Here’s a very short video on the American SR-92 Aurora stealth plane from the Future Machine Tech channel on YouTube. This suggests that Aurora was developed as a black project by the American air force in the 1980s as a replacement for the SR-91 Blackbird spy plane. During the ’90s there were sightings of mysterious UFOs dubbed ‘black triangles’ because of their shape and colour. The Aurora fits this description exactly, and many of the sightings of such UAPs may be of this mysterious, but definitely not extraterrestrial, aircraft. The video mentions a tracking image of it flying across the Pacific on its way to America, probably to touch down at the very top secret research base at Groom Lake, Area 51. The aircraft leaves a very distinctive contrail, which has ben described as ‘doughnuts on a rope’ and may have been tracked flying over Belgium according to an article back in the 90s in the defunct UFO Magazine. I’m putting this video up because I and some of the great commenters on this blog have an interest in UFOs, although we differ in our views of the phenomenon. Some UFO sightings are almost certainly of top secret military aircraft. Others are hoaxes, some of which may be perpetrated by the intelligence agencies for their own purposes, one of which may be the deliberate destabilisation and discrediting of UFO research groups and investigators. Some, as suggested by French-American astronomer and computer scientist Jacques Vallee and the late journalist of the paranormal, John Keel, may be paranormal in origin, beings from other dimensions. Others may be real alien spacecraft. People over here have also had sightings of the Black Triangles, and so it’s quite possible that they’ve quite a glimpse of this classified plane.
Posts Tagged ‘UFOs’
Video on the History of and Evidence for the Aurora Steal Plane
January 24, 2023A Seasonal Bad Film: Santa Claus Conquers the Martians
December 24, 2022This for fans of films that are so bad that a kind of fascination and enjoyment creeps into them, like the kind of movies shown and lampooned in the American series Mystery Science Theatre 3000. The audience for this kind of film – so bad that they were, in their way, great – was growing when I was a schoolboy. I think it started as a mass movement with the publication of the Medved Brother’s book The Golden Turkey Awards, in which they reviewed a series of truly awful movies. This was followed up in the UK with interviews in Starburst magazine, where they talked about their fascination with truly dreadful SF B movies, such as the dire works of Ed Wood and other masters of the horrendously bad. These films included Robot Monster, which was made on the lavish budget of $30 a day. The robot monster of the title was a man in gorilla suit wearing a diving helmet. To make it suitably futuristic, they stuck a pair of TV aerials on it. The guy playing the monster got the job because he owned the gorilla suit. And then in 1983 Channel 4 gave us The Worst of Hollywood. Introduced by Michael Medved, this brought to the British viewing public such masterpieces as Plan 9 from Outer Space, another of Wood’s grandiose, cheap epics, They Saved Hitler’s Brain, Eegah!, The Wild Women of Wonga, one of the lesser known Godzilla films and a raunchy space epic in which sex-starved aliens land on Earth in a spaceship shaped like a giant breast. The season ended on Christmas Eve with the 1964 film Santa Claus Conquers the Martians. This was intended as a seasonal children’s favourite and the story seems to involve Martian adults trying to take over the world by producing a counterfeit Santa. But the real Santa manages to unite both Terran and Martian children against the adults and the invasion plan is thwarted. I can’t say I watched much of it when it was on. I’d come back from a party at a school friend’s and so caught just the ending. This was of Santa and the children singing ‘Hooray for Santy Claus’, and is pretty much as dire as it sounds. Medved added in his afterword to the film that its composer then went on to do the music for the Gong Show. So in memory of that glorious Christmas Eve 39 years ago, I’ve decided to inflict the trailer for this classic of terrible cinema and its theme song, both of which are on YouTube.
Here’s the trailer from Rotten Tomatoes Classic Trailers channel.
And here’s ‘Hooray for Santy Claus’ from PoppiCiullo’s channel.
Of the directors of terrible movies, Wood has particularly become a cult figure. Before release of The Room, and the career of German-born director Uwe Boll, he was generally considered Hollywood’s worst director and Plan 9 from Outer Space the worst film of all time. This flick is about evil UFO aliens invading Earth and resurrecting zombies from Earth’s graveyards. It’s extremely low budget and is known for its spectacularly cheap special effects and duff dialogue. The UFOs were paper plates doused in petrol and thrown into the air. One scene, set in the cabin of an aircraft, is very obviously shot in someone’s front room with the house door standing in for the cabin’s. The leaders of the zombies was played by Bela Lugosi, but this master of horror died half-way through filming. His place was taken by Wood’s wife’s homeopathic healer, who was something like a foot taller than Lugosi. It began with a weird, rambling introduction by Creswell, one of the celebrity astrologers of the period, who dispensed this pearl of wisdom: ‘We are all interested in the future because we will spend the rest of our lives there.’ Well, quite. You can’t argue with that. And it also boasted such immortal lines as ‘Dead! Murdered! And someone’s to blame.’ ‘Gee, I guess that’s why you’re a sergeant and I’m only a patrolman.’
In addition to Plan 9, Wood is also celebrated, or notorious, for the movie Glenn/Glenda or I Changed My Sex. Wood was a transvestite as well as decorated war hero. He was awarded a Purple Heart for his heroism in taking an enemy machine gun nest during World War II. He did so while wearing women’s satin underwear. He also liked to dress as cowboy, and would go out to restaurants either in drag or dress in a sequined cowboy costume, giving out photos of himself to the waitresses. Glenn/Glenda was intended as a sensitive portrayal of the plight of male crossdressers in contemporary America. In the hands of any other director, this would have been possible. But Wood’s direction was clunky and the dialogue predictably bad. It also has a bizarre dream sequence in which chairs and other furniture move about on their own. Bela Lugosi is also in it as God, speaking lines like ‘Dance to this. Dance to that. But beware the little green dragon sleeping on your doorstep’.
I first became aware of this piece of Wood’s oeuvre from a programme earlier in the 70s on daytime TV presented by Dennis Norden, which looked back on some of the lesser known and cheesier films of the past. It’s also a favourite of rock meister Alice Cooper. Cooper was interviewed by Muriel Grey on The Tube, the Channel 4 pop programme also in the 1980s. She asked Cooper what his favourite film was. He replied that it was Glenn/Glenda. She naturally asked him why. He replied that when he first saw it, it completely bemused him and he wondered what on Earth he was watching. This brought forth her classic reply, ‘You’re a strange boy, Alice’. Well, yes, and at one point he was outraged parents and responsible adults all over America for his antics on stage.
Wood has become such a cult figure that in the 1990s there was a biopic about him with the slogan ‘Films were his passion. Women were his inspiration. Cashmere sweaters were his weakness’. I’ve never seen it, but it does fascinate me. Just like his, and those of the other terrible directors continue to find new audiences despite, or because, of their lack of talent.
What If Santa Upgraded His Sleigh for a State of the Art Stealth Plane?
December 24, 2022As it’s the Christmas season I’m planning to leaven the serious stuff on this channel with more fun material just to spread a bit more cheer around in this new Winter of Discontent. And here’s a jolly bit of fun I found on the ‘Found and Explained’ YouTube channel. It discusses what would possibly result if Santa Claus upgraded his sleigh, which is more fitted to a time before modern technology when horse-drawn carriages and sleighs were the only or main vehicles available. This was all right until the story went global and its credibility was challenged by the problem of travelling around the world, including crossing the Atlantic to North America. Hence the need to upgrade to something more modern.
The video notes the apparent similarities between the supernatural qualities of Santa’s sleigh and UFOs. However, it doesn’t actually talk about using UFO technology, which in the UFO legend is available through back engineering crashed alien space craft. No, the video instead discusses how Santa would swap his sleigh for a state of the art stealth aircraft manufactured by Lockheed at their skunkworks, but incorporating other features from autonomous drones.
Santa’s new ‘sleigh’ would be a high-performance White Star aircraft, utilising pulse jet powered by nuclear energy to achieve speeds of Mach 10 to Mach 15. There would be no windows, and instead the crew would see out using technology that turned much of the cabin into viewscreens. Santa would not be able to deliver the presents personally, except in some circumstances where the consumption of mince pies is concerned, and so would deliver his presents using drones. When he was required to make a personal appearance, the craft would use the autopilot system from another, autonomous drone. Rudolf would not be able to survive the stresses he’d experience at the front of such a high velocity vehicle, and so on the nose of the aircraft himself would be a navigation system using information from satellite position systems.
The video acknowledges that there are problems with this design. Extra space would be needed for all the presents, drones, nuclear fuel and so on. This would be solved using the technology of Santa’s bag, which like the Bag of Holding in D & D games, has ample space to contain everything required.
Expense is also a problem, even given the vast wealth Santa must have to employ his army of elves on holiday pay, plus writing it all off as charity expenses. The video suggests that this could be solved by donating one or two White Stars to the American air force, where they could be reconverted to military aircraft complete with nuclear-tipped warheads. These could also be used against naughty children. And here the video shows the Grinch being fought with explosions.
It’s a bit of seasonal fun from the channel and obviously not meant to be taken seriously. I hope you enjoy it.
Saturn as the Abode of the Dead in Victorian Science Fiction
December 22, 2022I put up a post the other day about an early 20th century SF story from 1901, in which Jesus Christ is raised on Mars and sent to Earth by the Martians to enlighten us. They rescue Him from the crucifixion, and bring Him back to Mars. It struck me that the story may have been an influence or at least prefigured the idea that later arose among UFO contactees and researcher that Christ was an alien. The best-known of the various UFO religions that believe this is the Aetherius Society, founded in the 1950s by former taxi driver George King. King was into eastern mysticism, and became aware of his mission as spokesman for the Space Brothers when he heard a voice in his kitchen one day telling him to prepare to be the voice of interplanetary parliament. The Aetherius Society believes that King was the recipient of spiritual messages from Aetherius, an alien on Venus, and that Jesus is also there on the planet. Louis Farrakhan, the head of the Nation of Israel, also claimed that he’d been taken aboard a UFO and shown how Jesus and his predecessor as head of the religion, W.D. Fard, were also on Venus. Both Christ and Fard were Black, and Fard was directing and preparing for the coming apocalyptic war against the Whites that would free Black America.
Looking through the SF collection Born of the Sun again today, I found another early SF story with a religious or supernatural dimension. This was John Jacob Astor’s 1894 A Journey in Other Worlds, in which Saturn is inhabited by the spirits of the dead. I think this was influenced by contemporary spiritualism and trends in psychic research. The followers of the 18th century Swedish scientist and mystic, Immanuel Swedenborg, believed that he had travelled in spirit across the Solar System and that the various planets were inhabited, including by the spirits of the departed. This was also the same time, I think, that mediums like Helene Smith believed that they were receiving telepathic messages from Mars. The Surrealists were fascinated by these mediumistic accounts, and one collection of Surrealist writings contains a drawing, done automatically, of Mozart’s house on either Jupiter or Saturn. There’s definitely a religious element in much Spiritualist speculation about space and early Science Fiction, and I’m very sure that this has had an influence on the UFO phenomenon and its accounts of contacts with spiritually advanced, benevolent alien beings.
Poul Anderson and Ideas about Terraforming Venus Before Carl Sagan
December 21, 2022This might appeal to readers of this blog, who aren’t fans of the late astronomer, Sceptic and presenter of the blockbusting TV science series, Cosmos. I put up a drawing I’d done of Sagan a week or so ago along with a piece explaining why I thought he was a great TV personality. While Sagan was a brilliant astronomer and space scientist, some of the readers of this blog were less impressed by his attitude towards the UFO crowd. Sagan was a fervent rationalist, who saw it as his mission to attack ideas he thought were irrational, and particularly the paranormal. He was one of the founders of the Sceptical organisation, CSICOP, or the Committee for the Scientific Investigation of Claims of the Paranormal, along with the stage magician James Randi and the mathematician Martin Gardner. One of Sagan’s last works was The Demon-Haunted World in which he worried about the tide of irrationality creeping over America and the world and foresaw a time in which the New Age would have taken over completely, leading to a new Dark Age and people earnestly consulting their horoscopes each morning.
Some commenters remembered how Sagan had been wheeled on TV in the 1960s to debunk UFO encounters. They didn’t like his superior and condescending attitude towards the experiencers. Now I’ll admit that I don’t regard UFOs as nuts and bolts alien spacecraft. Much of the imagery and the basic plot of UFO encounters seems to come from science fiction and supernatural encounters with gods, demons and fairies before then. One of the alternative views of the UFO phenomenon is the psycho-social hypothesis, which sees it as an internal psychological experience which uses the imagery of contemporary culture. In previous centuries this was of fairies. Now, as belief in the supernatural has declined in the West, the imagery is from science fiction. But both the imagery of fairies and alien spacecraft represent the same theme of encounter with a cosmic other. Some UFO writers and researchers like John Keel and Jacques Vallee believe that there is a genuine paranormal phenomenon at work, and that the force that was previously responsible for encounters with fairies and so on has simply now changed to using that of space craft as society has changed. See Keel’s Operation Trojan Horse, for example. Many UFO encounters can be explained as misidentification, hoaxes, and sightings of top secret military aircraft. I’m also convinced that some are due to the intelligence community deliberately messing with people for their own purposes. In one of his books, Vallee suggests that the Cergy-Pontoise abduction in France may have been faked by French intelligence as an experiment to see how people would react to a real alien encounter. And then there’s the case of Paul Bennewitz, a defence contractor in the US who was driven out of his mind by a pair of intelligence agents at a nearby USAF base. Bennewitz thought he had got in touch with an alien held captive at the base. The pair claimed to be whistleblowers and fed Bennewitz a whole load of spurious documents apparently confirming it, and then told him that it was all fake. It’s a tactic apparently known as the ‘double-bubble’ used by the intelligence services to destabilise their enemies. It worked on Bennewitz, who I think was driven to a nervous breakdown.
Even with the hoaxers, the top secret aircraft and the misidentified objects, there are still some UFO encounters that are very difficult to explain. I think the best explanations are probably the paranormal and psycho-social rather than the Extra-Terrestrial Hypothesis. But that doesn’t necessarily mean that they’re any the less puzzling nor that genuine people, who have had a truly inexplicable experience, should be sneered or condescended to.
But back to Sagan. One of Sagan’s achievements was to suggest a way Venus could be terraformed. This involved planting genetically-engineered bacteria in the Venusian atmosphere. These would consume the carbon dioxide and exhale breathable oxygen. But Sagan wasn’t the first person to suggest ways of terraforming the planet, and he didn’t invent the concept of terraforming. You can find the idea, but not the name, in the Martian books of Edgar Rice Burroughs, in which the Martians have built giant machines to replenish the atmosphere on their dying world. The great SF writer Poul Anderson wrote a story in which a similar technology is used to terraform the Venusian atmosphere.
This is mentioned by Mike Ashley, the editor of the anthology of classic SF stories about the worlds of the solar system, Born of the Sun, published by the British Library. In the introduction to the story about Venus, Ashley writes
‘The 1950s saw some authors taking note of recent research which suggested Venus was far from a watery world. Leading the way was Poul Anderson. In ‘The Big Rain’ (1954) he describes a harsh, sweltering Venus that, when it does rain, rains formaldehyde. The story considers how Venus might be terraformed, using the formaldehyde locked in Venus’ clouds. Airmaker machines, spread all over Venus, accelerate a reaction with the formaldehyde, ammonia and methane to produce hydrocarbons and oxygen, whilst bombs reinvigorate volcanos so that in time it starts to rain – and rains for over a hundred years, by which time Venus starts to be more Earth–like’. (p. 93).
To me, this is an example of one the instances where informed Science Fiction, even if wrong in the details, has advanced scientific thinking. And there are plenty of other examples in some of the other stories Ashley discusses in some of the other books in the same series.
Sagan, for all his faults, was a brilliant scientist and he did much to make people aware of the environmental crisis and opposed the threat of nuclear war and the New Cold War Reagan and Thatcher started ramping up in the 1980s. But in this case, while his ideas about terraforming Venus are most likely to be correct, he wasn’t the first to invent the idea.
Sometimes SF writers get there first.
Charles Cole and the Origin of the Belief that Jesus was an Extraterrestrial
December 21, 2022I’m sorry I haven’t been posting much over the last few days. Our boiler here packed in last Friday, and we’ve spent the past few days trying to get it fixed. Part of the problem has been trying to get through to the gas company that installed it. We were on the phone for three hours the other day trying to get through to someone. But we’ve managed to sort things out and hopefully it’ll all be fixed before too long.
I’ve started reading a few Science Fiction books I ordered a few months ago, but have only just got around to reading. They’re collections of early, classic SF short stories edited by Mike Ashley and published by the British Library. Each collection is devoted to a different theme. There’s one on the Menace of the Machine, which traces the idea of robots rebelling and taking over from the 19th century to 60s predictions of the rise of the internet. Born of the Sun is an anthology of SF stories set on the various worlds of our solar system, from Mercury out to Pluto, including the false planet Vulcan.. This was a planet a 19th century astronomer believed he had seen inside the orbit of Venus. It’s existence has since been disproved, but as the book says, it lives on in the name for Mr. Spock’s home planet in Star Trek. Each of the stories is prefaced by a brief history of these worlds in Science Fiction. And these are often fascinating.
The introduction to the short story about Mars in Born of the Sun notes the way the planet has also been used to explore theological and religious issues, such as in C.S. Lewis’ Out of the Silent Planet. This was one of a trilogy of books, the others being Perelandra, or Voyage to Venus and That Hideous Strength, all with a very strong theological dimension. The other planets of the solar system, in Lewis’ SF, are unfallen and ruled by angels, and there is a war going on with the demonic forces on Earth. In Out of the Silent Planet a philologist, Ransom, is kidnapped by an evil scientist and his commercial partner, and taken to Mars. Ransom manages to escape and at last makes contact with the indigenous Martians. Meeting the Oyarsa, the angel ruling the planet, he is told of its Edenic state and that neither he nor his captors can remain there, and they are sent back to Earth.
But SF stories about Mars with Christian theological dimension predate Lewis’ by some years. The book states that in 1901 Charles Cole published a story, Visitors from Mars, in which Jesus is raised on the Red Planet. He is sent to Earth to help us, and rescued by the Martians at the Crucifixion, who return Him to Mars. This is very similar to some of the beliefs among the UFO fraternity about Christ. The Aetherius Society, set up in the 1950s by ‘Sir’ George King, knight of the Byzantine Empire (self-awarded) teaches that Christ is alive and well and on Venus, along with Aetherius, an ascended being who sends messages of spiritual improvement to us via King. It also reminds me of Robert Heinlein’s novel, Stranger in a Strange Land, about a human raised by Martians who has great spiritual and psychic powers, and who founds a religion back on Earth. This was one of the influences on the emerging New Age movement back in the 1960s. One of the first neo-pagan religions was the Church of All Worlds, which was an attempt to put the religion founded by the book’s hero into practice. Heinlein himself wasn’t impressed with it, not least because he didn’t believe psychic powers existed. It might be that Cole’s book and other SF stories of the period in which the peoples of Venus and Mars were depicted as angels started that line of mystical speculation which eventually produced the New Age idea that Jesus was an alien. Or it could just be that it prefigured them when they arose later in the century with the emergence of the UFO phenomenon.
Sketch of Legendary Astronomy Author and Presenter Patrick Moore
December 3, 2022Moore was for many years the face of astronomy on television in the UK, thanks to him presenting The Sky at Night from the 1950s almost to his death. He was known as much for his eccentric appearance as his subject, so there were plenty of jokes about him wearing the same rumpled suit down the decades. He was sent up on programmes from The Two Ronnies to Dead Ringers, who spoofed him as ‘Old Moore’, a fairground fortune teller. But he remained dedicated to his subject, publishing a plethora of popular books on the subject. This included a series of Sky at Night books, one of which I found in the school library when I was a lad, as well as editing the annual Yearbooks of Astronomy. He also collaborated with the amazing British space and science fiction artist David A. Hardy on books such as The Challenge of the Stars. He also wrote at least two books on Mars. I found one in the central library in Bristol in the 1980s. A decade later, during the excitement about the series of probes NASA and other countries were sending to the Red Planet, he published Patrick Moore on Mars. Its title invites all manner of jokes along the lines of ‘best place for him.’ He also wrote a series of children’s science fiction books about a boy space explorer, Scott Summers. These were hard SF based on the science of the time and what was expected to develop later. They’re now obviously very dated. In one of these, Wanderer in Space, Summers flew to intercept an antimatter asteroid that was threatening Earth aboard an ion driven rocket, clearly anticipating developments in such propulsion that haven’t materialised. Ion drives exist, but they aren’t being used for manned space missions. Another of these was about a human colony on Mars, living in a glass dome. This ends with the colonists looking forward to one day emerging and living free on its surface. This one has been superseded by Kim Stanley Robinson’s trilogy of books about the settlement and terraforming of Mars. As well as these books, he also contributed to a string of popular science and astronomy magazines like Astronomy Now, New Voyager and Focus.
I think he was one of those scientists, with Arthur C. Clarke, who worked on radar during the War but I’m not sure. He never had a formal qualification in astronomy but was always strictly amateur. He was, however, granted an amateur doctorate by one of the universities. I’m sure, however, that at the level he was active in astronomy he would have probably easily passed a university degree in the subject. His maps of the Moon were so good that they were used by NASA in selecting landing sites for the Apollo missions. He never married because his sweetheart was killed during the War in an air raid. In his personal politics he was extremely right-wing, founding the One Country party, which was later merged with another small, extreme right-wing group. I can also remember him appearing on one of the chat shows and remarking that we’d be ‘in the cart’ without Maggie Thatcher. Like many people who have genuinely been through a war, he was deeply critical of it. In one of the chapters in The New Challenge of the Stars, about a possible hostile encounter between an asteroid ark and the inhabitants of an alien planet in whose system it has appeared, Moore makes a sharp comment about man’s folly of war entering a new battleground in space. He was also a staunch opponent of fox hunting. Back in the 90s he was a guest on the comedy programme Room 101, in which guests compete to have various useless and irritating objects or people consigned to the room made famous by Orwell’s 1984. In the vast majority cases, this is just light-hearted fun. But Moore was absolutely serious about sending fox hunting there and talked about how he’d written to various authorities to get it banned. Away from astronomy he also taught himself to play the xylophone and composed numerous pieces for the instrument. One of these was published in a classical music magazine. This did not translate into a career in music, however. He got very annoyed when his planned concert at the Hippodrome was cancelled due to lack of interest.
As well as serious, professional and amateur astronomers Moore talked to during his long career, he also met and talked to various eccentrics, including UFO contactees. One of those he interviewed on the Sky at Night was a man who believed he was in contact with peaceful aliens, and could speak four of their languages, including Venusian and Plutonian. This gentleman demonstrated it by saying the greeting, ‘Hello, space brothers’, in one of them. And although Moore persistently denied it, it seems he was one of the hands behind a hoax book by ‘Cedric Allingham’ about how he encountered an alien spacecraft and its inhabitants during a walking tour of the Scottish Highlands. This was during the first wave of UFO encounters in the late 40s and 50s. When people wrote to the publisher hoping to contact Allingham, he could not be traced. One excuse was that he was off walking in Switzerland. Computer analysis of the text reveals that it was probably written by Moore and revised by someone else in order to disguise his authorship. Moore remained very willing to meet ordinary members of the public and talk to them about his subject even in his retirement. He publicly gave out the address of his home in Herstmonceux, Sussex and said if people had questions or wanted to talk to him, they could drop in, shrugging off the obvious dangers of theft, burglary and so on.
Moore belonged to an age when popular science broadcasters could be real characters, often with eccentric mannerism. There was Magnus Pike, who was famous for waving his arms around while speaking, and the bearded dynamo of Botanic Man himself, David Bellamy, sent up in impressions by Lenny Henry. Since then, popular science programmes have been presented by people who are younger and/or a bit more hip. One BBC programme on astronomy a few years ago was presented by Queen guitarist Brian May, who had studied astrophysics at university before getting caught up in his career as an awesome global rock star. May had just handed in his astrophysics thesis after decades of touring the world with Mercury, Deacon et al. His co-presenter was the comedian Dara O’Brien, who had tried to study maths at university but had dropped out because of its difficulty. The Sky at Night is now presented by about three different hosts, including Black woman Maggie Aderin-Pocock. And I think the face of astronomy and cosmology now is probably Brian Cox after all his series on the subject. But for all this, I prefer the science presenters of a previous generation with all their quirks and foibles. These people were enthusiastic about their subject and were able to communicate their enthusiasm without trying to be too slick to connect with a mass audience. And they succeeded.

The 1984 Yearbook of Astronomy and What’s New in Space, just two of the books edited and written by Moore.


The Silent Drone That Flies Using Ionic Thrust
March 11, 2022This is awesome. I found this fascinating little video on the YouTube channel of the Roswell Flight Test Crew, whose name seems to suggest that they’re a group into weird aviation technology, just like whatever it was that came down on Mac Brazel’s ranch in Roswell in 1947. In this video they’re at the UAV expo in Florida, talking to Tomas Pribanec, the CEO of a new start-up company, Undefined Technology. Pribanic and his team have created a drone that flies without any propellers, or indeed, it seems, wings or any conventional aircraft parts. It looks a bit like a Borg cube that’s been made out of wire. The machine flies using electricity to attract and repel the ions, the charged particles already present in the atmosphere. At the moment it can only fly for 15 minutes carrying a 2 pound payload, but it has the advantage of being silent. This has made it attractive to a number of other companies, according to Pribanic. Ion engines, which create thrust by generating charged particles, are already used in spacecraft, but it’s unusual to see the principle used on Earth. The blurb for the video on the Roswell Crew’s YouTube page runs
’22 Sept 2021 • In this episode, the Roswell Flight Test Crew speaks with Tomas Pribanic, the founder and CEO of Undefined Technology, based in south Florida. The company has built a prototype drone of approximately the same dimensions and configuration as a conventional multirotor – but without propellers. Instead, it uses charged ions that exist in the atmosphere and attracts or repels those ions as needed to develop thrust and maneuver. The prototype is five-foot square, capable of flying up to 15 minutes while carrying a two-pound payload. Owing to the lack of propellers, the aircraft is virtually silent in flight, making it a good candidate for cargo delivery and other missions in the urban environment where noise can be an issue.’
I think the technology has been around for a little while as there are a number of videos also on YouTube showing people, who’ve built their own. There was also a piece of news a year or so ago about a research group, who had incorporated it into a plane to demonstrate that it could be used to create more fuel efficient aircraft. They took their inspiration from Star Trek’s shuttlecraft and the way they flew without any moving parts.
This is next level technology very much like something out of science fiction, and I look forward to it being developed further.