Steampunk is the Science Fiction genre that imagines what it would have been like if the Victorians really did have space and time travel, cars, aircraft and computers. It’s inspired by H.G. Wells and Jules Verne, but also William Gibson’s and Bruce Sterling’s The Difference Engine. That book, by two of the founders of Cyberpunk, depicted an alternative Victorian Britain where Lord Byron was now king and Babbage’s pioneering mechanical computer, the Difference Engine of the title, had been built. In fact the scientists and inventors of the 19th century did indeed produce some astonishingly modern devices. There were steam carriages very much like cars, Cayley’s glider anticipates the modern airplane while the French inventor, Giffard, flew around the Eiffel Tower in the 1850s in an airship. This glimpse of a future past and its people comes from the Gordonlawrencevideos channel on YouTube and is of the 2018 parade. As well as the people in costumes, it begins with very Steampunk cars and bikes, some of which look very ‘Chitty Chitty Bang-Bang’, if not ‘Whacky Races’. But it’s all fun, and the ingenuity in creating the vehicles, costumes and other props is brilliant.
Posts Tagged ‘H.G. Wells’
Thames Steampunk Parade
April 23, 2023Simon Webb Asks What the Scientific Arguments against a Racial Link to IQ Is, and Why Are We Afraid of Discussing It?
March 2, 2023Our favourite internet (non)historian this afternoon put up a video asking the above question. Even though it only last just over five minutes, I got just halfway through it before I turned it off and went looking for something less contentious and more edifying. Webb’s argument is that all the opposition to anthropological studies linking race to IQ are ideological rather than scientific. I don’t know enough about scientific, or pseudo-scientific racism to be able to fully refute him there. But I guess a start could be made by reading the late Stephen Jay Gould’s The Mismeasure of Man, which is about how Darwinian evolution was utilised in the 19th and early 20th centuries to prove the inferiority of non-Whites and women. I can also remember reading an article in a student magazine in the 80s/90s by Marek Cohn that covered this topic. Cohn is, I believe, certainly not a right-winger. He argued, if I recall correctly, that the same data the racial scientists had used to argue that there were real differences between different races in IQ was then re-evaluated after the War and the horror of Nazism to argue the reverse. Which suggests that, whatever its supporters say, the evidence is at least ambiguous.
As for the question why were are reluctant to discuss any link between race and IQ, it’s because it has been used to justify terrible oppression and crimes against humanity. The reluctance isn’t complete. A few years ago Channel 4 screened a series which looked at these differences. In one programme they found that northern Europeans are more resistant to the cold than southern European and Blacks. They also found that east Asians have much less to resistance to alcohol than westerners. This was put down to the orient having tea, rather than alcohol, for generations as their drink of choice. Although I am aware that they also had palm and rice wine, like saki in Japan.
It also covered the extremely delicate subject of cognitive differences between Aboriginal Australians and others. The programme made it clear that this was a sensitive subject because of the way IQ and cognition had been used to oppress and disinherit these incredibly ancient people. However, studies have shown that the visual cortex of indigenous Australians contains 25 per cent more neurons than in people of other races. As a result, they have excellent visual memory. The programme showed Aboriginal people outperforming Whites in memory tests of objects placed before them. It was put forward that the Aboriginal brain had evolved this way to help them find their way in the trackless wastes of the Outback and desert. Landscapes that seem featureless and confusing to westerners are full of landmarks to indigenous Australians. Aboriginal children lag behind other races in education, and it was suggested that their teaching could be improved by taking advantage of this racial skill.
I think the strongest warning against finding some races inferior comes from H.G. Wells. Wells had his fair share of prejudices himself. Biographers have noted that he himself confessed to being a racist and an anti-Semite. But Wells also wrote powerful pieces against racism, extracts from which I have put up here. In one of his SF works, which actually looks forward to a future utopia in which the world has been united into a single state and people of different races mix freely and in equality, he states that if a people were found to be racially inferior, it would be better to exterminate them rather than have them live as slaves. It’s a sentence that chills the blood after the Holocaust.
But the point is clear: decent people don’t want to find a connection between race and IQ, because it has and can lead back to slavery and other horrors.
And that, I believe, answers at least part of Webb’s question. As he himself very likely knows.
Wellcome Museum Purges Display on History of Medicine to Include African Shaman – A Piece of Cultural Relativism That Will Also Damage Blacks
February 24, 2023This comes from a piece our favourite YouTube historian, Simon Webb, put up on History Debunked a few days ago. He was attacking the new policy towards the museum that has come in with its new director, a woman whose degree is in the arts. Before, according to Webb, the museum was excellent, covering the history of western medicine in rigorous detail and including displays of operating theatres. Much of this, however, has been junked because the new director has deemed it ableist, racist and colonialist. The gallery to its founder, Wellcome himself, has also gone because he did not hold the current, mandatory beliefs. In their stead a gallery has erected containing two photographs showing the horrors of colonial experimentation on Black Africans along with one Mrs Eruditu, a self-professed African shaman, who conducts healing ceremonies and will counsel visitors to the gallery traumatised by the pictures. Webb calls her a witchdoctor, and describes her as completely mad, as she believes inanimate objects also possess consciousness. She doesn’t like the British Museum and the Egyptology displays, because the exhibits there have told her that they want to be underground. Nor does she approve of the display of a Native American totem pole in the Musee Nationale in France, as this has told her psychically that it wants to be out in the open air. Webb states, quite correctly, that western medicine has produced amazing advances in combating disease and extending the human life span. This new policy is a direct attack on that.
I think Webb, if he’s right about the Museum’s new policy, and he seems to be, has an excellent point here. He views it, no doubt, as another attack on western culture in the name of anti-racism, anti-imperialism and post-colonialism. He is, unfortunately, also very likely right about this. There have been pieces on YouTube by other right-wingers attacking the current policies of the Museums Association, which are all about this. I’ve got a feeling that Manchester Museum has also fallen to these new policies, and that they are also reviewing their collections as a result. But this policy is also harming Black and particularly Black African advancement in ways which the founders of the ‘Science Must Fall’ movement, which is ultimately at the heart of this, probably don’t understand.
The ‘Science Must Fall’ movement was a South African campaign to decentre western science because it rejected indigenous knowledges about the world rooted in myth and legend. There was a video on YouTube of a student debate in one of the South African universities, in which a Black female student urged her White comrades to decolonise their minds and accept that tribal rainmakers could indeed make it rain. People are welcome to whatever mystical or religious beliefs they choose, providing these don’t break the law. But they are separate. Back in the 90s, the late Stephen Jay Gould, a biologist and palaeontologist, attempted to end the war between science and religious by stating that there were No Overlapping Magisteria (NOMA). Science dealt with fact, and religion with issues of meaning and values. Of course, militant atheists of the Dawkins type disagreed and thought that it was a capitulation to unreason. Gould’s wrong in that religion and science do overlap, but as a general point I think it’s fair. Science and religion, as a general rule, are separate.
I am also sure that the new director is right, and that Blacks were experimented on by surgeons and doctors in the past. It certainly happened in America, where one of the great surgeons of the 19th century experiment on Black women without anaesthetic. I read somewhere that H.G. Wells was partly inspired to write The Island of Dr. Moreau by accounts of a German doctor experimenting on Black Africans. But you have to be very careful in making such judgements. A while ago I provoked an angry reply in a piece I had written for the Journal of the British Interplanetary Society. I was talking about the history of medicine in the context of space exploration. One of the books I had consulted for the piece described one particular pioneering doctor of tropical medicine as a quack for his theories and treatment of diseases. Unfortunately for me, one of the other senior members of the Society knew him, and wrote to me stating that he was a dedicated, humane man of science. The problem was that he was facing completely new diseases unknown in the west and which nobody knew how to treat. This is a good point, and I wrote to the aggrieved gentleman apologising for the inadvertent smear and issued a correction to the Journal. I wonder if some of the other pioneering doctors and surgeons, whose work has similarly fallen into disfavour, were like the man I mentioned – a sincere medical man, working in the unknown.
Underlying the attempts to decentre western science are two related attitudes. One is the fact that many displaced, colonised peoples have been harmed by the destruction of their own, indigenous world view. This has left them without meaning, resulting in alcoholism and drug addiction in many indigenous communities like the Amerindians in the Americas and Aboriginal Australians. The other is the belief in the Noble Savage, in which indigenous communities like them are somehow better, and more noble than moral than White, western society. The attempts to decentre western science and include indigenous myth and religion are attempts to restore dignity to these colonised peoples.
But African paganism also has its dark side. The priests of one of the cults in Nigeria were actively involved in the slave trade, to the point where the Nigerian equivalent of the saying that someone has been sold down the river literally translates as they ‘have been stolen by the Oracle’. There is also a widespread belief in witches and witch hunting all across the continent. Many of the accused, as in the pre-modern west are women, and some of the trials are just as deadly. In one Nigerian ritual, the accused woman is given the Calabar Bean, a poisonous vegetable. If she doesn’t vomit it out quickly, she’ll die, and so be judged a witch. There have also been professional witch hunters of the same stripe as the infamous Witchfinder General, Matthew Hopkins, of Civil War England. Way back in the 19th century one of the Zulu kings went on a witch-hunting campaign. Witchsmellers, the indigenous Zulu witch hunters, were engaged and duly pointed the finger at a number of suspects, who were duly executed. A European official talked to the king, and said this all looked very dubious, and wondered if the witchsmellers were right in their accusations. The king laughed, said he wondered too, and had all one hundred of them executed as frauds.
And then there’s muti, which is really sinister. This is the sacrifice of humans, often young children, for their body parts, which are sold to the sorcerer’s clients to bring them good luck. I put up a piece I found on one of the YouTube channels about the amazing efforts of a Black British woman against it in Uganda. But it also appeared in Britain back in the early part of this century. The cops dragged the spine of a murdered boy, Adam, wrapped in various pieces of coloured cloth out of the Thames. The cloth’s colours were those of the muti cult, and it looked like child, probably 12 years old, had been sacrificed. And some African anthropologists have defended such murders. A little while ago one of them presented such a paper at an anthropological conference in Manchester. They claimed that these sacrifices were morally acceptable because Africans had a collective morality that saw that the sacrifice of an individual could benefit the community. Bear in mind that we are talking about the murder of children, whose body parts, including their genitals, are considered most effective if they have been hacked off while the victim was still alive. I believe that the anthropologist presenting the paper was asked to leave.
Indigenous African religion has also been the tool of White supremacist governments to keep Black Africans firmly in their very subordinate place. A few decades ago, a Zulu shaman, Credo Mutwa, had a book published in this country, in which he explained his mystical beliefs and practises. From what I’ve read, it was a mixture of native Zulu lore and western occultism, aimed at the New Age crowd. It was reviewed by the sceptical UFO magazine, Magonia, who were very scathing. Mutwa, they claimed, had been a stooge of the Apartheid South African government during their retribalisation campaign. This stressed the indigenous, separate identities of the various South African tribes, who by then had become a Black proletariat. The intention was to keep the Black population divided so they were too weak to successfully challenge the Apartheid government.
Magonia have also several times stated that these books extolling the joys of indigenous life without western science and technology are all aimed at westerners, who have no intention of living like their ancestors did. I think it’s a fair point. The satirist Alan Coren expressed similar sentiments, set in a European context, in one of his pieces for Punch back in the 1970s. It’s about a very middle class, academic couple, who take over a French village and undo centuries of civilisation in order to return to them to what they see as the inhabitants’ natural, pre-Christian, pre-scientific state. But they themselves have no intention of rejecting scientific modernity. The piece ends with one of them stating he intends to write a paper on it. I think the same mindset is at work here.
As for Eruditu’s beliefs about the British museum and its exhibits, this is just animism, pure and simple, the belief that every rock and object has a soul. But I’ve heard very different things about the unhappy state of some of the exhibits. I’ve got a strong interest in psychical research, and a few weeks ago went to an online meeting about ghosts and hauntings in the British Museum. The Egyptology section has something of a cult as some of the visitors there are worshippers, who leave offerings. One spiritualist visitor, a medium, is supposed to have said that the mummies like being on display, as they feel they have a role to teach, but are frustrated at not being able to communicate with the living. This, of course, is completely the opposite of what Eruditu has said, and you can take or leave either or both depending on your attitude to mysticism. I many people are unhappy about the dead being excavated and put on display in museums, and don’t need a mystic to tell them this. But Egypt is certainly one of the great, founding civilisations of humanity, and Egyptology has massively extended our knowledge of the human past and this civilisation’s undeniable achievements and contribution.
Back to Africa. Way back in the 1980s I read an article by a Black African historian, a Muslim, who had presented his own series on the continent’s history on the Beeb. He lamented the fact that the west’s scientific and technological knowledge, inherited from ancient Greece and Rome, was not being transmitted to Africa. He’s right. After all, India and China have made massive strides in development this century because they have embraced science and technology. Sun Yat-Sen, the Chinese revolutionary who founded the Kuomintang, said at the beginning of his movement that ‘We say hello to Mr Science and Mr Democracy’. Sadly, democracy in China got left behind, but science has been taken up with a vengeance so that the country is now a centre of serious technological innovation in space and robotics. And it was helped in this by the early translators of western scientific texts, who referred to it not as western science, but as ‘the new science’. Something similar may well be needed in Africa.
This attempt to decentre and stigmatise western science and medicine has the potential to seriously harm Black advancement. I do think that there is a genuine potential for science and technology in Africa that is currently untapped and stifled. And Webb complained a few months or perhaps a year ago about a piece in New Scientist, in which a Black, female scientist called for more Blacks in lab coats. This movement, which sees Blacks and other indigenous peoples as non-scientific, runs counter to that. It reminds me of some of the scathing criticisms of non-western cultures by the early orientalists, who felt that these peoples would not be capable of assimilating western culture.
And I dare say the promoters of this movement would accuse me of racism, but I am afraid that there are real dangers of encouraging the dark side of African religion and spirituality through an uncritical acceptance of such shamanism.
If Webb is right, then the new director has not only ruined a once great museum, but she’s part of a larger movement that poses a threat to the whole tradition of the Enlightenment, a movement that genuinely endangers scientific advancement for some of the world’s peoples, who most need it.
Steampunk Music: The Dwarven Factory
July 20, 2022Here’s something a bit different and, hopefully, more soothing after the politics. I found a lot of Steampunk music on YouTube yesterday. Steampunk is the subgenre of Science Fiction that imagines what would have happened if the Victorians had put some of their more ambitious and far-sighted inventions into practice, and so had computers, flight, motor vehicle and space travel. It takes its inspiration from Jules Verne and H.G. Wells, as well as real inventions such as Charles Babbage’s Difference Engine – a mechanical computer – and Giffard’s dirigible airship, which flew round the Eiffel Tower in 1854, as well as the futuristic drawings of the pioneering French Science Fiction writers and artist, Jacques Robida. Notable books include William Gibson’s and Bruce Sterling’s The Difference Engine, about a Victorian future in which Lord Byron is now king and Babbage’s Difference Engine is a reality. It’s also produced a milieu of fans, who design and wear clothing based on these futures that never were, and build mock-Victorian technological props, like ray guns. One of the most popular fashion accessories is suitably elaborate, 19th century-style futuristic goggles.
But there are also composers producing works inspired by this type of SF. This seems to be orchestral, but with the addition of synthesisers and other electronic effects, often with an underlying ticking of clockwork or a beat suggesting this or the rhythm of the heavy industrial machines of the period. Its composers include Peter Crowley, who also produces more traditional fantasy music, Landon Zientara, and Shannon Chiang. I’m delighted that someone is still producing music in the classical idiom, and some of these pieces sound like the scores for SF and Fantasy films that were never made. Here’s one piece of Steampunk music, The Dwarven Factory.
Image of the Dystopian Future: A Chinese Rooftop Slum
November 5, 2021I’ve been reading a number of books on SF art recently. One of these is Prentis Rollins’ How to Draw Sci-Fi Utopias and Dystopias (Monacelli Press 2016). Rollins is a British artist, who has worked on a number of comics for DC and Marvel, as well as various a couple of graphic novels. The book’s subitled’ Create the Futuristic Humans, Aliens, robots, Vehicles, and Cities of Your Dreams and Nightmares’.
The first section of the book gives some basic information on drawing – the face, proportion, anatomy, perspective and so on. But much of the book is his own pictures of various science fictional scenes, which can be roughly assembled into a future history. These show cities devastated by nuclear war, roving tower blocks on tank treads, humans exploring alien landscapes, and the aliens monuments they discover, spaceships, human and alien, and land vehicles, including the trucks of the future. One picture also shows a secret time machine hidden in a bunker in Surrey, alternative histories, like a noble British steampunk family, a war robot created to fight the Vietnam War, new Martians evolved from human colonists, but which don’t look remotely human, meeting the terran emperor. Finally there is a picture of Earth’s distant, utopian future, in which the landscape is dominated by a huge city unlike anything now built.
Each picture is accompanied by Rollins’ own description of how he completed them, taking you step by step through the process by which he transformed his pencil drawings into the superb finished art. He also shows still from some of the great SF movies and TV that have inspired him. This includes Star Trek and Star Wars, Metropolis, Georges Melies’ A Trip to the Moon, and the Alexander Korda’s 1936 film adaptation of H.G. Wells’ Things to Come.
One of the suggestions Rollins makes in the book is that as the global temperature continues to rise, humanity will move higher into the atmosphere to escape the heat. This will result in a network of Earth-girdling buildings strung out on miles’ high skyscrapers. But before that happens, there will be more familiar high-rise slums like this one he depicts for Shenzen in 2100. The Earth’s population has expanded massively, with people crammed into such high-rise cities. Water is desperately short, so it is used only for drinking. There is none to spare for putting out fires, which are left to burn themselves out.

It’s a chilling prediction, and one that is alas all too credible. Especially as Rollins shows the photos he took of contemporary Hong Kong which he used as reference. I’m putting this image up because I feel that it could come true despite international talking-shops on climate change and the environmental crisis like COP26. An event at which our own prime minister showed once again what I bumbling clown he is. David Attenborough, who had the misfortune to be seated next to him, and Greta Thunberg are right: we need solid action on climate change. But we aren’t going to get it from Boris.
Prentis Rollins’ book is a great collection of SF art from the imagination of one of the comics industry’s many great artists. Like many artists, Rollins also uses computers as well as pencil, pen and ink, and I think this may be a little beyond some aspiring SF artists. But the art is great, and should fire the imaginations of its readers and inspire them to create their own great SF works in their turn.
A Real Steampunk Car and Motorcycle
February 19, 2021Steampunk is a form of Science Fiction which speculates on what the world would have been like if they’d managed to invent cars, computers, aircraft and space and time travel. It follows Bruce Sterling’s and William Gibson’s novel, The Difference Engine, set in an alternative past where Charles Babbage’s pioneering computer, the difference engine of the title, has been built and Britain is ruled by Lord Byron. It’s heavily influenced by early SF writers such as H.G. Wells and Jules Verne. But some of the machines and inventions in the genre are very close to reality. In fact there was a history book published the other year with the title The Real Victorian Steampunk, or something like that. George Cayley in Britain invented a glider, while a Frenchman, Giffard, developed a dirigible airship in the 1850s and successfully demonstrated it by flying around the Eiffel Tower. And from the first years of the 19th century onwards, inventors were busy developing the first antecedents of the modern car and motorcycle, driven by steam, of course.
I found these two videos on Wildlyfunny’s channel on YouTube. They look like they’re from a steam rally somewhere in eastern Europe, though the blurbs for them doesn’t say where and I’m afraid I don’t recognise the language. This one below is of the 1886 Baffrey Steam Car.
Steam car Baffrey 1886 / Parní vůz Baffrey – YouTube
This second video looks like it’s from the same rally, and is of the 1869 Roper steam motorcycle, invented by Sylvester Howard Roper and demonstrated at fairs and circuses across the US. According to a couple of the commenters, Roper became the first motorcycle casualty when he was killed in a race against seven, ordinary human-powered bicycles.
The FIRST Steam Motorcycle in the world, ROPER 1869 year! – YouTube
The sheer inventiveness of the Victorians never ceases to amaze me, and you do wonder what would have happened had these machines taken off before the invention of the modern internal combustion engine. One of the reasons why they didn’t, and it was only until the invention of the modern petrol/ diesel driven automobile in the later 19th century that cars became an effective rival to horse-drawn transport, is because steam engines weren’t a sufficiently effective power source. It’s also why they were unable to develop steam-driven airplanes. Nevertheless, these machines are still awesome in their ingenuity and a fascinating episode in the history of the automobile.