Archive for the ‘Technology’ Category

Theresa May Refuses to Sign UN Treaty Banning Nuclear Weapons

September 17, 2017

This is frightening. By refusing to sign up to the international treaty proposed by the UN to ban nuclear weapons, May is actively endangering our planet.

Mike today put up a piece reporting that the UN proposed a treaty in July that would ban nuclear weapons across the globe. 120 nations have already put their signatures. But Britain and the other nuclear powers oppose it. Nevertheless, Britain is coming under increased pressure to sign the treaty, which will be put forward before the UN again this week.

Mike in his blog suggests that Britain’s reason for not signing the treaty is because Michael Fallon no doubt thinks that he can sell a few nuclear bombs elsewhere in the world, along with all the other instruments of murder produced and exported by Britain.

http://voxpoliticalonline.com/2017/09/17/theres-an-obvious-reason-theresa-may-wont-sign-a-treaty-to-ban-nuclear-weapons/

I don’t think that’s probably the case. What is more likely is that Britain, America and the other members of the nuclear club, like Russia, Israel, India, Pakistan and China, are afraid that if they sign this treaty, then their own ability to defend themselves and intimidate the rest of the world will be weakened. In the case of America, it’s part of the country’s long history of exceptionalism, in which America is seen to be unique and above the laws and treaties that it imposes on other countries. It’s why America is keen to see the Serbs and other war criminals from the former Yugoslavia, for example, prosecuted by the international war crimes tribunal at the Hague, while not submitting itself to the tribunal. It’s why, despite the attacks on Islam by the American Right for the common practice of FGM, the US did not sign a UN treaty outlawing it. America simply wants to reserve the right to judge and invade other nations, but not to be judged and held to the same standards by them.

Ditto for this country, as we have spent so much of the post-War period riding on America’s coat-tails, pretending to be a global superpower when we lost that status nearly the moment the Second World War was over. The possession of nuclear weapons seems to be important to our national psychology. So long as we have them, we can convince ourselves that we can see off any foreign threat.

One of the interesting things I’ve read about the Labour party under Michael Foot is that, paradoxically, it was not extreme left. This is despite the foaming rants about ‘loony Labour’ and Communist infiltration by the Tories at the time. Foot was actually seen by many outside the party as a centrist. But Foot stood for unilateral nuclear disarmament, and so Thatcher portrayed him as someone, who was a positive danger to this country’s security. If we didn’t have nuclear weapons, it was argued, the USSR would not be deterred and would attack us or invade with impunity.

Except that if the Russians had launched a nuclear attack, our nuclear deterrent wouldn’t have mattered one iota. The MOD ran a simulation of what would happen if such a horrific event had occurred. The predicted results were that there would have been massive casualties in the first minutes of the attack, with millions dead and the destruction of our major cities.

Naturally, this was unacceptable to Thatcher, so she tried to falsify the results. She altered the parameters of the simulation, so that she could say that, well, actually most of us would survive and be able to strike back at the enemy. Except that for this to happen, most of the Soviet missiles would have had to land in Wales and other, largely rural parts of Britain. Even then, the casualties were too high, and the simulation was eventually abandoned because Thatcher’s interference to get the results she wanted made it completely unrealistic.

Foot was actually quite right, and the number of times the world has been a hair’s breadth away from nuclear Armageddon is terrifying. Nuclear weapons are a real danger to the continued existence of our planet. A global ban is desperately needed.

And perhaps – just perhaps – if a ban on nuclear weapons were imposed, we could develop nuclear power for peaceful purposes without the suspicion that they would be used for manufacturing missiles. Like space exploration and colonization. in the 1960s, Freeman Dyson and NASA developed the concept of the Orion spacecraft, a spaceship that would use nuclear bomblets to achieve unheard-of speeds to zip around the solar system. Mallove and Matlock in their book, The Starflight Handbook, show that a fission rocket would cut the journey time to Mars from six months or so to three or four weeks.

Orion was cancelled because it would have violated an international treaty banning nuclear explosions in the Earth’s atmosphere. But if nuclear weapons were banned completely, and the only uses for nuclear power were civilian and scientific, nuclear rockets could be a safe option for exploring and colonizing Mars and the other worlds of the solar system.

But this won’t happen so long as the present situation persists, and the world is endangered by the existence of nuclear weapons and the threat of their use.

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‘Bomber’ Fallon and the Merchants of Death Arms Fair in London

September 17, 2017

Mike today has put up a piece over at Vox Political commenting on Michael Fallon’s speech yesterday at the DSEI arms fair in London. Fallon, who earned the monicker ‘Bomber’ because of a speech in which he declared that Britain had a moral duty to bomb the peoples of the Middle East, now went on to say that, thanks to Brexit, Britain’s future as the world’s leading arms exporter looked good. And that we should try to sell armaments to anyone in the world, regardless of morality.

Mike makes the point that Fallon’s comments are insensitive, coming as they do when Britain is selling arms to Saudi Arabia, which is using it to kill innocent civilians, including children in schools and madrasas, in Yemen. And Saudi Arabia has no qualms whatsoever against using such armaments against us. 17 of the 19 people involved in the 9/11 hijacking were Saudis, and the trail of responsibility for that atrocity goes right up to the top of the Saudi government itself.

http://voxpoliticalonline.com/2017/09/17/warmonger-fallon-wants-the-uk-to-sell-arms-to-anyone-who-wants-them/

This weekend’s Counterpunch also carries an article by Michael Dickinson, ‘Stop the London Death Fair’, about the DSEI trade fair and its dealings with some of the world’s most evil and repressive governments. It begins

Roll up! Roll up! Ballistic missiles and hand grenades! Drones, helicopters and warships! Rocket launchers, tanks and assault rifles! Welcome to the biennial London Arms Fair! Showing now until 15th September at the Excel Centre in Docklands, the Defence Systems and Equipment International (DSEI) – “a world-leading event that brings together the defence and security sector to innovate and share knowledge” – presents one of the world’s biggest arms bazaars, displaying the latest high-tech arms and surveillance technology, crowd control and weaponry. This year the exhibition is split into five key zones: air, land, security and joint, all showcasing the latest equipment and systems. DSEI is organised by Clarion Events, with extensive cooperation from the British government.

Military personnel, politicians, private defence contractors and consultants mingle as they shop. Countries accused of war crimes and human rights abuses, Algeria, Angola, Colombia, Iraq, Oman, Qatar, Pakistan, Turkey, the UAE, and Ukraine are among the invited. Although not an official guest, the Israeli arms industry has special pavilions at the venue, where over 34,000 visitors are expected to view the latest in killing weaponry for sale, exhibited by more than 1,600 arms companies, including the US and UK giants Lockheed Martin, Boeing, Raytheon and BAE Systems.

With authoritarian regimes such as Saudi Arabia, Egypt, Bahrain and Azerbaijan among the official UK government guests in attendance, this year’s keynote speakers at the opening day conference included British Defence Secretary Sir Michael Fallon, International Trade Secretary Liam Fox and many of the top brass in the UK military establishment. Fox said that overseas governments had an inaliable right to defend themselves and that if they could not buy the equipment they required from developed countries with effective controls, like the UK, they would look elsewhere. Last year Britain’s arms export industry turned over 3 billion pounds.

Andrew Smith, a spokesman from the activist group Campaign Against the Arms Trade (CAAT) said: “DSEI is one of the biggest arms fairs in the world. It exists purely to maximise arms sales. Prime Minister Theresa May and her colleagues may talk about promoting human rights but DSEI could not happen without the full support of government. A lot of the regimes in attendance have been linked to terrible human rights abuses, and events like DSEI only make them more likely in future. It is vitally important to spread as much awareness as possible of this terrible arms fair taking place. ”

https://www.counterpunch.org/2017/09/15/stop-the-london-death-fair/

Conservative governments, including Margaret Thatcher’s, keenly supported the British arms industry, and this policy was taken over, along with just about everything else, by Tony Blair and New Labour. It’s hardly surprising. George Orwell remarked when he finally gave up his anti-War stance in the face of the Nazi threat, and went to work for the BBC writing anti-Nazi and pro-war material, that if you’re a member of the British upper and upper middle classes, you’re bred for war. This has always been true, ever since the modern armed forces emerged from the military aristocracies of the Middle Ages. The officer elite has always been solidly middle class, although there has been some efforts to make it more diverse.

The government has tried to defend its massive support for the arms industry by arguing that arms sales open up foreign markets to British industry generally. After buying some of that ‘wonderful kit’ David Cameron enthused about, foreign nations would go on to buy other British products and services. But they don’t. They buy British weapons, tanks and other pieces of hardware, and nothing else.

And the British ruling class, its politicians and senior civil servants, also stand to benefit personally from the arms trade. Private Eye for decades has exposed the revolving door between the MOD and British defence ministers, and the arms industry, in which British generals and officials find very lucrative places on the boards of defence contractors and arms manufacturers once they retire or leave office.

As for the private military contractors, previously known as mercenaries, that the British government has supported, these have been used by the Tories to give unofficial support to regimes, where it would have been otherwise embarrassing for Britain to send in the regular army. Like Sri Lanka.

It hardly needs stating that the arms industry is a deeply immoral trade, and that by lauding Britain’s role in it Fallon has shown the complete absence of any kind of moral consideration for the victims of these weapons and a complete indifference to the nature of the regimes he intends to sell them to.

As far as he’s concerned, war is a business. And business is good.

Close down the arms fair, and kick out Fallon and the rest of his vile government.

Book on Working People’s Environmentalism in the US

September 16, 2017

Chad Montrie, A People’s History of Environmentalism in the United States (London: Continuum 2011)

I found this yesterday in the £3 bookshop on Bristol’s Park Street. It’s clearly inspired by Howard Zinn’s A People’s History of the United States, which told the story of the US as it affected ordinary working, blue-collar Americans and other marginalized groups, like Blacks and the indigenous peoples. It challenged the dominant, right-wing narrative of how America was founded by rich, White, and immensely wise Founding Fathers as a uniquely just society. Zinn has since passed away, but his book inspired Colin Firth’s and Anthony Arnove’s collection of radical British historical texts, The People Speak: Democracy Is Not A Spectator Sport. Contemporary scholarship has superseded some of Zinn’s work, paradoxically showing that in some areas such as ethnic minorities, his opinions were too moderate. But the Republicans still utterly despise him and his book. Looking at one right-wing website I found a list of books its readers hated and considered harmful to America. Zinn’s was one of them.

This book on working Americans and the environmental movement is particularly urgent now that Trump is set on trying to complete the destruction of both. I haven’t done more than glance at the book, but there’s a summary of the book’s contents by Kathryn Morse of Middlebury College on the back cover. This states that it’s

An engaging, critical synthesis of 20 years of new scholarship in environmental and labour history, this book tells a new story of the emergence and power of environmentalism as a movement forged by common people in defence of their lives and livelihoods. Countering previous arguments that environmentalism began in post-World War II middle-class suburbs, Montrie redefines environmentalism as a grass-roots, working class response to industrialization and urbanization dating from the early 19th century.

From the start, this movement included workers’ resistance to elite attempts to control nature both for profit and for upper-class leisure. Montrie narrates the growth of working-class environmentalism and its successes and failures from the textile mills of New England, to the Chicago streets around Hull House, to automobile plants of New England, to the coal mines of Appalachia, and to the agricultural fields of California, with other stops along the way. This detailed by accessible book offers a forceful new interpretation of American environmentalism and rewrite the narrative of the modern environmental movement.

The Republicans and the corporate backers fear and despise the Green movement, denouncing it as a strategy for introducing redistributive taxation and Socialism by the back door. They hate the way Greens recommend that rich, polluting industries should be taxed, and clean, non-polluting energy sources – like solar, wind and wave energy – should be developed to replace fossil fuels. These have got to go, as the Republicans and Libertarians are funded and bought by the Koch brothers and other oil and fossil fuel magnates.

And when the Republicans and the corporate paymasters aren’t foaming at the mouth about environmentalist ‘socialism’, they’re claiming that it’s another form of Nazism, because the Nazis were very keen on protecting the German environment. Well, they were, and this had been a major part of the German racist, volkisch movement since the 19th century. But this doesn’t mean that environmental per se is simply Nazism under another form. Where it appeared in Britain and America, it was an attempt by working people and the authorities to protect the environment and allow ordinary people to live clean, healthier lives and enjoy the beauty of the countryside in which their ancestors had lived and worked.

Hitler would have liked the Nazis to have been a party of the working class, but he hated organized labour. The first thing the Nazis did when they seized power was smash the German trade unions. But as this book shows, after the War American trade unions played a major part in the Green movement in the US. Which also explains why the Republicans go bug-eyed about the Greens and Socialism. The environmental movement and its connections to organized labour and the American working people marked a challenge to capitalism and the power of big corporations, not just to exploit the environment, but also to exploit the blue-collar, working women and men, who claimed their rights at work and to enjoy America’s great scenic beauty.

Another strand of their ideological attack on the environmental movement is to claim that it’s pagan, and so Christians should have nothing to do with it. It is true that much modern, Neopaganism is centred on the worship of the earth mother, and that pagans have been particularly environmentally conscious since the emergence of Green movement in the 1960s. But Christian writers were describing the beauty of the natural worlds and the wonders of its creatures as evidence of God’s providential handiwork from at least the Middle Ages onwards, and I’ve seen absolutely nothing to suggest that caring for the environment in itself is at all antichristian. Indeed, some theologians have pointed to Jean Calvin’s belief that as God has given human stewardship of the Earth, they have a duty and responsibility to protect the environment.

I haven’t really had time to read the book properly yet, but I will have to. Trump and the big corporations which control him are a real, present threat to the environment, working people, and indeed the future of the Earth and humanity, just as the Tories and their paymasters are over this side of the Pond. We have to protect both in order to create a better future and preserve the planet.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Yesterday’s Science Fiction as Today’s Reality: Bruce Sterling’s ‘Heavy Weather’

September 13, 2017

Bruce Sterling was, with William Gibson, one of the leading members of the ‘Mirrorshades’ group of SF writers, who launched cyberpunk in the 1980s. This is the SF genre set in dystopian, corporate futures, whose streetwise picaresque heroes entire a VR cyberspace through jacking into the Web. If you want an idea what the genre’s like, see the film Blade Runner, although the film actually came out while Gibson was writing his groundbreaking novel, Neuromancer.

This week the news has been dominated by hurricane Harvey and the other storms that are wreaking such havoc in Florida, Bermuda and other parts of the Caribbean. In a previous article I put up this evening about Trump’s appointment of Jim Bridenstine, a scientific illiterate, who doesn’t believe in climate change as head of NASA, I discussed how Jimmy Dore and his co-host Steffi Zamorano and Ron Placone had said that these storms bear out the continuing decline of the Earth’s climate. Way back in the early part of this century, after several heatwaves, climate scientists warned that climate change meant that the weather would become more extreme.

And Bruce Sterling wrote an entire book about the superstorms that would arise due to climate change in his 1994 SF novel, Heavy Weather (London: Millennium).

This was set in the devastated Texas of the early 21st century, where the aquifers have dried up. It’s a state wracked by violent storms, where thousands have been left homeless and forced into refugee camps by the unstable climate. The blurb for the book reads

2031 – the atmosphere’s wrecked. The Storm Troupers – media unit, scientists, techno-freaks – get their kicks from weather. Hooked up to drones through virtual-reality rigs, they can plunge like maddened darts into the eye of a storm and surf a ride from hell.

Their Holy Grail: the F6, a tornado so intense it’s off the scale. Dangerous in the extreme. Also dangerous: certain people’s sick dreams, full of tornado trails, shining insane paths of endless howling destruction.

The high-tech wonders of a decaying world … and a bunch of wild nomads longing to be blown away.

I think the book was a response by literary SF to the film Twister, about a group of meteorologists chasing tornadoes across the southern US, starring Piers Brosnan. I don’t think we’ve quite reached the level where masses of Americans are being left homeless in refugee camps, nor are their groups quite like the Storm Troupers. But these violent storms are becoming a reality, and will become ever worse as the climate deteriorates.

As Max Headroom used to say in his trailers for Channel 4: ‘The future…is now’.

And it’s disgusting that Trump’s trying to close down climate research, and put in charge of NASA someone who knows precious little about science, and doesn’t believe in climate change.

More Anti-Science from Trump: Climate Denier to Head NASA

September 13, 2017

This is absolutely incredible. It really is like something from dystopian Science Fiction, but unfortunately it’s true. In this clip from the Jimmy Dore Show, the American comedian and his co-hosts, Ron Placone and Steffi Zamorano comment on a report from Democracy Now! that Trump has decide to appoint Jim Bridenstine as the new head of NASA. Bridenstine has no scientific credentials, and doesn’t believe in climate change. In fact, in 2013 he stood on the floor of the senate and demanded that Barak Obama apologise for promoting it.

The trio begin the clip by remarking on the evidence from the hurricanes to hit America that climate change is real. Before storm Harvey, only three magnitude 5 storms had hit America. They then show how ludicrous the decision is by stating that as Trump has appointed someone, who doesn’t believe in a scientific fact to head a scientific agency, then Richard Dawkins should be appointed to head the national prayer breakfast. Dore jokes that there hasn’t been a government this anti-science since Galileo. And the Pope has apologized for him. The papacy also acknowledges climate change. Which means the world’s most religious Roman Catholic is more progressive than Trump and his minions.

There’s no way this is anything other than an attempt by the Republicans and their paymasters, the Koch brothers, and the other big polluting industries, to hobble and silence research into climate change in America. One of the functions satellites carry out is weather and climate monitoring. Space research generally has also led to greater understanding of weather systems on Earth. For example, the massive storms that rage across Jupiter are driven by the same laws and forces as those, which generate similar storm systems on Earth. Countries like India have invested in their space industry for the promise it offers of monitoring the weather and the progress of crop diseases, which can be disastrous for a developing nation, much of whose population are subsistence farmers.

Dore’s wrong about the Pope’s treatment of Galileo, however. Yes, it was scandalous, but at the time Galileo’s own research was actually undersupported. And he didn’t help himself in his book, the Dialogue of the Two World Systems. He knew the pope was an Aristotelian, but deliberately made the Aristotelian speaker in the book appear as stupid as possible. Even so, the Church was not uniformly against him. He did have supporters within the church and amongst the cardinals. See James Hannan’s God’s Philosophers: Science in the Middle Ages.

But this is like something from Science Fiction. Stephen Baxter’s Titan is an alternative history, in which a rabidly anti-science senator becomes president of the US and closes down NASA. It’s because he’s a Creationist, and doesn’t believe in the Copernican heliocentric system, or the discoveries revealed by Galileo. What isn’t shut down, is given to the USAF and given over to defence instead, while the agency’s museum is shut, except for its museum. This is then altered to stress the religious experiences many of the astronauts had when exploring space.

This isn’t quite fair on the Creationists. Those I knew did not reject Galileo and they didn’t reject heliocentrism, although I’ve since come across people, who do on the Net. But there are still clear parallels between Baxter’s book and Trump and those who back him.

Yesterday I found an interview with the veteran comics creator, Pat Mills on YouTube. I’m going to have to write a piece about it, because Mills is very left-wing and a fierce critic of capitalism and Britain’s class system. In the video, he states that when he started writing for 2000 AD, he and the others were told to create futures, which people would live in. And now we are. He pointed out that there really were robots, which looked like Robusters, and we also now had Donald Trump, who was very much like something from 2000 AD’s often bleak view of the future.

And he’s right. Trump’s appointment of a scientific ignoramus like Bridenstine is almost exactly like something from Science Fiction. And Mills compared Trump himself to Judge Cal, the deranged Chief Judge of Mega City 1, who behaved like Caligula. He appointed his pet fish as judge, and had one of the other judges pickled. Oh yes, and he called in the alien Kleggs to keep the human population of Mega City 1 under control. Trump hasn’t made contact with an evil alien life forms yet, but the nepotism and corruption is all there. Even if he hasn’t made his goldfish senator. But given the fictional parallel drawn by Mills, Bannon, Kelly-Anne Conway and the others he’s got rid of should be glad he just had them sacked. The real trouble’s going to start when he starts ordering human-sized pickled jars.

Website for Late SF Artist Peter Elson

September 13, 2017

Going through the Net the other day, I found a website dedicated to the work of the late SF artist and illustrator, Peter Elson. Steve Holland in his Sci-Fi Art: A Graphic History (New York: HarperCollins 2009) notes that Elson was one of the school of artists that was influenced by Chris Foss’ work in the 1970s. Elson was apparently unable to adapt after that style of SF illustration fell out of favour, and spent the last years of his life working on theatre illustration.

An example of Elson’s work, from Holland’s Sci-Fi Art: A Graphic History.

He’s still one of my favourite SF artists.

The site’s Peter Elson Science Fiction Illustrator, and it’s at
http://www.peterelson.co.uk/index.php

The brief biography notes that he was a fan of the original Eagle comic, and has a suitable tribute by his friend, Carol Butfoy, who met him at Ealing School of Art, and formed a management agency with him, partly to handle his work. She concludes

The kind of cover art that Peter and many of his contemporaries produced will probably not be seen again. It was a golden age of SF and Fantasy illustration. You can still find the covers, sometimes in reprints, mostly as second hand copies at boot sales. They shine out for their magical ability to take you into a world you can scarcely imagine. It’s what great art always used to do, and Peter was a great artist.

If you want to see more of his work, including landscapes, vehicles and illustrations for Dr. Who, then go to the above site.

Two New Trailers for ‘Electric Dreams’ Episode ‘The Hood Maker’

September 13, 2017

I’ve just found these trailers from Channel 4 on YouTube for episode 1 of Philip K. Dick’s Electric Dreams, ‘The Hood Maker. This is set in a dystopian Britain where telepaths – Teeps – are used to monitor the thoughts of the population.

It looks really good, and I’m really looking forward to seeing it!

As for dictatorial governments monitoring people’s thoughts, Pat Mills, one of the writers for 2000 AD, used it in Nemesis the Warlock and the ABC Warriors. In Nemesis the Warlock, Torquemada and his terminators, a brutal military religious order, who had imposed a genocidally racist dictatorship on Earth in the far future, monitored the poplation’s thoughts mechanically. And there was a story in the ABC Warriors where another future dictatorship, this time on Mars, also used mechanical devices to keep their people in order.

As various mechanisms are being developed to ‘read’ minds, albeit simply to use nerve impulses from the brain to operate various systems, and some IT engineers are talking about developing artificial telepathy, this particular dystopian idea may not be entirely fantasy after all.

Philip K. Dick’s ‘Electric Dreams’ Begin Channel 4 Next Sunday

September 12, 2017

Good news for SF fans. Next Sunday, 17th September 2017, Channel 4 start their anthology series of ten standalone stories adapted from the tales of Philip K. Dick. Dick’s famous as the writer of Do Androids Dream of Electric Sheep?, the book on which the film Blade Runner is based on, and which inspired the series’ title. Apparently, the show will be screened in chunks, with Channel 4 showing the first block of six episodes. These begin with ‘The Hood Maker’, at 9 pm. The blurb for this in the Radio Times reads

In the aftermath of a catastrophic meteor shower, war brews between surviving humans and telepathic mutants. (p. 65).

The description of the programme’s contents on page 62 also adds the following information

A series of dystopian one-offs aims to fill the hole left when Black Mirror moved to Netflix. Channel 4 has specialized in this sort of disquieting Sci-Fi (Utopia and Humans were in roughly the same vein), and Electric Dreams begins with The Hood Maker, the kind of dark fable that leaves you longing for a gasp of fresh air and the real world.

Adapted from one of Philip K. Dick’s visionary short stories, it takes us to a future that feels like the past. We’re in a low-tech city of slums, concrete and 1970s cars, where tension is growing between Normals and Teeps – the latter a race of mutant telepaths whose grapevine acts as a kind of human internet.

Agent Ross (Richard Madden) is assigned to work with a Teep called Honor (Holliday Grainger) to trace the origin of some dangerous new contraband: linen hoods that block telepathy. Form there we follow a moody parable about trust, prejudice and surveillance, skillfully adapted by Matthew Graham of
Life on Mars fame.
There’s also a feature about Bryan Cranston, one of the stars of the series, and its producer, The Dream Life of Bryan, on pages 22-25, with a brief synopsis of the first 6 episodes on page 25.

These include episode 1, The Hood Maker, Episode 2, Impossible Planet, Episode 3, The Communter, Episode 4, Real Life, Episode 5, Crazy Diamond and Episode 6, Human Is.

Black Mirror never appealed to me, but from what I’ve read and the trailers for it, this looks really promising and I’m looking forward to it.

Painting of Blake’s 7’s ‘Liberator’ by David A. Hardy

September 9, 2017

This is for all the fans of the classic British SF series, Blake’s 7. It’s a painting of their spaceship, the Liberator, before it came crashing to an end in ‘Tereminus’, the last programme of the third series. I found the painting on the SF/ weird art site, Tomorrow and Beyond.

David A. Hardy is one of the great veterans of British space and SF art. He’s illustrated numerous books on astronomy, including several with the late Sir Patrick Moore. The best known of these is probably The Challenge of the Stars. Hardy’s unusual in that he crosses the divide between space and SF art. It seems ridiculous to me that there is such a division, considering how so much science fiction art is set in the Black, and the care with which many SF artists take to portray it. I was rather surprised to find this. I knew Hardy also painted SF, I didn’t think he’d painted any TV material.