Archive for the ‘Theatre’ Category

History Debunked on Diversity Working for Black Representation Against Asians

December 17, 2021

I’ve put up a number of videos from Simon Webb’s History Debunked channel on YouTube. Webb’s an author of a string of history books and a Torygraph-reading right-winger. He specialises in tackling the gross historical distortions and myths that are now being promoted as trustworthy Black history. He’s also, you won’t be surprised to read, an opponent of immigration and affirmative action. I think his videos criticising Black history are largely accurate, though as with anything else on the net you should also check it, and your well advised to take some of his other views with more than a little scepticism. But in the video below he seems to make a good point regarding the over-emphasis on promoting Black film and talent at the expense of other ethnic minorities. It’s shown in the forthcoming Beeb adaptation of Around the World in 80 Days.

Webb argues that Blacks are actually overrepresented in the media compared to their numbers as a percentage of the British population. The total BAME population of Britain is 15 per cent, with Blacks accounting for 3 per cent. But if you look on television or film, you find a much larger proportion of Black actors, performers and presenters and relatively fewer Asian faces. It seems that when it comes to ‘diversity’ and the promotion of non-White talent, in practice this means Blacks. This is shown in the way the Beeb has swapped the races of the leading characters in their version of Jules Verne’s classic yarn. Phileas Fogg remains White, but his servant, Passepartout has been made Black. The love interest is a White woman. But in the book she’s Indian, as apparently having two non-White lead characters would be too much.

It’s a very long time since I read the book, and I can’t remember very much about it, though I’ve got the film version on DVD. Assuming that what he says is right, and the leading lady in the book is Indian, I would have thought that made the story diverse enough without messing around with the other characters. Not so, apparently. Webb speculates that this emphasis on Black talent possibly comes from the TV companies’ need to sell to America, where Blacks constitute a much higher proportion of the population at 13 per cent. I think he has a point. A few months ago a Black actor or director appeared in the I calling for more parts for Black actors otherwise they would leave Britain and go to America. And it certainly seems to me that there are more opportunities for Black actors over the pond. It might also come from Blacks being rather more integrated into the western entertainment business. In America, people were listening to Black music, like Scott Joplin’s Rags since before the Jazz age. Over here, I think the pioneers were the Fisk Jubilee Singers, Americans who made a tour of Britain before the Second World War. And White Brits also listened to Caribbean calypsos before the emergence of Rock and Roll and such great performers as Little Richard, James Brown, Motown and so on. Despite the claims of racism in the music industry, which led to the establishment of the MOBOs as a set of separate music awards for Black artists, it really isn’t at all remarkable to see Black singers and musicians in the charts. In fact, I’d say it would be more remarkable if there weren’t any.

The same with drama. There are a number of Black Shakespearian thesps – Josette Simon, who played Dayna in the classic SF series Blake’s 7, had that theatrical background. I think a year or so ago Lenny Henry, who is very active promoted Black talent, appeared on stage as Hamlet. And this is apart from other plays from the classical repertoire, including those from Ancient Greece. There have also been a number of contemporary plays examining the position of Blacks in western society. I also wonder if part of the relative underrepresentation of Asians – and I am very well aware that there are Asian actors and presenters, like Anita Rani, Meera Syal, Sanjeev Bhaskar, Adil Ray – may come from that community’s general preference to choose careers other than the entertainment industry. Or at least, not the western canon. I am aware of the casting of an Asian actor, whose name I’ve forgotten, as the Master in last season’s Dr. Who, and others in Armando Iannucci’s film version of one of Dicken’s classics. But I wonder if the Asian community generally prefers to look to its own cultural traditions, like Bollywood movies and traditional Indian arts and theatre, rather than mainstream film, TV and music. There have been Asian artists and bands in the charts – Apache Indian, Corner Shop and Kula Shaker, and I remember Jaz Mann’s brief hit with Babylon Zoo in the ’90s. But there seems to be far fewer of them than Black performers.

Clearly in a White majority society, there are limited roles for Black and Asian performers, hence the demand for ‘colour blind’ casting, as actors from ethnic minorities are given the roles of White characters. I also wonder if some of the casting of Black performers for reasons of diversity isn’t part of an attempt to create work for them. I heard from academics years ago that there’s actually only work for a 1/4 of the drama students who graduate everywhere. I think if this was not tackled, it would be particularly acute for Black performers. And so to avoid another furore about racism and for the other reasons discussed, the entertainment industry is deliberately casting Black performers in greater proportion than they are as part of the general British population.

This forced diversity is unpopular with White right-wingers like Webb and Belfield, but it is a problem when it serves to discriminate against Asians. And that needs to be tackled, like any other form of racism.

The Rolling Stones and Boston Dynamics’ Spot Robots

December 5, 2021

I’m fascinated by robots and their use in musical and artistic performances. There’s an awesome robot band, Compressorhead, created by a team of robot engineers who seem mostly to perform covers of Rock and Heavy Metal hits. In this video from Boston Dynamics, the Stoned perform their song, ‘Start Me Up’, accompanied by boogie dance moves from a group of the four-legged Spot robots produced by the company. And these do a very good job of impersonating Mick Jagger.

The Italian Futurists would have loved this, as their art was based on and celebrated the new machine age and industrial Italy that was just then emerging. One of their operas was about a love affair between a train and her driver, while other pieces had titles like ‘The Agony of the Machine’. Real science is catching up with the Futurist aesthetic while popular culture with its robots, video games and the near instantaneous communication of the internet would have amazed and delighted them. The Futurists, however, were determined that their creations were high art, while pop music and videos are seen as much less. Nevertheless, I do wonder how long it will be before the technology becomes sufficiently cheap and accessible for writers and impresarios to use them in rather more serious productions.

Mrmenno Videos Parodying Boris Johnson, Dominic Cummings and Tweezer

December 3, 2021

Mrmenno is a gay Youtuber who specialises in producing musical parodies of great songs to satirise the government and various political and social movements he considers are harming the good people of this country. He’s gender critical and a fierce and commitment opponent of the trans ideology. Many of his videos are therefore directed against that. I’m not going to post them, because I’m aware that some of the great commenters on this blog are pro-Trans. I’ve made it very clear that I oppose the trans ideology, but not transpeople and have posted videos from others laying out the reasons for doing so. However, I think posting his videos about the issue would simply cause unnecessary offence.

But here’s a selection of his videos that I think all the great readers and commenters on this blog can get behind. In these he attacks Boris Johnson and Matt Hancock for their refusal to act swiftly to impose the lockdown, leaving thousands to die of Covid; He skewers Dominic Cummings for breaking the lockdown rules and driving up to Barnard Castle; and lampoons Tweezer for shafting the people of Northern Ireland with Brexit and the nonsense about the Irish backstop.

The Chicago video called the ‘Corona Clown Tango’ and based on that musical’s ‘Cell Block Tango’, satirising Johnson comes, says Mrmenno, from a place of anger and rage at the buffoon’s initial refusal to impose a lockdown. It contains clips of Johnson saying that we should let the disease pass through the population infecting people and that ‘people should take it on the chin’. He would, he states, go on greeting people as usual. He did, and duly came down with it. As did Matt Hancock. He, however, was not infected because he was one of the front-line staff who risked and lost their lives caring for the disease’s victims.

The next video attacks Dominic Cumming’s trip to Barnard Castle when he had the disease. It’s too the tune of Edith Piaf’s ‘No Regrets’ song, and has Mrmenno wearing a cardboard cut-out on his head to make it more like Cumming’s weird bonce. At one point he begins to shake and a female voice asks him what’s wrong. He replies that he thinks there’s something wrong with his eyesight, so he’ll have to drive to Barnard Castle. The video ends with him looking at green gunge on his hand. ‘What’s wrong, Mr Cummings?’ the female voice asks again. ‘Gonarrhea’, replies Cummings, ‘Ill have to go dogging.’ Intercut with all this jollity is clips of people protesting against Cummings in real life and on social media, complaining it’s one rule for the elite and another for us plebs.

And in this video, Mrmenno dresses up as Tweezer to attack for her for the Irish backstop Brexit nonsense that has cause such harm to Northern Ireland and has threatened to plunge Ulster once more into paramilitary violence. He makes the point that Tweezer, despite her claims to the contrary, really had no ‘Plan B’. He’s frightening convincing as Tweezer, so viewers, rest assured. It’s only makeup. Don’t have nightmares.

*****

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Prize Winning Turkish Novelist Arrested Again for Talking about Armenian Genocide

November 19, 2021

All around the world there are states and arseholes trying to cover up the genocides their countries and favoured political regimes have perpetrated. Over here, the right-wing pseudo-historian David Irving is notorious for his books minimising the Holocaust, for which he lost a libel case and ended up in an Austrian prison, where Holocaust denial is a crime. Tzipi Hotovely, the Israeli ambassador, is an enthusiastic Judaeonazi who has declared that the Nakba – the Palestinian equivalent of the Holocaust when the indigenous Arab population was massacred and ethnically cleansed at the foundation of Israel – to be a ‘Palestinian lie’. She also support razing Palestinian villages to build Jewish settlements, believes that all of Palestine should belong to Israel and would like to start another war with Syria and Egypt. She’s a racist fanatic whose difference from European Nazis is one of race, not genocidal nationalism. And I caught I headline on the Internet yesterday reporting that the prize-winning Turkish novelist, Orhan Pamuk has been jailed once again for ‘insulting Turkish nationality’. What this means is that he committed the terrible crime of talking openly about the Armenian genocide and maintaining it was fact as opposed to the cover-ups and lies of the Turkish state.

The Armenian genocide was a series of massacres carried on the orders of the last Ottoman emperor in the last days of the Turkish empire. It was a response to a failed revolt by the Armenians during the First World War. The Armenians were encouraged to believe the west would help them, and were tragically let down. In response, the Ottoman emperor issued a firman, an imperial decree, the Armenians were rounded up en masse, forced to march through the desert, starved, shot, bayoneted and crucified amongst other horrible methods of extermination. No reputable historian believes that the massacres didn’t happen and there is plentiful evidence, documentary and eyewitness, to support it. Including by serving Turkish officers who were disgusted and opposed to it. But the Turkish state continues to deny it, and anyone maintaining that it actually occurred, like Pamuk, will be jailed under a law forbidding the insulting of Turkish nationality.

This has also caused problems at the annual commemoration of the Jewish Holocaust by the Nazis. A few years ago various other Holocausts experienced by other nations and peoples were also commemorated at the ceremonies around Holocaust Memorial Day. When Jackie Walker got accused of anti-Semitism by the Jewish Labour Movement simply for asking what was going to be done about the commemoration of other Holocausts, such as that against her people, the Black Atlantic slave trade, at a workshop on Holocaust Memorial Day, she was actually asking a reasonable question. Other Holocausts were indeed mentioned on camera during the proceedings. Except the Armenian massacres. People, especially Armenians, were upset and wanted to know why. They were reassured that there was a ceremony to commemorate the Armenian Massacres, but that it was held off camera. Which is precisely the kind of mealy-mouthed double-talk you expected from Blair’s government.

I suspect the real reason was geopolitical diplomacy. Blair didn’t want to start a row with the Turks. The west needs Turkey to be a part of NATO and a bastion of western power in the Middle East. But not enough to allow Turkey to join the EU, and potentially flood Europe with even more Muslim immigrants as is the fear of certain right-wing Tories. Remember all that rubbish about 7 million Turkish immigrants finding their way to Europe if Turkey joined the EU?

But the Armenian Massacres have a direct connection to the Nazi Holocaust. They’ve been described as ‘the first genocide of the 20th century’. This isn’t quite true – the first genocide was the attempt by the German authorities in southern Africa to exterminate the Herero tribe after they revolted. The Armenian massacres were rather later. Nevertheless they had a far greater impact. The refusal of the great powers – Britain, France and America – to intervene taught Hitler that they could similarly persecute and murder the Jews with impunity. He summed it up in the phrase, ‘No-one remembers the Armenians’.

Well, to be fair, some Jews do. Years ago Mike and I went to see a play at Quaker’s Friar’s theatre in Bristol. Burning Issues was a updated version of King Lear, set in a struggling Jewish-owned publishers. It was a family drama centre around the conflict between the aging patriarch, who was head of the firm, and his children. The company is losing money hand over fist and the children wish to save it by publisher more popular books with a wider appeal to the reading public. The father, however, is determined to publish a lavish atlas of the Holocaust. As the play goes on and the man’s estrangement from his family worsens, it becomes clear that the old man may have been through the horror of the Shoah himself. He talks about coming back to nothing except a devastated Europe. The only person who really understands him his Armenian housekeeper, he feels. Because the Jews and the Armenians have clearly undergone similar horrors.

It’s a great play, and if the lockdown is ever lifted and you feel that it’s the type of play you want to see, please go to see it. I can remember seeing a number of excellent plays performed locally in the ’90s when Mike was briefly the theatre critic with one of the local newspapers. Some of the very best were performed in pubs, ranging from 17th/18th century French comedic classics to far more modern plays, One of my favourites was an adaptation of the classic Key Largo, about a man struggling to come to terms with the his betrayal of the Internationalists after being captured by the Fascists during the Spanish Civil War. This won prizes when it appeared in the 1940s, and really is one of the great classics of 20th century stage and film. It’s theatre like this which, without sounding snobbish or pretentious, makes a city genuinely civilised.

Pamuk’s arrest simply for speaking the truth about the Armenian massacres is another assault on real objective history by a highly authoritarian state. Revealing the truth about your nation’s dark deeds is not insulting. Indeed, it’s necessary so that a society can come to terms with it and move on. Apart from the more simple fact that covering up massacres and genocide is a disgraceful act in itself. Unfortunately, I don’t expect Starmer to raise any questions about the proper commemoration of the Armenian Massacres. I doubt he even knows where Armenia is. He’s too concerned with trying to silence people in the Labour party who challenge Israel’s gradual ethnic cleansing of the Palestinians.

Orhan Pamuk is a courageous man, and I stand with him in his attempts to challenge official lies. As I do with everyone set against mass murder and violence.

And this is also why I believe that Tzipi Hotovely is a disgusting human being who should be thrown out of the country, rather than defended, regardless, or especially, because she’s the Israeli ambassador.

Disgusted by Pro-Starmer Local Party Delegates to Conference

October 14, 2021

As I said earlier this evening, I was at an online meeting of my local constituency Labour party tonight. I was very impressed by Karin Smyth, our local MP, and her report on Sajid Javid’s health and social care bill, and what she and the Labour party are doing to prevent private healthcare firms sitting on the new commissioning boards the Tories wish to set up and the compulsory outside tendering. Smyth is a supporter of grotty, sectarian, squalid Starmer, but I believe she is sincere in her defence of the NHS and am impressed by how hard she works for her constituents.

But I don’t believe Starmer is, and if the choice comes between embracing the Tories’ privatisation and not getting his overprivileged, aristo, millionaire posterior in 10 Downing Street or winning the approval of the Tory press, the Stormfront Stalin will sacrifice the NHS to the private healthcare parasites and throw any Labour MP who attempts to defend it under the bus.

But I was less than impressed by what the local party’s delegate to conference had to say. They’d voted for nearly all of the motions put at conference. This included the Green New Deal. But it also included them voting for David Evans as General Secretary, the decision to raise the proportion of MPs required for a leadership candidate, and in fact nearly all of Starmer’s notions to knobble party democracy. They also voted for the implementation of the E.H.R.C. report into Labour anti-Semitism.

And then in the questions the local delegate or liaison from Unison, whose scab leadership endorsed all these scummy notions, announced that she also endorsed the implementation of the E.H.R.C. report. She had been indifferent of the anti-Semitism issue until she had attended a very powerful training session, which alerted her to the abuse our Jewish brothers and sisters got from the Left.

This was too much. I was sick of the sectarian anti-Semitism promoted at these workshops, and the way she had swallowed it hook like and sinker.

These training sessions are biased. Starmer has handed them to the Zionist Jewish Labour Movement, the sister of the Israeli Labour party. The JLM was formerly Paole Zion and was dying on its anti-Arab tuckus before it suddenly got a massive influx of money from person or persons unknown. It does not represent Labour’s Jews. You don’t have to be Jewish or even a party member to join it, as you do for Jewish Voice for Labour. It conflates anti-Zionism with anti-Semitism and is one of the major organisations behind the witch hunt against putative anti-Semites. And an amazing, incredible number of these seem to be secular or Torah-observant Jews. I say ‘incredible’ because I don’t believe a damn word of it. Not after reading the blogs, testimony and comments on mine and Mike’s blogs from the great Jewish peeps who’ve been a victim of this utterly damnable witch hunt. And also the same from genuinely anti-racist gentiles, like Mike himself, who have always been staunch opponent of real anti-Semitism and Nazism. Some of these people, Jews and gentiles, have suffered real anti-Semitic hate crimes, including violence and assault, either because they were Jews or marched against them as friends and allies. Mike was smeared and purged simply for saying that Ken Livingstone was historically correct about Adolf Hitler’s wretched support for Zionism in the Ha’avara Agreement. This made him an anti-Semite despite the fact that when Mike was at College, he gladly took part in a performance organised by one of his Jewish friends commemorating the Holocaust. He was one of the readers reading out the names of just some of those murdered. I have on my bookshelf a book, in German, he sent me, about the Nazi Sicherheitsdienst and its role in the persecution of political prisoners and the Holocaust. It lists some of the names of those butchered, maps showing the locations of the various concentration camps and pogroms and the stats for the numbers of innocents murdered at these various locales. And in answer to the Holocaust Deniers, yes, 6 million did die.

But this comes to nothing. The JLM and related organisations like the Campaign Against Anti-Semitism and Labour Friends of Israel, the GnasherJew troll farm and all the scummy rest specialise in going through peoples’ social media posts looking for whatever they can use to twist so that it sound anti-Semitic. That’s how they got self-respecting, anti-racist Jews like Jackie Walker and Tony Greenstein, as well as Naomi Wimborne-Idrissi, Graham Bash and many, many more. Men and women whose only crime has to criticise Israeli for its barbarous persecution of the Palestinians. Disgust which they also share with anti-racist Zionists – there are a few – and Israelis.

I am utterly disgusted by this and do intend to challenge this in my local party. Whatever Starrmer wants, his vicious, sectarian anti-Semitism is still an issue some of us intend to keep on fighting.

No pasaran to Blairite social Fascism and anti-Semitism!

Anton Petrov Explains New Advances in Artificial Cells

October 9, 2021

Anton Petrov is a science vlogger on YouTube. Always greetings his viewers with ‘Hello, wonderful person’, he mostly talks about recent advances in space exploration and astronomy. But occasionally he branches out into the other sciences. In this fascinating video, he talks about a recent development in the creation of artificial cells. These are tiny objects that mimic some of the functions of real cells. This new advance is the creation of a process that mimics the energy transfer within real, biological cells. He talks about how artificial cells are formed. They’re microscopically small with a tiny hole. This may allow them to be used as a method for delivering medicines more efficiently into the body. It may also allow them to be used a artificial white blood cells, in which they capture bacteria and viruses through the holes and keep them there.

Of course, we’re a very long way away from that level of technology, but it all reminds me of the artificial humans and animals – replicants – in Ridley Scott’s SF classic Blade Runner, based on Philip K. Dick’s Do Androids Dream of Electric Sheep? It’s also similar to the original robots in Karel Capek’s seminal SF play, R.U.R., or Rossum’s Universal Robots. This was the play which introduced the word robot to the English language. It’s Czech for ‘hard work’ or ‘drudgery’. It was also one of the first to portray a robotic revolt. The robots in the play are more like Scott’s replicants than modern robots. They are formed from an artificial substance which mimics biology, so that part of the process in the manufacture of the robots are mills spinning miles of artificial nerves.

A recent item on robots on one of the Beeb’s programmes – it may have been The One Show said that it might be a thousand years before we can create something like a replicant. But watching this video, I do wonder.

Articles on Bristol’s Jewish Community

September 11, 2021

I found a couple of very interesting articles on Bristol’s Jewish community in Max Barnes’ Bristol A-Z: Fascinating Stories of Bristol through the ages, published by the Bristol Evening Post c. 1970. Bristol has had a Jewish community for centuries. There was a Jewish quarter in the city in the Middle Ages. Way back in the 90s a miqveh, a Jewish ritual bath, with the Hebrew inscription, ‘Zacklim’, ‘flowing’, was found on Jacob’s Wells’ Road. They were expelled by Edward I along with the rest of England’s Jews, but returned after Oliver Cromwell once again opened the doors to Jewish immigrants. They were certainly present in the 18th century, when one Bristolian, looking for a doctor, said that he had no objection to a Jewish doctor, provided he claimed to believe in Christianity. In the 1820s one outraged commenter complained that the city’s corporation included not just Anglicans, but also Protestant non-Conformists and even Jews! There was also a very imposing synagogue in Park Row. This had giant Hebrew characters over its entrance and seemed to be cut into the very rock of St. Michael’s Hill. I haven’t seen it recently, so I wonder whether it’s still around, or if it’s simply the case that more recent building work has covered up the Hebrew inscription.

The article ‘Jews’ in the book runs

The first Jews settled in a confined area between St John’s Gate and St. Gile’s Gate. As Jews they were banned from living inside the walled town itself.

Their sole business was money lending. Like Jews down through the ages they suffered a lot of persecution. Once their houses were pillaged and burned by a mob led by William Giffard, a man who had had many financial dealings with the Jews and in 1275 took this brutal course to destroy the records and clear his debts.

Another Jew who refused to pay heavy ransom money to King John was hauled off to Bristol castle.

The king’s torturers pulled out one of his molar teeth each day. He had lost seven teeth before he paid up.

I think it was the poor man’s daughter who persuaded him to pay the money before he lost all his teeth. I think money lending was the only trade Jews in this country could legally pursue. Giffard’s pogrom against them was, I think, part of a number of anti-Semitic attacks and riots led by members of the aristocracy. The real reason behind them was that aristocracy at the time was in debt to Jewish moneylenders, and this was their way of getting out of it.

There’s another article on the Jewish author, Israel Zangwill, who also apparently was educated in Bristol. I doubt many people have heard of him today except experts in modern Jewish literature, but from reading the article he seems to have been a powerful force in the development of modern Jewish literature. The article says

Novelist and playwright (1864-1926) went to school in Bristol.

He was the son of a Russian Jewish refugee who escaped from Russia in 1848 from a death sentence for a military offence. Zangwill was known as a richly gifted but outspoken humanist. He was a champion of unpopular causes. His novel “Children of the Ghetto” was dramatised in 1899 and played in Yiddish and English in New York.

Imperial Russia had a policy of conscripting Jews into the army. It was used as a method of forced conversion, with Jewish troopers singled out for bullying and beating. I suspect that Zangwill’s father may have not taken the abuse, hence the death sentence for some kind of military offence. More recent victims of such maltreatment in the Russian army included Seventh Day Adventists and Pentecostalist Christians under Communism. I can’t remember which one, but one of these sects was persecuted because they’re pacifists who reject military service. And the Pentecostalists were subjected to the persecution under the guise of all kinds of stupid conspiracy theories. They’re abstainers, refusing to touch tobacco and alcohol, and as a result tended to be wealthier than ordinary Russians. As a result, there was a story propagated that accused them of receiving money from the CIA through a ship that landed annually at a secret location. It’s the same kind of stupid, murderous rumour about treachery as the source of secret wealth that has been used against our Jewish brothers and sisters.

Bristol’s Jewish community seems to have had a fascinating history, and its monuments are part of the city’s rich architectural heritage.

And real persecution and conspiracy theories are wrong and dangerous, whether levelled against Jews, Christians, Muslims or anyone. They are not things to be cynically used to expel left-wing peeps and non-Zionist Jews from Labour.

Lookalikes: Boris Johnson and Simian Double

September 5, 2021

Okay, I know it’s rather ad hominem, but it’s too good not to use. Private Eye have carried column for years entitled ‘Lookalikes’ which shows picture of various public figures, politicians, actors, sportsmen and women and pop stars, next to things that look like them for comic effect. I found a picture of Snowball the albino gorilla in an illustrated dictionary we’ve had since the 1970s, I was struck by the uncanny similarity to the simian creature now occupying No. 10.

Way back in the ’70s and ’80s there was nasty racist joke going round. It was a picture of Black man and a gorilla, and asked what the difference was. I’m not going to go further, because it is offensive, but you could ask the same about Boris and Snowball. What’s the difference between them? The gorilla is gentler, more intelligent, and doesn’t make the poor even poorer for the benefit of the rich.

Right Now Stoking Up Fears of Afghan Refugees as Rapists and Child Molesters

August 25, 2021

The Taliban’s takeover of Afghanistan has, as we’re seeing daily, resulted in a mass of desperate people in fear of their lives struggling to flee the country. Many of them are people, who worked for the western powers and armed forces during the occupation of their country. These people are now faced with the possibility of execution as apostates and collaborators. Women are particularly threatened by the Taliban’s return to power. Just to show how brutal the Taliban are, I have heard reports of them cutting off the fingers of women who have dared to put on nail varnish. There’s also a clip on YouTube of a group of Talibs giggling at the question of whether they will allow women a place in their parliament. They find the idea of women politicians so outlandish that it is, to them, ridiculous. This bodes extremely badly for any Afghan, who wants something better for their country than a highly repressive, brutal theocracy, and women who wish to have freedoms and opportunities beyond the traditional constraints of Afghan society.

Britain has promised to take in 20,000 refugees. As they include people who have worked for us, and that they are in peril precisely because of what we have done to their country, we do have a responsibility to take them in.

But how are the anti-immigration right responding to this? From what I’ve seen, they’re presenting them as a possible violent threat to our women and children. The Lotus Eaters last week posted a video discussing child marriage in traditional Afghan society, now returning under the Taliban. They are going round the mosques asking for lists of unmarried girls over the age of 12 and forcibly marrying them to Talib fighters as ‘spoils of war’. There is also a noxious traditional practise in Afghan society of ‘boy play’ – the sexual abuse of underage boys. This includes dressing them up as women and having them dance for the amusement of their abusers. They also read out the reports of rapes, sexual assaults and murders of women committed by Afghans in the west, and warned that just because the refugees were out of Afghanistan won’t mean that they had left such exploitative and vicious sexual attitudes behind. History Debunked also put up a piece about the Islamic grooming gangs with the implication that we might experience more of this with further immigration from the Islamic world.

Now the Lotus Eaters are correct about paedophilia and the sexual abuse of boys in traditional Afghan society. There have been reports of it going back to the first years of the invasion. These have included descriptions of the disgust of our brave girls and boys at seeing this child abuse practised by their Afghan allies and being told not to interfere by their superiors. I don’t doubt that some Afghans will retain these attitudes if they move to the west. I can remember hearing from people, who had worked on an exhibition about the Mediterranean, who described how shocked they were at the continuing repressive attitude to women by some immigrant cultures in London. The simple law of numbers also says that with such a large number of Afghans trying to get into Britain, some of them may well be people, who shouldn’t.

But not all.

I don’t know about Afghans, but I’ve met a number of people from the country next door, Iran. Their White English wives loved them because they treated them like ladies, and they had the same attitude to child abuse as every other Brit, regardless of colour: they hated them as well as rapists. I’ve been told that in Iranian society, the boys of a particular neighbourhood are brought up to regard each other’s sisters as their own and to take care of their safety. This means that if someone comes into the neighbourhood and threatens a girl, all the boys will come out to give him a thrashing.

I also recall the response of the American-Afghan community a little while ago to a play put on by a member of California’s gay choir celebrating the Afghan dancing boys. While criticism from western commenters was muted – one critic stated that the play ‘went too far’ – the Afghans were far more direct. They said it glamorised a disgusting and degrading practice.

I therefore don’t think that admitting the Afghan refugees were result in a wave of rape and child abuse. The predictions that it will just seem to be more racism and anti-immigrant prejudice.

Keef Stalin Purges Ken Loach from Labour Party as Part of anti-Corbynite Witch Hunt

August 14, 2021

This shows you how utterly contemptible, treacherous and unprincipled Keir Starmer is, and how he is completely unfit to lead the Labour party. Mike has put up a piece today reporting that Starmer has purged Loach from the party, because the great cineaste has refused to dissociate himself from others purged from the party without evidence. This is in accordance, as I recall, of one of the demands Starmer pledged himself to from the Board of Deputies of British Jews: that anyone in the Labour party who still retained contact with someone thrown out due to anti-Semitism would themselves be thrown out. Stalin used exactly the same approach to his victims during the Soviet purges of the 1930s. If you continued to remember or make inquiries about anyone ‘disappeared’ by the KGB, let alone dared to defend anyone who had been accused of anti-Soviet propaganda or being a capitalist agent or saboteur, you would also be arrested, tortured and shot or sent to the camps. The accused become, in Orwell’s phrase, ‘unpersons’, erased from history.

I think Loach has probably been in Starmer’s and the Board’s firing line for a very long time. He was a prominent supporter of Jeremy Corbyn, and decades previously had produced a film or play about the Israeli occupation of Palestine. For which he was accused of anti-Semitism by, among others, the leading synagogue in Belgium. He was also warmly welcomed as a very honoured guest when he attended a gathering of Jewish Voice for Labour. I’ve no doubt they’re also set to be purged along with the various other left-wing groups, like Labour Marxists and Socialist Appeal, because, according to Blairite Neil Coyle, they’re ‘Commies’. I doubt Coyle would know a true Communist if one came up and bit him. It’s just a term of abuse the neoliberals have taken to using to smear anyone who wants a return to the social democratic consensus of the period from 1948 to 1979. And the ultra-Zionists of the Board of Deputies no doubt hate them because they’re Jews, who’re critical of Israel and its barbarous ethnic cleansing of the Palestinians. The Board can’t tolerate alternative forms of Judaism that criticise and reject Zionism, and Jewish Voice for Labour very definitely shows that by no means all Jews automatically and uncritically support the Israeli state. Simply by existing, they’re a challenge to the Board’s claim to represent all British Jews, when in fact the Board only represents the United Synagogue. And so I’ve no doubt that the Blairites will try to thrown them out next.

Loach himself is a very well respected film-maker. A few years ago when Cameron was infesting Downing Street, he made I, Daniel Blake, about how the DWP persecuted and maltreats the unemployed. Before then, he made Dirty, Pretty Things, about the despised underclass of immigrants who do the dirty jobs we don’t want, like office cleaners. But he’s best known for his film Kes, about a lad from a deprived northern working class community and his relationship with a kestrel. There has been a storm of protest against Loach’s purge on Twitter, and one of those posting was a teacher in a comprehensive school in one of the towns devastated by Thatcher’s pit closures. He describes the electrifying effect it had when it was shown to the schoolkids. Kes is one of the classics of British cinema. It has been shown on Channel 4, when that channel still took seriously its original founding mission of providing alternative programming. I think the DVD of the film is released by the British Film Institute.

Loach’s social realism isn’t to everyone’s taste, and I can’t say that his films really appeal to me. But he is a major figure in British cinema, and his purging by Starmer shows the latter’s utter contempt for the cultural sector. It seems intended to show that it doesn’t matter who the victim is, nor how important or respected they are in the arts, Starmer will throw them out. This will be taken as a threat by other left-wing film makers, theatre producers and directors. Who will be very justified in asking

“Is Starmer a fit person to run the country?”

Back in the 1980s there was an episode of Yes, Prime Minister, in which Hacker is irritated when the National Theatre, or a fictional version thereof, stages a play lampooning his administration. In revenge, and in order to secure their compliance, he threatens to close their premises down, turning them once again into ‘strolling players’ as in Shakespeare’s time. People in the arts may well be wondering if this is how Starmer intends to treat any dissent on their part, by closing them down or depriving them of funding or finding some other way to discredit and silence them.

This is not just an attack on one man. It is a symbolic warning to other major figures in the arts.

Free speech is under attack in the UK from the Tories, who wish to ban all forms of public protest if they get the chance.

And Starmer seems determined to extend this silencing to movies and the arts.