Posts Tagged ‘Youtube’

Closed Doors Greet Theresa May in Aberdeenshire

May 1, 2017

Mike has posted another great piece today, reblogging Eoin Clarke’s question on Twitter: ‘Did we ever get round to thanking Scotland for the treatment they gave Theresa May?’ This comes with a clip from Sky News showing ‘strong and stable’ May getting a very cold reaction from the guid folk of Aberdeen as she goes from door to door with an aid while ‘Rape Clause’ Ruth hangs around in the background.

It’s Scot TV on YouTube, who called Ruth Davidson, the leader of the Tories north of the border ‘Rape Clause Ruth’, after she stood on her hind feet in the Scots parliament to defend the odious decision of this government, that rape victims, who have had children because of the assault, can only claim child benefit if it’s their third child by telling the authorities this. As the majority of rapes are not reported because of the humiliation felt by the victims, this is just another further humiliation heaped on extremely vulnerable women to deprive them of benefits.

Scot TV put a clip of Davidson making her speech defending this policy but with an appropriate comment in the description box. They’re exactly right. It’s a vile speech, defending a vile policy by a vile party. Davidson’s openly gay, so her appointment as the Tories’ leader in Scotland presumably was part of Cameron’s campaign to persuade the electorate that, hey, the Tories are all nice cosy liberals now, at ease with people of different ethnicities and sexuality. Except that it’s all just cosmetic. Despite the appearance of openly gay Tory politicians like Alan Duncan, they’re still the nasty party underneath, determined to abuse, humiliate, victimise and degrade the weak and vulnerable whenever possible.

The response of the good people on that street begins with a polite ‘No thank you’, from the first house May tries, followed by very firmly closed doors and a stony silence. Clarke comments that this shows that May is definitely not ‘fake news’, and those, who say so, are just haters.

And for your further viewing pleasure, there’s the Benny Hill version, in which she’s slightly speeded up and the music of ‘Yakkety Sax’ is added.

http://voxpoliticalonline.com/2017/05/01/did-we-ever-thank-the-scots-for-the-treatment-they-gave-theresa-may/

So let’s thank Scotland for shutting the door on these awful bullies.

As for May herself, ‘Yakkety Sax’ is an appropriate piece of music for her. Despite her campaign to be taken seriously as a leader, she’s a clown. A particularly unfunny one. And the only people who are laughing are the Tory rich, as her policies criminalise, impoverish the already poor and disabled.

My YouTube Video Urging People to Vote Labour to Defend the NHS

April 30, 2017

I’ve had my own YouTube channel for a few years now. I haven’t posted anything on there for quite a while, and most of the stuff I have posted up there is about archaeology, early musical instruments and few home-made space videos. However, today I put up a video urging people to vote for Jeremy Corbyn’s Labour to prevent the Tories privatising the NHS.

I state that it began when Margaret Thatcher came to power as part of her campaign to dismantle the welfare state, but that Thatcher was stopped from doing so by her a cabinet revolt and her Personal Secretary, Patrick Jenkin. The cabinet realised that if she did privatise the NHS, it would immediately result in the Tories losing an election. Also, Jenkin went to America and realised just how bad the American system of private healthcare was. So Maggie settled for trying to expand private healthcare in Britain, aiming to have 25 per cent of the British people take out private health insurance.

A few years later in the 1980s there came a dispute between her and the dentists, which resulted in very many of them leaving the NHS. The result of that is that, while there still are NHS dentists, you need to look for them. And private dental care is not cheap. So people are going without proper dentistry.

After that, Peter Lilley in John Major’s administration introduced the Private Finance Initiative, under which private corporations build and manage hospitals for the NHS. It’s essentially a scheme to keep the costs of construction and management off the books. In practice it’s massively more expensive than simply having them build by the state. Those hospitals, clinics and other medical services built through it also tend to be smaller than through ordinary hospitals built by the state. See the chapter in George Monbiot’s Captive State. This was all done to open up the NHS to private investment.

This programme was expanded by Tony Blair, as he, like the Tories, was approached by private healthcare firms such as Unum, Virgin Health, Circle Health and BUPA to privatise more NHS services. His health secretary, Alan Milburn, wished to reduce the NHS to a kitemark for services provided for the state by private healthcare companies. He split the NHS up and handed its management to CCGs – Community Care Groups. This was supposed to be giving doctors greater freedom and more choice. However, it doesn’t do this as most doctors simply don’t have enough time to spend on administration. The CCGs were given the power to raise money privately, and commission services from private healthcare providers. Again, hospitals and the health centres or polyclinics Blair also built were also to be managed by private companies.

This programme did not stop when David Cameron’s new Conservative government was voted into power in 2010. Cameron had claimed that he going to stop further cuts in the NHS. He didn’t. He expanded the privatisation programme even further. The 2012 healthcare act formulated by his health minister, Andrew Lansley, is a convoluted document, but it removes the Health Secretary from having to provide medical services. Furthermore, the Tories have also passed legislation allowing the NHS to charge for services, even ambulance care. And this is still going ahead under Theresa May.

There is a real danger that the NHS will be abolished, and the country will return to the way it was before the Labour government introduced it. Private healthcare is not more economical and efficient than state healthcare. Private insurance companies and hospitals spend much more on management, including advertising, legal teams and simply trying to raise money from investors, to make sure their shareholders see a profit. There are about 50 million Americans without health insurance. 33,000 Americans die every year from lack of medical care. And it was like that before the NHS, when the charity hospitals, where people were sent if they didn’t have private health insurance, or weren’t covered by the state health insurance scheme, spent much of their time trying to raise money. And millions of people were denied healthcare, because they couldn’t afford it.

Jeremy Corbyn has said that he will renationalise the NHS. Dr. David Owen has also sponsored a bill to renationalise the NHS. They need our support. And so, if you want to keep the NHS, you should vote for Jeremy Corbyn.

For further information, see the following books:
NHS-SOS, edited by Jacky Davis and Raymond Tallis (London: OneWorld 2015)
Dr. Youseff El-Gingihy, How to Privatise the NHS in 10 Easy Steps (Zed Books)
and my own, Privatisation: Killing the NHS, published by Lulu.

Member of Audience on ‘Question Time’: Tories Just Talk About Brexit and Insult Jeremy Corbyn

April 30, 2017

This was also posted on YouTube by The Darwinian Left. It’s a very short clip from Thursday’s Question Time, in which a member of the audience states that he can’t understand May’s election strategy. She clearly doesn’t want to hold an election, as she won’t participate in debate or talk to the media. He also says that he hasn’t heard the Tories articulate a single policy on the economy, NHS, education or welfare. All they want to do is talk about Brexit, about which we’ve already had a referendum, and insult Jeremy Corbyn.

The gentleman is entirely correct. And the Tories can’t talk about their policies, because they’re dreadful. Thanks to their continued attacks on the NHS and the welfare state, millions more are in poverty. 8 million people, according to the UN, are in ‘food insecure’ households. Meaning they don’t know where the next meals coming from. The Tories are deliberately running down the NHS in order to prepare it from privatisation. Ditto education, though they’ve had a few setbacks there. They wanted to turn every school into an academy. That failed. They wanted to bring back grammar schools. That was widely attacked and shot down.

They are failures, who have succeeded only in making the extremely rich even richer, while destroying the welfare state in a deliberate policy of making working people poorer. But obviously they can’t say this, as it’ll lose them the election.

And so all they have left is trying to fearmonger about foreigners and smear Jeremy Corbyn. And even in the Brexit negotiations they’re a massive failure. May hasn’t got the deal Britain needs from Europe, though you won’t hear her admit that. And actually, Jeremy Corbyn’s in a much stronger position through his extensive and good relations with European Socialist parties. Though you won’t hear that on the Beeb.

So that leaves the Tories with just insulting Jeremy Corbyn.

There is another element to this clip which I find amusing. It’s the way Dimblebore starts to stammer out a reply, but just can’t manage it, when faced with the obvious truth of this comment.

Ian Hislop Attacks Tories and BBC Pro-Tory Bias on HIGNFY

April 30, 2017

I found this clip from Friday’s Have I Got News For You on Scot TV’s YouTube Channel. In it, Ian Hislop pointed asks why there haven’t been any questions about the Tories yet on the programme. When told by Kirsty Young that they’re coming, he replies that he hopes not, as there are too many of them already. He then goes to skewer Tory hypocrisy in stealing Ed Miliband’s policy of capping energy prices. When Labour did it, he points out, the Tories yelled that it was ‘very, very bad’. It was interfering in the operation of the market. But when the Tories do it, it’s still interfering, ‘but in a good way’. He also mocked her for her constant refrain about being ‘strong’ and ‘stable’.

There’s also a very nice clip in the programme of May announcing that she intends cutting down on immigration in order to prevent ‘tourism’.

I think this has already happened. It’s a Freudian slip. Despite all their claims, the Tories and their allies in UKIP haven’t been able to cut down on immigration, just as Mike and other left-wing bloggers said they couldn’t. But according to the I newspaper, they have managed to dissuade more tourists from taking their hols in our fair country.

May clearly knew this, and unconsciously let it slip.

As for preventing terrorism by cutting down on immigration, that simply won’t wash. Many of those responsible for Islamist terror attacks were actually born here. And then there is the terrorist atrocities carried out by indigenous White Fascist terrorists, such as the Nazi who bombed a gay pub and Asian restaurant more than a decade ago. I think he killed and maimed thirty people, including a bride. Clamping down on immigration won’t stop Nazis like him doing their best to kill and mutilate decent people of all races. The Tories’ rhetoric on immigration is simply a cynical attempt to exploit racial fears about a situation that they cannot and won’t change, as they hope to be able to play on it again.

The Influence of Metal Hurlant on Science Fiction Cinema

April 25, 2017

Yesterday I put up a piece I found on YouTube about the influence French Science Fiction comics had on Star Wars. This short video by the same poster, Abstract Looper, explores the profound influence the artists of the French adult SF comic, Metal Hurlant, known to the Anglophone world as Heavy Metal, has had on modern Science Fiction cinema. Metal Hurlant was founded in 1974 by Les Humanoides Associees Jean ‘Moebius’ Giraud, Dionnet and Philippe Druillet. The video shows the striking visual similarities between scenes and designs in the comic’s various strips, and the films Mad Max, Alien, Blade Runner, Nausicaa – Valley of the Wind, Avatar, the original 70s Battlestar Galactica TV series, Hellboy, Prometheus and the Matrix. There’s a clip of Ridley Scott saying that when he made Alien, he was influenced by the visual material produced by Moebius and the French magazine. Guillermo del Toro also confessed that he was influenced by Richard Corben, another of the magazine’s artists. Terry Gilliam also states that the magazine was an influence on him. As does James Cameron. Rutgar Hauer, who played Roy Batty in Blade Runner also appears, telling how the producers visualised the future as already old. In fact, the producers of Blade Runner based their vision of Los Angeles on the towering cityscapes of Philippe Druillet. As well as Druillet, Dionnet, Corben and Moebius, another of the comic’s creators, the Franco-Yugoslavian artist Enki Bilal, was also influential. Also making the point are the similarities between the comics’ art and the concept drawings produced for the Alien and Matrix movies.

You could also add the Judge Dredd movies to this list as well. 2000 AD’s creator, Pat Mills, hates superhero comics. When he launched the Galaxy’s Greatest Comic way back in the 1970s, he was influenced by the French SF comics. Which naturally includes Metal Hurlant. Judge Dredd’s look was created by Carlos Ezquerra, a Spanish artist living in London, who has an artistic style very similar to Moebius.

As an aside, I was also pleased that the interview with Ridley Scott also had Russian subtitles. This shows how much the world has changed since I was at school. This was the years of the new Cold War, created by Thatcher and Reagan, when there were real fears of nuclear Armageddon. I felt profoundly optimistic when the Berlin Wall fell, along with Communism. There seemed at last a real possibility of a genuine, lasting peace between eastern and western Europe. I believe very strongly that it has been a massive improvement in world affairs that the peoples of the former eastern bloc can come to Britain to live, work and raise families.

And I am appalled and angry that Trump and the Democrats are pushing a new Cold War with Putin, and thus endangering the world all over again.

Warning: Heavy Metal was an ‘adult’ comic, which means that there’s some cartoon nudity. This was the magazine that was filmed as The Heavy Metal Movie, and which became notorious for the female nudity of the ‘Taarna’ sequence, which in turn inspired the episode ‘Major B***age’ in South Park. This may have changed, however. In an interview in the comics press a few years ago, its British editor stated that the magazine was dropping the nudity, because it was irrelevant given the amount of real nudity on the Web. He promised that the magazine would still be sexy, however.

May Runs from Media – Guess I’ll Have to Make a Puppet of Her

April 22, 2017

A few years ago I made two paper puppets, one of David Cameron and the other of Ian Duncan Smith, the-then minister in charge of killing the poor, weak and disabled. They’re card portraits, with a slot and tab arrangement, which would allow their mouths to move. I was intending to make videos on YouTube satirising Cameron and Smith, and their vile government, on YouTube. Unfortunately, events meant that I never got around to using them. Here they are, though.

That’s the one of David Cameron.

Iain Duncan Smith

Now I’ll think I’ll have to start making another puppet, this time of Theresa May. This week, May announced that she would not be taking part in the leader debates, or indeed, it seems, be taking questions from journalists. As Mike pointed out on his blog, it’s all going to be heavily stage-managed appearances, in which properly vetted members of the Tory party lob easy questions and sycophantic applause her way.

See: http://voxpoliticalonline.com/2017/04/21/blue-murder-tory-medias-filthy-tactics-are-being-exposed-and-defeated/

All this is, of course, says that she is very far from the strong leader confident of a Tory election landslide, as endlessly spewed by the Tory-Blairite media. As Mike points out, she’s terrified. Terrified of Labour, which is, according to some polls, only 9 points behind, terrified of the ‘saboteurs’ in her party, and terrified of the 30 members of her party, who have been very credibly accused of electoral fraud.

Hence the snap election. Hence the media manipulation, which essentially amounts to media cowardice.

The Beeb has said that they’re going to continue with the leader debates anyway, and just keep an empty space for her.

I think what I’ll have to do is make another puppet, this time of her, and stick it up on YouTube with it making true statements about the Tories and their intentions – to create more poverty, sell off the NHS, destroy the welfare state and massively enrich themselves and their paymasters in big business, particularly the bankers. All done satirically, of course, and in the name of free speech. Which May and her fellow authoritarians have been doing their level best over the past decade to close down. Remember the secret courts and the legislation designed to halt demonstrations, if people in an area think they’re a nuisance?

After all, with May running hard from the media, even after the Tories have turned them into their puppets, she can hardly complain if members of the public make a puppet to take her to task.

The Fantastic Space Art of Tony Roberts

April 22, 2017

This is another video from Martin Kennedy on YouTube, showing the work of another amazing space and science fiction artist from the 1970s, Tony Roberts. As you can see from the video, he was another whose art was used in Stuart Cowley’s Spacecraft 2000-2100. And as this video shows, he also painted the cover for a British edition of Ursula Le Guin’s The Dispossessed.

The Space Art of Bob Layzell

April 21, 2017

Here’s another video I found on YouTube by Martin Kennedy about one of the great space and science fiction artists of the 1970s, whose work appeared in Stuart Cowley’s Spacecraft 2000-2100, Bob Layzell. You may recognise some of the pictures from the previous videos I’ve reblogged on the book.

Theremin Hero Plays Gary Numan’s ‘Cars’ on Laser Harp

April 20, 2017

This is a bit of light relief after some of the grim politics. The past few days I’ve been putting up some of the electronic music I’ve found on YouTube. This has included Russian SF Rock, and Dr Who played on theremin and laser harp. I’ve also found this video of Theremin Hero, who I think was one of the contestants on Britain’s Got Talent, playing Gary Numan’s classic ‘Cars’ on laser harp in Glasgow in 2014. It’s awesome. Over the years, there have been some great acts on the show. Unfortunately, I still don’t think I could cope with having to wade through an hour of Simon Cowell and Ant and Dec just to see them.

TTA Spacecraft 2000 – 2100: Videos, Spacecraft and Book Cover Art

April 19, 2017

I put up a post at the weekend about a video I’d found on YouTube, in which a fan of Stewart Cowley’s Spacecraft 2000-2100 had made a short CGI film as a tribute. The film was a promotional video for the book’s fictional Terran Trade Authority, the global governmental organisation that had overseen the construction of the spacecraft which had taken humanity to the planets, and from then on to the nearest stars, meeting friendly creatures from Alpha Centauri, and fighting a war against aliens from Proxima Centauri.

The book Spacecraft 2000-2100 was a ‘future history’, of the type that was quite common in SF from the 1950s to the 1970s, when scientists and science fiction writers were confident that it would only be a matter of decades, perhaps only a few years even, before humanity established colonies in space – orbital cities, bases and then colonies on the Moon and Mars. FTL – Faster Than Light travel would be invented, and humanity would go on into the Galaxy ‘to seek out new life forms and new civilisations’, in the words of the Classic Trek.

The spacecraft in the book all came from SF book covers by some of the great space artists of the ’70s – Chris Foss, Angus McKie, Peter Elson, Bob Layzell, Fred Gambino and Jim Burns, around which the author, Stewart Cowley, wove his story of invention and exploration. It’s one of my favourite space books. The spacecraft depicted and their settings had a strange, otherworldly, literally alien beauty, even when the scenes were of industry or simple rocket launches. After I found the first video, I found another. This one is rather more complete. It uses the same computer techniques to recreate the spacecraft, as well as a whole scenes from the book. The spacecraft race across alien landscapes, rise into the air, hover above vast future cities, or prepare to dock with huge space stations.

I also found this video by Scott Manley on YouTube, where he talks about the book. He found it amongst his father’s old things, which rather dates me. Along with some of the other facts he mentions, he talks about the picture of an alien spaceship, which was plagiarised a few years ago by another artist, who entered his version for the Turner Prize. Apparently, the book was also republished in 2005, but was not well-received. The future history had to be rewritten, and some of the pictures were replaced by computer art. There has, however, also been a Role-Playing Game created, which is set in the same universe as the book.

Here’s a few of the book covers, from which the art was taken. Top far left is by Angus McKie; top let is Tony Roberts, bottom left is Bob Layzell, while bottom right is by Peter Elson. Neither of the two bottom images appear in the book. Other pieces by them do appear, and these show Layzell’s and Elson’s style
This and other great pieces of SF art can be found in the book Sci-Fi Art: A Graphic History by Steve Holland (New York: HarperCollins 2009).