My Email to Black Activist Shola Mos-Shogbamimu about Slavery Reparations

I gather that she’s been in today’s Guardian, where she’s written a piece about the death of Tina Turner. Turner was one of the greatest soul singers, even appearing as Auntie Entity, the ruler of Bartertown, in the film Mad Max 3, for which she also sang and performed a theme song. Shola’s piece lamented the fact that the singer had died before Blacks had received their proper compensation for their historic enslavement by White Europeans and Americans. She’s an intensely controversial figure. Some people feel that she is anti-British and I believe there was 38 Degrees petition launched by someone to stop the TV companies using her as a guest on their shows when debating racism and related topics. I feel that the issues of Black compensation for slavery raises questions about such compensation that crosses racial and national boundaries and which may affect Shola herself. Slavery was practised for millennia across the globe. Black Africans were enslaved by other African nations, as well as Muslim Arabs and Turks, as well as Indians, Persians and Afghans. Odiously, slavery still persists in Africa and the global south, and has been revived in Islamist-held Libya and Uganda. At the same time, Europeans were held in bondage as serfs until into the 19th century in parts of Europe, and were also enslaved by the invading Turks and pirates from Morocco, Algiers and Tunisia. This rises the issue that if compensations is to be paid to enslaved Blacks, then the same principle should mean that the victims of these forms of slavery should also receive compensation from those, who historically enslaved them.

I’ve therefore sent her this message via the message box on her website. I’ll let you know if I get an answer

‘Dear Shola,

I was struck by your article in today’s Guardian about the death of the great soul singer, Tina Turner, and lamenting the fact that she died before Black people had received reparations for slavery. The question of slavery reparations raises issues extending beyond western Blacks, including the complicity of African aristocracies, the enslavement of Blacks by other nations, including Islam and India, as well as indigenous White European forms of bondage and their enslavement by the Barbary pirates and the Turkish empire. As the granddaughter of an African prince, I would be particularly interested in your perspectives on these issues.

Regarding indigenous African complicity in the slave trade, I’ve doubtless no need to tell you about how generally Black Africans were captured and enslaved by other Black African peoples, who then sold them on to White Europeans and Americans. The most notorious slaving states were included Dahomey, Benin and Whydah in west Africa, while on the east coast the slaving peoples included the Yao, Marganja and the Swahili, who enslaved their victims for sale to the Sultan of Muscat to work the clove plantations on Zanzibar. They were also purchased by merchants from India, and then exported to that country, as well as Iran, Afghanistan and further east to countries like Sumatra. It has therefore been said that reparations should consist of Black Africans compensating western Blacks. Additionally, Black Africans were also enslaved by other Muslim Arabs in north Africa and then the Turkish empire. What is now South Sudan was a particular source of Black slaves and one of the causes of the Mahdi’s rebellion was outrage at the banning of slavery by the British. This raises the issue of whether Turkey, Oman, India and other north African and Asian states should also compensate the Black community for their depredations on them.

The complicity of the indigenous African chiefs in the slave trade has become an issue recently in Ghana and Nigeria. I understand that the slavery museum in Liverpool was praised by campaigners and activists from these nations for including this aspect of the slave trade. I would very much like to know your views on this matter. Forgive me if I have got this wrong, but I understand you are of the Igbo people. These also held slaves. I would also like to know if you could tell me a bit more about this, and how this may have affected your family’s history. Your grandfather was, after all, a chief, and this raises the awkward question of whether your family owned slaves. If they did, how were they manumitted and did your family give them reparations for their enslavement?

There is also the question of the enslavement of Whites both under conditions of domestic servitude and by the Muslim powers of the Turkish empire and Morocco, Algeria and Tunisia. Serfdom in England died out in the 16^th and 17^th centuries, but it continued in European countries into the 18^th and 19^th centuries. Prussia only liberated its serfs in 1825 and the Russian serfs were only freed in 1860. Serfdom is considered a form of slavery under international law, as I understand. If Blacks are to be granted compensation for their enslavement, then as a general principle the descendants of White European serfs should also be compensated for their ancestors’ servitude.

In Britain, a from of serfdom continued in the Scottish and Northumbrian mining industries. Miners were bondsmen, whose contracts bound them to the mining companies and who were metal identity collars to prevent them running away exactly like slaves. I would be grateful if you would tell me whether their descendants should also receive compensation for their forefathers’ virtual enslavement.

Over a million White Europeans and Americans, mostly from southern European countries such as France, Spain and Italy, were enslave by the Barbary pirates. This only came to an end with the French conquest and occupation of Alegria. If people are to be compensated for their ancestors’ enslavement, then presumably America and Europe should also receive compensation from these nations for this. The Turkish conquest of the Balkans in the 14^th century by Mehmet II resulted in the depression of the indigenous White Christian population into serfdom as well as the imposition of slavery. When Hungary was conquered, the Turks levied a tribute of a tenth of the country’s population as slaves. When one of the Greek islands revolted in the 1820s, it was put down with dreadful cruelty and the enslavement of 20,000 Greeks. Do you feel that the descendants of these enslaved Balkan Whites should also receive compensation from their former Turkish overlords?

There is also the fact that after Britain abolished the slave trade, she paid compensation to the former African slaving nations for their losses as part of a general scheme to persuade them to adopt a trade in ‘legitimate’ products. This was believed to benefit both Britain and the African nations themselves. How do you feel about the payment of such compensation? Do you feel that it is unfair, and that these nations should pay it back to us, or that they should pay it to the descendants of the people they enslaved?

Finally, slavery still persists today in parts of Africa and has even revived. The Islamist terror groups that have seized control of half of the former Libya have opened slave markets dealing in the desperate migrants from further south, who have made their way to the country in the attempt to find sanctuary in Europe. At the same time, slave markets have also opened in Uganda. Slavery is very much alive around the world today. I would be greatly interested in your perspectives on this issue, which is affecting people of colour in the global south. How do you feel it should be tackled? Are you working with anti-slavery organisations, such as Anti-Slavery International and the various organisations by former African slaves to combat this? If not, I would be very grateful if you could tell me why not, when you are obviously motivated by a human outrage at the plight of the historic victims of western slavery.

I hope you will be able to provide me with answers to these questions, and very much look forward to receiving your reply.

Yours sincerely,

David Sivier

Simon Webb and Calvin Robinson Attack the Tory Party

A day or so this blog’s favourite internet non-historian put up a video explaining why he would prefer to ‘die in a ditch’ rather than support or join the Conservatives. As you would expect, it was about immigration. The video’s title called Rishi Sunak ‘an enemy of Britain. This was because, in Webb’s view, Sunak was using the controversy over the channel migrants to cover up the far greater numbers immigrating to Britain legally. The numbers in the small boats were trivial compared to the 200,000 refugees from Ukraine, the number of students entering Britain with their spouses and families, and other migrants which pushed the real immigration figures up to nearly a million. Actually, I think the number of students, who came here but didn’t leave is about 500,000, so the figure could be something like 700,000 using the numbers he quoted.

Calvin Robinson, the cos-play priest, also turned up in a video for GB News or one of the other very right-wing outlets declaring that the Tories need to be destroyed. Why? It seems he doesn’t regard them as Conservative any more. He was defending himself from the other members of the panel by saying that Conservative principles would survive. My guess is that he’s talking to the same kind of people that call the Tories the Consocialists and complain about them being too woke. Robinson is an opponent of LGBTQ+ rights. The last video I came across was of him making a speech at the Oxford Union or somewhere presenting the case against the Anglican Church marrying gays. He’s right about the letter of scripture condemning homosexuality, just like it also condemns heterosexual fornication and adultery. But the letters from liberal clergy I’ve read about the issue argued that the nature of the family changed radically in Scripture, so that they could not formulate a clear theology of the family. You can see that in the texts of the Hebrew Bible and New Testament. In the Old Testament, polygyny was the norm, with the patriarchs and kings having multiple wives. When you get to the New Testament, this has changed so that the Jewish family of the period seems to have been largely monogamous with men generally having only one wife. They also argued that gay marriage in church was not without precedent, as it had been known in medieval eastern Europe and the Byzantine empire. I also remember that when the US legalised gay marriage, there were a number of videos posted by ordinary, God-fearing Americans stating that he didn’t radically change anything. Gay people hadn’t suddenly fallen out of the sky to do ‘homosexual thing’, according to one man, who went round his farm showing that they hadn’t suddenly appeared and were hiding in his haystack. A woman simply said that it didn’t change her conditions: she was still in a Christ-centred straight marriage with her husband.

It looks to me like the hard right may start abandoning the Tories for Reform or Reclaim. At the same time, left-wingers purged from Labour, or ordinary Labour supporters with traditional Labour views who are made to feel unwelcome and alienated by Starmer and turn to Conservatism may well go to the Greens or alternative left-wing parties like the Socialist and Trades Unin Alliance. And I really couldn’t blame anyone if they gave their vote to the Socialist Party. Kernow Damo, a left-wing Cornish YouTuber, has put up a video praising the Greens because of their retention of left-wing policies.

It’ll be interesting to see tomorrow’s election results, as this could be one where small, fringe parties start picking up votes.

Lawrence Fox on the History of Drag Queen Story Hour

This is a video from Lawrence Fox’s Reclaim the Media channel on YouTube, which is part of his Reclaim party. I’m very much aware that by reblogging it I’m tempting the ire of the Labour party for publishing the ideas and content of a rival party. But I think here Lozza and his crew have a point. Looking at it, he doesn’t object to drag as a late night entertainment for adults. What he objects to is very sexualised drag performances being staged in front of children as a vehicle for indoctrinating them with Queer Theory and the gender ideology.

I state again that I am definitely opposed to anyone being stigmatised or persecuted because of their sexuality or gender identity. I’m putting this video up because I do think that there is an attempt to use drag as a vehicle for indoctrinating children, and that the theories about human sexuality and sexual identity are fundamentally wrong and dangerous.

The video traces the history of drag from the days of ancient Greece, the middle ages and the early modern period, when male actors took female roles because of the social taboos against women appearing on stage. He claims that drag as a distinct form of entertainment appeared in the 19th century. The word itself may be a contraction of ‘Dressed As A Girl’. By the late 19th century drag was subversive and political, critiquing social norms about gender. It was originally late night fun for adults, but now there are attempts to put into the classroom. Drag Queen Story Hour is in the vanguard of this campaign.

Queer Theory, which is part of this new movement, has its origins in the postmodernist philosophical movement of the 1960s and 1970s. It begins with Michel Foucault’s 1976 History of Sexuality. Lozza says that Foucault definitely wasn’t a paedophile. This is almost certainly irony, as Foucault used to travel to north Africa for sex with young, pre-teen boys. He also explicitly argued that children can give sexual consent. His book claimed that sexuality was a social construct shaped by culture and history. This was then extended further by Gail Rubin, a lesbian anthropologist in her Thinking Sex. This also argued that sex and gender were the product of cultural norms, which were themselves oppressive and had no basis in nature. She defended every sexual taboo, including ‘boy lovers’.

Rubin was followed by Judith Butler and her book, Gender Trouble, which introduced into the debate the theory of performativity. Gender was not innate, but something people perform. She also challenged the gender binary of male and female. Drag Queen Story Hour differs from other forms of drag in that it is an exercise in gender performativity. This is unlike pantomime dames, who are comic figures exaggerating some female mannerisms while preserving their male gait. Drag queens themselves evolved from gay nightclubs and cabaret to challenge gender norms, but they were adult entertainment.

Drag Queen Story Hour itself began in 2015 in San Francisco, launched by author and activist Michelle Tea. She started it as a way of spreading knowledge of gay culture. Tea was already involved with transgressive culture, touring with a sex workers’ artistic collective and with a Queer feminist poetry collective, Sisterspit, whose anthology included pieces by and about drug addicts and other marginalised, underground groups. Drag Queen Story Hour was launched with Tea’s own group, Radar Productions, and was first staged in San Francisco public library. It was intended to introduce children to gay culture and diversity, equity and inclusion. It was an immediate success, and spread to other cities and across the Atlantic to Britain.

Lozza states that the claim by its defenders that Drag Queen Story Hour is just about teaching children to read in a fun way is dishonest. Here he mentions the recent scandal of the drag king, who performed in schools in the Isle of Man. This individual sparked controversy and a review of the programme by teaching children that there were 72 genders. Amongst themselves, the advocates of Drag Queen Story Hour are quite clear about their intentions to indoctrinate children. He talks here about the paper ‘Queer Pedagogy’, co-authored by the drag queen Little Miss Hot Mess, which appeared in an American journal of education. This stated the goal was to attack racist, capitalist modes of reproduction and the nuclear family.

From this he moves to the matter of expense and how much these events cost. Much of it is funded by the Arts Council. In 2019 the British Library hosted a Drag Queen Story Hour as part of their ‘Live, Love, Liberty’ exhibition. Last year, 2022, New York public library spent $200,000 on such events. The organisers insisted that these performances were safe, with background checks made on the performers and the performances themselves not sexual and suitable for children. This was belied by clips of some of these events showing very sexualised performances. Seven of the drag queens who performed in the Story Hours have been charged with child sex offences. Sharon Le Grand, another drag queen, also said in 2022 ‘We need to teach our children to open their hearts. We need to teach our children to open their minds. We need to teach our children to open their legs.’ Drag kings, a recent addition to the show, have also exposed their chests during the performances to show their mastectomy scars, blurring the line between drag and strip shows. He also talks about the problem of the adult nature of the drag acts away from children. Many of them have web pages with very adult jokes and content, which children can easily find. As an example, he gives a rather coarse joke from Ruby Violet’s description of herself, who performed in front of children aged 3-11 in an event staged by Hertfordshire council.

He concludes by discussing the way opposition to Drag Queen Story Hour has been misrepresented and the attempts to outlaw protests against it. The Beeb declared that opponents of drag queens were motivated by conspiracy theories and were members of the far right. In Canada a law has been passed banning protests within a certain limit of drag queen performances, punishable by a fine of $25,000. The video concludes with him mentioning that there are a number of organisations fighting the gender ideology and Drag Queen Story Hour, whose details he’ll put in the blurb about the video, and a plug for another YouTube series from Reclaim, Bad Education.

While I feel that the video is broadly accurate, obviously that doesn’t mean that each and every drag queen involved in story hour is ideologically motivated or a danger to children. Clive Simpson and Dennis Kavanagh have said in their YouTube videos, The Queens’ Speech, that many drag queens are just gay men trying to make a buck, and so don’t want a blanket ban on such shows. The EDIjester has also drawn a distinction between British and American drag. In his view, British drag, unlike its American counterpart, came out of the music hall tradition and wasn’t sexual. Again, I remember when British TV comedy frequently included drag. One of the major stars of 70s week day TV was Danny La Rue, while comedians and comic actors like the Two Ronnies, Dick Emery and Les Dawson also performed in drag. Also back in the 70s and 80s were Hinge and Bracket, which mixed musical comedy with drag. Again, this was mainstream entertainment on TV and radio and considered entirely innocuous. There have also been Paul O’Grady’s Lily Savage and Barry Humphries with Dame Edna Everege.

And yes, some of the opponents of Drag Queen Story Hour are far right conspiracy theorists. You can see that with Correct, Not Political, who hold weird conspiracy theories about the World Economic Forum, staged counter-protests against left wing demonstrations and openly admire Mosley. Their opposition to Drag Queen Story Hour comes from a deeper hostility to homosexuality and its promotion.

But I think critics of Drag Queen Story Hour and Queer Theory, like James Lindsay, are absolutely correct about the attempts to use drag as a vehicle for explicit political indoctrination and very harmful ideas about gender. It’s this aspect of it that needs to fought and combated.

Sketch of Freddy Mercury as Orpheus

I’m a great fan of Symbolist art. This was a 19th century European art movement, of which the Pre-Raphaelites were a part in Britain, which used painting to point to a higher, transcendent reality. It often depicted figures from Graeco-Roman myth. I was inspired in this sketch by Carlos Schwabe’s painting of Orpheus, which shows the head of the Greek hero on his lyre on a moonlit river. I wondered about updating it to the world of modern pop stars, and who the modern Orpheus would be. I’m also a fan of Queen, so I thought it would be Freddy Mercury. He was flamboyant, camp, but a massively talented, charismatic showman, who, in my opinion, is one of the great British rock gods. I’m sure you can think of other contenders to be a modern Orpheus – Jimi Hendrix, Eric Clapton, Lennon/ Macartney, David Bowie and so on. Bowie would be a good alternative, as he was influenced by the occult. Apparently his last album, Black Star, is full of occult imagery. Orphism was an ancient Greek cult that has been seen as a form of shamanism, and some Symbolists were very strongly into occultism and heterodox mysticism. But I preferred Mercury.

The Earliest Robot: Philon of Byzantium’s Wine Servant

One of the books I’ve been reading is Luca Beatrice’s Robot: A Visual Atlas from Ancient Greece to Artificial Intelligence (Milan: 24 Ore Culture 2016). This is an encyclopaedic discussion of robots in history, art, film and television, music, fashion and design, books, cartoons and toys and technology. The book’s blurb runs

‘Since ancient Greek times, man has sought to build a copy of himself. It is here, in the invention of the replica of himself, that he has felt closest to God.

From Philon of Byzantium to Isaac Asimov and Philip Dick, the inventor of the Replicants.

From Daft Punk to Kraftwerk, the band that used replica mannequins to perform their songs.

From Fritz Lang’s Metropolis to Her, in which the protagonist falls in love with a computer.

From Astro Boy to the American Marvel comics superheroes and the Japanese characters Mazinger and Steel Jeeg.

And now, in the age of computers, the true robots of our time, those old tin and steel robots have assumed a vintage appeal that makes them even more irresistible.’

Although it’s very comprehensive, there are some glaring omissions. For example, when it comes to bands of real robot musicians, it includes Japan’s Z Machines, but leaves out Germany’s Compressorhead. It also includes some European comics that are obscure to English-speaking audiences, but doesn’t include 2000 AD’s Robusters or ABC Warriors despite the fact that these strips and their characters go back 40 years or so. But there is much that is genuinely new, like the Mutant Waste Company, a British artist’s collective now resident in Italy, who used to build robots out of disused car parts and pieces from scrap yards.

It begins with the first robot believed to have been built, Philon of Byzantium’s automatic servant. It says of this android

‘Designed by an engineer and writer who lived in the 3rd century BC in Byzantium, Philon’s Automatic Servant is the oldest robot in history with human features. Able to serve wine, its structure is composed of several elements: inside, under the tunic, are two containers, one of wine and one of water, connected to the jug by means of air tubes that carry the liquid long the right arm. The left hand, which holds the cup, is connected to a system of levers that regulate the movement of both arms: when the cup is placed on the hand, the left arm descends while the right arms moves to pour the wine mixed with water; as the cup gradually fills, its weight increases and as a result the arm descends until it reaches the lowest level and thus the limit of capacity. The system now comes to a halt, the guest can take his cup, and the arms return to their starting position, ready to begin again. The Automatic Servant is now housed in the Kostas Kotsanas Museum of Ancient Greek Technology in Katakolo, Elis, Greece.’ (p. 16).

And here’s the photograph of the machine on the opposite page.

I’m pretty sure this is a reconstruction, as I imagine the real machine has been lost, although I might be wrong. Anyway, it’s a truly astonishing piece of engineering and shows once again just how sophisticated the engineers and scientists of the ancient world were. The Japanese also created a similar automaton, a mechanical servant girl that carried cups of tea to the guests.

Historical Archaeology, the Congo Museum and Shamanism and the Purge of Offensive Exhibits at the Wellcome Collection

Having looked at the Art Newspaper’s report on the withdrawal of the ‘Medicine Man’ gallery at the Wellcome Museum and its replacement with shamanistic performances by Grace Ndiritu, along with her biography on Wikipedia, I think I now understand what’s happened there. One of the names that leapt out at me reading the Art Newspaper article was Dan Hicks. He was one of the lecturers in the Archaeology and Anthropology Department at Bristol University when I was there. This is going back over a decade, and when I saw him, he was young and hip. I think his speciality is Historical Archaeology, and from what I remember he has co-edited a series of papers about it. Over here, Historical Archaeology is merely that branch of archaeology concerned with monuments and artefacts from historical times, rather than prehistory. Over the Pond, however, it is very definitely ideologically loaded, and concerns itself with colonialism, the oppression of the indigenous peoples, slavery and the emergence of capitalism. And this focus can be very clear in the work of some lecturers and academics. It’s not all like this – some of the historical archaeological research is less left-wing. While doing my Ph.D., one of the papers I consulted was about the building of 18th century Annapolis and how it conformed to 18th century ideas about architecture and society. For example, the buildings were deliberately constructed with large windows so that outsiders could look in. This came from the view that business should be conducted as far as possible in public view, so that public scrutiny would make sure that everything was correct, orderly and legal. Hicks’ doctoral student studied the archaeology of Long Kesh, the Maze Prison, in Ulster. She gave a seminar one lunchtime about her research, and she was very, very good. She presented an excellent case for its preservation and exhibition from a non-sectarian perspective as somewhere that was vital to the heritage of the people of Northern Ireland.

Archaeology has also expanded its scope in recent decades. When most of us think of archaeology, I’m pretty sure it’s of prehistory and ancient civilisations like Egypt, Greece and Rome. But it can also be much more recent, taking in not just the Middle Ages but also recent history up to the Second World War and beyond. One of the lads I knew was studying World War II tank defences around Bristol and Somerset. There was even a pillbox study group, which catalogued and documented the various WWII pillboxes left along the country’s coasts and beaches to protect us from invasion. There has, like Ndiritu at the Wellcome Museum, also been artistic events performed or staged around pieces of archaeology. In one of these in America an historic barn or house was allowed to decay, with photographs taken and finally displayed showing its gradual destruction. When I was there, the archaeology department had been part of a similar project concerning the various objects at Severn Beach, a holiday resort near Bristol. From what I dimly recall, this photographed and decorated such historic monuments as the public benches and decaying boats. This was too ‘arty’ in the pejorative sense for some of the people at the seminar on it I attended. They saw themselves very definitely as scientists. It was too arty for me, and I see myself much more as coming from the arts rather than the sciences.

There was, at the time, a general movement towards drawing different disciplines together, and especially the arts and sciences. Interdisciplinary subjects were in vogue, and there was much talk about overcoming C.P. Snow’s ‘two cultures’ arts and science, in which people from one side of the cultural divide had no knowledge or interest in the other. One such artistic project based in science I read about in New Scientist featured genetically modified organisms. One of these was a cactus, whose DNA had been tinkered with so that instead of prickles, it grew hair. Ndiritu’s performances at the Wellcome Collection come from archaeology and anthropology, rather than genetic engineering, but they are part of the same project of mixing science and art.

Her Wikipedia entries also mentions work at the AfricaMuseum in Belgium. Way back when I was at the Empire and Commonwealth Museum I got material from Belgium about some of their museums looking at their countries imperial history. One of these was a series of artistic projects and performances in the country’s museum about the Belgian Congo. As I’m sure readers are well aware, King Leopold’s personal rule in the Congo is one of the bloodiest holocausts in African history. About 8 million people are supposed to have been murdered by his Force Publique in order to produce rubber for export. I’ve been told that the country tried to forget about it all, until the first years of the 21st century when these events were staged at the museum as part of the confrontation with this infamous period in Belgian history.

There have also been other archaeological and anthropological events and displays in which indigenous peoples have performed their religious rituals. A few years ago, if I recall correctly, there was one where Amerindian shamans performed their people’s rites. When the exhibit is of those peoples, then it is only fair to include the people themselves. I think this is what was going on in the Wellcome Museum with Ndiritu and her shamanism. It looks like it’s an attempt by indigenous African culture to claim a proper place in the exhibit as a counterpoint to western rationalism.

This does not mean, however, that it should be free from criticism or that such criticism is right-wing. The decolonisation movement does indeed have as its goal the decentring of western science and historiography. It goes far beyond the usual explanation about including overlooked non-western and indigenous perspectives. The ‘Science Must Fall’ movement really existed. And some of the critical of modern postcolonial theory are left-wing feminists. Asian feminists, for example, have complained that they are given no support by western postmodern feminists in their struggle against their cultures’ own restrictions on women, because postcolonialism is only interested in such problems if they are caused by the West. This is described by Bricmont and Sokal in their 90’s attack on Postmodernism, Intellectual Impostures. And Sokal is, or was, very much a man of the left. He was a physicist who gave up his career to teach maths in Nicaragua under the left-wing Sandinista regime.

I also wonder how this all fits with Edward Said’s critique of western views of the east, Orientalism. His book was a polemic arguing that the west since ancient Greece had regarded the east as the Other, and produced images to justify its conquest and domination. Western travellers and explorers had therefore presented it as backward, irrational and feminine and somehow unchanging. But Nditiru’s performances are based on the non-scientific irrational and traditional, which are now presented as positive. This is indeed a challenge to the view of magic in indigenous cultures that I remember from my childhood. I can remember watching a BBC documentary about African shamanism when I was in my early teens, in which the voiceover concluded that while western science had succeeded in discovering so much about the world and made so many advances, while magic had reached an end and could produce no such advances. The great British scientist and broadcaster, Jacob Bronowski, said something similar in his TV series and book, The Ascent of Man. He looked at the traditional culture of one of Iran’s nomadic people, and considered that it similarly locked them in a stifling, unchanging world. Bronowski was no man of the right. He was a member of the Fabian Society at a time when that actually meant something, before it was taken over by the Blairites.

I am also very much aware of the crisis that has affected many indigenous society with the collapse of their world of meaning through contact with western modernity and the legacy of colonialism and imperialism. But there are also dangers in idealising indigenous societies. I mentioned in my previous article that in Nigeria, priests from one of the country’s pagan religions had been involved in the acquisition of slaves, and that a South African anthropologist had attempted to defend muti human sacrifice at a convention in this country, as well as witchcraft and witch hunting in Africa. Those aspects of indigenous religion and spirituality shouldn’t be ignored. I am not saying they should be stressed to restore the old image of Africa as a backward continent needing western civilisation, but not all the continent’s ills should be ascribed to western rationalism either. Hence it should be perfectly legitimate to question this latest policy by the Wellcome Museum, regardless of whether one is politically right or left.

Wellcome Museum Purges Display on History of Medicine to Include African Shaman – A Piece of Cultural Relativism That Will Also Damage Blacks

This comes from a piece our favourite YouTube historian, Simon Webb, put up on History Debunked a few days ago. He was attacking the new policy towards the museum that has come in with its new director, a woman whose degree is in the arts. Before, according to Webb, the museum was excellent, covering the history of western medicine in rigorous detail and including displays of operating theatres. Much of this, however, has been junked because the new director has deemed it ableist, racist and colonialist. The gallery to its founder, Wellcome himself, has also gone because he did not hold the current, mandatory beliefs. In their stead a gallery has erected containing two photographs showing the horrors of colonial experimentation on Black Africans along with one Mrs Eruditu, a self-professed African shaman, who conducts healing ceremonies and will counsel visitors to the gallery traumatised by the pictures. Webb calls her a witchdoctor, and describes her as completely mad, as she believes inanimate objects also possess consciousness. She doesn’t like the British Museum and the Egyptology displays, because the exhibits there have told her that they want to be underground. Nor does she approve of the display of a Native American totem pole in the Musee Nationale in France, as this has told her psychically that it wants to be out in the open air. Webb states, quite correctly, that western medicine has produced amazing advances in combating disease and extending the human life span. This new policy is a direct attack on that.

I think Webb, if he’s right about the Museum’s new policy, and he seems to be, has an excellent point here. He views it, no doubt, as another attack on western culture in the name of anti-racism, anti-imperialism and post-colonialism. He is, unfortunately, also very likely right about this. There have been pieces on YouTube by other right-wingers attacking the current policies of the Museums Association, which are all about this. I’ve got a feeling that Manchester Museum has also fallen to these new policies, and that they are also reviewing their collections as a result. But this policy is also harming Black and particularly Black African advancement in ways which the founders of the ‘Science Must Fall’ movement, which is ultimately at the heart of this, probably don’t understand.

The ‘Science Must Fall’ movement was a South African campaign to decentre western science because it rejected indigenous knowledges about the world rooted in myth and legend. There was a video on YouTube of a student debate in one of the South African universities, in which a Black female student urged her White comrades to decolonise their minds and accept that tribal rainmakers could indeed make it rain. People are welcome to whatever mystical or religious beliefs they choose, providing these don’t break the law. But they are separate. Back in the 90s, the late Stephen Jay Gould, a biologist and palaeontologist, attempted to end the war between science and religious by stating that there were No Overlapping Magisteria (NOMA). Science dealt with fact, and religion with issues of meaning and values. Of course, militant atheists of the Dawkins type disagreed and thought that it was a capitulation to unreason. Gould’s wrong in that religion and science do overlap, but as a general point I think it’s fair. Science and religion, as a general rule, are separate.

I am also sure that the new director is right, and that Blacks were experimented on by surgeons and doctors in the past. It certainly happened in America, where one of the great surgeons of the 19th century experiment on Black women without anaesthetic. I read somewhere that H.G. Wells was partly inspired to write The Island of Dr. Moreau by accounts of a German doctor experimenting on Black Africans. But you have to be very careful in making such judgements. A while ago I provoked an angry reply in a piece I had written for the Journal of the British Interplanetary Society. I was talking about the history of medicine in the context of space exploration. One of the books I had consulted for the piece described one particular pioneering doctor of tropical medicine as a quack for his theories and treatment of diseases. Unfortunately for me, one of the other senior members of the Society knew him, and wrote to me stating that he was a dedicated, humane man of science. The problem was that he was facing completely new diseases unknown in the west and which nobody knew how to treat. This is a good point, and I wrote to the aggrieved gentleman apologising for the inadvertent smear and issued a correction to the Journal. I wonder if some of the other pioneering doctors and surgeons, whose work has similarly fallen into disfavour, were like the man I mentioned – a sincere medical man, working in the unknown.

Underlying the attempts to decentre western science are two related attitudes. One is the fact that many displaced, colonised peoples have been harmed by the destruction of their own, indigenous world view. This has left them without meaning, resulting in alcoholism and drug addiction in many indigenous communities like the Amerindians in the Americas and Aboriginal Australians. The other is the belief in the Noble Savage, in which indigenous communities like them are somehow better, and more noble than moral than White, western society. The attempts to decentre western science and include indigenous myth and religion are attempts to restore dignity to these colonised peoples.

But African paganism also has its dark side. The priests of one of the cults in Nigeria were actively involved in the slave trade, to the point where the Nigerian equivalent of the saying that someone has been sold down the river literally translates as they ‘have been stolen by the Oracle’. There is also a widespread belief in witches and witch hunting all across the continent. Many of the accused, as in the pre-modern west are women, and some of the trials are just as deadly. In one Nigerian ritual, the accused woman is given the Calabar Bean, a poisonous vegetable. If she doesn’t vomit it out quickly, she’ll die, and so be judged a witch. There have also been professional witch hunters of the same stripe as the infamous Witchfinder General, Matthew Hopkins, of Civil War England. Way back in the 19th century one of the Zulu kings went on a witch-hunting campaign. Witchsmellers, the indigenous Zulu witch hunters, were engaged and duly pointed the finger at a number of suspects, who were duly executed. A European official talked to the king, and said this all looked very dubious, and wondered if the witchsmellers were right in their accusations. The king laughed, said he wondered too, and had all one hundred of them executed as frauds.

And then there’s muti, which is really sinister. This is the sacrifice of humans, often young children, for their body parts, which are sold to the sorcerer’s clients to bring them good luck. I put up a piece I found on one of the YouTube channels about the amazing efforts of a Black British woman against it in Uganda. But it also appeared in Britain back in the early part of this century. The cops dragged the spine of a murdered boy, Adam, wrapped in various pieces of coloured cloth out of the Thames. The cloth’s colours were those of the muti cult, and it looked like child, probably 12 years old, had been sacrificed. And some African anthropologists have defended such murders. A little while ago one of them presented such a paper at an anthropological conference in Manchester. They claimed that these sacrifices were morally acceptable because Africans had a collective morality that saw that the sacrifice of an individual could benefit the community. Bear in mind that we are talking about the murder of children, whose body parts, including their genitals, are considered most effective if they have been hacked off while the victim was still alive. I believe that the anthropologist presenting the paper was asked to leave.

Indigenous African religion has also been the tool of White supremacist governments to keep Black Africans firmly in their very subordinate place. A few decades ago, a Zulu shaman, Credo Mutwa, had a book published in this country, in which he explained his mystical beliefs and practises. From what I’ve read, it was a mixture of native Zulu lore and western occultism, aimed at the New Age crowd. It was reviewed by the sceptical UFO magazine, Magonia, who were very scathing. Mutwa, they claimed, had been a stooge of the Apartheid South African government during their retribalisation campaign. This stressed the indigenous, separate identities of the various South African tribes, who by then had become a Black proletariat. The intention was to keep the Black population divided so they were too weak to successfully challenge the Apartheid government.

Magonia have also several times stated that these books extolling the joys of indigenous life without western science and technology are all aimed at westerners, who have no intention of living like their ancestors did. I think it’s a fair point. The satirist Alan Coren expressed similar sentiments, set in a European context, in one of his pieces for Punch back in the 1970s. It’s about a very middle class, academic couple, who take over a French village and undo centuries of civilisation in order to return to them to what they see as the inhabitants’ natural, pre-Christian, pre-scientific state. But they themselves have no intention of rejecting scientific modernity. The piece ends with one of them stating he intends to write a paper on it. I think the same mindset is at work here.

As for Eruditu’s beliefs about the British museum and its exhibits, this is just animism, pure and simple, the belief that every rock and object has a soul. But I’ve heard very different things about the unhappy state of some of the exhibits. I’ve got a strong interest in psychical research, and a few weeks ago went to an online meeting about ghosts and hauntings in the British Museum. The Egyptology section has something of a cult as some of the visitors there are worshippers, who leave offerings. One spiritualist visitor, a medium, is supposed to have said that the mummies like being on display, as they feel they have a role to teach, but are frustrated at not being able to communicate with the living. This, of course, is completely the opposite of what Eruditu has said, and you can take or leave either or both depending on your attitude to mysticism. I many people are unhappy about the dead being excavated and put on display in museums, and don’t need a mystic to tell them this. But Egypt is certainly one of the great, founding civilisations of humanity, and Egyptology has massively extended our knowledge of the human past and this civilisation’s undeniable achievements and contribution.

Back to Africa. Way back in the 1980s I read an article by a Black African historian, a Muslim, who had presented his own series on the continent’s history on the Beeb. He lamented the fact that the west’s scientific and technological knowledge, inherited from ancient Greece and Rome, was not being transmitted to Africa. He’s right. After all, India and China have made massive strides in development this century because they have embraced science and technology. Sun Yat-Sen, the Chinese revolutionary who founded the Kuomintang, said at the beginning of his movement that ‘We say hello to Mr Science and Mr Democracy’. Sadly, democracy in China got left behind, but science has been taken up with a vengeance so that the country is now a centre of serious technological innovation in space and robotics. And it was helped in this by the early translators of western scientific texts, who referred to it not as western science, but as ‘the new science’. Something similar may well be needed in Africa.

This attempt to decentre and stigmatise western science and medicine has the potential to seriously harm Black advancement. I do think that there is a genuine potential for science and technology in Africa that is currently untapped and stifled. And Webb complained a few months or perhaps a year ago about a piece in New Scientist, in which a Black, female scientist called for more Blacks in lab coats. This movement, which sees Blacks and other indigenous peoples as non-scientific, runs counter to that. It reminds me of some of the scathing criticisms of non-western cultures by the early orientalists, who felt that these peoples would not be capable of assimilating western culture.

And I dare say the promoters of this movement would accuse me of racism, but I am afraid that there are real dangers of encouraging the dark side of African religion and spirituality through an uncritical acceptance of such shamanism.

If Webb is right, then the new director has not only ruined a once great museum, but she’s part of a larger movement that poses a threat to the whole tradition of the Enlightenment, a movement that genuinely endangers scientific advancement for some of the world’s peoples, who most need it.

A Comparative History of Black American Slavery and Russian Serfdom

One of the problems in contemporary debates over slavery that really infuriates me is the way too many people seem to believe that slavery is something only White people did to Blacks and people of colour. This simply isn’t the case. One of the arguments used by the slaveowners to defend this horrible social institution was the fact that it was found all over the world, and had been practised by civilisations from ancient Egypt, Greece and the Roman Empire down to the present day. I also get rather annoyed by the refusal of many discussions of slavery to include serfdom, which persisted in Russia and certain parts of Europe down to the 19th century. Serfdom differs from slavery in that, although the serf is unfree, nevertheless he has certain rights. Conditions were nevertheless brutal – they could also be punished by flogging and were forced to work on their master’s lands as part of the duties they owed their lords. In the Middle Ages they were unable to marry unless they paid a fine to their lord, and when they died their best beast, a cow, was also taken by their lord. Their widows were often required to perform a humiliating social ritual, like riding on a black ram calling themselves a whore, as happened on one English manor, before they could inherit their husband’s property. The Russian novelist and revolutionary, Turgenev, was a member of the serf-owning aristocracy and became a fervent abolitionist after one of his aunts killed serf girl by smothering her with a pillow.

I did, however, find a book comparing American Black slavery with Russian serfdom a few years ago, Peter Kolchin’s Unfree Labour: American Slavery and Russian Serfdom, (Harvard, Belknap). The Amazon blurb for this runs

‘Two massive systems of unfree labor arose, a world apart from each other, in the late sixteenth and early seventeenth centuries. The American enslavement of blacks and the Russian subjection of serfs flourished in different ways and varying degrees until they were legally abolished in the mid-nineteenth century. Historian Peter Kolchin compares and contrasts the two systems over time in this magisterial book, which clarifies the organization, structure, and dynamics of both social entities, highlighting their basic similarities while pointing out important differences discernible only in comparative perspective.

These differences involved both the masters and the bondsmen. The independence and resident mentality of American slaveholders facilitated the emergence of a vigorous crusade to defend slavery from outside attack, whereas an absentee orientation and dependence on the central government rendered serfholders unable successfully to defend serfdom. Russian serfs, who generally lived on larger holdings than American slaves and faced less immediate interference in their everyday lives, found it easier to assert their communal autonomy but showed relatively little solidarity with peasants outside their own villages; American slaves, by contrast, were both more individualistic and more able to identify with all other blacks, both slave and free.

Kolchin has discovered apparently universal features in master–bondsman relations, a central focus of his study, but he also shows their basic differences as he compares slave and serf life and chronicles patterns of resistance. If the masters had the upper hand, the slaves and serfs played major roles in shaping, and setting limits to, their own bondage.

This truly unprecedented comparative work will fascinate historians, sociologists, and all social scientists, particularly those with an interest in comparative history and studies in slavery.’

This is another book I haven’t read, but it does seem it would be very useful to others wishing to include White serfdom in the debate about slavery and its memorialisation.

The Amazon page for the book is at: https://www.amazon.co.uk/Unfree-Labor-American-Slavery-Russian/dp/0674920988

False! Woke Swedish Green MEP Does Not Want Viking Artefacts Destroyed in Name of International Friendship

Right-wing YouTuber Paz49 put up a piece this morning claiming that Alice Bah-Kuhnke, a Swedish Green MP, had called for the country’s Viking artefacts to be turned into scrap metal in order to show other countries that Sweden is friendly. Bah-Kuhnke’s mixed race, the daughter of an African father and Swedish mother. She was also a member, possibly the head, of an all-female government, whose members all wore pink hats, presumably as a feminist statement. Paz also reports that there are claims she wants the artefacts replaced with Islamic and African objects, but he thinks this may be just a rumour. He does, however, believe that this is a woke assault on White identity, and that it ignores the fact that other nations throughout the globe are also responsible for war and imperialism.

The story’s false, however. It’s several years old, dating from c. 2017, and comes from the American Alt-Right distorting reports of a perfectly reasonable law passed by the Swedish government to clear out artefacts of low scientific value in order to clear space in their national museum. I found this video below from the Archaeosource channel on YouTube, in which two professional archaeologists discuss what was really going on. They point out that archaeologists can’t keep everything they find, otherwise museums would be full of old Roman tiles. They rebury material that they can’t retain and conserve. The Swedish law is about throwing away poorly preserved Iron Age and Viking artefacts that don’t have much scientific value. It is not about destroying Sweden’s heritage. One of the speakers says he worked as a Viking for four years, six-hours a day, and has a profound respect for the ancient Norsemen. He takes issue with the way the Alt-Right and other extreme right-wing groups have appropriated them, especially regarding issues of masculinity, being a warrior and so on. The Vikings were open to other cultures, they had words for Blacks, Blamenn, and extensive trade contacts extending down to Africa and India. They were hired by other nations, and were hospitable to them. I think here he’s probably talking about Ibn Fadlan, the Arab traveller, and his observations of the Vikings on the Volga. They were hired by the Byzantines to serve as the emperor’s bodyguard. They also had bards and weren’t homophobic.

So, as commenters like Gillyflower suspected, this is a bogus non-story, an example of Alt-Right fearmongering.

1970s Dr Who Goes Disco

This comes from J.B. Anderton’s channel on YouTube. Yesterday I posted another of his videos in which he presented a disco version of the theme and titles for Star Trek: The Next Generation. He does the same to Tom Baker era Dr Who in this little video. He uses the titles for episode 2 of the story, ‘The Horns of Nimon’, but the video itself consists of clips from nearly right across the Baker era. ‘The Horns of Nimon’ is a suitably seasonal story. It’s a Science Fictional retelling of the ancient Greek myth of the minotaur and is about the Doctor and Romana investigating why a planet’s children are being sent into a labyrinth, where they are preyed upon by aliens with the heads of bulls. It was intended to be a Christmas pantomime before that season ended with the serious story, ‘Shada’. ‘Shada’, scripted by Douglas Adams of Hitchhiker fame, never got made thanks to a strike. The series ended with ‘The Horns of Nimon’, which was widely regarded as the worst Dr Who episode until overtaken by such classics as ‘The Twin Dilemma’, the opening story of Colin Baker’s Dr Who, and which I regard as one of the contributing factors to his Doctor’s unpopularity – unfair in my opinion – and his eventual sacking. I’ve got ‘The Horns of Nimon’ on DVD, and watching it again, I don’t think it’s at all bad. It’s not great, but it’s not terrible, as everyone thought. Perhaps we were just spoiled for great Dr Who stories in those days, and it only seemed bad in comparison. ‘Shada’ has been extensively written about and I think there are DVDs reconstructing the story with the available footage, some of which was used in ‘The Five Doctors’ to explain why Baker’s Doctor wasn’t in it. I think the script may also have been published and possibly Big Finish, which specialises in new Who stories featuring classic Doctors, may have performed it on CD. Anyway, here’s the video for you to enjoy. I suppose I should also run a quiz for Whovians asking them to identify the individual episodes and stories from which the clips are taken.