention away from its true, horrific, Fascist reality.

 

 

 

 

Safety Fears over Brexit Debate with Sargon at Bristol’s UWE

May 15, 2019

This was on the local news for Bristol, Gloucestershire, Somerset and Wiltshire, Points West, this morning. The debating society at the University of the West of England here in Bristol has been warned by the uni and the rozzers not to go ahead with a planned debate about Brexit because of concerns about people’s safety. The debate is due to include Carl Benjamin, aka ‘Sargon of Akkad’, the notorious far right candidate for UKIP in the southwest.

This is the notorious Sargon, who has made numerous videos attacking feminism, supporting the use of offensive epithets against Blacks, Jews, gays, Asians and the mentally challenged. The vlogger, who said that he could be quoted as saying it’s all right to sodomise young boys, because they did it in ancient Greece. Who answered a question about whether sex with underage children was right or wrong by saying ‘it depends on the child’. The guy, who sent a tweet to Labour’s Jess Philips saying ‘I wouldn’t even rape you’. The same Sargon, who seems to believe he’s centre left, when in actual fact he’s a complete libertarian, who would like to see all public enterprises privatised, including the NHS, and the welfare state dismantled. And when asked what his policies were by a reporter for Sky News, couldn’t find an answer except to say that he opposed political correctness and Islam.

As a result of his antics, the head of UKIP in Swindon wants him deselected and the party’s Gloucestershire branch has closed down. When he traveled to Gibraltar on his campaigning tour, the country’s governor, Fabian Picardo, refused to meet him and tweeted that Sargon’s comments were hate speech, which had no place there. He has been refused entry to a restaurant because of his vile views in one of the cities in which he campaign, and a protester threw a milkshake at him in Cornwall.

And then there’s the question of the hatred and threats spewed on social media by some of the Brexit crowd. You can understand why the University and police fear violence at the debate if it goes ahead.

I think the debate is also overshadowed by a disturbance at another university event featuring Sargon a few years ago. As Sargon was speaking, a load of black clad people in balaclavas waving an Antifa flag rushed in, only to be beaten off by Sargon and his supporters. Who captured their flag. There are clips of the incident on the Net, and many commenters have suggested that the incident was fake. It may have been staged to make Sargon look good, as the brave defender of free speech against anti-racist intolerance.

Despite this the debating society has said that they intend to go ahead with debate on Friday. If it does, I hope it all goes well for them, and that Sargon gets a sound intellectual and verbal, but not physical, drubbing. 

In the meantime, here’s another video from Kevin Logan briefly showing some of the highlights of Sargon’s campaigning so far to suitable musical accompaniment. This includes Sargon having fish and the milkshake thrown at him. It ends with a statement of where UKIP now lies in the polls – 2% – accompanied by Woody Guthrie’s ‘All You Fascists Bound to Lose’.

Enjoy!

Zelo Street Publishes Piece Supporting Mike Against Anti-Semitism Smear Merchants

May 5, 2019

Thanks to everyone, who’ve sent donations to Mike to help him fight the libel threats brought against him by rich, bullying z-list celebs Rachel Riley and Tracey-Ann Oberman. They’re threatening anyone and everyone, who says anything about them they don’t like, with writs, and alleging that because they’re Jewish, their detractors must be anti-Semites. Mike’s one of those they’ve tried to bully into silence, because he, like so many others, blogged about how the gruesome twosome had ganged up and bullied a vulnerable sixteen year old schoolgirl. A young woman with anxiety, whom they smeared as an anti-Semite.

As Mike points out, his article was a perfectly valid opinion piece. Mike is a trained journo, and they have to know the law. Mike has also sought counsel from m’learned him friends, who have told him that Riley and Oberman don’t have a case. But he needs money just in case they try to bring it anyway. It’s a nasty piece of legal strategy called lawfare, where an individual or group tries to silence their critics using the law, even when they know they don’t have a case. They bring the actions knowing that fighting them and employing lawyers will cost tens of thousands of pounds, and hope that the legal costs alone will frighten their critics into silence. It’s the action of bullying scoundrels. Riley and Oberman also have the advantage over ordinary schmucks like Mike, in that, as celebrities, they can also count of the support of their legions of fans and their fellow ‘slebs. Riley was on the Jonathan Ross show a couple of months ago, for example, where she thanked all the people supporting her in her spurious campaign against anti-Semitism.

But Mike also has his supporters, who know perfectly well that he’s very, very far from any kind of anti-Semite, and appreciate all the work he’s done on behalf of the disabled and vulnerable. The great folks who sent in £5,000 worth of donations in a single day last week were some of these people, as were the peeps, who defend him online, unasked, against the anti-Semitism trolls.

And one of Mike’s defenders is the good fellow in Crewe, who puts up the Zelo Street blog. Yesterday he put up a piece defending Mike against the anti-Semitism smears of Riley and Oberman, ‘The Shameful Silencing of Mike Sivier’. After explaining who Mike is, and his work attacking the DWP and discussing issues like climate change, health, the Labour party, Brexit and the colossal ineptitude of the Tory party, he tells how Mike has been accused of anti-Semitism by Riley and Oberman. He states that Mike isn’t, and those papers that tried to smear him as one have been forced to retract their allegations by IPSO. He also describes how Mike’s target of £5,000 to help him fight the terrible twosome’s threats was raised in one day, though leaves it an open question whether this is a measure of Mike’s popularity or a sign of displeasure at the behaviour of Princess Countdown and her mate, Tracey-Anne Cyberman. He makes the point that their threat to Mike came after they had similarly threatened other people on social media for supporting an article against them written by Shaun Lawson. Who, for some reason, they haven’t threatened. Zelo Street then asks

Why should this be? Perhaps Ms Riley and Ms Oberman would care, in the fullness of time, to impart that information to the world. Perhaps they would also like to tell Mike Sivier, or his legal team, what specifically he has said in regard to either or both of them which they consider libellous. Because Sivier does not appear fazed by the claim, and nor do his lawyers, which suggests they are confident of having the action struck out.

He then provides a couple of quotations from Mike, which might have provoked the ‘orrible pair into threatening him, pointing out that one is no more than a statement of opinion. The second is one, where Mike describes how the two try to justify their bullying behaviour by claiming it is part of their campaign against anti-Semitism. Zelo Street attacks this by asking

How can anyone be combating anti-Semitism by threatening someone who concludes that you’ve been indulging in bullying? Is bullying an anti-Semitic code-word?

He states that Countdown and Cyberwoman have a problem in that it looks very much like their word against Mike’s, and that as Mike’s comments are like those of Lawson’s, who hasn’t been threatened, Lawson’s comments are the key to this case. He concludes

Attacking those who campaign for the weak against the strong in an attempt to silence them inevitably leaves a bad taste in the mouth. I’ll just leave that one there.
See: https://zelo-street.blogspot.com/2019/05/the-shameful-silencing-of-mike-sivier.html
As for Jonathan Ross, I stopped watching his show years ago, mostly because I simply don’t find it interesting. He is a very clever man, and I share some of his taste in trash and popular culture. But Wossy also wants to be a bit edgy himself, and so indulges in puerile jokes, like the phone call to Andrew Sachs with Russell Brand that got him into so much trouble.
And when he was on the radio I think he was trying to be as close as he could to an American-style ‘shock jock’ within the limits of the Beeb and the broadcasting regulations. So he couldn’t be as openly politically biased nor as racist as some of them are. Nor can he be as sexually explicit. Howard Stern had on his Christmas show, for example, a gay choir singing ‘I’m dreaming of a little light torture’, but Wossy on his show for years had a gay singing group ‘Four Poofs and a Piano’. I’ve absolutely no objection to them appearing on his show, but it does seem to be an example of Wossy following the Americans’ taste, which he genuinely shares, for the transgressive and camp.
But I do wonder how he gets away with some of it. A few years ago while looking for something else on lunchtime radio, I accidentally got his lunchtime programme. Wossy was talking to the late, great Dale Winton. On finding out that Winton was Jewish, Wossy announced that he himself was half-Jewish, and then asked him if he was circumcised.
Eh? What has that got to do with anything? That’s a personal question, which is between a bloke and his rabbi. It’s not a question you ask, and certainly not on the radio at a Saturday lunchtime.
A more reasonable question might be how his Jewish background has influenced him as a person or a performer. Many performers come from a religious background, and various Christian actors and musicians took their first step in showbusiness in the church choir. I don’t know if something similar has inspired Jewish showbusiness peeps through membership of their synagogue. In traditional Judaism, for example, the readings from the Hebrew Bible were chanted by the cantor. This chant, cantillation, was often sung very beautifully, and in the 19th century the best cantors in European Jewry enjoyed a celebrity status like that of opera singers in mainstream society. It seems to me that asking whether the Jewish musical tradition, whether religious or secular, would be a far better and fairer question than making such a personal inquiry.
But Wossy had to ask him, no doubting counting that as someone, who was part Jewish, he wouldn’t be accused of anti-Semitism for it, which he certainly would if he was a gentile. It’s stupid, puerile antics that like that which rightly stop people wanting to watch his show or listen to him on the radio.

Reviewing the ‘I’s’ Review of Ian McEwan’s ‘Machines Like Me’

April 21, 2019

George Barr’s cover illo for Lloyd Biggle’s The Metallic Muse. From David Kyle, the Illustrated Book of Science Fiction Ideas & Dreams (London: Hamlyn 1977).

The book’s pages of last Friday’s I , for 19th April 2019, carried a review by Jude Cook of Ian McEwan’s latest literary offering, a tale of a love triangle between a man, the male robot he has purchased, and his wife, a plot summed up in the review’s title, ‘Boy meets robot, robot falls for girl’. I’d already written a piece in anticipation of its publication on Thursday, based on a little snippet in Private Eye’s literary column that McEwan, Jeanette Winterson and Kazuo Ishiguro were all now turning to robots and AI for their subject matter, and the Eye expected other literary authors, like Martin Amis and Salman Rushdie, to follow. My objection to this is that it appeared to be another instance of the literary elite taking their ideas from Science Fiction, while looking down on the genre and its writers. The literary establishment has moved on considerably, but I can still remember the late, and very talented Terry Pratchett complaining at the Cheltenham Literary Festival that the organisers had looked at him as if he was about to talk to all his waiting fans crammed into the room about motorcycle maintenance.

Cook’s review gave an outline of the plot and some of the philosophical issues discussed in the novel. Like the Eye’s piece, it also noted the plot’s similarity to that of the Channel 4 series, Humans. The book is set in an alternative 1982 in which the Beatles are still around and recording, Tony Benn is Prime Minister, but Britain has lost the Falklands War. It’s a world where Alan Turing is still alive, and has perfected machine consciousness. The book’s hero, Charlie, purchases one of the only 25 androids that have been manufactured, Adam. This is not a sex robot, but described as ‘capable of sex’, and which has an affair with the hero’s wife, Miranda. Adam is an increasing threat to Charlie, refusing to all his master to power him down. There’s also a subplot about a criminal coming forward to avenge the rape Miranda has suffered in the past, and a four year old boy about to be placed in the care system.

Cook states that McEwan discusses the philosophical issue of the Cartesian duality between mind and brain when Charlie makes contact with Turing, and that Charlie has to decide whether Adam is too dangerous to be allowed to continue among his flesh and blood counterparts, because

A Manichean machine-mind that can’t distinguish between a white lie and a harmful lie, or understand that revenge can sometimes be justified, is potentially lethal.

Cook declares that while this passage threatens to turn the book into a dry cerebral exercise, its engagement with the big questions is its strength, concluding

The novel’s presiding Prospero is Turing himself, who observes that AI is fatally flawed because life is “an open system… full of tricks and feints and ambiguities”. His great hope is that by its existence “we might be shocked in doing something about ourselves.”

Robots and the Edisonade

It’s an interesting review, but what it does not do is mention the vast amount of genre Science Fiction that has used robots to explore the human condition, the limits or otherwise of machine intelligence and the relationship between such machines and their creators, since Mary Shelley wrote Frankenstein. There clearly seems to be a nod to Shelley with the name of this android, as the monster in her work, I think, is also called Adam. But Eando Binder – the nom de plume of the brothers Earl and Otto Binder, also wrote a series of stories in the 1930s and ’40s about a robot, Adam Link, one of which was entitled I, Robot, which was later used as the title of one of Asimov’s stories. And although the term ‘robot’ was first used of such machines by the Czech writer Karel Capek in his 1920s play, RUR, or Rossum’s Universal Robots, they first appeared in the 19th century. One of these was Villier de l’Isle-Adam, L’Eve Futur of 1884. This was about a robot woman invented by Thomas Edison. As one of the 19th centuries foremost inventors, Edison was the subject of a series of proto-SF novels, the Edisonades, in which his genius allowed him to create all manner of advanced machines. In another such tale, Edison invents a spaceship and weapons that allow humanity to travel to the planets and conquer Mars. McEwan’s book with its inclusion of Alan Turing is basically a modern Edisonade, but with the great computer pioneer rather than the 19th century electrician as its presiding scientific genius. Possibly later generations will have novels set in an alternative late 20th century where Stephen Hawking has invented warp drive, time travel or a device to take us into alternative realities via artificial Black Holes.

Robot Romances

As I said in my original article, there are any number of SF books about humans having affairs with robots, like Tanith Lee’s The Silver Metal Lover, Lester del Rey’s Helen O’Loy and Asimov’s Satisfaction Guaranteed. The genre literature has also explored the moral and philosophical issues raised by the creation of intelligent machines. In much of this literature, robots are a threat, eventually turning on their masters, from Capek’s R.U.R. through to The Terminator and beyond. But some writers, like Asimov, have had a more optimistic view. In his 1950 I, Robot, a robot psychologist, Dr. Susan Calvin, describes them in a news interview as ‘a cleaner, better breed than we are’.

Lem’s Robots and Descartes

As for the philosophical issues, the Polish SF writer, Stanislaw Lem, explored them in some of his novels and short stories. One of these deals with the old problem, also dating back to Descartes, about whether we can truly know that there is an external world. The story’s hero, the space pilot Pirx, visits a leading cybernetician in his laboratory. This scientist has developed a series of computer minds. These exist, however, without robot bodies, but the minds themselves are being fed programmes which make them believe that they are real, embodied people living in the real world. One of these minds is of a beautiful woman with a scar on her shoulder from a previous love affair. Sometimes the recorded programmes jump a groove, creating instances of precognition or deja vu. But ultimately, all these minds are, no matter how human or how how real they believe themselves to be, are brains in vats. Just like Descartes speculated that a demon could stop people from believing in a real world by casting the illusion of a completely false one on the person they’ve possessed.

Morality and Tragedy in The ABC Warriors 

Some of these complex moral and personal issues have also been explored by comics, until recently viewed as one of the lowest forms of literature. In a 1980s ‘ABC Warriors’ story in 2000AD, Hammerstein, the leader of a band of heroic robot soldiers, remembers his earliest days. He was the third prototype of a series of robot soldiers. The first was an efficient killer, patriotically killing Communists, but exceeded its function. It couldn’t tell civilians from combatants, and so committed war crimes. The next was programmed with a set of morals, which causes it to become a pacifist. It is killed trying to persuade the enemy – the Volgans – to lay down their arms. Hammerstein is its successor. He has been given morals, but not to the depth that they impinge on his ability to kill. For example, enemy soldiers are ‘terrorists’. But those on our side are ‘freedom fighters’. When the enemy murders civilians, it’s an atrocity. When we kill civilians, it’s unavoidable casualties. As you can see, the writer and creator of the strip, Pat Mills, has very strong left-wing opinions.

Hammerstein’s programming is in conflict, so his female programmer takes him to a male robot psychiatrist, a man who definitely has romantic intentions towards her. They try to get Hammerstein to come out of his catatonic reverie by trying to provoke a genuine emotional reaction. So he’s exposed to all manner of stimuli, including great works of classical music, a documentary about Belsen, and the novels of Barbara Cartland. But the breakthrough finally comes when the psychiatrist tries to kiss his programmer. This provokes Hammerstein into a frenzied attack, in which he accidentally kills both. Trying to repair the damage he’s done, Hammerstein says plaintively ‘I tried to replace his head, but it wouldn’t screw back on.’

It’s a genuinely adult tale within the overall, action-oriented story in which the robots are sent to prevent a demon from Earth’s far future from destroying the Galaxy by destabilising the artificial Black and White Holes at the centre of Earth’s underground civilisation, which have been constructed as express routes to the stars. It’s an example of how the comics culture of the time was becoming more adult, and tackling rather more sophisticated themes.

Conclusion: Give Genre Authors Their Place at Literary Fiction Awards

It might seem a bit mean-spirited to compare McEwan’s latest book to its genre predecessors. After all, in most reviews of fiction all that is required is a brief description of the plot and the reviewer’s own feelings about the work, whether it’s done well or badly. But there is a point to this. As I’ve said, McEwan, Winterson, Ishiguro and the others, who may well follow their lead, are literary authors, whose work regularly wins the big literary prizes. They’re not genre authors, and the type of novels they write are arguably seen by the literary establishment as superior to that of genre Science Fiction. But here they’re taking over proper Science Fiction subjects – robots and parallel worlds – whose authors have extensively explored their moral and philosophical implications. This is a literature that can’t and shouldn’t be dismissed as trash, as Stanislaw Lem has done, and which the judges and critics of mainstream literary fiction still seem to do. McEwan’s work deserves to be put into the context of genre Science Fiction. The literary community may feel that it’s somehow superior, but it is very much of the same type as its genre predecessors, who did the themes first and, in my opinion, better.

There is absolutely no reason, given the quality of much SF literature, why this tale by McEwan should be entered for a literary award or reviewed by the kind of literary journals that wouldn’t touch genre science fiction with a barge pole, while genre SF writers are excluded. It’s high time that highbrow literary culture recognised and accepted works and writers of genre SF as equally worthy of respect and inclusion.

Just How Many Members of the JLM Are Really Jewish?

April 20, 2019

As Jeremy Corbyn becomes more popular, so the vile right-wing establishment and media, and particularly the Sunset Times, are determined to smear him and the Labour party as anti-Semites. One of the leaders of this campaign within the Labour Party has been the JLM, or the Jewish Labour Movement. Who I believe should be more accurately called the Zionist Bowel Movement. They claim to represent the Labour Party’s Jewish members and have been active denouncing anyone they can on the Labour left as a Jew-hater.

In reality, what they consider to be anti-Semitism is very narrow: it’s opposition to Israel and Zionism, rather than anti-Semitism in the proper meaning of the word: hatred of Jews as Jews. It honestly isn’t surprising, as the Jewish Labour Movement is the successor to Paole Zion, or ‘Workers of Zion’, a Jewish Zionist organisation that became affiliated to the Labour Party in the 1920s, and which campaigned for a Jewish homeland in Palestine. But Paole Zion was more or less moribund when it was taken over in 2014 or so by embezzler Jeremy Newmark, of the Jewish Leadership Council, who told his friends in a Golders Green coffee shop that he wanted to work for Zionism from inside the Labour party, using the tactics Zionists had already used in the Universities and Colleges Union. The Zionist Bowel Movement has repeatedly claimed that anti-Semitism is rife in the Labour Party, and last week loudly held a meeting to discuss disaffiliation, because the party was allegedly no longer a place where Jews were comfortable.

In fact, this is news to many of the Party’s Jewish members, who acknowledge that there probably is anti-Semitism in Labour, but haven’t met it personally themselves in all their years of membership. Labour also have a number of other Jewish organisations, like the superb Jewish Voice for Labour, which has attacked the anti-Semitism witch-hunt and defended its innocent victims, like Jackie Walker. I’ve also no doubt that the Party has very many other Jewish members, who are not members of specifically Jewish organisations. Many people don’t want to be put in boxes or defined by religion or ethnicity. One of these was Dr. Jonathan Miller, the satirist, broadcaster and opera director. When he was introduced on one programme back in the 1960s as a Jew, he replied by stating that he was ‘Jewish’. ‘I’m a Jewish. I have no interest in being a minority’. Which I dare say is probably the attitude of many assimilated Jews comfortable with their British and Jewish identities.

From their public pronouncements, you could be forgiven for believing that the Zionist Bowel Movement had a mass membership. After all, they claim to speak for the Jewish members of a party, which now has a quarter of a million members. They claimed to have 2000 members, which is trivial compared to that of the Party in general. And it’s probably less than that. From the voting numbers recorded at their general meeting on the issue of disaffiliation, it appears that they may only have 150 members. And not all of those of are Jewish. The Jewish Labour Movement is open to gentiles, and you don’t have to be a member of the Labour Party. Tony Greenstein on his blog stated that as many of 2/3 of the Bowel Movement’s members were actually non-Jews. That’s a hundred out of 150. So you have the spectacle of a Jewish organisation, of which only a third are actually Jewish, trying to tell a party of a quarter of a million that anti-Semitism is rampant in their ranks, in the face of the majority of its members and proper Jewish organisations with an equivalent or higher membership, who assert that it isn’t. And some of these other Jewish organisations have members who are really Jewish.

The JLM is such a pompous organisation, and its claims to represent Labour’s Jews so grotesque, that I was tempted to send them a letter offering to become a member. I’m not Jewish, but have read books on Biblical Hebrew and have the piano music for Hava Nagila, which puts me on the same level as many of their other members. And no, I’m not sneering at Jews or promoting Jewish stereotypes with this comment. I am attacking and satirising a mendacious organisation that has done nothing but spread smears and destroy innocent people’s lives. And they have done this not for any good reason, but simply to defend Israel and its terrorist actions against the Palestinians from criticism. Far from representing the party’s Jewish members, they should be seen as a marginal organisation which grotesquely tries to reduce the rich variety of Jewish opinions on the question of Jewish identity to simply equating it with Zionism and support for Israel.

And in doing so they have smeared decent people, including genuine, Torah-observant and secular Jews. The JLM really only represents Zionism under the pretence of standing for the party’s Jews. And if they departed from the Party tomorrow, absolutely nothing would be lost. Indeed, as Mike and many of the other bloggers have shown from comments posted on Twitter, many people, Jewish and non-Jewish, would be delighted.

Song Spoofing Nigel Farage: ‘I’m Gonna Tell 500 Lies’

April 15, 2019

Here’s another piece of highly political pop from YouTube, this time courtesy of the Joe channel. It’s a Cassetteboi style piece in which various clips of Nigel Farage have been carefully edited and spliced together to make him look stupid. Very stupid. In this instance, it’s to make it appear that he’s singing about all the lies he’s told people about Brexit and immigration now that he’s founded yet another anti-EU party, the Brexit Party.

The song’s a version of the Proclaimer’s ‘500 Miles’, called ‘(I’m Gonna Tell) 500 Lies’, and begins with a shot of parliament, full of Nigel Farage, where one of them holds up a piece of paper saying ‘He’s lying to you’ with an arrow pointing to another Nigel Farage. The lyrics run

When you wake up, well you know I’m gonna be, I’m gonna be the man who sold a lie to you. And when we go out,well you know I’m gonna be the man who acts as Putin’s fool. When you’re suffering, well you’ll know I’ll never be the man who’s suffering with you. And if you’re Muslim, or a Syrian refugee, then you’re not welcome in my outright UKIP coup. ‘Cos I would tell 500 lies and I would tell 500 more just to stoke up hate and xenophobic bile until we’re out the door. And if you’re working, well you know there’s gonna be, there’s gonna be all sorts of low-paid work for you. Because the migrant, who does the work that you won’t do has been deported and they’re back in the EU. If you’re a patient, with medication overdue remember I’m the reason why it can’t get through. Then when you’re hospitalised, no-one’s there to care for you ‘cos half the nursing staff have been deported too. So chew on that because there’ll be no f***ing food.

Then as the music carries on without any further vocals, there are captions explaining that Farage has stood for election to the House of Commons seven times since 1994, and has never been successful. He was first voted as leader of UKIP in 2006 and has campaigned for Brexit ever since. And it still hasn’t happened.

Which shows that he’s a failure as well as racist bigot.

Unfortunately, the song is correct about the terrible results we can expect from Brexit. There is a shortage of nursing and other medical staff thanks to Brexit, and it is predicted that there will be problems obtaining supplies of medicine and food. Indeed, the press reported that Tweezer was setting up a special government committee to tackle this. And Brexit has stoked up massive racial prejudice against Muslims and Syrian asylum seekers as well as migrant workers from the EU.

I very much doubt that the Brexit party will get anywhere electorally, but Brexit and the parties promoting it – UKIP and the Eurosceptic wing of the Tories – are badly damaging Britain, harming its economy, the health service and the welfare of non-White citizens and migrant workers.

They have to be voted out, and a proper anti-racist government put instead. A government headed by Jeremy Corbyn, who, despite the lies, is one of the most anti-racist politicos in Britain’s parliament.

 

Video of Indigenous Australian Pop Band Yothu Yindi

April 15, 2019

This is another interesting piece of global pop I found on YouTube. It’s of the indigenous Australian pop Yothu Yindi, performing their track ‘Treaty’. It’s a a sharp criticism of the failure of Australia’s mainstream politicians way back in 1988 to formulate a treaty with the continent’s indigenous peoples despite promises to give them a better deal and goodwill visits to indigenous communities. At least, that’s how it appears to me from the lyrics and the clips of White Ozzies visiting indigenous communities and participating in displays of indigenous culture.

I  can remember reading about the emergence of indigenous Australian pop bands way back in the 1980s in one of the Sunday supplements. This mentioned a punk, or a punk-influenced band, but this song appears more or less straight pop-rock, so it may not have been Yothu Yindi. The article said that the bands had the support of young White pop-pickers, and campaigned for indigenous rights. Part of this was tribal sovereignty over their lands, so that people, who weren’t indigenous Australians, had to obtain the proper passports before entering their communities, which were closed off to the outside world.

I really don’t know much about the political situation in Australia regarding the indigenous peoples, except that there’s still much prejudice against them, and that they still suffer from massive poverty, cultural dislocation, alcoholism and unemployment, as well as the continuing effects of White Australia Policy and the mixed-race children, who were stolen from their indigenous parents to give to Whites.

The video’s clearly a protest song about the poverty, injustice and broken promises indigenous Australians face. Here it is.

You Kipper – UKIP’s Mosleyite YouTube Fan

March 29, 2019

And now, even more racism and Fascism, this time courtesy of UKIP, or rather, one of their fans. Yesterday the anti-racism, anti-religious extremism organisation and website Hope Not Hate put up a piece about You Kipper, a content creator on YouTube, who puts up videos celebrating Oswald Mosley and encouraging people to join UKIP.

You Kipper has been posting since 2015, and already he has 28,500 subscribers and had seven million views. He produces videos promoting UKIP, as his name suggests, and described the party as ‘our guys’ the video of a discussion between himself and Alt Right activist Colin Robertson, who also posts himself on YouTube as Millennial Woes. You Kipper’s association with Robertson should itself indicate just how far Kipper’s political views are. Robertson is notorious for his videos, largely consisting of himself in a bathroom sat in a darkened room ranting about the West is declining because of non-White immigration and feminism. He also gave a speech in America at an Alt Right gathering in which he told Richard Spencer’s assembled stormtroopers how shocked he was when he found out a young bloke he talked to on a train, who seemed to be intelligent, accepted the conventional narrative about the Holocaust.

You Kipper also describes himself as a ‘Mosleyite’. One of his videos has the title ‘A New Machine – Sir Oswald Mosley’, featuring the speeches of Britain’s would-be fuehrer. This was one of couple of videos shared on Facebook by the fanatic, who then gunned down 50 innocent Muslims in New Zealand. Hope Not Hate point out in their piece that the gunman describe Mosley as the man with the closest views to his own.

The second video from You Kipper that the Australian Nazi shared had the title, ‘There’s No England Now’, a line from the Kinks. This showed Muslims praying, left-wing and pro-EU activists, Sadiq Khan, the mayor of London, and the Manchester bombings, accompanied by the Kink’s ‘Living on a Thin Line’, which was where You Kipper took the title of this wretched piece.

You Kipper has also produced a video on British ethnonationalism, which used to be ‘racial nationalism’ back when I was a lad, and which refers to the NF/BNP doctrine that only Whites can ever really be British. This featured dialogue from the British Fascist John Bowden. Another video on British Nationalism is just a straight speech by John Tyndall, the former fuehrer of the National Front and BNP. And two days after the Christchurch terror attack, You Kipper posted a video ‘(Why You Should) Join UKIP’ consisting of uberkipperfuehrer Gerard Batten’s speech at the Day For Freedom rally last year. The video’s soundtrack was Fashwave music from the British musician, Xurious. For those of us not aux fait with the latest trends in Nazi tunes, Fashwave stands for ‘Fascist Wave’, and is a form of electronic music popular with the Alt Right. Which makes it sound like Nazi rave music.

UKIP is returning You Kipper’s compliments with some branches sharing his wretched videos. The Bury branch shared his video ‘Working Class Uprising: Why We Voted ‘Leave”, which includes clips of a devastated town in County Durham. The only clip underneath it stated that the town was ready for a ‘muzrat’ invasion.

Hope Not Hate connects You Kipper’s support for the party with Batten’s change of direction to appeal to the anti-Muslim and Far Right, including on-line extreme right-wing personalities like Infowars’ Paul Joseph Watson, Mark Meechan, otherwise known of Count Dankula of Nazi pug infamy, and the Sage of Swindon, Carl Benjamin, also known as Sargon of Akkad. Benjamin considers to be a civic rather than ethnic nationalist, but he shares some of the same extreme attitudes as the others. As a ‘classical liberal’ he also stands for the unfettered free market, limited government and despises feminism. There’s also a streak of racism there, as he told a group of fellow right-wingers with whom he was in a discussion that they were ‘behaving like a bunch of n***ers’ when they started to squabble among themselves. Other videos of his apparently show him snorting campaign and looking at the addresses of massage parlours in Swindon. As you do, if you’re a Lockean civic nationalist in Swindon. He’s been selected as UKIP’s candidate for the European elections, should we still be in the EU when they’re due to be held. This has given much amusement to Benjamin’s nemesis, the male feminist and anti-Nazi Kevin Logan. Last weekend Logan and Kristi Winters put up a long video, in which Logan described at length how difficult Sargon would find real politics. The press would tear him to pieces, and he wouldn’t be able to shout down and insult people on their own doorsteps, as he has done debating various political issues at atheist conventions in America. Unfortunately, despite the fact that parts of the Kipper apparat really didn’t want him in, Sargon’s videos for the party in which he attacks, amongst other issues, trans rights, have made the Kipper channel the most popular political channel on YouTube.

The Hope Not Hate article cites a piece in the Guardian that the mass departure of UKIP’s older members and the influx of younger, more extreme activists, has also coincided with the rise of extreme-right wing internet sites like Politicalite and Unity News. These sites also support Batten’s far right politics. The article concludes

UKIP has changed, and has become a participant in the online culture war as much as a political threat. Sharing an article from the Guardian which reported that UKIP’s surge in membership is shifting the party to the far right, You Kipper tweeted: “when I said UKIP are a cultural as well as political force this is what I meant: we’re helping to shift the political climate”.  

https://www.hopenothate.org.uk/2019/03/28/you-kipper-the-fascist-youtuber-promoted-by-the-nz-shooter-and-ukip/

That’s the danger. UKIP has turned to the Far Right because it’s desperate for new members and to make itself relevant. It was a single issue party that became redundant after the ‘Leave’ campaign won the 2016 referendum. And hopefully the party will collapse further as the country moves away from Leave as it becomes clear how exiting the European Union will damage our economy and society.

But it is dangerous in that You Kipper, Sargon, Dankula, Watson and co are shifting the Overton window towards the Far Right, and helping to legitimate islamophobia, misogyny and racism.

 

‘I’ Newspaper Smears Corbyn’s Labour as Anti-Semitic Conspiracy Theorists: Part 3

March 10, 2019

The next anti-Semitic conspiracy theory Verber claims is held by people in the Labour party is ‘Twisting or denying the facts of the holocaust’. The example he gives of this is ‘Chris Williamson’s series of unfortunate events’. He writes of this conspiracy theory

Wander into any coffee shop in Tel Aviv and you will hear all manner of Israelis criticising the government of the day. But none of the Nazis’ anti-Semitic policies are remotely similar to any passed by Israel. The Nazis set out to murder every Jew in Europe and then – had they got their way – across the globe.

Each innocent Palestinian life that has been lost in the conflict with Israel is a tragedy, as it every Israeli life. But Gaza is not Auschwitz. Comparing the two is a lie, a low blow deliberately calculated to cause hurt and pain to a community still in trauma.

Other versions of this conspiracy theory include attempts to play down the Holocaust’s significance or event to question its existence.

Now look what’s being done here. It’s a classic example of ‘bait and switch’. For most people, ‘twisting or denying the facts of the Holocaust’ would mean straight out Holocaust denial, or the noxious variants of it that minimise the numbers murdered. But that’s not what concern Verber. He’s upset because, gasp, some people are comparing Israel’s treatment of the Palestinians to the Nazis. His statement that none of Israel’s policies are comparable to the Nazis is a flat-out lie. Firstly, Israel is an apartheid state. Only Jews can be citizens. This is identical to the Nazis’ policy that only ethnic Germans could be German citizens. The country’s indigenous Arabs also live under separate laws and may only use specific roads. Many municipalities in Israel have passed legislation forbidding property to be let to non-Jews. Furthermore, the country was born partly through a series of massacres against the Arabs. Those making the claim that Israel resembles Nazi Germany, like Tony Greenstein, qualify that statement by saying that it is like Nazi Germany before the launch of the Holocaust in 1942. Gaza is not Auschwitz, as Verber says. But I don’t think anyone has said it was. It has, however, been described as an open-air ghetto.

As for comparisons to Nazi Germany being hurtful to a community still in trauma, this is massively hypocritical. Israelis accuse their politicians of being Nazis all the time. There was even a cartoon in one newspaper of Netanyahu in Nazi uniform.

Now we come to what Verber calls ‘Chris Williamson’s series of unfortunate events’. This begins with Williamson signing a petition against Islington Council’s banning of Jazz saxophonist Gilad Atzmon, a Holocaust denier. Verber notes that he later claimed that he didn’t know about Atzmon’s views. It’s possible. Atzmon considers himself to be a supporter of the Palestinians, although the mainstream Palestinian solidarity movement doesn’t want to have anything to do with him because of his toxic views about Jews. But Atzmon is hardly a household name, and if the petition claimed that he was being banned because of his support for the Palestinians, then it’s quite possible that Williamson signed it in all innocence.

But there is more half-truths and malign insinuations that follow. He states that Williamson has several times shared a platform with Jackie, who has been suspended for falsely accusing Jews of financing the slave trade and playing down the importance of the Holocaust, and defended Ken Livingstone, who said that Hitler supported Zionism. I’ve dealt with the accusations against Walker and Livingstone ad nauseam. Neither of the two are racist, and especially not Walker, who is a Black Jew, believes in Judaism as a religion, sends her daughter to a Jewish school, and has a Jewish partner. The quote the CAA used to claim that she believes Jews financed the slave trade was lifted out of context from a personal discussion with three friends, where it was understood that she was talking about how some Jews financed and profited from the slave trade. Which is true, as she cites the literature and authorities to back up her comment. As for downplaying the importance of the Holocaust, she did no such thing. She was secretly recorded by the Jewish Labour Movement at their Holocaust Memorial Day workshop questioning the exclusive focus on Jews at the expense of other ethnicities, that have also suffered Holocausts. She also asked them to give her a definition of anti-Semitism she could work with. When Marc Wadsworth asked the same question at his tribunal, when he was smeared as an anti-Semite, the tribunal called for an adjournment. When they returned, it was accompanied with four lawyers, all arguing. Walker was singled out because she did not accept the I.H.R.A. definition of anti-Semitism, because it is used to suppress criticism of Israel. As for Leninspart, he was right about Hitler and Zionism. Before the Final Solution was introduced, the Nazis were keen to find anyway of getting rid of Germany’s Jews. And this meant sending them to Israel through the short-lived Ha’avara Agreement. Which is historical fact.

Verber also goes on to say that Williamson has warned of ‘certain dark forces ‘ using their contacts in the media and power to undermine Corbyn. But as we’ve seen, there is abundant evidence to show that these fears are not unfounded, not least as regards Israel.

Verber concludes this section with the words

Outright Holocaust denial has been moved to the fringes even of the world occupied by conspiracy theorists. Given the vacuum, new and more subtle ways of trivialising and attacking the Holocaust have had to be created.

Well I dare say, but this doesn’t apply to criticism of Israel for ethnic cleansing of the Palestinians or the smears against Walker and Livingstone. The last two haven’t denied or played down the Holocaust at all, and neither has Williamson. This is just more lies and smears from him, to try to make them seem anti-Semitic monsters.