Archive for the ‘Popular Music’ Category

Producer of Radio 4’s ‘Today’ Programme Promises Guest Editor Will Be AI

September 30, 2017

Sarah Sands, the new producer of Radio 4’s Today current affairs programme got into the news this week because of the controversy over her intention to expand the range of topics the programme covers. Sands has plenty of experience in the arts, but little as a political journalist. She’s already expanded the programme so that its coverage includes the arts, science, culture and fashion. The programme’s got 7 million listeners, and there are fears that she’s dumbing the show down. The I quoted John Humphries as complaining that she was filling it with ‘girls’ stuff’, as well as a fashion designer or journalist, who described how, when he interviewed her, it was clear he had no understanding or interest in the subject.

Sands has also said that she intends to line up a series of guest editors for the show, one of which will be an A.I. This was followed by a quote from her where she said that it was certain that Artificial Intelligence would outstrip human intelligence as sure as night follows day, but should humans bow to the superhumans?

Despite repeated assertions by computer scientists that next year, or perhaps the year after, no, wait, by the mid 2020s, or sometime soon at any rate, computers will be more intelligent than humans, I remain unconvinced. They’ve been saying that ever since I was at school in the 1970s and 80s. And even before then. The philosopher Hubert L. Dreyfus wrote a book, What Computers Still Can’t Do: A Critique of Artificial Intelligence, detailing the repeated failures of the attempt to recreate human-level intelligence in machines. One edition of his book was published 20 years ago in the 1990s, but I’ve still got no doubt that nothing much has changed in the intervening years. And looking round Waterstone’s a little while ago I saw a similar book on the shelves, with the title Humans Are Seriously Underrated.

So I really don’t see computers overtaking human journalists any time soon.

And then there’s the question of who this automated editor will be. Somehow I don’t it will be the great, computer-generated vid jockey, who appeared on Channel 4 in the 1980s: M-M-M-Max … Headroom!

Yes, the AI presenter with the big hair, big suits with massive shoulderpads, and an ego to go with it, as well as a fixation with golf and S-S-Severiano Ball-ll-ll-osteros. And also a massive electronic stutter.

Max was one of the biggest things on TV at one point, talking to Terry Wogan, David Letterman, and had his own chat show, whose guests included Boy George and Rutger Hauer.

Here’s a reminder from YouTube what the big guy was like.

This should be the only AI to guest edit, and front, the Today programme.

And yes, I realise it was actually Matt Frewer in rubber mask, suit, and wig, and the only thing that was really computer generated were the patterns behind him. But even so, he had style. And if you can bring back Elvis by hologram, you should be able to do the job for real and generate Max properly on computer this time.

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Anti-Fascist Pop: If You Tolerate This, Your Children Will Be Next

September 30, 2017

I just found this on YouTube. It’s the Manic Street Preacher’s song, If You Tolerate This, Your Children Will Be Next. I think the Manics always were a very political band, and the song takes its name from one of the left-wing slogans of the Spanish Civil War. It was put on posters showing an atrocity committed by Franco’s Fascists, with the legend ‘If you tolerate this, your children will be next.’

It’s even more relevant today as when the Manics first wrote it, with the rise of the Alt Right and Libertarian Fascism under Trump, the victories of the Fascist parties in eastern Europe and the rise of the AfD in Germany.

And experience has repeatedly shown that what the extreme right and racists do to minorities, like Blacks, Jews, Muslims or whoever, they then feel confident enough to do it to the rest of mainstream society.

A few weeks ago The Young Turks reported how the cops arrested an American nurse, because she rightly refused to hand over medical information on suspect the hospital was treating. The cop’s request was actually illegal under American law. Even so, they arrested her for refusing their command. The Turks made the point that such Fascist policing has previously been confined to Blacks, but now it was being used against the White middle class.

Just as the Libertarians and Republicans have used images of Black poverty, crime and ‘welfare dependency’ to get White Americans to support them and their campaign to cut the same welfare services that poor Whites depend on.

Just like the Tories, Lib Dems and Blairites have been doing over here.

If we tolerate this, our children will be next.

Pat Mills Going Underground on Class and Politics on Comics

September 19, 2017

This is another video to add to the two others I’ve posted in which Pat Mills, one of the great creators of modern British comics, talks about industry and the political dimension to his work. In this video, he talks to Afshin Rattansi of RTUK’s Going Underground.

Mills starts by talking about how, when he first got into comics, he was frustrated and it was only when he started to look back on it and analyze it that he realized he was annoyed by the lack of working class role models in comics. They were all members of the upper middle classes. It’s why in 2000 AD he wanted to include working class characters and heroes, and why he liked Jeeves in the Jeeves and Wooster books, because here was a working class character, who makes a complete mockery of his master. But what brought home to him how the system is so completely opposed to working class heroes was his attempt working on a story for Dr. Who. He wanted to include a working class spaceship captain. The spaceship itself was to be a kind of abattoir in space, and he based the captain’s character on a real person, the captain of dredger. This would have made it realistic, and the captain of such a vessel would not have been like Richard Todd. But he was told by the script editor that this was unacceptable, and he could not have a working class spaceship captain.

When Rattansi asks him whether this censorship is internal or imposed from outside, he remarks that it’s a good question, and he believes it to be a bit of both. In the case of anti-war stories, it’s imposed from outside. That was brought home to him when he was involved in an exhibition on anarchy and comics. He wanted to include Charley’s War, the anti-war strip from Battle, as there was nothing more anarchist than that. But this was refused, just as the centenary of the outbreak of the First World. It was why TV never showed any of the great anti-war programmes and films about it, like Blackadder Goes Forth or the Monocled Mutineer.

He also comments on the massive influence the American military exerts over the film and TV industry. The Pentagon and the armed forces, including the CIA, have acted as advisors on 500 films and 800 TV programmes, from Meet the Parents to the Incredible Hulk and Iron Man. Mills has said that he has always disliked superheroes as he feels that they are corporate characters, standing for the values of the system. They are there to show people that you can’t be heroic unless you’re a tycoon or an arms manufacturer, who goes out at night to beat up members of the working class. He doesn’t think the military were involved in the last Judge Dredd film, as that was made by an independent, which is probably why it was so good. Rattansi replies that Dredd is still upper middle class, as he’s a member of the judiciary. Mills states in turn that he’s a footsoldier, and that part of the attraction of the character is that he’s also partly a villain. Villains are often more interesting to watch than heroes, who can be quite boring.

He also talks about an incident in which the Board of the Deputies of British Jews objected to one of the strips in Crisis. This was based on a real situation, which Mills had heard about from talking to a Palestinian. In the story, the IDF caught and beat up a Palestinian boy in protest, leaving lying on the ground with all his limbs broken. The Board complained because they thought the lad’s body had been deliberately arranged so that it resembled a swastika. Well, replied Mills, it wasn’t, as comics writers and artists aren’t that clever to sneak those kind of subliminal messages in. And what left him dismayed was the Board was not concerned about what was going on Israel, and which is still going on in Gaza. The incident was also somewhat ironic, in that the Board complained to the comic’s publishers, which at that time was Robert Maxwell, the corrupt thief of the Mirror pension fund. The Board’s complaint fell on deaf ears, and Cap’n Bob ‘told them to get knotted’.

Mills also observes in the interview that they were able to get away with much more in 2000AD as it wasn’t real, it was science fiction. Things are all right if they occur In A Galaxy Far, Far Away. But as soon as it’s real people, the censorship is imposed.

It’s always interesting hearing Mills’ views on comics and the subversion he put into his stories. He also told the story about the Beeb’s rejection of a working class spaceship captain for Dr. Who before, at the conference on Marxism organized by the Socialist Workers’ Party. The producers of Going Underground in the clip state that they contacted the Beeb to check the story, but the BBC had not replied by the time the programme was broadcast.

Mills is wrong in claiming at Jeeves is working class. He isn’t. He’s upper middle. Butlers are ‘a gentleman’s gentleman’, and Jeeves himself makes it very clear in one of the episodes of Jeeves and Wooster that he ‘and the working class are barely on speaking terms’. This is when the Fascist leader, Spode, tries to recruit him, saying that his wretched band need working class people like him. Nevertheless, the broad point remains true: Jeeves is an attractive character for the same reason another fictional butler is, Crichton, in the Admirable Crichton. He’s a servant, who is more knowledgible, intelligent and capable than his master.

I’ve commented in previous blog posts that I think the reason that the authorities don’t want to see any anti-War material broadcast during the centenary of the First World War, is because we still have ambitions of being an imperial power, backing the Americans in their wars around the world and particularly in the Middle East. The Beeb would also probably argue that to broadcast such material as Blackadder would be ‘disrespectful’, or some other spurious excuse.

I was aware that the American military was influencing Hollywood as advisors, but I had not idea how extensive it was. Back in the 1990s the American army advised the director Paul Verhoeven on his adaptation of Starship Troopers. This was an adaptation of the book by Robert Heinlein, who really did believe that only those, who had served in the armed forces should have the right to vote. It’s a notoriously militaristic book, and provoked a very anti-military response from a range of other SF writers, including Harry Harrison, who wrote Bill the Galactic Hero to send up Heinlein. Verhoeven wasn’t impressed with Heinlein’s militarism either. He’s Dutch, and grew up during the Nazi occupation. Thus, while the film can be enjoyed as a straightforward adventure, it also contains a very strong element of satire, such as modelling the uniforms on those of the Nazis.

I was disappointed to hear that the army had collaborated with the producers of The Hulk, as this comic was genuinely countercultural. In the comic, Banner becomes the Hulk after being exposed to the nuclear blast of an atomic bomb test saving Rick, a teenager, who has wandered into test zone. Rick is a classic disaffected teenager with more than a little similarity to the alienated kids played by James Dean. In the 1970s the comic was very firmly anti-military. The Hulk fought the army across America. Banner’s personal enemy was the general in charge of the forces sent to tackle the force, who was also the father of his girlfriend. And while the Hulk was a raging behemoth, what he really wanted was to be left alone. Some of the subversive character of the Hulk came across in Ang Lee’s film, which I actually like, even though no-one else does. But it’s still disappointing to read that the American armed forces were involved.

There’s a touch of irony to Mills speaking on the programme, as ‘Going Underground’ was the first of the two ‘Comic Rock’ strips to appear in 2000AD, the other being ‘Killerwatt’, which introduced Nemesis the Warlock and his struggle against Torquemada, the Fascist grand master of Termight, Earth in the far future. The story, set in the underground maze of rapid transit tunnels within Earth’s vast subterranean network of cities, took it’s title from the track by The Jam.

Conservatives, Racism and Anti-Chav Class Prejudice

September 2, 2017

Mike reported yesterday that Activate, the Tory ‘grassroots’ campaign, that isn’t connected at all to the Tory party, except for what it says about working to get Tories elected and defining itself in its constitution as a Conservative organization, found itself mired in controversy over its members’ conversation on WhatsApp, in which they expressed some very unpleasant comments about ‘chavs’. It was, as one of those involved dimly began to realise, Nazi stuff. They were talking about sterilizing them, gassing them, and turning the Isle of Wight into a giant prison for them. As well as using them for medical experimentation.

Activate splutteringly denied that they were responsible for all this Nazi hate speech, claiming instead that they were hacked. It’s a convenient excuse which doesn’t ring true, as someone else had appeared on their page after the conversation telling them that they should be careful what they say.

See: http://voxpoliticalonline.com/2017/09/01/backtractivate-tory-youth-organisation-dissolves-into-chaos/

It’s now been revealed that all the ‘Nazi chat’ really did come from members of Activate, as their membership director, Fizarn Adris, had a Twitter feed which showed a very unpleasant attitude to the poor and vulnerable. This has now conveniently been taken down.

http://voxpoliticalonline.com/2017/09/01/gas-chavs-whatsapp-chat-was-by-activate-members-allegedly/

I am not remotely surprised that members of a Tory support group have such a deep hatred and contempt for the poor and marginalized. And I admit that I’ve made some of the same comments myself about the criminal members of the underclass. A friend of mine used to work in a very rough area in Cheltenham. Don’t be surprised – they do exist. She and her colleagues had been threatened several times at work, and gangs had also tried to break in and rob the place by people, who could fairly be described as ‘chavs’.

The Activate members’ gloating descriptions about what they’d like done to the desperately poor, however, is just pure Tory class prejudice. It comes across as the stupid sneering of upper class public schoolboys and girls, smugly convinced of their own superiority as members of the privileged class, with a bullying attitude to those beneath them. Oh, isn’t it great fun to give the lower orders a good bashing, even if it’s only in the form of tasteless jokes. It comes from the same mindset that produced the Assassin’s Club in the 1980s. That was a group of public schoolboys at Oxford, who used to pay restauranteurs so they could come in and wreck the place.

And I’m not remotely surprised that the jokes being made involved the same treatment that the Nazis inflicted upon Jews and other persecuted groups, including the disabled. There’s a section of the Tory right which has always overlapped and sympathized with the Fascist fringe, despite their denials and the attempts by Thatcher and her successors to quash all mention of it. Some of us can remember the antics of the various Tory youth movements in the 1980s, like the Union of Conservative Students. This bunch of upper class charmless nurks, to use Norman Stanley Fletcher’s descriptive epithet, used to run around singing such inoffensive ditties as ‘We Don’t Want No Blacks or Asians’, to the tune of Pink Floyd’s Another Brick in the Wall. As well as ‘Hang Nelson Mandela’. I also remember how the leader of one of these Tory youth outfits in Northern Ireland was also something of a racist, although he sort of denied it. Very sort of. In fact, if I recall correctly, he issued a statement which said, ‘We are not Fascists. We are Thatcherite achievers. But if Mrs. Thatcher won’t have us, then we will go to the Far Right’. Which, like Trump’s condemnation of the Nazis who goosestepped in Charlottesville two weeks ago, really isn’t a denial at all. As for the Union of Conservative Students, from what I recall, it was just so riddled with overt, unapologetic racism, that Tory Central Office closed it down and merged it, along with the Young Conservatives, into a new organization, Conservative Future.

Since the 1980s, racism, or at least very open displays of it, have become much less acceptable in British society, quite apart from the legislation in place to protect ethnic minorities from prejudice, intimidation and violence. And the Tories have tried to weed out, or at least be seen to be weeding out, the Nazis in their midst. In the 1970s the Monday Club opened its membership books to the Board of Deputies of British Jews to show that they didn’t have anti-Semites amongst their membership. However, the organization still remained so extremely anti-immigrant that in the early part of this century Cameron and IDS severed the Tory party’s links with them because of their racism.

So the upper class members of Tory support organisations have found that they can’t be as racist as they were back in the 1980s. But they still have the urge to punch downwards, to mock and sneer at the underprivileged. And so instead of joking about abusing and deporting ethnic minorities, they’ve gone on to making Nazi comments about maltreating and exterminating chavs. Which is supposed to be quite acceptable, because they’re white, and so this doesn’t count as racist abuse.

Not that there’s anything much different in their attitude towards the poor here. Keith Joseph, Maggie’s mentor, caused a storm of outrage in the 1970s when he expressed a similar eugenicist, Nazi attitude in a speech in which he attacked unmarried mothers as a threat to ‘our stock’.

The jokes Activate’s members were making about killing, sterilizing and experimenting on members of the underclass are disgusting and offensive. But there’s nothing remotely new in their attitude, or in what this has revealed about part of the Tories’ constituency. It’s always included sneering members of the upper classes, with a chilling contempt for those they see as the inferiors. They only difference now is wider society finds this more offensive than it did, and they’re expressing their vile views on social media, rather than on the rostrums at party conferences.

TYT’s Francis Maxwell Tears Into Charlottesville Nazis in Less Than Five Minutes

August 30, 2017

In this short clip, The Young Turks’ Francis Maxwell uses his dulcet Scots tones to rip into the Nazis who goose-stepped into Charlottesville last week with stinging ridicule. Maxwell states that he’s mocking fun of them because they do not deserve to be taken seriously or to be given the dignity of anything but mockery and ridicule. And he also lays into those from the Right, from Donald Trump and Laura Southern on down, who condemn both sides. Because this equates anti-Nazis with Nazis, those who protest against racist violence and discrimination, with those who would perpetrate.

Amongst the Nazis and White Supremacists he attacks is the young man, who claims he wasn’t really a racist. He points out that if he seriously means that, then he should have take a trip to Las Vegas instead of joining a Nazi rally. He then posts up multiple pictures of the guy, with a paedophile moustache added so that he resembles his hero, Adolf Hitler.

He also tears bloody chunks off an older man, in T-shirt with long, greying hair, whom he calls ‘Gandalf’. This man spent years planning armed attacks against Black and Jewish businesses. He’s a career criminal, who, if they were serious about their march being all about heritage and not a campaign for racist violence, shouldn’t have been allowed in the local demonstration.

He also launches another attack on a yet another moustachio’d man, who cried that he’d better be kept a hundred feet away from a school.

He also mocks them for their lack of personal hygiene, their terrible fashion sense – deriding them as ‘neckbeards’ who have stolen their father’s khaki chinos, and their entire lack of attractiveness to women. He calls them ‘basement dwellers’, who have never ‘touched a breast’, and says that ‘Gandalf’ should have taken his crew to a brothel instead of the march, as there they would have had a 20 per cent chance of actually talking to a woman. Although this was still high estimate of their chances of success. He also accused the lad wearing the neckbeard of having grown it to hide how many times women had swiped left on him when they’d seen him on mobile phones.

The Young Turks in their blurb for the video state that this is how you rip into them, and they’ve got a very fair point. As for the Nazis’ sex appeal, or lack of it, The Young Turks have also made a video revealing that the young men, who joined their march were encouraged by the organisers, who told them that this would make them attractive to women and would get them girlfriends. Some hope of that! As the Turks themselves also pointed out, this was the same recruiting tactic ISIS uses: that if young guys join them, they’ll be inundated with jihadi brides all wanting their bodies and their children.

Counterpart also published a piece commenting on the Nazis’ sexuality as well by a female sex therapist, who has contributed a number of articles to their site. She also observed their massive lack of appeal to women, and stated that rather than confronting the fact, they simply retreated into massive misogyny and hatred towards women in order to try and explain it to themselves. She also declared that many of them were repressed gays trying to suppress their fantasies about their fellow stormtroopers, and tormented by fantasies of well-endowed Black men satisfying their wives or girlfriends.

As a general observation on the weird sexuality of Fascist groups, this is very accurate. Ludwig Theweileit, a German historian, wrote an entire book, Male Fantasies, arguing that an important psychological component in Nazism was homosexuality. 75 per cent of the SA, the paramilitary wing of the Nazi party, who were wiped out by the SS on Hitler’s orders during the Night of the Long Knives, were gay.

This doesn’t mean that the Nazis were at all tolerant of gays, as claimed by some supporters of the Republican party. They weren’t. Homosexuality amongst Jews was promoted before the Holocaust as a method of stopping the Jewish people from reproducing. Aryan gays were persecuted as well as the other racial, religious and political groups banned by the Nazis, and were interned in the concentration camps. If I remember correctly, there was even a play about the Nazi persecution of gays, Bent, staged in the 1980s.

And lurid fantasies and fears about the racial other preying on Aryan women is also a standard part of White racist/ Nazi psychology. Hitler had a recurring nightmare of a chained, blonde woman terrorized by a Jewish butcher. One of the anti-Semitic myths promoted by late 19th century racist ideologues is that Jews are more highly sexed than gentiles. And Blacks have also suffered from a similar racist myth – that they are more sexually motivated than Whites, and have larger genitals.

As for their lack of success with women, this reminds me of an article about a Far Right musician, who was part of the Nazi Black Metal/ Industrial scene in America in Adam Parfrey’s collection of articles on apocalyptic America, Cult Rapture. The article was entitled, ‘Where Can I Find a Girlfriend for this Nice, Young, Nazi Psycho-killer’ or something similar. This particular specimen of walking race hate had produced a book or pamphlet arguing that, rather than being prudes and puritans, the Third Reich was a sexual wonderland. The author himself was also spectacularly unsuccessful in attracting the attentions of the opposite gender. He did manage to get himself a date once with a female White supremacist, but he was too much even for her. She escaped from him by claiming out the windows of the ladies’ toilets after telling him that she needed to powder her nose.

Of course, they’re a very serious threat under all this. But the Nazis are such a bunch of twisted individuals that they deserve all the ridicule they get.

Radio 3 Programme Tonight on the Voyager Interstellar Record

August 29, 2017

Tonight, 29th August 2017, at 11.00 O’clock Radio 3’s contemporary music show, Late Junction, has an edition marking the 40th anniversary of the golden record, which has taken sounds from Earth into interstellar space aboard the Voyager space probe. The blurb for it in the Radio Times reads

Late Junction marks the 40th anniversary of the Voyager Golden Record, a sonic time capsule sent into space by NASA to transmit earthly music , sounds and languages to extraterrestrials. A committee chaired by Carl Sagan selected the contents of this ‘message in a bottle cast into the cosmic ocean’. Nick Luscombe wonders what sounds we would send out into the universe were we to do it again, as well as playing the best bits from the original Golden Record, including a Navajo field recording, mariachi from Lorenzo Barcelata and court gamelan music from Robert Brown.

Abby Martin Exposes Israeli Racism and Fascism on Joe Rogan Show

August 18, 2017

This is a video from an Islamic website, though this is immaterial to the content of the video, which goes beyond religious or doctrinal differences. It’s a long, 25-minute extract from the Joe Rogan Show in which Rogan talks to Abby Martin. Martin’s a left-wing broadcaster and journalist, who was formerly with RT and is now with TeleSur. She talks about the Israeli occupation of the West Bank, their brutal maltreatment of the Palestinians, America’s support for Israel and the country’s deeply entrenched xenophobia and racist indoctrination as part of the compulsory military service.

It’s very strong, very disturbing material. She states very clearly that its a Jewish supremacist, White settler state. Palestinians in the occupied territories have no freedom whatsoever. They are subject to constant military checks and interference through a system of apartheid. They have no precious little in the way of provision of water and electricity. The water comes from large cisterns, in which Israeli soldiers will spray Skunk, which makes the water taste of excrement so that it becomes undrinkable for the next month. Even though the Israeli settlements in the occupied territories are illegal, this is ignored. Israeli mobs will come and occupy Palestinian homes, forcing the true owners out. If a Palestinian blogs about it, he will be tried and sentenced according to the number of hits on his site.

At the same time, Israeli soldiers shoot to kill and maim with impunity. They have a policy of ‘shoot to wound’, which means shooting people in the crotch. A woman was hit in her vagina, and men have their penises targeted. She also describes how a man, who was just drunk, was casually shot dead by Israeli soldiers. As was an Arab woman, who was shot at an Israeli checkpoint, and bled to death in front of her son.

It isn’t just Arabs gentiles, who are seen as inferiors, who can be ill-treated at whim. Martin states that the Israelis also look down on Black African Jews as racially inferior as well.

And official support for these illegal settlements goes all the way to the White House. Jared Kushner, Trump’s son-in-law, is the entrepreneur behind the Kushner Fund, a scheme which supports the construction of homes for Israeli settlers in the West Bank. She also talks about support for Israel by Richard Spencer, who describes himself as a White Zionist, who admires Israel as a racial state.

She also contrasts the popular reaction to the shooting of unarmed civilians by the authorities in Israel and the US. In America when the cops shoot an unarmed Black person, there’ll be a popular protest against it. However, in Israel, when the squaddie Elor Azaria shot an unarmed Palestinian, and was tried for it because of public pressure, there were also public protests against his trial. Rogan and Martin show footage of one of these demonstrations, in which the massed crowd chants ‘Death to Arabs’. Realising how bad this looks, they then change the chants to cries of supports for the troops. They even have a band rapping in Hebrew.

Martin pays due tribute to the courage of the Israelis, who film and speak out against these atrocities. In Israel many people will talk about treating the Palestinians better, but the idea of opposing Zionism is simply unthinkable, as this is their country. It’s like Americans opposing America. And the term ‘Leftist’ is a form of abuse.

As for crowds like that she filmed, they’ll also shout ‘Death to videographers’, as they hate the people filming this. Her team with her weren’t treated too badly, as they were Israeli Jews, but she says that there were attacked by people, who did wear Fascist-style cloaks.

She also talks about the immense amount of aide given by the American government to Israel. It’s $30 billion. However, in many cases, this is America giving a present to itself. Before then, Israel was able to do its own arms dealing, and was purchasing weapons from India. The aide has been given on the condition that it should be used to purchase American armaments.

As for the reason for America backing Israel, Martin states she doesn’t know why. She doesn’t believe its due to the power of the Israel lobby in the US. She states it’s more of a partnership, in the same way that America supports Saudi Arabia. Although Rogan points out that the Saudis have oil. Martin states that it’s probably to do with America using Israel as a point of leverage in the Middle East.

She goes on to make the point that the foundations for the country were laid after the Middle East was divided up by the colonial powers – Britain and France – by the Sykes-Picot Agreement. Jewish immigration to Israel, and support for the country was minimal until the Holocaust, when fear provided an instrument to increase support. The country was then partitioned by the UN, although she asks the rhetorical question of who gave them that power. She also states that it should have never been put in the Middle East, but should have been established somewhere like Australia, because of the immense amount of trouble it’s caused.

She says that several times in making her video, she thought she’d die. In Jerusalem she was asked if she was Arab. She also points out that the Zionists were also responsible for terrorist atrocities against Jewish communities in surrounding countries. These were false flag operations, which were blamed on the gentile communities, in order to create a climate of fear, which would inspire those Jewish communities to emigrate to Israel. And Israel itself grew through a number of massacres.

Rogan and Martin also discuss the role that national service plays in creating this massively xenophobic mindset. Rogan states that he knows people, who have joined the army in America, and its created a very strong bond between the service personnel, and a sense of separation, an ‘us and them’ attitude. He can only imagine the intense indoctrination that Israelis must undergo during their national service so that the hatred of Arabs becomes unquestionable.

As for the Arab settlements, she states that they are not as we’ve been told. She saw openly gay people, and the first time she filmed there she said there was weed in the air.

The interview concludes with Rogan asking her where her films can be seen. She says they’re at The Empire Files, and if you click on them, the various films she’s made about Israel will also be displayed.

This is very powerful stuff. It’s precisely what the Beeb and the other mainstream British broadcasters will not report, nor what the racists in the Campaign Against Anti-Semitism and the Jewish Labour Movement do not want severely normal people, Jewish and gentile, knowing about. Martin states in this video that the Israeli state and its supporters want this covered up, and do their level best to make sure it isn’t filmed.

Martin has called Israel a Jewish supremacist state. This is exactly what it is, with Judaism defined in racial terms. It’s comparable to the Christian clerical Fascist states which emerged in Europe prior to the Second World War, such as parts of the Fascist movement in Italy, where Fascist sympathisers in the Vatican saw Mussolini’s regime as a bulwark against materialism and Communism. As was Franco’s Spain, and the Slovak dictatorship of Monsignor Tizo, as well as elements of the Nazi party. It’s also similar to the viciously intolerant Islamist regimes in the Middle East, and the Hindu nationalist extremism of Modi’s BJP, as well as the militant atheism of the USSR and China. Shintoism also briefly became an intolerant, expansionist force during the Second World War. Israel isn’t unique by any means in its possession of a militantly intolerant nationalist ideology, which combines race with religion, or an official policy of anti-theism. But that does not mean that Israeli Jewish supremacism and Fascism should be ignored or excused.

As for the role national service plays in creating an intensely nationalistic, racial consciousness, political scientists have pointed to this as a major element in the construction of Fascism. Fascist and proto-Fascist ideologues admired the armed forces, not just from militarism and an admiration for military glory, but also because it offered an alternative and a tool against the expansion of socialism and democracy. The military was an ideal model, in their eyes, for society because it was hierarchical. At the same time, the uniform and common military identity and service under fire created a strong bond between men. This was valued as a way of stopping the development of working class consciousness and power.

And the bond of men under fire is very, very strong. The veteran BBC broadcaster on foreign affairs, Kate Adie, has said that it’s far stronger and ferocious than anything in the movies. So strong that it can’t really be shown on camera.

And the fundamental position of military service in Israel is comparable to that of Prussia. It was said of the Hohenzollern’s kingdom that ‘Prussia is not a country with an army. It was an army with a country’. The kingdom was held together through its army, which was well-funded, had a very high status, and wide-ranging powers over the civilian population. For example, under Frederick the Great army officers could compel civilians to carry their baggage and equipment.

Martin states that she doesn’t know if Richard Spencer of the Alt Right would like to impose universal conscription like Israel. Well, he may not, but that has historically been the demand of British Fascists and those on the Tory right. And in the 2010 election one of the policies of the BNP was that every Brit should possess a gun as part of his volkisch identity.

As for Palestinian Arabs tolerating homosexuality, Islam has been traditionally far more tolerant of gays than western culture. The Qu’ran condemns sodomy as a sin against which the Prophet Lut – the Biblical Lot in the Hebrew Bible/ Old Testament preached. But the laws against it were a dead letter in Egypt as early as the 12th century. One of the most admired Arab poets of the 9th century was gay, so that even today, Arab poets often use the masculine 3rd person pronoun – ‘he’ – for the beloved, even when they are talking about a woman.

This point is important, as supporters of Israel will try to defend it as one of the few places in the Middle East which is tolerant of gays. Pamela Geller, of the Atlas Shrugs blog, one of the leaders of the ‘counter-jihad’ movement, has made this claim on her site. As has Michael Koren, a Canadian anti-Muslim broadcaster with Rebel Media. This week, a documentary on BBC 1 followed a Scots gay man from a Roman Catholic background, who was considering converting to Judaism because of Israel’s tolerance for gays. The Beeb filmed him travelling to the country, and Tel Aviv, which has been described as ‘the gayest place on Earth’. But this tolerance for homosexuality was traditionally shared across the Middle East. It is only in recent decades that attitudes have changed for the worse.

Despite Netanyahu’s insistence that Jews everyone are automatically Israeli citizens, there are very many Jews, who are bitterly opposed to it both from secular and religious principles. many of the supporters of the BDS movement are Jews or of Jewish heritage, as are several of the Counterpunch writers, who are also opposed to Zionism and Israel’s occupation of the West Bank. One of these writers stated in a recent article that he is against Israel because of the liberal Jewish values with which he was brought up. A recent study has found that an increasing number of young Jewish Americans are becoming indifferent or hostile to Israel, because of its maltreatment of the Palestinians. As the very Jewish Sam Seder and his Jewish co-host, Michael Brooks, pointed out on their programme, Majority Report, criticism of Israel is not anti-Semitism.

The Campaign Against Anti-Semitism and the Jewish Labour Movement, and other Zionist organisations and pressure groups, would have the world believe the opposite. It isn’t. Don’t believe their lies and smears. Instead, look at the exposures of Israeli racism and institutional brutality from anti-racist broadcasters like Abbie Martin, respected academics like Norman Finkelstein and Ilan Pappe, Lobster’s John Newsinger, and bloggers like Tony Greenstein.

RT’s Establishment Club Road Trip Bus Comes to Bristol

August 14, 2017

Russia Today are sending their Establishment Club bus on a road trip around the country. The name, if I’m not mistaken, is a homage to the satirical club run in the 1960s by the late, great Peter Cook, and which also displayed the talents of John Bird and John Fortune, who continued making satire with Rory Bremner on his show in the early 2000s. The bus, which is appropriately red, was looking for the best satirical talent around the country. Further auditions are planned for Brighton, Edinburgh and Newcastle.

Compered by Keith Allen, a stand-up comedian and the Sheriff of Nottingham on the Beeb’s recent remake of Robin Hood, as well as the father of pop star Lily, this short, five minute video shows some of the talent they had come aboard when they stopped in my home city of Bristol.

There are four or five performers. One chap does two pieces, including a skit at the end about how the Beeb selectively edits interviews with the general public to create the impression it wants, in this case with a drunk, who needs to be coached before associating Brexit with immigrants, before this is edited to show how Britain is alive with racism. Another fellow sings a song on his ukulele about the Fuhrage’s plane crash. May favourite is the man, who recites a poem about the dismantlement of the welfare state. This piece calls it as it is and identifies the social Darwinism underpinning the policy – he sings about ‘Mr. Darwin’s little theory’. Which might be a little unfair to Darwin, as it was formulated by Herbert Spencer.

Allen did raise a few eyebrows, and appear in the press last week, when he attacked the current state of British stand-up. Using his characteristic earthy language, he said it ‘needed a cattle prod to the bollocks’ because of the careerism amongst too many contemporary comics. All they wanted to do, according to him, was tell jokes about the colour of Trump’s hair, and then get on a panel show.

Buddy Hell over Guy Debord’s Cat has, as another comedian, also lamented the decline in the quality of prospective comics. He has said that all too often they simply recite their life history, without actually being funny or making a joke.

I’m sure there are more genuinely funny people out there, and wish Allen and the RT team every success in finding and nurturing the next crop of comedic talent. Talent that will tear great, bloody chunks off the establishment and its monstrous edifice of bureaucratic indifference, corporate greed, and institutional class hate.

Astronaut Chris Hadfield Plays David Bowie’s ‘Space Oddity’

August 11, 2017

This is awesome. It’s a video made by the astronaut Chris Hadfield, of himself playing the Bowie classic, ‘Space Oddity’, aboard the International Space Station. Which, when you think about, couldn’t be a better location.

Astronauts have played music in space before. I’ve got a feeling several Russian cosmonauts had their instruments with them back in the 1980s when they travelled to Mir, and had a jam session up there in orbit.

The SF writer Allan Steele wrote a short story, ‘Live from the Mars Hotel’ about the rise of fictional astronaut band in his anthology, Rude Astronauts. In this tale, a group of spacers on Mars form a band to keep boredom at bay during the long months on the Red Planet, especially when a howling dust storm comes down to blanket the entire world and nobody can venture outside. When they return to Earth, the band briefly find themselves celebrities. However, this rapidly wanes, and they go back to their day jobs after their all-too brief stint as space’s first rock gods.

Part of the reason for this is that they sacrifice their authentic sound for the image manufactured for them by the music industry. Their own sound, honed on Mars, is rough and gritty, authentic country ‘n’ western. However, when they play gigs back on Earth, they’re persuaded to wear spangly jumpsuits and perform with a full orchestra. It’s just too ‘Nashville’ for our roughneck space heroes. The fans sense this, and so stop listening to them.

The shots of the ISS itself and the Soyuz spacecraft, as well as Earth itself, remind me of the opening credits to the 1980s space detective series, Star Cops. This was set forty years in the future, when space was being opened up to industrial exploitation and regular space travel. Unfortunately, it only lasted a single season. Part of the problem was that many of the space/ SF fans, who would have seen it, never heard of it. I also think that it suffered because it was broadcast just after Dr. Who’s cancellation in the mid-1980s, and I think this overshadowed the show. I also think it probably suffered from being mismarketed. I think it was being advertised as detection, rather than SF, and so the trailers for it were aimed at the wrong audience. I’m quite aware, however, that there is an audience, and that there are SF stories that are basically detective yarns. They’re just set in the future with robots, aliens and mutants.

Here’s the beginning titles for Star Cops.

Well, it’s thirty years after the series was aired, and we’re still waiting for the future it envisioned. Star Cops was written by Chris Boucher, who was script editor on Blake’s 7, and was very much intended to be hard, near-future SF. The series boasted that all the technology was based on hard, science fact. Unfortunately, the dream of cheap, mass spaceflight hasn’t happened, possibly because the spaceplanes being designed at the time by Martin Marietta simply proved unviable in practice.

Still, perhaps in Skylon takes off next year, we might really see the space age begin in earnest. In the meantime, I hope there are a few more astronauts, who take the opportunity to lay down a few awesome tracks as they explore the High Frontier.

Dr. Who Meets Pink Floyd

August 11, 2017

This is another fascinating and weird arrangement of the Dr. Who theme in the style of other pop/rock musicians. It’s from Taniloo’s YouTube channel, and it’s would a version by the veteran Prog Rockers Pink Floyd would have sounded like.

Well, it could have happened! Douglas Adams, who wrote the Hitchhiker’s Guide to the Galaxy, was a big fan of Floyd. I’ve heard that they were the model for the band Disaster Area in ‘Hitchhiker’, whose songs are all about boy being meeting girl being under a silvery moon, which suddenly explodes for no very good reason. And Disaster Area’s stage act, which involves a spaceship diving into the heart of their audience’s home star, seems to me to be very much inspired by Floyd’s song ‘Set the Controls for the Heart of the Sun’. Adams was also, as Hitchhiker fans and Whovians well know, also a script editor on Dr. Who.

There’s a nod to Floyd on the double album of The Hitchhiker’s Guide to the Galaxy which came out in 1981 or thereabouts. When Arthur, Ford, Trillian, Zaphod and Marvin land on the abandoned planet of Magrathea, the background music by Paddy Kingsland and the Radiophonics Workshop goes off into echoing Pink Floyd-esque bluesy melismas, while Arthur says, ‘Ford, do you realise this robot can sing like Pink Floyd?’