I’ll admit I do enjoy looking at some of the videos on YouTube of art created by various AI programmes. Mostly there of the type ‘what if Star Wars, or another popular film or TV series was in the style of H.R. Giger or some other artist?’ It is fascinating to see what these machines produce. But I am also uncomfortable with the implications. The programmes produce fascinating, complex works of art without human agency, although they are based on the works of existing artists. Some have accused them of plagiarism, and there’s also the threat of unemployment to real, working human artists. I am also disquieted by the implications that artistic creativity may not be limited to humanity but can be produced by machines.
A few days ago, New Scientist announced that a film had been produced using these art programmes. It was about an AI trying to help the last survivor of humanity. I can remember that films of this sort were predicted nearly four decades ago in a late night TV series about the possibilities of computing presented or starring Jonathan Powell. One of its predictions was films produced without human actors. I don’t know if this new film has no real actors in it, or whether it still needs humans to produce the characters’ voices. But with the rise of deep fake movies, where it is nearly impossible to tell a computer-generated image from reality, it does seem to me that we are very near that particularly prediction about future movies. The Science Fiction film The Congress also suggested the same possibility a few years ago. This was a loose adaptation of Stanislaw Lem’s The Futurological Congress, about an academic who finds himself transported into a decaying future, whose reality is disguised from the population by hallucinogenic drugs. The film, however, changes it so that the decaying society is a product of the mass use of a drug that produces a consensual hallucinatory world. The heroine is a real Hollywood actress, playing a version of herself, who signs away her image so that a series of movies are made starring her by computers, but which she isn’t actually in herself. The deep fakes are a sign that the technology is there to make this a possibility as well.
So while the film interests me, I am worried about what it implies for human art and the film industry, and whether they will be a casualty of the rise of such technology.
Steampunk is the Science Fiction genre that imagines what it would have been like if the Victorians really did have space and time travel, cars, aircraft and computers. It’s inspired by H.G. Wells and Jules Verne, but also William Gibson’s and Bruce Sterling’s The Difference Engine. That book, by two of the founders of Cyberpunk, depicted an alternative Victorian Britain where Lord Byron was now king and Babbage’s pioneering mechanical computer, the Difference Engine of the title, had been built. In fact the scientists and inventors of the 19th century did indeed produce some astonishingly modern devices. There were steam carriages very much like cars, Cayley’s glider anticipates the modern airplane while the French inventor, Giffard, flew around the Eiffel Tower in the 1850s in an airship. This glimpse of a future past and its people comes from the Gordonlawrencevideos channel on YouTube and is of the 2018 parade. As well as the people in costumes, it begins with very Steampunk cars and bikes, some of which look very ‘Chitty Chitty Bang-Bang’, if not ‘Whacky Races’. But it’s all fun, and the ingenuity in creating the vehicles, costumes and other props is brilliant.
Shades of Max Headroom, anyone? Max was a computer-generated video jockey and the presenter of Channel 4’s Max Headroom Show in the 1990s. This showed pop videos interspersed with Max’s quip and jokes. Although he was supposed to be computer generated, in fact the character was played by actor Matt Frewer in makeup. Only the background was supposedly created by computer, but I’ve read since that it was done by Sid Sutton, the artist who produced the computer graphics for the Beeb’s TV adaptation of The Hitch-Hiker’s Guide to the Galaxy. I don’t watch the national lottery, but I think they also had a computer generated presenter in the 1990s. In the same decade, the Japanese announced a computer generated pop star. William Gibson, the SF author who helped to create the cyberpunk genre with Neuromancer, depicted a romance between such a Virtual star and a real human in his novel Idoru.
Now, according to Interesting Engineering, the Kuwaitis have decided to get in on it all. Kuwait News, the country’s English language news broadcaster, has unveiled Fedha, a computer generated presenter powered by AI. Presumably the AI involved is something like the ChatGPT programmes now holding conversations with geeks and nerds across the globe. As Max used to say, ‘The future is now!’ But this programme won’t have his cheesy jokes, arrogance nor love of golf. Nor will it have his mechanical stutter. All of these have made Max a cult character long after the series ended.
Here’s a video I found on the Knowstalgia channel on YouTube describing Max and his TV career in America and Britain, ass well as the Max Headroom incident in which video pirates wearing a Max Headroom Max interrupted an episode of Dr Who broadcast by two Chicago TV stations.
This is awesome! It’s a video from Citizen TV Kenya’s channel on YouTube. It’s an interview with a pair of Kenyan tech pioneers, David Gathu and Moses Kiuna. who have formed their own company, Afrogenesys. They’re working on creating artificial limbs and systems that will enable disabled Kenyans live a normal life. This includes a robotic head, Geoff, that asks people what they want done, whether they want the TV on, if it’s too hot and so on. Sort of like Alexa with a robotic face. They’ve also created an artificial arm operated by sensors picking up never signals from the brain through a cap worn on the head. The video also begins with a computer screen booting up to welcome the viewer to Afrogenesys.
The pair seem to be working in a what is little more than a hut, cluttered with books, spare parts and inspirations posters of Einstein and Elon Musk. The technology itself looks rough and ready. The basis structure for the artificial limb and the Geoff robot is wood, rather than steel. But then, we are dealing with a developing country and these boys definitely don’t have the money of western universities and robotics labs. Nevertheless, what this pair have been able to do is little less than astonishing, especially as the pair are apparently form 4 drop outs. The only problem with the video is that the dialogue is only half in English. At one point I think communicating in English gets a bit too much, and they start speaking in their native tongue.
The video clearly shows the immense intellectual potential in Africa, and I wish these guys every success in their projects. I hope this becomes a proper tech company on a par with some of the others. I think it has the potential. I also wonder if it would be a good idea to have these guys visit some of the Black schools in the west, to inspire some of the children there and show them that they can have a great career in technology and science.
I got an invitation the other day from the Labour party to buy tickets so that I could meet Peter Mandelson at a special dinner in Swindon. It was a repeat of a similar dinner a little while ago, in which they Labour faithful were asked to buy tickets to a similar event to meet certain members of the party’s front bench. I didn’t want to go then. Not just because I couldn’t afford it, and am too sick to travel to Swindon anyway, but also because I objected to it in principle. The Labour party was set up by the trade unions and socialist parties to fight for working people. It should be funded from their subscriptions, not from corporate donations and dinners set up in emulation of the Tories.
And principle says I don’t want to meet Mandelson anyway. He was very clever as the party’s spin doctor and electoral strategist, but he and Blair prolonged Thatcherism well past its proper lifetime. It was Blair’s government that cut of benefits for asylum seekers and pushed them into detention centres, pushed NHS privatisation into high gear, and went about cheerfully outsourcing more state business, introduced the work capability tests, carried on with benefit sanctions, and was very enthusiastic about private management of prisons. Blair also took money from pro-Israel Jewish businessmen, thus ensuring his silence over that country’s flagrant human rights abuses. And then there was a little matter like the illegal war in Iraq. It was under Blair that the party turned away from its working class roots to appeal to middle class swing voters. They condescendingly expected Labour voters to go with it, as they had nowhere else to go. Hence the shock and outrage when Jeremy Corbyn started packing them out at halls, parks and sports grounds up and down Britain. Hence also the rise of UKIP, as White working class voters who felt they’d been abandoned by the both parties turned to Farage’s xenophobia and populism.
If I want to go and see someone from the Labour party, it’d be Richard Burgon, Jeremy Corbyn or that other dissident, ‘Red’ Ken Livingstone. I’d go and see Rosina Allin-Khan, a woman of mixed Polish and Asian heritage, who’s a doctor working in the NHS and concerned, as so many are, about the state the Conservatives have reduced it to. I’d want to hear Black Activists Rising Against Cuts. I dare say they have takes on racism and White privilege that might annoy me, but austerity is hitting the Black community hardest, as is clear from a paper in the collection The Violence of Austerity. I’d go to see the head of Young Labour as she defies the leadership on issues like socialism and Israel.
I want proper, working people back leading the Labour party. I want to see a working mother tell her story about struggling to keep her family fed and their home heated on her and her partner’s wages. I want to hear former students tell how, despite their degree, their now mired in £40,000 worth of debt and are flipping burgers at McDonald’s for a living. I want to hear the people who volunteer at food banks about the starvation and privation they see. I want to see someone from Disabled People Against Cuts talk about how austerity, low wages and welfare cuts is affecting ordinary disabled folk. I want to see Jews like Naomi Wimborne-Idrissi, Tony Greenstein and Jackie Walker talk about Israeli atrocities and the sectarian anti-Semitic persecution to which they’ve been subjected. I want to see Alexei Sayle, shouty, foul-mouthed Sayle, make jokes about Communism and the Conservatives, celebrating and supporting real anti-racist activists like Marc Wadsworth.
I want to hear the voices of ordinary men and women stuck in dead-end jobs and zero hours contracts talking about their lives and how they can be improved. People on supermarket checkouts, cleaners, white-collar office workers, now being depressed into the rest of the proletariat. As for business, I only want to hear from the small business people, the Arkwrights, who run local stores and corner shops, who are being driven into the ground as the Tories and corporatist New Labour support big business and the supermarkets.
I want to hear from the elderly as they worry about pensions and issues like mobility, as well as the problems they experience as everything goes on line. Many of them don’t have a computer and don’t understand them. They have to rely on their children to sort some of this out for them. What if they haven’t had any, and don’t have younger friends and neighbours to help them?
I want the victims of the benefit agencies humiliations and sanctions regime to tear into that and the cruelty and self-interest of the clerks administering it.
These are the people, I’d pay to see. Not someone like Mandelson, Blair or Starmer, who seem to have only a nodding acquaintance with working people, and see them through the prism of voting and demographic documents with the cool, detached eye of the ad man. Not someone who patronises them with management-speak, who expects Labour grassroots activists and supporters to act as drones reading from specially prepared scripts.
I want that to end. I want it to have ended long ago, when Brown lost the election.
I want to see local MPs for local people, not right-wingers parachuted in against the wishes of ordinary voters.
Those are the real Labour party. Not Mandelson, Blair and Starmer. I want to see proper Labour activists at protests, picket lines and church halls. I don’t want to see corporate closet Tories across a dinner table.
Here’s a very short video on the American SR-92 Aurora stealth plane from the Future Machine Tech channel on YouTube. This suggests that Aurora was developed as a black project by the American air force in the 1980s as a replacement for the SR-91 Blackbird spy plane. During the ’90s there were sightings of mysterious UFOs dubbed ‘black triangles’ because of their shape and colour. The Aurora fits this description exactly, and many of the sightings of such UAPs may be of this mysterious, but definitely not extraterrestrial, aircraft. The video mentions a tracking image of it flying across the Pacific on its way to America, probably to touch down at the very top secret research base at Groom Lake, Area 51. The aircraft leaves a very distinctive contrail, which has ben described as ‘doughnuts on a rope’ and may have been tracked flying over Belgium according to an article back in the 90s in the defunct UFO Magazine. I’m putting this video up because I and some of the great commenters on this blog have an interest in UFOs, although we differ in our views of the phenomenon. Some UFO sightings are almost certainly of top secret military aircraft. Others are hoaxes, some of which may be perpetrated by the intelligence agencies for their own purposes, one of which may be the deliberate destabilisation and discrediting of UFO research groups and investigators. Some, as suggested by French-American astronomer and computer scientist Jacques Vallee and the late journalist of the paranormal, John Keel, may be paranormal in origin, beings from other dimensions. Others may be real alien spacecraft. People over here have also had sightings of the Black Triangles, and so it’s quite possible that they’ve quite a glimpse of this classified plane.
Yesterday I put up an episode of Michael Bentine’s Potty Time, in which an attempt to steal the crown jewels was thwarted by the police and the Beefeaters. The thieves were caught, and their leader revealed to be a computer. This was captured when it was down during a power cut. Trev, one of the great commenters on his blog, posted this remark describing how we don’t have electricity cuts just yet, but the high prices are leaving people like himself cutting back. Trev wrote
‘That’s great. I remember Potty Time and the power cuts. Now we still have power (for now) but can’t afford to use it. I’m only putting heating on for about an hour in a morning but in the evenings I’m wrapped in blankets and a wooly hat trying to keep warm. It’s not good. I don’t qualify for any of the discounts because the electricity account and bill are in the landlady’s name, and I don’t get the right Benefits to qualify for Warm Home discounts or Cold Weather payments (when they are due).’
This is what millions of people are being faced with, due to the greed of the energy companies, fully support by Sunak and the Tories. The energy companies’ vicious, exploitative avarice was even defended by Jacob Rees-Mogg back in the summer. It’s why we need to get the Tories out and Labour in, hopefully to do something that will really benefit the British public on this and other issues.
One of the series I remember from my childhood was Michael Bentine’s Potty Time, in which the former Goon presided over the adventures of small puppet, called Potties. Although the series finished a very long time ago, it has been put up on YouTube, where you can find 2 hours and 27 minutes of it. There are also a number of individual episodes, which are just under a quarter of an hour in length. I went looking to see if it was there after I put up my sketch and potted biography of the great man yesterday. Among the other episodes I found this adventure, in which Bentine talks to the Potty police and Beefeaters guarding the crown jewels in the Tower of London. A pair of poorly disguised Potty Italian-American gangsters, Big Louie and Little Louie, try to steal them but are foiled by the Beefeaters and their cannon. The Potty cops also nab their leader, the Brain. When they take of his disguise, the Brain is revealed as a computer. How did the catch this dangerous criminal? While it was vulnerable during a power cut. That very firmly dates the show to Heath’s government, his dispute with the miners, resulting in power cuts and the three-day week. I thought I’d put it up here as another comedic blast from the past.
Here’s something a bit different and, hopefully, more soothing after the politics. I found a lot of Steampunk music on YouTube yesterday. Steampunk is the subgenre of Science Fiction that imagines what would have happened if the Victorians had put some of their more ambitious and far-sighted inventions into practice, and so had computers, flight, motor vehicle and space travel. It takes its inspiration from Jules Verne and H.G. Wells, as well as real inventions such as Charles Babbage’s Difference Engine – a mechanical computer – and Giffard’s dirigible airship, which flew round the Eiffel Tower in 1854, as well as the futuristic drawings of the pioneering French Science Fiction writers and artist, Jacques Robida. Notable books include William Gibson’s and Bruce Sterling’s The Difference Engine, about a Victorian future in which Lord Byron is now king and Babbage’s Difference Engine is a reality. It’s also produced a milieu of fans, who design and wear clothing based on these futures that never were, and build mock-Victorian technological props, like ray guns. One of the most popular fashion accessories is suitably elaborate, 19th century-style futuristic goggles.
But there are also composers producing works inspired by this type of SF. This seems to be orchestral, but with the addition of synthesisers and other electronic effects, often with an underlying ticking of clockwork or a beat suggesting this or the rhythm of the heavy industrial machines of the period. Its composers include Peter Crowley, who also produces more traditional fantasy music, Landon Zientara, and Shannon Chiang. I’m delighted that someone is still producing music in the classical idiom, and some of these pieces sound like the scores for SF and Fantasy films that were never made. Here’s one piece of Steampunk music, The Dwarven Factory.
More robot news, but this time it’s really sinister with very grave implications not just for the Indo-Chinese region, but for the survival of the human race. Because the Chinese People’s Liberation Army has just posted military robots along the Tibet border to reinforce its human personnel.
This chilling video comes from Gravitas, part of the WION, World Is One network. I started getting their reports on YouTube on my mobile. I don’t know who WION is, but the accent and the concentration on south Asia, India, Pakistan and the surrounding countries, suggests that they’re Indian. They’re interesting, as they present the news from a different national perspective. Nearly a week ago they posted a report about a special forces unit in the American army in Syria acting as a death squad through drone strikes that also killed innocent civilians as well as soldiers. It’s the kind of news al-Jazeera reports, and gets labelled as Islamist propaganda by an outraged American right for doing so. There were calls a few years ago to ban al-Jazeera in America, and I wonder how long WION and Gravitas will go on before they’re faced with similar opposition.
According to this report, China has stationed 88 ‘Sharp Claws’ war robots and 120 ‘Mule-200’ robots along the frontier. The human soldiers had trouble adjusting to the high altitude in Tibet. The Sharp Claws are true robot weapons. They consist of a machine gun mounted on tank tracks with a camera so they can see where they’re going. At the moment they’re operated remotely by a soldier, but Beijing would like to make them autonomous. The Mule 200s are transport vehicles intended to carry supplies like ammunition. Beijing is also keen to develop other autonomous robots. The army wants to develop land-based robots, the navy robot subs and their air force intelligent drones. The Chinese government roped a number of private firms into developing them, including TenCent, Waowei, and at least three others, who were all declared robot champions. The UN is concerned about the increasing use of autonomous robots, and tried to set up an international treaty to restrict them. But this failed due to lack of support from the main countries producing them, a tactic that has worked to Beijing’s advantage.
Back in the ’90s many scientists were extremely worried about the real possibility of a robot takeover. Kevin Warwick, the robotics professor at Reading University, begins his book March of the Machines, with a description of life in 2050. The machines really have taken over. Humanity has been largely wiped out, and the remaining humans are lobotomised, neutered slaves used by the machines for work in environments they cannot operate in, and in fighting those human communities that have remained free. When one company reported they were developing war robots for real, they were met with an angry response from many leading scientists telling them not to, because it would pose a real threat to the human race. Warwick was deeply depressed at the threat, and only recovered through exploring the possibility of augmenting humanity through cyborgisation. A few months ago Panorama posted a documentary, ‘Are You Worried Yet, Human?’, about China’s use of robotics and AI to control and monitor its population. And in one test, warplanes were remotely piloted, not by humans, but by a computer. This successfully shot down a piloted warplane.
This looks all too much like the scenario behind the Terminator movies, and we’re in big trouble if someone develops something like Skynet for real. As Isaac Arthur says in a video about robot rebellion in one of his Science and Futurism videos, ‘Keep them stupid, keep them dumb, else you’re under Skynet’s thumb’. Quite.
We don’t need these machines. They are a real threat to the human race. Robots operate through machine logic and programming. They don’t have the moral judgement of humans, although there has been precious little of that shown in wars. And perhaps this is why China, a totalitarian state committing genocide against the Uighurs in Sinjiang, is using them.
If we must have war robots, let them be moral, intelligent, humanoid machines like Hammerstein of the long-running 2000AD strip, ‘ABC Warriors’. A robot soldier, who fights for peace, democracy and justice against the tyrants of Earth and Mars. We need robot soldiers like him, not automatic mechanical killers, and far fewer wars and conflicts.
As Hammerstein says in the comics‘Increase the peace’. Until wehave robotwarriors like him, the UN is right. Autonomous war robots need to be strictly controlled, no matter who has them.
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