80s Space Comedy From Two of the Goodies

Astronauts, written by Graeme Garden and Bill Oddie, 13 episodes of 25 minutes in length. First Broadcast ITV 1981 and 1983.

I hope everyone had a great Bank Holiday Monday yesterday, and Dominic Cummings’ hypocritical refusal to resign after repeatedly and flagrantly breaking the lockdown rules aren’t getting everyone too down. And now, for the SF fans, is something completely different as Monty Python used to say.

Astronauts was a low budget ITV sitcom from the very early ’80s. It was written by the two Goodies responsible for writing the scripts for their show, Graeme Garden and Bill Oddie, and based on the personal conflicts and squabbling of the American astronauts on the Skylab programme six years earlier. It was about three British astronauts, RAF officer, mission commander and pilot Malcolm Mattocks, chippy, left-wing working-class engineer David Ackroyd, coolly intellectual biologist Gentian Fraser,and their dog, Bimbo,  who are launched into space as the crew of the first all-British space station. Overseeing the mission is their American ground controller Lloyd Beadle. Although now largely forgotten, the show lasted two seasons, and there must have been some continuing demand for it, because it’s been released nearly forty years later as a DVD. Though not in such demand that I didn’t find it in DVD/CD bargain catalogue.

Low Budget

The show’s very low budget. Lower than the Beeb’s Blake’s 7, which often cited as an example of low budget British science fiction. There’s only one model used, that of their space station, which is very much like the factual Skylab. The shots of their spacecraft taking off are stock footage of a Saturn V launch, the giant rockets used in the Moon landings and for Skylab. There also seems to be only one special effects sequence in the show’s entire run, apart from outside shots. That’s when an accident causes the station to move disastrously out of its orbit, losing gravity as it does so. Cheap matte/ Chromakey effects are used to show Mattocks rising horizontally from his bunk, where he’s been lying, while Bimbo floats through the bedroom door.

Class in Astronauts and Red Dwarf

It’s hard not to compare it with the later, rather more spectacular Red Dwarf, which appeared in 1986, three years after Astronaut’s last season. Both shows centre around a restricted regular cast. In Red Dwarf this was initially just Lister, Holly and the Cat before the appearance of Kryten. Much of the comedy in Red Dwarf is also driven by their similar situation to their counterparts in Astronauts – personality clashes in the cramped, isolated environment of a spacecraft. The two shows are also similar in that part of this conflict from class and a Conservative military type versus working class cynic/ liberal. In Red Dwarf it’s Rimmer as the Conservative militarist, while Lister is the working class rebel. In Astronauts the military man is Mattocks, a patriotic RAF pilot, while Ackroyd, the engineer, is left-wing, Green, and affects to be working class. The three Astronauts also debate the class issue, accusing each other of being posh before establishing each other’s place in the class hierarchy. Mattocks is posh, but not as posh as Foster. Foster’s working class credentials are, however, destroyed during an on-air phone call with his mother, who is very definitely middle or upper class, and talks about going to the Conservative club. In this conflict, it’s hard not to see a similarity with the Goodies and the conflict there between the Conservative screen persona of Tim Brooke-Taylor and Bill Oddie’s left-wing, working class character.

Class, however, plays a much smaller role in Red Dwarf. Lister is more underclass than working class, and the show, set further in the future, has less overt references to contemporary class divisions and politics. The humour in Red Dwarf is also somewhat bleaker. The crew are alone three million years in the future, with the human race vanished or extinct with the exception of Lister. Rimmer is an ambitious failure. For all he dreams of being an officer, he has failed the exam multiple times and the B.Sc he claims is Batchelor of Science is really BSC – Bronze Swimming Certificate. Both he and Lister are at the lowest peg of the ship’s hierarchy in Red Dwarf. They’re maintenance engineers, whose chief duties is unblocking the nozzles of vending machines. Lister’s background is rough. Very rough. While others went scrumping for apples, he and his friends went scrumping for cars. The only famous person in his class was a man who ate his wife. The three heroes of Astronauts, however, are all competent, intelligent professionals despite their bickering. Another difference is that while both series have characters riddled with self-loathing, in Red Dwarf it’s the would-be officer Rimmer, while in Astronauts is working class engineer Ackroyd.

Britain Lagging Behind in Space

Other issues in Astronauts include Britain’s low status as a space power. In a speech in the first episode, the crew express their pride at being the first British mission, while paying tribute to their American predecessors in the Apollo missions. The Ealing comedy The Mouse on the Moon did something similar. And yet Britain at the time had been the third space power. Only a few years before, the British rocket Black Arrow had been successfully launched from Woomera in Australia, successfully taking a British satellite into orbit.

Personal Conflicts

There are also conflicts over the cleaning and ship maintenance duties, personal taste in music – Mattocks irritates Ackroyd by playing Tubular Bells, publicity or lack of it – in one episode, the crew are annoyed because it seems the media back on Earth have forgotten them – and disgust at the limited menu. Mattocks is also shocked to find that Foster has been killing and dissecting the mice he’s been playing with, and is afraid that she’ll do it to the dog. Sexism and sexual tension also rear their heads. Mattocks fancies Foster, but Ackroyd doesn’t, leading to further conflict between them and her. Foster, who naturally wants to be seen as an equal and ‘one of the boys’ tries to stop this by embarrassing them. She cuts her crew uniform into a bikini and then dances erotically in front of the two men, before jumping on them both crying ‘I’ll have both of you!’ This does the job, and shames them, but Beadle, watching them gets a bit too taken with the display, shouting ‘Work it! Work it! Boy! I wish I was up there with you boys!’ Foster also objects to Mattocks because he doesn’t help his wife, Valerie, out with the domestic chores at home. Mattocks also suspects that his wife is having an affair, which she is, in a sort-of relationship with Beadle. There’s also a dig at the attitudes of some magazines. In the press conference before the three go on their mission, Foster is asked by Woman’s Own if she’s going to do any cooking and cleaning in space. Beadle and his team reply that she’s a highly trained specialist no different from the men. The joke’s interesting because in this case the butt of the humour is the sexism in a certain type of women’s magazine, rather than chauvinist male attitudes.

Cold War Espionage

Other subjects include the tense geopolitical situation of the time. Mattocks is revealed to have been running a secret espionage programme, photographing Russian bases as the station flies over them in its orbit. The others object, and Ackroyd is finally able to persuade Beadle to allow them to use the technology to photograph illegal Russian whaling in the Pacific. This is used to embarrass the Russians at an international summit, but the questions about the origin of the photos leads to the espionage programme being abandoned. The crew also catch sight of a mysterious spacecraft in the same orbit, and start receiving communications in a strange language. After initially considering that it just might be UFOs, it’s revealed that they do, in fact, come from a lonely Russian cosmonaut. Foster speaks Russian, and starts up a friendship. When Mattocks finds out, he is first very suspicious, but then after speaking to the Russian in English, he too becomes friends. He’s the most affected when the Russian is killed after his craft’s orbit decays and burns up re-entering the atmosphere.

Soft Drink Sponsorship

There are also digs at commercial sponsorship. The mission is sponsored by Ribozade, whose name is a portmanteau of the British drinks Ribeena and Lucozade. Ribozade tastes foul, but the crew nevertheless have it on board and must keep drinking it. This is not Science Fiction. One of the American missions was sponsored by Coca Cola, I believe, and so one of the space stations had a Coke machine on board. And when Helen Sharman went into space later in the decade aboard a Russian rocket to the space station Mir, she was originally to be sponsored by Mars and other British companies.

God, Philosophy and Nicholas Parsons

The show also includes arguments over the existence or not of the Almighty. Mattocks believes He exists, and has shown His special favour to them by guiding his hand in an earlier crisis. Mattocks was able to save them, despite having no idea what he was doing. Ackroyd, the sceptic, replies that he can’t say the Lord doesn’t exist, but can’t see how God could possibly create Nicholas Parsons and Sale of the Century, one of the popular game shows on ITV at the time, if He did. As Mattocks is supposed to be guiding them down from orbit, his admission that he really didn’t know what he was doing to rescue the station naturally alarms Foster and Ackroyd so that they don’t trust his ability to get them down intact.

Red Dwarf also has its jokes about contemporary issues and politics. Two of the most memorable are about the hole in the Earth’s ozone layer being covered with a gigantic toupee, and the despair squid, whose ink causes its prey to become suicidal and which has thus destroyed all other life on its world in the episode ‘Back to Reality’. Other jokes include everyone knowing where they were when Cliff Richard got shot. Red Dwarf, however, is much more fantastic and goes further in dealing with philosophical issues, such as when Rimmer is incarcerated in a space prison where justice is definitely retributive. If you do something illegal, it comes back to happen to you. This is demonstrated when Lister follows Rimmer’s instruction and tries to set his sheets alight. He shortly finds that his own black leather jacket has caught fire.

Conclusion

Red Dwarf is able to go much further in exploring these and other bizarre scenarios as it’s definitely Science Fiction. Astronauts is, I would argue, space fiction without the SF. It’s fictional, but based solidly on fact, including generating gravity through centrifugal force. But critically for any comedy is the question whether its funny. Everyone’s taste is different, but in my opinion, yes, Astronauts is. It’s dated and very much of its time, but the humour still stands up four decades later. It had me laughing at any rate.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tribute Next Monday to Tim Brooke-Taylor on Radio 4

This one’s for fans of the Goodies and the radio show, I’m Sorry I Haven’t A Clue, ‘the antidote to panel games.’ According to next week’s Radio Times for 2-8 May 2020, Radio 4 are broadcasting a tribute to the late comic actor, Tim Brooke-Taylor, on Monday 4th May at 6.30 pm. The blurb for it in the Radio Times by Simon O’Hagan on page 118 runs

47 Years Without a Clue – A Tribute to Tim Brooke-Taylor

This is going to be so wonderful but so sad – a tribute to the deeply lovable comedy giant Tim Brooke-Taylor, who died last month with Coronavirus at the age of 79. Fellow Goodie Graeme Garden presents, with the emphasis on TBT’s immense contribution to the other great show they teamed up on, I’m Sorry I Haven’t A Clue. “The Tim I knew was fuelled by nervous energy,” longtime Clue producer Jon Naismith tells me. “It was this underlying state of mild panic that not only made him enormously relatable to audiences, it led to some of the funniest moments.

Video Tribute to Tim Brooke-Taylor

The news broke yesterday that the great comedian and actor, Tim Brooke-Taylor, had passed away at the age of 79. He’d had a long career in radio and television, appearing in such shows as At Last, the 1948 Show, the Goodies and I’m Sorry I Haven’t A Clue, the ‘antidote to panel games’ on Radio 4.

I found this short video tribute to him on Mooch TV’s channel on YouTube. It includes a clip from Willy Wonka and the Chocolate Factory from 1971, in which he argues with a computer about trying to find three of the golden tickets, short clips from his appearance on chat shows, including The One Show, and of course the Goodies. This includes an outtake, in which he and Bill Oddie battle vainly against a record player and its disc that are resolutely refusing to behave. The video uses as its musical accompaniment to these clips a segment from I’m Sorry I Haven’t A Clue. One of the games the panel are regularly required to perform is singing one song to the tune of another. In this instance, it’s Tim very capably singing The Smith’s ‘Girlfriend in a Coma’ to ‘Tiptoe through the Tulips’.  It ends with a clip of Michael Aspel being crushed by a giant paw from the Goodies episode ‘Kitten Kong’.

I was a great fan of the Goodies as a young child in the 1970s. It’s sheer, exuberant silliness appealed to my very juvenile sense of humour, and I still have fond memories of it as an adult. The show is out on DVD, and although there was a special looking back at the series a few years ago, it has never been repeated.

I know it was a children’s show, as the Pythons themselves laughingly point out in one early episode of the show, but I far prefer it to John Cleese and co. I might be projecting here, as I discovered Python in the 1980s when my depression and anxiety was becoming more severe, but there was something bleak, cynical and angry in Python which I didn’t like. Some of the Goodies‘ episodes were bleak too, such as one in which they find that the area about their home has been redeveloped so they are bricked in, and have to spend the rest of their lives in alone with each other. But mostly it was just sheer, brilliant fun, like the episode ‘Ecky-Thump’, in which Bill Oddie becomes a master of the ancient Northern martial art. The masters of this wear oversize flat caps and braces and use black puddings as nunchakas. It was so funny that one viewer literally died laughing of a heart attack while watching it.

Brooke-Taylor appeared in many other shows after the Goodies was finally cancelled, but it is for the Goodies he will be best remembered. Britain has lost one of its great comic talents.

R.I.P. big man.

 

Scots Tory Davidson Warns Boris Willing to Destroy UK for Brexit

On the 18th of this month, Mike at Vox Political wrote a piece noting a YouGov poll that found that the majority of Tory members are hellbent on getting Brexit, even if it means the break-up of the United Kingdom, significant damage to its economy and even the destruction of the Tory party itself.

The poll found that, when asked the question whether they would be willing to avert Brexit if it meant Scotland or Northern Ireland leaving Britain, 63% and 59% of Tories would be quite happy to see those nations leave Britain. 61% said they would also be prepared to accept significant damage to Britain’s economy if we left the EU. 54% also said that they would be happy to see the Tory party destroyed for Brexit. Only 36% put their party’s survival before Brexit.

See: https://yougov.co.uk/topics/politics/articles-reports/2019/06/18/most-conservative-members-would-see-party-destroye

Commenting on this, Mike predicted in his article that Scottish SNP First Minister Nicola Sturgeon would mention it in her speech marking 20 years of devolution.

The Tory death wish: They’ll have Brexit even if it destroys the UK

And now, according to the front page of today’s I, 28th June 2019, the leaders of the Scottish Tories, Ruth Davidson, has warned that Boris’ determination to achieve Brexit whatever the cost – ‘do or die’ – risks breaking up the UK. She was therefore backing Jeremy Hunt instead. Davidson said

‘I want to see him [Johnson] make assurances that it’s not Brexit do or die, it’s the Union do or die. That’s exactly what we’ve seen from the other candidate in the race and that’s why he’s going to get my vote.’

The newspaper also reports that

Polling has suggested that if the former foreign secretary becomes prime minister it could boost support for Scottish independence. (p.6).

Mike reported that the only thing that would stop the Tories from demanding Brexit at the first opportunity is the likelihood that this would lead to Corbyn taking up the reigns of government. But, he concluded

such a government is more likely if they choose a leader committed to Brexit at any cost.

And at the moment, Boris Johnson is the the leading candidate in the Tory leadership contest, despite his determination to force through Brexit whatever the cost. The I has also reported that he’s said that those Tories opposed to a no-deal Brexit will not get posts in his government.

And I’m not at all surprised that the Tories are willing to risk the break-up of the EU. I’ve mentioned before that I’ve heard rumours that the Tories were on the verge of collapse during Blair’s tenure of office. So much so that they were considering changing their name to the ‘English Nationalists’. And I do remember reading an opinion piece in the Heil, which considered that the departure of Scotland from the Union would not significantly harm Conservatism. This claimed that it was only recently that the Tories in Scotland had called themselves Conservatives. Before then they were called the Unionist party. But this still goes back to the period after the early 18th century union with Scotland. What would be the point of having a unionist party, if there was no union, and no real likelihood of ever reviving it?

It just confirms that Brexit is very much an English demand, and the Tory Brexiteers are bitter English nationalists, neither more nor less.

And it flies in the face of the way the Tories under Thatcher appropriated Britishness, its symbols and history. I can remember one headline in the Sunday Telegraph, unsurprisingly about how wonder Thatcher was, had the headline ‘Don’t Call Them Boojwah, Call Them British!’ I think it was a quote from Maggie herself. But the Conservatism she promoted was deeply bourgeois and nationalistic to its core. They seemed to waste no opportunity to drape themselves in Union Flags, like Tim Brooke-Taylor in his Union flag waistcoat on the Goodies, but without the comic trio’s irony. In one programme about Thatcher and the Tory party, her husband, Dennis, declared that his favourite song was Rule Britannia. Which he then tried to sing, only to realise he didn’t know the words. And then there was their infamous 1987 election film, which seemed to show that they had singlehandedly won the Battle of Britain. This showed old wartime footage of Spitfires chasing about the skies, while an excited voice declared ‘Man was born free. It’s our fundamental right.’ Really? I thought the complete quote, from the first sentence or so of Jean-Jacques Rousseau’s The Social Contract was ‘Man is born free, and everywhere he is in chains.’ Which effectively describes the condition of everyone, who isn’t massively rich, under the Tories. The sadly departed Alan Coren commented drily about it on the News Quiz, calling it the Royal Conservative Airforce, and saying what a pity it all was for the Tories that after the War the servicemen all came back and voted Labour. Quite. But it does show how the Tories appropriated British patriotism.

And it also shows the reverse: how the Tories demonised anyone who didn’t share their chauvinism and racism – who wasn’t, as Thatcher put it, ‘one of us’ – was really an evil subversive intent on destroying Britain. Left-wing members of the Labour party, who supported the ‘troops out’ movement, like Tony Benn, land who made the reasonable point that to stop the violence we had to talk to Sinn Fein, were vilified as supporters of the IRA. And the same people, who wanted to thaw relations with the USSR instead of ramping up tensions like Reagan and Thatcher, because of the very real danger of nuclear Armageddon were also vilified as Communists by the Tories, the Tory press, and the press secret state.

Oh yes, and if Labour got in power under someone like Benn, Foote, Livingstone or even Neil Kinnock, when he actually believed in traditional Labour values, would destroy the economy.

But it isn’t Labour threatening to destroy the UK. Corbyn and his supporters aren’t telling the world that they’re content to break up the EU or consciously wreak the British economy, provided they get a disastrous policy through. It’s the Tories.

They’re the real subversives and destroyers of this nation. Which is why they have to make up bogus stories about the Labour party being full of anti-Semites, Trotskyites and Stalinists.

If you want to see a genuinely prosperous, united Britain, that’s fair to working people of every nation in this great country, vote Labour.

Because the Tories are happy to see it destroyed and impoverished.

 

BBC 4 Looks Back at Tomorrow’s World

Tonight, Thursday 22nd November 2018 at 9.00 pm BBC 4 are looking back at the 1980’s BBC science show, Tomorrow’s World. The programme’s entitled Tomorrow’s World Live: for One Night Only, and the blurb for it in the Radio Times runs

Dr. Hannah Fry joins former presenters Maggie Philbin and Howard Stableford for a one-off live revival of the much-loved science and technology series, which ran from 1965 to 2003. They will be looking at the programme’s archive, discovering the latest in British inventions, testing new technologies in the studio and looking forward to the innovations that will shape our future. (p. 97).

The other short piece about the show by Mark Braxton, on page 95, says

To think the BBC’s flagship science show might have been called “To Be Announced”. Creator Glyn Jones only came up with the title the night before RT went to press back in July 1965. But then there was always something excitingly seat-of-the-pants about Tomorrow’s World.

The influential series ran for 38 years, fronted by a conveyor belt of hosts from the old-school (blazer-sporting Spitfire pilot Raymond Baxter) and the smooth (Michael Rodd) to the long-running (Judith Hann, for 20 years).

It soon became known for things going awry on live TV – Baxter later gamely spoofed both himself and the programme on The Goodies (“This entire studio is held together with string.” Crash!). But the fact is that this was the first chance the public had to see new tech in action: the home computer, artificial grass, the digital watch, personal stereos and so on.

So in this one-off special, ex-Tomorrow people Maggie Philbin and Howard Stableford take a fond look back and a peek into the future. though I won’t consider the project complete without Johnny Dankworth’s jaunty jazz theme and the show spelt out in cake, nails and fried egg.

The Radio Times also has an article on the show by James Burke, another of its presenters, on pages 18 to 21, which includes a list of the predictions the show got right and got wrong. I remember Burke presenting the Beeb’s coverage of the US space missions in the 1970s, like the Link-Up when US and Russian astronauts and cosmonauts docked in space for the first time, and then returned to Earth in each others’ craft, if I recall correctly. I was fascinated by it, despite being only eight at the time. Burke also presented the Beeb’s science blockbuster series Connections and The Day the Universe Changed.

And here’s the show’s titles and theme tune from the Revoxy Channel on YouTube.