Posts Tagged ‘London’

Weinstein, Acting and the Sexual Exploitation of Women

October 18, 2017

The big news story this week has been the numerous accusations of rape, sexual assault and other forms of indecency against the big movie mogul, Harvey Weinstein. The papers and news broadcasts have been full of the accounts by actress after actress about how Weinstein assaulted or otherwise tried to degrade them for his own sexual gratification. And as the scandal has gone on, other women have also revealed how they too were demeaned or sexually exploited in order to get roles or keep their jobs in Hollywood. I saw one headline for a video about Weinstein on YouTube, which quoted one female celeb as saying that he was just ‘the tip of the iceberg. And I’m not remotely surprised.

Hollywood has always had a reputation for the dark side of the glamour of showbusiness. This isn’t just the sordid off-screen lives of some of the stars and directors and producers themselves, but also for the sexual exploitation of aspiring actresses. The most notorious aspect of this was the ‘casting couch’, in which producers would pressure actresses to sleep with them if they wanted to get a part. And I really wouldn’t be surprised if the same thing existed in the theatre. Something very much like it is portrayed in the film All That Jazz, in which Roy Schneider plays a dissolute theatrical producer, who in one scene sleeps with one of the women, whom he is supposed to be auditioning. The film tries to make it somehow less sleazy by having her asking him if he wants to go to bed with her.

And even when there is no personal sexual contact, there is nevertheless a culture where women are very much judged on their beauty and sexual allure in a demeaning manner. Jennifer Lawrence has told how she, along with a group of other young women, were made to strip naked, with only pads covering their private parts, while a female producer looked them over. In Lawrence’s case, she was told to lose a lot of weight in order to compete with the much thinner girls in the line-up. She has said how she told another, male producer about the experience afterwards, to be insulted by him in turn when he said that there was nothing wrong with her weight, and that she was perfectly ‘f***able’.

These stories have been about the American film industry, but I really don’t think we have cause for complacency over on this side of the pond. A friend of mine a while ago told me about a young woman he knew, who applied to enter one of the country’s most prestigious stage schools. She got an audition, during which she was asked to take her clothes off. When she asked why, she was simply told that they wanted to see if she would do anything to get a part.

I don’t know the person involved myself, and this could be another Friend-Of-A-Friend story, but it does have the ring of truth. Some British film stars have told in interviews how they were messed about by the stage schools or acting academies to which they had applied. Euan McGregor said on one interview that when he was trying to start out in acting, he tried several times to get into RADA. Eventually, he got an audition. So he spent £125 on a train ticket from Edinburgh to London. This was in the 1980s, when the money was worth rather more than it is now. When he got there, he found that there was nobody to see him except one man. He was told quite frankly that he hadn’t got in. When he complained that he’s spent a lot of money getting down there just for nothing, the man just replied ‘Well, you’re going to have a lot of disappointments’. Which shows just how arrogant and casually spiteful RADA was, at least to him.

And some men have also said that they were the subject of unwanted advances by powerful cinema executives, who tried to use the immense power they had over their careers to exploit them sexually.

It seems to me that the YouTube video is right. Weinstein is just the tip of the iceberg, and the whole showbiz industry is rotten with amoral, exploitative predators. It desperately needs cleaning out.

Advertisements

RT Asks People Outside Hillary Book Signing ‘What Went Wrong?’

October 17, 2017

I’ve put up a couple of pieces a few days commenting on Hillary Clinton’s appearance at the Cheltenham Literary Festival, and how in her book, What Happened?, which she’s been touting at this and other events across the world, she blames everyone except herself for her failure to gain the presidency.

In this short piece, RT asks people coming out of another book signing, this time at the South Bank Centre, ‘what went wrong?’ A few people recognise that she stood on the wrong platforms and campaigned on the wrong issues. One individual remarks that you can’t win elections simply by promising more of what your predecessor did. One man also comments that it was ‘the Rust Belt, populism, you know, Donald Trump’.

Most of the women, and one or two men, reply that Hillary’s gender was against her. They state that America wasn’t ready yet for a female president, and possibly not ready for one after a Black man. A lady in a hijab states that American politics is dominated by White men, and so Hillary suffered what has always happened to women everywhere, and was ‘Trumped’ by a poorly qualified man. And a couple blamed it on the Russians.

One of the women questioned is the head of Democrats Abroad, or at least the British chapter of it. She blames Killary’s defeat partly on the voter suppression and gerrymandering that went on. And a couple of people simply blame Russians. Nevertheless, she still has her supporters, with one Black young lady still saying that ‘we have faith’ in her.

Now it is true that Hillary’s gender was against her. America is a very masculine society, and politics over there, as they are in most White majority countries, is dominated by White men. And Killary was the victim of some very bitter, anti-feminist rhetoric when she and her husband became the first family back in the 1990s. One Republican Pastor angrily declared that she was the ‘type of woman, who turns to lesbianism, practices witchcraft, leaves her husband, and kills her children.’ And to a certain extent, some of those slurs have continued. There have been rumours throughout her political career that Shrillary’s a lesbian, and during Obama’s presidency these rumours became very specific. She was supposed to be having a lesbian affair with one of her advisors, Huma Abeddin. A male official, who had been sacked, also claimed that she and Nancy Pelosi were both man-hating lesbians, who delighted in humiliating men.

As for witchcraft, Alex Jones on his Infowars channel was coming out with all manner of complete and utter nonsense. He claimed that she, and Obama, were both demonically possessed. Or it could be that she was an evil alien, or under alien control. An invitation by a New York performance artist provided Jones with further ammunition to claim that she was involved in black magic. The performance artist specialised in ‘spirit cooking’ as part of her performances, which involved human blood. Jones pointed out that it was also what the black magician Aleister Crowley called his own vile magical cuisine, which used menstrual blood and semen. Hillary was therefore accused of performing various black magic rituals with this woman. In fact, she and Bill had been friends with her since the ’60s or ’70s, and as far as I could see, the ‘spirit cooking’ she talked about really was just weird performance art. It might have been inspired by Crowley, but as far as I could see it had very little to do with genuine occultism.

However, there are people in America more than willing to vote for a female candidate. I was told by one of the American postgraduate students on an archaeology course I did several years ago at Bristol Uni, that she was so sick and tired of every candidate being another White male that she would vote for anybody, who wasn’t. And the political landscape had shifted so much that she wasn’t the only female candidate for the presidency. The Greens put forward Jill Stein. As the candidate of a third party, Stein very much was an outsider, but she’s still blamed by Killary as part of the reasons for her defeat. In fact, as a feminist candidate, Stein was the stronger party. She was a doctor, who supported single-payer healthcare as well as protecting the environment, because her experience taught her that women particularly needed it.

Killary, by contrast, was very much a political insider. She was a professional businesswoman, who sat on the boards of multiple corporations. She was also very, very much in Wall Street’s pockets, having been paid hundreds of thousands for speeches she delivered at their various dinners. One of the companies she headed was Walmart, which does not recognise trade unions, and treats its staff extremely badly. Despite making a speech to trade unionists that she would defend their rights and those of their members, she had actually made no attempt to reverse Walmart’s union-bashing policy. And at a time more and more Americans were coming round to support single-payer healthcare, like the Germans have had for nearly a hundred and forty years, she blocked this and called it ‘utopian’.

People also remembered how racist Killary was. In her youth back in the ’60s she’d been a Goldwater Girl, supporting the pro-segregationist Republican Barry Goldwater. She and Bill were responsible for the 1990s legislation that led to a far greater proportion of young Black men being convicted of and serving longer prison sentences for drug offences that Whites. There was also a racist edge to her previous electoral campaign against Barack Obama. She promoted the whole Republican ‘birther’ nonsense, in which it was claimed that Obama, because of his Kenyan ancestry, was not born in the USA and was therefore not eligible to become president.

She also treated the traditional blue-collar Democrat supporters with a very obvious contempt. She stated that she wanted to appeal more to Republican voters, and was true to her word. She ignored, or only did the most cursory campaigning in traditionally Democrat strongholds, expecting the folks there to vote for her. Just as Blair and ‘Progress’ treated the British working class over here.

As for foreign policy, she boasted that she was proud to have Henry Kissinger, Nixon’s old adviser, as her friend and that she regularly spent her hols with him. This is the man, whose policy of backing Fascist dictators across the world, and support for carpet-bombing in Vietnam, has caused him to be denounced as the world’s biggest unindicted war criminal. He is really has shed enough blood, as Shakespeare put in MacBeth, to make ‘all the seas incarnadine, turning the green red’.

This was at a time when the American public was becoming increasingly war weary. People were becoming sick of waving their sons and daughters off proudly, only to see them coming back in coffins, or with shattered bodies and minds from a series of wars that seem to only profit multinationals.

In short, Killary was the consummate corporate and political insider. But she still claimed that she was an outsider, because of her gender. Well, her biological gender was immaterial. She was as hawkish as any of the men in Bush’s and Obama’s cabinets, and was responsible for much legislation that actively harmed women. Her claims of feminism rang very hollow to ordinary American women concerned about bread and butter issues. Like, you know, actually finding paying jobs, being able to afford to eat and have somewhere to live, pay the utility bills and being able to afford to see the doctor. Oh yes, and being able to see their daughters and sons go through college without being burdened by staggering amounts of debt.

As for the Russians being to blame, this is quite frankly a massive lie. Yes, Putin wants to influence what’s going on in the West. No, he wasn’t responsible for Killary’s defeat. Killary was damaged by the WikiLeaks revelations, which showed how she and the head of the DNC, Debbie Wasserman Schultz, fiddled the internal election process to steal the nomination from Bernie, as well as the incriminating documents which showed just how far she was in Wall Street’s and corporate America’s pockets. This had nothing to do with Russian hacking. They were handed over by disgruntled insiders within the Democrat Party. But Killary couldn’t admit this, and so has started a bogus campaign to blame Russian.

And there’s more than a little bit of hypocrisy about this too. Killary’s got no problem with fiddling Russian politics. America poured millions into Boris Yeltsyn’s campaign to become president of the USSR during the 1990s, and so complete the dismantlement of the Soviet Union and the privatisation of its state concerns. All of which were sold at knock-down prices. The results were massive profits for the oligarchs, who bought them, the complete melt-down of the Russian economy, a massive surge in mafia violence as organised crime tried to take over industry. Millions of Russians were thrown out of work in a nation that had never developed unemployment benefit, ’cause the state’s policy was to have everyone in work. Left without benefits and with medicine increasingly privatised, there was a massive increase in sickness and suicide.

And she’s continued meddling in Russian/east European affairs. The Orange Revolution in Kiev against the pro-Russian Ukrainian president was carefully stage managed by Shrillary and the state department, down to the orange clothing being given out to protesters. It was an astro-turf coup, which carefully resembled a popular uprising but which was scripted by the American state and western capital. As for the composition of the new Ukrainian government installed with Killary’s help, these include Nazi thugs from the Pravy Sektor, real Fascists, who wear SS uniforms and scream Nazi slogans, and who have a bitter hatred of Jews, trade unionists and real democrats.

She was also caught on tape moaning about how she regretted not fiddling the elections for the Palestinian authority to get the right party in power.

Hillary’s a very intelligent woman. I think some of the misogynist abuse directed against her is because she’s probably the brighter than her husband, Bill. But intelligence does not equate with morality. Trump’s a grotesque monster, but he made some of the right noises. At one point he said he was in charge of single-payer healthcare, and that he didn’t want to start more wars. He’s since gone back on these promises. But despite the fact that Trump’s stupid with a disgusting attitude to women, these are issues that did appeal to many ordinary people. 45,000 people a year die in America because they can’t afford medical treatment. Bush’s wars abroad have pushed taxes up for the state to be able to pay for it, and the burden has fallen again on the ordinary man and woman in the street, just as it has over here. And if you’re a parent wondering if your child will come back for his or her tour of duty in one piece and compus mentus, Trump’s promise not to put boots on the ground in Syria is welcome indeed.

For some people, these are life and death issues, and the grotesque personality of the person proposing them won’t matter. And especially not after Clinton’s own dubious affair with Monica Lewinsky, and the rumours of indiscretions, if not something far worse, with other female staffers.

And let’s put some of the blame for Killary’s defeat on a factor, that I haven’t heard she herself has cited: the American Constitution. As one of the speakers in the above video shows, Killary actually got more votes than Trump. But she lost because of the electoral college, an antiquated and byzantine electoral organ that was set up to give the slave-holding states a disproportionate amount of power in the 19th century. Slaves couldn’t vote, but were defined as being partial humans for the purposes of voting, and the electoral college set up so that the southern states could still successfully field presidential candidates against those from the northern states, which had a far greater proportion of free and White men, and so a greater voting population.

This isn’t the only problem with the American Constitution. It was drafted at the end of the 18th century by patrician White men, who were terrified that the Revolution would see power slip from the hands of the monied, landed elite to ordinary working Americans – the ‘leather apron men’, as they referred to the industrial craftsmen, who flocked to town hall meetings and provided the basis for American popular democracy. And so checks have been placed within the Constitution that make the kind of radical change now desperately needed impossible. The result is that millions of ordinary Americans feel disenfranchised, and so stayed away from the election.

Hillary has no-one to blame but herself. She was a horrible Conservative, serving a stifling Conservative political and social order, who was beaten by another horrible Conservative, but one who actually understood how to appeal to the public.

But it ain’t just in Britain that Killary’s touring, telling little lies. She also appeared on Australia’s ABC television station to tell porkies Down Under. Michelle, one of the great commenters to this blog, sent me this link to an article in Medium by Caitlin Johnstone exposing five of the lies she told in her interview with Sarah Ferguson.

View story at Medium.com

And if she’s done it in America, Britain and Oz, you can bet she’s doing it elsewhere, like an insane world tour of pathological lying.

RT: Hundreds Demonstrate in London against Police Brutality in Catalonia

October 4, 2017

This is another very short video from RTUK. At just over a minute long, it covers the protest in London today against the Spanish government’s violent suppression of the Catalan independence referendum. One young man says he’s been crying over the past two days every time he’s seen the footage of the violence, as it could be his parents and family. A young woman complains that Theresa May has issued no condemnation of the violence, and she finds this shocking in a country that prides itself on respect for the rule of law. Another young woman, who I would think from the way she speaks is probably Catalan, says that there has been no help from the EU. They have said instead that they should try for a dialogue with Spain. She goes on to say that ‘we’ve tried that for years’, and shakes her head, indicating that it hasn’t worked. A young Asian chap says that he’s a Remainer, but he finds the EU’s attitude to the violence, as well as the violence itself, shocking. He states clearly that ‘there’s no need for that’.

There were protests against the Fascistic violence used by the Spanish police against the Catalan voters in Scotland yesterday. I put up another video from RT of that. from what I’ve read, Rajoy’s popularity in the rest of Spain has gone up, even though his actions have been a brutal assault on democracy in Catalonia itself, and will have made the case for independence even stronger amongst Catalans.

And I don’t doubt it has soured the image of Spain and the EU, for failing to stop or issue any strong condemnation of the brutality, elsewhere in the European Union. I strongly support Britain’s membership of the EU, but this failure to prevent or tackle state violence in Spain is disgusting, and must alarm some of the other nations, who are suffering from the EU’s less than democratic policies towards them, like Greece and Italy.

RTUK on the True Scale of Hidden and Rural Homelessness in the UK

September 30, 2017

This is another excellent piece from RTUK. And it shows why we’re better off looking at alternative sources of news on the Net than relying on flagrantly biased BBC. Even when those alternative sources are owned by Putin’s Russia.

This report discusses the true scale of hidden and rural homelessness in the UK, which is much bigger than previously considered. Among the chilling statistics, it reports that 1 in 10 people experience homelessness every year, and that homelessness has increased 50 per cent since the Tories took power in 2010. In London, 12,500 people are forced to sleep on sofas or the Tube every night. Nationally, 70,000 people were sofa surfing, 20,000 people sleep in unsuitable accommodation, 12,500 living in squats, 9,000 living in tents. A spokesman for Centrepoint states that the statistics are patchy and unclear, and that homelessness is often unreported by the general public, because they don’t know the homeless people they see sleeping rough. This prevents it from gaining the attention it needs to attract proper political action.

Not all towns deal with the problem in the same way. While most councils try to get the homeless into a hostel or similar, Carlisle is trying to solve the problem by giving the homeless tents, toiletries and other things they need, a policy which is praised by one homeless man, a Mr. Dubka, interviewed on the programme. The programme does report the government’s response, which says that it is committed to tackling homelessness and has devoted £550 million to this goal by 2020. The government is also about to pass the Homelessness Reduction Bill intended to force council to act in cases where people are about to become homeless.

But councils are still finding it difficult to cope, as budgets have been slashed by 70 per cent from 2014, councils are forced to concentrate on the urban centres, a point supported by a spokesman for another charity, Porchlight. The programme also cites statistics collected by Herriott Watts University. It concludes that on the one hand, it’s good that the figures for rural homelessness are finally being included and pressure is being placed on the government to include them in its Homelessness Reduction Act, but on the other funding is still being reduced.

I am not surprised that there are a high number of ‘hidden homeless’ in London and around the country. A little while ago I found a study of homelessness in New York, written by an American social scientist and based on his doctoral research in the 1980s and 1990s, when it was briefly a major issue in American politics. It’s actually more difficult to define the scale of the homelessness problem in New York, because many of the homeless aren’t living on the streets. They are sleeping on friends’ couches, or in basements or closets or other areas given to them to sleep in by kindly janitors. And although the problem is much bigger in the 21st century than it was twenty or so years ago, it has practically disappeared as a political issue.

Many of those homeless in New York are graduates. I wonder how many are also people with university degrees in this country, who can’t find accommodation in the cities in which they moved to attend uni, because of a shortage of affordable housing.

The report also makes another excellent point, though one by tacit demonstration rather than open statement. The government has said that it’s devoting £550 million to the problem by 2020. This looks impressive, but as the programme shows, this is actually a cut of 70 per cent. It shows why you should be always very careful about accepting the government’s stats when they are given in isolation without corresponding data to compare it with.

Also, whatever they say, this government will do the barest minimum to tackle homelessness. Due to Tory policies, the wider British economy depends on house prices remaining high. And they can only remain high if there’s a demand for them.

South African Politico Andrew Feinstein on the Evils of the Arms Trade

September 19, 2017

Hat tip to Michelle, for sending me this video on the immense harm and global corruption due to the arms trade.

In this video, the South African politician Andrew Feinstein talks in detail about the arms trade. This creates death and chaos, not just through the weapons themselves, but through the web of corruption and kickbacks western governments, and here he talks specifically about the British government, use to sell them to countries that don’t need them and can’t afford them.

Like South Africa. BAe Systems and the British government were involved in a very corrupt deal to sell arms to his country. This diverted money, that should have been spent feeding the starving masses. Instead it went into the pockets of the merchants of death, and tens of thousands of children died of starvation as a result.

Another instance he cites is the Al-Yamamah arms deal, in which Britain sold arms to Saudi Arabia, in return for which one of the Saudi princes, Prince Bandar, received a kickback of a cool $1 billion. The agency that investigates corrupt business dealings were about to bring a prosecution, when Tony Blair’s government stepped in and stopped it. It was only when some of that money ended up in the accounts of two of the 9/11 hijackers that the authorities thought fit to investigate it.

http://realmedia.press/arms-trade-make-killing-andrew-feinstein/

None of this should be surprising to Private Eye readers. The magazine has cover the British arms industry for decades and the way it flouts international law. Under Maggie Thatcher, we were supplying arms to Saddam Hussein despite a ban on weapons sales imposed by the Americans. These were weapons that were turned on our squaddies when we invaded in Gulf War I. The Eye has also documented ad nauseam the countless times Britain has sold its lethal products to extremely repressive governments, like those of Indonesia and the Gulf states.

And BAe systems also manufactures weapons that are illegal under human rights legislation. Way back in the 1990s the Eye reported how the company was making and selling, quite illegally, electric shields and batons.

The massive arms fair held in London last week is now over, but the issues surrounding it haven’t gone away. We are still manufacturing and exporting these weapons to brutal, oppressive regimes with the complete support of the government. Remember how David Cameron went up to a weapons manufacturing plant in the North the other year to enthuse about the ‘wonderful kit’ they were making? Britain’s part in the global arms trade is small – much smaller than the American’s, whose expenditure on weapons vastly outstrips that of the other leading countries combined. But the trade, and the death and chaos it causes, still needs to be stopped. Hopefully this won’t just help to stop some of the supply of lethal weapons to brutal and oppressive regimes, it will also help stop the poverty and corruption this immoral trade generates.

‘Bomber’ Fallon and the Merchants of Death Arms Fair in London

September 17, 2017

Mike today has put up a piece over at Vox Political commenting on Michael Fallon’s speech yesterday at the DSEI arms fair in London. Fallon, who earned the monicker ‘Bomber’ because of a speech in which he declared that Britain had a moral duty to bomb the peoples of the Middle East, now went on to say that, thanks to Brexit, Britain’s future as the world’s leading arms exporter looked good. And that we should try to sell armaments to anyone in the world, regardless of morality.

Mike makes the point that Fallon’s comments are insensitive, coming as they do when Britain is selling arms to Saudi Arabia, which is using it to kill innocent civilians, including children in schools and madrasas, in Yemen. And Saudi Arabia has no qualms whatsoever against using such armaments against us. 17 of the 19 people involved in the 9/11 hijacking were Saudis, and the trail of responsibility for that atrocity goes right up to the top of the Saudi government itself.

http://voxpoliticalonline.com/2017/09/17/warmonger-fallon-wants-the-uk-to-sell-arms-to-anyone-who-wants-them/

This weekend’s Counterpunch also carries an article by Michael Dickinson, ‘Stop the London Death Fair’, about the DSEI trade fair and its dealings with some of the world’s most evil and repressive governments. It begins

Roll up! Roll up! Ballistic missiles and hand grenades! Drones, helicopters and warships! Rocket launchers, tanks and assault rifles! Welcome to the biennial London Arms Fair! Showing now until 15th September at the Excel Centre in Docklands, the Defence Systems and Equipment International (DSEI) – “a world-leading event that brings together the defence and security sector to innovate and share knowledge” – presents one of the world’s biggest arms bazaars, displaying the latest high-tech arms and surveillance technology, crowd control and weaponry. This year the exhibition is split into five key zones: air, land, security and joint, all showcasing the latest equipment and systems. DSEI is organised by Clarion Events, with extensive cooperation from the British government.

Military personnel, politicians, private defence contractors and consultants mingle as they shop. Countries accused of war crimes and human rights abuses, Algeria, Angola, Colombia, Iraq, Oman, Qatar, Pakistan, Turkey, the UAE, and Ukraine are among the invited. Although not an official guest, the Israeli arms industry has special pavilions at the venue, where over 34,000 visitors are expected to view the latest in killing weaponry for sale, exhibited by more than 1,600 arms companies, including the US and UK giants Lockheed Martin, Boeing, Raytheon and BAE Systems.

With authoritarian regimes such as Saudi Arabia, Egypt, Bahrain and Azerbaijan among the official UK government guests in attendance, this year’s keynote speakers at the opening day conference included British Defence Secretary Sir Michael Fallon, International Trade Secretary Liam Fox and many of the top brass in the UK military establishment. Fox said that overseas governments had an inaliable right to defend themselves and that if they could not buy the equipment they required from developed countries with effective controls, like the UK, they would look elsewhere. Last year Britain’s arms export industry turned over 3 billion pounds.

Andrew Smith, a spokesman from the activist group Campaign Against the Arms Trade (CAAT) said: “DSEI is one of the biggest arms fairs in the world. It exists purely to maximise arms sales. Prime Minister Theresa May and her colleagues may talk about promoting human rights but DSEI could not happen without the full support of government. A lot of the regimes in attendance have been linked to terrible human rights abuses, and events like DSEI only make them more likely in future. It is vitally important to spread as much awareness as possible of this terrible arms fair taking place. ”

https://www.counterpunch.org/2017/09/15/stop-the-london-death-fair/

Conservative governments, including Margaret Thatcher’s, keenly supported the British arms industry, and this policy was taken over, along with just about everything else, by Tony Blair and New Labour. It’s hardly surprising. George Orwell remarked when he finally gave up his anti-War stance in the face of the Nazi threat, and went to work for the BBC writing anti-Nazi and pro-war material, that if you’re a member of the British upper and upper middle classes, you’re bred for war. This has always been true, ever since the modern armed forces emerged from the military aristocracies of the Middle Ages. The officer elite has always been solidly middle class, although there has been some efforts to make it more diverse.

The government has tried to defend its massive support for the arms industry by arguing that arms sales open up foreign markets to British industry generally. After buying some of that ‘wonderful kit’ David Cameron enthused about, foreign nations would go on to buy other British products and services. But they don’t. They buy British weapons, tanks and other pieces of hardware, and nothing else.

And the British ruling class, its politicians and senior civil servants, also stand to benefit personally from the arms trade. Private Eye for decades has exposed the revolving door between the MOD and British defence ministers, and the arms industry, in which British generals and officials find very lucrative places on the boards of defence contractors and arms manufacturers once they retire or leave office.

As for the private military contractors, previously known as mercenaries, that the British government has supported, these have been used by the Tories to give unofficial support to regimes, where it would have been otherwise embarrassing for Britain to send in the regular army. Like Sri Lanka.

It hardly needs stating that the arms industry is a deeply immoral trade, and that by lauding Britain’s role in it Fallon has shown the complete absence of any kind of moral consideration for the victims of these weapons and a complete indifference to the nature of the regimes he intends to sell them to.

As far as he’s concerned, war is a business. And business is good.

Close down the arms fair, and kick out Fallon and the rest of his vile government.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Videos from the Protests Against the DSEI Arms Fair in London

September 15, 2017

Hat tip to Michelle for sending me these.

This week there’s been a massive international arms fair in London, in which the international ‘defence and security’ industry, otherwise known as the merchants of death, have been trying to flog their murderous wares to a range of governments, from the democratic through the autocratic to the just plain despotic. The mayor of London, Sadiq Khan, said he’d like to stop them, but has no powers to. The arms fair is conducted with the full support of Britain’s MOD and the intelligence services, who have and will step in to stop anything that looks like it might prevent Britain’s arms manufactures from selling their products to just about every evil butcher around the world, including the Saudis.

As the local authorities are unable to stop the fair, so ordinary people have stepped in to make their feelings about it known and raise awareness of its horrors. There has been a protest staged against the fair outside it for the past week. And they’ve produced several videos about the protests, and some of the issues surrounding the fair and the general arms industry.

War, the Pentagon and Hollywood Propaganda

The short video below, titled ‘Art and Militarism’ on YouTube, talks about the way the Pentagon has worked with Hollywood on blockbuster movies to promote the American military and the arms industry. These films have included the James Bond epics, Zero Dark 30, and X-Men. As part of this process of collaboration, the Pentagon is able to check and alter the scripts. With many of these movies the military’s aim has been to show off their equipment, and encourage recruitment. Top Gun was made with the collaboration of the American Navy, who saw it very much as a recruiting video. And it worked. There was a massive surge of young men wishing to fly combat aircraft, but they went into the USAF rather than the navy.

Art and Supervillains against the Arms Fair

This is another short video, which shows some of the artists, scholars and ordinary protesters in costume. One of the speakers makes the point that academics don’t usually get out of their classrooms much, but this time they have come down to make their voices heard. He also talks about the way the artists have also supported the protest with some of their works attacking the arms industry.

The video also includes some of the demonstrators marching in costume, including men dressed as Donald Trump and Tony Blair. There is also a young guy in a Dalek, flanked by another bloke dressed as a cyberman. This chap has a sign satirizing the whole fair by pretending to be about the loss of Dalek jobs. The arms industry and its agents and officials are making Daleks unemployed by killing men, women and children themselves. Later on in the video you see the man inside the Dalek costume forced by the rozzers to come out of it. And as this is the 21st century surveillance state, the police are also recording the proceedings.

Credo! Pat Mills on 40 Years of Thrillpower!

September 14, 2017

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.

RT Parliamentary Coverage: Nurse and Labour MP Karen Lee on NHS Crisis

September 13, 2017

In this very short clip from RT, Unison nurse and Labour MP for Lincoln, Karen Lee, describes the chronic lack of nursing in the NHS, and the threatened closure of walk-in centres in her constituency.

Hunt stands up, thanks her for her work in the NHS, and then admits that there is a shortage of nurses in the NHS, there was when he began as health secretary, and then declares he will go on to tell her how he means to solve it. This is where the clip ends.

Lee is absolutely right, just as she is right to remind him that the NHS is seriously underfunded while at the same time, the government is cutting corporation tax and has given £1 billion to the DUP. The government cannot rightly talk about austerity when this goes on.

There’s a piece in today’s I by Yasmin Alibhai-Browne, whose headline states that austerity was never about reducing the deficit. It was all about a Tory class war on the poor. Which is what Owen Jones, and very many other bloggers, including Mike over at Vox Political, have been saying for years.

As for Hunt’s plans to get more nurses into the NHS, I am extremely skeptical about this. All the evidence I’ve seen shows doctors and other medical professionals leaving the NHS. As for those nurses that remain in it, they are to be applauded as they’re increasingly treated extremely shabbily. Such as those, who are forced to use food banks, for example.

The threatened closure of the walk-in centre also shows the massive dangers of the Blairite/Tory NHS privatization. The walk-in centres, otherwise known as polyclinics, were part of New Labour’s big idea for NHS restructuring, which including dismantling the NHS and opening it up further to private investment. Again, not a new idea. Like most of Blair’s economic thinking, it was taken over and developed from the Tories, like the Private Finance Initiative generally. These polyclinics were intended to be privately run, hence the interest in them from the usual private healthcare firms, including ‘Beardie’ Branson’s Virgin Health.

Since private companies have taken over hospitals and GPs’ surgeries, we’ve seen one hospital after another go into the red, while Private Eye reported in their ‘In The Back’ column how several surgeries in London were closed down, and their patients thrown out without medical care, by the private firm running them. Private enterprise in the health service doesn’t work, and leads to gross inequalities in healthcare provision and massive profiteering by the companies.

But Hunt, for all his weasel words about getting more nurses into the NHS, doesn’t care about any of that. Indeed, he actually advocates the NHS’ privatization, though he is very loud in denying it in public. As is his mistress, Theresa May. And it’s been the same all the way back to Margaret Thatcher, who really wanted to privatize the NHS under there was a massive cabinet revolt, as well as evidence from her personal private secretary, Patrick Jenkin, who came back from a fact-finding mission to America and informed her how wretched American private healthcare was.

Don’t be taken in by Hunt’s lies. Believe Karen Lee, and kick out the Tories.