Archive for the ‘Archaeology’ Category

Archaeologists Find More Skulls in Aztec Tower in Mexico City.

December 15, 2020

Yesterday’s I for the 14th December 2020 also carried the news that archaeologists had discovered even more skulls, which formed part of a tower built with the remains of the heads of victims sacrificed to the Aztec god Huitzilopochtli. The article on page 33, titled ‘Tower of skulls found at Aztec dig’, runs

Dozen more skulls have been found by archaeologists digging at an Aztec temple beneath the centre of Mexico City.

The 119 skulls made up part of a tower of heads of sacrificed humans kept as a trophy by the pre-Columbian civilisation. A five-year dig beneath old buildings near the city’s Templo Mayor ruins has so far revealed 603 skulls.

The latest are thought to be part of a skull rack from a temple dedicated to teh Aztec god of the sun, war and human sacrifice. Known as the Huey Tzompantli, it stood on the corner of the chapel of Huitzilophchtli, the patron of the Aztec capital, Tenochtitlan. The Aztecs dominated large parts of central Mexico from the 14th to the 16th centuries.

Their empire was overthrown by invaders led by the Spanish conquistador, Hernan Cortes, who captured Tenochtitlan in 1521.

The piece included this photo showing the skulls encased in the tower’s walls.

The Aztecs were one of the world’s great civilisations, no question, and its destruction by the Conquistadors and the decimation of the Amerindian peoples by slavery and disease is one of the great crimes of western imperialism. But they were aggressive, warlike and cruel. They believed that the sun god, Tezcatlipochtl, depended on a constant supply of human blood to sustain him. Hence, while other peoples made treaties with their neighbours trying to make peace, the Aztecs did the opposite. They made a treaty with two of their neighbouring civilisations for perpetual war in order to supply the sacrificial victims their religion required. Their architecture reflected the bloodthirstiness of their religion. Some of their great buildings have carvings of the flayed skins of their enemies, which were hung on poles and worn by the priests. So horrific are some of their monuments, that when the British Museum held a special exhibition on them, ‘Empire of Blood’ a few years ago, the Independent’s arts journo, Philip Hensher, compared them to Auschwitz and said he wanted nothing to do with it. It sounds like an overreaction, but as I’ve hard it said that about 30,000 people a year were sacrificed in their temples, and that these deaths were celebrated in their architecture and sculpture, which Hensher also found unattractive, describing it as ‘blocky’, you can see his point. Some western archaeologists have also said that the destruction of their religion was no loss to humanity. I was reading a book on the archaeology of death around the world, and the author described the horrors of the Aztec sacrificial cult. He said very clearly that no matter how bad Christianity was, it was far better than the religion it replaced.

Herod’s Throne Room Found By Archaeologists in Jordan

December 15, 2020

Yesterday’s edition of the I for Monday, 14th December, carried a couple of interesting pieces of archaeological news. The first was a snippet on page 2, ‘Bible ‘throne room’ found in excavation. This ran

The throne-room where Biblical character Salome is said to have danced before the kind and demanded the head of John the Baptist has been discovered at the Dead Sea fortress at Machaerus in Jordan, archaeologists report. The excavations are being done by a Hungarian team of experts.

Herod was cruel and sadistic. Not only did he kill all the boys in Bethlehem, according to the Bible, fearing that one of them would be Jesus, the future king who might take his throne from him, but he was responsible for any number of other atrocities. He had several of his own sons killed as well as his wife, according to the Jewish historian Flavius Josephus. He later regretted this, and had her embalmed with honey. He talked to her corpse and is even supposed to have had sex with it. He died of a disease of his lower quarters, which gave him great pain and which doctors have now diagnosed as genital gangrene. However, he was also a great builder, rebuilding Solomon’s Temple in Jerusalem as well as a number of other great buildings. He was also an ally of Rome. John the Baptist was imprisoned and bitterly hated by Herod’s wife, because she had originally been married to one of the king’s brothers. She’d left him to run off with the despot, in contravention of Jewish law. John had denounced the two for it, and so been arrested and thrown into prison. The Bible states that Salome was put up to asking for the Baptist’s head by her mother when she danced at a feast held by her father. This impressed him so much, that he offered to grant her anything she wanted. So her mother told her to demand John’s death. Herod was reluctant, but couldn’t back down in front of his guests. And so Christ’s herald was executed.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

December 14, 2020

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.

Time Team Creator Tim Taylor Attempting to Bring Back Show through Patreon on YouTube

December 14, 2020

Remember Time Team? That was the popular archaeology show on Channel 4 that ran from the late 1980s to the early part of this century. Presented by Tony Robinson, who played Baldrick in the Blackadder series, the show broadcast each week a short archaeological investigation of a different site. These investigations only lasted three days and attempted to solve a particular historical or archaeological. It would begin with the questions raised by the site they were excavating that week. Was it really the location for a Roman villa, lost Norman castle, or medieval manor house, for example? Robinson would lay out what has been found so far, stating what they hoped to find and saying a bit more about the excavation and who would be taking part, before finishing, ‘And, as usual, we’ve got three days to find out’.

It was immensely popular, at least for Channel 4 shows and archaeology programmes. It spawned a number of tie-in book and publications. Some of the programmes were written up as pamphlets in a series of Time Team Site Reports. In the spring/summer of 2004 or 5 the show also embarked on their Big Dig. This was a piece of mass archaeology involving the general public. The goal was to get the British public digging test pits up and down the country in their back gardens or other premises, and see what they found. And the British public joined in with enthusiasm. Some of the excavations were carried out, not just by the fit and able, but also by people with learning difficulties and/or physical disabilities. It was part of the show’s ethos to get everyone involved. They were also keen to demonstrate that archaeology wasn’t just about the rich, kings, princes and the nobility, but also about ordinary people. Hence there were a number of shows devoted to excavating industrial sites, such as a very early, pioneering factory in Birmingham dating from the industrial revolution. This was important not just for its role in the country’s industrialisation, but as a place where ordinary peeps worked. The Team also excavated further abroad. In one edition, they went to St. Kitt’s to dig on a former sugar plantation. This dated from the period of British transatlantic slavery. The show therefore discussed Caribbean plantation slavery and its horrors, and also excavated the site of the quarters of the estate’s enslaved workers. In another edition, Robinson also described the horrendous living condition of the urban working class in the 19th century, as recorded by the inspectors. This described people living in cellars mouldy with damp and with rags stuffed into the cracks in windows. One of these hovels also had a dead baby on the floor. He also described how factory owners would also purchase children from the workhouses to labour in the factories. Robinson’s a member of the Labour Party, and there was real anger in his voice when describing these horrors.

Time Team sort of fizzled out a few years after the death of one of its founders, Dr. Mick Aston, and a row over choice of presenters. One of the Team had been dropped, and replaced by a model. The new presenter had actually done a degree in archaeology, but this caused a nasty background argument. I believe the lady at the centre of row chivalrously offered to step down.

Now it seems the show might be coming back, though on YouTube rather than television. Tim Taylor, the show’s creator, posted a video on YouTube on the 11th December 2020 giving an update on how the attempts were progressing so far, and what remained to be done. The show’s being financed through subscriptions on Patreon, and the video’s partly an appeal for more people to join. The show also has its own Patreon Channel, on which videos will appear over the next few days of Helen Geake, Carenza Lewis and Phil Harding discussing the plans for Stage 1. They’ve started looking at sites and contacting key team members. Stages 2 & 3 will involve more research, site mapping on their new digital database, collecting key paperwork for each site, assembling potential experts, talking to local communities, and then creating a PD – Project Design, the archaeological strategy. They will also be auditioning new field archaeologists for Stage 3, with the possibility of a ‘dig off’. That will be when they really build the Team. They managed to get 1,000 patrons in 3 days, but in order to get Stages 2 & 3 underway they need to have 3,000 patrons by the end of January 2021. When 2 & 3 are complete, they’ll share the list of sites, so that people can choose which sites go forward to stage 4, where they visit those locations. Taylor states that the show depends on people supporting them on Patreon and appeals for more people to become members and patrons. He tells the viewers that they’re posting an old Time Team episode on their Time Team Classic YouTube channel on Sunday – yesterday, 13th December 2020. The show ends with a message of support from Robinson.

Time Team ANNOUNCEMENT Next steps and news from Tony Robinson! – YouTube

This is really interesting, and I’d like to see the show come back, but have mixed feelings about it. While the programme has been immensely influential and has doubtless got people interested in archaeology, it has not been without its detractors. The criticisms I’ve heard are that the Team never wrote up their findings and didn’t fill in the sites after they’d finished. This is only what I’ve heard, and so I couldn’t swear it was true, though I did hear about them not filling in their digs from two different sources. This has led to accusations that they have been trashing sites. That said, the Team were professional archaeologists with the exception of Tony Robinson, and some of the TV presenters brought in for the specials, such as Sandi Toksvig when they were digging up Viking York. She was obviously chosen because she’s Danish. They also had the support of some very senior British archaeologists, such as Francis Pyor, who was the head of one of one of the major British archaeological societies. Mick Aston, a founding member of the Team, was a lecturer at Bristol University, as was Dr. Mark Horton, who appeared on several of the shows before going off to front Coast. Raksha Dave, another member of the Team, has also subsequently appeared on various history/ archaeology shows. Although nothing is said about her ethnicity, Dave’s Asian, and I think her presence on the programmes wasn’t just due to her skills as an archaeologist, but also to try and widen the discipline’s appeal and include people from ethnic minorities. Like very many other academic subjects, there’s a concern in archaeology to recruit more people of colour. Mark Horton is particularly keen to see more people in general take up archaeology. When Bristol University launched its exhibition on the city’s involvement in the Slave Trade, ‘A Respectable Trade’, back in the ’90s the Uni also launched a scheme to interest young people, in which a prospective future archaeologist would be sent to work on an excavation in the Caribbean. Again, nothing was said, but it’s the kind of project, which I think they devised in the hope that it would appeal particularly to Black youngsters.

It’ll be very interesting to see if Taylor’s successful, and show comes back, if only YouTube. And there’s clearly a space there for more people from ethnic minorities to enter the subject and, perhaps, join the show as presenters.

Hopefully, if it does get off the ground, it will inspire more people, of all colours, to get involved in archaeology. The future’s yours, folks! Get those trowels ready!

Is the BBC Really Trying to Change the Name of the Anglo-Saxon Period Because They Think It’s Racist?

December 12, 2020

Simon Webb posted this video on his ‘History Debunked’ channel nearly three weeks ago, on the 23 November 2020. In it he discusses the BBC’s decision to stop calling the period between the departure of the Romans in 410 AD and the Norman Conquest of 1066 the ‘Anglo-Saxon period’ because the term is apparently perceived as racist. A BBC programme he was listening to on the radio referred to it as ‘the early medieval period’ and there is, or was, apparently, an article in the Corporation’s BBC History Magazine stating that there are moves to change it, as it deters Black people studying it because they associate ‘Anglo-Saxon’ with White supremacy. And in America there are moves to stop using the term altogether and simply refer to it as the early middle ages.

Webb takes this view that this is an attempt by the Beeb to rewrite the past so that it resembles the multicultural present. But he points out that his was the period when what had been Roman Britain was settled by Angles, Saxons and Jutes. ‘English’ comes from the word ‘Anglish’, for Angles, who also supplied the country’s name, England, from Engla Land, ‘Land of the Angles’. He states that this process of settlement is described in the last chapter of his book, Life in Roman London, published by the History Press, which is one of the few popular treatments of this subject. As for the term’s racial connotations, well, the Anglo-Saxons were White. Webb shakes his head in amazement at this attempt to rewrite history in the wake of the Black Lives Matter movement, and wonders where it will end.

The BBC wish to replace longstanding historical expressions – YouTube

I’m not sure what’s actually going on here. Historians have referred to the period between the Fall of the Roman Empire and the Norman Conquest for a long time as the early Middle Ages. It used to be referred to as the Dark Ages. Some older readers of this blog will no doubt remember Michael Wood’s great series, In Search of the Dark Ages, broadcast by the Beeb in the ’70s/’80s. However, historians and archaeologists have largely stopped calling the period that as more has been found out about it, and the period has increasingly seemed to be less dark. I think it might still be used for the couple of centuries after the departure of the Romans from Britain and the emergence of Anglo-Saxon England. Other terms used for those centuries are ‘Post-Roman’ and ‘Sub-Roman’. And the term ‘early Middle Ages’ of course makes perfect sense for the rest of Europe, which weren’t settled by the Anglo-Saxons, although northern Germany, the Netherlands and Jutland in Denmark were their ancestral homelands from which they migrated to Britain. The term also makes good sense for Ireland and the Celtic parts of modern Britain, Wales and Scotland. But in the context of English history, the period absolutely should be called the Anglo-Saxon period. That’s what the people, who founded and created England have been called following King Alfred himself. There were Black people seen in the British Isles and Ireland during this period. Round about the 8th-9th century or so the Vikings of Dublin brought in a shipload of ‘blamenn’ – blue, or Black men. I think the historian David Olusoga has also talked about the arrival of another shipload of Black people in Cumbria round about the same period. Medieval people certainly knew that Black people existed. They describe them as living in Africa and believed they had acquired their Black complexion through being burnt by the sun. But Black people in Europe at the time would have been very, very rare and the vast majority of the population would have been White. That’s not racism, but a simple statement of historical fact.

I’m afraid that racism has cast a very long shadow over this period ever since the Nazis. For many years I was a member of a Dark Age re-enactment society, Regia Anglorum. This tried to recreate the history of the British Isles round about 1066. While re-enactment in Britain is largely acceptable, except for World War II, or at least, the idiots who want to dress up as the SS, in Germany it’s regarded very much with loathing and contempt. This is because of the appropriation of the history and archaeology of the Teutonic tribes and the Vikings by the Nazis. The overtly Fascist fringe has done the same over here, harking back to the Celts and especially the Anglo-Saxons. As a result, some perfectly historical symbols were banned for very obvious reasons. Some of the pottery from migration period Anglo-Saxon graves is decorated with the Swastika, and you can find it on rock carvings in Scandinavia. But obviously no self-respecting re-enactor for the early middle ages is going to use it on their clothing or equipment because of the connections with Nazism. I can’t talk about re-enactment as a whole, as it’s a very large milieu and there were are large number of different groups, but the organisation I joined was very definitely non-racist and certainly had members from different ethnic groups. A number of the people in Regia when I was there, including some of its leading members, were Jewish. And their religion made absolutely no difference to anyone, whatsoever.

From what I can make out, there was little racism in Europe until after the Middle Ages. There was conflict between ethnic groups, states and nations, but little in the way of racism based on colour. From what I’ve read I think that modern racism really emerged through transatlantic slavery, although I think that the wars with darker skinned people, such as the Arabs and Moors during the Crusades and the Muslim conquest of the Balkans also played a part. The term ‘Anglo-Saxon’ in ‘Anglo-Saxon’ history, simply refers to a period. It has, or shouldn’t have, any connotations of racism or White supremacism.

This needs to be got across, assuming that some people genuinely feel that it is somehow racist and that this isn’t a misperception or exaggerated reaction by whoever makes these judgements after Black Lives Matter. But to stop calling that period of English history ‘Anglo-Saxon’ is in itself a falsification of history. It should go on being called the Anglo-Saxon period, but also made clear, if necessary, that it is an historical term, not one from any racial or racist ideology.

‘The Dig’: New Netflix Movie about the Discovery of the Sutton Hoo Anglo-Saxon Burial

December 12, 2020

I found this trailer on YouTube for a forthcoming movie from Netflix, The Dig. Starring Carey Mulligan and Ralph Fiennes, this about the excavation of the Sutton Hoo ship burial in 1939. The film’s description on the YouTube page runs

As WWII looms, a wealthy widow (Carey Mulligan) hires an amateur archaeologist (Ralph Fiennes) to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain’s past resonate in the face of its uncertain future‎. THE DIG stars Carey Mulligan, Ralph Fiennes, Lily James, Johnny Flynn, Ben Chaplin, and Ken Scott. In Select Theaters January 15 and on Netflix January 29.

THE DIG starring Carey Mulligan and Ralph Fiennes | Official Trailer | Netflix – YouTube

The Sutton Hoo ship burial is one of the most iconic archaeological remains of Anglo-Saxon England. One of the objects found in the grave is the richly decorated helmet, which is now one of the most famous of the objects and monuments left from that period of British history, and which has been reproduced on the covers of countless books, magazine and newspaper articles about the Anglo-Saxons.

One of the books about the dig and its magnificent finds is Angela Care Evans’ The Sutton Hoo Ship Burial (London: British Museum Publications 1986).

The blurb for this runs:

The summer of 1939 saw one of the most exciting archaeological finds ever dug from British soil, an undisturbed Anglo-Saxon ship burial at Sutton Hoo, near Woodbridge in Suffolk. The ship, nearly 30m long, had been dragged uphill from the estuary of the river Deben to a royal gravefield and buried beneath a large circular mound. Amidships in a textile-hung chamber a sumptuous burial was laid out, unique in its glittering wealth of jewellery and unrivalled in the variety of objects that had been selected to represent every facet of the dead man’s life. Gold and garnet jewellery, silver from the Eastern Mediterranean, drinking vessels with silver gilt fittings, a magnificent helmet and parade shield, a lyre and a sceptre were amongst the spectacular finds excavated in two hectic weeks just before the outbreak of the Second World War.

Although no remains of a body survived and no personal possessions were found, the gold and garnet regalia alone implied that the burial was that of a kind. But his identity remained elusive until modern research resulted in a date of 625/30 for the latest of a collection of small gold coins found n the ship, suggesting that it may have been the grave of Raedwald, king of East Anglia, who died in 624/5.

In this new survey, the excavation of the ship and its contents are described and illustrated and the results of many years’ research at the British Museum are summarised. Angela Care Evans also brings the story right up to date, outlining current work at Sutton Hoo and the prospects for future discoveries.

The book has the following chapters, beginning with an introduction:

  1. The Early Excavations, divided into the following sections
  1. The Sutton Hoo gravefield.
  2. The first three mounds, 1938.
  3. The great discovery, 1939
  4. The ship.

2. The Ship Burial and its Treasures.

5. The burial chamber

6. Warrior king.

7. Mediterranean silver.

8. Feasting in the great hall.

9. Symbols of power.

3. Modern Times

10. Treasure Trove?

11. Restoration work.

12. Excavations 1965-70

13. The kingdom of East Anglia

14 Dating the ship burial

15. Sutton Hoo: poetry and style

16. Sutton Hoo today.

This is followed by a diagram of the East Anglian kings and their relationship to each other, a bibliography and an index.

The film looks really good, a factual depiction of a real archaeological excavation, rather than Fantasy or Horror. It’s very much the kind of period drama that Channel 4 Films used to make at one point. However, I don’t think very many people will get the chance to see it. Its cinema release is confined to a few, selected theatres and there is the continuing problem of the restrictions imposed by the new Covid wave. And then it’s on Netflix, which means that only those with that streaming service will get to see it. Which means that it’s probably only going to be seen by a very few people. But perhaps we can look forward to it appearing later on one of the terrestrial or larger cable channels, like Channel 4, Yesterday or History.

A Trlingual Dictionary of an Ancient Arabic Language

December 11, 2020

A.F.L. Beeston, M.A. Ghul, W.W. Muller, J. Ryckmans, Sabaic Dictionary (English-French-Arabic)/ Dictionnaire Sabeen (anglais-francaise-arabe) (Beyrouth: Lbrairie du Liban; Louvain-la-Neuve: Editions Peeters; University of Sanaa, Yemen, 1982).

Sabaic is the ancient Arabic language of Sheba, whose present, Arabic name is, I believe, Marib. It’s located in what is now Yemen, and its Queen famously visited King Solomon. Fabulously wealthy, it flourished in the 10th century BC on the profits of the spice and perfume trades, and conquered Abyssinia, now Ethiopia. The Ethiopian languages Amharic, Tigray and Tigrina are Semitic languages descended from the South Arabic language spoken by these ancient settlers.

The book’s the product of a Colloquium on Yemeni Civilisation, which requested the four authors to compile this dictionary. It appears to be of the terms found on inscriptions in the Yemen, and possibly one or two other places. It is just a dictionary, and doesn’t include any texts or inscriptions although it does give the alphabet in which they were written. I picked it up really as a curiosity in one of the secondhand bookstalls in Bristol through my interest in archaeology and the Ancient Near East. The book’s really of use only to archaeologists, linguists and historians working in Yemen, and it’s another language that I haven’t learned. Nevertheless it’s a reminder of just how ancient and advanced civilisation has been in the Middle East. I don’t know if there are any books specifically on the archaeology of Yemen, but I found a book a few years ago on the archaeology of Arabia, which I think contained a chapter or two on Yemen.

And these nations’ antiquities are seriously threatened by the region’s wars. When I was doing the doctorate at Bristol Uni, one of the speakers at an archaeological seminar said that much of the archaeological heritage of Syria had been trashed by the fighting. We’ve seen ISIS destroy precious mosques, churches and other shrines, as well as an ancient sculptures from the ancient Mesopotamian civilisations like Babylon and Akkad. It therefore wouldn’t surprise me one bit if Yemen’s archaeological heritage, including that of an Sheba, isn’t also seriously endangered and damaged by the current war between the Houthis and Saudi Arabia. And I am afraid that Iran’s similarly ancient and precious archaeological heritage won’t also suffer catastrophic losses if Trump and the Neocons have their way and launch an invasion of that country.

We need to stop these wars, because the cost in human lives and to the nations’ cultural heritage has been immense. Hundreds of thousands have been killed, millions forced to flee and priceless objects and monuments destroyed. And so our knowledge of the past is diminished.

But books like this help preserve and stimulate an interest in the preservation and exploration of these ancient treasures, if only among those few scholars able to read the ancient languages.

The ‘Empire Files’ on the Plot to Attack Iran

December 4, 2020

This is an excellent little video that explains Trump’s and the US state and military’s hostility to Iran and the real reasons behind the latest attacks. This ultimately goes back to western imperial control over the country’s oil industry. From 1908 until 1951 the Iranian oil industry was owned and controlled by a British company, Anglo-Persian Oil, now BP. It was nationalised by the democratically elected Iranian Prime Minister, Mohammed Mossadeq, who was consequently overthrown in a CIA-backed coup. The Shah was installed as an absolute monarch, ruling by terror through the secret police, SAVAK. Which the CIA also helped to set up.

Causes of American Hostility

The Shah’s oppression was eventually too much, and he was overthrown in the Islamic Revolution of 1979, and the American state has resented the country ever since. Iran and Israel were America’s bulldogs in the Middle East, so the US lost an important locus of influence in the region. Iran is now politically independent, and is one of the leaders of the group of non-aligned nations. This was set up for countries that did not wish to align themselves either with America or the Soviet Union, but after the Fall of Communism is now simply for nations not aligned with America. America is also unable to control what Iran does with its own oil, from which American companies are excluded from profiting. Another major cause for America’s hostility may be that Iran and Syria are obstacles to Israel’s territorial expansion and the creation of a greater Israel.

Trump’s Attacks on Iran

The Empire Files is a Tele Sur show dedicated to exposing the horrors and crimes of American imperialism. Presented by Abby Martin, it was originally on RT. In this edition, she talks to Dan Kovalik, a human rights lawyer and author of the book The Plot to Attack Iran. The show was originally broadcast in January this year, 2020, when there had been a series of incidents, including Trump’s assassination of the Iranian general, Soleimani, which many feared would bring about a possible war. As tensions and reprisals increased, many Americans also took to the streets to protest against a possible war. The tensions had begun when Trump unilaterally reneged on an agreement with the Iranians over the enrichment of nuclear materials. Barack Obama had made this agreement with the Iranians, in which they pledged only to enrich it to levels suitable for civilian use but not for the creation of weapons. In return, Obama had agreed to lift the sanctions imposed on them. The Iranians had kept to their side of the agreement, but Trump had abandoned it because he wanted to impose further conditions containing Iran. For their part, it had been a year before the Iranians had reacted to the agreement’s failure. The EU had been keen to keep the agreement, despite American withdrawal, but now were unable or unwilling to do so. Kovalik states that Iran doesn’t want nukes. In the 1950s America and General Electric were helping the country set up nuclear power for electricity production. The Ayatollah Khomeini also issued a fatwa against nuclear weapons, condemning them as ‘unIslamic’. The claim that Iran is now a threat to America is based on intelligence, which claims in turn that Iran had a list of American targets in Syria. As a result American troops, ships, missiles and planes were moved to the Gulf. It was also claimed that the Iranians had attacked three civilian ships. Some of these are very dubious. One of the attacked vessels was Japanese, and the ship’s owners deny that any attack occurred. The attack also makes no sense as at the time it was supposed to have happened, the Japanese and Iranians were in negotiations to reduce tensions. Kovalik states here how devastating any war with Iran is likely to be. According to retired General Williamson, a war with Iran would be ten times more expensive in financial cost and lives than the Iraq War. It also has the potential to become a world war, as Russia and China are also dependent on Iranian oil.

Iran Potential Ally, Not Threat

Trump has also re-imposed sanctions on Iran at their previous level before the nuclear agreement. As a result, the Iranians are unable to sell their oil. They are thus unable to buy imported foodstuffs or medicines, or the raw materials to manufacture medicines, which is naturally causing great hardship. Kovalik and Martin are also very clear that Iran doesn’t pose a threat to America. It doesn’t pose a threat to American civilians, and the country was actually a partner with the US in the War on Terror. Well, that was until George W. declared them to be an ‘axis of evil’ along with North Korea and Saddam Hussein. This disappointed the Iranians, whom Martin and Kovalik consider may be potential allies. America wishes to overthrow the current regime because the 1979 Revolution showed countries could defy America and topple a ruler imposed by the US. Although America may resent the country’s freedom to do what it wishes with its oil, the US doesn’t actually need it. America is an exporter of oil, and so one goal of US foreign policy may simply be to wreck independent oil-producing nations, like Iran, Libya and Venezuela, in order to remove them as competition.

The programme also attacks the claims that Iran is a supporter of terrorism. This is hypocritical, as 73 per cent of the world’s dictatorships are supported by the US. This includes the absolute monarchy of Saudi Arabia, which in turn supports al-Qaeda and ISIS. Iran does support Hizbollah in Lebanon and Hamas in Palestine, but most political analysts don’t consider them terrorist organisations. They’re elected. The American state really objects to Iran having influence in its own region, but it is the Iranians here who are under threat. They are encircled by countries allied with the US.

Iran anti-Israel, Not Anti-Semitic Country

Kovalik also personally visited Iran in 2017, and he goes on to dispel some misconceptions about the country. Such as that it’s particularly backward and its people personally hostile to Americans. In fact Iran has the largest state-supported condom factory in the Middle East. Alcohol’s banned, but everyone has it. The country also prides itself on being a pluralist society with minorities of Jews, Armenian Christians and Zoroastrians, the country’s ancient religion. And contrary to the claims of Israel and the American right, it’s got the second largest Jewish population in the Middle East outside Israel, and Jews are actually well treated. Kovalik describes meeting a Jewish shopkeeper while visiting the bazaar in Isfahan. He noticed the man was wearing a yarmulka, the Jewish skullcap, and went up to talk to him. In answer to his inquiries, the man told him he was Jewish, and didn’t want to leave Iran. He also told Kovalik that there was a synagogue, and led him a mile up the road to see it. Despite the regime’s genocidal rhetoric, when polled most Iranian Jews said they wish to stay in Iran. There’s a Jewish-run hospital in Tehran, which receives funding from the government. After the Revolution, the Ayatollah also issued a fatwa demanding the Jews be protected. The status of women is also good. Education, including female education, is valued and women are active in all sectors of the economy, including science.

Large Social Safety Net

And the Iranian people are actually open and welcoming to Americans. Martin describes how, when she was there, she saw John Stuart of the Daily Show. The people not only knew who he was, but were delighted he was there. Kovalik agrees that the people actually love Americans, and that if you meet them and they have some English, they’ll try to speak it to show you they can. Martin and Kovalik make the point that Iran is like many other nations, including those of South America, who are able to distinguish between enemy governments and their peoples. They consider America unique in that Americans are unable to do this. Kovalik believes that it comes from American exceptionalism. America is uniquely just and democratic, and so has the right to impose itself and rule the globe. Other countries don’t have this attitude. They’re just happy to be left alone. But America and its citizens believe it, and so get pulled into supporting one war after another. They also make the point the point that Iran has a large social safety net. The mullahs take seriously the view that Islamic values demand supporting the poor. Women enjoy maternity leave, medicine is largely free and food is provided to people, who are unable to obtain it themselves. In this respect, Iran is superior to America. Kovalik states that while he was in Iran, he never saw the depths of poverty that he saw in U.S. cities like Los Angeles. These are supposed to be First World cities, but parts of America increasingly resemble the Third World. He admits, however, that the US-imposed sanctions are making it difficult for the Iranians to take care of people.

British Imperialism and Oil

The programme then turns to the country and its history. It states that it has never been overrun, and has a history going back 4,000 years. As a result, the country has preserved a wealth of monuments and antiquities, in contrast to many of the other, surrounding countries, where they have been destroyed by the US and Britain. Iran was never a formal part of the British empire, but it was dominated by us. Oil was first discovered there in 1908, and Britain moved quickly to acquire it for its own military. The oil company set up favoured British workers and managers, and the profits went to Britain. This was bitterly resented at a time when 90 per cent of the Iranian population was grindingly poor. People wore rags, and some oil workers actually slept in the oil fields. Conditions reached a nadir from 1917-1919 when Britain contributed to a famine that killed 8-10 million people. Those, who know about it, consider it one of the worst genocides.

The Iranian oil industry was nationalised by Mossadeq, who gained power as part of the decolonisation movement sweeping the subject territories of the former empires. Mossadeq offered Britain compensation, but no deal was made before he was overthrown in a CIA-backed coup. Details of the coup came to light a few years ago with the publication of official records. It was the first such coup undertaken by the intelligence agency, but it set the rules and strategy for subsequent operations against other nations.

CIA Coup

The CIA paid protesters to demonstrate against the government, and they were particularly keen that these were violent. They wished to provoke Mossadeq into clamping down on the protests, which they could then use as a pretext for overthrowing him. But Mossadeq was actually a mild individual, who didn’t want to use excessive force. He was only convinced to do so when the CIA turned the Iranian tradition of hospitality against him. They told him Americans were being attacked. Mossadeq was so mortified that this should happen in his country, that he promptly did what the CIA had been preparing for. The Shah was reinstalled as Iran’s absolute monarch with General Zadegi as the new prime minister. Zadegi got the job because he was extremely anti-Communist. In fact, he’d been a Nazi collaborator during the War. After the restoration of the Shah in 1953, there were some Nazi-like pageants in Tehran. The CIA assisted in the creation of SAVAK, the Shah’s brutal secret police. They gave them torture techniques, which had been learned in turn from the Nazis. By 1979, thanks to SAVAK, Amnesty International and other organisations had claimed Iran was the worst human rights abuser in the world.

Reagan, the Hostage Crisis and Iran-Contra

The attack on the left meant that it was the Islamicists, who became the leaders of the Revolution as revolutionary organisation could only be done in the mosques. The left also played a role, particularly in the organisation of the workers. The pair also discuss the hostage crisis. This was when a group of students took the staff at the American embassy hostage, although the regime also took responsibility for it later. This was in response to the Americans inviting the Shah to come for medical treatment. The last time the Shah had done this had been in the 1950s before the coup. The hostage-takers released the women and non-Whites, keeping only the White men. The crisis was also manipulated by Ronald Reagan and the Republicans. They undercut Jimmy Carter’s attempts to free the hostages by persuading the Iranians to keep them until after the US election. America also funded and supplied arms to Saddam Hussein during the Iran-Iraq War, which left a million people dead. They also supplied arms to Iran. This was partly a way of gaining money for the Contras in Nicaragua, as the US Congress had twice stopped government funding to them. It was also partly to stop Saddam Hussein and Iraq becoming too powerful. Kovalik notes that even in the conduct of this war, the Iranians showed considerable restraint. They had inherited chemical weapons from the Shah, and the Iraqis were using gas. However, Khomeini had issued a fatwa against it and so Iranians didn’t use them.

The pair also observe that Trump is bringing back into his government the figures and officials, like John Bolton, who have been involved in previous attacks on Iran. This raises the possibility of war. Kovalik believes that Trump is a brinksman, which means that there is always the danger of someone calling his bluff. He believes that the American military doesn’t want war, but it’s still a possibility. The American public need to protest to stop Trump getting re-elected as a war president.

Stop War, But Leave Iranians to Change their Regime

This raises the question of how to oppose militarism and support progressive politics in Iran. Iranian Communists, the Tudeh are secular socialists, who hate the Islamicists. They state that it is up to them to overthrow the Islamic regime, not America or its government. They just want Americans to stop their country invading and destroying Iran. External pressure from foreign nations like America through sanctions and military threats actually only makes matters worse, as it allows the Islamic government to crack down on the secular opposition. However, Kovalik believes that the American government doesn’t want reform, but to turn Iran back into its puppet. The video finally ends with the slogan ‘No War on Iran’.

The Plot to Attack Iran – Myths, Oil & Revolution – YouTube

Readers of this blog will know exactly what I think about the Iranian regime. It is a brutal, oppressive theocracy. However, it is very clear that Iran is the wronged party. It has been the victim of western – British and US imperialism, and will be so again if the warmongers Trump has recruited have their way.

Events have moved on since this video was made, and despite Trump’s complaints and accusations of electoral fraud, it can’t really be doubted that he lost the US election. But it really does look like he means to start some kind of confrontation with Iran. And even with his departure from the White House, I don’t doubt that there will still be pressure from the Neocons all demanding more action against Iran, and telling us the same old lies. That Iran’s going to have nuclear weapons, and is going to attack Israel, or some such nonsense.

And if we go to war with Iran, it will be for western multinationals to destroy and loot another Middle Eastern country. The video is right about western oil companies wanting the regime overthrown because they can’t profit from its oil. Under Iranian law, foreign companies can’t buy up their industries. A few years ago Forbes was whining about how tyrannical and oppressive Iran was because of this rule. I think the Iranians are entirely justified, and wish our government did the same with our utilities. I think about 50 per cent of the country’s economy is owned or controlled by the state. Which is clearly another target for western companies wishing to grab a slice of them, just as they wanted to seize Iraqi state enterprises.

And at least in Iran medicines are largely free, and food is being provided to those who can’t obtain it themselves. They’ve got something like a welfare state. Ours is being destroyed. We now have millions forced to use food banks instead of the welfare state to stop themselves starving to death, and the Tories would dearly love to privatise the NHS and turn it into a private service financed through private health insurance. The Iraq invasion destroyed their health service. It also destroyed their secular state and the freedom of Iraqi women to work outside the home.

We’ve got absolutely no business doing this. It shouldn’t have been done to Iraq. Let’s make sure it doesn’t happen to Iran.

French Muslims Form Anti-Terrorist Group to Protect Cathedral

November 8, 2020

After the recent Islamist terrorist outrages following the Charlie Hebdo cartoons, here’s a much more positive piece of news. Yesterday’s I, for Saturday, 7th November 2020, carried a piece by Angela Charlton, ‘After Nice attack, Muslim group protects cathedral’ reporting that a French Muslim was so angered by the terrorist attacks in Nice that he got together with other local Muslims to protect his town’s cathedral. The article runs

As a French-born Muslim, Elyazid Benferhat’s stomach turned when he heard about a deadly Islamic extremist attack in Nice. Then he decided to act.

Mr Benferhat and a friend gathered a group of young Muslim men to stand guard outside their town’s cathedral, to protect it and show solidarity with Catholic churchgoers. Parishioners in the town of Lodeve were deeply touched. The parish priest said their gesture gave him hope in time of turmoil.

Mr Benfarhat said: “I am also Muslim and we have seen Islamophobia in tis country, and terrorism.” He said he always has a pit in his stomach because every time Islamic extremist violence strikes, French Muslims face new stigmatisation, even though “we had nothing to do with it”.

After the Nice attack, he said “we needed to do something beyond paying homage to the victims. We said we will protect churches ourselves.” They recruited volunteers, and after co-ordinating with police, guarded the church.

This reminds me of the ‘Don’t Touch My Mate’ protests in France a few years ago. This is the English translation of the slogan for a movement a few years ago in which French White youths marched and demonstrated in solidarity with Blacks and Muslims. It was kind of like the White marchers and protesters in the Black Lives Matter demonstrations just a month or so ago. Now Benferhat and his friends are doing something similar for the Catholics in their part of la Patrie.

I’ve also heard of Muslims protecting churches and their worshippers in other countries as well. Such as Israel. A few years ago Channel 4 screened a documentary in which a Black British priest went off examining other religion’s attitude to Christ and Christianity. He talked to an archaeologist excavating a Pagan Roman temple to Mithras, Muslims, and Hindus before going to Israel. Most of those he talked to had positive attitudes to Christ. The archaeologist talked about the supposed similarities between Mithraism and Christianity. The Hindus he met also worshipped Christalongside the traditional Indian deities, showing the syncretistic tendencies within Hinduism. And Jesus is revered by Muslims as the prophet Isa. It was when he went to Israel that he encountered hostility.

The programme showed a mob of Orthodox Jews marching on a church, which I understand was being used by a group of Messianic Jews. Messianic Judaism is a form of Jewish Christianity, in which Christ is worshipped as the Jews’ Messiah but the Mosaic and rabbinical laws are still observed. If I understand it properly, it seems to be rather like the form of Christianity practised by the gospel-writer, St. Matthew. His gospel is traditionally considered the Jewish gospel partly because, according to tradition, he was himself Jewish. But the gospel also shows a particular concern for Christ as the Jews’ saviour and assimilates the Lord’s teachings to that of the ancient rabbis. According to the historian of the early church, Eusebius, Jewish Christians also had their own bishop, Hegesippus.

The Israeli mob were prevented from causing trouble by the church’s Muslim doorman, and apparently that’s not uncommon. As well as attacks on mosques and Muslim Palestinian homes and property, Israeli fanatics and extremists have also attacked Christian churches and monasteries. These have often been protected by their Muslim staff. It’s understandable that, after centuries of Christian persecution, some Israelis have a hatred of Christianity. The inveterate Jewish opponent of all forms of racism, including Zionism, Tony Greenstein, on his blog quoted the comments of one extremist Israeli rabbi. This vile piece of work declared that Christian churches in Israel should be demolished as temples of polytheism and idolatry. The man’s clearly a member of fringe minority, but it is a minority that is closely allied with Benjamin Netanyahu and his ruling Likud coalition.

But you won’t hear about such bigotry from western Zionist groups, such as Pastor Ted Hagee’s Christians United for Israel. In terms of membership, this is the largest Zionist organisation in America. Many young Jewish Americans are turning away from Israel because, along with liberal Israelis, they despise the Israeli state and the Likudniks for its brutality and ethnic cleansing of the Palestinians. It’s why the Israel lobby is apparently concentrating its efforts on winning the support of fundamentalist evangelical Christians rather than Jews.

I applaud Monsieur Benfarhat and his fellows, just as I do everyone whatever their religion or lack thereof, who is attempting to reach across ethnic and religious divides to bring people together against the forces of hate, bigotry and violence. May then win against all the Fascists, butchers and terrorists.

‘I’ Report on Conviction of Neo-Nazi Golden Dawn as Criminal Gang

October 9, 2020

First a piece of good news. Yesterday’s I for 8th October 2020 reported that a Greek court had convicted the Golden Dawn of being a criminal organisation. This was the Golden Dawn that’s a neo-Nazi outfit responsible for violent attacks on immigrants, left-wing activists and the murder of rap singer, not the Golden Dawn, which was an early 20th century occult society. Although the latter did briefly have Aleister Crowley, the Beast 666 and the ‘wickedest man in the world’ as a member.

The ‘I’s report on page 25, by Derek Gatopoulos, runs

A Greek court has ruled that the far-right Golden Dawn party was operating as a criminal organisation, delivering a landmark verdict in a marathon five-year trial.

The court ruled that seven of the party’s 18 former legislators, including party leader Nikos Michaloliakos, were guilty of leading a criminal organisation, while the others were guilty of participating in one.

As news of the guilty verdicts broke, cheers and celebrations erupted among the crowd of more than 15,000 people gathered in an anti-fascist rally outside the Athens courthouse.

A small group among the crowd threw Molotov cocktails and stones and police responded with tear gas and water cannon.

The marathon trial had been assessing four cases rolled into one: the 2013 fatal stabbing of Greek rap singer Pavlos Fyssas, physical attacks on Egyptian fishermen in 2012, and on left-wing activists in 2013, and whether Golden Dawn was operating as a criminal organisation.

The 68 defendants included the 18 former legislators from the party that was founded in the 80s as a neo-Nazi organisation and rose to become Greece’s third-largest.

Prime minister Kyriakos Mitsotakis said the verdict “ends a traumatic cycle” in the country’s public life.

The three-member panel of judges also delivered a guilty verdict against Giorgos Roupakias for the murder of Mr Fyssas. prompting applause in the courtroom and among the crowd.

Roupakios had been accused of being a party supporter who delivered the fatal stab wound to Mr Fyssas. Another 15 defendants – none of them former legislators – were convicted as accomplices.

Outside the courthouse, Mr Fyssas’s mother, Magda, who had attended every session over five years, raised her arms and shouted: “Pavlos did it. My son!” All five people accused of attempted murder against the fishermen were also found guilty, while the four accused of attempted murder in athe attacks against left-wing activists were found guilty of the lesser charge of causing bodily harm.

“Today marks a huge victory for justice and respect for Greece and the entire world,” said Eva Cosse of Human Rights Watch. “It sends a strong message that hate crimes are not and should not, be tolerated in a democratic society.”

There was never any real doubt that the Golden Dawn were a neo-Nazi organisation, although they denied it. They took as their symbol the angular design used in ancient Greek friezes which resembles a series of interlinked swastikas. Whenever they were asked about it and its similarity to the Nazi symbol, they claimed instead, quite rightly but disingenuously, that it was an ancient Greek design. They also celebrated the ancient Spartans. They were the ruling Herrenvolk of the Greek city state of Sparta, a society geared to war. Babies were examined after their birth to make sure that they had no physical defects or malformities. Those who failed the test were brutally disposed of by being thrown into a nearby cavern. Archaeologists have chillingly discovered the bones of a large number of infants, presumably the victims of this cruel custom. Beneath the Spartans themselves were the Helots, the state slave class, the descendants of the city’s original inhabitants whom the Spartans had conquered and enslaved. One day each year normal laws were suspended to allow the Spartans to treat the Helots however they liked, up to and including murder. In its militarism, enslavement, eugenics and racism it very much resembles the Nazis and their horrific Third Reich.

One of the internet news organisations a few years ago made a documentary about the Golden Dawn. They interviewed the Egyptian fishermen and other extra-European immigrants, who’d been attacked by them. I don’t doubt that the austerity imposed on Greece by the EU contributed to the organisation’s rise. We were taught at in Geography at school, when we studied the Third World as part of the ‘A’ Level course, that extreme poverty leads to political extremism and racial and ethnic conflict as different groups fight over resources. Apart from attacking immigrants themselves, the Golden Dawn also attacked and tore down their stalls in the local markets. They also gave out food parcels, but only to ethnic Greeks. It’s excellent that the organisation and the murderous thugs running it have been successfully prosecuted.

Zelo Street put up a very good piece about the Golden Dawn’s conviction, pointing out that it poses something of an embarrassment for the Spectator, its editor, Fraser Nelson, and board chairman Andrew Neil. Because the magazine, itself heading rapidly towards the far right, published a piece by Greek playboy and jailbird, Taki, praising the Nazis. Way back in 2013 Takis had written in his column that

Golden Dawn came into being because of PC, poor Greeks at times getting fewer benefits than African illegal immigrants. Then GD became very popular with certain poor Greeks while it defended them from being mugged by Albanian criminals and drug dealers, and for safeguarding older folk after bank withdrawals”.

He also claimed that they weren’t Nazis, but just good, patriotic Greek boys who were just rough. No, I think it’s quite clear they really were Nazis. And murder and violent assault goes far beyond being a little rough.

When people complained about Taki’s article, Nelson responded by saying

Our readers like diversity and well-written pieces that they disagree with. We have no party line”. This prompted Sunny Hundal to ask if they had any limits at all. Could they write pieces praising Hitler? Well, they haven’t so far, but Taki did write another piece stating that the real heroes of D-Day were the German soldiers, who fought to the death against overwhelming numbers. This is particularly remarkable considering the brutality and atrocities committed by the Italian Fascists and the Nazis during their occupation of Greece. Nelson defended this piece by arguing that “People like reading well-argued pieces with which they might disagree”. Well, you wonder. You wonder if the problem is that actually, at least part of the Speccie’s readership do agree.

The Street wondered how Nelson can defend publishing such stuff praising the Golden Dawn and excusing their violence, while claiming any complaints about it simply came from the PC brigade and invoking free speech. The Street concluded

‘After the verdicts were handed down in Athens today, Fraser Nelson should have stopped and thought. And then he should have resigned his post. But he won’t.

Because that would require principle. And he hasn’t got any. I’ll just leave that one there.’

Well, yes. It should at least have given Nelson pause. But it won’t stop him. He’s been publishing Taki for years, despite frequent complaints about his anti-Semitism. And doubtless Nelson will continue printing pieces by him. The Spectator’s a Tory magazines, and the publication of such pieces by Taki suggests that many of the rag’s readers have the same attitude towards Blacks, Muslims and Jews as those the blogger Jacobsmates found on internet sites for supporters of Jacob Rees-Mogg and Boris Johnson.

But remember, there’s supposed to be no problem with racism and anti-Semitism in the Tory party, who deal with it promptly, unlike Labour.