A few days ago the mighty CJ put up a piece on his website asking the question ‘What Are UFOs?’, in which he took aim at elements of the psycho-social interpretation of the phenomenon. CJ’s a long-term member of ASSAP, one of Britain’s leading paranormal research organisations. Unlike the Society for Psychical Research, which concentrates on laboratory research, ASSAP was set up to investigate paranormal phenomena in the field, whether they be ghosts, fairies, crop circles, time slips or flying saucers. CJ’s been investigating such phenomena since the 1980s, following very strict scientific protocols, and has a wealth of practical experience.
At the heart of his essay are two questions. One of these is on the nature of folklore itself. What is it? Does it include popular superstitions like not putting your shoes on the table or crossing on the stairs? Where does folklore begin and literary, composed culture end? For example, when football fans start singing Beatles’ songs on the terraces, does it become a piece of folklore? What are the authentic features of traditional fairy encounters, and, indeed, is there are a single class of being that comprises the fairies?
In fact, these are questions folklorists themselves have been discussing for a very long time. Books on folklore, such as Linda Degh’s Legends, often begin with that very question. And what counts as folklore is very wide. Folklore can be thought of as any popular custom. The folklorists of the 19th century viewed it in terms of an ancient, timeless popular culture arising from a particular ethnic group, preserved in the rural customs of agricultural communities. There was supposed to be a distinction between this timeless, popular culture, the authors of which were unknown, and literary culture produced by the educated upper classes.
This distinction between elite, educated culture and that of the masses has more or less collapsed. The more you examine folksong and folk literature, the less it seems to be the timeless remnant of ancient beliefs and practises. The Marshfield mumming play, in which the hero fights an enemy, is killed, but restored with a pill from a doctor, has been one of those folk customs whose origins have been claimed to lie back with the dying and rising gods of pagan antiquity. Research back in the 90s by contrast claimed that similar plays dated no earlier than the 18th century, and were commonly performed at local fairs. Similarly, songs and dances travelled across Europe, taken from one country to another by itinerant musicians from quite an early date. A 16th century writer, for example, remarked on English musicians going to fairs to hear the latest tunes and catches from other performers in Germany. Instead of autochthonic expressions of the essential soul or spirit of a particular ethnic group or locality, people were swapping tunes and songs across countries and continents. Musicologists have suggested, for example, that there are African elements in western sea shanties. As for their connection to particular areas, that was frequently just where folksong collectors like Cecil Sharpe happened to pick them up. While he marked them down as coming from Suffolk, Yorkshire, Somerset or wherever, this didn’t mean that the songs were exclusive to those areas.
Nor is folklore restricted to rural communities. The focus on them by the early researchers no doubt was part of the reaction of some parts of educated society to the rise of science and the machine age in the 19th century. This was felt by some intellectuals as a threat to traditional western culture and its metaphysical assumptions. And so scholars investigated the ancient traditions and stories of rural communities, collecting stories of witches, ghosts, giants and fairies as well as rustic tunes to preserve this popular, pre-industrial culture and its basis in the supernatural against the new, scientific materialism.
At the same time, other scholars questioned this focus on the countryside and asked whether towns didn’t have their folklore as well. Yes, they did, and there was a burgeoning interest in what became known as urban legend in the ‘90s, following the publication years earlier of Jan Harold Brunvand’s books on phantom hitch-hikers and so on. And the actual subject matter of folklore can be more or less anything that has entered popular culture. One book on folkloristics covers subjects as diverse as Navajo Indian pottery figures for tourists, American barn types, and jokes and humour in American gay culture. These latter have a deeper social purpose than just amusement. They were often told to subtly find out whether the person being talked to was gay or not. Some jokes would be only understood by other gays. If the person told the joke smiled and laughed, it could be assumed they were a fellow member of the community. And new forms of urban folklore were emerging all the time. One example of this was the photocopylore that turned up in offices and workplaces, in which someone had photocopied or faxed a particularly remarkable or humorous piece and pasted it up in the office. Several of these, I remember, were jokes at the expense of American football players on scholarships at universities, as well as the general drudgery of office life.
And this is where UFOs come in. The second question of CJ’s critique is whether fairies really can be identified with today’s UFOs and aliens. This is based on the books of Fortean writer John Keel and the American-French astronomer and computer scientist Jacques Vallee. They noted in their books – UFOs: Operation Trojan Horse by Keel, Passport to Magonia by Vallee- that UFO encounters often followed the same motifs as fairy lore. UFOs and their occupants. They suggested that UFOs and their alien pilots are the 20th century successors to traditional fairy beliefs. But the imps and goblins of previous centuries have had to change with the times. In modern, technological society people no longer believe as they did in fairies. These have therefore been replaced by the imagery of Science Fiction and space travel.
Some of the motifs of traditional fairy lore do indeed seem to fit the UFO phenomenon. Evans-Wentz in his classic The Fairy Faith in Western Europe, quotes ‘an old Irish mystic’ as saying that the fairies are an older race, who come from the stars. Some of the UFO aliens reported from Scandinavia and also from Italy certainly resemble the short gnomes and goblins of western European fairy tales. And some of their activities also resemble those of past supernatural entities. The abduction phenomenon, in which people are forcibly taken aboard alien craft and raped to produce half-human hybrids, is very similar indeed to medieval tales of demons having sex with sleeping mortals, and even jinn in the Islamic world. One Arab story has three maidens made pregnant by a jinn, who enters their house through a gap into elsewhere opening in their bedroom wall. He is accompanied by a number of lights. And just like the aliens, who take their progeny away from those who bore them, so this jinn takes back into his world his children by the girls.
There are several problems with the identification of today’s aliens with fairies. One of these is with the collection and recording of such traditional narratives, that CJ identifies as a problem. He states in his article that European fairy lore is very much a literary phenomenon, influenced and shaped by writers like Shakespeare, and that we have difficulty knowing what ordinary people really believed about them. This is a fair point. Jeffrey Burton Russell in his history of witchcraft in the Middle Ages discusses fairies and their origins as it affects the later development of witch beliefs. Roman civilisation had a number of supernatural beings below the gods and their messengers, the daimones. These included tree spirits, the dryads, and lamias, part-women, part snakes. Belief in such beings persisted after the fall of the Empire into the 7th century in Spain until they were somehow replaced by the fairies. He identifies the latter’s origins in the Latin fatare, ‘to enchant’, and states that there seems to be little difference between supernatural fairies and witches when they first appear on the continent.
It is suggested that fairies are ultimately based on the three fates that are believed in Greek folklore to appear at a child’s birth to cast its destiny. Other historians have suggested that there was an international fairy cult stretching over Europe and the Middle East, whose remains have sometimes survived to the present as in Romania. In the west under pressure from the witch hunters the fairy cult’s central beliefs were distorted. In the original fairy belief, young women left their bodies to meet the Queen of the Fairies and enjoy a round of singing, dancing and the company of the young men they fancied. Under the pressure of the witch-hunters’ interrogation, however, this became the witches’ sabbat, in which they flew to meet the Devil and instead of a pleasant feast, ate foul food among other lurid horrors. In this manner, the elite concerns of the witch hunters served to transform traditional folk beliefs.
Western fairy lore has been the source and subject of literary romance since the Middle Ages. Medieval authors wrote and sang tales of the quests of heroic knights, assisted by benevolent fairies like Oberon, and these tales remained popular after the end of the Middle Ages. By the 17th century authors started writing their own fairy stories as conscious literary inventions, and this has carried on down the centuries with much-loved tales like Peter Pan and J.K. Rowling’s Harry Potter tales. These have shaped to a greater or lesser extent the popular image of fairies. It was Shakespeare, apparently, who added the gossamer wings. As for their size, Oberon is described as about the size of a child of three or older. He’s small, but not tiny. And sometimes glimpses of popular beliefs about the fairies can be seen. For example, church records from 12th century Exeter record the local bishop forbidding the local people from putting small objects, including bows and arrows, in their barns for the elves to play with.
CJ also talks about the differences between various kinds of fairy creature, such as barguests and other spectral entities. Are they of the same type as brownies, goblins and so on? These creatures may be very different from each other, and so it is reasonable to ask whether they refer to the same types of supernatural entity.
Keel and Vallee, however, did not argue that there was a simple equivalence between fold fashioned fairies and UFOs. To begin with, fairies were not the only supernatural creatures modern UFOnauts resembled. Vallee in one of his later books discusses the similarity between UFOs and their pilots and the pagan gods of the Ancient Near East. Keel also discusses medieval demonology. While demons are supernatural, they were also generally considered a separate set of beings than the fairies, although sometimes the two were identified with each other. Keel and Vallee also didn’t think that UFO aliens were literally fairies either. Rather, the phenomenon that took the form of fairies, demons, angels and other supernatural beings in the past now took the form of spacecraft and aliens in the UFO mythology. They saw them therefore as ‘Ultraterrestrials’ – beings from beyond our reality. Vallee considers that they come from parallel universes, a view that he has incorporated in his SF novels such as Fastwalker.
The investigation of the links between fairy beliefs and UFO lore does not end with the views of Keel and Vallee, however. Their books provided the foundations for the Psycho-Social Hypothesis, which goes further than this. It maintains that there is little or no objective reality to UFO encounters. They are primarily internal, psychological experiences that take their imagery from contemporary culture. In the past this was the myths about gods, demons and fairies. Today the content and imagery are taken from Science Fiction. These experiences may be sparked by a real phenomenon, such as a misidentified sighting of Venus or aircraft and the content generated by poorly understood psychological or neurological phenomena, such as sleep paralysis. Back in the ‘90s there was considerable interest in Temporal Lobe Epilepsy as the source of such illusory encounters, and it does seem that it can explain some. Those suffering from it may experience hallucinations that do draw on contemporary culture and folkore. One poor fellow who had it used to see a witch, complete with cauldron, in his kitchen during attacks. But this explanation seems to have fallen from favour in recent years, possibly because there is no single explanation for UFO encounters.
But although the imagery is that of aliens and space travel, behind them lies traditional fairy motifs. Thus, Joe Simonton’s encounter with small aliens while out prospecting in the Rockies also follows one convention of traditional fairy lore. In fairy tradition, precious fairy objects taken from their owners by the heroes become, in the light of day, perfectly ordinary and worthless. Fairy gold, for example, becomes a pile of leaves. Simonton found the aliens cooking pancakes. He was offered one, and took it back to be analysed. It was then found to contain nothing more exotic than flour and salt. Back in the 90s the lawyer and TV host Clive Anderson had a pair of ufologists on his late night show, Clive Anderson Talks Back. These two blokes described their encounters with aliens. As proof these were genuine, the aliens had given one of guys a rock, which he duly produced. Cue audience laughter. A rock could provide convincing proof of the reality of the phenomenon, if it was made of some exotic material from one of the planets, say regolith from the Moon or Montmarillonite from Mars. But this, however, was just an ordinary stone.
There is a wider point about the Psycho-Social Hypothesis. As it rejects a supernatural or paranormal basis for the experience, it does not matter whether the material generating the experience is based in authentic folklore or not. The fairy literature behind encounters with aliens resembling fairies may be literary, such as the small, winged aliens who asked a British housewife baking Christmas cakes back in the 70s if they could have one, but this does not affect the nature of the experience itself. Not all ufologists, whose views have been influenced by the PSH go so far as to deny that there is a paranormal element to the UFO experience. Jenny Randles stated in one edition of her small press UFO magazine, Northern UFO News, that there was a paranormal element to the experience which was using the motifs of traditional fairy lore and SF. Kevin McClure, another long term writer and researcher of the world of the strange and paranormal, came to a similar view. There was a genuine paranormal phenomenon behind the experiences, which was using traditional supernatural tales and SF to communicate with us. This was the basis for his extremely short-lived magazine, Alien Scripture, with its subtitle ‘Who is talking to us and why?’
CJ states that theGareth essay is just one of a projected series in which he will discuss what UFOs are. In part 2 he intends to examine other features of the phenomenon. This should be interesting. Although the Psycho-Social Hypothesis has established itself as a major alternative explanation to the Extra-Terrestrial Hypothesis for UFO experiences, there are definitely questions to be asked about it. One is that sometimes paranormal encounters do not resemble established folklore or literary tropes. Gareth Medway argued this in article published by Magonia back in the ‘90s. I think Gareth’s a priest or leading member of one of the new pagan religions in Britain. He was also the author of The Lure of the Sinister, a book that cast a very sceptical eye on the various Satanism scares that have occurred over time and that were causing hysteria and distress then with rubbish stories of the terrible abuse of children in Satanic orgies. In his article, he discussed a paranormal vision a man experienced out riding one evening. This fellow reported seeing something like a fist rising up from the ground. He had no explanation for the vision and was genuinely confused by the experience. The next evening, just as he was out riding again, he experienced the same vision. Gareth argued from this that if such encounters were based on folklore and popular culture, then the vision should have conformed to the contemporary imagery of the time. But it didn’t. And I’ve no doubt that there may be other problems with the Psycho-Social Hypothesis and other explanations for the UFO phenomenon waiting to be investigated.
I look forward to what CJ says in part two.
For further information, go to:https://jerome23.wordpress.com/2024/05/06/what-are-ufos/?fbclid=IwZXh0bgNhZW0CMTEAAR3VCjJDO6tTcifznYHpDoUhHXVnYjQBpMeFnIJ4RLeGnxPDmefDSqsdsa4_aem_AYHr2BLRWzM6VP4g4Sb2M1eQvTF1mH6xUlD3z77kKpYv3RzWOrKnNgEtXrRJu121Y_Fi291mnyBHGQ194PTYrRv4