Posts Tagged ‘David Bowie’

More Musical Satire! May Sings ‘No Deal Brexit’ to the Tune of ‘Ice, Ice Baby’

November 23, 2018

This is another great little piece of comedy posted on YouTube by Joe.com.uk, back at the beginning of October, 2018. It shows May singing ‘No Deal Brexit’ and describing how useless her negotiations and preparations for leaving the EU are, all to the tune of Vanilla Ice’s ‘Ice, Ice, Baby’. Or rather, to the riff at the start of Queen’s and Bowie’s ‘Under Pressure’, as this is what Vanilla Ice used, and then were successfully sued for plagiarism by the two above legends of rock. Which could be a kind of metaphor for Tweezer herself: completely lacking in inspiration and any real achievement, so has to steal the ideas of others. Like she has from Corbyn’s Labour party when they’ve got too popular in the polls for her comfort.

The lyrics run

Let’s get on with it
No Deal Brexit,
No Deal Brexit,
No Deal Brexit,
Alright, stop, collaborate and listen!
Brexit is back with a brand new edition
No deal is the latest sensation
because I made a mess of these negotiations
Should we be worried? I don’t know
But I’m stockpiling food
like there is no tomorrow!
The DUP control the new world order
Why can’t the EU see
There won’t be a hard border
Deadly at the negotiating table
Most definitely not weak and unstable
The Chequers plan was my last resort
But take reassurance from
the blue and gold passports!
People should listen
to the message that I send them
‘No Deal’ is better than a second referendum.
Single market access? We can’t solve it
Immigration though,
we can finally control it!
No Deal Brexit
No Deal Brexit.

Warning: This video contains footage of May ‘dad dancing’. It also contains images of her before her aides gave her a makeover to make her look less of harridan. But they couldn’t hide what’s in her soul, though. That still comes through very clearly. Also, when she bobs her head up and down in time to the beat, it reminds those of us of a certain age of the awesome, computer generated video jockey, Max Headroom, when he experienced a glitch on his show. There is a difference between them, though. Max had wit, charisma and sharp suits, all of which Tweezer completely lacks. She does have his massive ego though.

Advertisements

The Artists Saying ‘Nope’ to the Arms Industry

October 19, 2018

This is another great little video from Novara media, posted on YouTube on the 17th October 2018, about a group of artists, who withdrew their work from the Design Museum and exhibited elsewhere. This is the Nopetoarms collective, a group of radical artists protesting against the arms industry.

They made the decision to withdraw their works following the announcement that the museum would be hosting a reception for Leonardo, the 9th largest arms company in the world. Novara’s Ash Sarkar tweeted that it was a case of the British art establishment coopting radical artists to stay relevant, and ‘facilitating the social calendar of slaughterers to stay wealthy’. They also told her it was a private event, and she had to use other entrances and exits. One of the artists, Glen Orton, states that the movement contained work by Syrian artists, the Hong Kong movement, and other protest groups, who’d been teargassed, beaten, bombed. He was ‘gobsmacked’ that they even considered hosting the company. The Museum stated that they could not immediately commit to refusing money from the arms, oil and tobacco industries.

Another artist, Jess Worth, states that when the time came to move their works, there were forty people in the collective, which now comprised a third of the exhibition. The artists then decided to exhibit their work themselves, on their own terms. Charlie Waterhouse, another artist with the group, states that once the decision was made to remove their work, the Museum’s PR machine attacked them by claiming they were trying to shut down free speech and stop people seeing the exhibition. This made them think that putting the show back on would be a good thing. The exhibition is now being held in the basement of a leisure centre in Brixton, where it is curated and controlled by the artists themselves.

Worth explains that they wanted their exhibition to be free, unlike the Design Museum, which charged 12 pounds, the artists would write the labels themselves, so that it would present the work in the way they wanted. They wanted it grounded in community. They also wanted to make it accessible to people, who wouldn’t normally go to an art gallery.

Waterhouse also explains why the art is hung on clothes pegs from fences. It’s so that people say, ‘Oh, I can do that. Then, ‘I can do that’, and go and do it.

The video explains that oil and arms funding in the arts industry is a massive problem. Worth explains that being in a museum space conveys the impression that a company’s work is legitimate, because otherwise they wouldn’t be allowed to be there. This is immensely valuable to the companies involved.

Waterhouse goes on to say that this has got to stop. On the one hand, they’re taking money from the arms industry. On the other, they’re levering cachet from the artists’ work without paying them. It’s a scam, he concludes.

The video also explains that the collective would like to do more. Worth says that what they’d really like to see is museums and other cultural bodies having a code of fundraising ethics, determining who they will and won’t take money from, that’s really clear on their website that everyone can see.

Waterhouse says that it’s time for artists to mobilise, to realise that their ethics, morals and feelings are valid, and they don’t just have to kowtow to the money.

Orton ends the video by saying that the Design Museum doesn’t know what it’s done.

The video shows the works of art as they’re displayed in the leisure. They not only comment explicitly on the arms industry, corruption and other issues, but also on the exploitation of the poor and working class through zero hours contracts. And among the iconic figures used in the works there’s David Bowie as Ziggy Stardust.

I think it’s really great that these artists have stood up for their beliefs against the arms industry, and that they’re encouraging their public to get involved and create their own pieces as well. I wish them all the best for their exhibition.

Theresa May’s Tory Dancing: Alternative Songs

October 7, 2018

Tweezer’s entrance dancing at the Conservative party conference set me thinking about alternative tracks, which would be far more appropriate to the revolting spectacle. I was able to come up with quite a few. Here they are:

The Sex Pistols: Pretty Vacant.
Iggy Pop: The Idiot
Alice Cooper: Hey, Stoopid!
Poison.
Rubber City Rebels: I pierced My Brain.
Talking Heads: Psycho Killer.

For what she’s been doing to the people of this country.

The Dead Kennedys: Kill the Poor
PIL: Order of Death.

As a comment on what she was doing when she decided to spoil that Abba hit for much of the country:

The Sex Pistols again, The Great Rock and Roll Swindle.

Band Names that Are a Suitable Comment in Themselves

Primal Scream
Pop Will Eat Itself.
Venom

The Tory Audience

David Bowie: Scary Monsters

Everybody Else’s Reaction

Iron Maiden: Run to the Hills.
Twisted Sister: We’re Not Going to Take It.

I’m sure the great people of this blog have a few ideas of their own about what would make a better track for Tweezer’s dad-dancing. Let me know in the comments below!

Elon Musk’s Launch of Sports Car into Space, and Fear Factory’s Version of ‘Cars’

February 10, 2018

And now for something a bit lighter.

This week, Elon Musk’s Space-X company launched a sports car into space, complete with a dummy pilot. This was supposedly inspired by David Bowie’s Starman, and Iggy Pop’s The Passenger. You probably saw the pictures in the paper.

What it reminded me most strongly of, however, was the video for Fear Factory’s version of the Gary Numan hit, Cars. Fear Factory are an American Heavy Metal/Industrial band, and Numan himself appears in the video as a driver of a car in space.

The video includes scenes of the band driving through a futuristic network of brightly tunnels, while alphanumerics scroll down the screen, which is clearly inspired by The Matrix trilogy. Then Numan himself drives at speed through a city. He’s also driving a car in space and collides with a satellite. This is then followed by the scenes of a crash, and the lead singer walking towards an upturned car from which a woman and the firemen are fleeing. It ends with a shot of the other wrecked car in space floating away.

And in between the lead singer inserts one of the band’s CDs into the car’s player, and there’s a creepy kid in the back, who looks just like he came out of Village of the Damned.

Take a look at the video, and see the similarities between it and Musk’s venture. He really should have had this on his playlist, as well as Bowie and Iggy Pop.

Opening Scene of Valerian and the City of a Thousand Planets

January 22, 2018

And now for something a bit positive and optimistic, before I start blogging about the grim, serious stuff later. I found the opening scene to last year’s Luc Besson SF film, Valerian and the City of a Thousand Planets over on YouTube. Besson was the director of the SF epic, The Fifth Element way back in the 1990s. This clip from Valerian shows the development of something, which looks remarkably like the International Space Station, into a massive, orbital space complex. I like it because it shows a succession of human nations coming through the airlocks, followed by a variety of alien races, to greet each other in peace and friendship. The musical backing is David Bowie’s ‘Space Oddity’, appropriately enough, though the scenes of people and aliens shaking hands in welcome reminds me more of the line from Louis Armstrong’s ‘Wonderful World’: ‘I see friends shakin’ hands, sayin’ ‘How do you do?” This was used at the end of the BBC TV version of the Hitch-Hiker’s Guide to the Galaxy back in the 1980s.

As for people meeting and becoming friends with alien races, that was one of the elements that made Star Trek so popular. It showed that, despite our current problems, humanity would survive, flourish and go on to explore the universe. And that meant all humanity, with people of different races, Black, Asian, and Russians from the other side of the-then current ideological divide, and aliens, like Spock. Gene Roddenberry in his vision for the show stated that he didn’t want there to be an alien race we couldn’t possible deal with. And so in The Next Generation they created the Borg, which originally humanity couldn’t deal with. You either fought them, ran away, or were assimilated.

Alien invasion, or some other insidious threat from beyond the stars is a staple of SF, and has been ever since H.G. Wells’ War of the Worlds. But there’s another aspect to humanity’s fascination with aliens which counterbalances this. That apart from enemies, we will also make new friends. It’s the driving psychological motive behind the various UFO contactee encounters in the 1950s, when people claimed that they’d been taken aboard alien spacecraft by benevolent space brothers, to be given a message of peace and cosmic brotherhood. And it’s also why there have been any number of SF stories and paintings set in space bars, like the Cantina sequence in Star Wars.

And in this clip here, I particularly like the bit where the human shaking hands with one of the aliens is left with slime on his hand. It’s just a bit gross, but it is funny.

I wanted to see Valerian and the City of a Thousand Planets when it came out last year, but unfortunately circumstances got in the way. I heard that it flopped. One reason for this, apparently, was because it came from a French comic strip, which no-one in America had ever heard of. I’m not sure if that’s the reason, and sometimes perfectly good films fall flat at the box office for no discernible reason at all, except that they didn’t appeal at that moment. Anyway, I want to get hold of it on DVD so that I can judge for myself whether it’s any good, rather than just take what the critics said.

Norman Tebbit Claims Air Pollution Making People Transgender

October 29, 2017

Mike’s put up a lot of material on his blog, which deserves to be read and commented on. But I really couldn’t let this one pass.

Norman Tebbit, the noted opponent of LGBTQ rights, has risen once again to show his ignorance and bigotry.

Pink News reported that the elderly Thatcherite appeared in the pages of the Torygraph to claim that transgenderism is a new phenomenon. He said he couldn’t remember there being any other children, who were unhappy with their sex at his school, or amongst his intake for National Service or in his children’s school. He wants research conducted into it to examine its extent in time and geographical space. He also states that it’s unknown whether ours or other species are affected, and stated that some scientists believe it could be caused by air pollution. Pink News concluded that it was unclear what scientists he was referring to.

Mike makes the point that there have always been people unhappy with their gender, and that he wouldn’t be surprised if there were people at his school or amongst his cohort for National Service, who weren’t happy with the sex into which they were born. They kept silent, and hid it, because of the very strong hostility towards it. Those were more primitive times, and what has changed is that society has become more tolerant.

He concludes

The current situation is far from enlightened, but progress has been made – as a result of decades of campaigning against oppressive prejudice such as that displayed by Lord Tebbit.

And it is oppressive. It is an attempt to tell other people how to live. How would you like it?

See: http://voxpoliticalonline.com/2017/10/28/lord-tebbit-thinks-air-pollution-is-making-people-transgender-is-that-as-opposed-to-narrow-minded/

There are a number of aspects to this, which do need to be carefully dissected and commented on.

First of all, I think somewhere along the line Tebbit has come across some entirely respectable research into the growth of reproductive abnormalities and intersex conditions in male animals, and then got it somehow twisted in his weird, bigoted little mind. Scientists have become worried about the increase in malformed sexual organs and female characteristics amongst some animals, such as frogs. I can remember reading an article in New Scientist back in the 1990s that reported that scientists had found an increase in these, as well as other birth defects, in areas in Canada and America that were particularly heavily polluted. I don’t think this was air pollution. It was chemical pollution from factories entering the water table. Amongst the human population, there was a growing gender imbalance with an abnormally low incidence of male births.

In short, there is plenty of evidence which shows that industrial pollution is feminizing animal populations, including humans. And I think it is reasonable to conclude that this process is connected with the fall in sperm vitality in developed, industrial countries, that will leave half of all men classified as clinically infertile by the middle of this century.

But this is not the same as transvestism or transgenderism. This has always been present in human societies. It’s condemned, along with homosexuality, in Leviticus in the Old Testament/Hebrew Bible. Other cultures have been more accepting. For example, in Polynesian culture there were homosexuals, who dressed as women and did female tasks, and were accepted. Herodotus, the Father of History, states that the upper class of the Scythians were not only impotent, but they also dressed as women and did women’s work. The Scythians were a nomadic people on the steppes of central Asia and Siberia. And many of the shamans in Siberian spirituality were transvestites.

In the west, transvestism and transgenderism remained very illegal until very recently. Not only was it frowned upon, but it could also get the transvestite thrown in jail. There was a notorious case in the 19th century of two men, who dressed in drag as part of their music hall act, who were prosecuted because they went out in public wearing their female togs ‘for immoral purposes’, according to the prosecution. Transvestism has also been called Eonism, after the Chevalier d’Eon, a French nobleman and spy, who was also a transvestite. He was also very good at it. He lived as a woman for 20 years, and the woman, who shared his accommodation with him said that in all that time she didn’t know he was a man. One of the small press magazines that emerged in the great flourishing of independent zines in the 1990s was entitled Eon: The Magazine of Transkind, which was dedicated to defending transvestite/ transgender people and their rights.

Western society has become more tolerant towards the transgendered as part of the gay rights campaign that began in the 1950s and ’60s. And at the popular level a strong influence was David Bowie and Glam Rock. Bowie in the ’60s and ’70s adopted a very strongly sexually ambiguous persona. There are photos on the web of him with long hair wearing a man dress. Bowie inspired parts of the pop and rock scene to adopt a similarly androgynous image. Thus the number of Rock and Heavy Metal bands, who also sported long hair and the spandex clothes they’d bought from Chelsea Girl with their sisters. This whole attitude could be summed up in Twisted Sister’s old maxim, ‘Dress like women, sing like men, play like Motherf***ers’. These ’80s monsters of metal arguably achieved their ambition when, in 1987, they were voted America’s ‘worst dressed women’.

It wasn’t just down to Bowie, of course. And despite the massive hair, make-up and spandex, Rock and Heavy Metal are very aggressively masculine musical genres, although certainly not without their female fans and stars. The Goth subculture, or parts of it, also took up the androgynous look as well as a certain tolerance towards bisexuality, which was also becoming increasingly common across popular music generally as part of the changes in sexual attitudes amongst young people.

As for the prevalence of transvestism and transsexuality across different cultures through time, there have been a number of histories of sex written by serious anthropologists, archaeologists and historians, one of whom was also interviewed about his work and book by New Scientist. These issues have also been explored by some of the gay historians. A friend of mine used to have one lying around, which did cover homosexuality and related queer issues as a global phenomenon, from Asia and Europe to Africa and elsewhere.

If Tebbit wants to know more about the Scythians and their sexual habits, he can read Herodotus: The Histories, and the collection of ancient Greek medical writings ascribed to Hippocrates, The Hippocratic Writings. Both are, or were, in Penguin Classics. I’m afraid I can’t remember the titles and authors of the books on the history of sex, although one of them I think was simply titled, The History of Sex, and published by a mainstream publisher. The gay history book was, I think, published by one of the gay publishers.

The Oxbow Book Catalogue for autumn 2017 also contains a recent book, Exploring Sex and Gender in Bioarchaeology, ed. by Sabrina C. Agarwal and Julie K. Wesp (University of New Mexico Press 2017).

The blurb for this runs

Archaeologists have long used skeletal remains to identify gender. Contemporary bioarchaeologists, however, have begun to challenge the theoretical and methodological basis for sex assignment from the skeletons. Simultaneously, they have started to consider the cultural construction of gender roles, recognising the body as uniquely fashioned from the interaction of biological, social, and environmental factors. As the contributors to this volume reveal, combining skeletal data with contextual information can provide a richer understanding of life in the past.

(Page 6 of the catalogue).

This book ain’t cheap, however. The hardback edition is £88.95. But as Tebbit was a Tory cabinet minister, he can probably afford it. As for the other books, he could simply go on Amazon to find them, or simply look round his local branch of Waterstones.

As it is, it looks as if Tebbit has simply been watching too much Alex Jones, the bonkers American conspiracy theorist, and his foam-flecked rant about ‘the globalists’ putting chemicals in the water ‘to turn the frickin’ frogs gay!’

And here’s some light relief at the great conspiracy theorist’s expense:

Astronaut Chris Hadfield Plays David Bowie’s ‘Space Oddity’

August 11, 2017

This is awesome. It’s a video made by the astronaut Chris Hadfield, of himself playing the Bowie classic, ‘Space Oddity’, aboard the International Space Station. Which, when you think about, couldn’t be a better location.

Astronauts have played music in space before. I’ve got a feeling several Russian cosmonauts had their instruments with them back in the 1980s when they travelled to Mir, and had a jam session up there in orbit.

The SF writer Allan Steele wrote a short story, ‘Live from the Mars Hotel’ about the rise of fictional astronaut band in his anthology, Rude Astronauts. In this tale, a group of spacers on Mars form a band to keep boredom at bay during the long months on the Red Planet, especially when a howling dust storm comes down to blanket the entire world and nobody can venture outside. When they return to Earth, the band briefly find themselves celebrities. However, this rapidly wanes, and they go back to their day jobs after their all-too brief stint as space’s first rock gods.

Part of the reason for this is that they sacrifice their authentic sound for the image manufactured for them by the music industry. Their own sound, honed on Mars, is rough and gritty, authentic country ‘n’ western. However, when they play gigs back on Earth, they’re persuaded to wear spangly jumpsuits and perform with a full orchestra. It’s just too ‘Nashville’ for our roughneck space heroes. The fans sense this, and so stop listening to them.

The shots of the ISS itself and the Soyuz spacecraft, as well as Earth itself, remind me of the opening credits to the 1980s space detective series, Star Cops. This was set forty years in the future, when space was being opened up to industrial exploitation and regular space travel. Unfortunately, it only lasted a single season. Part of the problem was that many of the space/ SF fans, who would have seen it, never heard of it. I also think that it suffered because it was broadcast just after Dr. Who’s cancellation in the mid-1980s, and I think this overshadowed the show. I also think it probably suffered from being mismarketed. I think it was being advertised as detection, rather than SF, and so the trailers for it were aimed at the wrong audience. I’m quite aware, however, that there is an audience, and that there are SF stories that are basically detective yarns. They’re just set in the future with robots, aliens and mutants.

Here’s the beginning titles for Star Cops.

Well, it’s thirty years after the series was aired, and we’re still waiting for the future it envisioned. Star Cops was written by Chris Boucher, who was script editor on Blake’s 7, and was very much intended to be hard, near-future SF. The series boasted that all the technology was based on hard, science fact. Unfortunately, the dream of cheap, mass spaceflight hasn’t happened, possibly because the spaceplanes being designed at the time by Martin Marietta simply proved unviable in practice.

Still, perhaps in Skylon takes off next year, we might really see the space age begin in earnest. In the meantime, I hope there are a few more astronauts, who take the opportunity to lay down a few awesome tracks as they explore the High Frontier.

‘I’ Newspaper: Joshua Bonehill Found Guilty of Harassing Liverpool Jewish MP

December 8, 2016

After all the false accusations of anti-Semitism made smear genuinely decent people, here’s a story about a real anti-Semite. Yes, it’s that old Nazi troll, Joshua Bonehill-Paine, the ‘Founder’ and wannabe fuehrer of legions of Fascist storm troopers that don’t actually exist. Today’s I newspaper (8 December 2016) carried a report by Emily Pennink, Anti-Semitic blogger guilty of harassing Jewish MP, that Bonehill has been found guilty of racially harassing Luciana Berger, a Jewish MP for one of the constituencies in Liverpool. The article states

A racist internet troll was found guilty yesterday of harassing the MP Luciana Berger in a series of anti-Jewish rants he sent after the jailing of a fellow far-right extremist.

Joshua Bonehill-Paine, 24, wrote five hate-filled blogs about the Labour MP for Liverpool Wavertree after Garron Helm was sent to prison for four weeks in October 2014. Bonehill-Paine denied racially aggravated harassment but was convicted by an Old Bailey jury.

Helm, 21, from Merseyside, had admitted posting a picture on Twitter which showed Ms Berger, 35, with holocaust-era Star of David on her forehead and the hashtag “Hitler was right”. Over the next four months, Bonehill-Paine posted articles online calling her a “dominatrix” and “an evil money-grabber” with a “deep-rooted hatred of men”. In one, he claimed the number of Jewish Labour MPs was a “problem”.

He illustrated his posts with offensive pictures. Throughout, Bonehill-Paine, of Yeovil, Somerset, was on bail awaiting sentence for claiming on Twitter that several people were paedophiles. Giving evidence in person, Ms Berger said she felt sickened by the blogs and “very much under attack”. (p. 21).

Bonehill’s a weird character, who’s been hauled before the beak several times for his bizarre, far-right antics. He’s been arrested for trying to steal police uniforms from a police station, threatening to defecate in a supermarket, falsely accusing a pub of not serving members of the armed forces so as not to upset Muslims, and harassing a young woman when she spurned his advances. This included him sending her an Iron Cross, which he claimed had belonged to Adolf Hitler.

He’s set himself up as the leader of a vast and growing Fascist party that doesn’t seem to exist except in his own imagination. He gave a public speech announcing the launch of one of these shadowy parties in one of the parks in his home town of Yeovil, to a handful of people comprising a couple of police officers and a journalist. Even so, the audience massively outnumbered his Fascist legions, which consisted of precisely one person: himself. He claimed that the real meeting was being held in an undisclosed pub elsewhere in the town.

It’s a moot point whether or not Bonehill himself believes the Nazi tripe he spouts. In a passage he wrote on his blog, which he has since denied, Bonehill claimed that he was only pretending to be a Nazi. It was, he claimed, an invented personality he created, inspired by David Bowie’s persona of Ziggy Stardust. It was intended to deceive and upset both Nazis and anti-Nazis.

Bowie himself did seem to come dangerously close to flirting with Fascism in the 1970s. There’s footage, which has been played by the Beeb on shows about the late pop idol’s life, in which he states that there could only be one real choice for prime minister, and so he was putting himself forward as the Fascist candidate. But Bowie very definitely wasn’t racist. His second wife, Iman, was, I believe, a Somali. The Nazis themselves hated Jazz, the ancestor of rock and roll, as Black music which corrupted Whites. And despite the homosexual undercurrent in Nazism, they hated gay men and sent them to the concentration camps. The ambiguous sexuality of the Ziggy Stardust persona would have been very definitely illegal in Nazi Germany.

It’d be good to think that if this is just a prank by Bonehill, that this time he just might take notice of where it’s getting him and drop it. Unlike Bowie and Stardust, there’s nothing clever or innovative about it. It’s just stupid, offensive and annoying. And it’s about time he realised this, and where it’s getting him, and stopped it.

Moronic Nazi Troll Joshua Bonehill charged with Hate Crime against Labour’s Luciana Berger

June 23, 2016

Mike today has also put up a piece from the BBC News reporting that Joshua Bonehill-Paine has been charged with a racially or religiously aggravated hate crime for harassing Luciana Berger, the Labour MP for Liverpool Wavertree, and the party’s shadow mental health minister by sending her hate messages via Twitter.

Mike asks the $64 million question: is this the ‘moronic Nazi troll’ Joshua Bonehill-Paine?

See: http://voxpoliticalonline.com/2016/06/23/man-charged-with-hate-crime-against-mp-luciana-berger/

Mike won’t be surprised to learn that yes, I’m afraid it probably is. And it’s about time this idiot was stopped for good.

Bonehill, unfortunately, has previous for this. He has been posing for years now as the Fuhrer-in-waiting of British Fascism, if only the other stormtroopers would wake up and rally to his supreme, racially-pure genius. He had his own small Fascist party going, for which he styled himself ‘Founder’, and was appealing to similar morons, who wanted to serve in his ‘founderguard’, presumably the Bonehillist version of the Liebstandarte Waffen SS, Hitler’s bodyguard in the Third Reich. He also held a very small rally in a park in Trowbridge, if I recall correctly, essentially consisting of himself, in which he unanimously announced to the gentlemen of the press, who outnumbered him, that he was successfully launching a new, mass Fascist party. In a pub somewhere else, the location of which he could not reveal. He was also telling the world at one time that he was the messiah of the White race prophesied by the ancient prophet Aryanus.

In fact, it all seems to me that much of this is just extremely tasteless play-acting. Bonehill has said in one of his past blog posts that his posture as a neo-Nazi ‘Founder’ is all a stage persona, inspired by David Bowie’s Ziggy Stardust. Basically, he’s what the real racial nationalists in the far right call a ‘Hollywood Nazi’: somebody who merely acts the part. As for David Bowie, there’s a recording of him, which every now and then gets played on various TV or radio documentaries, of the great man saying that he was putting himself forward for the 1975 elections as the Fascist candidate. In mitigation, Bowie at that time does seem to have been close to a very severe mental collapse, and nothing in his career since then suggested that he had any real sympathy for the Nazis and their ideals. This is clearly shown by his marriage. His wife, Iman, I think is Somali. Her name means ‘Faith’ in Arabic. If he was a genuine Nazi, he would never have married her.

Bowie as musician and actor – he was in The Man Who Fell to Earth, The Hunger and Merry Christmas, Mr Lawrence – gave people a lot of pleasure with his performances. Unfortunately, this cannot be said of Bonehill, who has shown himself to be a serial nuisance instead. He has an impressive string of convictions and arrests, several for harassing people. He was sent to jail for harassing a young woman after she spurned his romantic overtures, and was also arrested for sending hate mail and harassing the staff at a pub. He has also been arrested for trying to break into a police station to steal a uniform and equipment, as well as attempting to defecate in the meat section of one of the supermarkets. He is not so much an Aryan superman, more a stupid prat.

This does not, however, make any of his daft, unpleasant and thuggish antics any better. He has still harassed and threatened people, mainly women. The tweets he sent to Berger were reported to be anti-Semitic. If so, then they were definitely not a joke. Berger’s Jewish. I don’t know if she’s like many other British Jews in having lost family in the Holocaust, but even if she wasn’t, receiving racist hate messages from a self-professed Nazi isn’t remotely funny.

Looking at Bonehill’s antics, the way he keeps going despite being repeated hauled up before the beak, actually makes me wonder if he really doesn’t have some kind of psychological disorder. It’s clear he has an obsessive, compelling need for attention, and gets perverse pleasure from seeing others upset and distressed by his Nazi posturing. He’s a troll, but this has gone beyond simple trolling. Many of the idiots, who get similar kicks from being gratuitously offensive, would have given up after the first time they got sent to the slammer. That’s the point at which, even to the densest troll, things have become too serious. Prison’s no fun, and it’s no place to try to get pleasure from offending people, not when there are hard men around you who will rape, maim and kill you for it.

But Bonehill carries on regardless, leaving me wondering if he’s bonkers, or just to stupid to realise that it’s long past the time he gave up all this up, and started to try, as far as his meagre powers allow, to live as a decent citizen. And I do wonder how long it will be before all this catches up with him, and he’ll find himself in prison or in psychiatric care for much longer than he’s used to.

Miley Cyrus Puts a Wrecking Ball into Trump

March 3, 2016

Mike over at Vox Political has put up a piece reporting that pop chanteuse Miley Cyrus has given her succinct opinion of the New York Nazi, Donald Trump. And it wasn’t approving. She described him as ‘a –ing nightmare’, and in the colourful demotic of contemporary rap, expressed her physical disgust and wish to leave the country.

Quite.

I realise that Cyrus isn’t exactly everyone’s musical cup of tea. She was Hannah Montana, but after growing up she decided to make her act much more raunchy, to the angry dismay of moralists, and the delight of Daily Mail journalists as they rushed to their keyboards to knock off stories about what an evil menace to western civilisation she is, and how twerking should be banned, with full pics so you can share the outrage too. But she’s done something cool here. And she’s right: Donald Trump is indeed a nightmare.

His racial attitudes are horrendous. His bigoted attitude towards Mexicans and Muslims is well known, as is his support for torture, even when it doesn’t work, and the targeting of civilians in the War on Terror, or whatever name they’re giving to the bloodbath in the Middle East. All of this is genuinely frightening enough. His alliance with the far right- he’s actually given press passes to a White supremacist radio show, The National Cesspool – could even pose a threat to pop culture.

Modern pop music, by and large, is pretty liberal. Part of the mainstream American right hates it because of its very frank embrace of sexuality, including homosexuality. The Moral Majority were most definitely not fans of David Bowie, because of the sexual ambivalence of his ‘Ziggy Stardust’ persona. Some of us can remember the 1980s when the Organisation of Senators’ Wives went chasing around demanding that the recording companies put stickers on the records stating that it had offensive lyrics. Just to protect good old American values, you know. The Reagan administration also inaugurate a series of congressional hearing in which various rockers and pop stars were hauled up before the nation’s elected representatives and interrogated about this new moral threat to America’s impressionable children.

They came a cropper when they got to Dee Snyder, the main man from Twisted Sister. They asked him about how he felt about exposing children to inappropriate material. Shouldn’t he be more careful about his band’s music? They actually didn’t know that Snyder was a responsible father himself, and said he was very careful indeed with what his children listened to. I’ve got the impression many rock stars are the same. Behind all the stage makeup and the bizarre performances, many of them in their private lives have exactly the same concerns about raising their children properly as the rest of society. Not all, by any means, but enough to take the wind out of some of those determined that rock is a genuine threat to western society’s moral fabric.

The Far Right also has ambivalent attitude to pop music. Of course, there is a Fascist music culture with the Nazi skinheads and the Eastern European Black Metal bands. On the other hand, there are also parts of the neo-Nazi milieu that bitterly hate pop and rock music because of its roots in Black culture. Modern rock ‘n’ roll started off as a mixture of White country music and Black barrel house jazz. Along the way it also drew on Blues music – it was due to the Chicago Blues style of Howlin’ Wolf that the guitar is the instrument of choice in contemporary pop music. Before then much Jazz was piano-based. Think Thelonious Monk tinkling the ivories, as well as, if I’m right about this, Professor Longhair. Gospel music has its origin in Black churches, while Punk after the initial fury passed was also influenced by Reggae. Let alone the influence of Ska, R’N’B, and so on.

Some of the White bands, who’ve been accused since of stealing the Blues, were originally real supporters and advocates of Black music. When they started out, the Rolling Stones covered songs by various Black American artists. The Stoned didn’t hide their musical debts – they told their audiences who the piece was really by, and the record label that had recorded it so they could hear it for themselves.

And some of the great Black performers were very proud of the fact that their music brought Black and White together. A little while ago Little Richard gave an interview into which he recalled the segregated nature of the dance halls in America. The Blacks tended to dance, while the Whites stood around the hall and watched. Richard, however, said that when he and his band came on, ‘the White spectators’ around the walls stopped spectating, and came and joined the Black folks on the dance floor. ‘And so’, he said, ‘Before Dr Luther King, we had integration’.

The racist right bitterly hates that interracial legacy and the tolerance that has been partly built up by Blacks, Whites and other ethnic groups, like Latinos creating a common musical culture. You can read rants by some of the American Nazi groups denouncing pop as ‘N*gger music’, and sneering at the people who like it, ‘dance like n*ggers’. It’s disgusting stuff, and it goes back a long way. The Nazis also objected to Jazz as ‘Negro’ music. By allying himself with White supremacists, Trump’s also given his support to people, who despise everything mainstream pop music stands for. Hence Miley Cyrus’ condemnation.