UFO Music from the East Runton Surf Dudes

Here’s a bit of fun to amuse you before I start posting about the serious stuff. The East Runton Surf Dudes are a Norfolk band, specialising in Surfer music, as their name states. They’ve also produced covers of some of the theme tunes of some of the cult TV series of the 60s and 70s, like Dangerman, starring Patrick McGoohan. This little instrumental piece is called ‘Out of Limits’, and from the title and UFO images on the video it looks like a tribute to the classic TV SF anthology show, The Outer Limits. The opening bars, however, with the repetition of two notes actually sound more like the music to the other anthology show, The Twilight Zone.

Sufi Shayk Talks about Reptoid Djinn

Sufism is Islamic mysticism. It’s all about achieving a mystical union with the Almighty, and it’s organised into various orders and brotherhoods rather like western monasticism. The orders are led by a shaykh, a spiritual leader, and they use different methods of achieving the state of mystical union. Some use music, while others, like the famous Whirling Dervishes of Istanbul, revolve in a kind of mystic dance. It can be a very syncretistic form Islam, taking elements from other faiths. I found this peculiar video on YouTube from the Muhammadan Way Sufi Realities channel on YouTube. Entitled ‘Why Reptilian Jinn Posses Members of the Elite? Shapeshifters Archon Annunaki Sufi Meditation Center’, it seems to show very strongly the influence of western UFO conspiracy theories, particularly about reptoid aliens popularised by David Icke.

The shaykh in the video, who seems to be based in Los Angeles, is responding to a question about reptoids. However, he regards them not as aliens, as per Icke and the western UFO peeps, but as a particular variety of the djinn. The djinn are supernatural creatures in Islam, created by Allah out of smokeless fire. They live for many hundreds or thousands of years. Like humans, they are of different religions, so that there are Muslim, Christians and Jewish djinn, but they also have supernatural powers. Shaitan, or Satan, the Devil, is one of these djinn in Islam and not a fallen angel as in Judaism and Christianity. The shaykh answers the question by telling his followers and viewers that these reptoid djinn get sent to possess the rich and elite in what sounds like a Faustian bargain with them. This may physically affect the possessed person, with them losing their head and body hair. It is through such possessions that the Devil gains control of businesses and corporations, including the music industry. Thus the aspiring musicians that sign on to record and music companies owned and controlled by those possessed by the reptilian djinn are rewarded with audiences of tens of thousands and become immensely wealthy.

I find it interesting as it appears to be a particularly Muslim form of two conspiracy theories that have been going round the west for decades. One is the belief, formulated by David Icke, that the world’s elite, the rich and powerful, are really reptoid aliens. The other is that there is a Satanic conspiracy within the music industry, and all the stories and urban legends about various pop bands, mostly Rock and Heavy Metal, being really Satanists and including secret satanic messages, recorded backwards, on their records and CDs.

John Simpson, one of the Beeb’s foreign correspondents, wrote an excellent book on Iran a few years ago. He noted that the Iranian people, whom he loved and respected, were very inclined towards conspiracy theories. I think that probably comes from the country’s long history of authoritarian rule, first as an absolute monarchy and then as a repressive Islamic theocracy. I think it’s also the product of the vast changes the country has experienced as it made the transition from a traditional, agricultural economy to a modern, mass, industrial society accompanied by rapid westernisation. These changes caused immense social stresses and bewilderment, with the new values often in conflict with traditional attitudes and made worse by the shah’s brutal personal rule. The shah gradually assumed total political control of the country during his White Revolution following the CIA-organised coup against Mohammed Mossadeq. Mossadeq was the last democratically elected prime minister of Iran, and was overthrown because he dared to nationalise the oil industry and run it for Iranians rather than it’s foreign owners, like BP. As the shah became more dictatorial and autocratic, so dissent increased until it culminated in the 1979 Islamic Revolution. It’s to be expected that conspiracy theories should arise in a society where there is no freedom of speech experiencing rapid change, and where a significant section of the population believe this is out of their control and orchestrated not for their benefit, but instead by mysterious, malign outsiders. I also have the impression that other parts of the Muslim world, like Pakistan, are also prone to conspiracy theories for much the same reason.

International trade, migration, telecommunications and the internet has brought the world closer together, and so weird conspiracy theories in one part of the planet can spread to the others, which may interpret them according to their own culture and beliefs.

Thus David Icke’s reptoid aliens have instead become reptoid djinn, who are seeking to lead humanity away from God through the music industry.

French Practical Joker Masquerades as UFO Alien to Troll TV Channel

Boris Johnson seems to go out of his way to antagonise our former EU partners. Priti Patel was disinvited to a meeting about the Channel migrants crisis after Bozo leaked his reply to them to the press before formally informing his French counterparts. He’s got form for this kind of assinine behaviour. It seems to me that it’s part of a deliberate strategy: do something to upset the French or the EU, claim to the press that it’s all their fault and this why is why Brexit is a good thing. And then, when Boris is actually defeated or outwitted by the EU or the French, start lying and spinning it as some kind of great victory. And stirring up patriotic outrage against supposed slights or aggression from foreigners is one of the oldest tricks in the political playbook. Regimes start a foreign affairs crisis to distract their people from domestic issues when the pressures there start getting too great. Franco used to do it with Gibraltar. But why would our great and universally admired leader be afraid of criticism over domestic issues? Well, it might have something to do with his inept handling of the Covid pandemic, the immense corruption and cronyism in the Tory party, the further privatisation of the NHS and cuts to benefits. Also, people are worried about their safety following the assassination of David Amess and the fortunately failed suicide bombing of Liverpool Women’s Hospital. Quite apart from the fact that Priti Patel is coming under fire from the right for not stopping the migrants from crossing the Channel, and from the left for her increasingly Fascistic attitude to such migrants. Brexit is damaging the economy, nobody’s running to be Britain’s trading partners, and the deals with America and New Zealand throw British farmers under the bus. So Bozo needs a distraction so that he can blame evil foreigners. Or he could just be monumentally inept. That’s also a strong possibility.

So here’s something rather more positive from across the Channel. Remi Gaillard appears to a French prankster of the same type as the late Jeremy Beadle of Beadle’s About, and the team from Game for a Laugh. In this video he dresses up as an Grey alien and poses, complete with a little UFO, to get a reaction from the French public. Some of them react in fear, some are perplexed, especially when he appears at a rural crossroads pulling a cow – presumably a reference to cattle mutilation. And some are well up to him. Despite his attempt to escape, the local fire brigade capture him and throw him in the back of his fire engine. He and his team explain at the end that they did to troll a TV channel, because they believe anything. So they faked UFO appearances in the sky using drones before setting up the alien appearances. He gleefully states that it worked. It’s funny, but obviously not if you’re one of the people being pranked, which is always the problem with this kind of practical joking. But it is also interesting to see how the mythology of Area 51 and Greys has penetrated French ufology as well as that of Britain and America. Mind you, Game for a Laugh did something similar back in the 1980s when they faked an alien landing on some poor woman’s front lawn.

This is all very childish and shouldn’t be encouraged, but it is funny, and that’s what we also need in these depressing times.

*****

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Black Earthling Boy Meets White Alien in New John Lewis Christmas Ad

John Lewis have just launched their Christmas. This follows their failed advert for insurance, in which a White boy in makeup dances around the family home wrecking it and spraying glitter and paint everywhere. That was widely criticised for promoting the trans ideology amongst children and for false advertising, as apparently the insurance policy being sold didn’t cover deliberate damage. In the new advert, a cute Black little boy sees an alien spacecraft fall out of the sky. He follows the contrail into the woods, where he sees a crashed alien spaceship and its humanoid pilot. The alien is White with white hair and rather feminine. The lad offers her some mince pies. The alien accepts them, and the two becomes friends. While fixing her craft the alien sets the electrics working so that the Christmas lights on a neighbour’s house suddenly come on, much to the neighbour’s annoyance. Having repaired her spacecraft, the alien gives the lad a peck on the cheek in farewell and flies off. The lad goes home to join his family for a festive meal, while looking into the sky. The sound track for the ad is a cover version of Phil Oakey’s ‘Electric Dreams’. I found this video of it put up on YouTube by the Guardian.

Alex Belfield has already posted a rant about it. He rightly points out that it doesn’t contain much in the way of Christmas imagery. There’s no Santa Claus, although it’s possibly a pine forest so there might be Christmas trees. There also isn’t much in the way of specifically Christian imagery either. I might be wrong, but there’s no nativity scene. It’s a very secular interpretation of Christmas. A decade ago there was controversy over what the Daily Mail and other right-wing papers and organisations described as a ‘war on Christmas’. They were angry because some local councils appeared to be deliberately omitting or playing down any mention of Christmas because they were somehow afraid it would offend non-Christian minorities. Birmingham council was particularly attacked for its reinterpretation of the festive season as ‘Winterval’. I’ve heard instead that, rather than replace Christmas, ‘Winterval’ was dreamed up as a marketing initiative by Brum’s council to create an inclusive festive season that would also cover the festivals of other faiths near Christmas, like Hanukka and Diwali. Also, from what I saw, most if not all of the calls for the removal of any public celebration of Christmas came not from the members of non-Christian religions, but from atheists and secularists like the National Humanist Society. The framed their arguments on behalf of religious minorities, while I think they were far more motivated by the rise of a much more militant atheism following the publication of Dawkins’ The God Delusion. I also think that the advert is secular simply from the sheer mechanism of capitalism, although John Lewis is organised as a partnership with its workers more like a cooperative. Capitalism and private industry exist to maximise profits. One way of doing this is seeking out new markets to you can sell your product to more people. About 15 per cent of the British population is Black and Asian, and many of the latter are non-Christians, like Hindus, Muslims and so on. Christians are now a minority in the general population. Hence John Lewis and many of the other firms advertising play down Christmas as a religious festival in order to appeal to a broader section of customers.

But Belfield also criticised the advert because he thinks that the alien in it is ‘ambivilacious’, his term for anything that is gay, non-binary, trans or generally sexually ambiguous. I can see what he means, though it seems to me that the alien is more like a pre-adolescent girl rather than anything more exotic and controversial. I might be reading it wrong, but it seems more like a tale of Earth boy meets alien girl in an innocent Christmastide romance.

Behind all this, I think the advert’s been strongly influenced by a number of pop songs and seasonal films. It reminds me more than a little of the Chris de Burgh song about a visiting spaceman at Christmas, which really is a Christian metaphor. ET with its friendship between a human child, Elliot, and a cute extraterrestrial, is another one, although it also has its differences. The most significant of which is, in my opinion, ET was definitely nonhuman and alien, while the alien in this very humanoid except for her suit and the colouring of her hair. It also reminds me of the seasonal children’s film, A Christmas Martian, a Canadian film that the Beeb screened one festive season over here when I was a sprog. Mercifully, the advert doesn’t seem to have been inspired by the truly dreadful Santa Claus Conquers the Martians, which was screened over here one Christmas in the early ’80s as part of Michael Medved’s season of terrible movies, The Worst of Hollywood, on Channel 4. But if the alien is sexually ambiguous, I suspect it might be due more to the influence of David Bowie and Ziggy Stardust than the trans movement.

Or it might come from certain aspects of the UFO phenomenon itself. Among the various aliens supposedly visiting Earth and abducting people are the ‘Nordics’. These are tall, blonde aliens, like Nordic White Europeans, hence the name. They are also sometimes described as having long hair and a feminine appearance. One of the early UFO contactees, Frank E. Strange, provides a picture of one in his book A Stranger in the Pentagon. Strange claimed that the US government has made a treaty with aliens from Venus. These aliens could provide us with a method of producing cheap, clean energy, but had been prevented from doing so by ‘certain interests’. If nothing else, this shows that people were looking for alternative energy as long ago as the ’50s and ’60s, and the ‘certain interests’ sounds very much like a veiled reference to the oil industry. The ‘alien’ in the photo to me simply looks like a blonde, glamorous woman and not like anyone who arrived here from Venus, or anywhere else. The veteran Fortean, John Keel, author of the books The Mothman Prophecies, UFOs: Operation Trojan Horse and Disneyland of the Gods, stated that the Nordics were so feminine in appearance he wondered if they were gay. You can certainly wonder what was going on in Buck Nelson’s encounter with the Nordics on his farm. He was going out to his barn one morning when a group of four of them, all with long hair, came out of his barn, stark naked. They told him they from Venus, and explained the nudity by saying that they wore no clothes in order to show him that they were as human as he was. Well, they might have been Venusians, but it seems to me they may also have been a group of ordinary men. They may have been gay, and looking for a quiet place for their activities because of the legal prohibition of homosexuality in America at the time. Or they may have been pranksters playing a joke.

It also reminds me of a supposedly true UFO encounter that happened in the 1970s at Christmas. A woman was in her kitchen baking cakes when a groups of small, winged aliens came in. They greeted her and asked for some of the cakes, which she gave to them. They made a few more remarks before finally departing. This is one of the stranger UFO cases which makes me definitely wonder if the UFO phenomenon isn’t a more modern version of the ancient fairy phenomenon rather than anything genuinely extraterrestrial. This does not, however, mean that it isn’t still paranormal, as Keel and Jacques Vallee have argued in their books.

Back to the advert, it looks innocuous enough. While I can’t say that I like it’s secularism, this seems to be a response to the changes in British society rather than an ideologically motivated attempt to foster such changes. And the values it embraces seem wholesome enough. Black and White people come together across the gulfs of space and the Black lad is shown at home enjoying a family meal. This is, in my view, definitely good, as the breakdown in the British and western family has done immense harm to both Whites and Blacks.

If I have a criticism, it’s about the background music. The original song ‘Electric Dreams’ is a jolly, upbeat piece. It was, I believe, used in the 1980s SF film, Weird Science, about two teenage boys who create their idea of the perfect woman on their computer, who then materialises before them. Sort of like Beavis and Butthead meet Tron. And the perfect woman, clad only in bra and panties, says to them ‘What would you little maniacs like to do next?’ The version used here turns it instead into a plaintive ballad until the final few bars, more an expression of sorrow and loss than joy. But it seems to follow a general trend of reinterpretations of classic tracks. At the Commonwealth Games held in Scotland a few years ago the opening ceremony included a version of the Proclaimers’ ‘I Would Walk Five Hundred Miles’. This song is another upbeat hit in something very much like classic march time. But instead it was performed as another plaintive, soulful wail. I’m probably showing my age here, but is contemporary youth so depressed that they can only listen to depressing versions of great old songs? Or is it that the middle aged producers of adverts like John Lewis’ are so depressed, that they can only listen to depressing versions of upbeat hits and so are unintentional contributing to the psychological and spiritual anguish of the rising generation. A generation that has enough problems of its own.

Anyway, even if the advert is intended to sell people stuff rather than anything deeper, it’s a fun piece of trash culture with a bit of kinship to some genuine Ufological high strangeness. And that’s always good for a festive tale of the paranormal.

And here’s the trailer for Santa Claus Conquers the Martians, which I found on the DTFFmaryville channel on YouTube. In its way, truly a cinematic classic!

Black History Month Website Forced to Delete Article Describing Whites as ‘Genetically Defective Mutants’

October is Black History Month, set up to educate people, and particularly Blacks, about their history and achievements. And already the controversy has started. The Lotus Eaters put up a piece yesterday commenting on a report in Telegraph that the Black History Month website, which is not run by the government although it contains ads from various state organisations, had taken down a piece denigrating Whites that had been up for three years.

Posted in 2018, the article quoted American Frances Cress Welsing, who claimed that White people originally evolved as genetically defective mutants, who were driven out of Africa by the indigenous Blacks. Settling in Europe, their lack of melanin made them more immoral and their innate racism caused them to create White supremacy. It was only after an investigation by the Torygraph that this was taken down.

Clearly, this is pure hate and as evolutionary palaeoanthropology, it’s utter bilge. Sargon of Gasbag in his video commenting about it states that white skin evolved in northwest Europe 7,000 years ago to allow Europeans to absorb enough of the vitamins humans need from sunlight in the cold, overcast climate of northern Europe. I think the biology’s correct, but I’m not sure about the location or timescale on the grounds that many of the peoples of the Near East, like Turks, Arabs and Iranians can have White complexions. There have even been blondes in Syria and the Caucasus. But it is true that humans lost their initially dark complexions as they adapted to the European climate when they first entered the continent 60,000 or so years ago.

Welsing’s anti-White rant is typical of a Black ideology, Melanism, that’s been around for decades. Roughly speaking, Melanism states that Black people are physically, intellectually and spiritually superior to Whites because they possess a greater amount of the pigment melanin, which not only produces the darker skin colour, but is also found in the brain. There have been a number of Black writers promoting this anti-White nonsense, some of whom have been officially judged racist. Way back in the ’90s, biologist and snail expert Steve Jones met a group of British melanists in his series on genetics, In The Blood.

Welsing’s description of Whites as ‘genetically defective mutants’ is of kind with the weird views on the origins of Whites of the Nation of Islam, although far less bonkers. The Nation of Islam believe that Whites were created by the evil Mekkan scientist Shaitan 70,000 years ago in order to destroy the purity of the Black race. The Nation of Islam itself has precious little to do with real Islam. It’s based around the worship of W.D. Fard, a Syrian, who migrated to the US in the 1920s and who was worshipped as God. Its present leader, Louis Farrakhan, is extremely anti-Semitic and blames Jews for the slave trade. He also claims that a UFO landed while he was meditating on a Mexican mountain back in the ’80s-90s, and took him to a ‘mother wheel’ in space, where he was told that Fard, Jesus and other religious figures, who of course were all Black, are alive and well on Venus and directing the war against Whites. The Nation of Islam are also Black separatists, who want their own, Blacks-only state carved out of America. There’s been controversy about them in Britain. Back in 1980s Bernie Grant invited Farrakhan to come to Britain, despite the fact that Farrakhan despises the welfare state. Grant tried to excuse himself by saying that he regarded Farrakhan as an ‘elder statesman’ and didn’t endorse all his views.

The Nation of Islam, as far as I know, isn’t involved with Black History Month, or at least, not in any official capacity. But there clearly is a danger in that some of the organisations that want to be involved clearly do have very racist views. These should no more be tolerated than White Fascists.

Cartoonist Kayfabe Review’s Jack Kirby’s ‘Eternals’ #1

This might interest those of my readers, who are into UFOs and the theories about ancient astronauts. Cartoonist Kayfabe is a channel on YouTube hosted by two independent comics creators, Ed Piskor and Jim Rugg, which reviews and talks about comics. In the video below, which they put up yesterday, the pair review the first issue of comics legend Jack Kirby’s book, The Eternals.

Published in the 1970s, this was based on the theories of Erich von Daniken, that humanity had been visited in antiquity by aliens, who had been worshipped as gods. In Kirby’s strip, the aliens were the Celestials or Space Gods, immense giant humanoids wearing weird armour or spacesuits, rather like the world-devouring Galactus of Marvel’s Fantastic Four comic. In the strip the Space Gods had come to Earth in the distant past, genetically engineering humanity’s pre-human ape ancestors. The result was three species of humanoids, the Eternals, humanity and the Deviants. The Eternals possessed immortality and superpowers, and were taken by humans as gods. One of the Eternals is called Ikaris, which is clearly a version of Icarus, the character from Greek myth. While the Eternals were generally benign and largely aloof from human affairs, the Deviants were actively hostile. Their genome was unstable, with a result that they were monstrous in form and envied and hated Eternals and humans for possessing a stable body plan and good looks. One of the Deviant characters was a man, who looked human, and so was hated by the rest of the Deviants and forced to compete in lethal gladiatorial contests for their amusement.

I first came across the Eternals as a back-up strip in the British version of Marvel’s Star Wars comic. From what I remember, the first tale had Ikaris, in disguise as Ike Harris, leading a party of human explorers into an ancient South American temple. The temple is, in reality, a monument to the Space Gods, who then return to Earth. The temple becomes their landing site, with one Space God standing sentinel over it. This then becomes a forbidden zone to the three other species. The Celestials have come to judge their experiments, taking fifty years to make their observations and gather information. If humanity or the other races fail the test, the Space Gods will exterminate them.

Kirby was a master of cosmic art, and this strip shows how skilled he was at drawing beings from outer space of immense power. The various ancient astronauts depicted in the temple’s carvings and statuary are clearly influenced by the art of the ancient South American Indian civilisations such as the Aztecs and Maya. This very much follows the views of von Daniken and similar authors, who interpreted a carving of an ancient Mayan king from the temple of Palenque as portraying an ancient astronaut piloting a space capsule.

There have been a multitude of comics about flying saucers since Kenneth Arnold made his sighting of a group of mysterious objects over the Rockies in 1947, which launched the modern UFO phenomenon. The Eternals is an example of how a similar, related theory – ancient astronauts – also entered popular culture in comic form. I don’t think the strip actually lasted very long. Either I stopped reading it, or the strip disappeared from Star Wars comic after a few issues. Despite this, the characters have remained part of the MCU and a film based on the strip, which I’ve blogged about previously, is currently being filmed, trailers for which have been released. Kirby’s art is awesome, and the strip marked Jolly Jack’s return to Marvel after a period with DC. I think Kirby had left because of his dispute with Marvel and Stan Lee over who had created many of the most iconic Marvel characters. Although he had returned, there still seems to have been considerable resentment against Kirby at Marvel. Piskor and Rugg comment on the overwhelmingly hostile tone of the letters Kirby’s editors at Marvel chose to publish in the comic.

I really enjoyed the first Eternals story and its premise, though I think I got bored with it as the tale went on. I shall be very interested indeed when the film finally comes out, as I’m currently in two minds whether I want to see it. It could be very good, and it’ll be great to see Kirby’s designs for the Space Gods appear on the silver screen. It’ll also be interesting to see what effect, if any, it has on the paranormal milieu. Will it lead to a revival of von Daniken and the ancient astronaut theory?

The Casual Criminalist Tackles the Weird Deaths of Brazilian Ufologists

Here’s a bit of high weirdness which sounds like something straight from The X-Files. In this video, host Simon Whistler discusses the strange events surrounding the deaths of two Brazilian men c. 1967. The two men were electronics technicians and were found dead on a mountain, their eyes covered by lead masks. Although described as masks, these were eye protectors or sunglasses, but made of solid lead. What killed them, and why were they wearing these weird face coverings? One suggestion is that the men had been smuggling electronics equipment into Brazil. They had gone to the mountain to meet the smugglers, who had killed them. Another explanation is that they were smuggling plutonium and had been killed by the smugglers. The problem with that is that although they had the equivalent of $10,000 in today’s money, it still wouldn’t be enough to buy a bit of plutonium.

The real explanation seems to be that they were members of a secret society, the Scientific Spiritualists, many of whose members were electronics technicians. The Scientific Spiritualists were dedicated to making contact with extraterrestrial and astral beings using electronics and drugs. The lead glasses were supposedly to protect their eyes from the brilliance given off by the angel they expected to call down. It has been suggested that they were killed by extraterrestrials after one of their jury-rigged gadgets destroyed an alien spaceship. This seems extremely unlikely, not least because it seems impossible that an alien race capable of sending a spacecraft across countless light years to Earth would make it so flimsy that a home-made device built by a couple of humans could destroy it.

Another explanation is that they were murdered by a hitman on behalf of the medium running the men’s spiritualist church. A prisoner already in jail for one crime confessed to killing them, saying that the medium was aware of the cash the two had on them and wanted the money for herself. However, the likeliest explanation, as put forward by Charles Bowen of Flying Saucer Review, and you know you’re in trouble, according to Whistler, when the most rational explanation comes from that magazine, is that the two went to the mountain seeking a UFO encounter and overdosed on the drugs they’d taken.

The case is one of the great, unsolved cases of ufology and a genuinely intriguing mystery, although it looks like Bowen had solved it. I think Whistler and his team have been behind a number of YouTube channels, mainly about science and engineering, if I recall correctly, and have now turned to crime. Whistler clearly struggles with the Brazilian names and bits of Portuguese, and finds the weird milieu of which they were a part hysterically funny. Which it is, although some people who take ufology more seriously might find this annoying.

The Almaz – The Soviet Union’s Armed Spy Space Station

This is another fascinating little video from the military historian Mark Felton. I’ve put up a couple of his videos demolishing the stories about Nazi UFOs and space/time travel. But some real aerospace and military technology comes very close to Science Fiction. In this video, he talks about the Almaz armed spy stations launched by the Soviet Union in the 1970s. They were manned spacecraft, designed to photograph NATO military targets during the tense days of the Cold War. They were launched under the cover of a civilian space programme, Salyut. And to protect them from western attack, each station was armed with a rapid fire aircraft gun. It’s an idea close to the Bond film, Moonraker, in which Bond tackles Hugo Drax and his minions aboard their own space station.

The Almaz, ‘Diamond’, stations consisted of three sections. There was the main, piloted station module, a cargo section for resupply, and a launch and return craft. The stations were launched using a Proton rocket, and carried a two-three man crew, in space for 20 to 30 days before returning to Earth and being replaced by the next crew. They were armed with 25 mm Rikhtor guns, a modified version of the tail canon used on the Tupolev Tu-22 Blinder Russian bomber. The Russians were afraid that vibrations from the canon might damage the spacecraft, and so arranged a test firing. Salyut 3 (Almaz 2) was due to come to the end of its life in July 1974, and so was selected as a suitable test vehicle. After the last crew left on the 19th of that month, the station was remotely operated so that it targeted and shot down a defunct Soviet satellite. The Almaz station, the satellite, and the spent rounds were all burned up when they re-entered the Earth’s atmosphere afterwards. To date, Russia is the only country that has fired a weapon in space, but this may change.

I remember the Salyut space programme. It was always presented as just civilian research into living in space, and people were impressed by the lengths of time the Russians were able successfully to keep crews in orbit. However, these achievements were never as spectacular or interesting as the Moon landings. Now it’s been revealed that they were military spy missions, a fact that has almost certainly been revealed as a consequence of the Fall of Communism and the end of the Cold War.

It’s not just with the Bond film Moonraker that the Almaz stations have a similarity. In Kubrick’s and Clarke’s classic SF film, 2001, the world is on the brink of a nuclear war. After the first section, which shows a group of primitive hominids being led to intelligence by the black monolith on the prehistoric Earth, the film cuts to space, showing various satellites gliding in orbit while the Orion space shuttle makes it complex maneuvres to dock with the wheel-like space station. Although their purpose isn’t obvious, as Kubrick didn’t want people to think his film was repeating the themes of his Cold War nuclear satire, Dr Strangelove, these satellites are actually orbiting nuclear weapons platforms. Real killer satellites like them, but using ‘pop-up’ lasers to destroy nuclear missiles, were designed as part of Ronald Reagan’s Strategic Defence Initiative, or ‘Star Wars’ programme. There have been a number of books written about possible future wars in space, such as The Shape of Wars to Come, and a year or so ago former president Donald Trump called for the creation of an American space force. Which I think has provided the subject matter for a comedy on Netflix or one of the other streaming channels.

The arming of the Almaz stations shows how terrifyingly close the threat of war in space is to reality. I hope that for the sake of the world we manage to halt the militarisation of space and keep space exploration and, hopefully, colonisation, peaceful. Although this may be difficult given rising tensions between the West, Russia and China.

Mark Felton Demolishes the Claims for Die Glocke, Hitler’s Anti-Gravity Time/Space Machine

Yesterday I posted up a piece by the military historian, Dr Mark Felton, considering the evidence for Nazi flying discs. Felton’s an expert on World War II and the military technology of that time. He came to the conclusion that if the Nazis were experimenting with flying discs, then they were almost certainly failures given the spectacular failures of later, post-War experimental disc-shaped aircraft like the Avrocar. In this video he casts a similarly bleak, withering gaze over claims that the Nazis were working on a secret antigravity craft, called Die Glocke, or ‘the Bell’ because of its resemblance to the musical instrument installed in church towers. Not only is it claimed that the Glocke used antigravity, but it was also apparently a time/space machine. I thought immediately of Dr Who’s TARDIS. Did the Nazis really possess such a device, or have the people who are pushing this watched too many episodes of Dr Who, Time Tunnel and so on?

Felton begins in his usual dry manner. ‘Did’, he asks, ‘the Nazis possess antigravity? Could they flip between dimensions? And did Adolf Hitler escape to the Moon using such a craft? No, I haven’t been self-medicating,’, he says, and goes on to explain he’s only considering the claims made in ‘certain documentaries’. He wants to know if they contain any truth or are just ‘bovine excrement’. I think after watching this the answer lies far more on the side of bovine excrement, but I’ve never been persuaded by the Nazi saucer myth. But Felton states that the Americans and their Allies were astounded by how advanced German aerospace engineering was. The Nazi regime produced a number of highly advanced air- and spacecraft, like the Messerschmitt 262 jet plane, the Bachem Natter rocket interceptor, the V1 Flying Bomb, the V2 rocket. It was a secretive regime, operating from underground bases using slave labour, and so it was ideal for distortion of historical truth. Much of that distorted history was created by the Nazis themselves, and by their successors since then.

The video states that the Glocke entered public consciousness in a book published in 2000. This, followed by others, claimed that the project was under the control of Hans Kammler, the head of the V2 project. Kammler was the stereotypical Nazi leader, straight out of a comic book. He disappeared at the end of the War and was never seen again. It was supposedly powered by a highly volatile substance, red mercury. But Felton eschews discussing how it worked because it’s all theoretical. He just gives a physical description of the putative machine, stating it was 12-14 feet tall, shaped like a Bell, and had a swastika on its side, just so’s people knew where it came from. Is there any documentary evidence for this? No. The only evidence comes from an interview between an author and a Polish intelligence officer, who claimed access to a dossier produced by the SS personnel working on the project. Various names have been suggested for the scientists and officers in charge. One of them is Werner Heisenberg, due to a close similarity between his name and one of the scientists supposedly involved. Heisenberg was the German physicist in charge of the Nazis’ atomic programme. He produced a nuclear reactor, which partially worked, and an atomic bomb which didn’t. Mercifully. But everything is known about what he did during the War, and he was captured and thoroughly interrogated by the Americans afterwards. He didn’t mention the Glocke. Which in my view means that he very definitely wasn’t involved.

The video goes back further, stating that claims of the Glocke actually go back even further, to 1960 and the publication of the French author’s Bergier and Pauwels’ Le Matin des Magiciens, translated into English in 1963 as The Morning of the Magicians. This made a series of claims about the Nazis, including UFOs and occultism, that were roughly based on fact. The Horten brothers had designed flying wing aircraft, which resemble UFOs. After the War their plane ended up in America. Felton says that it clearly influenced later American planes, like the Stealth aircraft. He suggests the Horten flying wing plane contributed to the flying saucer craze of the late 1940s. It has been suggested that what Kenneth Arnold saw in his 1947 flight over the Rockies, which produced the term ‘flying saucer’, was in fact the Hortens flying wings being secretly flown. As for Nazi occultism, Heinrich Himmler, the head of the SS, was an occultist. He intended Wewelsburg castle to be a pseudo-pagan temple, but claims of Nazi involvement in the occult have been greatly exaggerated. Indeed they have. Nicholas Goodricke-Clarke, in his book on Nazi paganism, states that Hitler drew on the bizarre evolutionary ideas of the neo-Pagan cults in Germany and Vienna, like the Ariosophists, whose ideas really were bizarre and quite barking. He also had some contact with the Thule society. However, the pagan sects were banned during the Third Reich because Adolf was afraid they’d divide Germans. He concludes that real Nazi paganism was slight, except in the case of Himmler and the SS, who really did believe in it and wanted his vile organisation to be a new pagan order. Pauwels and Bergier’s book fed into the nascent 60s counterculture and then into the later New Age. Their book is notorious, and has certainly been credited as a source for much New Age speculation and pseudo-history by magazines like the Fortean Times. I think there was a split between the two authors. Bergier was an anti-Nazi, who had spent time in a concentration camp. I think he may even have been Jewish. Pauwels, on the other hand, gravitated towards the far right.

Villainous Nazi super-scientists also became part of SF pulp fiction of the 1960s and 70s. The Nazis were supposed to have discovered the secrets of space and even time travel. One of the books flashed up in this part of the video is Norman Spinrad’s The Iron Dream. This came out in the 1980s, and pondered what would have happened if Hitler had emigrated to America and become a pulp SF writer. The West German authorities weren’t impressed, and it was banned in Germany under the Basic Law outlawing the glorification of the Nazis. I found it in a secondhand bookshop in Cheltenham. It proudly boasted that it contained the SF/Fantasy novel Hitler would have written. Well, Hitler didn’t go to America, and never wrote any SF or Fantasy novels, and the book actually looked really dull. So I saved my money and didn’t buy it. This type of literature flourished because the Americans had been so impressed by genuine German scientific achievements. And the post-War atomic age and UFO craze allowed imaginations to run riot. So Nazi scientists also turned up as the villains in various SF film and TV shows. One prize example of that is the X-Files, in which the secret programme to breed human-alien hybrids at the heart of the UFO mystery is done by Nazi biologists, who came to America under Operation Paperclip.

The video then asks whether the Nazis really did experiment with antigravity. Well, they experimented with everything else, including occultism. NASA was also experimenting with antigravity from the 1990s onwards, as were the Russians and major aerospace corporations like Boeing in the US and BAe Systems in Britain. The Russians even published a scientific paper on it. But despite their deep pockets, these were all failures. And it seems that Operation Paperclip, which successfully collected German rocket scientists, chemical and biological weapons experts, and aerospace engineers, somehow failed to get their antigravity experts. We don’t have the names of any of the scientists and engineers, where they worked or even any credible documents about them. If the Glocke really had been built and its scientists captured by the US and USSR, why were the Americans and Russians trying to build it all from scratch. And if Hitler did have antigravity and UFOs, then how the hell did he lose the War?

Some sources claim that the project was also run by SS Gruppenfuhrers Emil Mazuw and Jakob Sporrenberg, both deeply noxious individuals. Mazuw was the governor of Pomerania, one of the former German territories later given to Poland after the War along with Silesia. He was the head of the SS and high police in Pomerania, and was deeply involved in the Holocaust. Before the War he was a factory worker. What use would he have been to a secret scientific project at the cutting edge of physics? Ditto Sporrenberg. He was also deeply involved in the Shoah, and had zero scientific or engineering background.

The video then considers the 1965 Kecksburg UFO crash, which is also cited as the evidence for the Glocke’s existence. That year a bright fireball was seen in the sky over six US states and Ontario in Canada, coming down in Kecksburg, Pennsylvania. The US army was mobilised, cordoning the area off and taking something away. In 2005 NASA revealed that the object was a capture Russian satellite, the Cosmos 96, which had re-entered the atmosphere and broken up. But this has provided much material for certain TV documentaries from the 90s to the present.

Felton concludes that if the Glocke ever existed, it was probably part of the German nuclear programme, and not a time machine. That’s if it ever existed at all. Echoing the X-Files‘ Fox Mulder, he finishes with ‘The truth is out there, as they say’.

Well, yes, the truth is out there. But as Scully was also fond of reminding Mulder, so are lies. And the Glocke is almost certainly one of these. The UFO world is riddled with fantasists and liars, some of whom are government agents apparently on a mission to spread misinformation. I think this is to destabilise the UFO milieu and stop them getting too close to real secret military aircraft. There’s the case of a civilian contractor working near one of the US secret bases, who became convinced that it really did contain a captured alien, with whom he was communicating over the internet. It seems he was being deliberately led up the garden path and pushed into madness by two air intelligence operatives, who first fed him information apparently supporting his views, and then told him it was all rubbish. It’s a technique known in the intelligence world as ‘the double-bubble’. They lead the target first one way, pretending to be whistleblowers, and then tell them it’s all lies, leaving them confused and not knowing what to believe.

Some UFO sightings are almost certainly of secret spy aircraft, including balloons. The Russians also encouraged belief in UFOs as a spurious explanation for secret space launches from Kapustin Yar, their main rocket complex. I also think that some of the stories about crashed UFOs, secret Nazi research were disinformation spread by the superpowers to put the others off the scent. The extraterrestrial hypothesis was only one explanation for UFOs after the War. It’s been suggested that when Major Quintillana said that the US had captured a flying disc at Roswell, he was deliberately trying to mislead the Russians and hide what had really come down, which was a Project Mogul spy balloon. Friends of mine are convinced that the Russians were similarly running a disinformation campaign about Soviet official psychical research in the 1970s. A number of western journos were given tours of secret Russian bases where experiments were being conducted into telepathy, telekinesis and so on. Some of the more excitable American generals were talking about a ‘psychic cold War’. One of the most bonkers stories I’ve heard was that the Russians were supposed to have developed hyperspace nuclear missiles. Instead of passing through normal space, these rockets were to be teleported to their destinations by trained psychics, rather like the mutated navigators folding space in the David Lynch film of Frank Herbert’s Dune. The hacks who followed up these stories found the secret bases were actually bog-standard factories. Workers told them that their places of work had been briefly taken over by the government, new rooms constructed, and a lot of strange equipment put in which was subsequently taken out. It looks very much like the Russian government believed it psychic research was all nonsense – hardly surprising for an officially atheist regime committed to philosophical materialism. The whole point of the exercise was to convince the Americans it worked, so they’d waste their money going down a technological and military blind alley. It wouldn’t surprise me if the Polish intelligence agent at the heart of this claim had been engaged on a similar project. Or perhaps he was just lying on his own time.

As for fantasists and yarn-spinners, well, I believe the Montauk project is one prize example. This was the subject of a series of books published in the 90s by two Americans. They claimed there had also been a secret time travel project based on, you guessed it, Nazi research. I think it also involved evil aliens and whatever else was going round the UFO world at the time. Kevin McClure and the Magonians were highly suspicious of it, not just because it was bullsh*t, but because it also seemed to glorify the Third Reich. They suspected the authors of writing far-right propaganda.

The Montauk project also appears to be partly based on the Philadelphia Experiment. This was the claim that during the War the Americans had conducted an experiment to render warships invisible to radar using magnetism, following Einstein’s Theory of Relativity. This had gone seriously wrong. The crew of the ship under test suffered terrible effects. Some burst into flame, another walked straight through a bulkhead before the ship itself vanished. The story was later turned into a time travel movie of the same name in the 1980s.

Was it true? Naaah. Although I’ve seen it in various UFO books, the claims seem to come down to one man. I’ve forgotten his name, but someone who knew him wrote in about him to the Fortean Times. The man had been his uncle, an alcoholic and spinner of tall tales, who had precious little, if anything, to do with science or the military.

It looks to me very much like the Glocke antigravity time/space machine is yet another of this myths or pieces of disinformation. I don’t think it was ever built, and the Polish intelligence officer who claimed it was, was a liar. As for the authors of the subsequent books and articles claiming its all true, no doubt many of them are sincerely genuine. But it doesn’t mean they’re right.

And some of the people pushing the Nazi saucer myths are real Nazis, seeking glorify the regime through sensational claims of secret technology and bases in the Canadian far north, Antarctica and the Moon. They do it to enthral people with the glamour of Nazi technology to divert attention away from the real horrors it perpetrated.

I’m sure most of the people, who believe in Nazi UFOs are decent people, who are genuinely appalled at the atrocities committed by Hitler and his minions. But there are Nazis out there trying to manipulate people, and that’s the danger.

Nazism and Fascism need to be fought and any claims of Nazi superscience or occult power critically examined, even if it seems to be harmless nonsense.

Mark Felton Examines Nazi Flying Saucer Research

This might interest some of the readers of this blog, who are interested in the rumours that during World War II the Nazis were engaged in developing Flying Saucers. Mark Felton, according to the biographical note to his channel’s videos, is an historian and the author of 22 books as well as numerous appearances on various TV shows. His channel, Mark Felton Productions, puts up videos about the Second World War and particularly its military technology. Three days ago on the 17th June 2021, he put up this video entitled ‘Hitler’s Flying Saucers – Fact or Fantasy?’

The video begins with the statement that German aeronautical engineering during the War was excellent and in advance of the Allies, as shown by the Messerschmitt Komet rocket plane and the V2 rocket. But there have also been rumours that they were developing disc-shaped craft. The video shows here a photo of the Sack AS-6, which really does look like a flying disc. The engineer credited with this research is Joseph Andreas Epp, who designed a circular aircraft with helicopter blades mounted on top, inspirited by the Focke-Wulf FW61 helicopter. He created four designs for these disc-shaped craft, all helicopters with adjustable rotor blades, and claimed to have built a 1/10 scale model, which he sent to the Ministry of Aviation in 1941. These designs and the model were examined by staff belonging to General Ernst Udet. The material was then passed on Walter Dornberger, the head of the Peenemunde V2 research base. A facility was supposedly built at Prague airport to develop these novel aircraft and the project placed under the authority of Rudolf Schriever and Jurgen Habermohl, and given assistance from a number of firms and organisations including the Luftwaffe and Skoda. It was run by Albert Speer’s armaments ministry until 1944 when it was absorbed into the V2 under the SS, led by Hans Kammler. One flying disc was supposedly built, dubbed the Flugkreisel, which incorporated some of Epp’s designs amongst other, later innovations. Epp allegedly took a grainy photograph of the disc in flight from Prague airport through vegetation as he was approaching it one day in his capacity as consultant. This was one of four unofficial flights, and the aircraft made its first official flight in January 1945. This is supported by Georg Klein, who was supposedly one of the craft’s designers at Prague, and a sworn statement from a test pilot, Georg Langer, after the end of the War. But Felton cautions that all this must be taken with a pinch of salt.

In addition to Epp, Schriever and Habermohl, there was a third project to develop flying discs carried on at the airport. This was supposedly a joint German-Italian programme under Richard Miethe and the Italian professor Giuseppe Belluzzo. It’s existence is also supported by the testimony of the staff involved, but these could be lying. There are designs for such an aircraft dating from the Second World War as well as a second photo of a disc in flight, but this could have been planted after the War to add verisimilitude.

In addition to the Germans, other countries were also active developing saucer-shaped craft. These included America with the Vought V-173 ‘Flying Pancake’ and the Vought XF5U. The German projects were abandoned 15th April 1945 as the Red Army closed in on Prague. The designs were packed up and taken away and the vehicles themselves taken out of their hangars and burned. Schriever later set himself up as an inventor, also working as a trucker for the occupying Allies to support himself. In 1948 his workshop was burgled and his materials on flying discs were stolen. He claimed he was approached by the western intelligence agencies for material on flying discs, but refused to cooperate. He officially died in 1953, but people who knew him later claimed they had seen him alive in the ’60s. Epp continued working on flying discs, and claimed he had built a flying model in 1946, and continued flying them into the 1950s. He also wrote about Nazi flying discs and appeared on German television talking about them. He claims that he approached the Americans with his ideas, but was rebuffed. He married, and briefly settled in East Germany, returning to West Germany in 1959. He applied for a patent, but this was blocked by the Americans for ten years. This conflicts with what is known about the American interest in Nazi technology, such as Operation Paperclip, the programme that saw the transfer of the V2 scientists and personnel to America to continue their rocket research.

Felton speculates that the Americans were interested in flying disc designs, as the Miethe disc resembles an aircraft designed by the British engineer, John Frost, called ‘Project Y’. The Miethe disc contained an internal, rotating jet engine. It was launched from a ramp. For its undercarriage, it used skids like the Komet rocket plane. ‘Project Y’, which looks rather spade-like, was dubbed ‘the Flying Manta’ and developed by Avro Canada, and it was rumoured that Miethe helped with the project. Frost had previously worked for De Havilland in Britain, developing the swept-wing, tailless De Havilland DH108 Swallow. He migrated to Canada in 1947, where he helped to create the CF-100 jet fighter, joining the Special Project Group set up in Avro Canada in 1952. This was set up to develop a VTOL aircraft which could be used after the destruction of airports in a nuclear war. The result was the VZ-9 Avrocar. This used a single turbo rotor to produce lift and thrust. It had difficulty going any higher than 3 feet off the ground, and the project was cancelled in 1961 when the American Air Force, which had supplied the funding, pulled the plug.

The similarities between these projects and those of the Germans may be coincidental, but they allow Felton to suggest the following conclusions:

1. If Miethe and the Germans were involved in the Avrocar, then its failure shows that they were unable to make their own aircraft fly.
2. Even if the Canadian project had no input from the Germans, it still faced some of the same problems. Its failure is therefore odd if the Germans, with less resources and knowledge, had been successful years before.
3. The existence of the Avrocar indicates that the Americans had not captured a Nazi saucer about the time of the Roswell crash, for the reason that if the Americans had, why was the Avrocar a failure? It also shows that UFOs were not American. Here the video shows a clip of Airforce General Sandford talking about UFOs. He states that they have received 3,000 sightings, the great bulk of which could be adequately explained. These are hoaxes, misidentified aircraft, and meteorological and electrical phenomena. But some sightings were still unexplained and the American air force was still attempting to resolve them. But they were convinced that these sightings showed no pattern or purpose that related to a threat to the US.
4. But did research into flying discs terminate with the Avrocar? The Groom Lake test facility, dubbed Area 51, was active from 1951 and was the place where a series of high-performance military aircraft, including the U2 spy plane, the Blackbird and the stealth fighter, were developed and tested.

Felton also suggests that Nazi disc research could also be entirely fictional and that Epp and co. were lying. This has been turned into a credible story by documentary film-makers, and that flying discs are really a post-War development. As the Nazis experimented with every other form of aircraft, it is credible that some experiments were made. It is not certain, however, if any of these aircraft were ever built of flown. What is certain is that Hitler never flew to a secret Antarctic base in one.

Felton thanks Panzerfux military kits for the use of the photograph of the Miethe disc, and begins his video with the statement that it ‘isn’t going to be like certain kinds of popular TV documentaries, much in vogue at the moment’. This looks like a swipe at some of the programmes on the History Channel, which has run any number of programmes on UFOs. It also has a TV series in which Dr Allen Hynek and a USAF officer try to get at the truth about flying saucers, while von Braun and his team are experimenting with a real one. The first series of the show is out on video, and looks like an attempt to do something vaguely like the X-Files but for the 21st century.

There has been discussion and debate about the possible existence of Nazi flying saucers since the end of the Second World War, and this reached a peak in the 1990s when W.A. Harbinson published Projekt UFO. This concluded that the Nazis really did have flying saucers and that these were now stationed at a secret Nazi base in Antarctica. The Nazis had also created a race of cyborg pilots, surgically altered to fly them and survive the high speeds and dangerous conditions. Kevin McClure and the peeps over at Magonia did some research into these claims, and concluded that they were rubbish. The evidence for some of them is tenuous and contradictory. For example, Giuseppe Belluzzo is also called ‘Bellonzo’ in some of these accounts. Some of the people pushing these stories were neo-Nazis, and it looks like some of the purpose behind their doing so was to keep alive the myth that the Nazis were super-scientists far in advance of the Allies. I’m extremely doubtful about this. The Germans had excellent scientists and engineers, thanks to the Prussian educational system set up in the 19th century. But their scientists and engineers faced some of the problems of official apathy ours did. Ohain, the genius behind the German jet aircraft, was also repeatedly turned down by the German air force and aviation authorities, just as Frank Whittle, the British jet inventor, was over here. Hitler was also initially convinced that the V2 was going to be a failure due to a recurring dream he had of the machine falling over and exploding. His opposition was only reversed after the Peenemunde team invited him to see the progress they had been making in its development.

And then there’s the very far-fetched story put out in videos like the one in which the Nazis developed real, space-travelling flying saucers from mediumistic messages telepathically received from Aldebaran. In my opinion, this is complete nonsense. I was always sceptical of the idea that the Nazis developed flying discs, but it looks like there may be more evidence for them than I thought.

If they were developed, however, I think they’re far more likely to have been aircraft like the Flying Pancake, Project Y and Avrocar than highly advanced, high performance vehicles or spacecraft.