Posts Tagged ‘Radio Times’

Sasha Johnson Thrown off Twitter for Calling for Enslavement of Whites

September 9, 2020

For some reason, all the posts I found about this came from either right-wing or apolitical journalists and bloggers. In my admittedly cursory search for information on it, I didn’t find any criticism from the left. But the left has to criticise this and call it out. It’s pure, genocidal race hatred, and if it doesn’t, it hypocrisy and double standards. It sends a message that you can be bitterly racist, so long as you’re black and anti-White.

It seems at the end of last month, Sasha Johnson, who claims to be one of the leaders of Black Lives Matter Oxford, got banned by Twitter after posting this disgusting Tweet:

It’s a bit blurry, and if you can’t read it, Johnson says

The white man will not be our equal but our slave.

History is changing

No justice no peace

#BLM #Brixton #BLMUK

If you don’t know who Sasha Johnson is, she got quite a lot of attention from Conservative and far right White bloggers and Youtubers a few months ago for a video of her making a speech at a rally in Brixton. She declared that the police were like the Klu Klux Klan, which is obviously and astonishingly wrong. There is problems with racism in the cops, though all the police I know have been very good, conscientious officers who very definitely weren’t. If our cops were like the Klan, then she wouldn’t be around to say that. She’d be hanging from a tree somewhere or otherwise murdered. She’s also videoed calling for the foundation of a ‘Black militia’, surrounded by her own private Black army, who were shown all wearing stab vests and some kind of paramilitary uniform. This is to protect Blacks, probably from the police she hates and reviles. She also dismissed Black and Asian politicos like David Lammy, Sadiq Khan and Priti Patel as ‘tokenistic’, who would do nothing for Britain’s non-White minorities. On the Million Person march, whose name is clearly intended to hark back to Louis Farrakhan’s Million Man march on Washington in the 1990s, she declared that she was founding a Black political party. Whites would be denied positions of leadership. This would have the monicker The Taking The Initiative Party. She declared  “We are tired of being let down by Labour, Conservatives, and Lib-Dem and all of them. We want our own political party, one that reflects the multicultural nation that we have become.”

Guy Birchall on Johnson’s Anti-White Racism

Then she got thrown off Twitter for adding to her profile the noxious Tweet about enslaving Whites. Guy Birchall, a journo for the Scum and Spiked Online, wrote a piece for RT. Black Lives Matter have not condemned her, and he contrasts this apparent acceptance of her vicious racism with the universal condemnation shown to White supremacists and racists, like the EDL, BNP and assorted Nazis, Islamophobes and Fascists. He writes

There is little doubt that had the roles been reversed, and a prominent member of the EDL or Britain First had tweeted that black people would be “slaves,” the Old Bill would have been knocking on their door the second they hit send. Johnson is a black supremacist and is apparently finding it increasingly hard to disguise her disgust for white people and “race traitors” from the black community. The fact that Black Lives Matter UK has not denounced her blatant racism and inflammatory language does the movement no favours. 

He concludes:

The left can try and argue that racism is about systems and power structures all they like, but the rest of us know it is hatred of another race. Johnson plainly hates white people and the mere fact that she is black should not give her a free pass. She can dress up as Che Guevara all she likes, but in reality, she’s nowhere near as glamorous as the Argentine revolutionary; she’s a black, female Nick Griffin with even less charisma.

See: https://www.rt.com/op-ed/499628-sasha-johnson-blm-oxford/

Black Anti-White Racism

Now Johnson’s undoubtedly reflecting the anti-White racism that exists in parts of the Black community. The Nation of Islam is a separatist organisation that wants an independent Black state carved out of five of the southern states of the US. In the 1960s they used to hold joint rallies with the American Nazi party. The deal was that the Blacks could have the Atlantic seaboard, and the Whites the rest of the US. It’s present leader, Louis Farrakhan, believes Whites are albinistic mutants created by an evil Meccan superscientist, Shabazz, to bring down the advanced Black civilisation that existed tens of thousands of years ago. There’s an even more extreme Black Muslim group, Ansaru Allah, who also believe that Whites are literally demonic. They consider White skin colour and features similarly abhorrent, and their leader thinks Whites are Amalekites, the ancient enemies of the Hebrews, who tried to wipe them out when they passed through their territory on the way to the Promised Land. And before all this the Rastafarians also declared that White people were literally devils.

White Enslavement from the Middle Ages to 19th Century

Johnson probably thinks she doing something daringly novel by demand the enslavement of Whites. She isn’t. Starting long before the Atlantic slave trade, Whites were also enslaved by Muslims. In the Middle Ages, Arab merchants bought White Frankish slaves from what is now France and other parts of Europe. They also raided France and Italy as part of their jihad against Christendom. This was followed by the Barbary pirates of the 16th onwards from North Africa. These also raided Britain and as far afield as Iceland for White European slaves. The Turkish Empire also enslaved Whites. Following the Ottoman conquest of the Balkans by the Sultan Bayezit, ‘the Lightning’ in the 15th century, the White Christian population was reduced to peasant serfs bound to the estates of their new Turkish masters. This continued well into the 19th century. Around 1820 or so the Greeks on Chios rebelled. This was put down with great ferocity by the Ottomans. Many were massacred. I’ve read that 23,000 Greeks were also enslaved by the Turks. These atrocities inspired the French artist, Delacroix, to paint his Massacre at Chios.

Delacroix’s Massacre at Chios. Does Johnson approve of its subject, the massacre and enslavement of Whites?

19th century Egypt had two slave markets and two separate guilds for the slavers, one for the dealers in Black slaves and another for those in Whites. British and American ships were also raided for slaves, and the south-west of England was particularly vulnerable. The executioner in one of the north African states was a former butcher from Exeter, and ships from Bristol were also taken. The parish records from the 18th century for the Gloucestershire village of St Briavels show donations given to a man collecting for money to ransom enslaved Christians. Algiers was a notorious centre for this Islamic piracy. There was a very short war in the 1820s when a British gunboat shelled the palace of the Dey of Algiers, liberating many of the White Christians forced into servitude aboard the pirates galleys. The slave raiding finally stopped with the French invasion and conquest, which led to the creation of Algeria.

Dictators also Murder their own People

At the moment Sasha Johnson is a joke, like some of the murderous fantasists of the White far right. Her Black militia was compared to Live Action Role-Players, and reminds me of nothing more than the mighty armies of storm troopers imagined by the leaders of White Nazi groups while they hold their rallies above a pub or in their front rooms. Mighty dictators in their own imaginations. But if she had power, she’d be a menace. It’s clear that she wants to persecute Whites, but like every would-be dictator she’d also kill and murder her own people and supporters. It’s been said that ‘Revolutions, like Saturn, eat their children’. The French revolutionaries murdered other French Revolutionaries in factional disputes. Hitler launched the Night of the Long Knives against the SA. Stalin killed 30 millions Soviet citizens in the purges, the artificial famine in the Ukraine and the collectivisation of agriculture, and the deportations of whole nations to Siberia. In Africa, Idi Amin, the butcher of Uganda, styled himself the conqueror of the British Empire, particularly in Africa, and claimed to be the king of Scotland. He was carried around in a litter by White businessmen. But the people he tortured and massacred most were other Black Ugandans. Robert Mugabe in the 1990s and early part of this century beat, massacred and evicted his country’s White farmers. But he started his infamous career as dictator and mass-murderer by massacring the Ndebele and other tribes, who were the traditional enemies of his Shona people.

The Black Militia – Another Mandela United Terror Organisation?

Sasha Johnson has shown an extremely aggressive, violent side in her relations with Black critics. There’s another video clip of her racially abusing a Black man and challenging him to a fight simply because he disagrees with her. She shows precisely how low she is when she calls him a ‘coon’. I think if she had any real power, she’d start trying to persecute Whites, but she’d also attack her rivals in the Black community. I can imagine her sending round her Black Militia to sort out her Black critics. Just like Winnie Mandela terrorised South African Blacks with her Mandela United football team. This was a disguised private army, responsible for numerous beatings and murder, including that of the much-admired teenage activist, Stompie Mkhetzie. And that army is certainly breaking laws passed against Fascist organisations. In the 1930s the wearing of paramilitary uniforms for political purposes was banned, a piece of legislation targeting Oswald Mosley’s British Union Fascists and other Nazi and Fascist organisations. People didn’t accept the BNP/NF when they openly strutted around in Nazi uniforms, and Johnson’s Black Militia, which she has clearly modelled on the Black Panthers without any understanding of the difference between the UK and US, shouldn’t be acceptable either.

David Olasuga on White Support for BLM

Of course, many Black members and supporters of Black Lives Matter don’t share her anti-White hatred. The Black historian and TV presenter, David Olasuga, wrote a piece in this week’s Radio Times in which he declared how heartened he was by so much White support for the movement, and the interest in Black affairs and Africa by young Whites. He noted particularly how four books on Africa had reached the top of the bestseller lists, partly due to White interest.

Black Critics of BLM and Black Anti-White Racism

And Black Lives Matter has some of its fiercest critics among Black Americans. I found a video by a right-wing Youtuber showing a number of Black Americans making it very clear why they despised it. These were men and women who had White friends and mixed-race relatives. The violence and threats they had personally experienced had come, not from Whites, but other Blacks. One of the voices was the American Conservative vlogger, YoungRippa. He warned his White viewers and listeners that Black Lives Matter wanted Blacks to hate them. I don’t share his Conservatism nor hatred of the welfare state, but unfortunately there are Black radicals who do have a bitter hatred of Whites that have emerged in the wake of the BLM movement. One of these was a hack styling herself ‘FeministaJones’, and who claims to have written for a number of respectable, mainstream magazines including Time. She put up a piece on her blog arguing that Blacks shouldn’t accept White support, because Whites would never endanger their children with the violent revolution America needs.

What! This is arrant, dangerous nonsense! No-one should be talking about putting their children in danger and demanding violent revolution. Not Blacks, not Whites, not anybody. I’ve friends and relatives, who’ve seen their businesses trashed and have fled their homes during riots here in Bristol. For all its faults, America is a democratic country. it has elected Black leaders and legislators, passed affirmative action laws, that have undoubtedly improved conditions for Blacks. Even if Blacks are still faced with poverty and institutional racism, democratic America has shown itself a world leader in this, and is admired and copied here in Britain.

Will the University and Students Treat Johnson like White Nazi Students?

It will be interesting to see how Oxford University and whatever student union, guild or association handles Johnson. I say ‘Oxford University’, but I’ve heard it suggested that she really belongs to Oxford Brookes, the former polytechnic. Either way, it remains to be seen how her uni and student body reacts to this. I remember the controversy back in the 1980s when students at his university or college turned their backs on Patrick Harrington, one of the fixtures of the BNP/NF. They made it clear that they didn’t want him in their university. The NUS passed rules making it a ‘no platform’ for ‘racists and Fascists’. And rather more recently, Hope Not Hate reported that one of the odious members of one of the Nazi organisations was expelled from his university after complaints from students about his racist views.

The same should happen to Johnson. I recognise that the long history of persecution of Blacks in the West has led to some Blacks hating Whites with some justification. But this is unacceptable. It’s racial supremacy with a Black face. And such genocidal racism is always and everywhere an affront to humanity, no matter what complexion it has.

Sasha Johnson is a Nazi. Remember the old slogan against the NF: ‘Black and White, Unite and Fight!’ That needs to apply to her. And if Black Lives Matter and the student organisations stay silent about her, they are hypocrites and tacit racists too.

Radio 4 Programme Next Thursday on the Repatriation of Looted Museum Exhibits Following Black Lives Matter

August 18, 2020

The Radio Times also states that next Thursday on Radio 4 at 11.30 am there’s a documentary on the debate about the repatriation of looted African artefacts now on display in British museums. The blurb for it on page 125 of the Radio Times runs

In the wake of protesters in Bristol pulling down a statue of 17th-century slave trader Edward Colston, Gary Younge talks to museum curators as they review what is on display.

There’s an additional piece by Simon O’Hagan on the previous page, 124, which adds

Museums might be closed, but curators are keeping busy reassessing what they have on display – minds focused by the toppling of the statue of slave trader Edward Colston in Bristol in June. In the words of one curator, “in Britain you’re never more than 150 miles rom a looted African object.”

Presented by Gary Younge, who discovers that when the public is re-admitted to museums after lockdown, there is a distinct possibility that some display cases may have notable absences.

The debate over the return of looted and seized objects to indigenous communities around the world has been going on for several decades. Much of it is about the display of human remains. A few years ago a series about the British Museum showed that august institution repatriating a set of indigenous Australian burials to Tasmanian people from which they were seized. It’s not just African and indigenous peoples demanding that their ancestors and their property should be returned. The Greeks have famously been demanding the return of the Elgin Marbles for decades, if not since they very moment Lord Elgin collected them in the 19th century. In very many cases, I don’t doubt that the moral argument is with those demanding their return, and that it’s the right thing to do.

The mention of the toppling of Edward Colston’s statue in Bristol adds a dimension that complicates the issue. The repatriation of these objects is supposed to be about modern, western museums correcting the moral injustices of an imperial past. But many of the looted objects themselves are the products of slaving societies, and were seized by British forces during wars fought to extirpate the slave trade.

The Benin Bronzes are case in point. These are superbly sculpted bronze heads, which were made as part of shrines to the chief’s oba. Literally meaning ‘right arm’, the word also denotes his spiritual power, rather like the numa of the pagan Roman emperors. However, Benin, then Dahomey, was a major centre of the African slave trade. It had a plantation economy centred on cotton production like the American Deep South, and was a major exporter. So much so that the British launched a war against them from 1850 to 1852 after their king, Guezo, refused to give it up and continued trading. The bronzes were seized by the victorious British forces.

Nobody was talking about their repatriation until the 1980s, when ‘African radical’ and the highly controversial leader of Brent council, Bernie Grant, demanded their return. I’ve no doubt that Grant was motivated by genuine indignation about the humiliation of an African nation by the British empire. But there is an irony here in that such a very outspoken opponent of anti-Black racism should have been seeking to return objects that had been taken as part of military action against an African slave state. And one that had absolutely no qualms, and grew rich, from enslaving the ancestors of Black Brits, West Indians and Americans like Grant.

Ditto with some of the objects that may have been returned to Ethiopia. A year or so ago the I reported that a particularly holy cross belonging to the Ethiopian Orthodox Church, which had been seized by the British army in the 19th century, had also been repatriated to its country of origin. I wondered if the relic had also been looted in a similar campaign launched in that century to stop Abyssinian slave-raiding across the border into Sudan and what is now Kenya. If so, then it could be argued that it should not be repatriated, as it was a legitimate spoil in a war the British were justified in waging.

And let’s not be under any illusion that the African slaving nations wouldn’t also have enslaved the British servicemen they fought. One of the documents I found cataloguing the materials on slavery in the Empire and Commonwealth Museum in Bristol was a parliamentary blue book on the British action against the African slavers in Lagos. One of the chiefs involved stated that if he won, he was going to shave the head of the British commander and make him carry his palanquin. Which sounds very much like a declaration that he intended to enslave him.

I think the area of the repatriation of objects looted from Africa is much more complicated morally than is being discussed and presented, and that African involvement in and culpability for the slave trade is being quietly glossed over in order to present a cosy, straightforward narrative of imperial aggression and guilt.

 

Radio 4 Programme Next Saturday on Working-Class Heroes

August 18, 2020

Also according to next week’s Radio Times, Saturday’s edition of Archive on 4, 22nd August 2020, is ‘Working-Class Heroes’. The blurb for it in the Radio Times runs

Danny Leigh revisits the settings of three 1960s British kitchen-sink dramas: Saturday Night and Sunday Morning; A Taste of Honey; and The Loneliness of the Long Distance Runner. In Nottingham, Salford and Blackpool he finds out from contemporary working-class communities how people relate to the films today.

I can’t say that any of the above flicks really appeal to me. I’ve always preferred fantasy and escapism to social realism. But there is an issue here in that film, TV and literature is dominated by middle class heroes to the exclusion of the working class. It’s something the great British comics writers, Pat Mills, set out to correct in the strips he created. One of these was the long-running anti-war story, ‘Charlie’s War’, in Battle, whose hero was very definitely an ordinary working-class Tommy. I put up a video from YouTube of Mills talking about comics and working- and middle class heroes to the comrades of the Socialist Party, formerly the Socialist Workers’ Party, a little while ago. It’s very interesting and well-worth watching, if you’re interested in this aspect of popular culture. When asked which of his creations he identifies with, Mills replies ‘Rojaws’, the crude, vulgar, subversive sewer droid, who gets on the nerves of his mate Hammerstein, a patriotic war droid, in the strips Robusters and ABC Warriors. Which also shows that you can combine hilarious fantasy and SF with working class protagonists.

The programme ‘Archive on 4: Working Class Heroes’, is on Radio 4 at 8.00 pm.

Channel 4 Programme Next Week on Scientist’s Transformation into Cyborg to Combat Motor Neurone Disease

August 18, 2020

According to next week’s Radio Times for 22-28 August 2020, next Wednesday, 26th August 2020, Channel 4 is screening a programme about the robotics scientist Peter Scott-Morgan, who is undergoing a series of operations to transform himself into a cyborg. This is to help him fight off Motor Neurone Disease, the degenerative condition from which Stephen Hawking suffered.

The programme’s titled Peter: the Human Cyborg, and the blurb for it on page 83 of the Radio Times runs

The story of scientist Peter Scott-Morgan as he is turned into a cyborg in an attempt to overcome the motor neurone disease that will otherwise kill him. With unprecedented access to Peter ad an international group off doctors, scientists, engineers and designers, the programme follows 18 months off one of the most audacious transitions ever undertaken, employing radical surgery, artificially intelligent computes and robotics technology.

The additional piece about the programme by David Butcher on page 80 goes as follows

This is one of those programmes that sets out to do one thing but achieves something very different – and better. In theory, it is the story of how robotics expert Peter Scott-Morgan, who has motor neurone disease, tackles his condition using technology. Her wants to be a human guinea pig; to be part-man, part-machine.

He gets a special wheelchair that can enable him to stand. He gets a speech synthesiser to clone his voice. He wants an avatar version of his face, a brain-computer interface, and so on. All of this is interesting. “Who would have thought that trying to cheat death was a full-time job?” Peter jokes.

But more powerful is simply the portrait of someone going through a sad, inexorable decline. The scene where Peter goes for a laryngectomy and speaks what he knows will be his last words is heart-breaking. As a viewer, you’re left desperate to take nothing for granted.

The programme’s on at 9.00 pm in the evening. The Radio Times also has a feature about Scott-Morgan and his transformation, in which it gives more details and the man himself answers questions, ‘The Man Who Cheated Death’, on pp.15-17.

This looks like a fascinating and moving programme, and I wish Mr Scott-Morgan all the very best in keeping himself alive and healthy through all his operations and augmentations. I think part of the admiration given to Stephen Hawking was that he had also fought the disease, and was able to carry on a highly productive scientific career through the engineering and IT specialists behind his wheelchair and his characteristic computer voice. Scott-Morgan himself comes across as immensely positive, optimistic and with a strong love of life despite his terrible disease. The article quotes him as saying ‘I have love. I have fun. I have hope. I have purpose.’ I hope this continues, and that the innovations that will hopefully provide him with a few more years and a better quality of life than he would otherwise have also soon become available to other, more ordinary people.

The Overlord on Rumours that Mark Hamill Has Sold Image for Hollywood CGI Clone of Luke Skywalker

August 8, 2020

‘The Overlord’ is another YouTube channel devoted to news and views about genre cinema and television. It’s hosted by Dictor von Doomcock, a masked alien supervillain supposedly living at the centre of the Earth. And who is definitely not impressed at all at the state of contemporary popular culture, and particularly the way beloved film classics like Star Wars, Star Trek, Dr. Who and so on are now being trashed by producers who have no respect for these series and their fans. And in this video he talks about the bizarre next step in this process: the recreation of favourite film characters like Indiana Jones and Luke Skywalker through CGI, completely removing the need for human actors.

A website, WDW Pro, has claimed that Disney are looking for ways they can break the pause in filming imposed by the Coronavirus lockdown. They are therefore looking at ways to do without human actors. They have therefore been looking at a technological solution to this problem, using the same computer techniques used to create the films The Lion King of 2019 and the 2016 film version of The Jungle Book, as well as the facial recreation of Peter Cushing as Grand Moff Tarkin in Star Wars: Rogue 1. Frustrated at the hold-up filming the third Guardians of the Galaxy flick, Disney will use the technology, Cosmic Rewind, to create a completely computer generated movie, but one that would be presented as using human characters. This is going to be an experiment to test the possibility of creating films without human actors and the need for their salaries. According to a rumour, which WDW Pro has not been able to confirm, the projected film is about Young Indy, and its effectiveness will be tested when a rollercoaster based on the film comes on as part of Disneyworld.

Lucasfilm has also apparently made a deal with Mark Hamill within the last 18 months in which he has signed over his image to them so that they can use it to create a CGI Luke Skywalker. This Virtual Skywalker may also be used in the projected Galaxy’s Edge Star Wars theme park. However, due to the project’s severe financial problems, this may not happen anytime soon. Disney are slowly moving towards using this technology to dispense with human actors so that they won’t have to suffer a similar pause in filming ever again, although they won’t move away from human actors altogether immediately.

Doomcock himself laments this development, and feels that it is inevitable in a world where Deep Fake technology has advanced so far that we don’t know if the people we see or the news we watch are real, or that the characters we see on the screen are brought to life by real actors using the skills and craft they have learned. He wonders what will happen to our civilisation – what we will lose – if everything we see on the screen is synthetic, and we are removed another step again from reality and anything that has ‘heart’. It might all be all right, but it seems to him that the more we remove the human element from art and culture and make it the creation of AIs, the more removed we are from our culture.

He also vents his spleen about the choice of subject for this putative movie, pointing out that there was a TV series about Young Indiana Jones years ago, and nobody wanted it. He recommends instead that if this grave-robbing technology is to be used, it should be used to recreate the mature Indy of Raiders of the Lost Ark and Temple of Doom. He also criticises Hamill for what he sees as his poor judgement in making the deal with Disney. Hamill should know personally how a poor director can ruin a beloved legacy character, the actor’s own contribution and a favourite film franchise through his experience playing Skywalker in The Last Jedi. He famously wept on set during that movie and bitterly criticised the director’s decisions. He’s sarcastic about the respect Disney shows such legacy characters. It’s rumoured that George Lucas is returning to helm the Star Wars films, in which everything will be fine and we can look forward to a bright, new golden age. But considering the potential for abuse, Doomcock states that he is dismayed, flabbergasted and disgusted by Hamill’s decision and fearful for humanity’s future. As human culture becomes made by machines, hasn’t Skynet won? Who needs to launch nukes, when we have a CGI Skywalker dancing like a monkey in a bikini?

Here’s the video, but as Doomcock himself warns you, it isn’t for children. It has adult humour. Blatantly adult humour.

As you can see, there’s more than a little hyperbole in Doomcock’s argument, and some people will take issue at what he views as the humiliation of Luke Skywalker to push a feminist or anti-racist message, like Black Lives Matter. But his fears of the abuse of such technology aren’t unfounded, and have been around for quite some time. The possibility that actors would sell their images to film companies to recreate them Virtually, while making the flesh and blood person redundant, was explored a few years ago in the SF film The Congress by Ari Folman. This was loosely based on the Stanislaw Lem novel, The Futurological Congress, but is very different, and, in my opinion, inferior. For one thing, the Lem novel is hilariously funny, while the movie is grim and depressing. The movie is about a Hollywood actress, Robin Wright, playing herself, who makes precisely the deal Hamill is rumoured to have made. She then stars in a series of action movies, including one sequence that is definitely a tip to Kubrick’s Cold War masterpiece, Dr. Strangelove. But this is all computer animation. The Wright herself isn’t remotely involved in their filming. Indeed, it is a condition of her contract that she not act at all, and live the rest of her life in a very comfortable retirement. These developments are followed by the discovery of a drug that allows people to enter a vast, consensual Virtual Reality, in which they can be and do anyone and anything they want. The world’s masses abandon reality, so that civilisation decays into a very grim, dystopia of ruin, poverty and misery. At one point Wright takes the drug, which will return her to reality, only to find herself in a food queue in a burned out, abandoned building. Unable to come with this, she returns to the Virtual world to search for the son she lost while in a coma as a result of a terrorist attack on the Las Vegas congress she was attending at which the hallucinogenic drug was launched. As I said, it’s a depressing film in which such illusions really are bringing about the destruction of humanity. And there is no escape, except into the Virtual world that has caused it.

The film follows a number of other SF works that have also predicted similar dystopias brought about by the hyperreality of mass entertainment. This includes John D. MacDonald’s short story, Spectator Sport, in which a time traveller appears in a future in which all human achievement has ceased as the public live out their lives as characters in VR plays. Another, similar tale is Good Night, Sophie, by the Italian writer Lino Aldani, about an actress in a similar world in which people live harsh, austere lives in order to escape into a far brighter, more vivid fantasy world of entertainment. Rather less pessimistic was the appearance of the SF film, Final Fantasy, all those years ago. This was supposed to be the first film in which all the characters were CGI, and who were supposedly indistinguishable from flesh-and-blood reality. The fact that further films like it haven’t been made suggests that, reassuringly, people want real humans in their movies, not computer simulations.

We’ve also seen the appearance of a number of computer generated celebrities. The first of these was the vid jockey, Max Headroom on Channel 4 in the 1980s. He was supposed to  be entirely computer-generated, but in reality was played by Canadian actor Matt Frewer under a lot of makeup. Then in the 1990s William Gibson, one of the creators of Cyberpunk SF, published Idoru. This was a novel about a man, who begins an affair with a Virtual celebrity. Soon after it came out, a Japanese company announced that it had created its own Virtual celeb, a female pop star. Gibson’s books are intelligent, near-future SF which contain more than an element of the ‘literature as warning’. The worlds of his Cyberspace books are dystopias, warnings of the kind of society that may emerge if the technology gets out of hand or corporations are given too much power. The creation of the Virtual pop star looked instead as though the corporation had uncritically read Gibson, and thought what he was describing was a good idea.

But going further back, I seem to recall that there was a programme on late at night, presented by Robert Powell, on the impact the new information technology would have on society. It was on well after my bedtime, and children didn’t have their own TVs in those days. Or at least, not so much. I therefore didn’t see it, only read about it in the Radio Times. But one of its predictions was that there would be widespread unemployment caused by automation. This would include actors, who would instead by replaced by computer simulations.

Computer technology has also been used to create fresh performances by deceased stars, sometimes duetting with contemporary performers. This worried one of my aunts when it appeared in the 1980s/90s. Dead performers have also been recreated as holograms, to make the stage or television appearances they never made in life. The late, great comedian Les Dawson was revived as one such image, giving post-mortem Audience With… on ITV. It was convincing, and based very much on Dawson’s own live performances and work. It was good to see him again, even if only as Virtual ghost, and a reminder of how good he was when alive.

I don’t know how reliable the rumours Doomcock reports and on which he comments are. This could all be baseless, and come to nothing. But I share his fears about the damage to our culture, if we allow our films and television to be generated by technicians and algorithms rather than flesh and blood thesps. Especially as the rising cost of movies mean that the film companies are unwilling to take risks and seem determined to rake over and exploit past classics rather than experiment with creating fresh material.

CGI’s a great tool. It’s used to create vividly real worlds and creatures. But I don’t want it replacing humans. Even if that means waiting a few years for new flicks to come out.

 

Radio 4 Programme On Rise of Eco-Fascism and Anti-Humanism

July 10, 2020

According to next week’s Radio Times for 11-17 July 2020, Monday’s edition of Analysis on Radio 4 is about ‘Humans vs the Planet’. The blurb for the programme on page 119 of the magazine reads

As Covid-19 forced humans into lockdown, memes emerged showing the earth was healing thanks to our absence from nature. These were false claims, but their popularity revealed how seductive the idea that “we are the virus” can be. At its most extreme, this way of thinking leads to eco-fascism, the belief that the harm humans can do to Earth can be reduced by cutting the number of non-White people. But the Green movement is also challenged by a less hateful form of this mentality known as “doomism” – a sense that humans will inevitably cause ecological disaster.

These sentiments have been around for a very long time. Earlier this year, a female professor of Queer philosophy at one of the new universities published her own manifesto for saving the planet. Dubbed ‘professor Goth’ by one of the Conservative news sites that covered the story, she advocates saving the planet through making humanity extinct. It’s a radical, misanthropic, anti-human stance that neither unique nor original to her. About a quarter of a century ago in the mid-90s the radical Green group, VHMNT, was agitating for the same policy. VHMNT, pronounced ‘Vehement’ , stood for Voluntary Human Extinction. It was peaceful and didn’t advocate violence, but wanted humanity to save the planet through voluntary extinction. Those who joined it vowed not to reproduce.

Some left-wing, ecologically aware scientists have been accused of possessing the same mindset, but willing to contemplate much more aggressive tactics. Over a decade ago, back in the early years of this century, Conservatives accused a scientist of advocating the extermination of humanity through disease. He had been speaking at a conference on the ecological crisis, and made some comment about the threat of new diseases to humanity as the environment deteriorates. His defenders argue that he was not advocating it, simply stating that such a disease would arise. Many Conservatives have a deep hatred of the Green movement. At the extremes, they see it as an anti-human, pagan nature cult aimed at the communistic redistribution of wealth and with its origins in Nazism. Hence all the rants by conspiracy-peddler Alex Jones about Obama taking over America by declaring a state of emergency and forcing Americans into FEMA camps and his denunciation of eco-friendly ‘Hobbit homes’.

The SF author, Bruce Sterling, also predicted that there would spring up guerrilla groups also dedicated to the mass culling of humanity to protect the planet. His 1990s novel, Heavy Weather, is set in a Texas turning to desert through the aquifers drying up, devastated through violent hurricanes created by a climate becoming increasingly extreme. These have left masses of Americans homeless, living in refugee camps. The story follows the adventures of the alienated son of one of the rich families, as he falls in with an underground group of outlaw storm chasers. One of the characters he encounters is an angry young man, who belongs to a terrorist organization attempting to save the planet through violence. The man describes how people might be killed by poisoning, after model boats are floated on the water of a reservoir. People die, but nobody is responsible. He compares it to the lynching of Blacks by the Klan. Blacks died, but again, nobody was responsible.

The book was a work of fiction and Sterling is very definitely not a racist or an advocate of such terrorism. It’s simply a a fictional treatment of what might arise if climate change and the deterioration of the environment becomes acute.

As for the hatred of the non-White peoples of the Developing World, this no doubt comes from the fact that families in these nations are traditionally larger than those of western Whites. The birthrate in Britain is actually below the level required for the maintenance of the population at the present level. The country’s population is only increasing due immigration. Without it, it would be falling. Hence the racist alarm at the growth of Britain’s Black and Asian populations. It is the expansion of the human population that is causing the current environmental crisis, but much of this is due to excessive consumption of energy and resources by the Developed West.

The birthrate is also falling in the Developing World as literacy rates rise and these countries modernize. This has led some demographers to fear that instead of a population explosion, as feared in the 1970s, there will be population crash. It’s predicted that this will happen, if at all, sometime around 2050. Fearing a shortage of labour, they predict that states will compete to encourage immigration. It has also been predicted that one of the African countries, that today has a terrible infant mortality rate and left-expectancy, will become the first country to suffer catastrophic population decline.

The programme, Analysis: Humans vs the Planet, is at 8.30 pm in the evening on Radio 4.

Radio 4 Programme on Saturday on Apollo 13

July 2, 2020

Also according to next week’s Radio Times, this Saturday’s edition of the Radio 4 The Archive is on the Apollo 13 disaster. This was when an explosive malfunction meant the crew had to abandon their mission to the Moon and use the lunar module as a lifeboat as they made their way back to Earth. The air purification system was also damaged so they had to rig up a quick replacement for one of the damaged systems.

The blurb for the programme on page 115 reads

Kevin Fong explores the story of the aborted 1970 mission to the Moon, as told by the astronauts who flew it and the teams in mission control who saved the day after an explosion aboard the spacecraft. With archive clips of crew members Jim Lovell and Fred Haise, as well as a host of characters who worked round the clock to save Apollo 13 and Nasa from disaster. With contributions from the broadcaster James Burke, who covered the Apollo 13 mission live for the BBC.

Kevin Fong’s a doctor specialising in space medicine. He’s also appeared on several programmes himself, including one in which he, Dan Snow and a female presenter tried to retrace the steps of the prospective miners on the gold rush trail to the Yukon.

James Burke also has two-page piece about the disaster on page 110 of the Radio Times.

I think there’s been several programmes about Apollo 13 already, including the film of the same name that came out in the 1990s.

The programme’s titled Archive on 4: Apollo 13: The Rescue, and its on Radio 4 on Saturday, 4th July at 8.00 pm.

BBC 2 Programme Next Week on Possibility of Life on Pluto

July 2, 2020

Way back in the 1970s David Bowie as Ziggy Stardust asked if there was life on Mars. Things have advanced since then, and a new programme on BBC 2 next Monday, 6th July 2020, ponders the possibility that life might exist on the dwarf planet traditionally at the edge of our solar system: Pluto. From being a dead world, Pluto is geologically active and possesses organic chemistry, the building blocks of life. Which raises the question of whether life of some sort exists there.

The programme’s titled Pluto: Back from the Dead and the  blurb for it on page 62 on next week’s Radio Times for 4th – 10th July 2020 reads

New discoveries from the edge of the solar system are transforming what is known about Pluto, thanks to the New Horizons space probe that took the first-ever close up images of the dwarf planet. This Horizon documentary reveals that Pluto, once thought to be geologically dead, is an active world of stunning complexity, with mountains carved from ice, a nitrogen glacier that appears to be moving and a recently active volcano. The data sent back has led some scientists to speculate that there may even be life on Pluto today.

David Butcher’s piece about the programme on page 60 adds

There might be life on Pluto. It sounds far fetched, but that’s the conclusion some scientists have reached, and its one of the unexpected new angles explored in this intriguing edition of Horizon.

The insights come courtesy of New Horizons, a tiny spacecraft that travelled 3.26 billion miles to the edge of the solar system, and sent back amazingly detailed imagery.

It reveals a geologically fertile world with, among other features, a nitrogen glacier and a recently active volcano. Moreover, Pluto’s abundant supply of organic molecules and liquid water suggest some form of alien life might exist.

Pluto isn’t alone in possessing mountains of ice. They also exist on Titan and the other moons of the outer solar system. Titan also possesses organic chemistry, which is why scientists are particularly interested in it for clues about the origin of life on Earth. And it was also at one considered that it too may have life. Carl Sagan also suggested that it might even have volcanoes of frozen gas. There’s an illustration of Titan with one such volcano erupting by the astronomy/science Fiction artist David A. Hardy in his and Patrick Moore’s The New Challenge of the Stars. I don’t know if such volcanoes actually exist there. I haven’t seen anything about the Huygens probe to Saturn and its moons finding any.

Scientists also began speculating that life might also exist in the frozen wastes of the outer solar system after someone suggested that the difference of a few degrees’ temperature between light and shadow on them might be enough to provide the energy to drive life. The quantum physicist and SF author Stephen Baxter expanded this into a short story in his Xelee sequence, collected in the his short story anthology, Vacuum Diagrams. I think that story, however, was set further out in one of the dwarf planets of the Kuiper Belt.

After all this time searching the solar system, I think it’s extremely unlikely that there’s life on Pluto. But who knows, perhaps I’m wrong. It would be truly epoch-making if I was and Pluto did possess a biosphere, even if it was only simply microbial organisms.

The programme’s on BBC 2 at 9.00 pm on Monday, 6th July.

 

Radio 4 Programme on DNA and Art

June 25, 2020

Radio 4 are also broadcasting next week what looks like an interesting programme on art and poetry based on DNA science. It’s titled The Art of Now: Recombinant Rhymes and DNA Art. The blurb for it in next week’s Radio Times simply says

Anna McNamee meets the artists and poets collaborating with genetic scientists to create work inspired by biotechnology, examining the connection between DNA and art.

Some genetic engineers and biotech scientists have already used their skills to create works of art. Way back in the ’90s a group of such scientists created specially genetically engineered organisms. This included a cactus that had hairs instead of spines. Later on another pair of scientists created a jacket made out of living skin. I’m not sure whether these creations were art, or simply monsters created by people with twisted morals and a perverse aesthetic sense.

If you want to listen to it, the programme’s on at 11.30 am on Thursday, 2nd July 2020.

Radio 4 Programme Next Week Claiming Universal Credit during Lockdown

June 25, 2020

According to next week’s Radio Times, for 27th June – 3rd July 2020, Radio 4 is broadcasting a programme next Monday, 29th June 2020, on Universal Credit claimants and their experience of having to wait five weeks for their first payment during lockdown. The programme’s title is Your Call Is Important to Us, and the blurb for it simply says

The personal stories of people claiming Universal Credit for the first time during lockdown, waiting in isolation for up to five weeks for their first payment to arrive. (p. 119).

The addition piece on it by Tom Goulding on the previous page, 118, runs

In times of prosperity, it is easy to feel detached from the conversation surrounding benefits. But with around three million applying for Universal Credit since the start of the coronavirus lockdown, more people are finding themselves at the sharp end of the process, made all the more torturous by weeks of isolation. This programme delves into some of these individual stories, including a warehouse manager who has been forced to shield and saxophonist who has moved back in with his parents. For balance, we also hear from staff of the Works and Pensions department on how they have coped in the crisis.

I think part of Tory policy towards the poor, the disabled and the unemployed was always about keeping the numbers below a certain level so that they voting base wouldn’t become too alarmed and start to wonder if it would happen to them. If it did, then some of them might actually catch on to the fact that they really aren’t doing anything to help people, just punishing and victimising them for being poor and daring to be a burden on society, or rather, the super-rich. This strategy is obviously threatened when a significant part of the workforce is suddenly thrown out of work, or furloughed, as has happened during lockdown.

Labour should have been protecting these people and holding Johnson and his gang of thugs and profiteers responsible for their continuing persecution of the unemployed and the disabled. Despite everything, the Tories have continued with their dreadful, murderous policy of austerity. But Starmer has said zip about all of this.

As for the DWP and its staff, I dare say some are genuinely conscientious people, who care about their clients. But those are not the qualities desired or encouraged by the Department’s chiefs, like the odious Iain Duncan Smith. Their concern is simply to get people off benefit. If they can’t find them work, then they invent utterly fake, spurious reasons to sanction them, all to provide the tax breaks the Tories give to the 1 per cent. When questioned about their policies, the Tories simply lie, and I have no doubt that is exactly what many of the staff interviewed on the programme will do in order to justify what is frankly unjustifiable.

The programme’s on at 11.00 am, if you want to listen to it.