And now for another of my cartoons, in which I try to express my outrage, anger and disgust at the Conservative party and their murderous, destructive policies. This one takes the form yet again of a CD cover or promotional poster for the totally imaginary band, the Dead Thatchers. I was inspired to invent them by the American punk band, the Dead Kennedys. Their angry songs bitterly attacked the economic and social conditions of Reagan’s America. One of their songs, which I’ve based this cartoon on, was ‘Kill the Poor’.
As you can see, the cartoon shows a firing squad shooting dead a representative selection of poor folks, that the Tories despise and have been killing for years, while all the while claiming to help them. Looking on are David Cameron, Theresa May and Boris Johnson, their eyes blood red. The people shot represent the disabled, the unemployed, single mothers, low paid workers and asylum seekers.
And as left-wing bloggers and activists like Mike, Another Angry Voice, Zelo Street, The Poor Side of Life, Diary of a Food Bank Helper and so many, many others have shown for the past decade and more, Tory and Thatcherite policies are killing the poor. The harsh regime of fitness to work tests and benefit sanctions imposed by the DWP, as well as cuts in the amount paid and a waiting time of five weeks from making the claim to first payment for Universal Credit, have resulted in an estimated 120,000 people dying from austerity. Over a quarter of a million people a few years ago were forced to use food banks to keep body and soul together. Millions of children and adults were living in poverty. And thanks to Boris’ incompetent, bungled and penny-pinching handling of the Coronavirus crisis, that’s all got worse. Much worse. Firms have sacked their workers, rather than apply for the government help to pay 80 per cent of their wages. The government has promised to pay 80 per cent of the earnings of the self-employed and small businesses, but this is calculated on whether they pay business rates. Not all businesses do. Some, which share a building, leave it to their landlord. Those firms won’t get anything. And the small businessmen who will qualify won’t get it until June. For many of them, this will be too late.
And don’t be misled. The Tories do hate the poor. They despise and revile anyone on benefits as a scrounger. They see them as biologically inferior, people who should ideally be discouraged from claiming benefits or even allowed to die, rather than become a burden to the rich. Boris Johnson, Dominic Cummings and their brief hireling, Andrew Sabisky, all have this eugenicist view. As does the wretched, loathsome Toby Young, who attended a eugenics conference alongside real anti-Semites, racists and Nazis. And then there are all the Tory and other right-wing hacks, like Brendan O’Neil of Spiked, Trevor Kavanagh of the Scum and others, who complain bitterly about the lockdown, because, like BoJob and Cummings, they believe old people, the disabled and the weak should be left to die rather than the economy be damaged. Thanks to this attitude and the decades-long campaign of vilification in the press, the British public thinks that 27 per cent of all benefit claims are fraudulent, whereas the true figure is something like 0.2 per cent. This hatred also extends to single mothers, of course. Tory minister Peter Lilley had them on his little list of people he despised, who he sang about as a pranced about the stage in a parody of the song from Gilbert and Sullivan’s The Mikado at a Tory party conference back in the ’90s. And nearly two decades before then, in the mid-70s, Thatcher’s mentor Sir Keith Joseph declared they were a threat to our stock, provoking mass outrage at such a Nazi comment.
And of course the victims include asylum seekers because of the very long tradition of Tory racism, a racism that has led to their brutalisation by profiteering and incompetent government outsourcing companies like Serco in the detention centres. Not that the racism is just confined to asylum centres. A large section of the Tories is deeply racist, and particularly towards Muslims. They are also far more genuinely anti-Semitic than Labour. A few days ago David Rosenberg of the Jewish Socialist Group put up a piece detailing some instances of their anti-Semitism. This included an incident remembered by the former speaker of the House of Commons, John Bercow. He was told by an unnamed Tory MP that if he had his way, ‘people like you’ would not be allowed in the chamber. Bercow asked him what he meant – lower class people, or Jews. The man replied ‘Both’. But never mind, Chief Rabbi Ephraim Mirvis heartily loves the Tories and warmly welcomed Tweezer entry to 10 Downing Street. Mirvis seems to consider anti-Semitism as synonymous with anti-Zionism or hostility to Israel, so he and the rest of the Jewish establishment have precious little interest in combating real anti-Semitism when it comes from genuine Nazis or the right. Comfy little Tory supporters, they’re only interested in manufacturing spurious claims and smears against the left.
As for the low paid, they hate them because not only do they claim benefits, but, like the unemployed, the believe it’s their fault they’re poor. In their idea of capitalism, a version that has never existed apart from their imaginations, the free market rewards merit. If a worker is low-paid, then it’s their fault. They should either work harder, or actively find a better paid job. Even if, thanks to the low-wage policies they’ve imposed since Thatcher, there are none about. In that case, it’s just tough. The free market is somehow sacrosanct and inviolable.
Here’s the cartoon. I hope you like it, and, as always, please don’t have nightmares.
Radio 3’s The Essay next week is doing a series of programmes on Paul Robeson. The show’s called ‘The Essay: Paul Robeson in Five Songs’, and is on from Monday to Friday at 10.45 pm. The short description of the series by David McGillivray on page 122 of the Radio Times runs
The turbulent life of Paul Robeson, the American performer whose career was shamefully curtailed by racism and anti-Communist hysteria, is reflected in five of his songs in a series of essays through the week. His was one of the most magnificent bass baritone voices of the 20th century, and the story behind his biggest hit, Ol’ Man River, is told by his granddaughter tomorrow [Tuesday]. Robeson’s most sustained success in films was in the UK but mostly the roles offered him were demeaning and he turned to political activism. The trade union ballad, Joe Hill (Friday) provides a melancholic epitaph.
Here are the blurbs for the individual episodes by day.
Monday.
No More Auction Block
The life and struggles of New Jersey-born bass-baritone singer, actor and civil rights activist Paul Robeson (1898-1976) are explored through five of his songs. Robeson’s signature performances include Show Boat and Othello, but spirituals defined his early career, and in 1925, Robeson and his accompanist Lawrence Brown turned them into “art music”. In this first installment, scholar and professor of black music Shana Redmond explores the ways in which Robeson’s performances of No More Auction Block map his own struggles.
Tuesday
Ol’ Man River
Susan Robeson explores the personal and political aspects of the song that is forever identified with her grandfather – Ol’ Man River, written by Jerome Kern and Oscar Hammerstein expressly for Robeson for their groundbreaking 1927 musical Show Boat. But the singer would not wrap his unique voice around it until the following year in the London production. He would have a lasting and complex relationship with the song, especially as a black superstar performing for white audiences. “My grandfather transformed Ol’ Man River from a song of submission and despair into a song of resistance.”
Wednesday
The Canoe Song
Paul Robeson and film should have been a perfect fit. The 20th Century’s first black superstar had presence, voice and fierce intelligence that projected from the screen. British audiences adored him, but for Robeson cinema was a constant betrayal of his political idealism. Matthew Sweet considers the confusing threads that make up Zoltan Korda’s 1935 Empire flag-waver Sanders of the River, which still hummed to the astonishing power of Robeson’s voice in the Canoe Song, prompting British audiences to declare him as “our Paul”.
Thursday
Zog Nit Keynmol
When Paul Robeson stood before a Moscow audience on the evening of 14th June 1949 in the Tchaikowski Hall, few expected to hear him perform the Yiddish Partisan song Zog Nit Keynmol (Never Say). His rendition of this fierce anthem of defiance, composed in the middle of Nazi slaughter, was thick with emotion, and at the end the crowd either fiercely applauded or booed. Robeson had sung for those he knew were already murdered, imprisoned or facing death as a new wave of Stalinist repression against Soviet Jews was underway. Nigerian-born actor and singer Tayo Aluko explores Robeson’s torment and contradictory emotions that make this performance so dramatic.
Friday
Joe Hill
London-based cultural historian Marybeth Hamilton summons up the ghosts of both Earl Robinson’s 1936 song Joe Hill – about the Swedish-American labour activist – and Paul Robeson as she explores the ways Robeson was so completely erased from culture and memory for many Americans. “If any one song in Robeson’s repertoire sums up those histories of denial silencing it is Joe Hill.“
Paul Robeson – one of the left-wing giants of the 20th century. I had a very left-wing aunt, who was a massive fan of Robeson. She would have loved this. I also wondered if all the Israel-critical Jews smeared and vilified by the Israel lobby shouldn’t sing Zog Nit Keynmol. From what I gather from reading David Rosenberg’s and Tony Greenbstein’s blog’s, the greatest resistance against the Nazis, including the Warsaw ghetto, came from the anti-Zionist Bund. The Zionists all too often made deals with the Nazis, as when the Zionist newspaper, the Judischer Rundschau, praised the Nazi Nuremberg Laws and urged its readers to ‘wear your yellow stars with pride.” Or when Rudolf Kasztner, the head of the Zionists in occupied Hungary, cut a deal with the Nazis whereby tens of thousands were deported to Auschwitz in return for a few being allowed to emigrate to Israel.
According to next week’s Radio Times, Radio 4 next Saturday, 28th March 2020, is broadcasting an adaptation of Jules Verne’s ‘The Mysterious Island’ at 3.00 pm. The blurb for it runs
‘Drama: To the Ends of the Earth: the Mysterious Island
Three very different people escape the American Civil War by stealing a balloon – which crashes near a deserted island. But perhaps it is not quite as deserted as they think. Gregory Evan’s dramatisation of Jules Verne’s sequel to 20,000 Leagues Under the Sea.’
What struck me about this is that Captain Nemo is played by an Asian actor, Sagar Arya. There’s a bitter controversy at the moment over ‘forced diversity’, the term used for writers, directors and producers altering the gender and race of established characters in order to make traditional, or long-established stories, plays, films or TV series more multicultural, feminist or otherwise inclusive. It might be thought that this is another example, but it would be wrong.
In an interview with Alan Moore I found on YouTube a few months ago, the comics legend behind Watchmen, V for Vendetta and a series of other strips and graphic novels, explained why he made Nemo an Indian prince in The League of Extraordinary Gentleman. The comic, which was made into a film a little while ago starring Sean Connery, imagines a kind of late 19th – early 20th century superhero group formed by Alan Quartermain, the Invisible Man, Dorian Grey, Dr. Jekyll and his alter ego, Mr Hyde, and Captain Nemo. The group travels on their adventures in Nemo’s ship, the Nautilus. The strip was drawn by 2000 AD art robot, Kevin O’Neill, whose art back in the 1980s for an edition of the Green Lantern Corps was judged too horrific for children by the late, unlamented Comics Code. So far, however, I have heard of no-one being left psychologically scarred by his art on The League. Moore stated that he made Nemo Indian, with O’Neill’s art consequently showing the Nautilus’ interior decorated with Indian art and architectural motifs, because that is exactly how Verne described him in The Mysterious Island. He wasn’t at all like James Mason in the Disney movie.
Now I dare say that the Beeb may very well have chosen to adapt The Mysterious Island for radio in order to give this favourite Science Fiction character a new, multicultural twist. But it is faithful to Verne’s original conception of the character. It’ll be interesting to hear what it’s like.
Here’s the video from the AlanMooreVids channel on YouTube, in which Moore talks about the strip. It’s a segment from the BBC 4 series on comics, Comics Britannia. The video shows O’Neill’s art, and the artist himself working. Moore praises his collaborator on the strip, saying that he take the most disturbing of his ideas and make them two or three times more upsetting. But he admires his skill for the grotesque, which in Moore’s view places him up there with the caricaturists Gilray and Hogarth. It’s high praise, but I think Moore’s actually right. If O’Neill had become a caricaturist instead of a comics artist, I think he would be admired as the equal of such greats as Gerald Scarfe and Ralph Steadman.
Next Saturday, 14th March 2020, Radio 4’s Archive on 4 is on the British servicemen who were used as subjects during tests of the atom bomb. The blurb for the programme, After the Fall Out, in next week’s Radio Times, runs
Some 22,000 servicemen were present at nuclear tests between 1952 and 1990. Most had no choice in the matter – or even understood why they were there. Playwright Gordon Murray has been interviewing some the Christmas Island soldiers and their children to discover the fall-out from the fall-out.
From what I remember, the squaddies, who took part in these tests, were simply transported to the test zone and then told to stay there. They were given minimal, if any, protective clothing. Many have suffered from terrible ill-health, and I remember that a few years ago the victims of these tests were suing the army, MOD or government, or perhaps all three. I don’t believe they were successful. It will therefore be interesting to hear what this programme has to say about this iniquitous page of recent British history.
Despite Melanie Phillips and Ephraim Mirvis trying to keep the anti-Semitism smears going, there has been some good news. The anti-racism charity, Show Racism the Red Card, politely told smear merchant Rachel Riley where she could stick her complaints about the judges they had selected for a youth competition. The organisation had launched a competition for school children, and chose as judges the left-wing film director, Ken Loach, and Children’s Poet Laureate Michael Rosen. Both are eminently suitable. One of Loach’s most recent film, Dirty Pretty Things, is about the immigrants, who do the dirty, menial work we don’t want to, like cleaning. Michael Rosen is Jewish and an educator on the Holocaust. He has presented evidence about the latter to parliament. But Riley and her matey Tracey-Ann Oberman, and a journalist, Ebner, objected to the decision to appoint the two because they had a ‘problematic’ relationship with British Jews. This was, in my opinion, the insinuation that they were anti-Semitic. Loach has been accused of it before, because he directed a film or a play years ago about the gross maltreatment and dispossession of the Palestinians by the Israelis. Of course, like so many others so smeared, he is nothing of the sort. He was given a very warm welcome a few years ago when he was invited to attend a meeting of Jewish Voice for Labour. They’re a group formed to campaign against the anti-Semitism smears against the party and its leader, Jeremy Corbyn. Unlike the Jewish Labour Movement, they really were all Jewish, although gentiles could become associate members, and they were members of the party. Neither of these stipulations apply to the JLM, whose members don’t have to be Jews or party members, but who somehow claim the right to represent Labour’s Jews. Loach and Rosen were smeared by Riley and her buddies because they had the audacity to support Jeremy Corbyn.
Now Show Racism the Red Card has issued a statement confirming that they are very pleased to have Loach and Rosen as judges. They lament the way the competition has been overshadowed by these accusations. However, they were contacted by prominent figures in education, the arts, sport, law, media, science and politics, who endorsed their decision and refuted the allegations against Loach and Rosen. They also thank the public for the kind messages of support they received from them. Loach has been a member of the charity’s Hall of Fame because of his work with them. The charity says of Loach and Rosen that
As award-winning icons in their respective fields, it is very exciting for us that Ken and Michael have agreed to be judges. But equally important is the compassion we have seen them show to people – of all races and religions – who our charity is here to help.
Mike rightly describes Riley and her fellows as bigots. They are, in the sense that they are utterly intolerant of the opinions of others. They have consistently tried to silence and deplatform supporters of Jeremy Corbyn by smearing them as anti-Semites, even self-respecting Jews like Michael Rosen. However, Riley isn’t concerned about real anti-Semitism from outside the Labour party. She is silent when people send her examples of such to her Twitter feed. Mike gives two such cases. One is a Tweet from the Prole Star asking her what she has to say about a video contained in the Tweet. This shows the islamophobe Tommy Robinson greeting his followers with ‘Shalom’ – the traditional Jewish greeting – and asking them to send money so he can continue his work of destroying the White race. Robinson is a gentile, and this is a reference to the notorious anti-Semitic conspiracy theory about Jews. Robinson’s probably joking, but this isn’t funny, just grossly offensive.
Derek Lucas sent Riley and the noxious editor of the Jewish Chronicle, Stephen Pollard, a Tweet from the Auschwitz Memorial. The Museum was appealing to Amazon to take down from the book store real anti-Semitic books. These included one by Reinhard Heydrich, the Nazi governor of Czechoslovakia and one of the chief organisers of the Holocaust, and three by the Nazi ideologue, Alfred Rosenberg. One of these was an explicitly anti-Semitic piece with the title, The Jew and His Trace through History. And another was The Sins of High Finance, which you can guess is about the Jewish control of capitalism. There’s no question that these books should not be for sale. But Riley has said that she’s not interested in anti-Semitism outside the Labour Party. And so she’s silent about these real works of anti-Jewish hatred, by men who were active in the Jews’ mass murder.
Mike is currently fighting a libel action against him brought by Riley, who wishes to silence him and a number of others for the horrendous crime of blogging about her alleged bullying and smearing of a vulnerable schoolgirl as an anti-Semite. Because, surprise! Surprise! – the girl also dared to support Corbyn on line. Mike states that it is important that he win, so he can very publicly defeat her and her wretched bigotry. He therefore ends his article by appealing for donations and giving details how people may give them, if they choose to do so.
It’s excellent that Show Racism the Red Card has stood up to the real bullies in this, and backed Loach and Rosen. I have no doubt that they’ll be excellent judges.
And Riley’s silence on real Nazism and anti-Semitism would seem to indicate that she’s the real bigot in all this.
A week or so ago, Zelo Street put up a piece reporting that Audrey White, a Labour activist from Liverpool, had successfully sued the Jewish Chronicle for libel. The paper had smeared her as an anti-Semite, and accused her of a number of things, none of which were true, such as undermining the Jewish Labour MP Louise Ellman. Private Eye have also covered the case in their latest issue, for 6th to 19th March 2020. And that’s interesting, not just for what it says about the case itself, but about the Eye’s own attitude to the anti-Semitism witch hunt, in which the Eye has itself been an enthusiastic participant. The item, in the magazine’s ‘Street of Shame’ column, reads
Whatever the true level of anti-Semitism within the Labour party, there has been no shortage of media interest in the subject. Foremost among publications to have taken up the cudgels against labour over the issue has been the Jewish Chronicle (JC).
Curiously, though, the media appear to have ignored the recent settlement of a libel case involving the JC and Audrey White, a Labour party activist in Liverpool. White successfully complained to the Independent Press Standards Organisation (IPSO) that the JC had breached the editors’ code of practice in four articles it published in February and March last year.
The JC alleged that White had actively undermined Louise Ellman, the former Labour MP for Liverpool Riverside, who quit the party in October last year. Finding in favour of White, the IPSO ruled the JC articles to be “significantly misleading” and castigated the paper for having resorted to “unacceptable” obstruction during IPSO’s investigation. The JC agreed to apologise to White, and pay her substantial libel damages and costs.
What is a mystery is why the JC didn’t realise its treatment of White, which could be construed as a witch-hunt, was akin to the very type of behaviour in the Labour Party it would rightly condemn.
Firstly, while it’s great the Eye is reporting this when the rest of the media isn’t, it isn’t innocent of pushing the anti-Semitism smears itself. Like the rest of the press and broadcasting, it accepted uncritically the claims of the Zionist Jewish establishment and the Blairites in the Labour party that Labour was a seething cauldron of Jew hatred. In fact, while anti-Semitism unfortunately does exist, it’s at a much lower level than in the parties further to the right. And as left-wing bloggers and Israel-critical Jewish bloggers and activists have pointed out, the vast majority of anti-Semitism comes from the far right. People have written letters to the Eye trying to point this out, but the smears continued. And the Eye’s response to one such letter was to cite Jon Lansman, the founder of Momentum, who certainly believed the allegations. The article begins with a note of doubt about the true extent of anti-Semitism in Labour – you’ll note the phrase ‘Whatever the true level of anti-Semitism within the Labour Party’ – but at the time the magazine made it clear that it had no doubt that the claims were true. This seems more than a bit contradictory, even hypocritical. But then, the election has come and gone, and Boris is in with a huge majority, Corbyn is stepping down as leader and all the candidates for the leadership have signed the Board of Deputies wretched pledges. So the smears aren’t needed any more. But don’t worry, I’m sure that they’ll be revived the moment the Tory establishment gets frightened and the Israel lobby finds it expedient.
And Audrey White isn’t the only person by any means the Jewish Chronicle and others have libeled as anti-Semites. It did it to Mike, along with the Sunset Times, the Depress and the Scum, if I remember correctly, when these rags told the world Mike was an anti-Semite and a Holocaust denier. Mike complained to IPSO, and the rags were forced to issue retractions. It was settled before Mike could begin libel proceedings, and so these, ahem, alleged newspapers, were spared the humiliation of a court judgement.
I’ve blogged several times complaining that, while the Eye and the rest of the press must know that the majority of anti-Semitism accusations are false – one Labour insider recently told the Canary or Novara Media that a third of them all came from the same person – the press, including the Eye, has resolutely refused to interview or profile any of the victims. It’s been a true witch hunt in that, like Arthur Miller’s The Crucible, the mere accusation is taken as proof, an assumption that the Board of Deputies has malignly incorporated into their wretched pledges. No-one in the establishment media has interviewed or defended victims like Ken Livingstone, Jackie Walker, Marc Wadsworth, Tony Greenstein, Cyril Chilson, Martin Odoni, Mike, Asa Winstanley or any of the others. That would be going too far, as it would effectively disprove the anti-Semitism smears. And as the left-wing critics of Israel like Greenstein, Odoni, Walker and Winstanley are well able to show that is the Israeli state that is profoundly and aggressively racist, any interview or defence of them would also not only undermine the position of the Israel lobby and the Zionist Jewish establishment, it could also embarrass Britain’s own foreign policy in the Middle East. Greenstein and historians like Ilan Pappe and John Newsinger have shown just how deeply entwined Zionism and Israel have been with British colonial goals since the British Mandate.
As for the Eye’s statement at the end that the Jewish Chronicle would otherwise be against any form of witch hunt, this is the complete opposite of the truth. The Jewish Chronicle has been one of the main instigators of the witch hunt in and against the Labour Party. Possibly the Eye means that it would be against any anti-Semitic witch-hunt, but even this is highly doubtful. Many of the victims – Tony, Jackie, Cyril, Martin and others – are self-respecting, decent Jews. But they’re vilified and smeared as anti-Semitic and self-hating simply because they’re anti-Zionist, or have otherwise criticised Israel. And the abuse they have consequently suffered would be unequivocally condemned as anti-Semitic if it came from gentiles.
And the Jewish Chronicle gives every sign or wishing to continue its persecution. A week or so ago, Tony Greenstein on his blog reported that the Chronicle’s gentile editor, goysplainer Stephen Pollard, had sent one of its contributors, Geoffrey Alderman, a letter giving him the heave-ho. Alderman’s a very respected historian of the British Jewish community, and a true-blue Tory. The letter didn’t explain why Pollard was letting him go, but the reason seems obvious: Alderman committed the unforgivable sin of writing a piece in the Spectator declaring that Corbyn wasn’t an anti-Semite. And this show of integrity against lies and smears couldn’t be tolerated.
It’s very welcome that the Eye has finally decided to report White’s victory against the lies and smears of the Israel lobby. But this is just one incident a long line which the magazine, like the rest of the media, has very conveniently chose to ignore.
But this may well change. Mike is taking the Labour Party to court for breach of contract over the wrongful decision to expel and smear him as an anti-Semite. His case is solid. When I went to court to support him the other month, the judge express surprise that, given the importance of the case, the press wasn’t present.
I don’t doubt it will be there next time. And that will be very embarrassing for those responsible for the smears.
Yesterday, Norwegian schoolgirl eco-warrior and global phenomenon Greta Thunberg visited my hometown, the fair city of Bristol. She was due to speak at College Green by City Hall in Bristol, before leading a march through town to the Tobacco Factory. This was exactly what it’s called, but the tobacco industry has just about vanished from Bristol, and it is now a theatre. Many of the city’s schools gave their pupils the day off so that they could join her. Her visit was naturally the main focus of the local news yesterday. Thousands went to see her, and it was a real family event. Parents and grandparents also went, and took their children and grandchildren. The teenage organisers, who had invited her, were interviewed. They were intelligent and articulate. One of them, a young man, was given the opportunity by the local TV crew to appear again promoting another, different, but equally important issue. The lad had said that he wished there was the same kind of crowds and interest for combating knife crime. He’s absolutely right, as this is a plague claiming and wrecking young people’s lives up and down the country. So the crew told him to wait a moment while they found someone he could talk to about this. With luck this should lead to positive developments so that in a few months’ time or however long, he should be back with us organising a mass campaign against that issue.
Thunberg’s visit was an historic occasion for the city. The people going enjoyed it, and it will doubtless have delighted Mayor Marvin and the other members of the council, who are trying to turn Bristol into one of the world’s leading Green cities. I didn’t go, as I still have this stinking cold, though I didn’t really feel like attending anyway. But I’m glad for the people, who did.
One person, who definitely didn’t approve of Thunberg’s visit was TalkRadio right-wing mouthpiece and howling snob, Julia Hartley-Brewer. According to Zelo Street, Hartley-Dooda got very sneering about the whole affair on Twitter. First she retweeted Mike Graham, another right-wing TalkRadio entity calling Hugh Fearnley-Whittingstall a ‘plank’, because he was in Bristol with his sister and family to support the demo. Dooda herself then issue the following Tweet explaining why she wouldn’t let her daughter go on the march:
“If my child wanted to join a school #ClimateStrike I’d expect her to: 1. Know enough to pass a test on climate change facts 2. Agree to give up fashion, all lifts home & all holiday flights 3. Even if she did both 1 & 2, I still wouldn’t let her bunk off school”.
She had to sneer at the Beeb’s coverage of pro-Brexit demonstrations, stating
“‘At least 30,000 people.’ Or, if it was the same size crowd at a pro-Brexit rally in a BBC report, ‘hundreds of people’”.
She then sneered at the people, who did attend, with this tweet
“There’s something about the people attending this #climatestrike by #BristolYS4C with #Greta that I can’t quite put my finger on… Gosh, now what *is* it? I wonder if [Jon Snow] or a BBC reporter could help out?” This was followed by “Nope, I still can’t work out what it is. It’s on the tip of my tongue but…”
This was accompanied by photos of the crowd. If she’s trying to imply that they were somewhat lacking in charisma or shoddily dressed or whatever, she’s seriously missed the mark. They don’t look like anything to me except severely normal people with their hoods and anoraks on getting soaked.
She then retweeted a piece by someone called Ben Pile, who completely denies the existence of global warming and who had attacked George Monbiot: “George invents victims of climate change in Bangladesh and Ethiopia … Both countries have in fact boomed over the last two decades”.
She then followed this by retweeting Darren Grimes, who was in turn responding to Guido Fawkes and their endorsement of the Global Warming Policy Foundation, which, you will not be surprised, also denies the existence of global warming. Grimes was moaning that, thanks to environmental concerns, Britain couldn’t build an additional airport even though with contribute less than 1% to global emissions.
The Sage of Crewe concludes of her rather mean-spirited behaviour
‘But seriously, this is a sad show of inconsiderate selfishness by someone who is regularly given a platform by major broadcasters. Just because Ms Hartley Dooda wants to carry on with her long-haul jollies doesn’t invalidate the scale of the climate crisis. And the only reason she seems concerned about the Coronavirus is because that, too, could prevent her jetting off to embark on another exhibition of conspicuous consumption.
Julia Hartley Dooda cares. But only about Herself Personally Now.’
In fact, the event seems to have been positively received by very many teachers and educationalists. Many of the group that organised it, a group of youth climate strike activists, came from Chew Valley school. Chew Valley is the name of one of the neighbouring villages outside the city. The school said that they had been given time off for the pupils to go. One of the girls involved, a 17-year old, was given an honorary doctorate by Bristol University for her work researching birds and working for their preservation. Another teacher, who was going with his pupils, said that they were incorporating the visit into the curriculum. This apparently covers the environment and ecology. Thunberg’s visit was also important to the citizenship part of the curriculum as well, because it is an example of the right to protest.
But as a right-wing Murdoch hack, Dooda doesn’t believe in global warming or cares about the environment, because doing so gets in the way of those all-important corporate profits. It’s an attitude obviously shared by Grimes and the Paul Staines’ collective. Pile pointing to Bangladesh and Ethiopia experiencing significant economic growth is, as Zelo Streets points out, a piece of misdirection. Climate change doesn’t necessarily prevent it. But it does mean a deterioration in the environment and living conditions for those countries hit by it. Bangladesh may well be experiencing a boom at the same time it’s threatened by rising sea levels.
As for organisations like the Global Warming Policy Foundation, they are very definitely in the minority. The vast majority of scientists believe that global warming is an established fact. Groups like the Foundation, on the other hand, tend to be the pet scientists set up and funded by big business in order to protect themselves and their profits. The Koch brothers set up a number of fake ‘astroturf’ right-wing grassroots organisations and research groups denying climate change, in order to protect their companies in the fossil fuel industry. I dare say the GWPF is a similar organisation, whose findings should be taken with the same scepticism given to the pronouncements of the various medical research groups funded by the tobacco industry, which told everyone that there was no link between ciggies and cancer.
And just looking through one of the secondhand bookshops in Cheltenham a few weeks ago, I came across an academic book about environmental decline and the effects of global warming. The information supporting its existence is out there, if Hartley-Brewer cares to look.
But she won’t. Because that might show her that unrestrained capitalism isn’t completely good and benign, and that she herself might have to change her behaviour to save the planet. Like stop jetting around to exclusive, exotic resorts to show how much wealthier she is than the rest of us.
Everybody in Bristol seems to have had a great time yesterday, despite Dooda’s determination to sneer at it all. I hope the world pays attention to them, than hacks like her. Which will not only annoy Dooda herself, but her master, Murdoch. And that, like fighting climate change, is itself a noble goal.
Here’s another one of my cartoons poking fun at the Tories. Boris Johnson prides himself on his education at Eton and knowledge of the classics. A few years ago he wrote a book and presented a series on the glories of the Roman empire. So the film that inspired this piece of pictorial satire is the grim ’70s epic, Caligula, about one of the maddest and nastiest of the Roman emperors. The face in the top right hand side is a mask of tragedy. The grimacing figure at the bottom is from a pottery model of an actor. As they both depict horror, loathing and disgust, they are very suitable expressions of Boris’ loathsome government.
How stupid and malign is Countdown numbers person Rachel Riley? This isn’t an academic question. As a fervent supporter of Israel, she has joined the rest of that lobby in Britain in libeling and smearing entirely innocent and decent people as anti-Semites, simply because they have made the mildest criticisms of Israel and its brutal and murderous policies towards the indigenous Palestinians. Now it seems she has surpassed herself. She has libeled the children’s Poet Laureate and Holocaust educator Michael Rosen as an anti-Semite and Holocaust denier just two months after he published a book about the relatives he lost in the Shoah.
Riley was following other stalwart defenders of Israel’s to impose apartheid and ethnic cleansing, who were angered at Mr Rosen and the left-wing film-maker, Ken Loach, joining the anti-racism movement, Show Racism the Red Card, as judges for a schools competition this year. The two are due to select the most inspiring and creative designs created by young people on the subject of anti-racism. SRTRC’s chief executive, Ged Gebby, said they were both valued supporters of the organisation, and they were delighted to have them. They couldn’t think of two better people to have choosing the winners.
This was too much for the Zionist fanatics and smear merchants. One supposedly genuine hack, Sarah Ebner, responded on Twitter with
“Wow. Interesting choices to say the least.I can’t understand why you would pick people who have had such problematic relationships with many in the Jewish community. There must be other possible judges out there. Racism AND Antisemitism both need to be ‘shown the red card’”
Rosen responded with a series of sharp tweets putting Ebner right:
“Can you tell me why I’m not suitable to judge a poetry competition about racism in football? Are you aware of what this looks like? Dubbing me as someone who has ‘a problematic relationship with many in the Jewish community’? What is ‘problematic’? Who are the ‘many’? What ‘relationship’? Who decides? Do you think your innuendo has any legal implications?”
“Along with HistoryWorks Cambridge I worked with 5000 school students and teachers on Holocaust Education last month. ‘Problematic’? Does it make me not suitable to judge a children’s poetry competition on racism and football?”
Another Tweeter, Roger Jarman, queried Ebner’s division of Britain’s Jewish community into ‘good’ and ‘bad’:
“And what is the ‘Jewish community’? Do all those who self identify as Jewish or are of Jewish heritage share common interests, views and ambitions? Or perhaps there is a smaller group of ‘good Jews’ with whom the ‘not so good Jews’ relate? And who decides who is ‘good’?”
Other Tweeters joined in, but unfortunately Ebner carried on sneering despite some of them telling her to stop digging.
Meanwhile, the head of policy at the Community Security Trust, Dave Rich, attacked Ken Loach. Loach, he claimed, had said
antisemitism is an “understandable” reaction to Israel’s actions; whether the Holocaust happened “is there for us all to discuss”; antisemitism in Labour is “exaggerated or false”; & complained about “the generalised sense of guilt that everyone has about the Jews”.
Um, no. This was more of what the Israel lobby does. They take quotes out of context and twist them in order to misrepresent staunch anti-racists and opponents of anti-Semitism. Magpie Ranger on Twitter by linking to a piece in the Graoniad by Loach responding to attacks on him by Jonathan Freedland and other Zionist hacks in that paper. This was titled ‘Ken Loach: I give no legitimacy to Holocaust denial’ and began
‘The Holocaust is as real a historical event as the second world war itself, and it is contemptible to imply that I have anything in common with people like David Irving, writes Ken Loach.’
And then Rachel Riley decided to put her oar in, and tweeted.
‘The supposed anti-racism football charity #ShowRacismTheRedCard yet again unashamedly promotes deniers/proponents of anti-Jewish racism.
I hope schools don’t touch this.’
This got a very swift response from the left-wing Jewish group, Jewdas and other Tweeters. One of the Jewish group’s Tweets was
‘Personally its not something we’d do but if you were planning on accusing a beloved childrens’ poet of Holocaust Denial, best not to do it DAYS after he releases a book about losing family in the Shoah.’
Quite. Because on 12th December, Mr Rosen published a book, The Missing, about his relatives who murdered in the Holocaust. He was particularly moved to write it by the fate of his grand-uncles, Oscar and Martin, who existed before the Second World War, but vanished during it. Rosen was interviewed by the Torygraph about his book, and said that he ‘was face to face with one of the most virulent forms of anti-Semitism’. Mr Rosen has also appeared before parliament to give information on the Holocaust as well not so long ago. It was while doing so that he managed to upset former Labour MP, Ian Austin, by putting him right about British involvement during the War. Austin thought that Britain stood alone. Rosen corrected him, stating quite rightly that we had the support of the Empire – Canada, India, the Caribbean, our African colonies, Australia and New Zealand. This was too much for Austin, who got shirty with him. But Rosen was quite right, and if we hadn’t had these nations’ support, we would have fallen to the Nazis in very short order like the other European nations.
Riley has since deleted her tweet, possibly realising, as Mike pointed out, that she had gone too far and that Mr Rosen, unlike most of her victims, actually has the money to spend on taking Riley to court. But the damage has been done. Unfortunately some people have been taken in by Riley, and really do believe that Mr Rosen is an anti-Semite, who denies the Holocaust.
Mike, however, has pointed out that there is a court case that could stop her making this false and libelous claims. These are the case he is fighting against her. She is suing him for libel because Mike dared on his blog to stand up for a girl Riley was bullying and had accused of anti-Semitism. Mike is fighting this false and malign accusation, but that requires money, and so Mike is once again asking for his supporters to dig into their pockets.
He writes
So allow me to repeat my appeal: if you want to see an end to this nonsense from a so-called TV celebrity who should know better, please support the CrowdJustice appeal for the funds I need to bring the case against me to court and to defeat her claims.
Such a loss would be a serious financial – and personal – setback for her. It is unlikely that Ms Riley would be able to present such questionable views to the public afterwards and expect a sympathetic reception.
And concludes
This is a witch-hunt. It will continue as long as privileged people like Ms Riley are allowed to go unchallenged when they attack people, simply for having views that she doesn’t like.
Riley and the rest of the Israel lobby despise Rosen and Loach because they are determined anti-racists, who have supported Jeremy Corbyn and criticised the witch hunt against him and his supporters. Loach also directed a play or a film some time again, which attacked Israel’s murderous oppression of the Palestinians.
As for the Community Security Trust, this is a volunteer police force that was set up to protect Jewish sites, like synagogues and cemeteries. They are supposed to be trained by Mossad members, and act as stewards for Zionist rallies. They have acted violently towards peaceful demonstrators, breaking apart and separating Jewish and Muslim demonstrators and assaulting them. In one instance, one of their thugs punched an elderly rabbi. But for some reason the government still thinks this bunch of paramilitary squadristi are an acceptable partner for the police force in defending the Jewish community.
Even when they are the people attacking Jews and their friends and supporters.
The ‘Viewpoint’ column in next week’s Radio Times, for the 8th to 14th February 2020, contains an article by Maggie Brown, ‘Saving Thatcher’s baby’, about the problems confronting Channel 4. It begins
In 2020, Channel 4 is facing a number of challenges. Its staff are scattered to the winds, Channel 4 News is under attack from the Government, and the threat of privatisation looms. Is the pioneering broadcaster, which was launched in 1982 by Margaret Thatcher, facing an endgame?
She then describes how the broadcaster has moved its headquarters out of London and into Leeds, with hubs in Glasgow and Bristol with more programmes filmed in the regions, such as Manchester and Wales, and changes to the broadcasting schedules with the introduction of new programmes. One of these will be Taskmaster, taken from the Dave digital channel. Brown comments that the programme’s acquisition by Channel 4 is an attempt to boost audiences, but is also ‘a symptom of the tricky compromises and tightrope that C4 has to walk.’ She continues
It is a public service broadcaster “funded by advertising, owned by you”. It must also rally support as an alternative public service broadcaster to the BBC in the face of a hostile Conservative government that is needled by its mischievous independence and most recent mockery (that melting ice sculpture after Boris Johnson failed to show up for a climate change debate).
But relations with Conservative governments have always been tense, with liberal Channel 4 News and tough current affairs programmes such as Dispatches the lightning conductors. After the climate change debate last November, privatisation was immediately threatened again: a knee-jerk response.
She ends the piece by stating that the broadcaster’s business team will remain in London. She sees this as an indication that the broadcaster will not only confound the pessimist’s predictions of its impending demise, but will actually thrive. The business team have the Thatcherite values of self-reliance, and it’s this quality that will allow the broadcaster not only to survive but flourish.
Hm. Possibly. My own feeling is that if Channel 4’s business team manages to save the broadcaster, it won’t be because of an nebulous ethos of ‘self-reliance’, but because it will reflect the views and demands of metropolitan business. The same businesses that fund the Tory party.
She is, however, right about the Tories having a persistent distrust of the broadcaster. Thatcher set Channel 4 up in order to be an alternative to BBC 2. It was to serve communities that the Beeb channel didn’t, like ethnic minorities. It was also to excel in news coverage, as well as alternative arts and sports. By the latter, Denis Thatcher actually meant yachting. What that meant in practice was that the programme broadcast opera, as well as Indian cinema, a serial of the Hindu epic, the Mahabharata, a history of the madrigal, the pop show, The Tube, and a variety of comedy shows. These included Who Dares Wins, a sketch show whose cast include Rory McGrath and Tony Robinson, the classic satirical puppet show, Spitting Image, and Desmond’s, which was set in a Black barbers, and launched a wave of Black comedian in Britain. It also had a history of Africa presented by the White afro-centric historian, Basil Davidson, and a news programme about the continent with Black presenters and reporters. It also showed Max Headroom, which consisted of pop videos hosted by the eponymous Max, the world’s first computer-generated video jockey. Offsetting all the highbrow stuff were sexually explicit films and programmes, which was the closest teenage schoolchildren could get to viewing porn before the internet. It was the sexually explicit stuff that particularly annoyed the Daily Mail, who branded the broadcaster’s controller at the time, Michael Grade, ‘Britain’s pornographer in chief’. The Channel responded to this by broadcasting programmes for gays and lesbians. Amid the furore, one of the most sensible comments was made by the archdeacon of York. When they asked the good churchman what his view of the broadcaster showing a series about lesbians, he replied, ‘Well, who’s going to watch that if there’s Clint Eastwood on the other?’ Quite. Now I understand that one of the channels is bringing back The ‘L’ Word, a lesbian soap opera first shown at the beginning of this century. Quite apart from Channel 4’s own gay soap opera, Queer As Folk.
Private Eye seemed to regard Channel 4 back then as condescending and pretentious. Its literary reviewer sharply criticised a book by its then chief, Jeremy Isaacs, because he made it plain he wanted to bring the British public material like miner’s oral history and so on. When people complained that people didn’t want some of this, Isaacs replied that they had latent needs, needs they didn’t know they had, until someone showed them the material they’d been missing. It was this comment that particularly aroused the reviewer’s ire. But Isaac’s was right. Sometimes you don’t know if there’s a demand for a subject, until you offer people the chance of trying it. And Channel 4 really tried to expand, create and satisfy a market for culture. Oliver Letwin, the former sketchwriter for the Daily Mail and now the Times, actually praised the broadcaster for this in his book, Bog Standard Britain. The broadcaster’s programming always hit and miss. Amid the good stuff there was also much material that was rubbish. And while it had the reputation as rather left-wing, it also carried a programme of political discussion for Conservatives, Right Talk. On the other hand, its opera performances actually managed to reach a decently sized audience, showing that ordinary Brits wanted and would watch highbrow culture.
Its average audience, however, was tiny, and there was pressure on the broadcaster, like the Beeb, to produce more popular programmes to give the British public value for money. Hence the channel became much more mainstream in the 1990s. Its audience grew as expected, but the country lost out as the channel no longer tried to expand the public’s minds and tastes as it once had. And as I said, this was lamented by Letwin, among others, a supporter of the very party that had spent so much time decrying and criticising the channel for being too daring and alternative.
If I remember correctly, the Tories have privatised the channel before. There have been at least two part-privatisations, where the government has sold off some of its share in it. One was under Thatcher, when she was privatising everything. I think the other may have been under Major, who continued her programme. I have a feeling that the second privatisation may have been a cynical move by the Tories to try and work up some enthusiasm for the government. It was announced with the fanfare the Tories usually gave the privatisations, presenting them as some kind of exciting generous opportunity granted to Britain’s workers. Thatcher was trying to create a shareholder democracy, where ordinary people would own shares as participants in capitalism. That’s all died the death a long time ago. The shares given to the workers in the privatised industries have all been sold on, and are now in the hands of a few big businessmen. The council houses she sold off have been bought by private housing associations for profit, and there’s now a housing shortage. And the privatisations were never as popular as the Tories tried to make us all believe to begin with. Support for them, according to polls done at the time, never rose about fifty per cent.
Channel 4 news has a reputation for excellence. Which is undoubtedly why the Tories now despise it and are discussing privatisation again. Britain’s publicly owned broadcasters are under threat because they are obstacles to Murdoch, the Americans and the British private broadcasters, who fund the Tories, dominating British television. They also despise them because they’re supposed to be impartial, unlike the private networks, which would be free to have whatever bias their proprietors chose. And besides, as this week’s attempts to dictate to the media, who could and could not attend BoJob’s precious lobby briefings shows, the Tories want to impose ever more restrictive controls over the media. The end result of that process, if it goes on is, is the rigorous, authoritarian censorship of totalitarianism.
I dare say that if the Tories do go ahead and privatise the Beeb and/or Channel 4, it’ll be presented as some kind of great liberalisation. The British public will be freed from having to support them, and they will have to take their chances in the market place, according to the tenets of Thatcherism. But if that happens, public service broadcasting will have been destroyed along with what should have been cornerstones of media impartiality.
But considering how relentless biased the Beeb has been against Labour and in favour of the Tories, their news desk has done much to destroy that already.
