Posts Tagged ‘Aliens’

More Conspiracy Nuttery After the Queen’s Death: Ickian Reptoids

September 13, 2022

Okay, I put up a couple of posts at the weekend talking about some of the conspiracy theories that have emerged on various right-wing websites and organisations following the death of Her Maj. These include attacks on the Queen for supposing depriving us of our ancient liberties and suggesting that King Charles is somehow part of the old Jewish conspiracy to take over the world. Correct, Not Political, were at it again yesterday. They were predicting that he would be an absolute monarch, ruling by decree, who would bring about the infamous Great Reset and turn Britain into a green communist state. But something like the nadir of these conspiracy theories was reached by one YouTuber, who put up a 33 minute-long video about ‘Queen E-Lizard-beth and the coming Reptoid Civil War’. Yes, we’re back to David Icke’s conspiracy theory that the royal family and other prominent people, like politicians and so on, are really reptoid aliiens secretly oppressing and manipulating us.

Trailer for UFO Film ‘Above Top Secret’

September 4, 2022

Here’s something that’s a bit more fun. It’s a trailer for the forthcoming UFO movie, Above Top Secret, presented by Dr. Stephen Greer with retired FBI agent John DeSouza alongside aerospace historians and others. The blurb for it on its YouTube page runs

‘We’re at a tipping point in history, the hidden technology that could change everything has been suppressed for decades. Dr. Steven Greer presents mind-blowing information along with never before seen access into the crusade behind disclosure. Retired FBI special agent John Desouza, Aerospace Historians James C, Goodall along with Michael Schratt breakdown the implications of the cover-up, and the false UFO narrative created by the major media. How much does the President of the United States really know about the UFO phenomenon, and the Above Top Secret projects involved with exotic technology? Billy Carson presents the real motivation behind the major media, and the U.S. Military role out of the UAP phenomenon. Multi award filmmakers Blake and Brent Cousins travel across the country to find the real answers to everyone’s questions whether we are alone in the universe, and expose the above top secret projects involved with ET recovered craft not of this world. Is they’re an Alien threat among us, or is the real threat human in nature? Above Top Secret the technology behind disclosure will change the way you think about UFOs, and the world of suppressed technology. Cast: Dr. Steven Greer, James Goodall, John Desouza, Billy Carson, Michael Schratt, Brent Cousins, Blake Cousins.’

The people featured in the trailer claim that the American government and aerospace industry are creating radical new air- and spacecraft using technology taken from crashed UFO, such as that at Roswell, New Mexico, in 1947. These have given scientific secrets such as Zero Point energy and gravitics, and that the spacecraft are thought actuated, moving through the ‘thought field’. The American government is also responsible for pushing a non-existent alien threat.

It looks fun, but I’m sceptical of all of this. The title seems to come from Tim Good’s book published in the 1980s, which contained all the conspiracy theory rubbish about alien abductions, the Majestic 12 group of scientists and senior military officers responsible for keeping it all under wraps, whose chief was called His Cerebral Phosphorescence. In short, pretty much the stuff that ended up in the X-Files in the 1990s. Good was, I believe, entirely genuine, but some of the material he published consisted of hoaxes, and misremembered or misidentified incidents. I do believe, however, that there are secret air- and spacecraft that have been developed that very much look and behave like alien spacecraft and are responsible for many UFO sightings.

Labour Party Invite Me to Anti-Semitic Awareness Event Run by Sectarian, Fanatically Zionist Witch-Hunters Jewish Labour Movement

July 2, 2022

I got this email yesterday from Southwest Labour

‘Dear David James,

We are pleased to be inviting members in the South West to attend anti-semitism awareness training from the Jewish Labour Movement. It will take place over Zoom on Wednesday 6th July at 7pm. 

Please email’ ————–‘to register and the meeting link will be sent closer to the date.

Best wishes,

Labour South West’

I should cocoa! The very cheek! Just in case you need reminding, the Jewish Labour Movement was one of the Jewish organisations deeply involved in the witch-hunt against Jeremy Corbyn and his supporters in the Labour party for alleged ‘anti-Semitism’. I put ‘anti-Semitism’ inverted commas because these organisations, including those outside the party like the Chief Rabbinate and the Campaign Against Anti-Semitism were not, in my opinion, genuinely concerned with anti-Semitism in its true and original sense. This is a hatred of Jews, simply for being Jews, regardless of political or religious opinions on their part. I have made this point again and again on this blog, citing some of the 19th century founders and leaders of modern organised anti-Semitism in Wilhelm Marr’s Bund Antisemiten or League of Anti-Semites. The Jewish Labour Movement used to be Paole Zion, Workers of Zion, and was virtually moribund until a decade or so ago when in received an injection of cash from person or persons unknown. The Labour Party has always had Jewish members and the parliamentary party has, or used to have, slightly more than the Tories. There are a number of other Jewish organisations in the Labour party and on the left, such as Jewish Voice for Labour and the Jewish Socialist Group, not to mention Jewdas, with whom Jeremy Corbyn spent a Passover Seder. Corbyn also received strong backing from the Haredi Jews, who believe it is their duty to stay in galut, exile, until they are called back to Israel by the Messiah. In the meantime, they are to cooperate with the peoples in whose lands they reside to build better societies and to ‘pray for the health of the city’ as commanded by the Prophet in the Hebrew Bible. And I’ve no doubt there are many other Jews in the Labour party, who are not party of any Jewish organisation, because, like Dr. Jonathan Miller, they consider themselves Brits, who happen to be Jewish, and don’t want to be part of a minority.

But these Jews and their organisations are not recognised as properly Jewish and are actively opposed and maligned by the Jewish Labour Movement. The JLM’s focus, like the other organisations behind the witch-hunt, is to combat anti-Zionism and silence any criticism of Israel’s barbarous treatment of the Palestinians. And they do this by smearing their enemies as anti-Semites. And very many of their victims are Jews, which make their claims to be tackling anti-Semitism risible.

Mike was told by the Labour party that he would be allowed to remain in it after he was smeared as an anti-Semite if he attended anti-Semitism training by the JLM. Mike’s only crime was to point out that Ken Livingstone was entirely correct when he said that Adolf Hitler initially supported Zionism. He did. It was the Ha’avara Agreement, a shameful pact with the German Zionists to smuggle German Jews into British mandate Palestine. It was done as a way to cleanse Germany of Jews. The pact was short-lived, but it happened. Mike refused, as he is not and has never been and never will be an anti-Semite and attendance would have been taken as a tacit admission of guilt.

Jackie Walker is another of their victims. They secretly recorded her at workshop to discuss the best ways to commemorate the Holocaust. Holocaust Memorial Day not only commemorates the Jewish Holocaust, but also the many other genocides that have disfigured human history. Walker is a Jew by faith and blood. Her father was a Russian Jews, and so she knows from family experience more than most about real anti-Semitic persecution. Her mother was a Black American civil rights activist, and so was deeply concerned about another form of racial persecution against her people. Walker’s crime was to ask what the event would do about commemorating other holocausts, such as those against Black people. Since the great Black activist and scholar W.E.B. DuBois, many Blacks and White sympathisers have regarded the slave trade and slavery as a Black holocaust. Walker asked a decent question. But for some reason this was regarded as ‘anti-Semitic’ and she was smeared and purged.

I think most severely normal Brits are aware of the dangers of anti-Semitism. The documentaries about the Second World War and the Nazis shown on television necessarily include the Nazi persecution of the Jews and the Shoah. There have been a number of award-winning Hollywood films about the Holocaust and the heroes who rescued Jews, like Schindler’s List, which came out in the ’90s. I also remember the outrage and campaigning on the left in the 70s and 80s against the NF and BNP when they were marching about trying to get votes, and similar fears and disgust when the BNP briefly revived and its noxious leader, Nick Griffin, was invited onto Question Time. There are very many excellent books about the Holocaust, and some of the late Clive James’ best TV criticism is from the 70s when Fascist and Nazi scumbags like Oswald Mosley, Albert Speer and Baldur von Schirach were interviewed on British TV. James expertly took apart their lies and false protestations of innocence to reveal the real malignity underneath.

Part of my undergraduate course in history was on the rise of Fascist and Communist regimes in Europe, and I still have the books I bought during then. I’ve also done some reading on Fascism since then, including on its post-War varieties. I’m also interested in conspiracy theories, the most infamous of which are those about some secret Jewish conspiracy which controls both capitalism, socialism and communism to enslave the White race. These theories became prominent again in the ’90s when they were incorporated into the UFO mythology and the right-wing conspiracy theories about the Illuminati, another group who are supposed to be controlling world events, the economy and politics from behind the scenes. David Icke believed that the world is secretly run by Reptoid aliens. He caused alarm and outrage because he used quotations from the infamous Protocols of the Elders of Zion, a Tsarist anti-Semitic forgery, to support his crank ideas. Icke isn’t an anti-Semite, and genuinely seemed to believe that the world was run by extraterrestrials rather than Jews. Other UFO researchers, like the late Bill English, did the same, though when they cited the Protocols they claimed they should be read as talking about the Illuminati, rather than the Jews. Nevertheless these quotations were in danger of making the Protocols seem respectable to the point where a branch of Waterstones in one of the northern towns stocked them.

I totally accept that respectable scholars and lay people have to be very careful when it comes to some of the material on topics like the Nazis and Holocaust. Real anti-Semites and Nazis try to disguise their awful views and attempts to deny or minimise the Holocaust by setting up respectable-sounding magazines. Often they use coded language. For example, a very respectable folklorist wrote a piece in one of the urban folklore magazines back in the ’90s to tell how he’d been taken in by such tactics and to warn other to be on the guard. He had been researching tales of atrocities committed by the Germans during the First World War. He came to the conclusion that one of these, the story that the Kaiser’s troops had crucified a Canadian soldier, was bogus and may have been just allied propaganda. He was then approached by a history magazine with a respectable-sounding title, who asked him if they could reprint his article. He innocently agreed, only to find out later it was a Nazi rag. Its editors were using stories of allied propaganda to suggest that the Holocaust was also nothing but fiction. But as an American judge has ruled, the Holocaust is so well documented that its existence cannot be sanely denied. The scholar was shocked and disgusted, and so wrote the article to let others know about the deception and to be on their guard about similar tactics and approaches.

As for coded language, the believers in a world-wide conspiracy to enslave humanity talk about the globalists, the Illuminati, or the global elite. Sometimes this is innocent of anti-Semitism, and they really are talking about a secretive group of leading politicos, capitalists and so on, which isn’t some Jewish conspiracy. But sometimes it isn’t, and is code for ‘Jews’. I’ve also noticed that while Simon Webb of History Debunked isn’t an anti-Semite or anti-Zionist by any stretch of the imagination, some of his commenters do seem to be. There’s a lot of talk by them about the Great Replacement, the idea that the Jews are trying to destroy the White race with non-White immigrate. There’s also comments about ‘small hatted people’, or ‘people with small hats’, which sounds very much like its about the Jews, referring to the kippa skullcaps many observant Jews wear.

Sometimes you really do need to be careful and be informed so you’re not taken in by such language and deceit. But the Jewish Labour Movement won’t help you.

They’re concerned to discredit criticism of Israel using literary criticism and citing entirely bogus conspiracy theories about the Jews from the past. Remember when Shai Masot was caught plotting with a senior British civil servant to decide who should or shouldn’t be in the cabinet? This could rightly be called a conspiracy. But if you called it that, or described the two as plotting, you were the using an anti-Semitic trope because of all the genuinely stupid, poisonous and entirely mythical anti-Semitic conspiracy theories in the past. The same if you report the atrocities committed by the Israeli state and IDF against Palestinians, especially if they can get in a reference to the Blood Libel, that Jews sacrificed Christian children to use their blood in the matzoh bread at Passover. This vile medieval smear has been responsible for numerous anti-Semitic pogroms. However, the Israeli state now is manipulating its memory to close down reasonable criticism. When the IDF shot a Palestinian woman a few years ago, one of the respectable newspaper cartoonists produced picture of her burning in the fireplace while Netanyahu, the-then president of Israel, hobnobbed with the US president. This was promptly denounced by the Israelis as anti-Semitic, because the fire recalled the gas ovens of the Holocaust. Similarly, when Gerald Scarfe drew a cartoon of the Israelis building their wretched wall to keep the Palestinians out using Arab blood, the Israelis again demanded a retraction and an apology because the blood supposedly referred to the infamous Blood Libel. And so another piece of entirely reasoned, reasonable and absolutely not anti-Semitic criticism and comment was again silenced. And this is what the Jewish Labour Movement also does in its events about anti-Semitism. They have nothing to do with making people genuinely aware of the threat of anti-Semitism and the way it is coded. They are all about discrediting justifiable criticism of Israel through using literary devices to make them apparently connected to past anti-Semitic conspiracy theories and innuendo.

I have absolutely no intention of going to this monstrous charade. If I want information and guidance on genuine anti-Semitism, I’d try to consult the JLM’s Jewish victims – Tony Greenstein, Jackie Walker, Naomi Wimborne-Idrissi, Martin Odoni and others, self-respecting decent people, who have been smeared by the anti-Semitism witch-hunters as self-hating. Even though these people are Jewish and have fought against anti-Semitism and other forms of racism. Or I would contact Marc Wadsworth, the Black anti-racism activist. He was smeared as an anti-Semite, again using literary tropes, because he caught a Jewish Labour MP passing on a party brochure to a Torygraph hack. Oh, it was the trope of the disloyal Jew, they claimed. This was despite the fact that Wadsworth didn’t know the politico was Jewish, and had in the 1980s worked with the Board of Deputies about passing legislation to protect Jews against genuine anti-Semitic violence by the NF or BNP. Or I’d go to someone like Mike, who can tell fact from fiction, well-researches his stories and who was asked by a Jewish friend at College to be one of the readers in her performance commemorating the Holocaust’s victims.

All of the above have a far better understanding of anti-Semitism, or a more honest one than the Jewish Labour Movement and its highly ideological, distorted view of what counts as Jew hatred.

I’ve said it before: Judaism is a religion. The Jews are a people. Zionism is an ideology. Israel is a state. Judaism and its people are not synonymous with the modern state of Israel. Under a free society, all ideologies should be able to be examined and criticised, including Zionism. States can and do commit horrible atrocities, for which they should criticised. Israel should not be an exception merely because its people are Jews. Only hatred of Jews, simply for being Jews, should count as anti-Semitism.

Fight racism! Fight anti-Semitism! And don’t be taken in by bogus propaganda like that of the Jewish Labour Movement.

Sufi Shayk Talks about Reptoid Djinn

January 3, 2022

Sufism is Islamic mysticism. It’s all about achieving a mystical union with the Almighty, and it’s organised into various orders and brotherhoods rather like western monasticism. The orders are led by a shaykh, a spiritual leader, and they use different methods of achieving the state of mystical union. Some use music, while others, like the famous Whirling Dervishes of Istanbul, revolve in a kind of mystic dance. It can be a very syncretistic form Islam, taking elements from other faiths. I found this peculiar video on YouTube from the Muhammadan Way Sufi Realities channel on YouTube. Entitled ‘Why Reptilian Jinn Posses Members of the Elite? Shapeshifters Archon Annunaki Sufi Meditation Center’, it seems to show very strongly the influence of western UFO conspiracy theories, particularly about reptoid aliens popularised by David Icke.

The shaykh in the video, who seems to be based in Los Angeles, is responding to a question about reptoids. However, he regards them not as aliens, as per Icke and the western UFO peeps, but as a particular variety of the djinn. The djinn are supernatural creatures in Islam, created by Allah out of smokeless fire. They live for many hundreds or thousands of years. Like humans, they are of different religions, so that there are Muslim, Christians and Jewish djinn, but they also have supernatural powers. Shaitan, or Satan, the Devil, is one of these djinn in Islam and not a fallen angel as in Judaism and Christianity. The shaykh answers the question by telling his followers and viewers that these reptoid djinn get sent to possess the rich and elite in what sounds like a Faustian bargain with them. This may physically affect the possessed person, with them losing their head and body hair. It is through such possessions that the Devil gains control of businesses and corporations, including the music industry. Thus the aspiring musicians that sign on to record and music companies owned and controlled by those possessed by the reptilian djinn are rewarded with audiences of tens of thousands and become immensely wealthy.

I find it interesting as it appears to be a particularly Muslim form of two conspiracy theories that have been going round the west for decades. One is the belief, formulated by David Icke, that the world’s elite, the rich and powerful, are really reptoid aliens. The other is that there is a Satanic conspiracy within the music industry, and all the stories and urban legends about various pop bands, mostly Rock and Heavy Metal, being really Satanists and including secret satanic messages, recorded backwards, on their records and CDs.

John Simpson, one of the Beeb’s foreign correspondents, wrote an excellent book on Iran a few years ago. He noted that the Iranian people, whom he loved and respected, were very inclined towards conspiracy theories. I think that probably comes from the country’s long history of authoritarian rule, first as an absolute monarchy and then as a repressive Islamic theocracy. I think it’s also the product of the vast changes the country has experienced as it made the transition from a traditional, agricultural economy to a modern, mass, industrial society accompanied by rapid westernisation. These changes caused immense social stresses and bewilderment, with the new values often in conflict with traditional attitudes and made worse by the shah’s brutal personal rule. The shah gradually assumed total political control of the country during his White Revolution following the CIA-organised coup against Mohammed Mossadeq. Mossadeq was the last democratically elected prime minister of Iran, and was overthrown because he dared to nationalise the oil industry and run it for Iranians rather than it’s foreign owners, like BP. As the shah became more dictatorial and autocratic, so dissent increased until it culminated in the 1979 Islamic Revolution. It’s to be expected that conspiracy theories should arise in a society where there is no freedom of speech experiencing rapid change, and where a significant section of the population believe this is out of their control and orchestrated not for their benefit, but instead by mysterious, malign outsiders. I also have the impression that other parts of the Muslim world, like Pakistan, are also prone to conspiracy theories for much the same reason.

International trade, migration, telecommunications and the internet has brought the world closer together, and so weird conspiracy theories in one part of the planet can spread to the others, which may interpret them according to their own culture and beliefs.

Thus David Icke’s reptoid aliens have instead become reptoid djinn, who are seeking to lead humanity away from God through the music industry.

James Lindsay Tears Apart Queer Theorist Paper Attacking Childhood Innocence

December 31, 2021

I hope I’m not boring you with all this, but I thought I should post this video by James Lindsay up as well. It follows his first video attacking Queer Theory and its deliberate grooming of schoolchildren through pornography and grossly inappropriate topics being taught in sex education. Lindsay argued, citing the postmodernists and Marxist writers themselves, that Queen Theory really isn’t about genuinely helping gay, bi and trans children and adults come to terms with their sexuality and find acceptance in society, so that they can lead normal, functioning, happy lives alongside straight people. Rather, it is all about increasing their alienation and making them even more angry and transgressive in order to turn them into a revolutionary mass which will overthrow capitalism instead of the working class. This follows closely Georg Lukacz’s sex education programme in Hungary, which was explicitly designed to use sexual liberation to alienate children from their parents and conventional capitalist society. This was then taken up by the Frankfurt school and played a very strong role in the sexual liberation movements of the 1960s. Lindsay backs up the arguments in his previous video by going through a Queer Theory paper, written by Hanna Dyer, a woman at Carlton University in Canada, that explicitly states this.

Queer Theory’s Rejection of Gay Rights

Early on in the paper, Dyer denounces the recent legislation granting gay people equal rights. Lindsay is not homophobic, even though his attacks on Queer and Critical Theory and calls for those promoting it to be put in gaol make him sound like a very right-wing Conservative. I don’t know what his political views are. He may be a man of the right, but he makes it clear that all parents should come together to combat what is being taught in schools in Social Emotional Learning and Comprehensive Sex Education regardless of politics, race, sexuality and religion. All that should matter is the class ‘parent’. Lindsay states that gay acceptance has been of immense benefit to society. But Dyer attacks it because such liberal legislation will help reconcile gays with the capitalist society they wish to overthrow. This continues throughout her wretched article. Later on she attacks Dan Savage’s video on YouTube, ‘It Gets Better’. Savage is gay, and with another man, produced a video to reassure gay children that even though they’re bullied and have an awful time at school, it gets better when you grow up. People are more accepting. I think this often depends on your particular place in society. Working class culture could be traditionally extremely homophobic, and there is a vicious homophobia prevalent in some parts of Black culture. But in general middle class culture has become very accepting to the point where one YouTuber described how a Conservative friend had completely accepted gay equality. Savage produced his video in response to the high rate of suicide amongst gay kids. He wanted to stop it by showing that ‘It Gets Better’. He released the video on YouTube because he felt schools would resist its message. According to Lindsay, Savage is actually ‘super liberal’. But to Dyer he’s an evil White man – she doesn’t call him a scholar or researcher, just ‘White man’ in order to show how evil he is. Apart from his race, she sees him as a servant of capitalism, trying to stop the revolutionary potential of the gay masses by incorporating them into neoliberalism and promoting upward mobility.

Now I strongly believe that the sooner we dump neoliberalism the better. It is doing immense damage to ordinary working people of whatever, race, creed, sexuality or religion. But there is absolutely nothing wrong with trying to reassure vulnerable gay children that they can still a place as an accepted member of society, who should be able to look forward to the same job opportunities as the rest of us and have the same aspirations to social advancement. And I’d say that attacking a video that genuinely tries to stop gay kids committing suicide is actually evil.

The Attack on Childhood Innocence in order to Promote Radically Alienated Gay Identities

The paper goes on to attack the whole notion of childhood innocence. She hates the idea that children are asexual and proto-heterosexual. Lindsay states that here she comes into conflict with biological fact. Most people across society all over the world are heterosexual. Only a minority are gay. This is aside from any moral considerations that see heterosexuality as more moral than homosexuality. He makes it clear that he supports the teaching that ‘Some people are gay. Get over it’, as Stonewall once said in an advertising programme. Lindsay has said in his previous video that Queer Theorists really don’t like that common sense attitude. Moreover, they see gender and sexuality as identities without essence, social roles people perform rather than are. Therefore they seek to groom children for their role as queer revolutionaries by breaking down barriers and having them sexually experiment. This include the binary oppositions male/female, adult/child. And around the 1hr 14 minute mark, Dyer says this explicitly. Which clearly opens the way to grooming by paedophiles. Lindsay states that children have a very strong belief in these opposition and that he believes them to be biologically innate. He also makes the point that paedophile relationships massively damage the young victims psychologically. A very high number schizoid people have the condition due to childhood abuse. But Dyer seems also to be offended by the biological fact that most people are heterosexual. She wants to changes that, and queer not just gay children, but children as a whole. This is very much how the attacks on heteronormativity have seemed to me, and I’m glad that Lindsay has come to the same conclusion I have.

Later on, she attacks the whole notion of reproductive sex because gay people, who naturally cannot have children through gay sex, cannot achieve the same level of privilege as straight ‘breeders’ in a society that privileges heterosexual reproduction. But this is a revolt against biology, as it is through heterosexual reproductive sex that the human race is perpetuated. Ah, but so too are the mechanisms of capitalist control and repression. Instead the goal should be hedonistic, non-reproductive sex, which she explicitly connects with the death urge through Marcuse and other Marxist thinkers. This is just plain nihilism. Thinking about it, it makes me wonder if Pope John Paul II had a point when he described Enlightenment society as a ‘cult of death’. I think he was wrong about the Enlightenment, but certainly right about these pernicious postmodernist ideologies.

Childhood Innocence Blamed for Racism and Genocide

Naturally, race gets drawn into it in order to produce the broad, intersectional coalition of races and sexualities that postmodernists hope to create as an oppositional front against capitalism. Childhood innocence should be challenged, because it chiefly affects White children. Black children are less innocent, and stereotypically more streetwise. Lindsay says it’s rubbish. Here I think he’s wrong. I think the stereotype is that Black children are tougher, more worldly-wise, and more ‘street’. but that doesn’t mean that their parents don’t want to preserve and guard their innocence just as much as Whites. And apparently childhood innocence is also genocidal. Whites want to preserve their kids more than those of other races, and this is somehow ties in with one of the genuine mass-murderers of the US Indian Wars. This was the general responsible for the Sand Creek massacre, who wanted not only adult indigenous Americans killed, but also to be physically mutilated and their children murdered as well in order ‘to stop lice breeding’. It’s an absolutely horrific attitude and atrocity, but as Lindsay points out, just ’cause someone was an idiot in the past doesn’t mean that everybody who believes in childhood innocence is. She also brings social class into her argument about gay acceptance and queer children, although Lindsay states these are actually non-issues. He also points out that at the centre of all this is are repeated attacks on conventional ideas of childhood development, which stresses that children go through certain stages and that the material they’re given should be age appropriate. Like the books in school libraries that are graded according to suitability for different ages of reader. Dyer talks about getting Queer Theory to influence ideas of childhood pedagogy along with Critical Race Theory. But this isn’t about helping gay children. It’s all about destabilising children’s personalities, to make them angry and disaffected, to make them Marxist revolutionaries determined to destroy western civilisation.

Alex Jones Right about Queer Theory and Transhumanism

At times Lindsay sounds like the mad conspiracy theorist Alex Jones. He says at one point that if he goes on reading it, he’ll end up screaming about Satan like the bonkers Texan libertarian. Well, Jones talked a lot of conspiracist nonsense about ‘the globalists’, which is very close to the wretched anti-Semitic conspiracy theories. He also falsely accused decent people of being child abusers for the Democrat party, claimed Barack Obama was the antichrist, Hillary Clinton of being possessed by alien demons, a practicing witch and a robot from the waist down, and other nonsense. Like NASA was running a child slave labour based on Mars. Which nobody knew about, least of all NASA, as they took the time to deny it, not least because it would cost $16 billion just to send six people to Mars let alone the legions of kids Jones, or rather, one of his guests, claimed.

But it seems Jones had a point. I’ll admit I had a laugh when Jones ranted about feminism and gay rights being a transhumanist cult to turn us all into sexless cyborgs. But Lindsay says that transhumanism is one offshoot of Critical Theory. The World Economic Forum is made up of transhumanists, who all want to link us to the Net through biological implants so that we will live at least part of the time in Virtual reality. We will own nothing and we will be happy.

This sounds like Star Trek’s Borg to me. In ‘Q Who?’, the Star Trek The Next Generation episode which introduced them, Q transports the Enterprise to system J17, where they encounter and are attacked by a Borg cube that has just finished assimilating a planet. As one of them beams aboard, Q says to Picard, ‘Look at it, Jean-Luc. It’s not a he, it’s not a she… it’s an augmented humanoid.’ But one of the heads of the big American tech corporations is a transwoman and transhumanist, and wrote a paper promoting transhumanism as a feminist project to go beyond gender. And there certainly was a lot of talk about genderless future cyborgs when transhumanism was being discussed back in the ’90s. ‘We are Postmodern Borg. Resistance to Critical Theory is futile. You will be assimilated’.

Destroying State Education Not the Solution

Throughout the video, Lindsay angrily stops his analysis of the text to remind his readers that this is being done by groomers in the sex education now being taught in American schools. This means your children. And this is primarily state schools though some private schools are also involved. He loudly urges people to take their children out of these schools. I see his point. There’s a video by anti-trans ideology activists Kellie-Jay Minshull, in which she goes through some of the material recommended for schools by Stonewall. And it is about sexualising children. One of these is a game in which children put together various body parts and have to guess what sex act may be possible with them. This really is inappropriate. Yes, children should be taught about the changes happening to their bodies and their emerging sexuality in adolescence. And I quite agree that at an appropriate age, children should be taught that some people are gay but should be accepted like anybody else. But this doesn’t do that. It is about breaking down barriers, barriers which are there for a reason. There is an organisation, the Safe Schools Alliance, for parents worried about this form of indoctrination. He also points out that the ideas are very similar to Herbert Marcuse’s proposals for Marxism to take over university education.

But the solution isn’t to pull kids out of state education, as the Conservative right wants. I think the American public school system was founded by Thomas Jefferson, who realised that for America to work as a functioning democracy it needed an educated public. Absolutely. If you destroy public education, you get back to the conditions of 19th century Britain before it was made compulsory. Education was definitely not free, and only the rich could afford to send their children to the public (elite private) and the grammar schools. Working class children could go instead to dame schools, usually run by an elderly woman, hence their name, where educational standards could be very low. Many children couldn’t send their children to school, and so illiteracy rates were much, much higher. Proper state education has made the British public much more educated and informed, though sometimes you wonder.

What needs to be done is for parents instead to fight this indoctrination as hard as they can, so that their children get a proper education and not just indoctrination, whether from the extreme left or the extreme right.

Independent: Venus Could Have Completely Alien Lifeforms in Cloud Layer

December 21, 2021

The Independent has published a piece by Adam Smith reporting that scientists at Cardiff University, MIT and Cambridge University have modelled a series of chemical reactions based on a ammonia, which would neutralise sulfuric acid droplets. Venus has a lethal atmosphere of mostly carbon dioxide, where it rains sulfuric acid, and an atmospheric pressure and temperature much higher than Earth. Probes sent to the planet have lasted only a few minutes after landing because of the immensely harsh conditions. However, as the article states, ammonia has also been detected in its atmosphere, that might indicate that it has life. The article states that this would be ‘unlike anything we’ve seen’, which sounds like there could be large creatures moving around in the planet’s cloud layer. Unfortunately, as the article goes on to say, if life exists it’s going to be microbes, but microbes of a very different biochemistry. The article begins:

‘Researchers believe that there could be potential lifeforms producing ammonia in the clouds of Venus that are “very unlike anything we’ve seen”.

The colourless gas, a compound of nitrogen and hydrogen, could be indicative of chemical reactions that would make the planet – 47.34 million kilometres from Earth – more habitable to alien life.

On our planet, ammonia is a common left-over waste from aquatic organisms. Its presence in Venus’ upper atmosphere has been puzzling astronomers since the 1970s – with scientists believing that it should not be produced by any known force on the world.

Venus itself is so hot that it is inconceivable to have life forms, and if there is life in the clouds it is likely to be microbes like Earth bacteria – albeit with a chemical composition unlike that we have seen on our planet, or even neighbouring planets like Mars.

This is because life on Mars is more likely to be similar to that on Earth and so scientists have a greater idea of what to expect. Venus, in contrast, is unlike any other planet in the solar system.

In a new study, researchers from Cardiff University, MIT and Cambridge University modelled a set of chemical processes to show that – if ammonia is indeed present – it would set off a cascade of chemical reactions that would neutralize surrounding droplets of sulfuric acid.’

See: https://www.msn.com/en-gb/news/techandscience/alien-lifeforms-unlike-anything-we-ve-seen-could-be-hiding-in-the-clouds-of-venus-scientists-suggest/ar-AAS04dh?ocid=msedgdhp&pc=U531

This is interesting, and Venus certainly has the organic chemistry necessary for life, and I think the temperature and pressure in the cloud layer is roughly suitable. But I’m pessimistic about there being life on Venus. We haven’t found it elsewhere in the solar system yet, although it could be preserved in refugia deep in the rocks and artesian wells on Mars or in the subterranean oceans believed to be under Jupiter’s moon Europa. But I’m not confident of its existence there, either. We were disappointed when the Mariner probe got to Mars in the 1960s, and found that instead of being roughly like Earth, it was more like the Moon. Before then, astronomers had observed seasonal changes of colour on the planet, and suggested it was due to changes in vegetation, possibly mosses and lichens. And then, of course, there was speculation about Martian canals in the 19th and early 20th centuries. There may yet be life in the solar system. I hope so, but I’m not confident. And the only way to find out is to go there. Until then, we’ll have to wait and see, whatever planet it’s on it.

Cartoonist Kayfabe Look at the Art and Career of ‘American Hero’ Steve Ditko

December 10, 2021

More comics stuff, and a rather longer video than usual at 1hr 9minutes, but the subject deserves it. Steve Ditko is one of the great, legendary figures of American comics. He’s probably best known for creating Spiderman and the occult hero Dr. Strange with Stan ‘the Man’ Lee for Marvel. But as this video shows, Ditko worked for many other American comics companies – DC, Charlton, Dale and EC among them as well as self-publishing his personal works. In the video, the Kayfabers Ed Piskor and Jim Rugg go through the volume Ditko Unleashed: An American Hero, which accompanied an exhibition of the great man’s work. The book’s bilingual in English and Spanish, which suggests that the exhibition may have been in Spain. The volume not only describes Ditko’s career, but gives plentiful illustrations of his art.

Ditko, like Kirby, came from a blue-collar, working class background. He went into art school to study cartooning, as he wanted to be a comics artist. His career was uneven, working for a number of different publishers and in a variety of different genres – monster, science fiction, horror as well as the superheroes for which is he is best known. He also worked with some of the great names in American comics. At times he inked the awesome Jack Kirby, at other times he was inked by Frank Miller, the artist and writer chiefly responsible for turning Daredevil into one of Marvel’s leading heroes. I think he may also have been inked by John Byrne, one of the major artists behind the New X-Men. He was admired by many of these new artists. The epic Jim Starlin, in one edition of his Warlock comic, ‘One Thousand Clowns’, dedicated it to Ditko for showing us a new reality. Starlin’s art was rather more naturalistic, but he also used the same floating paths and mystic portals in his work. He also went through several hard times in his career. At one point he moved away to New York to recover from tuberculosis, then, as in Britain, a major killer. There were also years when he struggled, as many others did, to get work. He also worked on a number of merchandising tie-ins, like Micronauts and Rom: the SpaceKnight, which were intended to promote toy figures. I read the comics, which were excellent without having any interest in buying the toys, which might indicate they were too successful. Like the adverts for Cinzano Bianco wine with Leonard Rossiter and Joan Collins. Everyone enjoyed them and they’re still fondly remembered by peeps of a certain vintage, but the people watching the ads couldn’t remember the brand of booze and so didn’t buy it. Ditko, like Kirby, broke off from Marvel for a time, before he returned, working on the above tie-ins along with the robotic superhero Machine Man.

Ditko, Politics and Morality

Unlike Stan Lee, who was a liberal, Ditko was very Conservative, a follower of Objectivism, the philosophy of supercapitalist ideologue Ayn Rand. He also had very black and white views on morality, which were expressed in his personal creations, Mr. A and The Question. He believed that heroes should be heroes, their morals pure and uncompromised. True to his ideals, he turned down work when the characters he was being asked to depict didn’t live up to them. A few years ago Jonathan Ross made a documentary for BBC 4 or one of the other channels searching for Ditko. One of those interviewed was Brit comics titan Alan Moore, who described meeting Ditko at Ditko’s home. He says that Ditko had a very narrow, inflexible view of morality, telling Moore, like one of his characters, that there were only two ways, a right way and a wrong way. Ditko’s politics are very definitely not mine, and I’m very much aware that in the real world, things are very often never a case of black and white but more shades or grey and motives can be less pure than we’d like. But after the comics industry went through a phase in which they tried to make their heroes darker – Batman: The Killing Joke is one of the foremost – and it was difficult telling the heroes from the villains, it’s refreshing to have someone who believes in old fashioned heroics.

The Kayfabers believe that if he were working today, Ditko would be cancelled or at least severely annoy and alienate 50 per cent of his audience. I think the first is certainly true. There has always been a left-wing message in American comics and an awareness of social issues. In the late 1960s into the 1970s both Marvel and DC tackled issues like racism and the rise of the feminist movement. As a response to the latter, Marvel created the Valkyrie, original a woman scientist who revolted against the patriarchy after having the credit for her discoveries stolen by her male colleagues. The Hulk comic also questioned American militarism, while Captain America, in disgust at Watergate and the contemporary corruption of American politics, renounced his patriotic monicker to become Nomad. Of course it wasn’t long before he rediscovered his faith in the rightness of the American way and put his uniform back on. However, Lee has also said in an interview that he was careful not to make the message too shrill so that it alienated readers that didn’t share his politics. Now many Conservative and moderate left comics creators and fans believe that in many strips, the political message has become too overt at the expense of traditional qualities like plotting, characterisation, dialogue and sheer fantasy. This was the motive behind Comicsgate a few years ago, when a number of comics creators, like Ethan van Sciver, broke away from the main comics companies of DC and Marvel to set up on their own.

Heroism and Its Absence in Modern Genre Film and Literature

One of the problems Az of Heels vs. Babyface and The Critical Drinker is that many of today’s pop culture heroes actually don’t act like heroes. For example, in one episode of Batwoman reviewed by Az, he comments critically on the way Batwoman treats the villain, a woman who has murdered several innocents. When Batwoman confronts her, she tells Batwoman that she’s killed so many people out of rage at her persecution as a lesbian. As a result, Batwoman, a lesbian herself, lets her go. This is simply immoral. The persecution of otherwise perfectly decent people because they’re attracted to the opposite sex is wrong, but it doesn’t justify the murder of innocents. Whatever political views real policemen and women have, they still have to act impartially and arrest those, who break the law and especially those who commit terrible crimes like mass murder.

The Critical Drinker put up a whole video about the failure of contemporary SF heroes to live up to the standards of true heroism with the latest Star Trek iterations as a case in point. He contrasted these were the high standards of professionalism demanded of the captain and crew in the classic Star Trek: The Next Generation. In that series, the characters knew the importance of duty and respecting the command hierarchy even if they disagreed with it. At the same time, Picard and the other senior officers demanded and got the best from their crew. Several of the episodes involved leading characters learning the difficulties of command. There is one episode where one of the characters is training for promotion. Part this training involves trying to find ways to prevent a warp core breach that will destroy the Enterprise. The problem is insolvable until nearly every option has been tried except the one the prospective leader has been consciously trying to avoid: they have to send Jordi into the warp core to fix it, a command which will result in his death. But it’s unavoidable, and both characters know their duty is to their ship. The would-be commander has to give the order, which Jordi calmly accepts. And a hard lesson is learned. Instead, the crew of the new Trek franchises are grossly unprofessional. They bicker over there personal relationships in front of a superior officer, react badly to the stressful conditions they should, as crew aboard a quasi-military spacecraft, be trained to deal with and try to undermine their superior officers. Case in point: one sequence where Kirk and Spock attempt to beat the living daylights out of each other. Yeah, I’m aware that it happened in an episode or two of the original Trek, like the classic ‘Amok Time’, but there were extenuating circumstances. I like Star Trek and have got a couple of the recent Trek films on DVD. But I think the Drinker has a point, even if it comes from a jaundiced, booze-soaked mind. I think we need a few more heroes who are genuinely heroic in the old fashioned sense, even if the social views they hold may be those of the left.

Stylistic Strong Points

But Ditko’s own career also had its contradictions. At one point he was working on BDSM/ fetish comics, and there were certainly questions raised about the spectacular and surreal effects in several of his strips. Many of his characters, like Dr Strange, enter strange realms in which roads float apparently in mid-air, and doors and portals appear leading to elsewhere, like the mobile holes in many a cartoon strip. Strange shoots beams of light and conjures up strange geometrical figures in his incantations. These effects resemble the entoptic imagery seen when people start to hallucinate after using mind-altering drugs. Which led to the obvious question: was Ditko also on ’em. Ditko was too straitlaced to use recreational chemicals, and answered ‘No’. It all came from within, from his own unaided imagination. Which says to me that Ditko had an awesome imagination on his own, and that the really great, creative people don’t need drugs.

I can’t say that I was ever a fan of Ditko, as his artistic style with Marvel seemed rather too simple. I really admired those artists who were rather less stylised and more detailed and naturalistic. Nevertheless, this video shows that Ditko was a master of his art. The Kayfabers point out that he’s great at cityscapes and portraying fluid action sequences in which the characters are constantly in motion. In some of the strips, Ditko also used colour washes to enhance his line art, and the result is stunning. There are also a couple of strips where Ditko’s inkers were beginning to use computers to add inks and colour to his pencils, which are also very striking.

The Kayfabers also think that some of the pictures come from the private collections of people who acquired them less than legally. There is a black market in comics art, and Ditko was a victim along with many others. They won’t name names, of course, because they don’t want to get writs from m’learned friends. But they also state they’re just glad that someone, somewhere has preserved these pictures that would otherwise have been lost. Ditko also suffered into inadvertently giving people his autograph, thus cheating himself of money. He didn’t give autographs. However, if someone wrote to him asking for his autograph, they’d get a polite reply for Ditko saying ‘No’. Which he’d sign. People cottoned on to this, and exploited it.

Comics and Other Genre Artists True Artistic Innovators Deserving Academic Respect

The Kayfabers also lament that Ditko and that other American comics legend, Jack Kirby, weren’t more articulate. If they had been able to use the kind of language critics and intellectuals use about art, they could easily have been up there with Warhol and the Factory. But they were working artists, who had to grind out their strips to make a buck, and so didn’t have time to mix with people in art galleries. I completely agree. It’s been my opinion for a very long time that the truly great, innovative art exploring new visions, directions and tools is that of the space, science fiction and fantasy artists, including book illustrators and comics artists. And there are others who feel the same. I can remember watching one video about comics, in which one of the speakers said he felt angry seeing the work of artists hung in art galleries, who had based their work on comic artists. He felt that the original comics artists should have got the money and their work hung instead. Way back in the ’90s I tried to get one of the art magazines to accept an article in which I argued this point, and showed the stylistic similarities between respect fine artists like H.R. Giger and those of the Soviet austere school and such comics greats as Kirby and the British master of aliens, robots and the grotesque, Kevin O’Neil. Unfortunately, it was turned down because it would have been too expensive to run. But the point remains. And it'[s shown in Ditko’s art. There’s a panel in which the exhibition shows a clear influence on one of Ditko’s weird geometrical designs in a portal in Dr. Strange with a painting from the Russian avant-garde artist Vassily Kandinsky. The two debate whether there is a genuine influence there, before concluding that their probably is. I can easily believe it. Many comics artists have their own heroes and influences in fine art as well as other great illustrators of the past. Way back at the comics festival UKCAC ’90 I remember going to a talk by Charles Vess, who talked about the great artists and illustrators he admired. I can well believe that Ditko absorbed and incorporated ideas from fine art as well as cartooning and illustration, and that his own work pushed these ideas forward into new directions.

The book goes up to 2016, nearly the end of Ditko’s life. He died only a few years ago. Wossy in his quest to find the great man managed to track him down to an advertising agency in the Big Apple. Ditko agreed to meet Woss and the other host, but it all had to be off-camera. The programme concluded with Wossy stating that when they met Ditko he was very sweet, gave them lots of copies of his work, but they couldn’t repeat what he said to them. And so walked off into the New York crowd.

Well, RIP Steve Ditko, one of the greats of American founders. The book and the video by the Kayfabers are a great overview of one of the creators of some of the most iconic modern American superheroes.

Mr H Reviews on Guillermo del Toro’s Plans to Make Lovecraft Miniseries for Netflix

December 3, 2021

If this goes ahead, it’s going to be great news for Horror fans and especially aficionados of the great American Horror writer, H.P. Lovecraft. In this video posted on YouTube, Mr H talks about an interview on one of the film sites with director Guillermo del Toro in which he states that he is currently rewriting a script he wrote for a film version of Lovecraft’s novella ‘At the Mountains of Madness’. Del Toro is a massive fan of Lovecraft, who is a huge influence on his movies. He has been hoping to make a film of Lovecraft’s classic story for ages. He wrote a script 15 years ago for a film version which would have starred Tom Cruise and been produced by James Cameron. However, it failed to get off the ground because of the massive costs involved. After the failure of the project, del Toro turned to making other movies like Pacific Rim, which shows a certain similarity in the confrontation of humanity with raging monsters. The script, however, is available to read on the net. Mr H here mentions that he’s also a great fan of Lovecraft, and has turned several of his stories into audiobooks, which can be heard on his channel on YouTube. These were not necessarily easy to make, because of the archaic style in vogue at the time.

‘At the Mountains of Madness’ is about a group of Antarctic explorers, who uncover alien creatures from a civilisation that arose millions of years before humanity. In the novella the humans follow the aliens as they head back to the remains of their civilisation, uncovering its history before finding that it has fallen, overthrown by the shoggoths, genetically engineered servants of the aliens. Del Toro states that the film version was his attempt to make a blockbuster. He now believes he can cut it down to make it smaller and weirder. There are only four set pieces he wishes to retain from the original script, and he intends to change the ending to make it darker. He’s therefore planning to turn it into a miniseries for Netflix. Mr. H is very optimistic about this, as it should mean that del Toro will have less studio interference and an access to a distributor as well as a studio. He believes that del Toro’s reworking of the script shows real commitment to getting the project off the ground. And he makes the point that Lovecraft’s cosmic horror doesn’t need big effects. Much of it can be portrayed with a character going mad with fear at something he sees off camera. On the downside, it has to be said that many of his commenters are not optimistic about the miniseries’ quality if it comes from Netflix. It also means that it will be on a streaming service, rather than the cinema, which may make it difficult for people to watch.

French Practical Joker Masquerades as UFO Alien to Troll TV Channel

December 2, 2021

Boris Johnson seems to go out of his way to antagonise our former EU partners. Priti Patel was disinvited to a meeting about the Channel migrants crisis after Bozo leaked his reply to them to the press before formally informing his French counterparts. He’s got form for this kind of assinine behaviour. It seems to me that it’s part of a deliberate strategy: do something to upset the French or the EU, claim to the press that it’s all their fault and this why is why Brexit is a good thing. And then, when Boris is actually defeated or outwitted by the EU or the French, start lying and spinning it as some kind of great victory. And stirring up patriotic outrage against supposed slights or aggression from foreigners is one of the oldest tricks in the political playbook. Regimes start a foreign affairs crisis to distract their people from domestic issues when the pressures there start getting too great. Franco used to do it with Gibraltar. But why would our great and universally admired leader be afraid of criticism over domestic issues? Well, it might have something to do with his inept handling of the Covid pandemic, the immense corruption and cronyism in the Tory party, the further privatisation of the NHS and cuts to benefits. Also, people are worried about their safety following the assassination of David Amess and the fortunately failed suicide bombing of Liverpool Women’s Hospital. Quite apart from the fact that Priti Patel is coming under fire from the right for not stopping the migrants from crossing the Channel, and from the left for her increasingly Fascistic attitude to such migrants. Brexit is damaging the economy, nobody’s running to be Britain’s trading partners, and the deals with America and New Zealand throw British farmers under the bus. So Bozo needs a distraction so that he can blame evil foreigners. Or he could just be monumentally inept. That’s also a strong possibility.

So here’s something rather more positive from across the Channel. Remi Gaillard appears to a French prankster of the same type as the late Jeremy Beadle of Beadle’s About, and the team from Game for a Laugh. In this video he dresses up as an Grey alien and poses, complete with a little UFO, to get a reaction from the French public. Some of them react in fear, some are perplexed, especially when he appears at a rural crossroads pulling a cow – presumably a reference to cattle mutilation. And some are well up to him. Despite his attempt to escape, the local fire brigade capture him and throw him in the back of his fire engine. He and his team explain at the end that they did to troll a TV channel, because they believe anything. So they faked UFO appearances in the sky using drones before setting up the alien appearances. He gleefully states that it worked. It’s funny, but obviously not if you’re one of the people being pranked, which is always the problem with this kind of practical joking. But it is also interesting to see how the mythology of Area 51 and Greys has penetrated French ufology as well as that of Britain and America. Mind you, Game for a Laugh did something similar back in the 1980s when they faked an alien landing on some poor woman’s front lawn.

This is all very childish and shouldn’t be encouraged, but it is funny, and that’s what we also need in these depressing times.

*****

I’ve also written the following books, which are available from Lulu.

The Global Campaign, Volume 1

Price: £12.00

Available at The Global Campaign Volume 1 (lulu.com)

The Global Campaign Volume 2

Price: £12.00

Available at Global Campaign Vol 2 (lulu.com)

For a Worker’s Chamber

Price: £4.50

Available at For A Worker’s Chamber (lulu.com)

Privatisation: Killing the NHS

Price: £5.25

Available at Privatisation: Killing the NHS (lulu.com)

Crimes of Empire

Price: £10.00

Available at Crimes of Empire (lulu.com)

Image of the Dystopian Future: A Chinese Rooftop Slum

November 5, 2021

I’ve been reading a number of books on SF art recently. One of these is Prentis Rollins’ How to Draw Sci-Fi Utopias and Dystopias (Monacelli Press 2016). Rollins is a British artist, who has worked on a number of comics for DC and Marvel, as well as various a couple of graphic novels. The book’s subitled’ Create the Futuristic Humans, Aliens, robots, Vehicles, and Cities of Your Dreams and Nightmares’.

The first section of the book gives some basic information on drawing – the face, proportion, anatomy, perspective and so on. But much of the book is his own pictures of various science fictional scenes, which can be roughly assembled into a future history. These show cities devastated by nuclear war, roving tower blocks on tank treads, humans exploring alien landscapes, and the aliens monuments they discover, spaceships, human and alien, and land vehicles, including the trucks of the future. One picture also shows a secret time machine hidden in a bunker in Surrey, alternative histories, like a noble British steampunk family, a war robot created to fight the Vietnam War, new Martians evolved from human colonists, but which don’t look remotely human, meeting the terran emperor. Finally there is a picture of Earth’s distant, utopian future, in which the landscape is dominated by a huge city unlike anything now built.

Each picture is accompanied by Rollins’ own description of how he completed them, taking you step by step through the process by which he transformed his pencil drawings into the superb finished art. He also shows still from some of the great SF movies and TV that have inspired him. This includes Star Trek and Star Wars, Metropolis, Georges Melies’ A Trip to the Moon, and the Alexander Korda’s 1936 film adaptation of H.G. Wells’ Things to Come.

One of the suggestions Rollins makes in the book is that as the global temperature continues to rise, humanity will move higher into the atmosphere to escape the heat. This will result in a network of Earth-girdling buildings strung out on miles’ high skyscrapers. But before that happens, there will be more familiar high-rise slums like this one he depicts for Shenzen in 2100. The Earth’s population has expanded massively, with people crammed into such high-rise cities. Water is desperately short, so it is used only for drinking. There is none to spare for putting out fires, which are left to burn themselves out.

It’s a chilling prediction, and one that is alas all too credible. Especially as Rollins shows the photos he took of contemporary Hong Kong which he used as reference. I’m putting this image up because I feel that it could come true despite international talking-shops on climate change and the environmental crisis like COP26. An event at which our own prime minister showed once again what I bumbling clown he is. David Attenborough, who had the misfortune to be seated next to him, and Greta Thunberg are right: we need solid action on climate change. But we aren’t going to get it from Boris.

Prentis Rollins’ book is a great collection of SF art from the imagination of one of the comics industry’s many great artists. Like many artists, Rollins also uses computers as well as pencil, pen and ink, and I think this may be a little beyond some aspiring SF artists. But the art is great, and should fire the imaginations of its readers and inspire them to create their own great SF works in their turn.