We are pleased to be inviting members in the South West to attend anti-semitism awareness training from the Jewish Labour Movement. It will take place over Zoom on Wednesday 6th July at 7pm.
Please email’ ————–‘to register and the meeting link will be sent closer to the date.
Best wishes,
Labour South West’
I should cocoa! The very cheek! Just in case you need reminding, the Jewish Labour Movement was one of the Jewish organisations deeply involved in the witch-hunt against Jeremy Corbyn and his supporters in the Labour party for alleged ‘anti-Semitism’. I put ‘anti-Semitism’ inverted commas because these organisations, including those outside the party like the Chief Rabbinate and the Campaign Against Anti-Semitism were not, in my opinion, genuinely concerned with anti-Semitism in its true and original sense. This is a hatred of Jews, simply for being Jews, regardless of political or religious opinions on their part. I have made this point again and again on this blog, citing some of the 19th century founders and leaders of modern organised anti-Semitism in Wilhelm Marr’s Bund Antisemiten or League of Anti-Semites. The Jewish Labour Movement used to be Paole Zion, Workers of Zion, and was virtually moribund until a decade or so ago when in received an injection of cash from person or persons unknown. The Labour Party has always had Jewish members and the parliamentary party has, or used to have, slightly more than the Tories. There are a number of other Jewish organisations in the Labour party and on the left, such as Jewish Voice for Labour and the Jewish Socialist Group, not to mention Jewdas, with whom Jeremy Corbyn spent a Passover Seder. Corbyn also received strong backing from the Haredi Jews, who believe it is their duty to stay in galut, exile, until they are called back to Israel by the Messiah. In the meantime, they are to cooperate with the peoples in whose lands they reside to build better societies and to ‘pray for the health of the city’ as commanded by the Prophet in the Hebrew Bible. And I’ve no doubt there are many other Jews in the Labour party, who are not party of any Jewish organisation, because, like Dr. Jonathan Miller, they consider themselves Brits, who happen to be Jewish, and don’t want to be part of a minority.
But these Jews and their organisations are not recognised as properly Jewish and are actively opposed and maligned by the Jewish Labour Movement. The JLM’s focus, like the other organisations behind the witch-hunt, is to combat anti-Zionism and silence any criticism of Israel’s barbarous treatment of the Palestinians. And they do this by smearing their enemies as anti-Semites. And very many of their victims are Jews, which make their claims to be tackling anti-Semitism risible.
Mike was told by the Labour party that he would be allowed to remain in it after he was smeared as an anti-Semite if he attended anti-Semitism training by the JLM. Mike’s only crime was to point out that Ken Livingstone was entirely correct when he said that Adolf Hitler initially supported Zionism. He did. It was the Ha’avara Agreement, a shameful pact with the German Zionists to smuggle German Jews into British mandate Palestine. It was done as a way to cleanse Germany of Jews. The pact was short-lived, but it happened. Mike refused, as he is not and has never been and never will be an anti-Semite and attendance would have been taken as a tacit admission of guilt.
Jackie Walker is another of their victims. They secretly recorded her at workshop to discuss the best ways to commemorate the Holocaust. Holocaust Memorial Day not only commemorates the Jewish Holocaust, but also the many other genocides that have disfigured human history. Walker is a Jew by faith and blood. Her father was a Russian Jews, and so she knows from family experience more than most about real anti-Semitic persecution. Her mother was a Black American civil rights activist, and so was deeply concerned about another form of racial persecution against her people. Walker’s crime was to ask what the event would do about commemorating other holocausts, such as those against Black people. Since the great Black activist and scholar W.E.B. DuBois, many Blacks and White sympathisers have regarded the slave trade and slavery as a Black holocaust. Walker asked a decent question. But for some reason this was regarded as ‘anti-Semitic’ and she was smeared and purged.
I think most severely normal Brits are aware of the dangers of anti-Semitism. The documentaries about the Second World War and the Nazis shown on television necessarily include the Nazi persecution of the Jews and the Shoah. There have been a number of award-winning Hollywood films about the Holocaust and the heroes who rescued Jews, like Schindler’s List, which came out in the ’90s. I also remember the outrage and campaigning on the left in the 70s and 80s against the NF and BNP when they were marching about trying to get votes, and similar fears and disgust when the BNP briefly revived and its noxious leader, Nick Griffin, was invited onto Question Time. There are very many excellent books about the Holocaust, and some of the late Clive James’ best TV criticism is from the 70s when Fascist and Nazi scumbags like Oswald Mosley, Albert Speer and Baldur von Schirach were interviewed on British TV. James expertly took apart their lies and false protestations of innocence to reveal the real malignity underneath.
Part of my undergraduate course in history was on the rise of Fascist and Communist regimes in Europe, and I still have the books I bought during then. I’ve also done some reading on Fascism since then, including on its post-War varieties. I’m also interested in conspiracy theories, the most infamous of which are those about some secret Jewish conspiracy which controls both capitalism, socialism and communism to enslave the White race. These theories became prominent again in the ’90s when they were incorporated into the UFO mythology and the right-wing conspiracy theories about the Illuminati, another group who are supposed to be controlling world events, the economy and politics from behind the scenes. David Icke believed that the world is secretly run by Reptoid aliens. He caused alarm and outrage because he used quotations from the infamous Protocols of the Elders of Zion, a Tsarist anti-Semitic forgery, to support his crank ideas. Icke isn’t an anti-Semite, and genuinely seemed to believe that the world was run by extraterrestrials rather than Jews. Other UFO researchers, like the late Bill English, did the same, though when they cited the Protocols they claimed they should be read as talking about the Illuminati, rather than the Jews. Nevertheless these quotations were in danger of making the Protocols seem respectable to the point where a branch of Waterstones in one of the northern towns stocked them.
I totally accept that respectable scholars and lay people have to be very careful when it comes to some of the material on topics like the Nazis and Holocaust. Real anti-Semites and Nazis try to disguise their awful views and attempts to deny or minimise the Holocaust by setting up respectable-sounding magazines. Often they use coded language. For example, a very respectable folklorist wrote a piece in one of the urban folklore magazines back in the ’90s to tell how he’d been taken in by such tactics and to warn other to be on the guard. He had been researching tales of atrocities committed by the Germans during the First World War. He came to the conclusion that one of these, the story that the Kaiser’s troops had crucified a Canadian soldier, was bogus and may have been just allied propaganda. He was then approached by a history magazine with a respectable-sounding title, who asked him if they could reprint his article. He innocently agreed, only to find out later it was a Nazi rag. Its editors were using stories of allied propaganda to suggest that the Holocaust was also nothing but fiction. But as an American judge has ruled, the Holocaust is so well documented that its existence cannot be sanely denied. The scholar was shocked and disgusted, and so wrote the article to let others know about the deception and to be on their guard about similar tactics and approaches.
As for coded language, the believers in a world-wide conspiracy to enslave humanity talk about the globalists, the Illuminati, or the global elite. Sometimes this is innocent of anti-Semitism, and they really are talking about a secretive group of leading politicos, capitalists and so on, which isn’t some Jewish conspiracy. But sometimes it isn’t, and is code for ‘Jews’. I’ve also noticed that while Simon Webb of History Debunked isn’t an anti-Semite or anti-Zionist by any stretch of the imagination, some of his commenters do seem to be. There’s a lot of talk by them about the Great Replacement, the idea that the Jews are trying to destroy the White race with non-White immigrate. There’s also comments about ‘small hatted people’, or ‘people with small hats’, which sounds very much like its about the Jews, referring to the kippa skullcaps many observant Jews wear.
Sometimes you really do need to be careful and be informed so you’re not taken in by such language and deceit. But the Jewish Labour Movement won’t help you.
They’re concerned to discredit criticism of Israel using literary criticism and citing entirely bogus conspiracy theories about the Jews from the past. Remember when Shai Masot was caught plotting with a senior British civil servant to decide who should or shouldn’t be in the cabinet? This could rightly be called a conspiracy. But if you called it that, or described the two as plotting, you were the using an anti-Semitic trope because of all the genuinely stupid, poisonous and entirely mythical anti-Semitic conspiracy theories in the past. The same if you report the atrocities committed by the Israeli state and IDF against Palestinians, especially if they can get in a reference to the Blood Libel, that Jews sacrificed Christian children to use their blood in the matzoh bread at Passover. This vile medieval smear has been responsible for numerous anti-Semitic pogroms. However, the Israeli state now is manipulating its memory to close down reasonable criticism. When the IDF shot a Palestinian woman a few years ago, one of the respectable newspaper cartoonists produced picture of her burning in the fireplace while Netanyahu, the-then president of Israel, hobnobbed with the US president. This was promptly denounced by the Israelis as anti-Semitic, because the fire recalled the gas ovens of the Holocaust. Similarly, when Gerald Scarfe drew a cartoon of the Israelis building their wretched wall to keep the Palestinians out using Arab blood, the Israelis again demanded a retraction and an apology because the blood supposedly referred to the infamous Blood Libel. And so another piece of entirely reasoned, reasonable and absolutely not anti-Semitic criticism and comment was again silenced. And this is what the Jewish Labour Movement also does in its events about anti-Semitism. They have nothing to do with making people genuinely aware of the threat of anti-Semitism and the way it is coded. They are all about discrediting justifiable criticism of Israel through using literary devices to make them apparently connected to past anti-Semitic conspiracy theories and innuendo.
I have absolutely no intention of going to this monstrous charade. If I want information and guidance on genuine anti-Semitism, I’d try to consult the JLM’s Jewish victims – Tony Greenstein, Jackie Walker, Naomi Wimborne-Idrissi, Martin Odoni and others, self-respecting decent people, who have been smeared by the anti-Semitism witch-hunters as self-hating. Even though these people are Jewish and have fought against anti-Semitism and other forms of racism. Or I would contact Marc Wadsworth, the Black anti-racism activist. He was smeared as an anti-Semite, again using literary tropes, because he caught a Jewish Labour MP passing on a party brochure to a Torygraph hack. Oh, it was the trope of the disloyal Jew, they claimed. This was despite the fact that Wadsworth didn’t know the politico was Jewish, and had in the 1980s worked with the Board of Deputies about passing legislation to protect Jews against genuine anti-Semitic violence by the NF or BNP. Or I’d go to someone like Mike, who can tell fact from fiction, well-researches his stories and who was asked by a Jewish friend at College to be one of the readers in her performance commemorating the Holocaust’s victims.
All of the above have a far better understanding of anti-Semitism, or a more honest one than the Jewish Labour Movement and its highly ideological, distorted view of what counts as Jew hatred.
I’ve said it before: Judaism is a religion. The Jews are a people. Zionism is an ideology. Israel is a state. Judaism and its people are not synonymous with the modern state of Israel. Under a free society, all ideologies should be able to be examined and criticised, including Zionism. States can and do commit horrible atrocities, for which they should criticised. Israel should not be an exception merely because its people are Jews. Only hatred of Jews, simply for being Jews, should count as anti-Semitism.
Fight racism! Fight anti-Semitism! And don’t be taken in by bogus propaganda like that of the Jewish Labour Movement.
This is awesome. I found this fascinating little video on the YouTube channel of the Roswell Flight Test Crew, whose name seems to suggest that they’re a group into weird aviation technology, just like whatever it was that came down on Mac Brazel’s ranch in Roswell in 1947. In this video they’re at the UAV expo in Florida, talking to Tomas Pribanec, the CEO of a new start-up company, Undefined Technology. Pribanic and his team have created a drone that flies without any propellers, or indeed, it seems, wings or any conventional aircraft parts. It looks a bit like a Borg cube that’s been made out of wire. The machine flies using electricity to attract and repel the ions, the charged particles already present in the atmosphere. At the moment it can only fly for 15 minutes carrying a 2 pound payload, but it has the advantage of being silent. This has made it attractive to a number of other companies, according to Pribanic. Ion engines, which create thrust by generating charged particles, are already used in spacecraft, but it’s unusual to see the principle used on Earth. The blurb for the video on the Roswell Crew’s YouTube page runs
’22 Sept 2021 • In this episode, the Roswell Flight Test Crew speaks with Tomas Pribanic, the founder and CEO of Undefined Technology, based in south Florida. The company has built a prototype drone of approximately the same dimensions and configuration as a conventional multirotor – but without propellers. Instead, it uses charged ions that exist in the atmosphere and attracts or repels those ions as needed to develop thrust and maneuver. The prototype is five-foot square, capable of flying up to 15 minutes while carrying a two-pound payload. Owing to the lack of propellers, the aircraft is virtually silent in flight, making it a good candidate for cargo delivery and other missions in the urban environment where noise can be an issue.’
I think the technology has been around for a little while as there are a number of videos also on YouTube showing people, who’ve built their own. There was also a piece of news a year or so ago about a research group, who had incorporated it into a plane to demonstrate that it could be used to create more fuel efficient aircraft. They took their inspiration from Star Trek’s shuttlecraft and the way they flew without any moving parts.
This is next level technology very much like something out of science fiction, and I look forward to it being developed further.
Here’s a bit of fun to amuse you before I start posting about the serious stuff. The East Runton Surf Dudes are a Norfolk band, specialising in Surfer music, as their name states. They’ve also produced covers of some of the theme tunes of some of the cult TV series of the 60s and 70s, like Dangerman, starring Patrick McGoohan. This little instrumental piece is called ‘Out of Limits’, and from the title and UFO images on the video it looks like a tribute to the classic TV SF anthology show, The Outer Limits. The opening bars, however, with the repetition of two notes actually sound more like the music to the other anthology show, The Twilight Zone.
Sufism is Islamic mysticism. It’s all about achieving a mystical union with the Almighty, and it’s organised into various orders and brotherhoods rather like western monasticism. The orders are led by a shaykh, a spiritual leader, and they use different methods of achieving the state of mystical union. Some use music, while others, like the famous Whirling Dervishes of Istanbul, revolve in a kind of mystic dance. It can be a very syncretistic form Islam, taking elements from other faiths. I found this peculiar video on YouTube from the Muhammadan Way Sufi Realities channel on YouTube. Entitled ‘Why Reptilian Jinn Posses Members of the Elite? Shapeshifters Archon Annunaki Sufi Meditation Center’, it seems to show very strongly the influence of western UFO conspiracy theories, particularly about reptoid aliens popularised by David Icke.
The shaykh in the video, who seems to be based in Los Angeles, is responding to a question about reptoids. However, he regards them not as aliens, as per Icke and the western UFO peeps, but as a particular variety of the djinn. The djinn are supernatural creatures in Islam, created by Allah out of smokeless fire. They live for many hundreds or thousands of years. Like humans, they are of different religions, so that there are Muslim, Christians and Jewish djinn, but they also have supernatural powers. Shaitan, or Satan, the Devil, is one of these djinn in Islam and not a fallen angel as in Judaism and Christianity. The shaykh answers the question by telling his followers and viewers that these reptoid djinn get sent to possess the rich and elite in what sounds like a Faustian bargain with them. This may physically affect the possessed person, with them losing their head and body hair. It is through such possessions that the Devil gains control of businesses and corporations, including the music industry. Thus the aspiring musicians that sign on to record and music companies owned and controlled by those possessed by the reptilian djinn are rewarded with audiences of tens of thousands and become immensely wealthy.
I find it interesting as it appears to be a particularly Muslim form of two conspiracy theories that have been going round the west for decades. One is the belief, formulated by David Icke, that the world’s elite, the rich and powerful, are really reptoid aliens. The other is that there is a Satanic conspiracy within the music industry, and all the stories and urban legends about various pop bands, mostly Rock and Heavy Metal, being really Satanists and including secret satanic messages, recorded backwards, on their records and CDs.
John Simpson, one of the Beeb’s foreign correspondents, wrote an excellent book on Iran a few years ago. He noted that the Iranian people, whom he loved and respected, were very inclined towards conspiracy theories. I think that probably comes from the country’s long history of authoritarian rule, first as an absolute monarchy and then as a repressive Islamic theocracy. I think it’s also the product of the vast changes the country has experienced as it made the transition from a traditional, agricultural economy to a modern, mass, industrial society accompanied by rapid westernisation. These changes caused immense social stresses and bewilderment, with the new values often in conflict with traditional attitudes and made worse by the shah’s brutal personal rule. The shah gradually assumed total political control of the country during his White Revolution following the CIA-organised coup against Mohammed Mossadeq. Mossadeq was the last democratically elected prime minister of Iran, and was overthrown because he dared to nationalise the oil industry and run it for Iranians rather than it’s foreign owners, like BP. As the shah became more dictatorial and autocratic, so dissent increased until it culminated in the 1979 Islamic Revolution. It’s to be expected that conspiracy theories should arise in a society where there is no freedom of speech experiencing rapid change, and where a significant section of the population believe this is out of their control and orchestrated not for their benefit, but instead by mysterious, malign outsiders. I also have the impression that other parts of the Muslim world, like Pakistan, are also prone to conspiracy theories for much the same reason.
International trade, migration, telecommunications and the internet has brought the world closer together, and so weird conspiracy theories in one part of the planet can spread to the others, which may interpret them according to their own culture and beliefs.
Thus David Icke’s reptoid aliens have instead become reptoid djinn, who are seeking to lead humanity away from God through the music industry.
Boris Johnson seems to go out of his way to antagonise our former EU partners. Priti Patel was disinvited to a meeting about the Channel migrants crisis after Bozo leaked his reply to them to the press before formally informing his French counterparts. He’s got form for this kind of assinine behaviour. It seems to me that it’s part of a deliberate strategy: do something to upset the French or the EU, claim to the press that it’s all their fault and this why is why Brexit is a good thing. And then, when Boris is actually defeated or outwitted by the EU or the French, start lying and spinning it as some kind of great victory. And stirring up patriotic outrage against supposed slights or aggression from foreigners is one of the oldest tricks in the political playbook. Regimes start a foreign affairs crisis to distract their people from domestic issues when the pressures there start getting too great. Franco used to do it with Gibraltar. But why would our great and universally admired leader be afraid of criticism over domestic issues? Well, it might have something to do with his inept handling of the Covid pandemic, the immense corruption and cronyism in the Tory party, the further privatisation of the NHS and cuts to benefits. Also, people are worried about their safety following the assassination of David Amess and the fortunately failed suicide bombing of Liverpool Women’s Hospital. Quite apart from the fact that Priti Patel is coming under fire from the right for not stopping the migrants from crossing the Channel, and from the left for her increasingly Fascistic attitude to such migrants. Brexit is damaging the economy, nobody’s running to be Britain’s trading partners, and the deals with America and New Zealand throw British farmers under the bus. So Bozo needs a distraction so that he can blame evil foreigners. Or he could just be monumentally inept. That’s also a strong possibility.
So here’s something rather more positive from across the Channel. Remi Gaillard appears to a French prankster of the same type as the late Jeremy Beadle of Beadle’s About, and the team from Game for a Laugh. In this video he dresses up as an Grey alien and poses, complete with a little UFO, to get a reaction from the French public. Some of them react in fear, some are perplexed, especially when he appears at a rural crossroads pulling a cow – presumably a reference to cattle mutilation. And some are well up to him. Despite his attempt to escape, the local fire brigade capture him and throw him in the back of his fire engine. He and his team explain at the end that they did to troll a TV channel, because they believe anything. So they faked UFO appearances in the sky using drones before setting up the alien appearances. He gleefully states that it worked. It’s funny, but obviously not if you’re one of the people being pranked, which is always the problem with this kind of practical joking. But it is also interesting to see how the mythology of Area 51 and Greys has penetrated French ufology as well as that of Britain and America. Mind you, Game for a Laugh did something similar back in the 1980s when they faked an alien landing on some poor woman’s front lawn.
This is all very childish and shouldn’t be encouraged, but it is funny, and that’s what we also need in these depressing times.
*****
I’ve also written the following books, which are available from Lulu.
John Lewis have just launched their Christmas. This follows their failed advert for insurance, in which a White boy in makeup dances around the family home wrecking it and spraying glitter and paint everywhere. That was widely criticised for promoting the trans ideology amongst children and for false advertising, as apparently the insurance policy being sold didn’t cover deliberate damage. In the new advert, a cute Black little boy sees an alien spacecraft fall out of the sky. He follows the contrail into the woods, where he sees a crashed alien spaceship and its humanoid pilot. The alien is White with white hair and rather feminine. The lad offers her some mince pies. The alien accepts them, and the two becomes friends. While fixing her craft the alien sets the electrics working so that the Christmas lights on a neighbour’s house suddenly come on, much to the neighbour’s annoyance. Having repaired her spacecraft, the alien gives the lad a peck on the cheek in farewell and flies off. The lad goes home to join his family for a festive meal, while looking into the sky. The sound track for the ad is a cover version of Phil Oakey’s ‘Electric Dreams’. I found this video of it put up on YouTube by the Guardian.
Alex Belfield has already posted a rant about it. He rightly points out that it doesn’t contain much in the way of Christmas imagery. There’s no Santa Claus, although it’s possibly a pine forest so there might be Christmas trees. There also isn’t much in the way of specifically Christian imagery either. I might be wrong, but there’s no nativity scene. It’s a very secular interpretation of Christmas. A decade ago there was controversy over what the Daily Mail and other right-wing papers and organisations described as a ‘war on Christmas’. They were angry because some local councils appeared to be deliberately omitting or playing down any mention of Christmas because they were somehow afraid it would offend non-Christian minorities. Birmingham council was particularly attacked for its reinterpretation of the festive season as ‘Winterval’. I’ve heard instead that, rather than replace Christmas, ‘Winterval’ was dreamed up as a marketing initiative by Brum’s council to create an inclusive festive season that would also cover the festivals of other faiths near Christmas, like Hanukka and Diwali. Also, from what I saw, most if not all of the calls for the removal of any public celebration of Christmas came not from the members of non-Christian religions, but from atheists and secularists like the National Humanist Society. The framed their arguments on behalf of religious minorities, while I think they were far more motivated by the rise of a much more militant atheism following the publication of Dawkins’ The God Delusion. I also think that the advert is secular simply from the sheer mechanism of capitalism, although John Lewis is organised as a partnership with its workers more like a cooperative. Capitalism and private industry exist to maximise profits. One way of doing this is seeking out new markets to you can sell your product to more people. About 15 per cent of the British population is Black and Asian, and many of the latter are non-Christians, like Hindus, Muslims and so on. Christians are now a minority in the general population. Hence John Lewis and many of the other firms advertising play down Christmas as a religious festival in order to appeal to a broader section of customers.
But Belfield also criticised the advert because he thinks that the alien in it is ‘ambivilacious’, his term for anything that is gay, non-binary, trans or generally sexually ambiguous. I can see what he means, though it seems to me that the alien is more like a pre-adolescent girl rather than anything more exotic and controversial. I might be reading it wrong, but it seems more like a tale of Earth boy meets alien girl in an innocent Christmastide romance.
Behind all this, I think the advert’s been strongly influenced by a number of pop songs and seasonal films. It reminds me more than a little of the Chris de Burgh song about a visiting spaceman at Christmas, which really is a Christian metaphor. ET with its friendship between a human child, Elliot, and a cute extraterrestrial, is another one, although it also has its differences. The most significant of which is, in my opinion, ET was definitely nonhuman and alien, while the alien in this very humanoid except for her suit and the colouring of her hair. It also reminds me of the seasonal children’s film, A Christmas Martian, a Canadian film that the Beeb screened one festive season over here when I was a sprog. Mercifully, the advert doesn’t seem to have been inspired by the truly dreadful Santa Claus Conquers the Martians, which was screened over here one Christmas in the early ’80s as part of Michael Medved’s season of terrible movies, The Worst of Hollywood, on Channel 4. But if the alien is sexually ambiguous, I suspect it might be due more to the influence of David Bowie and Ziggy Stardust than the trans movement.
Or it might come from certain aspects of the UFO phenomenon itself. Among the various aliens supposedly visiting Earth and abducting people are the ‘Nordics’. These are tall, blonde aliens, like Nordic White Europeans, hence the name. They are also sometimes described as having long hair and a feminine appearance. One of the early UFO contactees, Frank E. Strange, provides a picture of one in his book A Stranger in the Pentagon. Strange claimed that the US government has made a treaty with aliens from Venus. These aliens could provide us with a method of producing cheap, clean energy, but had been prevented from doing so by ‘certain interests’. If nothing else, this shows that people were looking for alternative energy as long ago as the ’50s and ’60s, and the ‘certain interests’ sounds very much like a veiled reference to the oil industry. The ‘alien’ in the photo to me simply looks like a blonde, glamorous woman and not like anyone who arrived here from Venus, or anywhere else. The veteran Fortean, John Keel, author of the books The Mothman Prophecies, UFOs: Operation Trojan Horse and Disneyland of the Gods, stated that the Nordics were so feminine in appearance he wondered if they were gay. You can certainly wonder what was going on in Buck Nelson’s encounter with the Nordics on his farm. He was going out to his barn one morning when a group of four of them, all with long hair, came out of his barn, stark naked. They told him they from Venus, and explained the nudity by saying that they wore no clothes in order to show him that they were as human as he was. Well, they might have been Venusians, but it seems to me they may also have been a group of ordinary men. They may have been gay, and looking for a quiet place for their activities because of the legal prohibition of homosexuality in America at the time. Or they may have been pranksters playing a joke.
It also reminds me of a supposedly true UFO encounter that happened in the 1970s at Christmas. A woman was in her kitchen baking cakes when a groups of small, winged aliens came in. They greeted her and asked for some of the cakes, which she gave to them. They made a few more remarks before finally departing. This is one of the stranger UFO cases which makes me definitely wonder if the UFO phenomenon isn’t a more modern version of the ancient fairy phenomenon rather than anything genuinely extraterrestrial. This does not, however, mean that it isn’t still paranormal, as Keel and Jacques Vallee have argued in their books.
Back to the advert, it looks innocuous enough. While I can’t say that I like it’s secularism, this seems to be a response to the changes in British society rather than an ideologically motivated attempt to foster such changes. And the values it embraces seem wholesome enough. Black and White people come together across the gulfs of space and the Black lad is shown at home enjoying a family meal. This is, in my view, definitely good, as the breakdown in the British and western family has done immense harm to both Whites and Blacks.
If I have a criticism, it’s about the background music. The original song ‘Electric Dreams’ is a jolly, upbeat piece. It was, I believe, used in the 1980s SF film, Weird Science, about two teenage boys who create their idea of the perfect woman on their computer, who then materialises before them. Sort of like Beavis and Butthead meet Tron. And the perfect woman, clad only in bra and panties, says to them ‘What would you little maniacs like to do next?’ The version used here turns it instead into a plaintive ballad until the final few bars, more an expression of sorrow and loss than joy. But it seems to follow a general trend of reinterpretations of classic tracks. At the Commonwealth Games held in Scotland a few years ago the opening ceremony included a version of the Proclaimers’ ‘I Would Walk Five Hundred Miles’. This song is another upbeat hit in something very much like classic march time. But instead it was performed as another plaintive, soulful wail. I’m probably showing my age here, but is contemporary youth so depressed that they can only listen to depressing versions of great old songs? Or is it that the middle aged producers of adverts like John Lewis’ are so depressed, that they can only listen to depressing versions of upbeat hits and so are unintentional contributing to the psychological and spiritual anguish of the rising generation. A generation that has enough problems of its own.
Anyway, even if the advert is intended to sell people stuff rather than anything deeper, it’s a fun piece of trash culture with a bit of kinship to some genuine Ufological high strangeness. And that’s always good for a festive tale of the paranormal.
And here’s the trailer for Santa Claus Conquers the Martians, which I found on the DTFFmaryville channel on YouTube. In its way, truly a cinematic classic!
October is Black History Month, set up to educate people, and particularly Blacks, about their history and achievements. And already the controversy has started. The Lotus Eaters put up a piece yesterday commenting on a report in Telegraph that the Black History Month website, which is not run by the government although it contains ads from various state organisations, had taken down a piece denigrating Whites that had been up for three years.
Posted in 2018, the article quoted American Frances Cress Welsing, who claimed that White people originally evolved as genetically defective mutants, who were driven out of Africa by the indigenous Blacks. Settling in Europe, their lack of melanin made them more immoral and their innate racism caused them to create White supremacy. It was only after an investigation by the Torygraph that this was taken down.
Clearly, this is pure hate and as evolutionary palaeoanthropology, it’s utter bilge. Sargon of Gasbag in his video commenting about it states that white skin evolved in northwest Europe 7,000 years ago to allow Europeans to absorb enough of the vitamins humans need from sunlight in the cold, overcast climate of northern Europe. I think the biology’s correct, but I’m not sure about the location or timescale on the grounds that many of the peoples of the Near East, like Turks, Arabs and Iranians can have White complexions. There have even been blondes in Syria and the Caucasus. But it is true that humans lost their initially dark complexions as they adapted to the European climate when they first entered the continent 60,000 or so years ago.
Welsing’s anti-White rant is typical of a Black ideology, Melanism, that’s been around for decades. Roughly speaking, Melanism states that Black people are physically, intellectually and spiritually superior to Whites because they possess a greater amount of the pigment melanin, which not only produces the darker skin colour, but is also found in the brain. There have been a number of Black writers promoting this anti-White nonsense, some of whom have been officially judged racist. Way back in the ’90s, biologist and snail expert Steve Jones met a group of British melanists in his series on genetics, In The Blood.
Welsing’s description of Whites as ‘genetically defective mutants’ is of kind with the weird views on the origins of Whites of the Nation of Islam, although far less bonkers. The Nation of Islam believe that Whites were created by the evil Mekkan scientist Shaitan 70,000 years ago in order to destroy the purity of the Black race. The Nation of Islam itself has precious little to do with real Islam. It’s based around the worship of W.D. Fard, a Syrian, who migrated to the US in the 1920s and who was worshipped as God. Its present leader, Louis Farrakhan, is extremely anti-Semitic and blames Jews for the slave trade. He also claims that a UFO landed while he was meditating on a Mexican mountain back in the ’80s-90s, and took him to a ‘mother wheel’ in space, where he was told that Fard, Jesus and other religious figures, who of course were all Black, are alive and well on Venus and directing the war against Whites. The Nation of Islam are also Black separatists, who want their own, Blacks-only state carved out of America. There’s been controversy about them in Britain. Back in 1980s Bernie Grant invited Farrakhan to come to Britain, despite the fact that Farrakhan despises the welfare state. Grant tried to excuse himself by saying that he regarded Farrakhan as an ‘elder statesman’ and didn’t endorse all his views.
The Nation of Islam, as far as I know, isn’t involved with Black History Month, or at least, not in any official capacity. But there clearly is a danger in that some of the organisations that want to be involved clearly do have very racist views. These should no more be tolerated than White Fascists.
This might interest those of my readers, who are into UFOs and the theories about ancient astronauts. Cartoonist Kayfabe is a channel on YouTube hosted by two independent comics creators, Ed Piskor and Jim Rugg, which reviews and talks about comics. In the video below, which they put up yesterday, the pair review the first issue of comics legend Jack Kirby’s book, The Eternals.
Published in the 1970s, this was based on the theories of Erich von Daniken, that humanity had been visited in antiquity by aliens, who had been worshipped as gods. In Kirby’s strip, the aliens were the Celestials or Space Gods, immense giant humanoids wearing weird armour or spacesuits, rather like the world-devouring Galactus of Marvel’s Fantastic Four comic. In the strip the Space Gods had come to Earth in the distant past, genetically engineering humanity’s pre-human ape ancestors. The result was three species of humanoids, the Eternals, humanity and the Deviants. The Eternals possessed immortality and superpowers, and were taken by humans as gods. One of the Eternals is called Ikaris, which is clearly a version of Icarus, the character from Greek myth. While the Eternals were generally benign and largely aloof from human affairs, the Deviants were actively hostile. Their genome was unstable, with a result that they were monstrous in form and envied and hated Eternals and humans for possessing a stable body plan and good looks. One of the Deviant characters was a man, who looked human, and so was hated by the rest of the Deviants and forced to compete in lethal gladiatorial contests for their amusement.
I first came across the Eternals as a back-up strip in the British version of Marvel’s Star Wars comic. From what I remember, the first tale had Ikaris, in disguise as Ike Harris, leading a party of human explorers into an ancient South American temple. The temple is, in reality, a monument to the Space Gods, who then return to Earth. The temple becomes their landing site, with one Space God standing sentinel over it. This then becomes a forbidden zone to the three other species. The Celestials have come to judge their experiments, taking fifty years to make their observations and gather information. If humanity or the other races fail the test, the Space Gods will exterminate them.
Kirby was a master of cosmic art, and this strip shows how skilled he was at drawing beings from outer space of immense power. The various ancient astronauts depicted in the temple’s carvings and statuary are clearly influenced by the art of the ancient South American Indian civilisations such as the Aztecs and Maya. This very much follows the views of von Daniken and similar authors, who interpreted a carving of an ancient Mayan king from the temple of Palenque as portraying an ancient astronaut piloting a space capsule.
There have been a multitude of comics about flying saucers since Kenneth Arnold made his sighting of a group of mysterious objects over the Rockies in 1947, which launched the modern UFO phenomenon. The Eternals is an example of how a similar, related theory – ancient astronauts – also entered popular culture in comic form. I don’t think the strip actually lasted very long. Either I stopped reading it, or the strip disappeared from Star Wars comic after a few issues. Despite this, the characters have remained part of the MCU and a film based on the strip, which I’ve blogged about previously, is currently being filmed, trailers for which have been released. Kirby’s art is awesome, and the strip marked Jolly Jack’s return to Marvel after a period with DC. I think Kirby had left because of his dispute with Marvel and Stan Lee over who had created many of the most iconic Marvel characters. Although he had returned, there still seems to have been considerable resentment against Kirby at Marvel. Piskor and Rugg comment on the overwhelmingly hostile tone of the letters Kirby’s editors at Marvel chose to publish in the comic.
I really enjoyed the first Eternals story and its premise, though I think I got bored with it as the tale went on. I shall be very interested indeed when the film finally comes out, as I’m currently in two minds whether I want to see it. It could be very good, and it’ll be great to see Kirby’s designs for the Space Gods appear on the silver screen. It’ll also be interesting to see what effect, if any, it has on the paranormal milieu. Will it lead to a revival of von Daniken and the ancient astronaut theory?
Here’s a bit of high weirdness which sounds like something straight from The X-Files. In this video, host Simon Whistler discusses the strange events surrounding the deaths of two Brazilian men c. 1967. The two men were electronics technicians and were found dead on a mountain, their eyes covered by lead masks. Although described as masks, these were eye protectors or sunglasses, but made of solid lead. What killed them, and why were they wearing these weird face coverings? One suggestion is that the men had been smuggling electronics equipment into Brazil. They had gone to the mountain to meet the smugglers, who had killed them. Another explanation is that they were smuggling plutonium and had been killed by the smugglers. The problem with that is that although they had the equivalent of $10,000 in today’s money, it still wouldn’t be enough to buy a bit of plutonium.
The real explanation seems to be that they were members of a secret society, the Scientific Spiritualists, many of whose members were electronics technicians. The Scientific Spiritualists were dedicated to making contact with extraterrestrial and astral beings using electronics and drugs. The lead glasses were supposedly to protect their eyes from the brilliance given off by the angel they expected to call down. It has been suggested that they were killed by extraterrestrials after one of their jury-rigged gadgets destroyed an alien spaceship. This seems extremely unlikely, not least because it seems impossible that an alien race capable of sending a spacecraft across countless light years to Earth would make it so flimsy that a home-made device built by a couple of humans could destroy it.
Another explanation is that they were murdered by a hitman on behalf of the medium running the men’s spiritualist church. A prisoner already in jail for one crime confessed to killing them, saying that the medium was aware of the cash the two had on them and wanted the money for herself. However, the likeliest explanation, as put forward by Charles Bowen of Flying Saucer Review, and you know you’re in trouble, according to Whistler, when the most rational explanation comes from that magazine, is that the two went to the mountain seeking a UFO encounter and overdosed on the drugs they’d taken.
The case is one of the great, unsolved cases of ufology and a genuinely intriguing mystery, although it looks like Bowen had solved it. I think Whistler and his team have been behind a number of YouTube channels, mainly about science and engineering, if I recall correctly, and have now turned to crime. Whistler clearly struggles with the Brazilian names and bits of Portuguese, and finds the weird milieu of which they were a part hysterically funny. Which it is, although some people who take ufology more seriously might find this annoying.
This is another fascinating little video from the military historian Mark Felton. I’ve put up a couple of his videos demolishing the stories about Nazi UFOs and space/time travel. But some real aerospace and military technology comes very close to Science Fiction. In this video, he talks about the Almaz armed spy stations launched by the Soviet Union in the 1970s. They were manned spacecraft, designed to photograph NATO military targets during the tense days of the Cold War. They were launched under the cover of a civilian space programme, Salyut. And to protect them from western attack, each station was armed with a rapid fire aircraft gun. It’s an idea close to the Bond film, Moonraker, in which Bond tackles Hugo Drax and his minions aboard their own space station.
The Almaz, ‘Diamond’, stations consisted of three sections. There was the main, piloted station module, a cargo section for resupply, and a launch and return craft. The stations were launched using a Proton rocket, and carried a two-three man crew, in space for 20 to 30 days before returning to Earth and being replaced by the next crew. They were armed with 25 mm Rikhtor guns, a modified version of the tail canon used on the Tupolev Tu-22 Blinder Russian bomber. The Russians were afraid that vibrations from the canon might damage the spacecraft, and so arranged a test firing. Salyut 3 (Almaz 2) was due to come to the end of its life in July 1974, and so was selected as a suitable test vehicle. After the last crew left on the 19th of that month, the station was remotely operated so that it targeted and shot down a defunct Soviet satellite. The Almaz station, the satellite, and the spent rounds were all burned up when they re-entered the Earth’s atmosphere afterwards. To date, Russia is the only country that has fired a weapon in space, but this may change.
I remember the Salyut space programme. It was always presented as just civilian research into living in space, and people were impressed by the lengths of time the Russians were able successfully to keep crews in orbit. However, these achievements were never as spectacular or interesting as the Moon landings. Now it’s been revealed that they were military spy missions, a fact that has almost certainly been revealed as a consequence of the Fall of Communism and the end of the Cold War.
It’s not just with the Bond film Moonraker that the Almaz stations have a similarity. In Kubrick’s and Clarke’s classic SF film, 2001, the world is on the brink of a nuclear war. After the first section, which shows a group of primitive hominids being led to intelligence by the black monolith on the prehistoric Earth, the film cuts to space, showing various satellites gliding in orbit while the Orion space shuttle makes it complex maneuvres to dock with the wheel-like space station. Although their purpose isn’t obvious, as Kubrick didn’t want people to think his film was repeating the themes of his Cold War nuclear satire, Dr Strangelove, these satellites are actually orbiting nuclear weapons platforms. Real killer satellites like them, but using ‘pop-up’ lasers to destroy nuclear missiles, were designed as part of Ronald Reagan’s Strategic Defence Initiative, or ‘Star Wars’ programme. There have been a number of books written about possible future wars in space, such as The Shape of Wars to Come, and a year or so ago former president Donald Trump called for the creation of an American space force. Which I think has provided the subject matter for a comedy on Netflix or one of the other streaming channels.
The arming of the Almaz stations shows how terrifyingly close the threat of war in space is to reality. I hope that for the sake of the world we manage to halt the militarisation of space and keep space exploration and, hopefully, colonisation, peaceful. Although this may be difficult given rising tensions between the West, Russia and China.
Beastrabban\'s Weblog 