Archive for the ‘Popular Music’ Category

Anti-Fascist Songs by Woody Guthrie and Leadbelly

February 19, 2017

I think my political views and biases have made an impression on the search engines on YouTube, as these came up in the ‘recommended’ and ‘you may also like’ bars. Not that I mind – they’re classic, American working class folk and jazz. The machines decided that I might like Woody Guthrie’s Tear the Fascist Down, and All You Fascists Bound to Lose, as well as Mr. Hitler by the Blues/Jazz legend Huddie William Leadbetter, or Leadbelly.

Here’s Tear the Fascist Down

All You Fascists Bound to Lose

Mr. Hitler

It’s a bitter fact of history that at the time Leadbelly was singing this, Blacks were still very much treated as second class citizens with Segregation in the south. Still, he was absolutely right to lampoon and attack Hitler. I also think that popular music had a strong role in bringing Blacks and Whites together to challenge racism. The Nazis hated Jazz. They regarded it as ‘Negro music’, whose raw sexuality was corrosive of White culture and would corrupt virtuous White youth. But it and Blues very swiftly became popular amongst Whites as well as Blacks, and produced numerous ‘White Negroes’ like ‘Mezz’ Mezzrow, who not only listened to Black music, but were highly sympathetic to the people and their sufferings, which produced it. And the same thing happened later when Rock ‘n’ Roll emerged from the fusion of Black barrelhouse Jazz and White Country music. A few years ago I was watching a rock documentary, which mentioned Little Richard. One of the speakers was a Black musician, who remembered how the crowd at dance halls were divided before Little Richard came along. The floor of the dance hall was clustered with Black people dancing, while the Whites tended to cluster around the edges. ‘White spectators, we called ’em’, he recalled. Then when Little Richard came along, the Whites joined the Blacks on the dancefloor. ‘And so we had integration before Dr. Luther King’, the muso concluded.

Absolutely. And the very best popular has been entertaining, uplifting and drawing people together ever since.

Four Anti-Trump Pop Videos

February 17, 2017

I found a number of music videos on YouTube yesterday ripping into the Cheeto Generalissimo as a menace to world peace, and a national disgrace attacking the poor, ethnic minorities, and those who rely on state welfare. They range from the savage to the quirky, but all of them try to make the serious point that Trump should definitely not be in charge of the world’s only superpower with his finger on the nuclear trigger.

This one sets a satirical video to R.E.M.’s ‘It’s the End of the World as We Know It’.

This one is set to Barry MacGuire’s ‘The Eve of Destruction’.

After that comes the lounge Jazz song, ‘Dump Trump’, by Leigh and the Dumpettes. Apart from the satirical lyrics, this takes the mick out of the Great Narcissist’s hair by having ginger wigs like his in various places.

This last vide is ‘Sympathy for the Donald’, which parodies the Rolling Stones ‘Sympathy for the Devil’ to satirise him viciously. Warning: this is the uncensored version, so there is some foul language and obscene imagery.

I’m sure there are other songs out there, but these are a few of those I’ve found so far. I hope you enjoy them.

Bruce Springsteen Attacks Trump at Concert in Adelaide

January 31, 2017

I just found this very short clip on YouTube of Bruce Springsteen saying exactly what he thinks of Trump’s Muslim ban. He states that ‘Tonight we want to add our voice’ to the thousands of Americans protesting in airports around the country against the ban, the detention of foreign nationals and refugees. America is a land of immigrants, and the ban is fundamentally anti-democratic and un-American.

It probably shouldn’t be a surprise that The Boss is against the Muslim ban. I got the distinct impression that his politics are left-wing, and that ‘Born in the USA’, far from being a flag-waving, patriotic anthem, is a condemnation of the way the American system treats its blue-collar workers, and then expected them to fight and die in the unjust war in Vietnam.

Vox Political on the Continuing Relevance of Kirsty MacColl

December 18, 2016

Mike over at Vox Political has written a short piece, remembering how it was 16 years ago today that the world heard the sad news of the death of the singer and songwriter, Kirsty MacColl. Mike states that listening to the lyrics of her 1989 track, Free World, it seems that very little has changed, and that we need more singers like her.

See his article at http://voxpoliticalonline.com/2016/12/18/kirsty-maccoll-died-16-years-ago-today-but-her-music-is-as-relevant-as-ever/#comment-92400, where there’s a video of her singing this.

I’m not surprised that MacColl was politically engaged, as I think her father was the folk musician, Communist and conscientious objector Ewan MacColl. And Mike’s right – we do need more musicians like her. The 1980s were a very bleak time, with Maggie in No. 10 shutting hospitals and schools, among too many other closures. But it was also a time of very politically engaged music by the very talented musicians that emerged in the decade. UB40 took their name from the unemployment benefit form. There was Billy Bragg, singing his ‘urban folk’ songs about the miners during the Miner’s Strike. And Joanna, one of the commenters on Mike and this blog, also notes in her comment that the Style Council’s ‘Walls Come Tumbling Down’ is also acutely relevant, as song of resistance to everything Thatcher and the Tories represent. That had the lyrics

‘You don’t have to take this cr*p,
You don’t have to sit back and relax
You can try and change it…
Lights go out,
Walls come tumbling down’.

Here’s a video of Paul Weller explaining why he puts his politics into music, and the band playing that same track.

‘I’ Newspaper: Joshua Bonehill Found Guilty of Harassing Liverpool Jewish MP

December 8, 2016

After all the false accusations of anti-Semitism made smear genuinely decent people, here’s a story about a real anti-Semite. Yes, it’s that old Nazi troll, Joshua Bonehill-Paine, the ‘Founder’ and wannabe fuehrer of legions of Fascist storm troopers that don’t actually exist. Today’s I newspaper (8 December 2016) carried a report by Emily Pennink, Anti-Semitic blogger guilty of harassing Jewish MP, that Bonehill has been found guilty of racially harassing Luciana Berger, a Jewish MP for one of the constituencies in Liverpool. The article states

A racist internet troll was found guilty yesterday of harassing the MP Luciana Berger in a series of anti-Jewish rants he sent after the jailing of a fellow far-right extremist.

Joshua Bonehill-Paine, 24, wrote five hate-filled blogs about the Labour MP for Liverpool Wavertree after Garron Helm was sent to prison for four weeks in October 2014. Bonehill-Paine denied racially aggravated harassment but was convicted by an Old Bailey jury.

Helm, 21, from Merseyside, had admitted posting a picture on Twitter which showed Ms Berger, 35, with holocaust-era Star of David on her forehead and the hashtag “Hitler was right”. Over the next four months, Bonehill-Paine posted articles online calling her a “dominatrix” and “an evil money-grabber” with a “deep-rooted hatred of men”. In one, he claimed the number of Jewish Labour MPs was a “problem”.

He illustrated his posts with offensive pictures. Throughout, Bonehill-Paine, of Yeovil, Somerset, was on bail awaiting sentence for claiming on Twitter that several people were paedophiles. Giving evidence in person, Ms Berger said she felt sickened by the blogs and “very much under attack”. (p. 21).

Bonehill’s a weird character, who’s been hauled before the beak several times for his bizarre, far-right antics. He’s been arrested for trying to steal police uniforms from a police station, threatening to defecate in a supermarket, falsely accusing a pub of not serving members of the armed forces so as not to upset Muslims, and harassing a young woman when she spurned his advances. This included him sending her an Iron Cross, which he claimed had belonged to Adolf Hitler.

He’s set himself up as the leader of a vast and growing Fascist party that doesn’t seem to exist except in his own imagination. He gave a public speech announcing the launch of one of these shadowy parties in one of the parks in his home town of Yeovil, to a handful of people comprising a couple of police officers and a journalist. Even so, the audience massively outnumbered his Fascist legions, which consisted of precisely one person: himself. He claimed that the real meeting was being held in an undisclosed pub elsewhere in the town.

It’s a moot point whether or not Bonehill himself believes the Nazi tripe he spouts. In a passage he wrote on his blog, which he has since denied, Bonehill claimed that he was only pretending to be a Nazi. It was, he claimed, an invented personality he created, inspired by David Bowie’s persona of Ziggy Stardust. It was intended to deceive and upset both Nazis and anti-Nazis.

Bowie himself did seem to come dangerously close to flirting with Fascism in the 1970s. There’s footage, which has been played by the Beeb on shows about the late pop idol’s life, in which he states that there could only be one real choice for prime minister, and so he was putting himself forward as the Fascist candidate. But Bowie very definitely wasn’t racist. His second wife, Iman, was, I believe, a Somali. The Nazis themselves hated Jazz, the ancestor of rock and roll, as Black music which corrupted Whites. And despite the homosexual undercurrent in Nazism, they hated gay men and sent them to the concentration camps. The ambiguous sexuality of the Ziggy Stardust persona would have been very definitely illegal in Nazi Germany.

It’d be good to think that if this is just a prank by Bonehill, that this time he just might take notice of where it’s getting him and drop it. Unlike Bowie and Stardust, there’s nothing clever or innovative about it. It’s just stupid, offensive and annoying. And it’s about time he realised this, and where it’s getting him, and stopped it.

Two South Asian Rock Bands

December 6, 2016

This is a little break from politics. Looking around the Net, I found a number of Rock/ Heavy Metal bands from India and Pakistan. Here’s two of them. This Punkh, a Hindi band, performing with the German robot rockers, Compressorhead.

And this is The Nuke, a band from Pakistan, performing their track, Waaday (Promises).

I don’t speak either Hindi or Urdu, and so have no idea what the lyrics mean. However, the music’s good, solid Rock and they both have the genuine spirit and aesthetic. I’ve put them up because they both contradict western perceptions of these nations’ culture. Unless you have some contact with these communities, you simply don’t expect either country to have anything in the way of Rock music. My guess is that most people in Britain would think of Ravi Shankar and sitar music, Bollywood, and possibly Bhangra in connection with Indian music. As regards Pakistan, most of our impressions of the area are reports of terrorism and Islamic militancy. There have, however, been concerts over here of Pakistani musicians performing traditional Sufi music. This shows an entirely different side of these nations’ culture and their music.

Reichwing Watch: How the Billionaires Brainwashed America

November 16, 2016

This is another excellent video from Reichwing Watch. Entitled Peasants for Plutocracy: How the Billionaires Brainwashed America, it’s about how wealthy industrialists, like the multi-billionaire Koch brothers, created modern Libertarianism and a stream of fake grassroots ‘astroturf’ organisations, in order to attack and roll back Roosevelt’s New Deal and the limited welfare state it introduced. And one of the many fake populist organisations the Koch brothers have set up is the Tea Party movement, despite the Kochs publicly distancing themselves from it.

The documentary begins with footage from an old black and white American Cold War propaganda movie, showing earnest young people from the middle decades of the last century discussing the nature of capitalism. It then moves on to Noam Chomsky’s own, very different perspective on an economy founded on private enterprise. Chomsky states that there has never been a purely capitalist economy. Were one to be established, it would very soon collapse, and so what we have now is state capitalism, with the state playing a very large role in keeping capitalism viable. He states that the alternative to this system is the one believed in by 19th century workers, in that the people, who worked in the mills should own the mills. He also states that they also believed that wage labour was little different from slavery, except in that it was temporary. This belief was so widespread that it was even accepted by the Republican party. The alternative to capitalism is genuinely democratic self-management. This conflicts with the existing power structure, which therefore does everything it can to make it seem unthinkable.

Libertarianism was founded in America in 1946/7 by an executive from the Chamber of Commerce in the form of the Foundation for Economic Education. This was basically a gigantic business lobby, financed by the heads of Fortune 500 companies, who also sat on its board. It’s goal was to destroy Roosevelt’s New Deal. Vice-President Wallace in an op-ed column in the New York Times stated that while its members posed as super-patriots, they wanted to roll back freedom and capture both state and economic power. The video also quotes Milton Friedman, the great advocate of Monetarism and free market economics, on capitalism as the system which offers the worst service at the highest possible profit. To be a good businessman, you have to be as mean and rotten as you can. And this view of capitalism goes back to Adam Smith. There is a clip of Mark Ames, the author of Going Postal, answering a question on why the media is so incurious about the true origins of Libertarianism. He states that they aren’t curious for the same reason the American media didn’t inquire into the true nature of the non-existent WMDs. It shows just how much propaganda and corruption there is in the American media.

The documentary then moves on to the Tea Party, the radical anti-tax movement, whose members deliberately hark back to the Boston Tea Party to the point of dressing up in 18th century costume. This section begins with clips of Fox News praising the Tea Party. This is then followed by Noam Chomsky on how people dread filling out their annual tax returns because they’ve been taught to see taxation as the state stealing their money. This is true in dictatorships. But in true democracy, it should be viewed differently, as the people at last being able to put into practice the plan in which everyone was involved in formulating. However, this frightens big business more than social security as it involves a functioning democracy. As a result, there is a concerted, and very successful campaign, to get people to fear big government.

The idea of the Tea Party was first aired by the CNBC reporter Rick Santilli in an on-air rant. Most of the Party’s members are normal, middle class Americans with little personal involvement in political campaigning. It is also officially a bi-partisan movement against government waste. But the real nature of the Tea Party was shown in the 2010 Tea Party Declaration of Independence, which stated that the Party’s aims were small government and a free market economy. In fact, the movement was effectively founded by the Koch brothers, Charles and David Koch. Back in the 1980s, David Koch was the Libertarian Party’s vice-president. The Libertarian Party’s 1980 platform stated that they intended to abolish just about every regulatory body and the welfare system. They intended to abolish the Department of Energy, Environmental Protection Agency, Food and Drug Authority, Occupational Health and Safety Administration, Federal Communications Commission, Federal Trade Commission, National Labor Relations Board, the FBI, CIA, Federal Reserve, Social Security, Welfare, the public (state) schools, and taxation. They abandoned this tactic, however, after pouring $2 million of their money into it, only to get one per cent of the vote. So in 1984 they founded the first of their wretched astroturf organisation, Citizens for a Sound Economy. The name was meant to make it appear to be a grassroots movement. However, their 1998 financial statement shows that it was funded entirely by wealthy businessmen like the Kochs. In 2004 the CSE split into two – Freedom Works, and Americans for Prosperity. The AFP holds an annual convention in Arlington, Virginia, attended by some of its 800,000 members. It was the AFP and the Kochs who were the real organising force behind the Tea Party. Within hours of Santilli’s rant, he had been given a list of 1/2 million names by the Kochs. Although the Koch’s have publicly distanced themselves from the Tea Party, the clip for this section of the documentary shows numerous delegates at the convention standing up to declare how they had organised Tea Parties in their states. But it isn’t only the AFP that does this. Freedom Works, which has nothing to do with the Kochs, also funds and organises the Tea Parties.

Mark Crispin Miller, an expert on propaganda, analysing these astroturf organisations makes the point that for propaganda to be effective, it must not seem like propaganda. It must seem to come either from a respected, neutral source, or from the people themselves. Hence the creation of these fake astroturf organisations.

After its foundation in the late 1940s, modern Libertarianism was forged in the late 1960s and ’70s by Charles Koch and Murray Rothbard. Libertarianism had previously been the ideology of the John Birch Society, a group harking back to the 19th century. Koch and Rothbard married this economic extreme liberalism, with the political liberalism of the hippy counterculture. They realised that the hippies hated the state, objecting to the police, drug laws, CIA and the Vietnam war. Ayn Rand, who is now credited as one of the great founders of Libertarianism for her extreme capitalist beliefs, despised them. The film has a photo of her, next to a long quote in which she describes Libertarianism as a mixture of capitalism and anarchism ‘worse than anything the New Left has proposed. It’s a mockery of philosophy and ideology. They sling slogans and try to ride on two different bandwagons… I could deal with a Marxist with a greater chance of reaching some kind of understanding, and with much greater respect.’

The documentary also goes on to show the very selective attitude towards drugs and democracy held by the two best-known American Libertarian politicos, Ron and Rand Paul. Despite the Libertarians’ supposedly pro-marijuana stance, the Pauls aren’t actually in favour of legalising it or any other drugs. They’re just in favour of devolving the authority to ban it to the individual states. If the federal government sends you to prison for weed, that, to them, is despotism. If its the individual state, it’s liberty.

And there’s a very telling place piece of footage where Ron Paul talks calmly about what a threat democracy is. He states clearly that democracy is dangerous, because it means mob rule, and privileges the majority over the minority. At this point the video breaks the conversation to show a caption pointing out that the Constitution was framed by a small group of wealthy plutocrats, not ‘we the people’. This is then followed by an American government film showing a sliding scale for societies showing their positions between the poles of democracy to despotism, which is equated with minority rule. The video shows another political scientist explaining that government and elites have always feared democracy, because when the people make their voices heard, they make the wrong decisions. Hence they are keen to create what Walter Lipmann in the 1920s called ‘manufacturing consent’. Real decisions are made by the elites. The people themselves are only allowed to participate as consumers. They are granted methods, which allow them to ratify the decisions of their masters, but denied the ability to inform themselves, organise and act for themselves.

While Libertarianism is far more popular in America than it is over here, this is another video that’s very relevant to British politics. There are Libertarians over here, who’ve adopted the extreme free-market views of von Hayek and his fellows. One of the Torygraph columnists was particularly vocal in his support for their doctrines. Modern Tory ideology has also taken over much from them. Margaret Thatcher was chiefly backed by the Libertarians in the Tory party, such as the National Association For Freedom, which understandably changed its name to the Freedom Foundation. The illegal rave culture of the late 1980s and 1990s, for example, operated out of part of Tory Central Office, just as Maggie Thatcher and John Major were trying to ban it and criminalise ‘music with a repetitive beat’. Virginian Bottomley appeared in the Mail on Sunday back in the early 1990s raving about how wonderful it would be to replace the police force with private security firms, hired by neighbourhoods themselves. That’s another Libertarian policy. It comes straight from Murray Rothbard. Rothbard also wanted to privatise the courts, arguing that justice would still operate, as communities would voluntarily submit to the fairest court as an impartial and non-coercive way of maintain the peace and keeping down crime. The speaker in this part of the video describes Koch and Rothbard as ‘cretins’. Of course, it’s a colossally stupid idea, which not even the Tory party wanted to back. Mind you, that’s probably because they’re all in favour of authoritarianism and state power when its wielded by the elite.

I’ve no doubt most of the Libertarians in this country also believe that they’re participating in some kind of grassroots, countercultural movement, unaware that this is all about the corporate elite trying to seize more power for themselves, undermine genuine democracy, and keep the masses poor, denied welfare support, state education, and, in Britain, destroying the NHS, the system of state healthcare that has kept this country healthy for nearly 70 years.

Libertarians do see themselves as anarchists, though anarcho-individualists, rather than collectivists like the anarcho-syndicalists or Communists. They aren’t. This is purely about expanding corporate power at the expense of the state and the ordinary citizens it protects and who it is supposed to represent and legislate for. And it in practice it is just as brutal as the authoritarianism it claims to oppose. In the 1980s the Freedom Association became notorious on the left because of its support for the death squads in Central America, also supported by that other Libertarian hero, Ronald Reagan.

Libertarianism is a brutal lie. It represents freedom only for the rich. For the rest of us, it means precisely the opposite.

Alan Moore’s ‘The Stars My Degredation’

October 27, 2016

Yesterday I put up a piece reporting the sad death of British comics legend Steve Dillon, along with his obituary from the I newspaper, and a link to the Nick Fury strip he drew for Hulk comic right at the very beginning of his professional career in comics, which can be read over at the Bronze Age Blog. Amongst the other gems from the Bronze Age of Comics – the 70s and 80s is one of the strips Alan Moore created for the music newspaper, Sounds. Written and drawn by Moore under the monicker, Curt Vile, this was The Stars My Degradation, and ran in the magazine from 1980 to 1983. This was about the space adventures of Dempster Dingbunger, and featured such characters as Three-Eyes McGurk and his Death Planet Commandos, Nekriline, who was literally dead, Laser Eraser, the deadly galactic female assassin, and the psychotic cyborg, Axel Pressbutton. Laser Eraser and Pressbutton were later to get their own strip in the British adult comic, Warrior. The strip there, if I remember correctly, was drawn by Steve Moore, no relation to Alan, under the pseudonym Pedro Henry. Moore was another stalwart of the British comics industry, and closely involved with the Fortean Times, the magazine of the weird and bizarre.

The strip’s title, The Stars My Degradation, seems to me to be a satirical nod to Alfred Bester’s classic, The Stars My Destination, also known as Tiger, Tiger. It was one of the pieces Moore created very early in his career, just before he broke into mainstream comics and became the massive legend he is today with V For Vendetta and Watchmen. Pete Dorree notes that the strip was nihilistic and satirical. In the example he gives, Moore spoofs the New X-Men, created by Chris Claremont and Johnny Byrne. Here’s the link. Enjoy!

http://bronzeageofblogs.blogspot.co.uk/search/label/alan%20moore

Robothespian, the British Robotic Actor

October 25, 2016

Yesterday I put up a piece about a performance of Karel Capek’s classic play about a robot rebellion, RUR, at the Czech national library a few years ago by a theatre group, Café Neu Romance, using lego robots. The theatre company was the creation of Vive Les Robots, a Danish company set up to encourage public interest in robots and robotics. I said in the article that I thought it would be good if the play could be performed by full-sized robots, to give it the stature it deserves. I realise, however, that was unlikely given how massively expensive the animatronic technology is, that brings to life robotic puppets like Ry’gel from the SF series Farscape.

One British company, Engineered Arts, has created such a full size mechanical actor. It’s called Robothespian, and there are a number of videos about it on YouTube. The video below shows it, appropriately enough, talking about R.U.R. as part of Café Neu Romance, a robot arts festival, at the Czech National Technical Library in 2012.

Robothespian has also appeared on British breakfast television. In this clip from the Beeb’s Breakfast TV programme from 2014, the two presenters talk about, and sometimes to Robothespian with Dr Nigel Crook of Oxford Brookes University. The robot was created by Engineered Arts as a research project to explore the ways people interact with robots. Crook explains that it can respond to a number of voice commands, and the two presenters ask it questions such as what advantages robots have over human beings. Crook also explains that despite this ability, real intelligence is a long way off, and the problem of giving the robot the ability to hold a genuinely intelligent, wide-ranging conversation is very challenging. So right now, the machine responds giving the answers programmed into it by a human operator.

Robothespian, or Artie, as it is called, from RT – Robothespian – replies to the question about its usefulness that robots can perform simple, repetitive tasks accurately without tiring, or needing to go for breaks. They ask it if it could do their job. Its answer is that it certainly could, as all they do is read from an autocue. So when does it start?

The machine has a range of expressive hand gestures, a moving mouth, and two screens in its head, which show images of eyes. These blink, helping it show a number of expressions. They also show hearts, like those shown in the eyes of cartoon characters to indicate they have fallen in love. The two presenters are, however, advised to stand a few feet away from the robot. Crook explains it is compliant, which means that, unlike an industrial robot, it won’t blindly continue to perform a gesture if it accidentally strikes someone who happens to stand in the way. Similarly, it’s possible to pull the robot’s limbs away from where they’ve settled without damaging it. Nevertheless, the presenters were advised to stand clear of it just in case it accidentally flipped back and struck them.

As well as delivering monologues, Robothespian can also sing, giving a hilarious rendition of ‘Somewhere Over the Rainbow’, and do impressions, like Darth Vader from Star Wars. Crook explains that it was built to act as a guide at museums, festivals and exhibitions. The two presenters ask about its gender, and are told that it’s creators think of it as male, as it’s been given a male voice.

Also on the show is a little feature about a robot toy, Caspar, which is used in schools to teach autistic children. The toy was being tried out as a teaching tool as autistic people can find it immensely challenging understanding other’s emotions. They also like things in a very set order. Caspar is useful in that its responses, although intended to mimic those of humans, are always the same. For example, when it smiles, that smile is always the same smile every time it makes that expression. And this regularity and constancy of expression is intended to be reassuring and non-threatening, so that the child using it finds it easy, or easier to do so, than more conventional forms of interaction with people.

Robothespian isn’t cheap. Crook explains that it costs about £50,000. Despite this, Engineered Arts have built more than one of them. In this video from last year, 2015, two of them sing, ‘I Am Not A Robot’.

I find robots and robotics interesting, but I am very much aware of the problems they pose. There are the general philosophical issues like human identity and uniqueness – how long before they develop real intelligence and consciousness, start performing sophisticated task like creating art or composing music, or resent at their enslavement and control by humans? There are also the very real social and economic problems caused by their manufacture. The more industry is automated, the more real jobs, that could be performed by people, are lost. The Beeb a few months ago broadcast a documentary which forecast that in the next 15-20 years a third of all jobs could be lost in Britain. You can certainly see it in retail, where a number of companies have replaced human staff with self-service tills, where you scan in yourself the items you want to purchase into the machine, which then takes your money and hands you your change and receipt. If we aren’t careful, this will lead to the emergence of a society very much like that of 2000 AD’s Megacity One. Judge Dredd’s home city has, thanks to robots, a massive unemployment rate of 95% or so. As a result, most people’s lives are marked by boredom and despair, a situation brought home in the classic ‘Judge Dredd’ story, ‘Un-American Graffitti’, featuring Chopper, a teenage lad trying to escape this crushing social malaise through ever more daring pieces of graffiti artwork. 2000 AD and the ‘Dredd’ strip in particular always had a very strong element of satire and social commentary, and this was one of the most outstanding examples of the strip telling an entertaining story while also describing the real situation many of its readers faced for real due to Thatcherism.

And unfortunately, despite the boom years of the 1990s, the prospect of long-term unemployment and grinding poverty has got worse, due to globalism and the spread of neoliberalism as the dominant political and economic ideology. This will only get worse unless humanity finds ways to manage robotic technology wisely, to create jobs, rather than to the replace them.

More Military Tension between NATO and Russia; Pat Mills Right in ABC Warriors

October 9, 2016

Mike today put up a very chilling report about the escalation of military tensions between NATO and Russia. Russia has deployed Iskander missiles in its westernmost province of Kaliningrad. Formerly Koenigsberg, this is small Russian enclave between Poland and Lithuania, was formerly part of Pommerania under the old Reich. The missiles are capable of carrying nuclear weapons, and are presumed capable of reaching Berlin, or the various Baltic states.

Russia is believed to be deploying these missiles in response to NATO manoeuvres in eastern Europe, and the stationing of four more NATO battalions in Poland, Lithuania, Latvia and Estonia. These were in response to Russia sending troops into Ukraine.

Mike states that he recalls either Gorbachev or possibly Yeltsin receiving a promise from NATO that it would not expand into the Russian’s back garden. He is correct. That promise was given. And broken. NATO’s borders are now right up to the very frontier with Russia. Mike asks us how we would feel if the roles were reversed?

That question has been asked by others in America. Left-wing and Libertarian critics of American military expansion have posed the rhetorical question how Americans would feel if Canada broke away and joined Russia. This is the parallel in the Anglophone world Ukraine, which has ties going back thousands of years to the very foundation of Russia, joining NATO.

Actually, it’s not hard to see how Americans would react, as there’s one section of the American conspiracist fringe which actually believed it. FOAFtale News, the journal of the International Society for Contemporary Legend Research, in the 1990s report an urban legend then going round the paranoid American Right, that the Fall of Communism was all a ruse. The Soviets had established secret underground tank bases in Canada and Mexico. When everything had been properly prepared, and they were ready, the order would be given and the Soviet tanks would roll over the border to occupy America. You can bet given the paranoid, extreme-rightwing mindset of the kind of people, who voted for Trump, that if Canada ever had joined Russia in a close alliance, most Americans would believe exactly the same thing.

And Mike reported on Friday that it was feared that rising tensions over Syria could result in a nuclear war with Russia. Mike comments

And on it goes. And we all become a little more nervous every day. And that makes us a little more twitchy, and prone to jump to conclusions, and likely to make mistakes…

Everybody concerned needs to step back.

They all need to have a serious think – and maybe a couple of conversations – about what little they stand to gain by acting on accusations and suppositions.

And how much we all stand to lose.

See: http://voxpoliticalonline.com/2016/10/08/nuclear-missiles-deployed-in-russias-westernmost-area-as-fears-grow-over-syria/

I’ve blogged about this issue previously. In the case of Ukraine, it seems to me that it is actually the Russians, who are this time the injured party. The Orange Revolution which ousted the previous, pro-Russian president was staged with covert funding from the Americans. The new ruling coalition includes real, card-carrying Nazis from the Pravy Sektor – the Right Sector. Their uniforms are those of the auxiliary Ukrainian SS units, who were responsible for pogroms against the Jews, and participated in the Holocaust during the Second World War. During the Orange Revolution, a section of these thugs shot at left-wing protesters on their own side before chasing a group of trade unionists into a building. They were then savagely beaten, and one attempted to escape by jumping from a third-floor window. I’ve also seen footage alleging that the Ukrainian regime is responsible for the ethnic cleansing of Russians and Russian-speaking Ukrainians in the east of the country.

The situation is made even more terrifying by the fact that a former NATO general has written a book, predicting that by May next year, 2017, Russia will have invaded Latvia and we will be at war. George Galloway in his speech the other year to the Stop the War Coalition described how he had taken the general to task for this, when he was on a panel with him at the Hay-on-Wye literary festival. Counterpunch has also reported that Obama has stepped up the production of nuclear missiles, and is trying to develop short-range ‘battlefield’ nukes. This seems terrifyingly similar to an idea going round in the 1980s when I was growing up. This was part of the madness of the ‘New Cold War’ under Thatcher and Reagan, when these idiots believed that a limited nuclear war could be fought in Europe.

Looking at this site’s stats, a couple of people have been looking at a piece I wrote about a year or so ago discussing some of the very astute satirical comments Pat Mills had put in the ‘ABC Warriors’ strip in 2000 AD. This followed the adventures of Hammerstein, Blackblood, Mongrol, Deathlok, Zippo and co during the Volgan War, a conflict between America and Russia for possession of the latter’s oil.

This was clearly aimed at the real reasons behind Gulf War II and the invasion of Iraq. One of the chief war aims was to seize the country’s vast oil reserves, which are the largest outside Saudi Arabia.

And I’m very much afraid the same is true here. Russia possesses vast natural resources in Siberia, and exports much of it to Europe. Some of the former provinces of the Soviet Union – the Baltic states – are extremely dependent on it for their power supplies. When one of the Baltic states was accused by the Russians of persecuting their people, the Russians also cut off, or threatened to cut off, the oil supply to their country, which would have resulted in massive power cuts.

American politics is heavily driven by corporate interests, and particularly that of the oil industry, dominated by the Koch brothers. These two are supposedly worth over $300 billion. They donate to the Republican party, and to organisations which deny climate change, in order to keep those barrels pumping out of the ground. Just as the Iraq invasion was to steal that country’s oil, I can see Pat Mills, the creator of ‘ABC Warriors’ strip, being in this case literally correct about the real reason for the current tensions.

It’s disgusting. I can remember the feeling of relief I felt when Communism fell, and the Soviet empire collapsed. Despite the horrors of capitalism and the poverty caused by the mass privatisation of Russian industry, which wiped out the savings and pensions of millions of Russians, nevertheless it seemed the dawn of a better world. The threat of nuclear annihilation had been lifted just a little. People from both sides of the continent could travel to each other’s countries to work and open businesses. It’s why I don’t really have a problem with eastern European workers coming over here. Our peoples meeting in friendship and peace is far better than the fear and hatred that was whipped up when I was young in the 1980s.

Now our leaders seem to be determined to destroy this golden opportunity to create a truly peaceful co-existence between the West and Russia. And despite whatever nonsense Obama’s and Putin’s generals may be telling them, there is no way to survive a nuclear holocaust. As Sting sang, ‘It’s a lie that we don’t believe any more.’

He’s right. And so’s Mike: instead of preparing to launch attacks, everyone needs to step back a little. As one of 2000 AD’s other creations, Judge Dredd, also said: ‘War is sick. War is evil. War is hell.’

Let’s follow the ABC Warriors instead and ‘Increase the Peace!’