Posts Tagged ‘Brexit’

More Workers’ Rights: Another Set of Promises May Has No Intention of Keeping

February 7, 2018

It was reported in the I today that May has promised to increased workers’ rights, and give them greater protection at work in order to combat the harm done by the ‘gig economy’.

Well, I’ll believe that when I see it. Tweezer has form when it comes to making vaguely left-wing or pro-worker promises, only to go back on them once she’s safely installed. The one that particularly springs to mind was when she promised that she would put workers on the management boards in industry. That was one of her election promises last year. And lo and behold, after she won the election, it was quietly shelved, with Tweezer making excuses like ‘the time wasn’t right’ or some other such nonsense. And she’s carried on making promises like this, only to break them.

The Tories are inveterate liars, and so I guess we shouldn’t expect anything less from May. She’s coming under attack from her own party, and particularly from a group of rebels that have gathered around Young Master Jacob Rees-Mogg. Despite all her protests to the contrary, her negotiations with the EU over Brexit are an appalling mess, that has done precious little for this country and its economic future. And she, and the rest of the country, knows it.

It also shows how terrified she is of Jeremy Corbyn. For all the sneers about him, and the loud smears against Corbyn and his supporters in Momentum as Communists, Trotskyites and anti-Semites, this shows that the Tories and the corporate masters are really frightened by the fact that Corbyn is gaining in popularity. I think he now may be even more popular than the formerly ‘strong and stable’ May. Hence the lies and smears against him and his supporters.

This latest promise to protect workers from job insecurity is another pack of lies, designed to deceive working people into voting for a party that has been instrumental in setting up the ‘gig economy’ and destroying any kind of job security. Once May is secure in her position once more, you can bet that she’ll go back on it, arguing for the importance of having a flexible workforce and fluid labour market. And all the other neoliberal rubbish we’ve heard since Maggie Thatcher, John Major, Blair and Cameron.

The only guarantee of getting real rights for workers is to vote for Corbyn.

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Another Empty Promise from May: ‘I’m Getting What the British Public Wants from Brexit’

February 2, 2018

Another vapid, empty piece of spin from Tweezer. I heard this today on the breakfast news, and really couldn’t let it go.

Over the past few days, May has been running around trying to negotiate trade deals with the Chinese. When asked about the negotiations to leave the EU, May responded ‘I’m getting what the British public want from Brexit’.

It’s a bald lie. For a start, a large part of the British population didn’t vote ‘Leave’. The majority of Scots and Ulster people voted to remain. It’s only the English that voted to leave the EU. And an increasing number of them have changed their minds, so there’s growing support for a second referendum to be taken on this issue.

And May’s own party is hopelessly divided on the issue. Mike has put up articles on the coterie of Hard Brexiteers that has coalesced around various cabinet members and leading Tories, including Young Master Rees-Mogg. For them, it’s not so much what the public wants that’s important, as what’s important to them and their donors and supporters as managers and senior executives in the financial sector. They’d like to turn Britain into another tax haven just outside the Eurozone, as this would benefit the banking industry. Never mind the damage that it would do to manufacturing, or the immense poverty that would be inflicted on the ordinary working people of the UK as they repeal even more workers’ rights and destroy the very last remnants of the Health Service and welfare state. Just so long as those bankers’ bonuses keep rolling in, and there are nice, fat dividends for the shareholders.

And the Tory party, and particularly May, has always been extremely vague about what kind of Brexit deal they would strike. Remember a few years ago when May was mechanically intoning ‘Brexit means Brexit’ at every speech and interview, all the while glaring at her interlocutors as if it was them, not her, who was unbelievably stupid, simply for asking the question. She had nothing to offer, and could make absolutely no promises. But like Maggie Thatcher, her response to a difficult, reasonable question she couldn’t answer was to go on the offensive and try to make the other person look stupid. I can remember how Maggie replied with the highly considered, detailed response ‘Oh, you stupid man!’ after one journalist dared to ask her a question she couldn’t answer. ‘Brexit means Brexit’ was a response in a similar vein, though without Thatcher’s ad hominem abuse.

Then there are the jokes Merkel has been making at Tweezer’s expense. I blogged yesterday, following Mike, about the way Frau Kanzlerin has been joking about the circular nature of negotiations. May will say to her, ‘Make me an offer’. Merkel will respond, ‘We don’t have to. You’re leaving.’ At which May will repeat, vacuously, her appeal. ‘Make me an offer’. It’s less a business negotiation between equals as May begging for some kind of deal, no matter how bad.

And it shows that the one thing that May is definitely not getting is what the public wants from Brexit.

But all we’re getting from her and the rest of the Tories is more lies and spin to try and deceive us into believing it’s so.

Merkel Claims May Begs Her to ‘Make Me an Offer’

January 31, 2018

Remember when the Tories were trying to convince everyone that Tweezer was ‘strong and stable’, and could be trusted to get us a good deal on Brexit? Oh, how times have changed!

Mike put up a story yesterday, reporting that the German Chancellor has been making jokes at our PM’s expense about her negotiating style. According to die Kanzlerin, all the negotiations between her and May go round in circles, with both of them saying exactly the same things. May will say, ‘Make me an offer.’ Merkel will reply, ‘We don’t have to. You’re leaving.’ At which point May will repeat her first request. Merkel then repeats her reply, and the conversation goes on, round and round in circles.

See Mike’s article at: https://voxpoliticalonline.com/2018/01/30/brexit-make-me-an-offer-says-may-but-nobody-wants-to-talk-with-her/

Now before we go any further, it needs to be said that domestically Merkel is in a precarious position. She’s hung on to power, but her decision to welcome the wave of Middle Eastern refugees from Syria and North Africa a few years ago has damaged her popularity, and boosted that of the Nazi AfD. I also gather that there are problems about whether or not the SPD will join her grosse Koalition. They joined a coalition with her before, only to find their share of the vote declining as Merkel’s Conservative Christian Democrats took the credit for genuine improvements in the benefits system, which had actually been done by the SPD. The pressure’s on Merkelt to make herself look strong for the voters in Germany.

But this actually shows how weak May is. If this is right, then it shows how May actually doesn’t have anything to negotiate with. As we’re leaving the EU, they don’t actually have to make any concessions to us whatsoever. But the country needs them to, as does May personally. And so her remark to Merkel, ‘Make me an offer’, sounds less like an invitation by a skilled business negotiator in a Hollywood drama to productive talks than begging by a desperate and embattled PM. It also seems to show that May can’t talk, except in clichés she’s learned from the movies. Or had programmed into her by her handlers at Tory Central Office. But the cliché, coming as it does from Hollywood, is there to convince someone that actually she’s a tough negotiator. Perhaps she’s trying to persuade Merkel that she’s going to be able to make an offer Merkel can’t refuse. In which case, she and the Tory hordes behind her are very, very sadly deluded.

May needs an offer, any offer, even if it’s one she has no option but to reject, in order to show the Tory faithful and the voting public that she is able to negotiate any kind of settlement at all. And Merkel is determined to show her the opposite: that she’s in absolutely no position to demand anything.

Thus the Brexiteers, far from leading Britain back into a resurgence of pride and sovereignty, as people like Jacob Rees-Mogg would have us all believe, have actually done the opposite. Repeated studies have shown that Brexit will damage our economy, and the process has left the Prime Minister suppliant and begging before Merkel and the other leaders of the EU.

So much for ‘strong and stable’.

Not that Young Master Rees-Mogg is upset. Mogg makes his money, or a fair part of it, from investments, and so hopes that by going outside the EU and turning Britain into a low tax, low regulated economy just outside the EU, they can make Britain into a colossal tax haven for the global financial industry. No matter that the rest of the British economy, such as manufacturing, and its working people, have already suffered because of the Thatcherite promotion of the financial sector. Mogg’s a true blue, Tory aristocrat, who has consistently voted to give him and his class generous financial rewards, while cutting welfare for the poor, the disabled and working class. This shows his priorities, and those of the Hard Brexiteers that stand behind him. Whatever deal he wants to negotiate will very definitely not benefit anyone, who isn’t a millionaire investment banker.

May Moves Closer to a ‘Ministry of Truth’ for Cabinet Unit to Rebut ‘Fake News’

January 22, 2018

The Tories’ movement towards authoritarianism and dictatorship goes on. Mike today put up a story about Theresa May, our unfunny comedy prime minister, wanting to set up a ‘rapid response unit’ in the cabinet office to rebut ‘fake news’ on social media. Mike on his blog raises the obvious question about who will trust such a unit, when the Tories have been responsible for spreading so much fake news themselves. He illustrates this with a piece from the Canary, in which Victoria Atkins, the Undersecretary of State for Crime, Safeguarding and Vulnerability, by Niamh Eastwood of the drug charity, Release, for the lies Atkins had told about British drug policy and drug treatment.

And this is really just one instance of so many, many others. The Tories lie inveterately and constantly. Another example that comes readily to mind this week is Boris Johnson, once again reviving his lie that the money saved from being in the EU will go to the NHS. It’s been shown repeatedly that we won’t save the £350 million he claims, and when England did vote against EU membership last year, Johnson then went back on the promise, and blustered about how it was just an example of the kind of thing the money could be spent on. But in actually fact wasn’t. He’s revived this lie once before, and last week dragged it back up again.

May’s proposal also shows the massive insecurity the Tories now have. Despite having the overwhelming support of the British press and broadcasting, with the BBC apparently staffed by members of their party and producing constant pro-Tory propaganda through presenters and editors like Laura Kuenssberg, the Tories still feel they have to crack down on a threat from social media.

It’s because people are rejecting established news sources, like the press and the BBC, because they’ve been caught out lying too often. The Tories and their collaborators in the mainstream media have done their level best to vilify and smear the Labour party, and specifically Jeremy Corbyn and Momentum. If you believe them, Corbyn and the true Labour moderates – most definitely not the Thatcherite entryists that came in with Blair – are a load of anti-Semites and Trotskyites. But few people are buying that. Corbyn gained a considerable amount of support on social media, much of which was spontaneous, just as Bernie Sanders did over in the US. The Tories have been unable to compete with this, and so they want to shut it down. Mike’s article on this piece of news concludes

This is not an attempt to ensure a “fact-based public debate”.

It is a bid to hijack the news and turn it into Tory propaganda.

Who are you going to believe if you aren’t given a choice?

Tories hate the freedom of speech employed by the social media. They see this as their opportunity to end it. And they think the people are too stupid to realise they’ll be filling our newspapers and other news media with lies.

See: https://voxpoliticalonline.com/2018/01/22/whos-going-to-trust-theresa-may-to-tackle-fake-news-when-her-tories-are-responsible-for-so-much-of-it/

Absolutely. And May’s proposal is a real danger to free speech and freedom of opinion in Britain. It comes close to the ‘Ministry of Truth’ in Orwell’s 1984, or the rigid state control of the media in Nazi Germany, Fascist Italy and Soviet Russia. Perhaps the functionary Tweezer intends to put in charge of this new unit will be called ‘the Minister for Public Enlightenment’, like Goebbels?

This comes after the various attempts by Thatcherite administrations to set up secret courts. These are closed hearings, where, for reasons of national security, the accused may not know what crimes they are charged with, nor have the evidence against them disclosed to themselves or their lawyers. Blair tried to introduce them, and David Cameron and Nick Clegg passed legislation setting them up. Again, it’s a justice system very much like the Kafkaesque travesties of the Communist and Fascist totalitarians of the last century.

And this has to be stopped. This is another infringement by the Tories on freedom of speech and conscience. If it goes ahead, whatever May or her spokespeople will bluster and say to the contrary, it will be another attempt to dictate to the people of this country what they can believe politically. By a weak, terrified Tory prime minister, and the corrupt, mendacious party and corporate class she serves.

The Painter of Cyberspace: The Art of Jurgen Ziewe

January 20, 2018

Earlier this week there was a piece in the press announcing that the Turner Prize Committee had decided to go public early about which artworks and artist they were considering. I have strong feeling, like many people, about the Turner Prize. Many of the works seem simply designed to shock, with nothing more substantial underneath. Those that aren’t, are simply banal. It’s highbrow kitsch, which says nothing while claiming that it actually does. And I think modern fine art has reached a dead end. it’s anti-art, which constantly raves about Duchamps’ urinal nailed to a piece of canvas. Duchamps did it to make the point that whatever the artist claimed to be art, was art. It’s over a century old, and the joke’s well past it’s sell-by date. It was always an adolescent, childish prank anyway. To some of these art experts, it’s a hallowed artistic statement that must not be blasphemed in any way. You remember those Chinese guys, who were arrested when they jumped up and down on Tracey Emin’s ‘My Bed’? The same two were planning to urinate in Duchamps’ urinal. Which I feel is in keeping with the piece itself, but the mere thought horrified the keepers of official art.

The real artistic boundaries are being pushed, in my opinion, not by the fine artists, or at least, not by those fine artists currently pushed by the very small clique that defines what ‘official’ art is, like Nicholas Serota. Rather, they’re being pushed by commercial artists and film makers, often inspired by the worlds of Fantasy and SF, using computer graphics. One of the foremost of these, in my opinion, is the German artist Jurgen Ziewe. Ziewe lives over here, and has an English wife. And we are fortunate to have such a talented artist. I do wonder what will happen to other talented EU migrants like him after Brexit, who can’t stay in this country because they aren’t married. We’re going to lose a lot of very talented people.

Ziewe uses computer graphics, including Virtual models of humans and objects, and fractals, to create prismatic, Virtual, interior worlds full of robots, strange creatures, synthetic humans, fairies, wizards, witches, priestesses and temples. He started out making cards showing dolphins under cosmic skies. He’s a very spiritual guy, in a New Age-y sense, and his work is inspired by concepts from Theosophy and C.G. Jung. Here’s some of the picture from Nigel Suckling’s book about his art, New Territories: The Computer Visions of Jurgen Ziewe (Paper Tiger, 1997).

The Fairy Queen

Picnic In Cyberspace

Journey of a Virtual Traveller

Apart from Ziewe, other artists working in film and television have also been using the concepts of computer graphics. One of the features of the BBC TV version of the Hitch-Hiker’s Guide to the Galaxy that most impressed me in the late ’70s or early 1980s were the, ahem, computer graphics for the pieces of information provided by the Book. In fact, they were hand drawn, because the computers at the time simply weren’t up to the task of creating pictures that detailed. But the art produced as ‘computer graphics’, was superb, and those, who watched the show were deeply impressed. As an example, here’s a piece from YouTube of the Book describing Vogon poetry.

Further examples can be seen in pop videos. Like this one from the American electro-pop band, Information Society, which uses scrolling alphanumerics to suggest passage through cyberspace in a computer game, made for their track, ‘The Prize’.

Other artistic explorations of medically or cybernetically enhanced vision can be seen in the films Pitch Black and The Chronicles of Riddick and the last of trilogy, entitled simply Riddick. Richard Riddick, the anti-hero in these movies, is a violent criminal, a murderer, who somehow ends up doing the right thing. While in slam for his crimes, he paid the prison doctor 20 menthol cigarettes to have his eyes surgically altered, ‘polished’, so that he could see in the dark. In these flicks, we so bits of the action through his eyes. The scene in Pitch Black, where he sees the predatory aliens pouring out of their underground lairs after the marooned crew of a crashed colony spacecraft, is awesomely beautiful. This is the trailer for the movie.

And this is the trailer for The Chronicles of Riddick.

In this movie, the Necromongers use visioners, cybernetically adapted humans, to seek and visually examine areas that are difficult or impossible for normal human eyes to see clearly. And the brief scenes, in which the audience is shown what they see, are also stunning.

But this is low, commercial art, and so unlikely to find any praise by the High Art people, no matter how popular it is, or how technically sophisticated and visually inspired. The best comment on this kind of artistic snobbery comes from the American SF/Fantasy artist and book illustrator, Bob Eggleton.

Being a commercial artist is itself a kind of pigeonhole in the art world, but it is not a label that troubles him. ‘Commercialism for the sake of commercialism is not a sin. What I hate is commercialism packaged as fine art. That’s what Abstract Expressionism about, you’re buying into a trend much of the time. There’s nothing wrong with any kind of art, provided the artist believes in what they’re doing.’

From Nigel Suckling, with introduction by Gregory Benford, Alien Horizons: The Fantastic Art of Bob Eggleton (Paper Tiger, 1995) page 83.

And the YBAs, such as Damian Hirst, Tracey Emin and Chris Offili, were very commercial, as was Salvador Dali long before them. This was pointed out on a programme on the great surrealist on Radio 4 several years ago by Malcolm MacLaren, the genius – well, he obviously thought he was – behind the Sex Pistols.

And here’s Eggleton’s picture of Great Cthulhu, painted for Weird Tales magazine, for all the Lovecraft fans out there.

I realised I’ve digressed a little way from the central topic of this post, the fantastic computer art of Jurgen Ziewe. But these are related issues, showing the way computers, robots, space and high technology – the stuff of Science Fiction – is pushing artistic boundaries in ways that the official fine art of Conceptualism really isn’t doing. I’m also exploring a few ideas here for a much longer article, or series of articles, I intend to do on this sometime.

EU Tells Tweezer Unwelcome Fact, So Bojo Spout Nonsense as Distraction

January 20, 2018

More spin and misdirection from the Tories. Yesterday, Mike put up a piece commenting on Bojo’s bizarre utterance about building a channel bridge. He doesn’t like the Chunnel, you see, and thought that a bridge would be much better. This drew down a barrage of criticism from everyone, who had any connection or knew anything about the shipping industry. 500 ships go through the straights of Dover daily, and so the construction of the bridge, if not the structure itself, would cause massive disruption to international shipping. This was pointed out by one of the shipping associations.

The idea’s a complete non-starter.

But as Mike points out, it looks like a clever piece of misdirection on the Tories’ part. Tweezer had been told earlier that day by the EU that Brexit would mean the financial sector leaving London. This is absolutely true. The EU financial regulatory body has packed up and moved to Paris, another international financial organisation has sought pastures new overseas, and Frankfurt ‘Manhattan’ Am Main is doing its level best to encourage financial houses to relocate there.

But the Tories, and Blairite Labour, are handsomely support by the financial sector, and govern on their behalf. One Tory industrialist, who actually came from manufacturing, has said that he couldn’t get Thatcher to understand that a strong pound damaged British exports abroad. And under Blair we were told that British manufacturing was finished, and we shall concentrate on getting jobs and supporting the financial and service sectors. Deanne Julius, who was given a high-ranking post at the Bank of England after working in various American banks, actually said that we should concentrate on servicing American industry. Which shows you which way the Americans think the ‘Special Relationship’ goes.

Bojo is known for uttering nonsense, and saying things that are stupid and controversial. It seems the Tories have weaponised this. And so when the EU told Tweezer the unwelcome news, which would upset her backers in the financial sector, someone it seems prodded Bojo to make a stupid comment. Thus the bilge about a Channel Bridge, which got everyone talking about that, rather than the boring, but very real threat, that the City of London was going to be decimated by Brexit.

And I expect that as more unpleasant news comes out about the effects of Brexit, we can expect more stupidity from Bojo to take the heat away from his party, and the mistress he barely supports.

Torquemada: 2000 AD’s ‘Ultimate Fascist’ and a Prediction of the Rise of the Brextremists, Kippers and Trump

December 31, 2017

As you’ve probably gather from reading my previous posts about art robot Kevin O’Neill, I was and am a big fan of the ‘Nemesis the Warlock’ strip that ran in 2000 AD from 1980 through the 1990s. The villain of the piece was Torquemada, the former chief of the Tube police on an Earth thousands of years in the future. Outraged by the interbreeding between humans and their alien subjects, Torquemada overthrew the last, debauched emperor, founding an order of viciously genocidal knights, the Terminators. The construction of the linked White and Black Hole bypasses, giving Earth instant access to the Galaxy, also created terrible temporal catastrophes, resulting in creatures from even further into the future appearing in the present. These included the terrible gooney birds, giant predatory Concorde aircraft, which fed on the trains and anything else that travelled over Earth’s devastated surface. Torquemada and his Terminators blamed these disasters on aliens, killed human scientists and engineers, leading humanity into a new Dark Age. The Human race retreated underground, where the Terminators told them they would be safe from the terrible aliens threatening them. Terra was renamed ‘Termight’ – ‘Mighty Terra’, though Mills also gave it the name because the underground society resembled a massive termites’ nest. And Torquemada set up a corrupt, Fascistic, quasi-feudal society, which also included Orwellian elements from the classic 1984.

Pitched against Torquemada was the hero, Nemesis, an alien warlock. Horned and hooved, with magical powers, he resembled the Devil, and at one point, in conversation with his mad, cruel uncle Baal, he explicitly states that his powers are satanic. Nemesis is also the head of Credo, a human resistance movement dedicated to overthrowing Torquemada and restoring freedom and interspecies tolerance to Earth. Also resisting humanity’s aggressive expansion and extermination of other intelligent races were the Cabal, an alliance of various alien worlds.

The strip was possibly one of the weirdest 2000 AD had run, and was too weird for editor Kevin Gosnell, who hated it. But it was massively popular, at one point even rivalling the mighty Judge Dredd. Torquemada became British comics’ most popular villain, winning that category in the Eagle Award four years in a row. He was so popular that in the end I heard that they stopped submitting or accepting the character, in order to let others have a chance.

Torquemada speaks on the radio, in the strip that launched the character and Nemesis, ‘Going Underground’.

Looking back, I have mixed feelings about the strip. I still like it, but I’m not entirely comfortable with a hero, who has explicitly satanic characteristics, nor the villains, who are very much in the style of medieval Christian crusaders. Mills and O’Neill had had the misfortune to suffer brutal Roman Catholic education, and Mills states that where he grew up, everyone involved in the Roman Catholic establishment was corrupt. Everyone. They poured everything they hated about the bigotry and cruelty they had seen and experienced into the strip.

From a historians’ perspective, it’s not actually fair on the Roman Catholic church. Yes, medieval Christianity persecuted Jews, heretics and witches, and warred against Islam. But the great age of witch-hunting was in the 17th century, and cut across faith boundaries. Prof. Ronald Hutton, a History lecturer at Bristol Uni, who has studied the history of witchcraft and its modern revival – see his book Triumph of the Moon – has pointed out that the German Protestant states killed more witches than the Roman Catholics. And those accused of witchcraft in Italy had far better legal protection in the 16th century than those in Henry VIII’s England. You had a right to a lawyer and proper legal representation. If you couldn’t afford one, the court would appoint one for you. Torture was either outlawed, or very strictly regulated. There was a period of 50 years when the Holy Office was actually shut, because there were so few heretics and witches to hunt down.

As for the equation between medieval Roman Catholicism and Fascism, a graduate student, who taught medieval studies got annoyed at this glib stereotype. it kept being repeated by their students, and was historically wrong. This student came from a Protestant background, but was more or less a secular atheist, although one who appreciated the best of medieval Christian literature.

Underneath the personal experiences of Mills and O’Neill, the strip’s depiction of a future feudal society was also influenced by Protestant anti-Catholic polemic, and the theories of the 19th century French liberal, anti-Christian writer, Charles Michelet. It was Michelet, who first proposed that the witch-hunts were an attempt by patriarchal Christianity to wipe out an indigenous, matriarchal folk paganism. It’s a view that has strongly influenced feminist ecopaganism, although academic scholars like Hutton, and very many pagans have now rejected it as historically untrue.

The robes and masks worn by the Terminators recalled not only those worn by Spanish Catholic penitents during the Easter Day processions, but also the Klan, who are an Protestant organisation, which hates Roman Catholics as well Jews and Blacks.

There’s also the influence of John Wyndham’s classic SF novel, The Chrysalids. This is set in Labrador centuries in the future, after a nuclear war has devastated much of the world, except for a few isolated spots of civilisation. Society has regressed to that of 17th century Puritanism. The survivors are waging a war to restore and maintain the original form of their crops, animals and themselves. Mutants, including humans, are examined and destroyed at birth. As with the Terminators, their clothing is embroidered with religious symbols. In this case a cross. Just as Torquemada denounces aliens as ‘deviants’, so do the leaders of this puritanical regime describe human mutants. And like the pro-alien humans in Nemesis, a woman bearing a mutant child is suspected and punished for her perceived sexual deviancy.

In fact, the underlying anti-religious, anti-Christian elements in the strip didn’t bother me at the time. Mike and myself went to an Anglican church school here in Bristol, though the teaching staff also included people from other Christian denominations such as Methodism and Roman Catholicism. They had a real horror of sectarian bigotry and violence, sharpened by the war in Northern Ireland, and were keenly aware that Christians had done terrible things in the name of religion. I can remember hearing a poem on this subject, The Devil Carried a Crucifix, regularly being recited at school assembly, and the headmaster and school chaplain preaching explicitly against bigotry. At the same time, racial prejudice was also condemned. I can remember one poem, which denounced the colour bar in one of its lines, repeatedly turning up in the end of year services held at the church to which the school was attached.

I also have Roman Catholic relatives and neighbours, who were great people. They were committed to their face, but also bitterly opposed to sectarian bigotry and violence. And the Roman Catholic clergy serving my bit of Bristol were decent men and women, though some of those in other areas were much more sectarian. I’ve Protestant friends, who went on to study RE at a Roman Catholic college. Their experience was not Mills’ and O’Neill’s, though I also had relatives, who were estranged from the Church because they had suffered the same kind of strict, and violently repressive Roman Catholic education that they had.

But Torquemada and the Terminators were far from being a veiled comment on atrocities committed by medieval Roman Catholicism. Torquemada modelled himself on Tomas de Torquemada, the leader of the Spanish Inquisition, whose bloody work he so much admired. But he also explicitly styled himself as the supreme Fascist. By fostering humanity’s hatred of aliens, he hoped to unite the human race so that they didn’t fight each other over differences in colour. But the character was also supposed to be the reincarnation of every persecuting bigot in European and American history. In one story, Torquemada becomes seriously ill, breaking out in vast, festering boils, because Nemesis’ lost son, Thoth, has used the tunnels dug by the Tube engineers to channel away the destructive energies of the White and Black Hole bypasses, to travel backwards in time to kill Torquemada’s previous incarnations. These include Adolf Hitler, natch, one of the notoriously murderous American cavalry officers, responsible for the butchery of innocent indigenous Americans in the Indian Wars, and finally Torquemada himself. Torquemada therefore travelled back in time to confront his former incarnation, and save himself from Thoth.

This was followed by another story, in which Torquemada himself travelled forward to the 20th century. Infected with time energy, Torquemada caused temporal disruptions and catastrophes in the London of the present. He found himself a job as a rack-renting landlord, before founding a Fascist political party. Using Brits’ fears that these disasters were caused by aliens, he became a successful politician and was elected to Number 10.

And one of Torque’s previous incarnations, recovered by Brother Mikron, his pet superscientist, using advanced technological hypnotic regression, was very familiar to British readers with an awareness of the history of Fascism in their country.

Torquemada as Hitler, and very Mosley-esque British Far Right politician. From Prog 524, 30th May 1987.

In the above page, Brother Mikron recovers Torquemada’s past incarnation as Hitler, but only after encountering a later incarnation, in which Torquemada was Sir Edwin Munday, the British prime minister, and leader of the New Empire Party. Munday/Torquemada goes off an a rant on public television, shouting

‘I’ll solve the youth problem! We’ll make our children respectable again! – with compulsory short back and sides! The return of National Service! Order and discipline’.

His name clearly recalls that of the far right, anti-immigration Monday Club in the Tory party, which was at the centre of continuing scandals during the 70s and 80s over the racism of some of its members, the most notorious of whom was Thatcher’s cabinet minister, Norman Tebbit. As a member of the aristocracy, Munday also draws on Sir Oswald Mosley, the leader of the British Union of Fascists and later Fascist movements.

Mosley unfurling his Fascist banner in the ’30s.

The rhetoric about youth is also very much that of the Tories around Maggie Thatcher, who really didn’t like long-haired liberals, hippies, punks and the other youth movements, who had sprung up at the time. They were calling for the return of National Service to stop the rise in youth crime and delinquency.

And this is now very much the attitude of the Kippers and Brextremists over here, who really do hanker after the old days of the British Empire, with all its pomp and authoritarianism. The last thing that incarnation of Torquemada says is

‘We’ll make our country great again!’

This is also based on the rhetoric of the Tories at the time, in which Thatcher was credited with turning around Britain’s decline and restoring her to her glory. In the general election that year, the Tory party election broadcasts showed old footage of Spitfires and Hurricanes racing around the sky shooting down Nazi planes, while an overexcited actor exclaimed ‘It’s great – to be great again!’

No, she didn’t make us great. She wrecked our economy and welfare state, and sold everything off to foreign firms, all the while ranting hypocritically about how she represented true British patriotism.

But it also recalls Trump’s rhetoric last year, during his election campaign. When he announced ‘We’ll make America great again!’ And he’s gone on to use the same neoliberalism as Reagan, Thatcher, and successive Democrat and New Labour leaders, backed with racist rhetoric and legislation supported by White supremacists.

Torquemada was one of 2000 AD’s greatest comments on sectarian bigotry and racism, with Torquemada as its very explicit symbol. Even after three decades, it’s central message about the nature of Fascism, imperialism and colonialism, and the western hankering for its return, remains acutely relevant.

Who Hoo! League of Gentlemen Returns!

December 16, 2017

The BBC dark comedy series set in the town of Royston Vesey, where just about every character is a dysfunctional weirdo, sadist, or serial killer with some kind of bizarre fetish or obsession returns for three more episodes. It was last on our screens in 2002. It’s been fifteen years, but it shows that the show’s got a very dedicated audience, who share the League’s taste for black humour.

They considered making Royston Vesey even more grubby and shabby for the new series as a comment on Brexit, according to an article one of the League, Reece Shearsmith, gave to the I a few days ago. He stated that the show was never political, but that Brexit had meant that the rest of Britain had caught up with the xenophobic insularism of Royston Vesey.

This is a local blog. For local people. We do not want you here, metropolitan Tory snob.

William Blum on the Economic Reasons behind the New Cold War

December 8, 2017

William Blum, the veteran and very highly informed critic of American imperialism, has put up a new edition of his Anti-Empire Report. This is, as usual, well worth reading. In it he attacks the new Cold War being fought with Russia, and reminds us of the stupidity and hysteria of the first.

Blum does a great job of critiquing the claim that the Russians interfered in the American election. He points out that the American intelligence services actually know how to disguise the true origins of Tweets, and questions the motives imputed to the Russians. He states that the Russians presumably don’t think that America is a banana republic, which can be easily influenced and its government overthrown by an outside power. He also questions the veracity of the Director of National Intelligence, James Clapper. Clapper is one of those claiming that the Russians did influence the election. But as Blum reminds us, Clapper himself is a liar. He lied to Congress when he was asked if the American intelligence apparatus was spying on its citizens. He said ‘No’. The answer, as revealed by Edward Snowden, was very definitely ‘Yes’.

He then gives a long list of instances from the First Cold War where people were unfairly accused of Communism and persecuted. For example, in 1948 the Pittsburgh Press published the names, addresses and places of work of 1,000 people, who had signed the form backing the former vice-president, Henry Wallace’s campaign for the presidency, as Wallace was running for the Progressive Party.

Then there’s the case of the member of a local school board, who decided that the tale of Robin Hood should be banned, because he was a ‘Communist’. Which is good going, considering that the tales of Robin Hood date from the 14th/15th centuries and are about a hero who lived in the 13th – six centuries before Karl Marx. However, this woman wasn’t the only one to dislike the tales for political reasons. The compiler of a children’s book of stories about heroes deliberately left him out in favour of Clym of Clough, a similar archer outlaw, but from ‘Bonnie Carlisle’, partly because Hood was too well-known, but also because he thought there was something ‘political’ about the stories.

Blum also covers the way Conservatives claimed that the USSR was responsible for the rise in drug abuse in America, and was deliberately creating it in order to undermine American society. He also states that the Russians were also trying to destroy America through fluoridation of the water. As General Jack D. Ripper says in Dr. Strangelove: ‘We must keep our bodily fluids pure.’

Then there are the pronouncements that American universities were all under Communist influence, and the reason why American sports teams were also failing was because of Communist influence.

The anti-Communist hysteria was also used to denounce and vilify the United Nations. Blum writes

1952: A campaign against the United Nations Educational, Scientific and Cultural Organization (UNESCO) because it was tainted with “atheism and communism”, and was “subversive” because it preached internationalism. Any attempt to introduce an international point of view in the schools was seen as undermining patriotism and loyalty to the United States. A bill in the US Senate, clearly aimed at UNESCO, called for a ban on the funding of “any international agency that directly or indirectly promoted one-world government or world citizenship.” There was also opposition to UNESCO’s association with the UN Declaration of Human Rights on the grounds that it was trying to replace the American Bill of Rights with a less liberty-giving covenant of human rights.

Oh yes, and rock and roll, pop music and the Beatles were also seen as part of a Communist plot to destroy American moral fibre. A few decades later, in the 1980s, the same right-wing pastors were saying the same thing, though this time the tendency was to blame Satanists rather than Commies.

And the list goes on, including instances from the 1980s when visiting Russians were subjected hostility and abuse because they were perceived as a danger to the US, thanks to films like Rambo and Red Dawn.

The report ends with Blum discussing Al Franken, a Democrat politician and broadcaster, who is now accused of sexual assault. Blum argues that the real issue that should get people angry at Franken is the fact that he backed the Iraq War, and went out there to entertain the troops, showing that he was perfectly happy with the illegal and bloody invasion of another country.

He also reveals that the list of people, who have been on RT, was compiled by a Czech organisation with the name European Values, which produced the report
The Kremlin’s Platform for ‘Useful Idiots’ in the West: An Overview of RT’s Editorial Strategy and Evidence of Impact. Blum states that it’s not exhaustive, as he’s been on it five times, and they haven’t mentioned him.

He also notes the RT’s Facebook page has four million followers and that it claims to be ‘the most watched news network’. It’s YouTube channel has two million likes. And so is this the reason why the American authorities have thrown away freedom of the press and forced it to register as a foreign agent.

He also comments on the way Theresa May has also got in on the act of blaming the Russians for everything, and is accusing them of interfering in Brexit.

But what I found interesting was this piece, where quotes another writer on the real reason the Americans are stoking another Cold War:

Writer John Wight has described the new Cold War as being “in response to Russia’s recovery from the demise of the Soviet Union and the failed attempt to turn the country into a wholly owned subsidiary of Washington via the imposition of free market economic shock treatment thereafter.”

https://williamblum.org/aer/read/153

This makes sense of a lot of murky episodes from the Cold War. I think Lobster has also commented several times on the way Conservative have accused the USSR of causing the drug crisis. I distinctly remember one of the columnist for Reader’s Digest, Clare Somebody, running this story in the 1980s. If memory serves me right, she also claimed that the Russians were doing so in cahoots with Iran. The Iranian theocracy are a bunch of thugs, but somehow I don’t think they can be accused of causing mass drug addiction in the West. They’re too busy fighting their own. I can’t remember the woman’s surname, but I do remember that she turned up later as one of the neocons frantically backing George W. Bush.

As for the campaign against the United Nations on the grounds that internationalism is unpatriotic, that’s still very much the stance of the Republicans in America. It’s part and parcel of the culture of American exceptionalism, which angrily denounces and rejects any attempt to hold America accountable to international justice, while upholding America’s right to interfere in everybody else’s affairs and overthrow their governments. ‘Cause America is a ‘shining city on a hill’ etc.

As for wishing to bring down Putin, because he’s shaken off the chains of American economic imperialism, that’s more than plausible. American big business and the state poured tens of millions into Yeltsin’s election campaign back in the 1990s, including his crash privatisation of the Russian economy. Which just about destroyed it. In which case, it shows that Lenin was right all those decades ago, when he described how pre-Revolutionary Russia was enchained by western economic imperialism. And perhaps the world, or at least, anybody who does not want their country to be bought up by American capitalism, should be grateful to the Archiplut for showing that a nation can defy American capitalism.

Martin Odoni: Lack of Brexit Impact Assessments Means Government Should Go

December 7, 2017

There were calls last week for David Davis to reveal the 60 or so impact assessments on Brexit, that the government had compiled and was supposed to be suppressing. Davis himself was facing accusations of contempt of parliament for refusing to release them. Now he has revealed that, actually, there aren’t any. Mike over at Vox Political has put up a short piece from Martin Odoni over the Critique Archives, who makes the obvious point: the government is seriously negligent, and should go. The members of every opposition party in parliament should unite and demand their resignation. He makes the point that the referendum was conducted so that Cameron could get the Tory right on board, and that in the 2 1/2 years since it is absolutely disgraceful that the Tories simply haven’t bothered to work out how Brexit would affect Britain.

http://voxpoliticalonline.com/2017/12/07/if-there-are-no-brexit-impact-assessments-the-entire-tory-government-is-grossly-negligent-and-must-go/

I can’t agree more. Every day brings fresh news of how Brexit is damaging Britain’s economy and world status. Today there was a piece on the news reporting that universities are finding it difficult to recruit foreign graduates, thanks to Brexit. We have lost three regulatory bodies to Europe in the past week. Mike has also reported that Britain’s scientists will also losing funding due Brexit, as they will no longer be quite so much a part of the European science infrastructure.

At the same time the Tory right is trying to strip the human rights and workers’ rights legislation out of British law, to make it even easier to fire and exploit British workers. And British businesses are wondering how well they will fare without access to the single market.

Brexit is a mess. And you could tell it was going to be a mess, from the way the Maybot mechanically intoned ‘Brexit means Brexit’ whenever anyone asked her what Brexit meant, all the while staring at the interlocutor as if they, not she, were the stupid one. The Tories have no plan, only slogans and lies. In this case, we’ve seen Michael Gove pop up again and again to give his spiel about how wonderful everything will be after Brexit. As has Young Master Jacob Rees-Mogg. Gove was on the One Show Last Night in an article about the crisis hitting the British fishing industry. And guess what – he said that Britain would once again have the largest, or one of the largest fishing fleets in the world, after Brexit.

As Christine Keeler said all those years ago, well, he would say that, wouldn’t he?

Many people voted for Brexit because they were genuinely sick and tired of the neoliberal policies forced upon Britain and the other European countries by the EU. This was quite apart from the nationalist and racist fears stoked by UKIP about foreign, and specifically Muslim, immigration.

In fact, Brexit has been promoted by the financial sector and its Tory cheerleaders so that Britain can become another offshore tax haven. It’s part of a very long-standing Tory policy going right back to Maggie Thatcher, that has seen the financial sector given priority over manufacturing. The attitude became official policy under Blair, when it was announced that we shouldn’t try to restore our manufacturing industries, and should concentrate on the financial sector and servicing the American economy.

It’s a profoundly mistaken attitude. Ha-Joon Chang in his books on capitalism states very clearly that manufacturing is still vitally important for the British economy. If it occupies less of the economy, it’s because it hasn’t grown as much as the financial sector. But it’s still the basis of our economy.
But I doubt that will cut much ice with Tory grandees like Jacob Rees-Mogg, who makes his money through investments, rather than actually running a business that actually makes something.

And so the British economy is being wrecked, British businesses are looking at ruin, and British workers looking at precarity and unemployment, because the government in this issue is guided by tax-dodging bankers.

The Tories have been colossally negligent to the point of treating the British public with absolute contempt. Mike and Mr Odoni are absolutely right.

They should resign. Now.