Archive for the ‘Asia’ Category

Man Arrested Outside Conference for Placard Denouncing Priti Patel – A Sign of Real Fascism to Come?

October 6, 2021

Mike’s just put up a short piece this afternoon commenting on the fact that a protester was arrested by the rozzers for holding a placard up outside the Tory party conference calling Priti Patel and nasty name. No, it wasn’t anything racist or personally vicious. It was just a comment on her politics. The placard just said ‘Priti Fascist’. Nadia Whittome has posted this Tweet aptly summing up Patel’s policies:

To summarise her conference speech, Priti Patel wants to:

– push back boats of refugees, risking lives

– make our asylum system even harsher

– further criminalise peaceful protesters

– penalise people with drug addiction issues.

A brutal, authoritarian vision for our country.

As Mike says, the demonstrator was right. Patel is a Fascist. Quite so, but she’s not as far down the line to real goose-stepping Nazism as some would like. Yesterday mad right-wing YouTube Alex Belfield in one of his videos reported that the French cops had shot at the channel migrants with rubber bullets. He felt we should be doing the same, and mocked the lefty snowflakes who would complain if we did. Simon Webb of History Debunked put up a piece stating that the Polish army had been stationed at their border to repel unwanted migrants after 1,000 had tried to enter the country illegally. Why can’t we do the same, he opined.

I think there are a number of reasons why such highly authoritarian behaviour is more acceptable in Poland but not over here. England hasn’t been conquered since William the Conqueror and the Normans in 1066. Britain went on from the sixteenth century onwards to conquer an empire in the Americas, Africa and Asia. Even after decolonisation, we see ourselves as historically the conquerors and imperial rulers, not as the subjects. It’s because of this history that demands for action against racism and the remains of colonialist attitudes have been successful.

Poland doesn’t have that history. Following the reign of Jan Sobieski, who defeated the Turks at the siege of Vienna in the 17th century, Poland was conquered and divided between Prussia, Austria and Russia. The Russians had a policy of russification. Polish was not taught in schools. If it was, it was taught as a foreign language. The country only gained its independence following the First World War. It was conquered again by the Nazis during the Second World and its people subjected to horrific atrocities. Poles, like all Slavs, were regarded as subhuman. They were rounded up to be used as slave labourers and racist laws put in place to prevent them marrying or having sexual relations with Aryan Germans. At the same time, the SS looked for Aryan bloodlines in the Polish population. Children with blonde hair were stolen and given to German Nazis to raise because of their assumed Aryan racial heritage. Polish villages were razed ready for German occupation and settlement. After the war Hitler planned to destroy their educational system and professional and intellectual classes and reduce them, along with the other Slavonic peoples like Russians, Ukrainians and Belorussians, to peasant farmers producing agricultural goods for the German settlers and overlords. After the Jews, the Poles formed the largest proportion of Nazi victims in the concentration camps.

After the War Poland was again under Russian domination as a satellite of the USSR. Stalin was brutal in his treatment of them and the other subjects of his new empire. Anyone who had been to the West was rounded up and massacred or sent to the gulags. There is also the infamous Katyn massacre. Initially blamed on the Nazis, this was the slaughter of Polish troopers by the KGB preparatory to the Soviet conquest. Stalin also deliberately held his troops back from liberating Warsaw so that the Nazis could finish putting down the uprising there.

Given this experience of foreign rule and conquest, I’m not surprised that the Polish government, which is extremely right-wing, reacted with such intolerance towards illegal immigration. Which, of course, doesn’t make it right.

My fear is that, with everything else the Tories are doing to erode and destroy British democracy, the approval of the use of such military force will lead, but by bit, to the establishment of real Fascism in Britain.

As for the arrest of someone simply for holding up a placard calling her one, I fail to see how that constitutes any kind of offence. He wasn’t violent nor did the placard incite anyone to violence. I don’t even think you can call it libellous, as people with intolerant, authoritarian personalities are called Fascists and Nazis all the time. This is shown very well in Godwin’s Law, the saying that every debate on the internet will always end with someone from one side or the other comparing their opponent to the Nazis. Unless someone made a serious claim that someone was a real member of a Nazi group, like the NF, BNP, British Movement, Column 88 or such like, I really wouldn’t have thought it qualifies as libel. And I certainly concur with Mike. In the case of Priti Patel it’s fair comment.

It seems to me that the arrest of this man for nothing more than expressing a reasonable opinion on a viciously intolerant Tory minister is itself an act of Fascism.

Quinn Looks at the Rave Reviews for Dune

September 5, 2021

Here’s a bit of fun to kick off Sunday. Quinn, the man behind the aptly named ‘Quinn’s Ideas’, is a Black American SF/comics writer and creator. He has a taste in classic SF tales of star-spanning galactic empires extending over centuries and millennia, intelligent stories that are part of the tradition of SF as ‘the literature of ideas’. Books like Asimov’s Foundation series, Dan Simmon’s Hyperion and especially, Frank Herbert’s Dune. Dune has now been adapted by Denis Villeneuve, the French-Canadian director behind Blade Runner 2049 and Arrival. Dune opens in America the end of October. I think it might the 20th, but I’m not sure. However, the critics have seen it, and the reviews are in. They rave about it!

Quinn wonders if his audience can tell that he can hardly contain his excitement. Well, it is noticeable. He’s almost shaking with joy and expectation. The critics have loved the film, including the musical score by Hans Zimmer. Amongst the praise, one critics compares it to the moment audiences first saw 2001: A Space Odyssey and Star Wars. This is high praise indeed! 2001 has dated, but it still one of the great SF films of all time. I was a junior school kid when I first saw Star War, and it completely blew me away. Michael Frayn, the literature professor and broadcaster, said in an interview about his favourite movies that he saw it, and the first moments immediately seized and amazed you. This was the moment the star destroyer appeared in pursuit of the princess Leia’s rebel ship. It appeared and grew and continued growing.

Quinn hopes the film lives up to this hype, as he wants it to be remembered as the cinematic version of Dune, not the 1980s David Lynch version. This took liberties with the book. One of these was the portrayal of Baron Vladimir Harkonnen. He was presented as a stupid, screaming madman. As Quinn says, the Dune miniseries was much better, although it had a much lower budget and the costumes were ridiculous. I have to differ from him here. I do agree with him that the Dune miniseries is an excellent adaptation, especially in the portrayal of the Baron. He’s closer to the character in the book, camp, but intelligent, subtle and cunning. I don’t know about the book, but the miniseries made him a kind of Shakespearean villain. He hated the Atreides because of the way that House looked down upon his family for generations. It recalled the line from King Lear where Edmund rants about how he is marginalised and excluded because he is a bastard, and so excluded from the throne. The Baron in the miniseries also versifies, celebrating his coming victories in rhyming couplets or haikus. Where I disagree is that I don’t think the costumes are ridiculous. I think the costume designer took his inspiration partly from 16th century Europe, shown in the uniform of the emperor’s Sardaukar shock troops, and also east Asia. The Harkonnen armour looks very much like it was inspired by Japanese samurai. Of course, it’s space age version of sixteenth century and Japanese armour and fashions. The costume of the guild ambassadors with their curiously curved headgear looks like it was inspired by some of the weird hats in Moebius, such as the one worn by his hero Arzach. I do, however, dislike the Fremen costume. I realise this is supposed to be clothes worn by harassed, persecuted desert-dwellers, but it’s tough rough and crude. The traditional clothes worn by modern desert peoples, like the Bedouin, are of much better quality even though these peoples may also be poor. I also found the miniseries’ version of the still suits, which collects the characters waste fluids from sweat, urine and faeces, and reprocesses them into drinkable water so that they can survive in the desert, disappointing. But then I don’t think they could ever match up to the stylish suits in the David Lynch movie.

I’m really looking forward to the new Dune movie, and hope to see it at the movies here, lockdown permitting. The trailers look superb and selected critics, including Quinn himself, were invited to special screenings of the first ten minutes of the movie. This massively impressed them. I’m a fan of both David Lynch’s Dune, which I consider to be a flawed masterpiece, and the miniseries. But I really hope Villeneuve’s version lives up to the hype. As Quinn’s commenters point out, what impresses the critics and the ordinary person in the auditorium are two different things. Blade Runner 2049 impressed the critics, but audience were much less impressed. It may be the same with his Dune, though I sincerely hope not. Any way, here’s the video he posted, so judge for yourself from his comments.

Erich Ohser, the German Comics Creator Who Defied the Nazis

August 27, 2021

I’ve been flicking through Paul Gravett’s Comics Art (Newhaven: Yale University Press 2013), a history of comics and graphic novels. This views comics as a distinct art form, the way it can promote and challenge stereotypes and the status quo, and the new trends in comics storytelling as it expanded into the digital realm and the emergence of comics that have been specifically designed for museums and art installations. It’s a global history, which not only tells the story of American and European comics, but also covers Japanese comics and those created by members of minorities, such as women, gays and Black and Asian ethnic minorities. Many of the comics discussed are by people, who are unknown to contemporary audience. One of these was Erich Ohser, a Jewish comics creator in Germany, whose family-oriented strip was massively popular from the mid-1930s until the Nazis tried to co-opt it in the 1940s. Gravett writes

On a much more optimistic note, another much-loved German cartoonist in this genre was Erich Ohser who as ‘e.o. plauen’ began in 1934 drawing in crisp brushstrokes his endearing single page vignettes between a father and a son, based on his relationship with his own son. Their first compilation sold 90,000 copies. The Nazis tried to co-opt Ohser’s comics for propaganda purposes, though the Jewish artist refused to incorporate anti-Jewish messages. Arrested by the Gestapo on trumped-up defamation charges and facing deportation to a concentration camp, Ohser took his own life in 1944.

It says much about Ohser’s popularity that the Nazis wanted to co-opt him rather than simply close him down, as they did with other Jewish professionals and businesses. And I have nothing but admiration for him for refusing to collaborate with them to the point where his defiance led to his arrest and tragic end. Lesser men would have given in and gone along with the Nazis’ demands, as so many others did.

James Lindsay Versus the Postmodernists Who Think 2+2=4 Is Racist

July 10, 2021

No, I’m really not making this up. This is what some of the idiots who support Critical Race Theory actually believe. And it really does frighten me what will happen if this morons ever get the power they’re aiming for.

I came across the video from The Same Drugs in which host Meghan Murphy talks to James Lindsay. Murphy’s a feminist, who graduated in gender studies. She’s very definitely on the left and says that her views on welfare and the economy are socialist. However, she now describes herself as a liberal because of the immense importance of defending free speech and debate. Lindsay is also a man of the left. He’s a doctor of mathematics, although he says that he’s been away from the discipline for so long that he wouldn’t describe himself as a mathematician. He’s a member of the group with Peter Boghossian and Helen Pluckrose that attacks and refutes Critical Race Theory and the other forms of Postmodernism which reject rationality, evidence and reasoned debate because these are all supposed to be the oppressive values of White males.

I started watching this video, but didn’t get any further than about ten minutes because I was so astonished at what I was hearing. Lindsay apparently got into an internet argument with radical postmodernists and racial activists, who really do believe that 2+2=4 is a form of colonial oppression. Lindsay says the fight started when he put up a kind of Devil’s Dictionary in the tradition of Ambrose Bierce, giving satirical definitions of words sending up CRT and related ideologies. In this instance, it was about Critical Race Theorists rejecting 2+2=4 because by choosing four as the solution, other values were suppressed. This was then picked up by his opponents on the other side, who then posted on Twitter and social media that, yes, 2+2=4 was racist. One of these was the woman in charge of decolonising Seattle’s educational curriculum. Another was a Guardian hack, who snidely posted that it was rich of him to say that while using Arabic numerals. He points out that she couldn’t refute his mocking definition, because that really was what she believed. She could only respond by attacking him. And then he was met by a flood of people trying to prove that 2+2=5. When asked if you can do this, he replies by saying that it isn’t. All the proofs they’re using are wrong. This was then followed by people talking about how western traders cheated the various indigenous peoples around the world, who can’t count beyond three. Yes, they also exist. This was to show that 2+2=4 really was part of an ideology of imperialist and colonialist oppression. Lindsay states that the people arguing against him were maths educators rather than mathematicians, including someone on a science and technology course at Edinburgh University in Scotland.

This is genuinely frightening as it’s a rejection of one of the simplest, foundational sums of mathematics, and by extension, all maths simply for reasons of ideology. Of course people have been speculating that their might be other regions in the cosmos or multiverse in which 2+2=5 for some time. There’s a bit in the Tim Burton SF flick, Mars Attacks, in which Piers Brosnan’s scientist character explains this to a fashion journalist. Back in the 1990s I picked up a postmodernist book on maths, which claimed it was taking God out, and the body back in. And when I was at school there were various books for children which contained trick sums that gave stupid values for simple sums like 2+2=4. These were always based on a carefully concealed mistake.

Well, western maths goes all the way back to ancient Sumeria, Babylon and Egypt, and I’m very certain that these African and Asian cultures knew exactly that 2+2=4. As did the superb mathematicians of Islam, India, China and Japan. And I think it’s insulting to any Black people wishing to study maths and science that these idiots are now telling them that the foundational principles of western mathematics aren’t suitable for them and are a form of ideological enslavement which must be torn down in order to decolonise the discipline.

I am sure the people, who believe this nonsense regard themselves as intellectual sophisticates at the very cutting edge of maths and progressive politics. But I think they’re really just barbarians, who will wreck maths and science with pseudointellectual gibberish, destroying western civilisation for an intellectually bankrupt, racist ideology.

Mr H Reviews Russian Horror Movie ‘Superdeep’

July 4, 2021

Mr H is a Youtuber who reviews mainly Science Fiction and Horror movies. In the video below, he gives a good review to Superdeep, a Russian creature feature very much in the same gory vein as John Carpenter’s classic The Thing. Spoilers: The movie is about a group of scientists and explorers who go down Russia’s deepest borehole, where they encounter a type of fungus that infects its victims, turning them into vegetable monsters. Mr H was impressed with the quality. It has excellent special effects, and was made on the incredibly low budget of $4 million. Pacing, he says, is a problem and there were moments when the film sagged. But it had been given a budget of $8 million, he feels it could have easily held its own with the big budget contemporary American films. He especially gets irritated with the flicks that are made for $200 million, but the green screen effects are still sloppy and obvious. And he’s particularly enthusiastic about this flick as its return to the old style, mechanical, physical effects of rubber monsters and models, rather than CGI.

I’ve got a couple of Russian movies here on DVD. One is First in Space, about Yuri Gagarin’s historic manned spaceflight, the other is Guardians, a superhero movie about a team of men and women given special powers by a secret KGB project launched by Stalin. Scattered across the Russian federation, Georgia and the Central Asian republics, the team must come together to stop the evil villain from taking over Russia and the world. The special effects in both movies are excellent, while Guardians has all the tropes of the superhero movie, including secret, immoral government projects. The only difference with western, American superhero flicks is that it’s set in Russia, and so the heroes’ final showdown with the villain is in Moscow, natch, rather than New York or Los Angeles. I can very well believe that the SFX in Superdeep are similarly well done.

I also like the fact that this film uses practical SFX. I grew up in the ’70s and ’80s, before the rise of CGI, and was fascinated by the skills of the model makers and make-up artists. Artists like Rob Bottin and Rick Baker really expanded the boundaries of what could be done using latex and their work on films like The Howling and The Thing is still very much admired. In recent years there has been a revival of interest in practical effects in films like Harbinger One, which made it very clear that it was inspired by The Thing and Alien. One of the complaints a number of people have made about CGI is that, no matter how well it’s done, it doesn’t have the convincing presence real, physical effects. This is a film I’d actually like to see, but unfortunately it’s on one of the streaming channels, like Netflix, and I don’t want to subscribe just for one movie.

Does Tracy Anne Oberman Really Believe She Isn’t White?

March 1, 2021

Tony Greenstein’s latest piece and reposting of an article by mixed-race Black British author discussing institutional anti-Black racism in Israel also raises a few awkward questions about one of the Israeli’s states staunchest defenders, the actor and broadcaster Tracy Anne Oberman. Oberman appears as a passionate opponent of anti-Semitism, but like the Campaign Against Anti-Semitism and her friend, Rachel Riley, it appears that the anti-Semitism she is most determined to root out is simply criticism of Israel and its abominable maltreatment and ethnic cleansing of the Palestinians. Hence her determined attacks on Twitter and elsewhere with supporters of Jeremy Corbyn and the socialist left in the Labour party as a whole.

Back in 2019 she got into a Twitter spat with the awesome Ash Sarkar of Novara Media, whom she also accused of anti-Semitism. Sarkar is Asian, and so responded by pointing out that she was Black woman being abused by a White woman who was a favourite of the blue tick brigade. Oberman responded by stating that she was as White as Sarkar. This is quite a claim, as Oberman at least in her photos very definitely has White skin and light brown or blonde hair. Sarkar, on the other hand, has the rich brown colouring of many people of South Asian descent. Of course, Oberman wasn’t saying she wasn’t physically White, but that she wasn’t considered as such by White supremacists like the Klan, the Nazis and the various other Fascist parties. Sarkar ably rebutted this by stating that she was very away of the racist persecution of the Jews.

But Jews weren’t always considered to be non-Whites. Ludwig Blumenbach, the 19th century German scientist responsible for modern racial classification, placed Jews among the Caucasian race. He believed they had some ‘negro’ features, and so considered them the ‘negroes’ of the White race. He was almost certainly speaking about European Jews, rather than the non-White Jewish communities of Africa, India and even China. I think most, severely normal Americans and European would consider Jews of traditional European origin to be White. The only people who don’t are Nazis and Fascists, who are wrong as well as monstrously vile. Nevertheless because of their similar histories of persecution, many Jewish Americans joined forced with Black to attack segregation and racial injustice in America.

Oberman clearly believed she had a right to claim to be non-White based on this common persecution by White supremacists. But Greenstein’s and Lewis’ articles, as well as Abbie Martin’s coverage of the issue for The Empire Files, shows that Israeli society is also marred by deep anti-Black racism.

This casts real doubt on Oberman’s ability to draw on her people’s persecution by White supremacists to claim that she is somehow not White, when the country she passionately supports and whose critics she tries to silence permits and legitimises systematic, institutional racism against Black Jews.

For further information, see: Zelo Street: Tracy Ann Oberman Crosses The Line (zelo-street.blogspot.com)

Historical Ignorance and Prejudice on Sadiq Khan’s Monuments Panel

February 12, 2021

Sadiq Khan has been at the centre of more controversy this week. The Tories hate him with a passion because he’s a Labour politico, and they can’t tolerate the idea, let alone the reality, of someone from the left being mayor of London. And so he has joined his predecessor, Ken Livingstone, the head of the GLC when Thatcher was in power, as the target of right-wing hate and venom. They also dislike him because he’s a Muslim, and so in the mayoral elections a few years ago we had the noisome spectacle of Tory candidate Zack Goldsmith implying that Khan was a radical Islamist cosying up to terrorist or terrorist sympathisers to bring down Britain. All rubbish, of course, but there are still people who firmly believe it.

Following the attacks on Colston’s statue in Bristol and the campaign to remove other statues of slavers and other British imperialists elsewhere in Britain, Khan has set up a panel to examine the question of doing the same in the capital, as well as renaming streets and other monuments with dubious historical connections. The panel has fifteen members, but it has already been denounced by its critics as a panel of activists. There have been articles in the Depress, Heil and Torygraph strongly criticising its composition and the selection of its members. The Torygraph’s article complained that it contained no historians, who could set these monuments into their proper contexts or any Conservatives. This is actually a fair point, because the actions of some of the panel’s members strongly indicates that those individuals have zero knowledge of the history of slavery.

One of Khan’s choices for membership of the panel is Toyin Agbetu, who managed to cause outrage in 2007 at a service in Westminster Abbey to commemorate the 300th anniversary of the abolition of the slave trade. Agbetu disrupted the service and tried to approach the queen, shouting that it was all a disgrace and You should be ashamed. We shouldn’t be here. This is an insult to us’. I think that he was outraged that the British were congratulating themselves were ending the slave trade when they should never have been involved in it in the first place.

Another appointee is Lynette Nabbossa, a business academic and head of an organisation to provide role models for young Blacks. She has claimed that White supremacy is rooted in British history. In October she wrote that the UK was the common denominator in atrocities across the world, and

‘No matter where you find examples of white supremacy, all roads lead back to my country of birth.

‘It was the UK’s racism that birthed slavery and colonialism. We say it is in the past but our schools, colleges, universities, streets, museums etc have never stopped honouring the enforcers of our oppression.’

These are statements of historical ignorance and racial prejudice which should cast severe doubt on the suitability of these individuals for membership of the panel. 

British imperialism was based on the notion that the White British were superior to the non-White nations they conquered and ruled over, and this country and its ally, America, have been responsible for propping up various horrific dictators and murderous despotic regimes around the world. But neither Agbetu nor Nabbossa seem to know or understand that slavery existed long before the British empire, and that White supremacy wasn’t just a British phenomenon. What about the Spanish, Portuguese, French and Dutch empires? Apartheid has its origin amongst the Afrikaners, who were Dutch colonists. Britain only gained Cape Colony, the founding settlement of what later became South Africa, in 1800, seizing it from the Netherlands during the Napoleonic Wars. And we were hardly responsible for atrocities in Africa committed by some of the newly independent African regimes, like Idi Amin’s Uganda, the Rwandan genocide or Mugabe’s Zimbabwe.

They also don’t seem to realise how near-universal slavery was as a global phenomenon. It was a part of many African societies before the establishment of the Atlantic slave trade. Muslim slavers transported Blacks slaves north to the Arab states of north Africa, while African and Arab traders exported slaves from east Africa across the Persian Gulf and the Indian Ocean to Arabia, India, and south east Asia. The first Black slaves in Europe were imported, not by White Christians, but by the Arab-Berber states of al-Andalus, Muslim Spain. And the campaign against slavery began in White, European culture. This has been stated repeatedly by western Conservatives and attacked and denounced by their opponents on the left. But it’s true. I haven’t been able to find evidence of any attempt by a non-western society to abolish slavery before the Europeans. The closest I found is a document in one of James Walvin’s books, a complaint from a Muslim Egyptian against the enslavement of the Black Sudanese. This was not an attack on slavery as a whole, however. The Egyptian objected to it in the case of the Sudanese because they were Muslims, and under sharia law Muslims are not supposed to enslave other Muslims. The author of the complaint does not object to the enslavement of non-Muslims.

Part of the rationale behind British imperialism was the campaign to stamp out slavery around the world, particularly in Africa. When Jacob Rees-Mogg made a speech in parliament claiming that BLM had shot itself in the foot and that people were now interested in the careers of imperialists like Gordon of Khartoum, he had a point. Gordon was sent to the Sudan by the Anglo-Egyptian authorities to put down the Mahdi’s rebellion. All very stereotypically imperialist. But the Mahdi wasn’t just rising up against infidel oppression. He and his followers were slavers and slaveowners. Slaving was an integral part of Arab Sudanese society and trade, and they were outraged when the British tried to stamp it out and protect the indigenous Black peoples.

Slavery was also part of the African societies further south, in what became Rhodesia and Malawi. The Kapolo slaves there, apart from other indignities, had to use broken tools when working and eat their food off the floor. And the explorer Richard Burton, writing in the 1840s, says in his book Wanderings in West Africa that the condition of the slaves on that part of the continent was so wretched and the enslaved people so starved that if Black Americans saw them, they’d give up all ideas of freedom and be glad of their lives in the west.

As for slavery being the product of White British racism, the opposite is true. According to scholars of western racism, such as Sir Alan Burns, the last British governor of Ghana and the author of Colour and Colour Prejudice, and books such as Race: The History of an Idea in the West, there was little racism in Europe before the 15th century. White racism and modern ideas of White racial supremacy arose after the establishment of the Atlantic slave trade to justify the enslavement of Black Africans. But this all seems lost on Agbetu and Nabbossa.

Now they are only two of Khan’s panel. There are 13 others, and it’s probably that the Tory press seized on them to make mischief. The others may well be more moderate and informed. I’ve certainly no objection to the inclusion of a Star Wars actor, who outraged Tory sensibilities by describing Boris Johnson as a ‘c***’. It’s not the word I would use, and it is obscene, but Johnson is a thoroughly nasty piece of work, as is the party he leads. I’d therefore say that, barring the language used to express it, it’s an accurate assessment of the vile buffoon. Tom Harwood, chief catamite at Guido Fawkes, has also been stirring with the claim that the panel was considering the removal of a 16th century statue of Queen Elizabeth. This is something he seems to have pulled out of his rear. The panel has not said anything about Good Queen Bess’s statue, and it’s just Harwood trying to cause trouble by lying. Which is standard Guido Fawkes’ practise.

But the inclusion of Agbetu and Nabbossa does cast severe doubt on the panel’s expertise as a whole and the suitability of its other members to make informed judgements on controversial historical monuments. But the ignorance and racial prejudice of the two also shows that we really need to have the global aspects of slavery taught. The deeds of the past should not be covered up, but they should be placed in context. It needs to be made very clear that slavery is a global phenomenon, that it was not invented by White Europeans preying on Black Africans and that it was also deeply ingrained in many African societies and practised by the Islamic states and empires as well as Hindu India. Such knowledge might be a shock to people like Agbetu, who seem to labour under the illusion that Africa was somehow free of it before the European invasions, but that is no reason why it should not be taught.

Otherwise you get bad history and the politically correct anti-White racism these two promote and demand.

Right-Wing YouTubers Praise Priti Patel for Wanting to Repeal Blair’s Anti-Hate Speech Legislation

January 30, 2021

The noxious, smirking, ambitious idler Priti Patel was in the noxious Express last Sunday, delighting various right-wing Youtubers with her comments about the laws Blair passed against hate speech. These, she apparently declared, undermine proper free speech and so should be scrapped.

One of those applauding her was Alex Belfield, of whom I have previously blogged many times. Belfield is constantly reviling left-wing activists against racial and other prejudices of being oversensitive ‘snowflakes’. Instead of getting upset and moaning about comments or portrayals they find offensive or hurtful, they should instead grow up, stop whining and get over it. This is more than a bit rich coming from Belfield, as he is very ready to moan about anything which he feels casts unfair aspersions on White folks. For example, a week or so ago he got very annoyed at a sketch in a BBC comedy show, ‘Bamous’, or something like that. The show’s cast are Black, and it seems aimed very much at a Black, Asian and minority ethnic audience. The sketch that raised Belfield’s blood pressure was ‘the Black Broadcasting Corporation’, which portrayed what it would be like, or what it’s cast thought it would be like, if the Corporation’s management were all Black and they casually patronised and humiliated Whites who had suggestions for programmes and wanted to climb up the career ladder in television. Belfield tore into the sketch as yet another example of the Beeb’s ‘woke’ racism against Whites, and yet again demanded that the Corporation should be defunded.

I did find what little I saw of it offensive, and I only saw the clips Belfield included in his video, so I don’t know if this accurately reflected the sketch as it was originally broadcast. But I think the sketch reflected the anger of various Black actors and writers at having their ideas repeatedly turned down by the corporation. The historian David Olasuga said in an interview that he suffered from depression after having his ideas for programmes rejected, while Lenny Henry and others have also criticised the Corporation for not being sufficiently inclusive.

It also struck me that the sketch wasn’t all that original either. Previous comedy series by ethnic minorities have also lampooned White British racism through the same strategy of role reversal. Goodness Gracious Me, the Asian comedy show which ran on BBC 2 on the ’90s with the sketches ‘Going for a Blandi’, in which a group of Asian friends go to a restaurant serving traditional British food. And a friend of mine said he never realised how condescending shows like Great Indian Railway Journeys were about India and its people until Goodness Gracious Me sent it up in a sketch in which they looked at the British railway system making the same type of comments. Not that Goodness Gracious Me was anti-White. It also sent up British Asian culture and the bigoted attitudes of some Asians towards Whites. For all I know, Bamous might do the same to Black culture.

Belfield’s criticisms would also carry more weight if two of his comedy heroes didn’t specialise in racist material. He’s a friend of the notorious Jim Davidson, with whom he hosts a programme on his internet radio show in the week. He also seems to be a fan of the late Bernard Manning. Last week he put up a video praising Mark Lamarr and wondering what happened to the former host of Never Mind the Buzzcocks. The clips he used to show Lamarr’s skills as a interviewer came from a video in which he talked to Bernard Manning. And as older readers are probably all too aware, Manning was infamous for his racist jokes, although he always maintained that he was not personally racist. They were just jokes, right?

But those jokes are really hurtful to the Blacks and Asians, who were the butt of them. Way back in the ’90s Mike and I were on a bus coming home from an evening out drinking. We got talking to one of the other passengers, an Asian lad who’d been sent home from work. He was a waiter in one of the swish restaurants in town. Davidson had turned up for a meal, and the lad had been ordered to serve him. He refused because hated Davidson’s jokes about people of his colour. The manager insisted, the lad refused again, and was sent home. And I’m on the lad’s side and respect him for sticking to his guns against serving someone whose material he found deeply abhorrent.

I’m no fan of Blair, and do think that right-wing critics of the legislation against hate speech do have a point. I think they are stifling a proper and very necessary debate about immigration and race relations. But I also feel that they are also necessary. I think the first such laws in Britain were passed in the 1930s or thereabouts and were intended to stop the demonisation of Jews by Fascists, like Mosley’s BUF. At the same time, the BBC had a very strict code over what could and couldn’t be said on air. There was a list of about 200 words that couldn’t be used by presenters. This included slang terms, such as ‘lousy’, for something that was simply bad or poor in quality, and the crude and insulting terms for people of different ethnic groups. When the Goons started in the 1950s the Corporation also had a list of subjects which were strictly forbidden for comedy. These were religion, the monarchy, disability, the colour question and ‘effeminacy in men’. These prohibitions went a long time ago, especially regarding religion and the royal family, although they remain very sensitive subjects. Issues of race and racism can be lampooned, it seems, but only from the point of view of ethnic minorities or which sends up racism. But Belfield would, it appears, like to overturn this and return television to the days of the 1970s when Manning and Davidson were both telling their jokes on mainstream TV.

If the jokes manning and Davidson told about race had no effect, and people took them as just jokes, then perhaps there’d be an argument for allowing that material back on television. I don’t believe that the producers of Love Thy Neighbour, a comedy about a racist White man who finds out that his new neighbours are Black, were being deliberately offensive or trying to promote racism. But there was much more overt racism then, including jokes going round playground and workplace that really did show a contempt for people of colour. I think one of the issues with racist jokes is that, even if they are meant to be innocuous, they can and do reinforce real racism in wider society.

Speech and the attitudes expressed matter. Sir Alan Burns, the last governor of Ghana, says in his book, Colour Prejudice, that much could be done to tackle racism simply through courtesy and politeness. His book, published in 1948, is clearly very dated, but that observation is undoubtedly very true. The legislation against hate speech, and the attitudes against racist comedy that has accompanied them, are really an attempt to make this courtesy mandatory.

It appears very much to me that Patel and Tories like her want to repeal all of the 1970s anti-racism legislation. The attack on Blair’s legislation against hate speech is just the beginning, and the explanation that they stifle free speech just a pretext. They’d like to drag us all back to the days when businesses could refuse service and employment to people on the grounds of their colour or nationality. When hotels and guesthouses could put signs up in their windows saying ‘No dogs, no Blacks, no Irish’. And when the Tory party could put up posters telling the British public that if they wanted Blacks for neighbours, they should vote Labour. But they should vote Conservative if they didn’t.

Patel’s Asian, and so is potentially one of those affected by such prejudices and the removal of the laws protecting people of colour. She obviously feels she’s exempt because of her lofty position as a government. Or perhaps she feels that British society has changed so rapidly these laws aren’t necessary. I think they are, and no matter how secure she is, others aren’t so lucky. And there is a real danger that the vicious racism these laws are designed to combat will return all too quickly.

For those reasons, the laws should stay and it doesn’t matter how funny some Tories think Manning and Davidson are. The racism the laws are intended to combat is very definitely no laughing matter.

BLM Activist Calls for Dictionary to Redefine Racism

January 13, 2021

Here’s something far more controversial after some of the posts I’ve put up recently. A few days ago, the writer and Youtuber Simon Webb put up on his channel, History Debunked, a piece about a worrying attempt by a young Black American woman, Kennedy Mitchum to change the definition of racism in the Merriam-Webster dictionary. Webb states that most people would say that racism means racial prejudice, or that there are more profound differences between racial groups than their skin colour and physical appearance. The Merriam-Webster dictionary currently defines racism as

  1. A belief that race is the primary determinant of human traits and capacities, and that racial differences produce an inherent superiority of a particular race.
  2. A doctrine or political programme based on racism and designed to execute its policies.
  3. Racial prejudice or discrimination.

This wasn’t good enough for Mitchum. Three days after the death of George Floyd, with riots breaking out across America, she emailed the publisher calling for the definition to be changed in accordance with Critical Race Theory. This holds that racism is due to the imbalance of power in society, and implemented by the dominant racial group. Instead of telling Mitchum where to stick her suggestion, as Webb himself would have done, the publishers responded to her, telling her that this issue needed to be addressed sooner rather than later and that a revision would be made. Peter Sokolofsky, one of the dictionary’s editors, stated that the second definition would be expanded to be even more explicit in its next edition, and would include systemic oppression as well as sample sentence, and would be formulated in consultation with academics in Black Studies.

Webb points out that if this is done, then it would redefine racism as something that only Whites do, and absolve people of colour of any responsibility for it on their part, or indeed see them as being racist at all, because Whites are the dominant race in Britain and America. This is, he claims, the attitude of many liberals and leftists, who believe that all White people are racist. It would also mean that Blacks, who hated Jews or Indians, would not be viewed as racist. He has personally seen such racism in the Caribbean street robbers of Hackney. They hated Orthodox Jews and used to go to Stamford Bridge to prey on the Jewish community there. He ends the video by stating that such a redefinition of racism would mean that all Whites in Britain and America are defined as racist but no other ethnic groups.

Changing the dictionary definition of racism – YouTube

There certainly is an attitude amongst some anti-racist activists that only White people can be racist and are never the victims. Way back in October 2019 Sargon of Akkad, the man who broke UKIP, put up a post commenting on a report in the Guardian about complaints about an EHRC investigation into racism at Britain’s universities by a group of Black and Asian academics and students. The group, which included Heidi Mirza, the visiting professor of race, faith and culture and Goldsmiths College, University of London, Fope Olaleye, the NUS’ Black students’ officer, Gargi Bhattacharyya, professor of sociology at the University of East London, and Zubaida Haque, the deputy director of the racial equality think tank, the Runnymede Trust, were outraged at the Commission because it dared to include anti-White, anti-English racism. This, they seemed to believe, detracted from the Commission’s true purpose, which was to combat White racism against Blacks and Asians.

Students of Colour Furious that Anti-White Prejudice is Considered to be Racism – YouTube

I’ve posted a number of pieces criticising the lack of attention and action against anti-White racism. At the moment the attitude that racism is something that only Whites are guilty of racism seems extremely prevalent. In fact, the situation regarding racial prejudice, abuse and violence is far more complex. About 20 years ago, before 9/11 and the subsequent massive rise in Islamophobia, Whites briefly formed the largest number of victims of racial abuse and violence. There are also tensions and conflict between different non-White minorities. In the 1980s or ’90s there was a riot in Birmingham, not between Blacks and Whites, but between Blacks and Asians. I’ve also heard that in one of the schools in Bristol in one of the very racially mixed areas, most of the playground fights were between different groups of Asians. Some people were aware that different ethnic groups also had their racial prejudices. Boy George mentioned it when he appeared on Max Headroom’s chat show on British TV in the 1980s, for which he was praised for his brave outspokenness by the world’s first computer generated video jockey.

There is, however, a real reluctance to tackle ethnic minority racism. A couple of years ago an Asian man told Diane Abbott that there should be more action on the racism members of ethnic minorities experienced at the hands of other non-Whites. Abbott told him she wasn’t going to do anything about it, because the Tories would use it to divide and rule. Like Kennedy Mitchum and the Critical Race Theorists, as well as the critics of the EHRC, she was solely focussed on tackling White racism.

That focus, in my opinion, explains why the Black comedian and anti-racist activist, Sophie Duker, felt she could get away with a joke about killing Whitey on Frankie Boyle’s podcast. Boyle had assembled a panel of mainly Black and Asian activists, to discuss the topic of how ethnic minorities were coming together to kill Whitey. Duker had made comments about racism being the product of an ideology of Whiteness, which was harming Blacks and Whites. She then said that they didn’t want to kill Whitey, before adding ‘we do really’. She was clearly joking, but her comment resulted in the corporation receiving 200 complaints. According to right-wing internet radio host and Youtuber, Alex Belfield, the Beeb is now being investigated by the Greater Manchester Police for what is described as a ‘hate incident’. His attitude is that while Duker’s comment was a joke, it should be unacceptable, just as making jokes about killing Blacks is unacceptable. See, for example, his piece ‘Reply BBC ‘Whitey’ Joker STAGGERING From Unapologetic Hate Lady Comedian’, which he put up on Youtube on the 8th January 2021. No, I’m not going to link to it. Even I have standards! I think one of the reasons she felt she could make the joke is because she and the other activists concentrate exclusively on White racism. Anti-White racism simply isn’t an issue with them. But anti-White racism, abuse and violence does occur, hence the angry complaints.

We really do need a study of anti-White racism and racism amongst ethnic minorities. Sir Alan Burns, a British colonial civil servant and former governor of the Gold Coast, now Ghana, discusses Black prejudice against Whites and other racial groups in his book, Colour Prejudice, published in 1948. Nigel Barley also discusses the blind spot Cameroonians had towards their own racism, as well as that of a Black American ethnologist in his The Innocent Anthropologist. The Black American was very racially aware. An idealist, he was inspired by notions of Black brotherhood and wished to live and be treated by the local people the same as one of them. He was shocked when they continued to regard him as they would White westerners, and failed to see how the Fulani traders rigged the local markets to exclude those from other tribes. As for the Camerounians generally, they commonly believed that only Whites were racist. Barley describes how they excused the massacre of French nuns in the Congo by the claim that the nuns were themselves racists. But they refused to recognise that their own hatred and contempt of the people he was studying, the Dowayo, was also racist.

Some Asian nations also have a reputation for racism. Back in the 1990s I found a book on Chinese xenophobia on sale in Waterstones in Bath. I’ve also read various books on Japan, which have also described how racist Japanese society is. I don’t know if it is still true, but one could only qualify as a Japanese citizen if both parents were Japanese. This meant that there was a sizable Korean community, who had lived in the country for generations, which had no civil rights under the law. In schools there was a strong suspicion of outsiders, so it has been claimed, which resulted in foreign students being segregated in separate classes. This is on the grounds that their Japanese language skills may not be good enough for inclusion with the rest of the pupils, but it is applied even to children who are fluent in the language. Outside Japan, expatriate or visiting Japanese will stick almost exclusively to themselves. Back in the 1990s there was a controversy in Australia, I believe, over the construction of a luxury resort there by the Japanese, because it was exclusively for Japanese and no-one else. I don’t mean by this to claim that all Japanese are racist. I’ve met people, who lived in Japan, who admire them and who told me that in their experience they were a very kind people. The travel writer and historian William Dalrymple also describes the anti-Black racism he encountered in India in his book, In Xanadu. Arriving at a railway station with a friend, a Black American soldier, he approached a group of Indian porters, only to see them turn away, sneering at the Black American simply for being Black. Again, I don’t wish to imply that all Indians are racist either.

Racism and racial prejudice exists amongst all peoples and ethnic groups to a greater or lesser degree, even in this country. It is about time that there were proper academic studies of it amongst non-White ethnic groups and anti-White racism in this country. At the moment there is a feeling amongst Whites that only White on Black racism is taken seriously, and that prejudice against Whites is not only acceptable, but being fostered by supposed anti-racist activists.

If the authorities are serious about tackling racism, and all forms of it, that needs to change.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

December 14, 2020

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.