Posts Tagged ‘Schools’

RT Video of Teachers’ Demonstration in Washington against Betsy DeVos

October 17, 2017

Betsy DeVos is Trump’s education secretary. She’s a multimillionaire member of the family behind the Amway pyramid scheme, who has never attended a public, that is, state school in her life, and as a bright red corporate Republican, hates them with a passion. She, like her master, Trump, wants to privatise them, and turn them into charter schools. This means that they will be able to circumvent the state legislation regulating teaching standards, the pay and conditions of teaching staff, just like Academies in the UK. And in the case of America, they will also be outside the legislation outlawing the teaching of religion in schools.

Teachers in America, like those in Britain, are extremely worried and angry. This is a video by RT America of a demonstration by public school teachers outside the Hyatt Regency Bellevue Hotel in the state of Washington last Friday, 13th October 2017. The assembled educators have placards proclaiming ‘Stop Fascism’, protesting the privatisation of the American school system, and demanding an end to the road from school to prison. I don’t know the particular symbolism, but some of the female demonstrators lined up to wear 17th/18th century dress with red capes, holding placards, which read out ‘This nightmare will end’.

Mike and I both went to Anglican church school in Bristol, and I have absolutely nothing against the teaching of religion in schools nor the state supporting faith schools. I’m not a secularist. Religious education in British schools hasn’t prevented the increasing secularisation of society. Religion, and more recently the attempts of secular philosophy to grasp with the deep issues of humanity’s existence, morality and meaning, have been part of human culture and identity for centuries, if not millennia. It can also be argued that we need proper teaching about each others’ religious beliefs as society has become more plural and multicultural, so that children do not get distorted or bigoted pictures of our fellow citizens and their religious beliefs or secular philosophies.

But I’m also aware that American society and educational tradition is different, and that there are quite legitimate concerns that what these schools will push is not education, but indoctrination. Just as there are concerns over here about the extremist agenda pursued by some of the new faith schools established in the UK.

Mine and Mike’s mother was a junior school teacher for many years, and I did my first degree at an Anglican teacher training college, and so have some understanding from the inside of what teachers face. Contrary to what the Republicans and Conservatives would have us all believe, teachers as a rule don’t want to indoctrinate children with lesbian feminist cultural Marxist propaganda, although they do want to make sure that girls as well as boys reach their academic potential, and they do have a statutory duty tackle prejudice, including homophobia. But most of all, teachers want to stand in front of a White board and teach. And those I know, who’ve done it state that it’s immensely rewarding. They want to see their pupils do well, and become bright, inquiring members of society. They want to pass on the interest and passion they have for the subjects they teach, whether English, maths, science, history, whatever to the children in their care.

I’m perfectly aware that there are some terrible teachers. But the good far outnumber the bad. Teachers in this country have been appallingly treated by successive governments ever since Margaret Thatcher, and the attempts to privatise, or part-privatise schools through their transformation into academies and charter schools threaten educational standards, as well as the pay and conditions of the teaching staff themselves. This country has suffered from wave after wave of qualified teachers leaving the profession as conditions have become worse, demands increased, and in some cases even dangerous. There have been cases where teachers are assaulted. At the same time, like other public sectors workers, pay has been cut or frozen. They have not been given the support they need by the authorities, and in the case of the Republicans in America and Conservatives over here, they’ve actually been demonised and vilified. Over the decades newspapers like the Scum, the Heil and even the Torygraph have run article after article trying to scare the British public with stories about how left-wing teachers are indoctrinating Britain’s children. Under Cameron, we had Michael Gove whining about history wasn’t being taught properly. It should be more patriotic, with children taught the approved Tory version of the First World War, rather than Blackadder. As Mike pointed out in a series of articles he put up about it, this would be to distort history for the Tories’ own benefit. As well as mistaking a comedy, based on history, with history itself.

In the 1980s, my mother felt so strongly about the threat to British education that she and the other teachers in her union took industrial action. As did very many others. This was not done selfishly to maintain their own privileges at the expense of their children. It was also because they were very much concerned that unless strike action was taken, the Tories would continue to run down the British education system. As they have, and Blairite New Labour as well.

The transformation of America’s public schools into charter schools is undemocratic, and hasn’t just been done by the Republicans. Obama also pushed for it. And like Blair in England, schools were often taken out of the state sector and made charter schools against the wishes of the community, parents, teachers, community groups, pastors and clergy. The Black community in particular has been threatened by the fall in educational standards that they represent. A year or so ago the veteran civil rights organisation, the NAACP, came out against them. There are books over here about the failings of academy schools. One of the pamphlets I’ve written is against them. If you want a copy, just let me know in the comments and I’ll get back to you.

But DeVos and the corporatists want a privatised school system both as a source of profit and because they would transform the school system from proper education, to a system of creating a passive workforce, who have enough knowledge to work for their corporate masters, but not enough to question, think for themselves, or even to be able to participate fully in art and culture. Art and music along with other humanities are being dropped from the curriculum in Britain as schools concentrate on the STEM subjects. And this is harming our children’s education.

C.P. Snow talked of the ‘two cultures’. He felt that there was a real gap between the arts and the sciences, so that the two formed distinct, separate cultures with little contact between each other. I think his fears, however true they were when he was writing, are somewhat exaggerated now. Science and mathematics has inspired much art down the centuries, as you can see from the weird paradoxes of Max Escher or the new scientific experiments that were painted during the 18th century by Wright of Derby. And scientists and science educators like the late Carl Sagan and even Richard Dawkins have expressed an extensive knowledge and keen appreciation of art.

This is why teachers are protesting against academies and charter schools: they want to preserve proper educational standards. They want to make sure that the poorest children have the same opportunity to achieve as the wealthiest. They want education to receive its proper status as a public good, not the preserve of the affluent, or simply another revenue stream for a grotty multinational like Murdoch’s. And although in Britain religion is taught, or supposed to be taught, in schools, there are safeguards and legislation against indoctrination. And teachers wish to preserve those as well.

So stand with your community teachers and teaching unions, and don’t let the Republicans in America or the Tories in Britain turn your school into an academy.

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The Death Toll from Italian Colonialism: Why Johnson’s Comments about Libyan Corpses Is Not Funny

October 7, 2017

Mike yesterday and today has put up two pieces, reporting and commenting on condemnations of Boris Johnson’s remarks about British investors turning Sirte in Libya into ‘the next’ Dubai, as soon as they’ve cleared the bodies away’. Mike reported yesterday that a member of the Libyan House of Representatives, Saleh Suhbi, criticized the remark, saying

“It is cruel and unacceptable that the head of British diplomacy speaks and behaves in such a manner.

“Is this is a reflection of the British Government’s current views on Libya? Because this is not the UK that I know.”

See: http://voxpoliticalonline.com/2017/10/06/pm-reporters-litany-of-idiocy-shows-why-boris-johnson-shouldnt-be-in-politics-let-alone-the-cabinet/

Today Mike’s reported that the Libyan House of Representatives Foreign Affairs Committee has demanded a clarification from the government and an apology for Johnson’s remarks, stating that they are a violation of the sovereignty of the Libyan people.

http://voxpoliticalonline.com/2017/10/07/theresa-mays-failure-to-sack-boris-johnson-is-risking-an-international-incident/

Mike makes the point in the title and text of his article that by her refusal to sack Johnson, May is risking an international incident.

Clearly she is. And Mike’s article also has another great Tweet about Johnson’s crass remark from Owen Jones, and Johnson’s audience having a good guffaw at his ‘joke’. Or rather cavalier disregard for mass death.

The Libyans, whose country is still torn apart by civil war six years after Gaddafy was overthrown, don’t think Johnson’s comments about a battle with Islamists in which hundreds of police officers and innocent civilians caught in the crossfire died. I dare say that Johnson probably thinks this is another case of ‘foreign johnnies’ or whatever other disrespectful term he has for citizens of another country being touchy or oversensitive.

They aren’t. And if we had their history, we’d be exactly the same.

From the late 19th century until the 1950s, Libya was ruled by Italy, including the period of Fascist rule from 1921-1942 or so. I’m afraid I’ve forgotten the exact dates. During this period, the country lost 1/3 of its people in resisting the Italians. The Italians, especially under Fascism, used the full arsenal of modern warfare on them, including poison gas. They also sterilized some of those they considered particularly dangerous, though Roman Catholic morality prevented them from carrying out this policy to the same extent as the Nazis in Germany.

I was also told at school by a former member of my old school, who had gone to work over there in the oil industry, that while Gaddafy was a brutal dictator, he had given his country independence and prosperity. The oil companies could extract the oil, but they had to pay for it. Thus the country had schools and proper roads, which it had lacked previously, when the country had been exploited by the oil industry, and kept desperately poor. Other things I’ve read recently have said that in Libya, schooling and healthcare were free.

Libya and its people under Gaddafy therefore had self-respect, something like a welfare state and prosperity. They were also a major power in African politics, and while the Mad Dog of the Middle East was quite prepared to use Islamist terror groups to assassinate his African and Arab enemies, they were firmly kept out of the country itself.

Now, with the country still mired in a bloody civil war, the last thing its people need is a return of European imperialism. And the last thing its democratic politicians need is to be seen to be collaborators with another set of European imperialists, who find the deaths of their citizens nothing more than a joke.

Johnson’s comment was never funny. It was crass and insensitive. But when you find out a little about the way the country’s people were maltreated under Italian imperialism, and the colossal death toll this took, it becomes deadly serious.

Johnson isn’t a lovable oaf. He’s a right-wing thug, who cares only for the bloated prosperity of his own class, and is entirely indifferent about the sufferings of the poor and marginalized in Britain, and the feelings of the peoples of foreign nations. His comments in Myanmar show he’s so obsessed with his rosy Kiplingesque view of empire, that he’s incapable of understanding that the peoples of former colonized countries may find them insulting and offensive.

This insensitivity is actively harming British interests abroad. They may have very serious consequences as this country tries to build business and trading relationships after Brexit. May has to sack him. Now.

Support Group for Teenage/School-age Parents

October 4, 2017

I blogged last week about the outrage the Young Master, Jacob Rees-Mogg, caused when he appeared on TV to give the nation the benefit of his views on gay marriage and abortion. He’s a good Roman Catholic, and against both. In the case of abortion, this also includes instances where the woman is the victim of rape.

I hope this never happens to Mogg’s wife or daughter, but unfortunately women do become pregnant after being raped. This might surprise some on the right. I can remember hearing that one of the right-wing idiot pouring out their views on the Net or mainstream media apparently tried to play down the horrific nature of rape by claiming that it didn’t result in pregnancy.

However, I did find out this week about an organisation that exists to help teenage mothers, including those, who have become pregnant after such assaults. This is the Young Parents Help Unit. Not only does this give assistance to school age parents, it also helps girls take control of their emotions and teach them that they can say ‘No’. Teenagers, or at least some, experiment with sex, and some are forced into it or raped. The organisation also helps with such cases, including prosecuting the rapist.

I know that this isn’t quite the same as the issue of abortion, but felt I had to mention it as it might help someone reading this blog, whether they’re a teenage parent themselves, the parents of one, or simply friends or other relatives.

As for Mogg, I and millions of others have already made our opinions about him very clear, as have the many great commenters to this blog. I think he’s an aristo, who is completely indifferent to and complacent about the suffering his wretched views cause, whether they’re about abortion or on wider issues of the state’s duty to provide support for its poor and disadvantaged. He’s another toff, like Boris, who is being praised and promoted well beyond their abilities, and at a time when austerity is killing people, he’s a positive danger. He should be forced out of parliament immediately.

Chris Sterry Reblogs Article in Autism Magazine on How American Parents Can Get Help

September 26, 2017

One of the great commenters on this blog, 61chrissterry, also blogs himself about disability issues. Looking briefly at his site just now, I found an article he’d reblogged from Autism Parenting, an American magazine for the parents of children with Autistic Spectrum Disorders. These disorders cover autism, which can vary greatly in terms of severity, and Asperger’s, which is now increasingly seen as simply high-functioning autism. It’s a condition that affects many children. The current policy is to include autistic children, except when severely disabled, in mainstream schools, and teacher training now includes course on special needs children. These include autistic, dyslexic and children with Attention Deficit Disorder. The article in the magazine discusses ways parents can get help. It talks about the social security budget and the available funding for children with autism, and Medicaid. The article is about a course the writer attended in South Carolina.

I don’t know if this will be any help to anyone over the other side of the Pond with an autistic child, or has friends or relatives that do. But I mention it because it might, and it may interest British and European readers, who want to keep informed about what is going on internationally in the way autistic people are being treated by the state.

https://61chrissterry.wordpress.com/2017/09/02/securing-the-future-for-your-child-with-special-needs-autism-parenting-magazine/

Pat Mills and Anti-Racism and Anti-Nazism in British and American Comics

September 22, 2017

This week I’ve put up a number of articles about a couple of interviews I’ve found on YouTube with the long-time British comics creator, Pat Mills. Mills was one of the recidivist offenders, who revitalized a moribund British comics industry in the 1970s with a succession of groundbreaking new magazines the war comic, Battle, Action, and, of course, the mighty 2000AD. Mills is of Irish heritage and distinctly left-wing, so that his sympathies are always with the poor and the persecuted against the establishment, and there was more than a little element of subversion in his strips. Judge Dredd from the first was meant to be a symbol of the Fascistic elements in modern American policing, and J.D. is as much villain as he is hero. The mutant heroes of the Strontium Dog strip are second-class citizens in a future Britain which barely tolerates them. They can only live in ghettoes, and the only work they can do by law is bounty hunting. It’s an explicit comment on racism and anti-Semitism. Nemesis the Warlock was a similar attack on religious bigotry, set as it was in a devastated Earth of the far future, ruled by Tomas de Torquemada and his terminators. They were a military order of warriors, who had whipped up fear and hatred of intelligent aliens and embarked on a series of holy wars to exterminate them across the Galaxy. This was partly based on the medieval inquisition in Roman Catholic Europe, with elements of modern Fascism. For example, the robes adopted by the Terminators recalled Ku Klux Klan costumes.

Comics at the time were increasingly focused on the issue of racism and persecution, particularly in the case of Marvel Comic’s X-Men. The mutants in this strip, like those of Johnny Alpha’s nuclear-scarred Britain, were also persecuted. One of the recurring villains in the strip were the Sentinels, a race of giant robots created to hunt down and kill robots by the stock mad scientist in the belief that this would preserve humanity from the threat to their survival the super-powered mutants – Homo Superior – represented. Another of Mighty Marvel’s villains was the Hate Monger, dedicated to whipping up bigotry and strife. This character also wore a costume based on the Klan, and was revealed as Hitler, or a clone of him.

The American comics industry was founded by German Jews, who brought with them their former homeland’s tradition of telling a story through a series of pictures derived from Wilhelm Busch. I think many of them had also seen combat fighting against Nazism in the army during the War. It’s therefore not hard to see in strips such as the X-Men a metaphorical treatment of the persecution of the Jewish people, as well as other outsider groups. As well as being a metaphor for racism, the X-Men also had an large following of gay young people, possibly because the social hostility shown in the strips towards its mutant heroes mirrored their own experiences as marginalized outsiders.

And concerns over the threat of Fascism were also seen in other British comics. The British version of the Captain Britain strip, written by Dave Thorpe and then Alan Moore, was set in an alternative Britain in which a deranged, mutant aristocrat, Mad Jim Jaspers, had created a biomechanical creature to hunt down and exterminate all mutants. At the same time, he had encouraged a Fascist dictatorship to seize power, which then began the process of persecuting and exterminating mutants.

This was succeeded by Moore’s V for Vendetta in the adult comic, Warrior, which featured an anonymous guerilla, V, fighting a personal war against the Fascist authorities of a near-future Britain. It was filmed with Hugo Weaving as ‘V’, Natalie Portman as his companion, Evie, with Stephen Fry as a gay TV host and John Hurt as the dictator. Moore himself dislikes the movie, partly because the contract he signed with the studio meant that the character is now their property. But it is a powerful film, which accurately shows certain aspects of Nazism, such as the use of concentration camp inmates for medical experimentation.

Pat Mills also says in the interviews I posted about earlier this week that the strip Charley’s War was subversive in that it was anti-war strip in a war comic. Mills is disappointed by the way the strip wasn’t included in an exhibition on comics and subversion, and notes that in this, the centenary years of the First World War, there seems to be a deliberate policy amongst the British broadcasters of not showing anything with an anti-war content, such as Blackadder Goes Forth. Radio 4 have made shows about the great stage play and film, Oh, What a Lovely War!, but it wasn’t that long ago that Michael Gove, the Tory minister for education, opened his mouth to say that children were getting an entirely wrong view of the War based on Blackadder. Mike naturally wrote a very sharp reply to that piece of nonsense.

But there were other strips in Battle, which also rose out of the mass of the usual gung-ho stories of courageous British squaddies winning against brutal and stupid Germans, and which did shock with their realism. Darkie’s Mob, which was about a mysterious commander, who takes over a failing British unit trapped behind Japanese lines in Burma was one of these. Another I remember which particularly shocked me was a short piece in Battle, in which British soldiers are fighting their way through Germany. I think it was a stand-alone strip, rather than part of a continuing storyline. The story ended when the squaddies reach a group of emaciated figures standing behind barbed wire, the inmates of one of the death camps. This was clearly about the Holocaust, and what it was really like, rather than the usual glamorous war stories, and I remember being shocked by the starved bodies of the inmates. As I doubtless was supposed to.

Battle, Action, 2000AD and Warrior were part of a trend that had emerged in American comics in the late 1960s, when they turned from simple escapism to dealing with real issues – such as racism and feminism. British comics up to the launch of Battle and Action had tended to avoid explicit politics, and in some cases had actually been very racist. And this tradition of commenting and attacking racism and bigotry continues in American comics today, and in 2000AD, now sadly nearly all that’s remaining of the British comics industry.

These are the type of strips, which Mike and I grew up reading, along with so many others of our age group. And they reflected the very real anxieties of the time. Left-wingers were worried about the rise of Maggie Thatcher, her links to the hard right and the violence and political threat posed by the BNP/NF. In the original comic strip version of V for Vendetta, the Fascists seize power in Britain after devastating nuclear war between America and the Soviet Union over the crisis in Poland. To many of us, the threat of nuclear annihilation in Maggie’s and Reagan’s New Cold War was only too real.

In his talk to the Socialist Workers’ Party, Mills reads out a letter he received from the CEO of a school, a former punk, who states that everything he learned about Fascism, he got from Judge Dredd; everything about racism, from Strontium Dog, and everything about feminism from Halo Jones. And he now considered it the most subversive thing he could do was to help produce open-minded, critical young people. And it isn’t just racism. When Thatcher tried to criminalise positive teaching of homosexuality in school – that it is perfectly natural – the British comics industry responded with the anti-homophobia anthology AWRGH!, whose initials stood for Artists and Writers Against Rampant Government Homophobia. Comics in the 1980s and ’90s sold much more than they do now, and so they made a very large number of young people aware and alert to these issues. It partly explains why British society has broadly become more tolerant, despite continuing bigotry in some areas. Like the right-wing of the Tories and UKIP.

This is also why I found Mills’ story of how the Board of Deputies of British Jews complained about a story in Crisis utterly amazing. Crisis was another adult comic, which dealt explicitly with contemporary issues of western imperialism, the power of the multinationals and the exploitation of the Developing World. The comic had featured a story about the beating of a Palestinian protester in Gaza, based on a real event told to Mills by a Palestinian. The Board complained because the lad’s broken body, left lying in the road, looked to them a bit like a swastika. As Mills himself said, it wasn’t there because comics creators aren’t that clever. But I was left amazed at the thought that anybody could accuse anyone in mainstream British comics at the time of racism or anti-Semitism, given how radical and anti-racist so many of them were.

It’s also why the accusation by the Campaign Against Anti-Semitism earlier this year against Mike is so outrageous. I’ve blogged before in Mike’s defence pointing out that he very definitely is not racist and not anti-Semitic, having both Black and Jewish friends and participating at College in a performance commemorating the victims of the Shoah. Mike read these comics, with the anti-racist and anti-bigotry message which they strove to impart to their readers. I realize that no doubt there were many people who read them, without really taking the anti-racist, anti-bigotry subtext onboard, but even so many people in the comics milieu were and are liberal in their attitudes towards tolerance of minority and marginalized groups.

But the Campaign Against Anti-Semitism and the rest of the Zionist lobby have no qualms about smearing genuine anti-racists, and people who have written about and denounced anti-Semitism and other forms of racism and persecution, like Jackie Walker, Ken Livingstone and Tony Greenstein. And there is the real danger that by doing so, not only will they libel and smear decent people, but trivialize real anti-Semitism in doing so.

I’ve blogged earlier this evening about the fine job Richard Coughlan did in producing his videos debunking Holocaust denial. But British and American comics and their creators, like Pat Mills, Alan Moore and Stan Lee and Jack Kirby, the creators of the X-Men, and that strip’s writers and artists since, have also contributed greatly to attacking racism and bigotry in the strips they produced.

‘Bomber’ Fallon and the Merchants of Death Arms Fair in London

September 17, 2017

Mike today has put up a piece over at Vox Political commenting on Michael Fallon’s speech yesterday at the DSEI arms fair in London. Fallon, who earned the monicker ‘Bomber’ because of a speech in which he declared that Britain had a moral duty to bomb the peoples of the Middle East, now went on to say that, thanks to Brexit, Britain’s future as the world’s leading arms exporter looked good. And that we should try to sell armaments to anyone in the world, regardless of morality.

Mike makes the point that Fallon’s comments are insensitive, coming as they do when Britain is selling arms to Saudi Arabia, which is using it to kill innocent civilians, including children in schools and madrasas, in Yemen. And Saudi Arabia has no qualms whatsoever against using such armaments against us. 17 of the 19 people involved in the 9/11 hijacking were Saudis, and the trail of responsibility for that atrocity goes right up to the top of the Saudi government itself.

http://voxpoliticalonline.com/2017/09/17/warmonger-fallon-wants-the-uk-to-sell-arms-to-anyone-who-wants-them/

This weekend’s Counterpunch also carries an article by Michael Dickinson, ‘Stop the London Death Fair’, about the DSEI trade fair and its dealings with some of the world’s most evil and repressive governments. It begins

Roll up! Roll up! Ballistic missiles and hand grenades! Drones, helicopters and warships! Rocket launchers, tanks and assault rifles! Welcome to the biennial London Arms Fair! Showing now until 15th September at the Excel Centre in Docklands, the Defence Systems and Equipment International (DSEI) – “a world-leading event that brings together the defence and security sector to innovate and share knowledge” – presents one of the world’s biggest arms bazaars, displaying the latest high-tech arms and surveillance technology, crowd control and weaponry. This year the exhibition is split into five key zones: air, land, security and joint, all showcasing the latest equipment and systems. DSEI is organised by Clarion Events, with extensive cooperation from the British government.

Military personnel, politicians, private defence contractors and consultants mingle as they shop. Countries accused of war crimes and human rights abuses, Algeria, Angola, Colombia, Iraq, Oman, Qatar, Pakistan, Turkey, the UAE, and Ukraine are among the invited. Although not an official guest, the Israeli arms industry has special pavilions at the venue, where over 34,000 visitors are expected to view the latest in killing weaponry for sale, exhibited by more than 1,600 arms companies, including the US and UK giants Lockheed Martin, Boeing, Raytheon and BAE Systems.

With authoritarian regimes such as Saudi Arabia, Egypt, Bahrain and Azerbaijan among the official UK government guests in attendance, this year’s keynote speakers at the opening day conference included British Defence Secretary Sir Michael Fallon, International Trade Secretary Liam Fox and many of the top brass in the UK military establishment. Fox said that overseas governments had an inaliable right to defend themselves and that if they could not buy the equipment they required from developed countries with effective controls, like the UK, they would look elsewhere. Last year Britain’s arms export industry turned over 3 billion pounds.

Andrew Smith, a spokesman from the activist group Campaign Against the Arms Trade (CAAT) said: “DSEI is one of the biggest arms fairs in the world. It exists purely to maximise arms sales. Prime Minister Theresa May and her colleagues may talk about promoting human rights but DSEI could not happen without the full support of government. A lot of the regimes in attendance have been linked to terrible human rights abuses, and events like DSEI only make them more likely in future. It is vitally important to spread as much awareness as possible of this terrible arms fair taking place. ”

https://www.counterpunch.org/2017/09/15/stop-the-london-death-fair/

Conservative governments, including Margaret Thatcher’s, keenly supported the British arms industry, and this policy was taken over, along with just about everything else, by Tony Blair and New Labour. It’s hardly surprising. George Orwell remarked when he finally gave up his anti-War stance in the face of the Nazi threat, and went to work for the BBC writing anti-Nazi and pro-war material, that if you’re a member of the British upper and upper middle classes, you’re bred for war. This has always been true, ever since the modern armed forces emerged from the military aristocracies of the Middle Ages. The officer elite has always been solidly middle class, although there has been some efforts to make it more diverse.

The government has tried to defend its massive support for the arms industry by arguing that arms sales open up foreign markets to British industry generally. After buying some of that ‘wonderful kit’ David Cameron enthused about, foreign nations would go on to buy other British products and services. But they don’t. They buy British weapons, tanks and other pieces of hardware, and nothing else.

And the British ruling class, its politicians and senior civil servants, also stand to benefit personally from the arms trade. Private Eye for decades has exposed the revolving door between the MOD and British defence ministers, and the arms industry, in which British generals and officials find very lucrative places on the boards of defence contractors and arms manufacturers once they retire or leave office.

As for the private military contractors, previously known as mercenaries, that the British government has supported, these have been used by the Tories to give unofficial support to regimes, where it would have been otherwise embarrassing for Britain to send in the regular army. Like Sri Lanka.

It hardly needs stating that the arms industry is a deeply immoral trade, and that by lauding Britain’s role in it Fallon has shown the complete absence of any kind of moral consideration for the victims of these weapons and a complete indifference to the nature of the regimes he intends to sell them to.

As far as he’s concerned, war is a business. And business is good.

Close down the arms fair, and kick out Fallon and the rest of his vile government.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Credo! Pat Mills on 40 Years of Thrillpower!

September 14, 2017

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.

Crisis and Closures in the Academy Schools

September 13, 2017

One of the major issues is the Tories’ continuing attempts to destroy whatever remains of value in the British education system, all for the profit of big business. Last week, one of the academies closed only a week after it had opened. I did wonder what would happen to its pupils. Would they be thrown out and denied an education, as they had enrolled in the wrong school and there may not be places available in the other local schools.

Fortunately, that’s not going to happen. From what I understand the school will be kept open until someone else is found to take it over.

But it is still absolutely scandalous that British schools are now run by private companies, who can announce at any time that they are no longer interested in running them. Especially as tens of millions of taxpayers’ money is given to individual academies, far beyond the budget for the local LEA. In some cases, the amount spent on an academy can reach £40 million, while the budget for the LEA is under a million.

As for replacing LEA’s, from what I understand from talking to friends about them, the authorities dictate that schools can only join certain academy chains. This makes a mockery of the claim that they are outside LEAs, as these chains in effect act as them. But I suppose as the academy chains are all privately run, the government thinks this is just as well then.

I also understand that one of the academies in Radstock in Somerset doesn’t even belong to a chain based in the UK. The chain’s based in Eire, and all its directors live across the Irish Sea. I can’t say I’m surprised. Eire attempted to encourage investment by massively cutting corporate taxes, in the same way that the Tories are doing for Britain. Thus you find many businesses, that actually do their work in Britain, have their headquarters over there, using the country as a tax haven. And the ordinary people of Ireland have paid for this, just as we Brits are paying for the Tories’ self-same policy over here. One of the books I found rooting through one of the bargain bookshops in Park Street was by an Irish writer describing the way his country’s corporate elite had looted the country and caused its recession. Like the banksters in Britain and America.

The academies are a massive scam. They were launched under Maggie Thatcher, and then quietly wound up as they didn’t work. Blair and New Labour took over the idea, as they did so much else of the Tories’ squalid free market economics, and relaunched them as ‘city academies’. And then, under Dave Cameron, they became just ‘academies’.

They were never about improving education. They were about handing over a lucrative part of the state sector to private industry. They aren’t any better at educating children than state schools. Indeed, many can only maintain in the league tables by excluding poorer students, and those with special needs or learning difficulties. And if state schools had the same amount spent on them as those few, which are more successful than those left in the LEAs, they too would see improved standards.

In fact, academies offer worse teaching, because as private firms in order to make a profit they have to cut wages and conditions for the workforce to a minimum. And with the Tories freezing public sector workers’ wages, it’s no wonder that tens of thousands of teachers are leaving the profession.

And those companies interested in getting a piece of this cool, educational action are hardly those, whose reputation inspires confidence. One of them, apparently, belongs to Rupert Murdoch, at least according to Private Eye again. Yes, the man, who has almost single-handedly aimed at the lowest common denominator in print journalism, lowering the tone and content of whatever newspaper he touches and whose main newspaper, the Sun, is a byword for monosyllabic stupidity and racism, now wants to run schools. Or at least, publish the textbooks for those who do.

Academy schools are a massive failure. They’re another corporate scam in which the public pays well over the odds for a massively inferior service from the private sector, all so that Blair and May’s mates in the private sector could reap the profits.

It’s time they were wound up. Get the Tories out, and private industry out of state education.

Theresa May’s Britain: Three Million Children Go Hungry in the Holidays

September 12, 2017

I’m sure Mike and the other left-wing bloggers and vloggers have posted up this statistic before, but I came across it again last night. It shocked and outraged me. Inside Out West, the local documentary programme on BBC 1 for the Bristol area, did a piece on child poverty. They interviewed one woman, a single mother, one of whose children was disabled. She was starving herself so she could feed her children. There were a few words from her non-handicapped son, who said it upset him that his mother was denying herself food, and he tried to persuade her to eat something. Sebet Chaudhary, the presenter of that part of the programme, then said that national statistics showed that 3 million children were going hungry in the holidays. When they go back to school, they are months behind their classmates. The programme then moved on to interview a man, who had a scheme to change all this.

I wasn’t really following the programme, so I can’t give you a complete description of what it said. Only that I was deeply annoyed by the stats.

Three million children in Britain do not have enough to eat.

In Britain, one of the richest nations in the world.

This is absolutely disgraceful, though I’m sure there are other, less delicate terms to describe it.

No wonder many people were reading a piece I put up a few years ago about a food line of starving children in early 20th century Britain, before the introduction of the welfare state.

It’s recurring, and due to the same stupid, laissez-faire, free trade, corporatist, neoliberal policies.

And the people behind this are the Tories, with some help from their Lib Dem enablers. This is what Maggie set out to do when she ranted about rolling back the frontiers of the state. She wanted to privatize everything, including the NHS, and dismantle the welfare state. And part of her wretched ‘Victorian Values’ was less eligibility, the policy of making life on benefit so hard, that people would be deterred from relying on state aid.

And so we had Iain Duncan Smith and David Cameron presiding over a vicious sanctions regime, in which claimants were denied benefits for the flimsiest of reasons, humiliated at their interviews, and the desperately and incurably ill were told that they were well enough to work. Even those terminally ill in comas.

The benefits system was drastically curtailed, so that more people are being forced to rely on food banks.

All the while we have Theresa May lying about how she’s ‘strong and stable’ and will give Britain a good deal with Brexit. She hasn’t so far. All she’s done is lie.

And to add insult to injury, we have Jacob Rees-Mogg being touted as the next leader of the Tory party, while the inbred, single-helix upper class morons and closet Nazis of ‘Activate’ make jokes about gassing chavs and shooting peasants.

Rees-Mogg is the spawn of privilege. He’s an upper-class, seriously entitled Tory, who started his political career telling the guid fisherfolk of Fife that they should vote for him to maintain an aristocratic House of Lords. His voting record shows that he is massively opposed to the welfare state, and in favour of increased taxation on the poor. When it comes to people earning over £100,000, he’s dead against it.

And to cap it all, he was in the Mirror the other week, which reported that his private investment firm had earned him a cool £4 million.

Well, he’s not the only one. 77 per cent of MPs are company directors, often holding multiple directorships. He, and the other Tories like him, neither know nor care anything about the real, grinding poverty they and their vile policies have inflicted on this country. They are only interested in filling their own pockets at the expense of the rest.

The sooner they’re voted out, the better.