Archive for the ‘Stage’ Category

Miriam Margolyes Defends Labour and Jeremy Corbyn against Anti-Semitism Smears in Radio Times

April 16, 2019

Next week’s Radio Times for 20th-26th April 2019 has a long interview with veteran thesp Miriam Margolyes.  It’s partly publicity for her forthcoming documentary, Miriam’s Dead Good Adventure, in which she explores death and how people cope with it. This includes venturing into the kind of territory Louis Theroux explored in his Weird Weekends all those years ago, when he explored the weirder margins of American society. In her case, Margolyes meets a group, who believe they can use orgasmic energy to stave off death forever, making them immortal. Needless to say, she doesn’t believe a word of it.

Most interestingly, Margolyes discusses the anti-Semitism allegations against the Labour party and Jeremy Corbyn, making it very clear that she doesn’t believe in them either. She condemns the Israeli oppression of the Palestinians, and describes how her view have led to her being vilified by pro-Israel groups and individuals, like Maureen Lipman. And like Jackie Walker, another Jewish anti-Zionist lady of mature years, she was radicalised through her opposition to apartheid in South Africa. This section of the interview runs

A Labour Party member, she has firm opinions about anti-Semitism accusations directed at the party. “Jeremy Corbyn, who is an excellent constituency representative, a serious person, is not an anti-Semite. I don’t think there is the extent of anti-Semitism in the Labour Party that people seem to imply,” she says. “I think it’s to do with trying to stop Corbyn from being prime minister”. She is also critical of Israel’s treatment of the Palestinians. “It’s just a fact that the Israelis have behaved appallingly, they continue to do so, and people are dying. I am ashamed, as a Jew, of what’s been done in my my name. I can’t bear it. And for that I’m vilified and people won’t come to see the plays I’m in. I’ve become, as it were a kind of minuscule Vanessa Redgrave when she was vilified for her political position. But I am right. I have no doubt about that whatever”.

I wonder how it feels to be separated from your own community. “It hurts me,” she says. “I’m so Jewish, and so happy to be Jewish. And the schism between me and Maureen Lipman, which is the manifestation of this chasm, causes me pain.”

Lipman is a very public supporter of Israel. IN 2015 she demonstrated with pro-Israeli groups outside a production of a pro-Palestinian play in London. “She feels that I am a wicked traitor to my people,” says Margolyes. “And I feel that she’s a fool.” The two appeared together in a 1989 British Telecom commercial spoofing Jewish domestic life, now Margolyes admits it would be difficult if they met in the street. “I hope I would be civil. I’m sad because I admire Maureen, and I have known her for a long time. She’s been a friend, and now it’s not possible any more. I expect she might be said, too. But she said don’t communicate with me again and I haven’t.”

She says she feels compelled to stand against injustice in the world. “For me, it’s the same sort of cause as apartheid. I was marching on South Africa House when I was young and, unfortunately, it’s now my own people I’ve got to march against. That’s painful, but I won’t pretend. If you can’t tell the truth when you’re 77, when are you going to tell it?”

Jewish Opposition to Zionism as Anti-Semitism

Over a decade ago she was one of a number of public figures, who condemned the Israeli bombardment of Gaza, and she made her Jewishness very plain then too. She stated that she was a ‘proud Jew, and an ashamed Jew’. She says in the interview that she doesn’t believe in God, but she loves Jewish life, the cooking, culture and community. She shares her happiness with her Jewish identity with many of the other Jewish critics of Israel, both Torah-observant and secular/ atheist, who have also been vilified for their stance against the Israeli oppression and ethnic cleansing of the indigenous Arabs. People like Jackie Walker, Tony Greenstein, Martin Odoni and many others. And many Jewish critics of Israel find it utterly ridiculous, even anti-Semitic, that they should be considered traitors by their community, because they’d don’t support a foreign country that they weren’t born in. Greenstein, David Rosenberg, and the Israeli historian, Ilan Pappe, have made the point that until recently the majority of the Jewish people rejected Zionism, partly because they were afraid that it would lead to accusations that Jews’ loyalties were divided between their homeland and that of the Jewish state. Indeed, at the beginning of the Zionist project, Zionism was strongly associated with anti-Semitism because of the number of real Jew-haters, who wanted to expel their Jewish populations to some other country, and the establishment of a Jewish state would be perfect for this purpose. The majority of Jews wished to stay in their native homelands and be accepted as equal citizens with their gentile fellow countrymen and women. The establishment of the state of Israel has indeed led to diaspora Jews being accused of being more loyal to Israel than their home countries, not least because Benjamin Netanyahu actually declared that the Jewish people and Israel are synonymous and identical. All Jews, everywhere, are citizens of Israel. The Palestinians, however, are not. Which is why activists like Tony Greenstein make it very clear that Israel isn’t a democracy, as it is not a state of its citizens but of a single, privileged ethnic group.

Maureen Lipman’s Attack on Ed Miliband

As for Maureen Lipman, she’s a great actor, but she has boiled her brain on this issue. She’s claimed to have left the Labour party because of Corbyn. She didn’t. She left it a few years ago when Ed Miliband, who’s Jewish, became leader. Miliband made some mild policy departures from a rigidly pro-Israel line, so Lipman threw a strop and left, ranting about how the party was now anti-Semitic. She wasn’t the only one. As Mike and the other left-wing bloggers have pointed out, the anti-Semitism smears date from this time, long before Corbyn became leader. Which makes utter nonsense of the claim that Corbyn, one of the most anti-racist and determined opponents of anti-Semitism, is a Jew-hater.

Other Victims of Witchhunt Silenced by Media

It’s refreshing that the Radio Times should give space to Margolyes’ views, and I’m sorry that she, too, is suffering vilification and smears for her opposition to Israel that other critics and activists, both Jewish and non-Jewish, are also receiving. But unfortunately the media, including the Beeb, is still determined to repeat these smears and libels. Those abused, like Mike, may be able to correct these attacks through IPSO, but it’s very difficult for the victims to take their attackers to court for libel. This is largely because of the huge costs involved, but also because there are time limits on libel actions and the newspapers do everything they can to stall and stonewall them until they run out of time. And I have yet to see any part of the lamestream media invite those, who have been smeared as anti-Semites, onto their programmes to defend themselves. The noble exception to this have been the new, alternative broadcasters like RT and Novara Media. George Galloway has had Jackie Walker and Tony Greenstein on his show, Sputnik, on RT to make their case and describe their experience of victimisation in the anti-Semitic witchhunt. But the Beeb, ITV, Channel 4, Channel 5 and others have yet to do so. Meanwhile Laura Kuenssberg and the other liars of the BBBC newsroom have been free to continue their promotion of the lies and smears against Corbyn and his supporters without any criticism or dissent whatsoever, urged on by the rest of the mendacious right-wing media and Jewish establishment.

I’m pleased Margolyes has been able to present the other side of the argument in the RT, and would like other anti-Israel activists also to have the opportunity to explain their position and rebut the anti-Semitism smears. But the majority are ordinary people, like Mike, Greenstein, Walker, Odoni, Wadsworth and Chilson, who aren’t already media figures and so are denied a proper, sympathetic platform. And so the lies and smears continue.

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Abusive Message Sent to Jenny Manson, Head of Jewish Voice for Labour

March 15, 2019

Mike today has put up a piece about the vile, abusive message sent to Jenny Manson, the chair of Jewish Voice for Labour. Unlike the Zionist hate group, the Jewish Labour Movement, this is a group that represents all Jews and members have to be members of the Labour party. Unlike the JLM, where they don’t have to be either. The JVL supports Jeremy Corbyn, and like Jewdas and other Jewish groups, it points out what the lamestream media and the establishment really don’t want people hearing: that Corbyn isn’t an anti-Semite and has always been supportive of Jews. Indeed, 21 rabbis wrote and signed a letter about this last year.

Manson was on Newsnight last week defending Jeremy Corbyn, and I gather that she has also been on two other programmes as well doing the same. This was too much for one member of the public, who stalked her and left an abusive message on her phone. The anonymous caller calls her  ‘Nazi scum’ and says that he wishes she burns ‘in the gas oven’ and ‘burns in hell in acid’. She has also said that she is regularly stopped in the street by aggressive individuals, angered at her support for Labour.

Mike in his article states that it seems to him that this is exactly what the witchhunters want. He mentions that this week Jeremy Corbyn was punched in the head by someone angry about his stance on Brexit, and wonders how long it will be before someone is physically attacked or worse by the supporters of the anti-Semitism witchhunt.

He speculates about what they would say if caught, and who they would claim had incited them to it. Mike states that it’s time the people stirring up this hatred were held to account. He concludes

Next time they make unfounded accusations, perhaps we should lodge complaints against them under the Public Order Act – fear or provocation of violence.

See: https://voxpoliticalonline.com/2019/03/15/listen-to-the-vile-hypocrisy-of-the-anti-semitism-witch-hunters/

If you want to hear the message, go to the Skwawkbox at: https://skwawkbox.org/2019/03/15/listen-horrific-antisemitic-voice-message-sent-to-left-wing-jewish-labour-activist/

The Skwawkbox also has another story about an Orthodox Jewish man, Shraga Stern, who was abused because he appeared with Jeremy Corbyn in a photograph taken at Finsbury Park Mosque commemorating the terrorist attack there last year. The message wasn’t as vitriolic as that directed at Manson. It just said ‘You appeared with Corbyn. Shame on you. Be careful’.

https://skwawkbox.org/2019/03/15/orthodox-jewish-man-threatened-over-appearance-with-corbyn/

I don’t know if the people leaving these obscene messages are Jewish. Quite honestly, given some of the weird characters in organisations like Sussex Friends of Israel and North West Friends of Israel, they could well be gentiles. One Jewish anti-Zionist described some of the bizarre, twisted members of one of these group. One of them was a bloke, who claims to be an Orthodox Jew, despite the fact that he is very obviously not. But unfortunately, this kind of abuse is no aberration, whether it is hurled by Jews or gentiles. Tony Greenstein has described on his blog how he has received messages from Zionist Jews telling him that they wished he and his family had died in the Shoah, the Holocaust. He was also physically assaulted in Brighton by a Jewish American. To add insult to injury, Greenstein was himself arrested following this attack, though released without charge. And one of the videos for Jackie Walker’s one-woman performance about her unjust suspension from the Labour party on a fake charge of anti-Semitism included her reading out some of the vile hate messages she got. And they were absolutely horrific. She was called a ‘court Jew’ – the Jewish equivalent of the Black slur ‘house n***er’. She was also told, amongst other threats, that she should be lynched. As the video of her performance shows, this is especially horrific because her mother was an American civil rights activist, at a time when Blacks were really being lynched.

From the descriptions of their behaviour on a number of Jewish blogs, not just Greenstein’s, it’s very clear that the Zionist groups who turn up to protest events criticising Israel are very aggressive. They scream, shout, sneer and giggle at description of the IDF killing Palestinian children. They will also try to block the entrances into the venue where the event is being held. If flyers and leaflets are being handed out, they will try to snatch them from the grasp of the ordinary members of the public who ask for them. They also hobnob with members of the islamophobic mainstream Fascist right, like Britain First. The Israel lobby will also demonstrate with members of the Jewish Defence League and idiots wearing T-shirts supporting Kach, a far-right Israeli terror group. Given this, it seems to me that it may only be a matter of time before someone from these Fascist organisations takes out their rage physically on an innocent person, whose only crime is to be a Jewish supporter of Jeremy Corbyn.

As for the anti-Semitic abuse hurled by Zionists at non-Zionist or Israel-critical Jews, this goes back a long way. A week or so ago I posted up a piece about how the language Theodor Herzl, the founder of Zionism, used about diaspora Jews in his Das Judenstaat mirrored and prefigured Nazi and Fascist rhetoric. Herzl described contemporary diaspora Jews as ‘Yids’, who were small, dark, cringing and ugly, in contrast to the strong, proud, beautiful Hebrews who would arise with the new Jewish state. Alfred Kepel, in his book on the rise of Christian, Jewish and Islamic fundamentalism, The Revenge of God, also talks about the bitter feelings Zionists have towards non-Zionist Jews. Many Zionist partly blamed the non-Zionist Jewish organisations in eastern Europe for the Holocaust, arguing that more Jews could have been saved if they’d encouraged them to emigrate to Israel. It’s a highly questionable assertion. Rudolf Kasztner, the leader of the Hungarian Zionists during the Second World War, struck a deal with the Nazis, in which tens of thousands of ordinary Jews were sent to the death camps in return for a minority being sent to Israel. It’s also been argued that what stopped Israel suffering the same fate as European Jewry was Montgomery’s victory at El Alamein. If the Nazi forces had broken through, then they would have occupied Palestine and murdered its Jewish inhabitants. Amongst the rhetoric Zionists use against their non-Zionist fellows, according to Kepel, is casting them as ‘Yids’, capering for the entertainment of their gentile, aristocratic lords. I think this is a literary trope, but it is obviously part of the accusation that non- or anti-Zionist Jews like Jackie Walker are ‘court Jews’.

It seems to me very strongly that the ugly abuse Jenny Manson and Shraga Stern have suffered is part of the racist, anti-Semitic rhetoric of Zionist fanatics.

And Mike is absolutely correct. It may well only be a matter of time before one of these fanatics takes it further, and physically attacks or kills a decent, self-respecting Jew, because as a Corbyn supporter they have to be ‘Nazi scum’ or a ‘court Jew’. Quite apart from the non-Jewish opponents of anti-Semitism and racism, who have suffered the same abuse.

It’s time to halt the racism by calling it what it is: hate speech, incitement to racial hatred and incitement to violence.

Trailer for Jackie Walker’s One-Woman Show ‘The Lynching’

March 1, 2019

Jackie Walker is, as readers of the blog well know, the former vice-chair of Momentum, who frightened the Blairites and the Israel lobby in the Labour party so much that they smeared her as anti-Semite. It’s a ridiculous charge, as her mother is a Black American civil rights activist and her father a Russian Jew, who met on a civil rights demo. Walker herself is also a Jew by faith, her partner is Jewish, and her daughter attends a Jewish school. She is anti-racist activist herself. She was targeted for smearing because she’s a critique of Israel and its horrific maltreatment of the Palestinians. And so they accused her of anti-Semitism after uncovering a poorly worded sentence in a discussion she was having about Jewish involvement in – but not responsibility for – the slave trade.

She has been suspended from the Labour party, but is fighting back. Jon Pullman, the director of this trailer, has produced a film, Witchhunt, about her smearing by the Labour Party and the Israel Lobby. This is so potentially damaging to that section of the Labour party that Luciana Berger, now a member of the Independent Grouping of Anti-Democrats, threw a strop and demanded the cancellation of its screening at the Labour party. And shortly afterwards, the MP who booked the room, Chris Williamson, was suspended for the stance he had taken against the anti-Semitism smears in a speech.

Two years ago in 2017 Walker also toured Britain with her show, The Lynching, about her persecution.  This is the trailer posted on YouTube on August 9th, 2017, for her show.

It begins with her walking down a beach, before showing her reading out some of the vile messages that she has been sent on her computer. Like ‘racist, fascist Jew-hater’, ‘Put her in a bin, throw petrol over her’, ‘Set her on fire’, ‘Lynch the bitch’. Other messages on the computer claim that she isn’t really Jewish, and that her Jewish identity is just an artfully constructed guise. She then appears on stage, set with teaching equipment, and with a black doll hanging from a noose in a corner. At the front of the stage is a banner with the slogan ‘Anti-Semitism is a crime. Anti-Zionism is a duty’. She explains that those were just some of the Tweets.

She then appears back walking down a hillside towards a beach. She explains that she got a blank from the mainstream media. All they wanted was a particular story, which wasn’t one that included details or context. Back on the stage she explains to her audience that she’s going to tell them a story tonight about a witch hunt, about fake news, interspersed of screen shots of some of the reports, including the astonishingly wrong claim that she denied Hitler was responsible for the Holocaust. She states this was an attempt to smash the most extensive, radical movement in her lifetime.

She states that she’s saying that if the mass media don’t want to give a balanced report, then ‘we have to do it ourselves’. She is then shown introducing herself to her audience, saying that up to two years ago she was barely known as a teacher, writer, as an anti-racist activist and a supporter of Jeremy Corbyn. And then in May her life was totally transformed. Israel and the agents of Israel and the supporters of Israel are targeting people like her all across the world. She was having dinner when the phone rang and she was told she’d been suspended for anti-Semitism. She says she was thinking of ways of getting her story out to people, especially people, who wouldn’t normally come to a political meeting.

She states that the story starts with her mother, who she explains was a Black civil rights activists. She imitates her mother’s voice, and quotes her explaining that in some places lynching is so popular they have it twice a week. She also explains that her father was a Jewish Russian Communist involved in the civil rights movement, where her parents met. She imitates him saying that as a Communist, he believes that Black people had been at the bottom of the pile, not just for a few years, but hundreds, who weren’t even thought of as human beings. Walker then explains that she wanted to make politics personal. She then returns to quoting her father, who said it wasn’t just him who wanted to support ‘coloured’ people’s rights. All his Jewish comrades were there. She then returns to explaining that she always knew that her father was Jewish, her mother had always discussed it, and she knew that her mother also had Jewish ancestry. As she became politically aware of what that meant, of that whole struggle, she became increasingly an anti-Zionist Jew, identifying with that position.

She explains that for hundreds of years Black people, who were fighting enslavement got nowhere. They were lynched and worse for attempting to liberate themselves. Here she appears on stage showing a photo of such lynching, with the bodies of two Black men grotesquely dangling from a tree. She also reads from one of the Noddy books, in which Noddy reproaches a golliwog for stealing his things, and says they shouldn’t be allowed in Toytown, but made to live in Gollitown with the other Gollies, while clutching a golliwog.

The video then shows her saying that Blacks were fighting against overwhelming political and economic forces and there are strong similarities between that and what is happening in Israel and Palestine now. She says that being open about her family and her background is absolutely critical to understanding her political work. And of course it what the mainstream media and the Israel lobby, who’ve been in many ways mounting the campaign against her, cannot bear.

Back on stage she says, ‘They wanted a lynching. A political lynching. So she thought she would get her own court of public opinion. And you’re -‘ she gestures at the audience – ‘are going to be that for me tonight’.

As well as at home, on the stage and on the beach, the video also shows her handing round a flyer for her show outside a cathedral during one of the festivals, and talking to the camera in a park.

It looks like The Lynching was a fascinating, inspiring show, and Walker is clearly a woman of great resilience to have endured such vile smears. As are the other people, who’ve also been vilified and abused, like Ken Livingstone, Tony Greenstein, Marc Wadsworth, and Mike over at Vox Political.

The lynching campaign of the Blairites and the Israel lobby is still going on. It claimed Chris Williamson this week. But perhaps if more shows like that are put on, and more people protest and defy their persecutors, and bring their cases instead to the court of public opinion, it may be halted.

Zarjaz! Rebellion to Open Studio for 2000AD Films

November 26, 2018

Here’s a piece of good news for the Squaxx dek Thargo, the Friends of Tharg, editor of the Galaxy’s Greatest Comic. According to today’s I, 26th November 2018, Rebellion, the comic’s current owners, have bought a film studio and plan to make movies based on 2000AD characters. The article, on page 2, says

A disused printing factory in Oxfordshire is to be converted into a major film studio. The site in Didcot has been purchased by Judge Dredd publisher Rebellion to film adaptations from its 2000 AD comic strips. The media company based in Oxford hopes to create 500 jobs and attract outside contractors.

Judge Dredd, the toughest lawman of the dystopian nightmare of Megacity 1, has been filmed twice, once as Judge Dredd in the 1990s, starring Sylvester Stallone as Dredd, and then six years ago in 2012, as Dredd, with Karl Urban in the starring role. The Stallone version was a flop and widely criticized. The Dredd film was acclaimed by fans and critics, but still didn’t do very well. Two possible reasons are that Dredd is very much a British take on the weird absurdities of American culture, and so doesn’t appeal very much to an American audience. The other problem is that Dredd is very much an ambiguous hero. He’s very much a comment on Fascism, and was initially suggested by co-creator Pat Mills as a satire of American Fascistic policing. The strip has a very strong satirical element, but nevertheless it means that the reader is expected to identify at least partly with a Fascist, though recognizing just how dreadful Megacity 1 and its justice system is. It nevertheless requires some intellectual tight rope walking, though it’s one that Dredd fans have shown themselves more than capable of doing. Except some of the really hardcore fans, who see Dredd as a role model. In interviews Mills has wondered where these people live. Did they have their own weird chapterhouse somewhere?

Other 2000AD strips that looked like they were going to make the transition from the printed page to the screen, albeit the small one of television, were Strontium Dog and Dan Dare. Dare, of course, was the Pilot of Future, created by Marcus Morris for the Eagle, and superbly drawn by Franks Hampson and Bellamy. He was revived for 2000 AD when it was launched in the 1970s, where he was intended to be the lead strip before losing this to Dredd. The strip was then revived again for the Eagle, when this was relaunched in the 1980s. As I remember, Edward Norton was to star as Dare.

Strontium Dog came from 2000 AD’s companion SF comic, StarLord, and was the tale of Johnny Alpha, a mutant bounty hunter, his norm partner, the Viking Wulf, and the Gronk, a cowardly alien that suffered from a lisp and a serious heart condition, but who could eat metal. It was set in a future, where the Earth had been devastated by a nuclear war. Mutants were a barely tolerated minority, forced to live in ghettos after rising in rebellion against an extermination campaign against them by Alpha’s bigoted father, Nelson Bunker Kreelman. Alpha and his fellow muties worked as bounty hunters, the only job they could legally do, hunting down the galaxy’s crims and villains.

Back in the 1990s the comic’s then publishers tried to negotiate a series of deals with Hollywood for the translation on their heroes on to the big screen. These were largely unsuccessful, and intensely controversial. In one deal, the rights for one character was sold for only a pound, over the heads of the creators. They weren’t consulted, and naturally felt very angry and bitter about the deal.

This time, it all looks a lot more optimistic. I’d like to see more 2000 AD characters come to life, on either the big screen or TV. Apart from Dredd, it’d good to see Strontium Dog and Dare be realized for screen at last. Other strips I think should be adapted are Slaine, the ABC Warriors and The Ballad of Halo Jones. Slaine, a Celtic warrior strip set in the period before rising sea levels separated Britain, Ireland and Europe, and based on Celtic myths, legends and folklore, is very much set in Britain and Ireland. It could therefore be filmed using some of the megalithic remains, hillforts and ancient barrows as locations, in both the UK and Eire. The ABC Warriors, robotic soldiers fighting injustice, as well as the Volgan Republic, on Earth and Mars, would possibly be a little more difficult to make. It would require both CGI and robotics engineers to create the Warriors. But nevertheless, it could be done. There was a very good recreation of an ABC Warrior in the 1990s Judge Dredd movie, although this didn’t do much more than run amok killing the judges. It was a genuine machine, however, rather than either a man in a costume or animation, either with a model or by computer graphics. And the 1980s SF movie Hardware, which ripped off the ‘Shock!’ tale from 2000AD, showed that it was possible to create a very convincing robot character on a low budget.

The Ballad of Halo Jones might be more problematic, but for different reasons. The strip told the story of a young woman, who managed to escape the floating slum of an ocean colony to go to New York. She then signed on as a waitress aboard a space liner, before joining the army to fight in a galactic war. It was one of the comic’s favourite strips in the 1980s, and for some of its male readers it was their first exposure to something with a feminist message. According to Neil Gaiman, the strip’s creator, Alan Moore, had Jones’ whole life plotted out, but the story ended with Jones’ killing of the Terran leader, General Cannibal, on the high-gravity planet Moab. There was a dispute over the ownership of the strip and pay between Moore and IPC. Moore felt he was treated badly by the comics company, and left for DC, never to return to 2000 AD’s pages. Halo Jones was turned into a stage play by one of the northern theatres, and I don’t doubt that even after a space of thirty years after she first appeared, Jones would still be very popular. But for it to be properly adapted for film or television, it would have to be done involving the character’s creators, Moore and Ian Gibson. Just as the cinematic treatment of the other characters should involve their creators. And this might be difficult, given that Moore understandably feels cheated of the ownership of his characters after the film treatments of Watchmen and V For Vendetta.

I hope that there will be no problems getting the other 2000 AD creators on board, and that we can soon look forward to some of the comics many great strips finally getting on to the big screen.

Splundig vur thrig, as the Mighty One would say.

Outrage at Sun and Israel Lobby After Jackie Walker Film Cancelled due to Bomb Hoax

September 28, 2018

Earlier this week, on Tuesday, 25th September 2018, a film about the vicious smearing and attacks on the former vice-chair of Momentum, Jackie Walker, was due to have its premier at Blackburne House, Liverpool. It was to be shown as a fringe event of the Labour conference then being held in that fair city. Directed by Jon Pullman, it took its title, The Political Lynching of Jackie Walker, from a blog post written by the redoubtable critic of Zionism, Tony Greenstein, The Jewish Labour Movement and its Political Lynching of Jackie Walker. There has also been a play about her mistreatment, The Lynching.

The film was shot in Britain and Europe, and followed Walker’s activities for over a year, as she worked, performed and interviewed her across her kitchen table, including comments from her friends and enemies, in order to get the real issue behind the headlines, and show the woman behind the activist.

Walker, you will remember, was smeared as an anti-Semite because members of the Jewish Labour Movement hacked into a private conversation she was having on Facebook about Jewish involvement in the slave trade. They took her words out of context and passed them on to that libelous rag, the Jewish Chronicle. They claimed that she had said that Jews were responsible for the slave trade. Walker has made it very clear that this is absolutely untrue.

She said

Yes, I wrote “many Jews (my ancestors too) were the chief financiers of the sugar and slave trade”. These words, taken out of context in the way the media did, of course do not reflect my position. I was writing to someone who knew the context of my comments. Had he felt the need to pick me up on what I had written I would have rephrased – perhaps to “Jews (my ancestors too) were among those who financed the sugar and slave trade and at the particular time/in the particular area I’m talking about they played an important part.”

For the record, my claim, as opposed to those made for me by the Jewish Chronicle, has never been that Jews played a disproportionate role in the Atlantic Slave Trade, merely that, as historians such as Arnold Wiznitzer noted, at a certain economic point, in specific regions where my ancestors lived, Jews played a dominant role “as financiers of the sugar industry, as brokers and exporters of sugar, and as suppliers of Negro slaves on credit, accepting payment of capital and interest in sugar.”

The producers had hoped that it would be shown as part of Momentum’s The World Transformed event, but Momentum refused, banning not just the film but also Free Speech on Israel and Labour Against the Witch-Hunt. The film was cancelled in its new venue after the organisers received an anonymous call claiming that there was a bomb in the building.

Mike, Tony Greenstein and Martin Odoni have all written pieces about this. Mike believes that the hoaxer may have been inspired by a piece in the Scum by one Hugo Gye. The Scum had been outraged by Momentum’s refusal to allow their journalists into their event, and bitterly complained. Then Gye wrote his piece in the rag describing the film and play. He called Walker herself a ‘far-left activist who was kicked out of Labour for making anti-Semitic slurs’, and quoted the Labour MP and member of the Israel lobby, Louise Ellman, as saying that it was ‘disgraceful’ for other party members to tolerate banned activists. This nasty piece of character assassination masquerading as journalism also included an image of a flier for the event, giving its date and venue.

See Mike’s article at: https://voxpoliticalonline.com/2018/09/25/did-walker-movie-bomb-threat-arise-from-bitchiness-by-the-sun-over-momentum-ban/

Martin has cautiously suggested that the hoaxer may well have been a Zionist, noting that there have been a number of attempts by Zionists to disrupt meetings of left-wing Jews over the past couple of years, including one of Jewish Voice for Labour this same week. Martin goes to ask

Perhaps Labour right-wingers like Margaret Hodge and Luciana Berger, with their ridiculous histrionics-for-the-cameras with needless bodyguards, and comparisons to the Holocaust, would like to consider that a real threat is being aimed at the very people by whom they claim to be threatened? There is every chance that this threat was made by one of Hodge’s/Berger’s allies. If that is the case, what will they have to say about that?

See: https://thegreatcritique.wordpress.com/2018/09/25/breaking-news-bomb-threat-against-jackie-walker/

Greenstein, however, believes very strongly that the hoaxer was probably inspired by Marie van der Zyle (pictured below) and the Board of Deputies of British Jews.

Yes, the joke’s getting old now, but it’s still funny.

Zyle and the Board have done their level best over these past few years to stop Walker speaking. When Walker and Greenstein spoke in Brighton and Nottingham, the Board phoned the venues beforehand and tried to get them to cancel them. They did the same in 2016, when Walker was due to speak at a church in Bradford, slandering her as ‘an unapologetic Jew-baiter’. They also tried the same stunt to stop her appearing at the Edinburgh Festival.

Greenstein writes

Even if the hoax bomb caller was unknown there can be no doubt that he was doing the work that Marie van der Zyl, Jonathan Arkush and the Board of Deputies have been doing these past two years.

Even if their methods were slightly different the objective was the same. To prevent Jackie Walker exercising her right of free speech. Defence of the pernicious and racist Israeli state was the aim of both Marie Van Der Zyle and the hoax bomb caller. Whereas Ms Zyle merely threatened, cajoled and lied to the owners of venues which she contacted, the anonymous person who phoned on Tuesday simply promised to blow people up Israeli style.

Both Martin and Greenstein also describe the immense hypocrisy of the Board and the Groaniad, who have tried to make political capital out of the incident by describing it as ‘anti-Semitic’. The Groan’s headline about the incident was so misleading that one Peter C. Burns, tweeting about it, apparently believed that it was the Zionists, who had been threatened.

Greenstein points out in his article that the hoaxer did call it a ‘Jewish event’ in his phone call, even though it wasn’t. And it’s rich that the Board has used it to tweet a message about how we must all stand together against anti-Semitism, when they themselves have been whipping up hatred against Walker, libeling her as an anti-Semite. This has resulted in Walker being sent vicious abuse, expressed in foul and anti-Semitic language from other Jews. Because, as Greenstein himself has experienced, Zionist Jews hated Jewish critics of Israel more than gentile anti-Semites.

Greenstein also notes the monumental lack of interest in this by the media, with the exception of the Guardian. He observes that if this had happened at a Zionist event, then Luciana Berger, Ellman and Margaret Hodge would all be shouting about how they were being victimized and needed protection.

Both Mike and Greenstein write in their articles that far from shutting down interest in the film, this will only make more people interested in it. And Mike asks if her accusers’ case is so fragile, their only answer to Walker and her film is to try to stop it being thrown through bomb threats.

Greenstein’s article is at: http://azvsas.blogspot.com/2018/09/bomb-hoax-in-liverpool-we-shall-not-be.html

It also includes some prize examples of the abuse Walker has received. It’s nasty, racist and viciously misogynist stuff. ‘Lying sack of excrement’ is one of the least foul terms her abusers use. So decent, sensitive souls be warned.

On a more positive note, he also includes a brief trailer for the film, which is very much worth watching.

Mike Launches Crowdfunding Appeal to Help Fight Libel Battle

June 16, 2018

On Wednesday, 13th June 2018, Mike annnounced that he had set up a crowdfunding page to raise money for him to take to court the organisations and publications that have libelled him as an anti-Semite. He has had to do this, because he simply doesn’t make enough from the Vox Political page to pay the legal fees himself, and so he has turned to the generosity of his readers.

He posted up the description of his case, and why he needs the money, which he has put on his JustGiving page. This runs

“My name is Mike Sivier. You may know me as the writer of the Vox Political website.

I am probably best-known as the man who forced the Conservative government to reveal the number of sick and disabled benefit claimants who had lost their lives after being denied benefit, after a two-year campaign.

In 2017, immediately before local government elections in which I was standing as a Labour candidate, an organisation calling itself the Campaign Against Antisemitism published an article falsely alleging anti-Semitism by me. I believe the intention was to corruptly spoil my chance of being elected.

The piece ‘quotemined’ investigative articles I had written about claims of anti-Semitism against Labour Party politicians, using only those words that could present the most prejudicial impression about me, in order to falsely suggest hatred of the Jewish people. A weblink to the article was then sent to the Labour Party, in an attempt to have my membership suspended. This led to newspaper articles including one in which my local Conservative MP libelled me.

Labour obligingly suspended my membership, and subsequently launched a one-sided investigation in which I was found guilty despite being absent from the proceedings, at which none of the evidence I had presented to the party was mentioned by the investigator.

A copy of the report to the Labour Party committee that heard my case was then handed to a member of the national press. This led to further newspaper articles claiming I was not only an anti-Semite but also a Holocaust denier (an innovation by the Labour Party investigator).

I have been trying to persuade all those involved to retract their unfounded claims and apologise. These lies have harmed my main business – the Vox Political website – by encouraging readers to believe I should be avoided because of the unacceptable views they have attributed to me.

My attempts seem unlikely to produce positive results so it seems I must resort to court action.

I need your support to fund the court campaign to clear my name.

Please support this case and share. As a Labour Party member, I believe in equal opportunities for all people, no matter the colour of their skin, their religion or ethnic background, or any other accident of birth. My campaign to force the Tory government to release its sickness and disability death figures was an example of my commitment to end discrimination, prejudice and hate based on such characteristics.”

He ends his article with an appeal to readers to support him, either by donating or sharing the link, or both, which is

https://www.justgiving.com/crowdfunding/mike-sivier

The article is at: https://voxpoliticalonline.com/2018/06/13/help-vox-political-writer-fight-anti-semitism-libels-in-court/

All this is absolutely true. And I’ve written time and again that Mike is no racist, Anti-Semite or any kind of Nazi. He and I had an uncle, who was of Jewish descent, with whom our family used to go on holidays when we were children. Our father had done his national service in Germany, not far from Belsen concentration camp, and showed us the photos he’d taken of the remains of that terrible place, and the memorial the British army put up to the Jews murdered there.

He has always enjoyed the friendship of people of different cultures, religions and nationalities. One of his mates at college was a Muslim Nigerian. And while he was there, he was one of the speakers reading out the names of some of the victims of the Holocaust in a performance commemorating them and the others butchered in the Shoah. He had done this at the invitation of a female Jewish friend, who was deeply moved by his performance.

One of the books I’ve got on my shelf on the Third Reich was given to me by Mike after he went on a College trip to Berlin. It’s on the Nazi Sicherheitsdienst – the infamous ‘Security Service’, which formed a part of the apparatus of state terror in the Third Reich. It was published by the-then West German government to acccompany an exhibition on the SD and the horrors they perpetrated following the redevelopment and archaeological investigation of the organisation’s headquarters in what was then West Berlin. As well as information on the SD and the other parts of the Nazi secret police, like the Gestapo and the Krimipolizei, the ordinary criminal police, who were also responsible for persecuting political and ethnic enemies of the Nazi order, the book also gave due coverage of the Nazis’ victims. It described the network of camps, and gave the figures for the number of Jews and other victims murdered in the occupied countries. It also had a photographs and potted biographies of some of the most notable victims. It is most definitely not the kind of book Nazis, ant-Semites and Holocaust deniers want people reading, let alone give to their relatives.

Mike and I grew up in the ’80s, when the NF and BNP were very much in the news and trying to make their presence felt through terrorising and attacking people of colour and lefties. It was also the decade when Blacks and Asians also fought back against racism with the support of White sympathisers. There was a real fear at the time that the BNP or something like them could gain power, especially under Thatcher’s noxious government, with its links to South American Fasciss like Pinochet and the horrific Rios Montt. This fear was expressed in some of the comic literature that both he and I read, which dealt with issues like racism and persecution.

It shows the absolute contempt for truth or any kind of journalistic integrity that he, and so many others like him, have been smeared and libelled by the Campaign Against Anti-Semitism and the scumbags of the right-wing press. I full support Mike in his court battle, and hope others will too.

Mail Spikes Story about German Anti-Nazi Tennis Champ to Save Embarrassing Its Chiefs’ Grandfathers

June 14, 2018

This is another piece from Private Eye, which shows you once again how grotty the Daily Mail and its sister paper, the Mail on Sunday are, and their historic links with Fascism and anti-Semitism.

Paul Dacre, the editor of the Daily Mail, resigned last week to start a new job elsewhere in the company. He was succeeded by Geordie Grieg, who was previously the editor of the Mail on Sunday. This fortnight’s Private Eye for 15th-28th June 2018 therefore carried a special, two-page article paying suitable tribute to him and his editorship of the rag, on pages 8 and 9. On page 9, in the section ‘Good Sports Finally Agree’, the Eye describes how both Dacre and Grieg spiked a story about a 1930s German tennis player, Baron Gottfried von Cramm. Von Cramm was an opponent of the Nazis, and was imprisoned by them for having a gay affair. The Mail was considering running a story about this courageous and principled man, up to the point when one of its staff noticed a few lines in the article describing how he had been banned from participating in the 1939 Wimbledon tournament by the All England Club. One of those pushing for the ban was Harold, the first Viscount Rothermere. And so to avoid embarrassing the current Viscount Rothermre, the piece was spiked.

The story was then picked up the Mail on Sunday, which was also considering publishing it, until a hack dug up another connection between events then and the MoS’ editor. It turns out that the president of the All-England Club at the time von Cramm was banned was one Louis Grieg, Geordie Grieg’s grandfather. Who was also a member of Oswald Mosley’s January Club. And so the story was spiked again. This sorry tale was revealed, according to the Eye, in the ‘Mandrake’ column of the New European.

The Mail is infamous for the backing it gave Oswald Mosley’s legions with the headline ‘Hurrah for the Blackshirts’. One of the great left-wing bloggers, I think it was Tom Pride at Pride’s Purge, a few years ago posted up the various headlines and articles the paper had run in the 1930s raving about Adolf Hitler, the Nazis, Mosley and fulminating against Jewish immigration. This was after the Mail did a hatchet piece on Ed Miliband, the then head of the Labour party, which attacked him through his father. The article was headlined ‘The Man Who Hated Britain’, and sought to portray Ralph Miliband, a Jewish Belgian immigrant and an important Marxist thinker, as someone who despised his adopted country. Well, he certainly despised its class institutions, like the public schools and monarchy, but as Tom Pride’s piece revealed, Miliband senior did his patriotic duty like millions of other people, and served in the army fighting the Nazis.

This was in sharp contrast to Dacre’s father or grandfather, I can’t remember which, who spent the war as a showbiz or society correspondent. So, more hypocrisy from the Mail. This won’t surprise anyone, as the Mail’s always been hypocritical in its nasty attitudes.

With all these murky little family secrets about their predecessors’ extreme right-wing views, the editors of the Mail and Mail on Sunday have got no business libelling anyone on the Left as anti-Semites or Holocaust Deniers.

The Pascon Agan Arluth and Other Classic Works of Cornish Literature

March 30, 2018

As this is Good Friday, I thought I write about one of treatments of Christ’s trial and crucifixion in one of the other languages of Britain, the Celtic language of Cornwall. The Pascon Agan Arluth translates as ‘The Passion of Our Lord’ I think it was originally written in 1637 in Middle Cornish. There is a bilingual edition of the text in both Cornish and English published in the 1980s by the Cornish language publishers Dyllansow Truran. Unfortunately, I can’t say much more about it nor show a picture, because I’m afraid I’ve mislaid my copy. Dam’. But like the English mystery plays in England, its a classic of literature for Cornish, regardless of whether you’re a Christian or not.

Dyllansow Truran have also published a number of other classic works of Cornish literature, which also date from the 17th century, and which are also on religious themes. These include

Gwryans an Bys: A Medieval Cornish Drama, William Jordan 1611, translated and amended by R. Morton Nance (Mordon) and A.S.D. Smith (Caradar), ed. by E.G. Retallack Hooper (Talek) (Redruth, Cornwall: Dyllansow Truran 1986).

It was written by William Jordan of Helston, and then translated into English by John Keigwin eight decades later in 1691, at the request of the Bishop of Exeter, Sir Jonathan Trelawney. This edition follows the translation and unified spelling of the two revivalists of the Cornish language, Nance and Smith. It’s a rough retelling of the story of Genesis from God’s creation of the world, the fall of Lucifer and the rebel angels, the temptation of Adam and Eve, Cain’s murder of Abel and his subsequent life, Enoch and his translation alive into heaven, and ends with Noah and God’s revelation to him of the Enochian laws. These are four simply laws that guarantee salvation to everyone, provided that they believe in one God. This is obviously one of them. I can’t remember the other two, but another is that people are not to eat meat cut from a living animal.

It begins with the lines from God the Father

Ego sum Alpha et Omega:
hep dalleth na dewethva
pur wyr my yu:
omma a-jy dhe’n clowdys
war fas an dowr, yn-certan,
Try Person yn un Deways,
ow kesregnya bya vyken
yn mur honor ha vertu.
My ha’w Map na’n Spyrys Sans
Try yth on yn un Substans,
comprehendys yn un Dew.
I am Alpha and Omega:
without beginning ore end
right truly am I:
here within the clouds
upon the face of the water, verily,
The Persons in one Godhead,
reigning together for ever
in great honour and power.
I and my son and the Holy Spirit
Three are we in one Substance,
Comprised in one God.

And ends with the epilogue

an keth jorna-ma y de –
deh’n Tas Dew re bo grassys:
why a welas, pup degree,
lyes mater gwaryes,
ha Creasyon oll a’n bys.
Ynweth oll why a welas
an keth bys-ma Consumyes
der lyvyow a dhowr pur vras.
Ny ve un mabden sparyas
ma’s Noy, y wrek, ha’y
fleghes.
Deugh avorow a dermyn:
why a wel maters pur vras
ha redempsyon grontys.

dre vercy a dhew on Tas
dhe sawya neb us Kellys.

Mynstrels, gwreugh heny pbyba
may hyllyn warbarth donsya,
del yu an vaner ha’n gys.

This same day is ended –
to the Father God be thanks:-
you have seen, every degree,
many matters acted,
and the creation of all the world.
Also you have seen, all of you,
this same world destroyed
by very great floods of water.
No one human being was spared
except Noah, his wife, and his children.
Come in time tomorrow:

you shall see very great matters,
and redemption granted
by the mercy of God the Father,
to save whoever is lost.

Minstrels, do you pipe for us
what we may dance together,
as is the manner and the fashion.

The play continued on a second day, but William Jordan didn’t write it down, and so it’s been lost.

The Camborne Play: A Verse Translation of the Beunans Meriasek by Myrna Combellach (Redruth: Dyllansow Truran 1988)

The play’s manuscript was written in 1504, though this is just the date the play was finally written down, and it may have been composed much earlier. The manuscript itself comprises there separate plays bound together in a logical sequence, with a cast of 120, and intended to be performed in the round, probably in a natural amphitheatre. Myrna Combellach’s version of the play was produced for a performance directed by Jerry Finch of for the Cornwall Drama Association at the Cornish Eisteddfod, 1986. It was rehearsed and performed at St. Paul’s Church, Truro, in February 1986, and the performers were a mixture of amateur, student and professional actors. The play is a treatment of the life of Camborne’s patron saint, Meriasek. Hence the title in Cornish Beunans Meriasek.

The blurb on the back cover reads

Vitality and joy of life are the keynotes of this new translation of the sixteenth century Cornish language play, Beunans Meriasek. In it, Camborne’s noble patron saint, Meriasek, is sent to school, refuses marriage and all world considerations, embarking instead on a priestly career of such piety that it ends in a bishopric of immense wealth and grandeur of the kind that he had studious worked to avoid all his life. Meanwhile, in Rome eight centuries earlier, the pagan emperor Constantine is stricken with leprosy, only to be cured by the outlawed Christian pope, Silvester, resulting in the Christian conversion of an empire. A black mass takes place, an evil worm of a dragon is slain, a forest is set on fire in Brittany, the Duke of Cornwall goes to war against paganism, and a third play on a completely different theme is added for good measure.

Mike Libelled as Holocaust-Denier by Sunset Times

February 5, 2018

Yesterday, the newspaper dubbed by Private Eye the Sunset Times went ahead and smeared Mike as an anti-Semite and Holocaust-denier. Mike was mentioned in yet another scaremongering article about how Labour under Corbyn was welcoming back the hard left and anti-Semites. There was a photograph at the top of the article of a few of those so accused, including Mike, along with Jeremy Corbyn. The others were professional politicians, such as the Black activist Lee Jaspers.

Mike was aware that the article was coming, and had more than an inkling that it wasn’t going to be sympathetic. He had been contacted on Saturday by Gabriel Pogrund, one of the Sunset Times’ hacks, who told him they were writing a story about the suspensions from the Labour Party for anti-Semitism, and wanted Mike’s view. So Mike told him, making it clear that he was very definitely not anti-Semitic and that the false allegations against him were made by the Campaign Against Anti-Semitism, and politically motivated. So Mike recorded the interview, and has put up his version of it on his blog.

https://voxpoliticalonline.com/2018/02/03/the-sunday-times-wanted-me-to-talk-about-labours-antisemitism-investigation-so-i-did/

As far as the Times article went, they needn’t have bothered to call Mike at all. None of that appeared in the final article. What did appear were a few, very selective quotes, ripped out their context, which suggested that Mike believed that Blair was surrounded by a clique of Jewish advisers, and doubted whether millions of Jews were killed during the Holocaust, or only thousands. It was material straight from the gutter pens or keyboards of the Campaign Against Anti-Semitism or the Jewish Labour Movement, formerly Paole Zion.

As Mike, myself and very many others have pointed out, ad nauseam, Mike is very definitely not an anti-Semite nor does he deny or minimise the Holocaust. I’ve mentioned on this blog many times before that he and I had an uncle of Jewish heritage, with whom we used to go on holiday with our family when we were children. Mike when he was at College was asked by a Jewish friend of his to read out some of the names of the people butchered by the Nazis during the Shoah as part of her commemoration of the atrocity. I’ve a German book on my shelf on the Nazi terror apparatus, including the Holocaust, which Mike bought for me on a trip to Berlin. This is a piece of thoroughly respectable scholarship, which discusses the Holocaust and the numbers of people murdered in the various areas of the Reich during the Nazi occupation. The book was published to accompany an exhibition on the Nazis’ apparatus of state terror following excavation and building work on the SS’ headquarters in Berlin. It was published by the German government, and so is a work of serious, and often moving scholarship, as it contains photos and some potted biographies of the Nazis’ victims. It is very definitely not something that would delight or give comfort to real anti-Semites and Holocaust-deniers like those in the Alternative fuer Deutschland, the National Democrats or the banned British Nazi youth group, National Action.

Mike points out that the comment about not knowing whether thousands or millions died in the Holocaust actually came from a reply he gave to a question about the SWP. Someone in the Socialist Workers’ Party had said a few years ago that thousands died in the Holocaust, and Mike was asked why they said that. Mike didn’t know, as he’s not and never has been a member of the SWP. Mike made that clear in his answer. But the Campaign Against Anti-Semitism, being the lying frauds they are, took that one sentence out of context to make it appear that Mike denied that six million Jews were murdered by the Nazis.

Mike, understandably, was upset by this gross libel, and has written a letter of complaint to the Sunset Times.

https://voxpoliticalonline.com/2018/02/04/my-complaint-to-the-sunday-times-about-its-libellous-article/

Mike has also written to ITV to complain about Robert Peston, after Peston described him as ‘vile’ on his programme, Peston on Sunday. This shows the amount of research Peston and his crew did. They didn’t contact Mike, or check the facts. They simply took what was said in the Times as completely true, and just repeated the libel with a bit of abuse thrown in.

I am not surprised that the Times decided to smear Mike in the article, though I am very, very disappointed. Throughout the past week it seems that it, the Torygraph and the other right-wing rags have been running scare stories pushing the idea that the Labour party is seething with anti-Semitism. On Saturday, for example, the ‘Opinion Matrix’ column of the I newspaper, which republishes extracts from the rest of the press, contained a snippet from the Times about the subject. This not only promoted the idea that Labour under Corbyn was full of anti-Semitic hate, but went on to say that if nothing was done about it, Jews would increasingly be put off the party.

In fact, if you look at what’s actually going on, the reverse is true. An increasing number of Jewish people are becoming alienated, not from the Labour party, but from the state of Israel and the Conservative Jewish establishment that supports it. An increasing number of Jewish American young people are now bitterly critical of Israel, including those who have suffered real anti-Semitic abuse themselves. And although over 70 per cent of British Jews say that the state of Israel is important to their sense of identity, critics of Israel like Tony Greenstein have also argued that this may well decline. Zionism was always a marginal movement within Judaism, and the vast majority of diaspora Jews wanted to live in the homelands of their birth as free, equal citizens with their gentile fellow countrymen and women. Support of Israel became a major plank of right-wing ideology in America as psychological compensation for that nation’s loss of the Vietnam War. Since then the country has benefited massively from considerable American and Western aid and a very largely uncritical stance by the mainstream media to the atrocities Israeli security forces have committed against the indigenous Palestinians, and the institutional racism of the Israeli state itself.

That situation is now changing, and the Israeli right is starting to panic. The Campaign Against Anti-Semitism was founded in 2014 by people, who were aghast to discover that Israel’s bombardment of Gaza had disgusted ordinary Brits. As I’ve said here, over and over again, the organisation is a pro-Israel pressure group. It has precious little interest in real anti-Semitism. It’s patrons are nearly all Tories, and there is little condemnation of anti-Semitism in that party, or indeed, of the real, vicious anti-Semites of the Far Right. It appears to exist solely to attack left-wing critics of Israel. Which it does through the well-worn Zionist tactic of smearing them as anti-Semites.

Corbyn isn’t anti-Israel. One of the commenters to this blog pointed out that he does support Israel. But he also supports the Palestinians, and that terrifies the Campaign Against Anti-Semitism, the Jewish Labour Movement and their friends in the Israeli Right, who wish to continue the Palestinians’ oppression and ethnic cleansing. They are very strongly allied to the Blairites, and so both groups are determined to silence Israel’s critics on the left, including and especially Jews, by smearing them as anti-Semites.

Mike is clearly one of those targeted. He’s been asked by journos about his document, the Livingstone Presumption, which he sent to the Labour party to defend Ken Livingstone against the smear against him. This shows just how much the liars and frauds of the Campaign Against Anti-Semitism and the Jewish Labour Movement fear him as a blogger, as well as the Tories and their lapdogs in the lamestream media.

Don’t believe the mainstream media about anti-Semitism in the Labour Party. They are lying, and they have lied and smeared Mike. Go and read what he has to say instead.

Tharg’s Tribute to Kevin O’Neill: When the Comics Code Banned His Art

December 30, 2017

Yesterday in one of the posts I mentioned the dictatorial grip the Comics Code Authority had over American comics from the 1950s to the mid-1980s. The Code was sent up to reassure and protect the American public after the moral panic over Horror comics in the 1950s. This spread to comics as a whole, which were seen as subversive, morally corrupting and un-American. This included bizarre accusations of Fascism and deviant sexuality aimed at those stalwarts of popular American culture, Superman, Batman and Wonder Woman. The scare decimated the American comics industry, and nearly caused its total collapse.

The Code was set up to ensure that all comics were suitable for a child of seven to read. Its officials were unelected, and in many cases had right-wing views that showed absolutely no understanding of popular politics or culture. It was supposed to be a voluntary organisation, and there were comics creators who worked outside and often against the code. Like Robert Crumb and the underground scene, or the independents Like Dave Sim and Cerebus the Aardvark. In practice, however, those comics were well outside the mainstream, and were only available in head shops and specialist comics stores like Forbidden Planet and the late, lamented Forever People in Bristol.

I discussed how the Code rejected one issue of the Green Lantern Corps, written by Alan Moore and drawn by Kevin O’Neill, on the grounds that O’Neill’s artwork was too grotesque and disturbing for children. This was ironic, as he had been delighting children and adults with his monstrous aliens, mutants, robots and equally grotesque humans for years in the pages of 2000 AD. He was and remains one of comicdom’s favourite artists, and while the other artists who worked on the Nemesis the Warlock strip added the considerable talents to the tale of the Warlock and his foe, the human ‘Ultimate Fascist’ Grand Master Torquemada, I think much of the strip’s initial popularity came from his superb, bizarre artwork.

2000 AD duly paid tribute to him and his censorship by the Comics Code in their anniversary issue, Prog 500, published on 14 December 1986. In it, Tharg took a walk through the contents of his mind, reviewing the comic’s history and revisiting some of the characters that didn’t work. At the end he comes to Kevin O’Neill, who appears as a stunted, crazed sadist. O’Neill admonishes him for censoring the most extreme piece of violence in the strip. Tharg tries to reassure him by reminding him that he won the ‘ultimate accolade’ for which other comics creators all envy him: the day the Comics Code banned his art as totally unsuitable for children. To which O’Neill replies ‘Hmmph. You won’t get around me by flattery’. Unsatisfied, O’Neill then calls down Torquemade, who promptly beats Tharg up.

The different sections of that strip were written and drawn by the different artists and writers, who worked on the comic, so there were different credit cards for them for each section. That section ends with the credits reading ‘Script Therapy: Pat Mills. Art Therapy: Kev O’Neill. Letters: Steve Potter’. Which suggests that the letterer was the only sane one there.

Here’s a few panels.

The real O’Neill is, however, quite different from his portrayal in the strip. It’s been pointed out several times that the fans, who’ve met him, are often surprised that he doesn’t dress in black and silver like the Terminators. And the other rumours about him are also totally untrue. Like he only works at night using a quill pen in the light of candles, and has an occult temple in his basement. I met him at UKCAC 90 in Reading, where I queued with Mike to have him draw a character on the blank badges we’d been given for our fave artists to draw on. O’Neill at the time was a wearing a ‘Solidarity for Nicaragua’ T-shirt, which a left-wing friend of mine at college also wore. He also was wearing a brown leather jacket, and his facial features at the time reminded me a bit of John Hurt. He was affable, enthusiastic, full of nervous energy and completely unthreatening. If you seem him now at comic conventions or footage of them on YouTube, or the occasional interview for television, he’s obviously older and balder, as effects so many of us eventually. He comes across as genial and entertaining British gent, completely unlike the berserk monstrosities that rampage across his strips down the years. Even when he’s telling the stories about how he and Pat Mills went as far as they could in savaging American superhero comics and right-wing, superpatriotic American politics in the violent and nihilistic Marshal Law. Actors, writers and artists aren’t their creations. Fortunately.