Posts Tagged ‘UFOs’

Scientists Invent Ion-Driven ‘Star Trek’ Plane

November 23, 2018

This is a fascinating piece from yesterday’s I newspaper, for the 22nd November 2018. It reports that Dr. Steven Barrett and his team at MIT have built an airplane that flies through channeling air underneath its wings using electrically charged wires hung below them.

The article, by John von Radowitz, on page 13, reads

A revolutionary electronic aircraft propulsion system inspired by Star Trek has been tested on a working model for the first time.

The five-metre wingspan glider-like plane has no propellers, turbines or any other moving parts, and is completely silent.

Instead, an “ionic wind” of colliding electrically charged air molecules provides the thrust needed to make it fly.

In the tests, the battery-powered unmanned aircraft, that weighs just five pounds, managed sustained flights of 60m at an average height of just 0.47m.

But its inventors believe that, like the early experiments of the Wright brothers more than 100 years ago, such small beginnings will eventually transform the face of aviation.

In the near future, ion wind propulsion could be employed to power quiet drones, the team predicts.

Further down the line, the technology could be paired with more conventional propulsion systems to produce highly fuel-efficient hybrid passenger planes.

Lead researcher Dr. Steven Barret, from Massachusetts Institute of Technology (MIT) in the US, said: “This is the first-ever sustained flight of a plane with no moving parts in the propulsion system.

“This has potentially opened new and unexplored possibilities for aircraft which are quieter, mechanically simpler, and do not emit combustion emissions.”

He revealed that he was partly inspi9red by the TV sci-fi series Star Trek. He was especially impressed by the show’s futuristic shuttle crafts that skimmed through the air producing hardly any noise or exhaust. “This made me think, planes shouldn’t have propellers and turbines,” said Dr. Barrett.
“They should be more like the shuttles in
Star Trek that have just a blue glow and silently glide.

The test aircraft, described in the journal Nature, carries an array of thin wires strung beneath the front end of its wings. A high-voltage current passed through the wires strips negatively charged electrons from surrounding air molecules.

This produces a cloud of positively charged ionized air molecules that are attracted to another set of negatively charged wires at the back of the plane.

As they flow towards the negative charge, the ions collide millions of times with other air molecules, creating the thrust that pushes the aircraft forward.

The article also said that

Test flights were made across the gymnasium at MIT’s duPont Athletic Centre, the largest indoor space the scientists could find.

The article also carried this diagram of the aircraft and its engine.

The illustration is entitled ‘How It Works’, and shows picture of the plane, with an arrow saying ‘Battery in fuselage’. There’s also a diagram of the electrically charged particles and the wires connected to the battery that the plane uses instead of a conventional engine.

The illustration’s notes read

Thin wires are strung under the front of the wing and thicker wires under the rear. When connected to a high voltage battery they act as electrodes. The thin positive electrode takes negatively charged electrons from air molecules, creating positive ions. The ions are attracted to the negative electrode at the rear and, as they flow towards it, they collide with neutral air molecules, creating thrust.

The plane reminds of me of the atmospheric aircraft in one of Alistair Reynold’s SF novels, Revelation Space, which fly through heating up the air below them. The propulsion system’s also related to the nuclear electric propulsion used, or proposed, for some spacecraft. This also uses an electrically charged grating to channel and increase the thrust of charged particles generated by a nuclear reactor. As I understand it, the amount of thrust generated by this type of rocket engine is small, but because it’s constant it can eventually build up over time so that the craft is flying at quite considerable speed.

An ion-driven plane is a fascinating concept, though it won’t be powering passenger craft just yet. But you wonder how many UFO sightings will be generated by the experimental and prototype craft which will be designed and built after this.


Conspiracy Book’s Debunking of Anti-Semitic Forgery ‘Protocols of the Elders of Zion’

September 19, 2018

A week or so ago I put up a post about The Mammoth Book of Cover-Ups by Jon E. Lewis, and its chapter roundly debunking Holocaust denial. The book is a popular volume on conspiracy theories, describing and frequently debunking 100 such conspiratorial beliefs about the death of Princess Diana, the Men In Black, the assassination of J.F.K., and Martin Luther King, Area 51, Ronald Reagan, the Priory of Zion of Holy Blood, Holy Grail infamy and many more, including Holocaust denial.

Another infamous anti-Semitic conspiracy theory, that also gets thoroughly disproven, is the Protocols of the Elders of Zion, which the book gives in its full title, the Protocols of the Learned Elders of Zion, and deals with on pages 433 to 450. The Protocols are a notorious forgery, concocted by the tsar’s secret police, the Okhrana, to encourage Nicholas II to be even more anti-Semitic and persecute the Jews even worse than he already was. It is one of the leading sources of anti-Semitic conspiracy theories, and was read and influenced many Fascists. It was proven to be a forgery as long ago as the 1920, but even after this was revealed, some of those, who had read it continued to be maintain that it was symbolically true, even if it wasn’t factually. Unfortunately, the book continues to have a very wide circulation, particularly in the Middle East and in eastern Europe.

The history of this vile book is briefly described on pages 433-5. The chapter states that the Protocols of the Elders of Zion was first published in 1897 as an appendix to the book, The Antichrist Is Near At Hand by the Russian writer, Sergei Nilus. It claims to be an instruction manual for a cabal of anonymous Jews planning to conquer and subdue the Christian world.

It states that the chief points of the Protocols are that the plot will remain invisible until it is so strong it cannot be overcome; government is to be increasingly centralized; press freedoms shall be restricted; gentile are to be distracted by games and amusements; and all non-Jewish religions will be swept away.

The book was immensely popular in Russia and the rest of the world. One enthusiast was the industrialist Henry Ford, of motor industry fame, who printed sections in his newspaper, the Dearborn Independent. He believed it exactly described the world situation as it was in his time, and used them to try to influence the US senate to stop America joining the League of Nations.

The first person to show that the Protocols were a forgery was Lucien Wolf. In his The Jewish Bogey and the Forged Protocols of the Learned Elders of Zion of 1920 showed that sections of the Protocols had been lifted with only very minor changes from a satire written by a French lawyer, Maurice Joly, Dialogue aux Enfers entre Montesquieu et Machiavelli (“Dialogue in Hell between Montesquieu and Machiavelli”). This was itself influenced by Eugene Sue’s 1843 conspiracy novel, The Mysteries of Paris. The Protocols was also based on the 1868 novel, Biarritz, by the German spy Hermann Goedsche, written under the pseudonym Sir John Retcliffe. This had a chapter describing how a fictitious group of rabbis met at midnight every century in a cemetery to plan the further progress of Jewish world domination.

Lewis suggests the Protocols were probably forged by Matvei Golovinski, one of the agents of the Okhrana. He hoped to justify the tsarist regime’s persecution of the Jews by whipping up a scare about revolutionaries in the pay of the Jews planning the downfall of the monarchy. As a result, pogroms were launched against the Jews in 1905-6. And the truth of the conspiracy described by the Protocols was seen by all too many people as confirmed by the Russian Revolution of 1917, some of whose leaders happened to be Jews.

After the Nazi seizure of power in Germany, Adolf Hitler made the Protocols compulsory reading in schools. Lewis goes to describe how, despite or because of their influence in causing the Holocaust, the Protocols continue to be held as ‘fact’. Egyptian television broadcast a series in 2000 that claimed there was a connection between the Protocols and the foundation of Israel. The Protocols could also been found in al-Qaeda training camps. They’re also popular with Hamas, and in America they’re distributed by Louis Farrakhan’s Nation of Islam. That section of the chapter ends

In fact, wherever anti-Semites gather you’ll find well-thumbed copies of the Protocols. That any of these organisations or their adherents could not discover within at most thirty seconds’ worth of research that the Protocols are, as a Swiss court described them as long ago as 1935, “ridiculous nonsense”, forgeries and plagiarism, beggars belief.

The book gives each conspiracy a threat level, according to how apparently plausible they are. You won’t be surprised to find that the threat level of the Protocols is zero.

The chapter also lists for further reading the following:

Norman Cohn, Warrant for Genocide: The Myth of the Jewish World Conspiracy and the Protocols of the Elders of Zion, 1996.

Daniel Pipes, The Hidden Hand: Middle East Fears of Conspiracy, 1998.

Lucien Wolf, The Jewish Bogey and the Forged Protocols of the Learned Elders of Zion, 1920.

The book provides extracts from the main documents behind or about the various conspiracies, so that readers can make up their own minds. This includes the Protocols, extracts from which are reproduced on pages 436-50. Lewis obviously trusts his readers to follow his entirely correct judgement of the Protocols, and similarly realise that they are a forgery. This is also useful, because opponents of anti-Semitism, racism and Fascism can read them without having to give money to Nazis, anti-Semites and Islamists.

I wondered if they’re shouldn’t be a proper, scholarly edition of the Protocols, written by orthodox historians and opponents of anti-Semitism, aimed not just at debunking the Protocols, but also for decent people interested in its noxious influence on Nazism and other anti-Semitic ideologies. The Bavarian government did something like this a little while ago to Mein Kampf after it came out of copyright. The government had used its ownership of the book’s copyright to prevent its publication in Germany. When this expired, they decided that the best way to combat its adoption once again by neo-Nazis would be to prepare a properly annotated version by mainstream historian of the Third Reich.

The problem with suppressed literature is that it acquires a glamour simply by being forbidden. I doubt very many people in Britain have even heard of the Protocols, but they are published and read by Nazis, and briefly appeared on the shelves of one bookshop in the north of England during the conspiracy craze of the 1990s because they were cited by one of the UFO conspiracy theorists, Bill English, in his book, Behold a Pale Horse. In this situation, it is very good that apart from general books on Fascism and Nazism, there are works specifically dedicated to exposing and debunking this vile, murderous hoax.

Conspiracy Book’s Debunking of Holocaust Denial

September 16, 2018

The Mammoth Book of Cover-Ups: The 100 Most Disturbing Conspiracies of All Time, Jon E. Lewis (London: Constable & Robinson 2007).

As the book’s cover tells you, this is a popular treatment of 100 assorted conspiracies, ranging from the assassination of JFK, 9/11, the Da Vinci Code, the death of Princess Diana, the Men In Black of UFO lore, the belief that Roosevelt knew about the coming Japanese attack on Pearl Harbour?, the Illuminati, the Protocols of the Elders of Zion and so on. It’s a selection of conspiracies and conspiracy theories that were current at the end of the 1990s and early part of the 21st centuries.

As you might expect of a popular work of this size, the individual chapters tend to be brief. Many are only about two or three pages long, and so this isn’t an in depth examination of them by any means. Most of these theories are absolutely spurious, and so get properly debunked. Most, but not all. Some conspiracies, like the Iran-Contral scandal and the Masonic lodge P2, which was deeply involved in Italian Fascism, the Mafia and had connections to the CIA.

Lewis writes in his introduction that his aim has been to understand and treat the conspiracy theories objectively, to find which are true, and which aren’t.

Hostility to conspiracy theory is as useless in understanding the world as an indiscriminate acceptance of it. The task, surely, is to disentangle the mad and bad conspiracies from those that illuminate the darkened, secret corners of power. To this end The Mammoth Book of Cover-Ups takes a considered, objective scalpel to one hundred of the most compelling conspiracy theories of modern times. The theories are arranged alphabetically, assessed and interrogated. Where appropriate, the relevant documents are reproduced, and details of where to look to find out more are listed. Each conspiracy theory is assigned an “Alert Level” rating indicating its likely veracity. (p. 3).

One conspiracy theory that the book thoroughly debunks is Holocaust denial, discussed on pages 180-2. The first two paragraphs briefly state what it was, and how its existence is supported by a mountain of very trustworthy evidence.

The Holocaust is the name given to the extermination of some six million Jews and other “undesirables” by the Third Reich of Germany between 1933 and 1945. To industrialise the genocide process, the Nazis purpose-built a number of death camps such as Auschwitz, which gassed the Jews in batches; most victims, however, simply died of malnourishment in concentration camps. In occupied Eastern Europe, from where more than five million Jews were taken, special SS killing squads, Einsatzgruppen, sometimes shot Jews in situ.

A wide spread of sources confirms the nature and extent of the Holocaust: the thousandfold testimonies of camp survivors; film and photographs taken by Allied reporters as the camps were liberated in 1945; the confession by Auschwitz SS camp commandant Rudolf Hoss; the prosecution of Adolf Eichmann in 1960-2 and his sentencing to death for “crimes against humanity”. But all of this is dispute by a number of historians and politicians, who speculate that the Holocaust, if it happened at all, was on at most a minor scale. (p. 180).

It then goes on to discuss David Hoggan and his The Myth of the Six Million, one of the earliest and most influential books pushing the lie that the Holocaust never happened. Hoggan claimed in it that the Jews had falsely accused the Germans of genocide in order to gain reparations. This set the pattern for later works, claiming that the Jews had made it up either to gain money or international sympathy. It was the latter which led the United Nations to look kindly on the creation of Israel as a Jewish homeland. The book notes that from 1970s, the most prominent mouthpiece for Holocaust denial in the US has been the Institute for Holocaust Review, led by the neo-Nazi Willis Carto. Publications from the Institute and similar organisations in the US speculate that the gas chambers at Auschwitz weren’t there to kill Jews, but to kill the lice they carried. There are many versions of Holocaust denial. One of these is that there was indeed an extermination of the Jews during the Nazi occupation, but that this was small and not official Nazi policy. This was the view of the notorious David Irving, who claimed that the Nazis were too busy fighting the war to organize the mass extermination of the Jews, and that Hitler was unaware of it.

The chapter goes on to describe how Irving’s version of the Holocaust and Hitler’s involvement was challenged by Deborah Lipstadt in her 1993, Denying the Holocaust. This accused Irving of anti-Semitism and distorting evidence. Irving sued her and her British publisher, Penguin, for libel. Lipstadt and Penguin defended themselves by hiring the Cambridge historian Richard J. Evans, who then went through Irving’s works. He found that Irving had deliberately used unreliable documentation. One such was the report made by Fred Leuchter, who designed gas chambers for the American prison service. Leuchter stated that he found no significant deposits of cynanide at Auschwitz. However, this was in 1988, nearly 40 years after the camp was used and Leuchter himself was not trained in forensics. Evans also found that Irving also expressed very anti-Semitic sentiments in his books, such as calling Jews ‘the scum of humanity’. The court found in Lipstadt’s favour, with the judge declaring Irving to be ‘an active Holocaust denier; that he is anti-Semite and racist, and that he associates with right-wing extremists who promote neo-Nazism’.

The chapter also makes it clear that Hitler knew very well what was going on. He knew its scope even if he didn’t know all the details about every train of victims going to Sobibor. He set the agenda for the Holocaust, as shown in his speeches. In 1939, for example, he declared

If international Jewish financiers inside and outside Europe again succeed in plunging the nations into a world war, the result will be … the annihilation of the Jewish race in Europe. (p. 181.)

Fifteen other leading Nazis attended the Wannsee conference in 1942, which was held outside Berlin on how the extermination of the Jews could best be arranged. The meeting was minuted, and its protocols used to incriminate those present.

The chapter concludes

The Holocaust happened. Most reputable historians put the lower limit of Jews, gypsies, Romanies, homosexuals, Jehovah’s Witnesses, the disabled and the mentally ill exterminated by the Nazis at five million. The upper limit is as high as 11 million.

In 1979 the Institute for Historical Review offered a $50,000 reward to anybody who “could prove that the Nazis operated gas chambers to terminate Jews”. Mel Marmelstein, an Auschwitz survivor, forwarded to the IHR affidavits concerning the fate of his family in Auschwitz plus other documentation, and duly claimed his money. When the IHR failed to give him the $50,000 he sued. The court awarded him the $50,000 plus an extra $40,000 for distress. In other words, the leading outfit for Holocaust denial, giving it its best shot, could not convince a neutral jury of its case. (p. 182).

The book properly gives Holocaust denial an alert level of zero, as it is a completely false conspiracy theory.

It also has a short bibliography, which includes the following two books debunking Holocaust denial:

Deborah Lipstadt, Denying the Holocaust: The Growing Assault on Truth and Memory, 1993; and

Michael Shermer, Alex Grobman and Arthur Hertzberg, Denying History: Who Says the Holocaust Never Happened and Why Do They Say It?, 2002.

Mars as Communist Utopia in Pre-Revolutionary Russian SF

June 7, 2018

I thought this might interest all the SF fans out there. One of the books I’ve started reading is Lost Mars: The Golden Age of the Red Planet, edited by Mark Ashley (London: The British Library 2018). It’s a collection of SF stories written about the Red Planet from the 19th century to just before the Mariner and then Viking probes in the ’60s and ’70s showed that rather than being a living planet with canals, vegetation and civilised beings, it was a dead world more like the Moon. It’s a companion volume to another book of early SF stories from about the same period, Moonrise: The Golden Age of Lunar Adventures, also edited by Mike Ashley. The Martian book contains stories by H.G. Wells, Ray Bradbury – from The Martian Chronicles, natch – Marion Zimmer Bradley, E.C. Tubb, Walter M. Miller, and the great novelist of dystopias and bug-eyed psychopaths, J.G. Ballard. It also contains pieces by now all but forgotten Victorian and early Twentieth writers of Scientific Romances, W.S. Lach-Szyrma, George C. Wallis, P. Schuyler Miller and Stanley G. Weinbaum.

Both books are also interesting, not just for the short stories collected in them, but also for Ashley’s introduction, where he traces the literary history of stories about these worlds. In the case of the Moon, this goes all the way back to the Roman satirist, Lucian of Samosata, and his Vera Historia. This is a fantasy about a group of Roman sailors, whose ship is flung into space by a massive waterspout, to find themselves captured by a squadron of Vulturemen soldiers from the Moon, who are planning an invasion of the Sun.

The history of literary speculation about Mars and Martian civilisation, is no less interesting, but somewhat shorter. It really only begins in the late 19th century, when telescopes had been developed capable of showing some details of the Martian surface, and in particular the canali, which the Italian astronomer Schiaparelli believed he had seen. The Italian word can mean ‘channels’ as well as ‘canal’, and Schiaparelli himself did not describe them as artificial. Nevertheless, other astronomers, like Percival Lowell of Flagstaff, Arizona, believed they were. Other astronomers were far more sceptical, but this set off the wave of novels and short stories set on an inhabited Mars, like Edgar Rice Burrough’s famous John Carter stories. I remember the Marvel adaptation of some these, or at least using the same character, which appeared as backing stories in Star Wars comic way back in the 1970s.

It’s also interesting, and to contemporary readers somewhat strange, that before H.G. Wells’ War of the Worlds, the vast majority of these stories about Mars assumed that the Martians would not only be far more scientifically and technologically advanced, but they would also be more socially and spiritually as well. Just like the Aetherius Society, a UFO new religious movement founded by George King in the 1950s, claims that Jesus was really as Venusian, and now lives on that world along with Aetherius, the being from whom they believe they receive telepathic messages, so there were a couple of short stories in which Christ was a Martian. These were Charles Cole’s Visitors From Mars, of 1901, and Wallace Dowding’s The Man From Mars of 1910.

Other utopias set on the Red Planet were more secular. In Unveiling a Parallel, by Alice Ilgenfritz Jones and Ella Merchant, of 1893, the Martians are handsome and intelligent, and their women totally liberated. Another feminist utopia was also depicted by the Australian writer Mary Moore-Bentley in her A Woman of Mars of 1901.

And in Russia, the writer Alexander Bogdanov made Mars a Communist utopia. Ashley writes

While the planetary romance theme was developing there were other explorations of Martian culture. The Red Planet became an obvious setting for a communist state in Krasnaia Zvesda (‘Red Star’, 1908) and its sequel Inzhener Menni (‘Engineer Menni’, 1912) by Alexander Bogdanov. Although reasonably well known in Russia, especially at the time of the revolution in 1917, and notoriously because of its reference to free love on Mars, it was not translated into English until 1984. Kim Stanley Robinson claimed it served as an influence for his own novel, Red Mars (1992), the first of his trilogy about terraforming the planet. Although the emphasis in Bodganov’s stories is on the benefits of socialism, he took trouble to make the science as realistic as possible. The egg-shaped rocket to Mars is powered by atomic energy. His Mars is Schiaparellian, with canals that have forests planted along their full length, explaining why they are visible from Earth. He also went to great lengths to explain how the topography of Mars, and the fact that it was twice as old as Earth, allowed social evolution to develop gradually and more effectively, with planet-wide communication and thus a single language. (Pp. 11-12).

So five years before the Revolution, Mars really was the ‘Red Planet’ in Russian literature. I’m not surprised it wasn’t translated into English until the 1980s. British publishers and censors probably disliked it as a piece of Communist propaganda, quite apart from Anglophone western Puritanism and the whole issue of free love. No naughtiness allowed on the side of the Iron Curtain, not even when it’s set on Mars. Russian cinema also produced one of the first SF films, also set on Mars. This was Aelita (1922), in which Russian cosmonauts travel to the Red Planet to start a revolution, though at the end it’s revealed that it’s all been a dream.

Meanwhile, Mars as a planet of mystery continues in the French SF series, Missions, shown at 10.00 Thursdays on BBC 4. This has French spationauts and their American rivals landing on the Red Planet, only to find a mysterious altar constructed from lost Atlantean materials described by the Romans, and Vladimir Komarov, a Soviet cosmonaut, who has been turned into something more than human with three strands of DNA. In reality, Komarov died when the parachutes on his spacecraft failed to open when it re-entered the Earth’s atmosphere. Tragically, Komarov knew it was a deathtrap, but went anyway because Khrushchev wanted another Russian space achievement to show up the Americans, and Komarov did not want his friend, and first man in space, Yuri Gagarin to go. It’s a tragic, shameful waste of human life on what was a purely political stunt, and Komarov is, because of his desire to save his friend, one of the great heroes of the space age.

But Missions shows not only how much people really want us to travel to Mars – to explore and colonise – it also shows how the Red Planet still remains the source of wonder and speculation about alien civilisations, civilisations that may not be hostile monsters intent on invading the Earth ‘for no very good reason’, as Douglas Adams described the motives of those aliens, who wanted to take over the universie in The Hitch-Hiker’s Guide to the Galaxy. One of the French spationauts, Jeanne, has dreamed of going to Mars since being shown it through a telescope by her father when she was a little girl. Electromagnetic scans of the area, when developed, give a picture of her face, and ‘Komarov’ tells her he has been waiting millions of years for her, and she is the true link between Mars and Earth.

Yes, it’s weird. But different. And it shows that Mars is continuing to inspire other forms of SF, where the Martians aren’t invaders – or at least, not so far-but benevolent guides waiting for us to come to them and make the next leap in our development. Just like Bogdanov in 1912 imagined that they would be ahead of us, and so have created a true Communist utopia.

Infowars Thinks Adolf Hitler Is Still Alive

March 14, 2018

More fun from the video madhouse that is Alex Jones’ Infowars programme. In this short clip from Sam Seder’s Majority Report, Seder and his fellow producers and presenters comment on a fine bit of lunacy from one of Jones’ co-presenters. The man rants about how he was lied to by established historians and history textbooks – about JFK and Adolf Hitler. Who, he then states, is still alive.

Er, no. I think it’s fairly well established that Hitler blew his brains out in the Berlin bunker in 1945 after losing the Second World War. And through fear of what would happen to him, if Stalin got hold of him. Hitler was already in poor health by that staged. His hair was greying and he had to walk with a stick. Some of this was due to the Fuhrer being poisoned by the quack cures prescribed by his homeopathic healer, which contained such great curative compounds like strychnine. Also, I think Hitler was born in 1889. Which means that if he was alive today, he’d be 128.

Which is clearly impossible, but perhaps not incredible to that section of the conspiracy milieu which believes that the Nazis were super-scientists, and that Hitler and the other high-ranking Nazis have really been cloned at a secret Antarctic UFO base. That theory also says that the cloning has gone wrong, and the new incarnations of the Nazi elite are all three foot tall. Like really nightmarish, totalitarian versions of Doctor Evil’s Mini-Me.

The programme also shows the photograph, taken in the 1950s, which is often touted as showing that Hitler escaped to South America. It shows someone with what looks like his moustache, taken in somewhere like Buenos Aires. Seder and his team joke about how Hitler obviously wouldn’t shave of his moustache, even if he was being hunted and it was obviously his most recognisable feature. He would clearly have tried to hide in plain sight by going up to people, shouting at them that he was indeed Hitler, so that they’d just wave him away as ‘just that guy, who keeps on that he’s Hitler’, and so not take him seriously.

There was a piece about the rumours that the Nazi leader had escaped in the Fortean Times a few years ago. This was a very sceptical treatment of the myth, and described how, after the War, so many people were convinced of this that they saw Hitler everywhere. There were even letters to the FBI by people claiming that they’d seen him serving behind the counter at their local shops or burger joints.

Now it seems that Alex Jones’ merry team have joined these paranoids, which is another very good reason why no-one should take him or his station seriously. Along with all the rubbish about Obama being demon-possessed, Hillary Clinton being a demon-possessed, devil-worshipping alien cyborg, gay rights being a globalist plot to reduce us all to genderless cyborgs, and Obama and the Democrats conspiring to take Americans’ guns away and incarcerate them all in FEMA camps in a false emergency. And kill all White people.

Woohoo! X-Files Coming Back on Monday on Channel 5

February 3, 2018

After a hiatus of about a year, the new X-Files series on Channel 5, Monday, 4th February 2018, at 9.00 in the evening. This has the remaining regulars of the old series in it – Duchovny and Anderson, Mitch Pileggi and the Cigarette Smoking Man, as well as Annabeth Gish, playing Agent Monica Reyes, who appeared in the very last series of the old X-Files. The listing for it in the Radio Times runs

The drama returns as an unconscious Scully is rushed to hospital, where a neurosurgeon discovers she is suffering from a frenzy of neural activity. (p. 74).

And the blurb for it a few pages earlier on page 71 also runs

When we were last in the company of Mulder and Scully, he was succumbing to a virus that was stripping his immune system, awhile she was staring wide-eyed at a UFO descending from the heavens. It was a whopper of a cliffhanger, and one that, unfortunately, gets resolved using storytelling techniques frowned upon by primary-school teachers.

But that is the perennial problem when The X-Files does these government-conspiracy ‘mythology arc’ episodes: they initially seem tricksy and knotty, but tend to fall apart at the slightest unpicking. Thankfully, we have a standalone case to look forward to next week, so not all hope was lost.

And here’s the trailer for it I found on YouTube. Amongst the delights promised is a meeting between Mulder and Scully and the man, who set up the X-Files, Skinner doing dodgy things for the Cigarette Smoking Man, and a carnivorous monster created through the merging of human and alien DNA.

Yay! Paranoia, the paranormal, UFOs, urban legends, weird science and general high-strangeness is back!

Opening Scene of Valerian and the City of a Thousand Planets

January 22, 2018

And now for something a bit positive and optimistic, before I start blogging about the grim, serious stuff later. I found the opening scene to last year’s Luc Besson SF film, Valerian and the City of a Thousand Planets over on YouTube. Besson was the director of the SF epic, The Fifth Element way back in the 1990s. This clip from Valerian shows the development of something, which looks remarkably like the International Space Station, into a massive, orbital space complex. I like it because it shows a succession of human nations coming through the airlocks, followed by a variety of alien races, to greet each other in peace and friendship. The musical backing is David Bowie’s ‘Space Oddity’, appropriately enough, though the scenes of people and aliens shaking hands in welcome reminds me more of the line from Louis Armstrong’s ‘Wonderful World’: ‘I see friends shakin’ hands, sayin’ ‘How do you do?” This was used at the end of the BBC TV version of the Hitch-Hiker’s Guide to the Galaxy back in the 1980s.

As for people meeting and becoming friends with alien races, that was one of the elements that made Star Trek so popular. It showed that, despite our current problems, humanity would survive, flourish and go on to explore the universe. And that meant all humanity, with people of different races, Black, Asian, and Russians from the other side of the-then current ideological divide, and aliens, like Spock. Gene Roddenberry in his vision for the show stated that he didn’t want there to be an alien race we couldn’t possible deal with. And so in The Next Generation they created the Borg, which originally humanity couldn’t deal with. You either fought them, ran away, or were assimilated.

Alien invasion, or some other insidious threat from beyond the stars is a staple of SF, and has been ever since H.G. Wells’ War of the Worlds. But there’s another aspect to humanity’s fascination with aliens which counterbalances this. That apart from enemies, we will also make new friends. It’s the driving psychological motive behind the various UFO contactee encounters in the 1950s, when people claimed that they’d been taken aboard alien spacecraft by benevolent space brothers, to be given a message of peace and cosmic brotherhood. And it’s also why there have been any number of SF stories and paintings set in space bars, like the Cantina sequence in Star Wars.

And in this clip here, I particularly like the bit where the human shaking hands with one of the aliens is left with slime on his hand. It’s just a bit gross, but it is funny.

I wanted to see Valerian and the City of a Thousand Planets when it came out last year, but unfortunately circumstances got in the way. I heard that it flopped. One reason for this, apparently, was because it came from a French comic strip, which no-one in America had ever heard of. I’m not sure if that’s the reason, and sometimes perfectly good films fall flat at the box office for no discernible reason at all, except that they didn’t appeal at that moment. Anyway, I want to get hold of it on DVD so that I can judge for myself whether it’s any good, rather than just take what the critics said.

Flying Saucer Art from 60s and 70s Comics

January 20, 2018

More fun SF art. This selection of covers for UFO and Flying Saucer comics, most of which seem to have been published by Gold Key, comes from the book Saucer Attack by Eric and Leif Nesheim, published by General Publishing Press in 1997. Subtitle, ‘Popular Culture in the Age of flying Saucers’, the book looks at the books, films, toys, TV series, hymns, pulp magazine short stories, comics, and, of course, the Mars Attacks bubblegum cards, which appeared following Kenneth Arnold’s sighting in 1947 of the unknown aircraft, which flew ‘like saucers skipped across water’. The SF pulp published in the 1920s to early 40s also depict strange, saucer-like alien and human spaceships, showing the pop cultural influences on the UFO phenomenon and its imagery as it would develop later.

The text at the bottom of the page reads

Sci-Fi and UFO storylines struggled as the -60s wore on. Some managed to survive- like UFO Flying Saucers, which lasted into the mid-70s with several reprint issues that featured earlier stories.

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RT Shows Clip of Triple Suns Seen in China

December 28, 2017

This is a bit of fun and Fortean weirdness to cheer people up after the gloom and chaos of the seasonal weather and the continuing Tory destruction of the NHS, the economy, and everything decent in our society. A couple of days ago, RT put up this very short video of the triple suns seen in the sky over Hailun City. The blurb for the video states that it mesmerised the residents, and appeared at about half eight in the morning.

It’s an illusion, of course, which the RT blurb duly mentions. I think these type of illusions are called Sundogs, or parhelion. The large, middle sun is the real sun, whose light is refracted by ice or water crystals in the Earth’s atmosphere, thus creating the illusion that there are two smaller suns either side of it. It’s been seen several times in history. I think one appearance is recorded in one of the medieval chronicles for the 12/13th centuries, where three suns were seen by the people of one particular county in England.

I have read attempts to explain the strange creatures seen by the Old Testament prophet Ezekiel as sundogs. When these appeared in the sky before him, they were travelling in strange vehicles like wheels, which also had other wheels revolving within them. This doesn’t actually sound like a sundog to me, and I think the incident is far better explained as a visionary experience. Of course, the UFO crowd have also tried to claim that what Ezekiel saw were really visiting extraterrestrials in their spaceships, following the theories of Von Daniken and the like. I really don’t believe that explanation either. Von Daniken’s ideas have been massively influential in promoting the ‘ancient astronaut’ hypothesis – that Earth has been visited throughout its history by aliens. But it’s also been extensively critiqued itself. Von Daniken got much of his facts wrong, and misinterpreted the archaeological and anthropological evidence he used to support his ideas.

But whatever your view of visiting aliens and UFOs, I think we can all enjoy this strange and weirdly beautiful spectacle.

A Self-Portrait of Greg Hildebrandt

December 24, 2017

This is another great piccie I found over at the 70sscifiart site on Tumblr. It’s a self-portait of Greg Hildebrandt, one half of the great SF/Fantasy artists the Brothers Hildebrandt. They’re probably best known for their Fantasy paintings of goblins, dwarves, giants and other creatures direct from works like The Lord of the Rings. Though this picture’s title, A Very, Very Close Encounter, suggests a more extraterrestrial source of inspiration.

70sscifiart is at It’s worth taking a look for anyone interested in great, vintage SF art.