I’m a great fan of Symbolist art. This was a 19th century European art movement, of which the Pre-Raphaelites were a part in Britain, which used painting to point to a higher, transcendent reality. It often depicted figures from Graeco-Roman myth. I was inspired in this sketch by Carlos Schwabe’s painting of Orpheus, which shows the head of the Greek hero on his lyre on a moonlit river. I wondered about updating it to the world of modern pop stars, and who the modern Orpheus would be. I’m also a fan of Queen, so I thought it would be Freddy Mercury. He was flamboyant, camp, but a massively talented, charismatic showman, who, in my opinion, is one of the great British rock gods. I’m sure you can think of other contenders to be a modern Orpheus – Jimi Hendrix, Eric Clapton, Lennon/ Macartney, David Bowie and so on. Bowie would be a good alternative, as he was influenced by the occult. Apparently his last album, Black Star, is full of occult imagery. Orphism was an ancient Greek cult that has been seen as a form of shamanism, and some Symbolists were very strongly into occultism and heterodox mysticism. But I preferred Mercury.
Having looked at the Art Newspaper’s report on the withdrawal of the ‘Medicine Man’ gallery at the Wellcome Museum and its replacement with shamanistic performances by Grace Ndiritu, along with her biography on Wikipedia, I think I now understand what’s happened there. One of the names that leapt out at me reading the Art Newspaper article was Dan Hicks. He was one of the lecturers in the Archaeology and Anthropology Department at Bristol University when I was there. This is going back over a decade, and when I saw him, he was young and hip. I think his speciality is Historical Archaeology, and from what I remember he has co-edited a series of papers about it. Over here, Historical Archaeology is merely that branch of archaeology concerned with monuments and artefacts from historical times, rather than prehistory. Over the Pond, however, it is very definitely ideologically loaded, and concerns itself with colonialism, the oppression of the indigenous peoples, slavery and the emergence of capitalism. And this focus can be very clear in the work of some lecturers and academics. It’s not all like this – some of the historical archaeological research is less left-wing. While doing my Ph.D., one of the papers I consulted was about the building of 18th century Annapolis and how it conformed to 18th century ideas about architecture and society. For example, the buildings were deliberately constructed with large windows so that outsiders could look in. This came from the view that business should be conducted as far as possible in public view, so that public scrutiny would make sure that everything was correct, orderly and legal. Hicks’ doctoral student studied the archaeology of Long Kesh, the Maze Prison, in Ulster. She gave a seminar one lunchtime about her research, and she was very, very good. She presented an excellent case for its preservation and exhibition from a non-sectarian perspective as somewhere that was vital to the heritage of the people of Northern Ireland.
Archaeology has also expanded its scope in recent decades. When most of us think of archaeology, I’m pretty sure it’s of prehistory and ancient civilisations like Egypt, Greece and Rome. But it can also be much more recent, taking in not just the Middle Ages but also recent history up to the Second World War and beyond. One of the lads I knew was studying World War II tank defences around Bristol and Somerset. There was even a pillbox study group, which catalogued and documented the various WWII pillboxes left along the country’s coasts and beaches to protect us from invasion. There has, like Ndiritu at the Wellcome Museum, also been artistic events performed or staged around pieces of archaeology. In one of these in America an historic barn or house was allowed to decay, with photographs taken and finally displayed showing its gradual destruction. When I was there, the archaeology department had been part of a similar project concerning the various objects at Severn Beach, a holiday resort near Bristol. From what I dimly recall, this photographed and decorated such historic monuments as the public benches and decaying boats. This was too ‘arty’ in the pejorative sense for some of the people at the seminar on it I attended. They saw themselves very definitely as scientists. It was too arty for me, and I see myself much more as coming from the arts rather than the sciences.
There was, at the time, a general movement towards drawing different disciplines together, and especially the arts and sciences. Interdisciplinary subjects were in vogue, and there was much talk about overcoming C.P. Snow’s ‘two cultures’ arts and science, in which people from one side of the cultural divide had no knowledge or interest in the other. One such artistic project based in science I read about in New Scientist featured genetically modified organisms. One of these was a cactus, whose DNA had been tinkered with so that instead of prickles, it grew hair. Ndiritu’s performances at the Wellcome Collection come from archaeology and anthropology, rather than genetic engineering, but they are part of the same project of mixing science and art.
Her Wikipedia entries also mentions work at the AfricaMuseum in Belgium. Way back when I was at the Empire and Commonwealth Museum I got material from Belgium about some of their museums looking at their countries imperial history. One of these was a series of artistic projects and performances in the country’s museum about the Belgian Congo. As I’m sure readers are well aware, King Leopold’s personal rule in the Congo is one of the bloodiest holocausts in African history. About 8 million people are supposed to have been murdered by his Force Publique in order to produce rubber for export. I’ve been told that the country tried to forget about it all, until the first years of the 21st century when these events were staged at the museum as part of the confrontation with this infamous period in Belgian history.
There have also been other archaeological and anthropological events and displays in which indigenous peoples have performed their religious rituals. A few years ago, if I recall correctly, there was one where Amerindian shamans performed their people’s rites. When the exhibit is of those peoples, then it is only fair to include the people themselves. I think this is what was going on in the Wellcome Museum with Ndiritu and her shamanism. It looks like it’s an attempt by indigenous African culture to claim a proper place in the exhibit as a counterpoint to western rationalism.
This does not mean, however, that it should be free from criticism or that such criticism is right-wing. The decolonisation movement does indeed have as its goal the decentring of western science and historiography. It goes far beyond the usual explanation about including overlooked non-western and indigenous perspectives. The ‘Science Must Fall’ movement really existed. And some of the critical of modern postcolonial theory are left-wing feminists. Asian feminists, for example, have complained that they are given no support by western postmodern feminists in their struggle against their cultures’ own restrictions on women, because postcolonialism is only interested in such problems if they are caused by the West. This is described by Bricmont and Sokal in their 90’s attack on Postmodernism, Intellectual Impostures. And Sokal is, or was, very much a man of the left. He was a physicist who gave up his career to teach maths in Nicaragua under the left-wing Sandinista regime.
I also wonder how this all fits with Edward Said’s critique of western views of the east, Orientalism. His book was a polemic arguing that the west since ancient Greece had regarded the east as the Other, and produced images to justify its conquest and domination. Western travellers and explorers had therefore presented it as backward, irrational and feminine and somehow unchanging. But Nditiru’s performances are based on the non-scientific irrational and traditional, which are now presented as positive. This is indeed a challenge to the view of magic in indigenous cultures that I remember from my childhood. I can remember watching a BBC documentary about African shamanism when I was in my early teens, in which the voiceover concluded that while western science had succeeded in discovering so much about the world and made so many advances, while magic had reached an end and could produce no such advances. The great British scientist and broadcaster, Jacob Bronowski, said something similar in his TV series and book, The Ascent of Man. He looked at the traditional culture of one of Iran’s nomadic people, and considered that it similarly locked them in a stifling, unchanging world. Bronowski was no man of the right. He was a member of the Fabian Society at a time when that actually meant something, before it was taken over by the Blairites.
I am also very much aware of the crisis that has affected many indigenous society with the collapse of their world of meaning through contact with western modernity and the legacy of colonialism and imperialism. But there are also dangers in idealising indigenous societies. I mentioned in my previous article that in Nigeria, priests from one of the country’s pagan religions had been involved in the acquisition of slaves, and that a South African anthropologist had attempted to defend muti human sacrifice at a convention in this country, as well as witchcraft and witch hunting in Africa. Those aspects of indigenous religion and spirituality shouldn’t be ignored. I am not saying they should be stressed to restore the old image of Africa as a backward continent needing western civilisation, but not all the continent’s ills should be ascribed to western rationalism either. Hence it should be perfectly legitimate to question this latest policy by the Wellcome Museum, regardless of whether one is politically right or left.
Here’s a bit more information that might explain what’s going on at the Wellcome Collection. Webb on his offending video put up a link to the Wikipedia page about Grace Ndiritu – not Enduritu, as I spelled her name – which states that she is indeed an artist and shaman, whose worked with a number of important museums.
‘Grace Ndiritu (born June, 1982) is a British-Kenyan visual artist. In 2009, her art was on display at the Metropolitan Museum of Art collection in New York. This gained her a place in Phaidon’s The 21st Century Art Book published in 2014 and Time magazine in 2020. She is a member of BAFTA and also the winner of The Jarman Film Award 2022 in association with Film London.’
‘In 2012, Ndiritu began creating a new body of works under the title Healing The Museum. It came out of a need to re-introduce non-rational methodologies such as shamanism to re-activate the “sacredness” of art spaces. Ndiritu believes that most modern art institutions are out of sync with their audiences’ everyday experiences and the widespread socio-economical and political changes that have taken place globally in the recent decades, have further eroded the relationship between museums and their audiences and she believes museums are dying. Ndiritu sees shamanism as a way to re-activate the dying art space as a space for sharing, participation and ethics. From prehistoric to modern times the shaman was not only the group healer and facilitator of peace but also the creative; the artist.
In 2019 Ndiritu led a group of museum directors, academics, activists and artists, in a reading group with meditation at the controversial AfricaMuseum in Tervuren, Belgium, as part of conference Everything Passes Except the Past organized by Goethe Institut, on the restitution of objects and human remains from Europe back to Congo.
Ndiritu declared that 2020 was The Year of Black Healing. In honor of this, she led a year long programme of exhibitions, performances and talks in collaboration with institutions across the world, which was featured on The Sunday Times radio show with Mariella Frostrup and Elephant magazine.]‘
‘Since 2013 Ndiritu has been doing shamanic performances as part of her visual art practice, as a result of her training in esoteric studies such as shamanism, which she began over 16 years ago. In 2017 she was invited to give a talk on her work at Fondation Ricard in Paris, alongside other renown speakers such as Carolyn Christov-Bakargiev – director of Documenta 13 art exhibition and Fabrice Hergott – director of Musée d’Art Moderne de la ville de Paris.
She has also written essays about museums and exhibition making Healing The Museum (2016), Ways of Seeing: A New Museum Story for Planet Earth (2017) and Institutional Racism & Spiritual Practice in the art world (2019). Her most ambitious shamanic performance to date A Meal For My Ancestors: Healing The Museum, included staff members of the U.N., NATO and EU parliament, activists, and refugees at Thalielab, Brussels (2018).A briefing paper on climate change and refugees directly inspired by the performance, written by one of the participants, has now been published by the EU Parliament Research Services (May 2018).To date Ndiritu’s performances have taken place at Fundacion Tapies, Barcelona (2017),Laboratoires d’Aubervilliers, Paris (2016), Glasgow School of Art (2015), Galveston Artist Residency Garden, Texas (2015), Museum of Modern Art, Warsaw (2014), Musee Chasse & Nature, Paris (2013), Centre Pompidou, Paris (2013).’
Some of the great commenters on this blog have criticised an article I put up a few days about a video posted by our favourite YouTube (non)historian, Simon Webb, in which he attacks what he considers to be the ‘woke’ destruction of the Wellcome Collection by its new director, Melanie Keen. Keen has removed from display objects she considered to be ‘racist’, ‘sexist’ and ‘ableist’, and according to Webb, they’ve been replaced with one Eruditu, a female shaman. A number of the commenters have questioned whether Webb was telling the truth, particularly as they were unable to find any reference to Eruditu. However, it is true that Keen has indeed taken down objects and material that is considered problematic from the ‘Medicine Man’ gallery. The Art Newspaper published this piece on it by Tom Seymour on 28th November last year, ‘London’s Wellcome Collection accused of cultural vandalism after closing ‘racist, sexist and ableist’ display of artefacts ‘ The piece is subtitled ‘The institution asks “What’s a museum for?” as it shuts display devoted to objects amassed by its founder’. It begins
‘The Wellcome Collection, the London museum run by the Wellcome Trust, is to permanently close a curated display of medical artefacts amassed by its founder on the basis that it “perpetuates a version of medical history that is based on racist, sexist and ableist theories.”
The announcement, made on 26 November, pertains to a permanent display in the Wellcome Collection, a museum on the Euston Road, London, which opened in 2007. The display had been on show for the last 15 years, and was titled Medicine Man, a reference to its founder, Henry Wellcome, who died in 1936.
The exhibition was closed, permanently, on 27 November. The future usage of the artefacts remains unknown at this stage.
The decision has been met with dismay by some members of the museum community and the wider public who have likened it to cultural vandalism.
Medicine Man showed a selection of curated artefacts from the collection of Henry Wellcome, the founder of the trust and an American pharmaceutical entrepreneur whose company, Burroughs Wellcome & Company, eventually merged with other pharmaceutical organisations to form the modern-day drugs behemoth GlaxoSmithKline.
Wellcome amassed more than one million items relating to the history of medicine throughout the course of his life. The Wellcome Collection was founded as a place to display his collection, which he left to the trust in his will, to a visiting public for free. He also founded the Wellcome Trust, a registered UK charity that focuses on biomedical research. The charity is the largest in the UK, with assets of £36bn. The trust is credited with key findings in the development of drugs that combat the spread of certain cancers, as well as HIV.
Henry Wellcome’s collection was vast and varied. The Medicine Man display included the possessions of famous historical figures: visitors could view a toothbrush used by the French military commander Napoleon Bonaparte, shoes owned by the social reformer Florence Nightingale, the death mask worn by the British prime minister Benjamin Disraeli and the skull-handled walking stick of the Victorian naturalist Charles Darwin, founder of the theory of evolution, who saw the stick as a ‘memento mori’—a reminder of human mortality.
On show was also ephemera used by less ennobled people, like the good-luck charms and amulets carried by British, Russian and Japanese soldiers during the Second World War. Or an illustration, originally created for British news magazine Sphere, showing British soldiers being treated at a field hospital in Verdun, France, during the First World War.
But some of the artefacts in Henry Wellcome’s collection, as well as the way they were was displayed in the museum was, from the off, “problematic,” museum staff have said.
“The story we told was that of a man with enormous wealth, power and privilege,” the museum said in the course of a Twitter thread published last week. The thread opened with the question: “What’s the point of museums? Truthfully, we’re asking ourselves the same question.”
In a series of tweets and pictures, the museum made direct reference to a series of artefacts that it felt were racist. These includes a 1916 painting by Harold Copping titled A Medical Missionary Attending to a Sick African, which depicts an African person kneeling in front of a white missionary.
“The result was a collection that told a global story of health and medicine in which disabled people, Black people, Indigenous peoples and people of colour were exoticised, marginalised and exploited—or even missed out altogether,” the thread read.
The closure of the display “marks a significant turning point, as we prepare to transform how our collections are presented,” the Wellcome Collection said in a statement on their website. The collection is now embarking on “a major project that will amplify the voices of those who have been previously erased or marginalised from museums, bringing their stories of health and humanity to the heart of our galleries,” it said.’
There have also been accusations of institutional racism within the museum itself and especially racist behaviour and microaggressions against Black staff.
It therefore seems to me that there has been a purge of material for the ideological reasons stated by Webb. I’ll try and look further into the new display with the modern shaman, Eruditu. If this does exist, it may be that the museum is staging it as a corrective to what it sees as the Eurocentric bias of the previous display.
One of my friends gave me a copy of A.M. Gittlitz’s I Want to Believe: Posadism, UFOs and Apocalypse Communism, for which I’m really grateful. It’s fascinating! Posadism is a weird Trotskyite sect, founded by Posadas, the nom-de-guerre of Homero Cristalli, an Argentinian Marxist. They were hardline Marxists, joining other Communist and Trotskyite guerrillas fighting a war against capitalism and Fascist oppression across Latin America and Cuba. From what I remember from an article about them in the Fortean Times, they also looked forward to an apocalyptic nuclear war that would destroy the capitalist nations and allow the workers of the world to seize power. This is frightening, as any such war would have destroyed the planet or at least killed countless billions and sent the survivors hurtling back into the Stone Age. Unfortunately, it was also shared by Chairman Mao, who really couldn’t believe why Khrushchev hadn’t launched a nuclear attack on America during the Cuban missile crisis. Khrushchev was certainly no angel. During Stalin’s reign he was responsible for organising purges of dissidents in Ukraine and when in power led a brutal crackdown on religion that sent thousands of people of faith, Christians, Jews, Buddhists, Muslims, shamanists to the gulags. He was also responsible for creating the system of curtained shops which served only members of the Communist party. But in refusing to start a nuclear war, Khrushchev helped save the world and showed himself a far better man than Mao.
But Posadas also had some other, rather more eccentric views. He believed in establishing contact with intelligent aliens and also believed dolphins were another intelligent species with whom we should establish real, meaningful contact and understanding. A college friend of mine told me that they wanted to make contact with aliens because of their belief in the inevitable victory of Marxism. If there were alien civilisations, they reasoned, they would have achieved true, Marxist socialism and could therefore help us do the same. It sound completely bonkers, but they took their views on dolphin intelligence from the scientist and psychologist John Lilley. Many others shared their views. I have a feeling that dolphins feature in several of Larry Niven’s novels as intelligent creatures with whom humans have a relationship as equal species. To help them interact with us, they have been given artificial arms and mobile pods containing the water they need to support them.
There was a brief resurgence of Posadism on the Net in 2016, and the book contains amongst its illustrations a number of memes posted by them. One contrasts the despair and defeatism of capitalism and the mainstream socialist parties with Posadism. It features a grey alien looking on accompanied with slogans like ‘Solidarity with the space comrades’ – not ‘space brothers’, note, like the old-fashioned UFO contactees talked about, but Marxist aliens determined to overthrow capitalism. Other slogans included ‘It’s Communism, Jim, but not a we know it’, clearly a parody of the famous line from Star Trek, ‘It’s life, Jim, but not as we know it’. And there’s also a parody of one of the famous sayings of the Space Prophet himself, Arthur C. Clarke. Clarke said that any sufficiently advanced technology is indistinguishable from magic. The Posadist meme reworked this as ‘Dialectical Materialism so advanced as to be indistinguishable from magic.’ They are also in favour of fully automated luxury communism. This is the doctrine, embraced by Yannis Varoufakis amongst others, that mechanisation will make most workers redundant. To prevent the immense harm this will do, the only choice will be for the state to take over industry and run it so that everyone has free access to goods and services. This got reworked in one of the Posadist memes as ‘Fully automated luxury gay communism.’ I have to say this sounds distinctly unappealing. Not because I’m opposed to gay rights, but because it sounds like only gays will be allowed into the new utopia. I hope if it comes, it will benefit everyone, whatever their sexuality.
In fact the idea of fully automated luxury communism and alien contact goes back a long way in Marxist history. Alexander Bogdanov, an early rival to Marx, wrote an SF novel, Red Star. Inspired by Tsiolkovsky, the Russian rocket pioneer, and H.G. Wells’ The War of the Worlds, this was about a revolutionary from the 1905 anti-Tsarist uprising, who is abducted to Mars. Martian society is advanced both technologically and socially. All the factories are automated, so that goods are plentiful and money is obsolete, as everyone has access to all the goods and services they need or want. As a result, Martians share their possessions. What work remains is entirely voluntary, but done idealistically for the good of society. This includes young Martians donating blood to increase the lives of the elderly. (see page 5 of the above book).
As the Bard says in The Tempest ‘Oh brave new world that hath such people in it!’
Posadas was an eccentric with some extremely dangerous views, but some of his ideas aren’t so daft. If mechanisation proceeds, then I feel that fully automated luxury communism, or something very like it, will have to come into existence. It’s the only humane alternative to the grind mass poverty and despair depicted in dystopian SF stories like 2000 AD’s ‘Judge Dredd’, where 95 per cent of the population of Megacity 1 is unemployed and films like Elysium, where the world’s masses live in shanty towns, workers are exploited and disposable, and the rich live in luxury orbital colonies.
And serious scientists are still looking for signs of extraterrestrial intelligence, following American astronomer Frank Drake and scientist and broadcaster Carl Sagan. Interestingly, the book states that Sagan, a Humanist and left-wing activist, denied being a Marxist. But he and his wife Anne Druyan smuggled copies of Trotsky’s History of the Russian Revolution, so that Soviet citizens could read its real, suppressed history. I think most SETI scientists believe that real aliens would probably be so different from us that their political and institutions may well be inapplicable to us. Nevertheless advocates of SETI believe that aliens may nevertheless be able to give us vital scientific information, including the cure of disease and how to extend our lifespan. It probably won’t be Marxism, but if the aliens do have something like it or Fascism, then these ideologies will become popular on Earth after contact.
Communist aliens sounds like a ridiculous idea, but until we make contact, we won’t know if there are or aren’t any.
As for the Martian society of Red Star, the absence of a money economy, the abolition of scarcity and work as a purely voluntary activity sound very much like the Federation in Star Trek. Thanks to contact with the Vulcans and other aliens, humans had overcome racism, poverty and starvation. People didn’t need to work, but they did so in order to better themselves. It should be said, though, that the series never openly advocated socialism. It simply said that ‘the economics of the future are different’ and implied that both capitalism and socialism had been transcended. Nevertheless, the parallels are so close that the far right, like Sargon of Gasbag and his fellow Lotus Eaters, have been moaning that Star Trek’s communist. I doubt it, not least because the actress who plays Seven Of Nine is married to a Republican politico. I think Star Trek is broadly liberal and presents an inspiring utopian society. One of the complaints about Star Trek: Picard is that it has now abandoned this utopian optimism in favour of portraying the Federation as a standard SF dystopia and that it’s liberal slant has become too shrill and intolerant at the expense of good stories, plots and characterisation. Utopias are unattainable, but we need them to inspire us, to show us that ‘another world is possible’ and that, in the words of The Style Council, ‘you don’t have to take this crap/ You don’t have to sit back and relax’. Or work yourselves to death to increase the profits of already bloated big business elites.
Apart from this, the book is also a fascinating look at the history of Marxism in Argentina and Latin America, and I intend to review on this blog when I finish it.
As for aliens, well, I’d rather we made contact with benign Space Comrades than the little Grey buggers that haunt our nightmares of UFOs, abductions and malign conspiracies at the moment.
And yes, the title very definitely is taken from the poster of a UFO hanging in Fox Mulder’s office in the X-Files.
Galactic Greetings, and welcome to another of my cartoons satirising the Tories and their appalling members. The target of this one is Paul Staines, the founder and head honch of the Guido Fawkes political gossip and smear site. And the film the cartoon’s inspired by is the old stoner favourite, Reefer Madness. This was a propaganda movie put out in the 1950s to warn people off cannabis. I think its plot is about a bunch of people smoking weed, losing their minds through its powerful intoxication and murdering each other.
I don’t condone the use of illegal drugs, but thousands, probably millions of people in this country ingest it or some form or other, and definitely don’t suffer those ill effect. Like any drug, it does have its dangers. There is, apparently, such a thing as cannabis psychosis, where very heavy users of the drug have damaged their brains. And I have been told of instances of violence inflicted by those damaged by such drug use. But for most people, the effects are probably those described by a chief of police back in the 1980s. The government then was considering decriminalising it. They asked the good rozzer what he thought of it. He declared that he’d tried it once, and all it did was make him giggle. This is probably all it does to most people, who use it. Hence the film is now chiefly watched by stoners for camp laughs, because it’s so hilariously, massively wrong.
I’ve no objection to the legalisation of marijuana for medicinal use. I’m not happy with cannabis consumption at the moment because it’s illegal, and so in the hands of criminal organisations who can be extremely dangerous and violent. At the same time, I’m afraid that if it was made legal, the kind of people who are attracted to it because it’s forbidden fruit would move on to harder, more dangerous drugs, like heroin and cocaine. And these are already a far too big problem.
Staines is a suitable target for jokes about drugs, because he was part of a libertarian organisation, the Libertarian Alliance. The Libertarians, apart from believing in the complete destruction of the welfare state, absolute unregulated private industry and the privatisation of the NHS, also advocate the legalisation of recreational drugs. Staines himself was into Ecstacy. This was the drug of the ’90s rave scene, in which Staines was also deeply involved, helping to organise many of the musical gatherings. See his Wikipedia entry: https://en.wikipedia.org/wiki/Paul_Staines. The French philosophical feline, Guy Debord’s Cat, found this piece by Staines explaining his support for recreational drugs in an essay he wrote for the Libertarian Alliance.
A lot of my Thatcherite/Libertarian friends get very suspicious when I tell them about the love and peace aspects of taking Ecstasy. To them love and peace equals hippies equals leftist. The feeling of unity and shared enjoyment to them smacks of collectivism, not the rugged individualism that they favour. But the drug actually removes inhibitions, liberating your mind from petty concerns. You feel a sense of solidarity, but it is totally voluntary, there is no coercion. Libertarians are opposed to coercive collectivism, but if I as an individual choose to enjoy a collective experience because I want to, than that is up to me. I suspect that a lot of right-wingers, Conservative, Thatcherite or Libertarian, cling to their inhibitions and are actually afraid of letting go. Many Conservatives by their very nature fear the dynamic. They are wary of the unusual and prefer tradition, stability and the conventional. The idea of losing their inhibitions to the extent that they might say or do something embarrassing horrifies them.
Some people, particularly those of a Conservative inclination, have an irrational dislike of drugs, often based on what they believe or know about drug addicts. Somehow drug pushers are evil, akin to poisoners. A lot of drug pushers are unpleasant, but that is because it’s an illegal business, and criminals are often unpleasant, violent people. Some drug dealers I know are ruthless, dishonest, dangerous psychopaths, while others are honest, peace loving, fair minded people who just happen to be in a business of which the majority of people are said to disapprove. If alcohol or tobacco was made illegal a similar situation would arise with them. Most British Conservative groups are not at all sympathetic towards legalising drugs, the Committee for a Free Britain being the only one that has come down in favour of decriminalising drugs. This might have something to do with the fact that during my time at the Committee for a Free Britain we got through quite a lot of the stuff.
At the same time, Staines’ own political sympathies were also with the authoritarian extreme right. While a member of the Federation of Conservative Students in Hull, Staines wanted to form an alliance with the BNP. He disagreed with them on immigration, but that was his only point of difference with them. He did, however, share their goals of a return to leadership, the abolition of the welfare state, and the elimination of communism in Britain – in the mass media, education and the trade unions. This was also when the FCS supported apartheid in South Africa.
He was also a member of the Campaign for a Free Britain, which was funded by Rupert Murdoch. This used to have as speakers at its conferences such delightful figures as Adolfo Calero, one of the leaders of the Nicaraguan Contra death squads. According to Wikipedia, he also used to write reports on human rights violations by the Sandinistas. Staines’ political sympathies, therefore, a very definitely Fascistic.
This is why I’ve shown Staines with cannabis leaves, smoking a reefer, along with a giant toadstool. It’s fly agaric, whose white spots contains a powerful hallucinogenic used by Siberian shamans. And the face in the stalk is that of Guido’s latest junior teaboy, Tom Harwood. He’s there because he’s a member of the Fawkes massive, and, at least in the photos put up by Zelo Street, looks either stoned or colossally thick. And as Staines is so far right-wing, it struck me that if he was on hallucinatory drugs, he’d see Hitler. According to the late drug guru, Terence McKenna, people using DMT, a powerful psychoactive used by South American shamans, commonly see entities he calls ‘the machine elves’ during their trips. I’ve replaced them with the Grey aliens of UFO lore, who to me represent much the same thing. And as Staines is a Fascist, they’re wearing World War I-style German spiked helmets. Because Staines was a passionate member of the rave scence, he and they clutch glow sticks. The trouble is, the Greys’ large eyes look a little like the aviator spectacles used by American cops. This makes them look like they’re an extraterrestrial tribute band for Village People. Which is a terrifying thought.
Anyway, here’s the cartoon. I hope you enjoy it, and hey, don’t have nightmares!
It also struck me while drawing this that if you wanted to nobble Staines, with his history of raves and drug use all you’d need to do is put on one of the bands associated with the scene, like Inspiral Carpets or The Shamen. Then before you know it, the flashbacks would start and he’d be out there in a warehouse on his own, waving glow sticks around while singing ‘Es are good! Es are good!’
A bit more archaeology now, for those interested. Four years ago in 2015 I made this video about the model I’d made of the Neolithic mortuary house and palisade around its forecourt discovered beneath a long barrow, also from the Neolithic, at Loftus in Cleveland, Britain by Blaise Vyner during excavations from 1979 to 1981. The Neolithic was the period c. 4,000 BC when hunter-gatherers were settling down into settled communities and farming. The built long barrows to house the remains of their dead. The remains come from many different skeletons, and are often sorted according to body part. Long bones, for example, may be stored in one chamber while other parts of the skeleton were kept in another. Many of the barrows also have forecourts, some of which have traces of burning dating from the time they were built and used. From this archaeologists have suggested that the barrows were also the centres of religious ceremonies in which parts of the skeletons were handled in order to commune with the ancestors.
Mortuary houses are structures in which the bodies of the dead are kept during decomposition, after which they are buried for a second time with appropriate rituals. It’s a funerary practice found in many different society throughout the world, including North American First Nations and the people of Madagascar.
Incidentally, today is the winter solstice, which some archaeologists believe was the real time the stone circle at Stonehenge was built to mark. This is the shortest day of the year, after which the sun returns and the days start lengthening again. This would be seen by the monument’s ancient builders as the return of warmth, light and the revival of life after the cold of winter, and so an important event for early agricultural communities.
But considering how cold and miserable it’s been, I think it’ll be a very brave set of pagans, druids and hippies, who would go down there to celebrate it today. But I’ve no doubt some hardy souls will do it.
Mike also put up another excellent piece, pointing out that while the Tories are misdirecting people to look for massively over-exaggerated anti-Semitism in the Labour party, they have been actively promoting hatred against Muslims. According to the magazine Business Insider, in 2005 our comedy prime minister wrote in the Spectator that
To any non-Muslim reader of the Koran, Islamophobia — fear of Islam — seems a natural reaction, and, indeed, exactly what that text is intended to provoke. Judged purely on its scripture — to say nothing of what is preached in the mosques — it is the most viciously sectarian of all religions in its heartlessness towards unbelievers.
This was in the wake of the 7/7 London bombings, and Johnson questioned the loyalty of British Muslims and said that the country must realise that ‘Islam is the problem’.
Mike concludes ‘He’s not my prime minister. He is racist filth.’
No argument there from me, especially after Mates Jacobs has released a dossier of rabidly islamophobic, racist and anti-Semitic comments from the supporters of Jacob Rees-Mogg and our buffoonish Prime Minister. Not after Sayeeda Warsi has repeatedly demanding investigations into islamophobia in her party, and been condescendingly told that there’s little to worry about. Not when an inquiry into it has been pushed back after the General Election – presumably so that it won’t embarrass Johnson when it uncovers massive prejudice and hatred.
Now let’s put Johnson’s comments into their context. Many Brits understandably were worried about the possible danger from Islam after the 7/7 bombings on the London Underground and on buses. This was also a period when alienated Muslim youths marched through the street waving placards against the Iraq and Afghanistan invasions, proclaiming that Islam would dominate the West and promising more violence and terrorism. But it is a mistake to claim that this alienation and rage represents true Islam, or comes from the pages of the Qu’ran.
In fact Islamism is the product of a distinct set of social and political circumstances. This includes the economic and political stagnation of Islamic societies, rising poverty and the bewilderment and dislocation felt by many Muslims to rapid modernisation. Some of the problems are due to the adoption of neoliberal economic programmes by secular Arab and Middle Eastern states, like Algeria, which have massively increased poverty. Some of it is a reaction to western colonialism and cultural and economic hegemony. And some of it is a response to real oppression by non-Muslim states around the world. Like there is massive discrimination and organised violence against Muslims, as well as Sikhs and Christians, by Hindu ultra-nationalists in India.
I studied Islam as part of my religious studies minor degree at College. Yes, Islam has expanded through violence and conquest, just as Christianity has. But it has also spread through peaceful contact and conversion. And the problems Islam is experiencing as it modernises aren’t unique to it. Christianity and the West experienced the same process in the 19th and 20th centuries. There were reactionaries in the Anglican Church in the 19th century, who were frightened of the extension of the franchise and political rights to Protestant Dissenters, Roman Catholics, and other religions. In the middle of the century the Papacy placed on its index of forbidden doctrines the idea that Roman Catholic countries should allow freedom of religion and conscience to non-Catholics. But now the Anglican and Roman Catholic churches as a whole very definitely are not anti-democratic, despite the attempts of General Franco and Roman Catholic clerico-Fascists during the Second World War. And aggressively atheist states like the Soviet Union have their own bloody history of intolerance. Religion was viciously persecuted in the USSR, and millions of people of faith, whether Christian, Muslim, Jewish, Buddhist or shamanist, were killed or imprisoned in the gulags for simply holding their beliefs. Nathan Johnson, surveying the vicious intolerance across secular, atheist as well as religious societies in his books on the mythology of New Atheism, has suggested that such intolerance may be part of human nature, rather than just unique to religion or a specific religion.
Islam also has a tolerant side. Christianity survived in the Balkans after the Turkish conquest because, when the Ottoman emperor wanted to force the Christian peoples to convert to Islam, the majlis, the assembly of Muslims scholars and jurists, told him it was specifically forbidden, for example. And even after the conquest, there were many areas in which Christian and Muslim lived side by side in peace. When Mike visited Bosnia after the war in the former Yugoslavia in the 1990s, he saw areas where churches and mosques had been built next to each other. Not the mark of an intolerant society, at least, not at that time.
Boris Johnson is, as Mike and so many others have repeatedly pointed out, a vicious racist. This is in sharp contrast to the Labour leader, who is a determined opponent of all forms of racism. Don’t believe him when he smears Labour as anti-Semitic.
And don’t let him get away with smearing Muslims. This is what the Tories are doing and have always done: manufacture hate against an out-group in order to gain power. They are doing it against the poor. They are doing it to the unemployed, to the disabled, to anybody, even working people, who claim benefits. And in the early part of the 20th century they did it to Jews. Now they’re doing it to Blacks, Asians and particularly Muslims.
A better world is possible. Reject the Tories and their prejudice and bigory, and vote for Corbyn and his anti-racism instead.
According to the Radio Times for 26th January to 1st February 2019, tomorrow, Saturday, 26th January, Antony Gormley will be presenting a programme on the origins of art way back in the Stone Age. As well as trotting round the world looking at various Paleolithic sites, he also meets and talks to the modern practitioners of this ancient art, Aboriginal Australians. The programme’s entitled ‘Antony Gormley: How Art Began’, and the blurb for it on page 52 of the Radio Times runs
One of Britain’s most celebrate sculptors travels back in time and journeys across the globe to piece together how art began. Once we believed that it all started with the cave paintings of Ice Age Europe, but new discoveries are overturning that idea. Deep inside the caves of France, Spain and Indonesia, Gormley finds beautiful, haunting and surprising works of art. The creator of the Angel of the North asks what these images from millennia ago tell us about who we are.
There’s rather more information about the programme by David Butcher on page 50, which says
Yes, it’s a documentary about prehistoric cave art. How often over the years have we seen an arts presenter in torchlight, sighing about the ineffable power of cave painting?
But this is different. This is Antony Gormley, one of our great artists, who by lucky chance is also a better talker about art than most presenters, making a pilgrimage not just through the French caves that he first visited on his honeymoon (we see a holiday snap) but also venturing further afield to Indonesia and Australia, looking for the first stirrings of human creativity.
“This is a cathedral of joy in living things,” he says in a cave called Les Combarelles. “I think we’ve found a Palaeolithic Picasso,” he jokes in Niaux. And in an extraordinary scene at Pech Merle, with its 28,000-year-old paintings of horses, a local expert demonstrates how they were made, by chewing up charcoal and delicately blow-spitting on the rock.
The ancient cave paintings of northern Spain and southern France are superb, extremely naturalistic depictions of the creatures roaming that part of the Mediterranean during the Old Stone Age 28,000 years ago. Some of them seem to have been deliberately painted on distinctly shaped pieces of rock, so that if you come into the part of the caves where they are they appear to move. When Picasso saw them over a century ago, he was so utterly astonished at their superb quality that he declared ‘We have invented nothing!’
At the turn of the Millennium 18 years ago, Hugh Quarshie, one of the actors in Casualty, presented a programme on the art and artefacts of the Stone Age on New Year’s Eve. One of the speakers he interviewed about them was a director of Horror flicks – I’ve forgotten whom. But he made some very interesting points about the parallels between Palaelithic art and his type of movie. They were both initiatory experiences which you viewed in darkness.
There seems to have been a definite religious/ritual purpose to their production. Most of them are found in chambers deep in the cave systems, which are extremely difficult to reach. To get to one of them you literally have to squeeze through on your stomach. There was very probably an aural component to their painting as well. Quite often the rocks near them have musical properties. Their lithophones which produce musical tones when struck. It therefore seems that some of them were being played while the artists worked producing these amazing pieces of work.
No-one quite knows why these wonderful paintings were made. It’s been suggested that they may have been made to secure success in hunting, or for fertility. Others have suggested that they were produced as part of shamanic rituals, in which the painters attempted to pass through the membrane between this world and that of the spirits. Whatever the reason they were created, they’re superb. I’m not a fan of Gormley’s work, but this looks well worth watching.
Anthropologist, TV presenter and former member of Time Team Alice Roberts also talked about the ancient cave paintings of Europe this week in the last edition of her The Incredible Human Journey, the series in which she traced humanity’s emergence and spread out of Africa tens of thousands of years. This week she talked about some of the very earliest human remains found in Europe, including those of modern Homo Sapiens from around 30-40,000 years ago from a cave in Romania. A forensic artist then reconstructed what one of them may have looked like from one of the skulls found. Roberts and the artist remarked on the person’s absence of any distinct racial characteristics. It was a definite human face, but it was neither Black, White or Asian, although they pointed out that we believe the people at this time had dark, Black skin. But it comes from a time before the development of modern racial characteristics.
They also reconstructed the face of a Neanderthal from about this time. They were stocky, powerfully built people with big noses and strong brow ridges. Although they died out, some of them interbreed with the invading modern humans, so that the DNA of modern people outside Africa contains about 3%-9% Neanderthal genes. The reconstruction didn’t have any hair. Contemplating it Roberts said that although Neanderthal women probably found modern human men very handsome, and that human women obviously found something in Neanderthal males, she wouldn’t have fancied mating with them. Well, each to his or her own taste. Looking at the reconstructed Neanderthal head, it reminded me of nothing so much as that of Beeb TV presenter and former felon, Dom Littlewood.
She also covered the ancient cave paintings, talking to a French artist who worked using the same techniques. He was shown blowing charcoal on to the rock behind his hand trying to create a stenciled handprint, just like those left by the ancient artists. Like the article in the Radio Times, Roberts said that it had to be made using a distinct technique. You couldn’t take it all into your mouth and just spit it out. Instead the artist blew it out in a constant stream of spitting, leaving his hand black with charcoal. It’s quite a time consuming process, and Roberts and the artist said that some works could take as long as week.
The art of the palaeolithic is fascinating and enigmatic. We’re learning more about it and the people who produced it, but so much still remains lost in the mysteries of time.
There’s been some coverage here in the west of the underground Christian church in China. China’s a Communist state, and although religion has been allowed to re-emerge after its ferocious persecution under Mao, it is heavily regulated. There’s an official church, which has to agree to and abide by the various conditions set down by the Communist authorities. Alongside this is a growing underground church, that meets in secret and is heavily persecuted because it is outside the control of the Communist party.
Fewer people, however, are aware that there’s also a growing underground church in Iran. The Anglican church in Tehran, which is recognised and tolerated, is remarkable for a Christian church in a Middle Eastern, Islamic country, in that most of its members are indigenous Iranians. About three per cent of the Iranian population is composed of Armenian Christians, who have their own churches. But outside these official, tolerated churches, there is a secret church of indigenous Iranians, who are turning from Islam to Christ. Apostasy is banned under Islamic, sharia law. The penalty has traditionally been death, although some law schools were of the opinion that the death penalty could only be imposed if the apostate then blasphemed against Islam. Other legal scholars stated that the apostate from Islam should be imprisoned for three days so that they could reconsider their decision to abandon Islam. If they repented during this time, they would be spared. This means that those Iranians converting to Christianity do so at the risk of their own lives. They are savagely persecuted and imprisoned. At the same time, the Iranian authorities surround the Armenian churches with armed police to make sure that only Armenians go there to worship. The Armenians have adopted a series of tactics to help their Iranian co-religionists avoid the police. One of these is teaching them a few words or phrases of Armenian, so that they can pass themselves off as Armenian Christians, and so avoid arrest, imprisonment and torture.
This isn’t widely known in the West, and I don’t think this is an accident. America is a profoundly religious country, but I think the support of religious freedom by the American military-industrial complex is, and has always been, cynically utilitarian. There was a massive campaign of Christian evangelism and preaching in America itself during the Cold War. You think of all the extreme right-wing Christian movements that emerged in the 50s, like Moral Re-Armament, and so on, that were dedicated not just to spreading Christianity, but also combatting Communism. Or, for that matter, just about any other left-wing, progressive movement. Even if it was led by other Christians. Communism is an aggressively materialistic political system. Marx actually wrote little about religion, beyond his famous words that it was ‘the opium of the people’, but he certainly believed his system was an extension of the materialist doctrines of the ancient world and the Enlightenment philosophes. He took over their critique of religion and that of Ludwig Feuerbach, which viewed religion as a projection of humanity’s own alienated essence, and extended it. Lenin himself was bitterly anti-religious, and the persecution of religious believers – Christians, Muslims, Jews, Buddhists, Taoists, the followers of indigenous shamanic religions and so on – was state policy in many Communist countries.
Hence the promotion of Christianity and the defence of religious freedom against a persecuting, literally Satanic, evil empire was a useful ideological tool for the capitalist leaders of society during the Cold War. Thus much of the religious literature published during the Cold War stressed the anti-Christian nature of Communism to the point where this overshadowed the other atrocities and crimes against human rights committed by these regimes. Such as the artificial famines Stalin created during the collectivisation of agriculture, the deportation of ethnic minorities to Siberia and the persecution of dissenting socialist and Communist intellectuals.
But very little is said about the persecution of the underground Iranian church. And I don’t think this is an accident. I think it’s because it doesn’t serve American geopolitical interests, and those of its allies, Israel and Saudi Arabia. China’s a Communist country, and so atheism is the official state dogma, even if it is not as rigorously enforced as it has been. But Iran and the other Middle Eastern countries are religious states to a greater or lesser degree. And American foreign policy in the Middle East has consisted of supporting theocratic and Islamic fundamentalist regimes and movements against secular Arab nationalism or socialism, as these are seen as too close to Communism. Hence the hostility to Gamal Nasser’s Egypt, which was socialist, but not Communist. In the case of Saudi Arabia, America and the West forged an alliance that goes back to the 1920s. In return for the right to exploit the country’s oil, America and the West pledged themselves to support the country and its rulers. Saudi Arabia is an extremely intolerant state, where the only permitted religion is Wahhabi Islam. No other religions are tolerated. There are indigenous Shi’a Muslims, but they are also savagely persecuted. Their villages do not have running water or electricity, and their religious literature and holy books will be confiscated if they are discovered by the authorities. A few years ago the Grand Mufti, the religious head of Saudi Arabia, declared that the Shi’a were heretics ‘worthy of death’, a chilling endorsement of religious genocide. And the Shi’a aren’t the only non-Wahhabi community to be subjected to his prayers for pious violence. The other year he also led prayers calling on Allah to destroy Jews and Christians.
Saudi Arabia is one of the main sponsors of Islamist terrorism. It is not Iran, nor Saddam Hussein’s Iraq, which had nothing to do with 9/11. 17 out of the 19 hijackers were Saudis, and the trail from them goes all the way to the top of Saudi society. They were active sponsors of the Mujahideen in Afghanistan, which became the Taliban. The current Saudi king and his head of intelligence were also responsible for funding and aiding al-Qaeda and ISIS in their attacks on the other Islamic nations of the region. In continuing to support Saudi Arabia, America, Britain and the other western countries are supporting a viciously intolerant state that persecutes other religions, including Christians.
The other pillar of western interests and foreign policy in the Middle East is Israel. Israel is a White, European/American settler state, and it looks towards Europe and America rather than the Middle East. And it’s also religiously intolerant. The official state religion is Orthodox Judaism. Israel defines itself as the Jewish state, and the Law of Return stipulates that only Jews may become citizens. The Israeli government has also repeatedly refused calls to allow the Palestinians, who fled the country in 1948 fearing massacre by the Israelis to return, as this would upset the ethnic composition of the country. At the same time the Israeli state has pursued a policy of ethnic cleansing, expelling and massacring the indigenous Palestinian population. And this includes Christians.
Before the foundation of Israel in 1948, 25 per cent of the population of Palestine was Christian. Now it’s only one per cent. The literature on the dwindling Christian community states that this is because of pressure from both Israel and Islam. The Christian community has suffered persecution from Muslims, as they are seen as traitors, even though many Palestinian Christians are as bitterly opposed to the Israeli occupation as their compatriots. However, other historians have also pointed out that traditionally, Muslims and Christians coexisted peacefully in Palestine. In one of the papers on Israel and Palestine in Albert Hourani’s book, The Modern Middle East, it is stated that Muslim Palestinians traditionally regarded Christian churches as mawsin, an Arabic term which means holy, sacrosanct, and were thus treated with respect. Palestinian Christians, however, have complained about their treatment by the Israeli authorities. Special permits are required before new churches may be built, and the authorities are not keen to give them.
And like Muslims, Christians have also been attacked by Israeli racist extremists. A little while ago a Christian monastery in Israel was the subject of a price-tag attack by Israeli extremists. The price-tag attacks are acts of destruction in retaliation for Palestinian attacks on Jews or Jewish property. They’re called ‘price-tag’ because the attackers leave a mock price-tag behind giving some cost for the damage done. The Israeli authorities were keen to distance their country from the attack, and tried to present it as somehow unique. But I got the distinct impression that this is far from the case. About ten or so years ago Channel 4 screened a programme by a Black presenter, in which he went to Israel and covered the maltreatment of Christians there. This included an attempt by a group of Orthodox Jews to terrorise the members of a church of Messianic Jews. In fact, the Messianic Jews were saved by the Muslim doorman, who effectively blocked the Orthodox posse from coming in. And the programme gave the impression that this was actually quite common, and that it was frequently Muslims, who saved Christians from violence at the hands of Jewish settlers.
This is all kept very hidden from the American Christian public. The tours of Israel arranged by right-wing Christian Zionist groups in America and the Israeli authorities will not allow American or western Christians to meet their Palestinian co-religionists. And while there’s a considerable amount of information on the web about Israeli intolerance and persecution of Christians, in the mainstream western media it is always presented as the fault of Muslims. And the right-wing press, such as the Times and Telegraph, have published any number of articles presenting Israel as the protector of the region’s Christians, often with quotes from a Christian Arab to that effect. Thus the Christian Zionist right in America are supporting a state, which has expelled the majority of its indigenous Christians from its borders and continues to limit their freedom of worship. Just as it does Muslims.
Some of the motivation behind this Christian Zionism is based in apocalyptic theology. Christian Zionism started in the 19th century, when some Christians decided that they wanted to refound the ancient state of Israel in order to bring about Christ’s Second Coming. This now includes a final battle between good and evil. This used to be between the forces of capitalism and Communism, but has now morphed into the forces of the Christian West and Israel versus Islam. At the same time, the American Conservatives started supporting Israel in compensation for the defeats America had suffered in the Vietnam War, so that American Christian leaders declared that the Israelis shared their values.
I also think there’s an element of religious imperialism here as well. In the 19th century British explorers to other parts of the Christian world, including Greece when it was dominated by the Ottoman Empire, and Abyssinia, declared that these nations’ traditional churches were backwards and obstacles to their peoples’ advancement. They therefore recommended that they should be destroyed, and the Greeks, Ethiopians or whoever should embrace one of the western forms of Christianity instead. it wouldn’t surprise me if the same attitude permeated American Zionist Christian attitudes towards Middle Eastern Christians. It wouldn’t surprise me at all if the same kind of Christian fundamentalist pastors, who rant about how ‘Satanic’ Roman Catholicism is, also don’t believe that the ancient churches of the Middle East – the Syriac and Coptic Churches – are also not really Christian.
Thus American imperialism, and the Christian Zionists in the case of Israel, are supporting states dedicated to removing the indigenous Christian communities from their parts of the Middle East.
And American Christians are more fervent in their Zionism than American Jews. Norman Finkelstein has repeatedly stated and demonstrated how American Jews were traditionally uninterested in Israel. And Tony Greenstein, a Jewish British critic of Zionism, has also shown that the majority of Jews around the world wished to remain in the Diaspora, but live as equal, respected citizens of the countries in which they were born. There are a growing number of Jewish Americans, who despise Israel because of the way it persecutes its indigenous Arab population. This includes Jews, who have suffered genuine anti-Semitism abuse and violence.
Within Israel itself, there is opposition to the official religious policy of the state. There is a sizable minority that would like a total separation between synagogue and state. Other Israelis don’t go this far, but do want Israel to become more secular. And there is tension between Reform Jews, and the Orthodox, who do not regard their theologically more liberal co-religionists to be proper Jews, and may even regard them as anti-Jewish.
But American Conservatives are unable or unwilling to understand Middle Eastern Christians, or why they would not want to support Israel. A few years ago Ted Cruz addressed a meeting of Middle Eastern Christians in America. This went well, until he started urging them to support Israel, at which point he was surprised to find that he was being booed. Part of his speech urged them to support the Israelis, because of the terrible persecution of Jews in the past. But the Palestinians have repeatedly rejected this argument, pointing out that they are being persecuted by the Israelis because of the way Europeans persecuted Jews. Cruz walked off, making comments about anti-Semitism, if I recall correctly. He failed to understand that to his audience, the Israelis were those doing the persecuting.
And this ignorance and the views and political situation of indigenous Middle Eastern Christians seems to be common to elite America. It’s shown by Trump’s decision to relocate the American embassy to Jerusalem, which has been supported by the leader of the Democrats in Congress, Chuck Schumer, and Barak Obama and Hillary Clinton. All of whom will stress their identity as Christians when it suits them.
It isn’t just rising Islamism and Muslim intolerance in the Middle East that is a threat to the indigenous Christian communities there. It is also American imperialism, and the country’s alliance with the ethnic and religiously intolerant regimes of Israel and Saudi Arabia. Thus, the media only covers Christian persecution when they can blamed it on Islam, But when it’s awkward for the American, and western military-industrial complex, the media is silent about it.
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