Historical Archaeology, the Congo Museum and Shamanism and the Purge of Offensive Exhibits at the Wellcome Collection

Having looked at the Art Newspaper’s report on the withdrawal of the ‘Medicine Man’ gallery at the Wellcome Museum and its replacement with shamanistic performances by Grace Ndiritu, along with her biography on Wikipedia, I think I now understand what’s happened there. One of the names that leapt out at me reading the Art Newspaper article was Dan Hicks. He was one of the lecturers in the Archaeology and Anthropology Department at Bristol University when I was there. This is going back over a decade, and when I saw him, he was young and hip. I think his speciality is Historical Archaeology, and from what I remember he has co-edited a series of papers about it. Over here, Historical Archaeology is merely that branch of archaeology concerned with monuments and artefacts from historical times, rather than prehistory. Over the Pond, however, it is very definitely ideologically loaded, and concerns itself with colonialism, the oppression of the indigenous peoples, slavery and the emergence of capitalism. And this focus can be very clear in the work of some lecturers and academics. It’s not all like this – some of the historical archaeological research is less left-wing. While doing my Ph.D., one of the papers I consulted was about the building of 18th century Annapolis and how it conformed to 18th century ideas about architecture and society. For example, the buildings were deliberately constructed with large windows so that outsiders could look in. This came from the view that business should be conducted as far as possible in public view, so that public scrutiny would make sure that everything was correct, orderly and legal. Hicks’ doctoral student studied the archaeology of Long Kesh, the Maze Prison, in Ulster. She gave a seminar one lunchtime about her research, and she was very, very good. She presented an excellent case for its preservation and exhibition from a non-sectarian perspective as somewhere that was vital to the heritage of the people of Northern Ireland.

Archaeology has also expanded its scope in recent decades. When most of us think of archaeology, I’m pretty sure it’s of prehistory and ancient civilisations like Egypt, Greece and Rome. But it can also be much more recent, taking in not just the Middle Ages but also recent history up to the Second World War and beyond. One of the lads I knew was studying World War II tank defences around Bristol and Somerset. There was even a pillbox study group, which catalogued and documented the various WWII pillboxes left along the country’s coasts and beaches to protect us from invasion. There has, like Ndiritu at the Wellcome Museum, also been artistic events performed or staged around pieces of archaeology. In one of these in America an historic barn or house was allowed to decay, with photographs taken and finally displayed showing its gradual destruction. When I was there, the archaeology department had been part of a similar project concerning the various objects at Severn Beach, a holiday resort near Bristol. From what I dimly recall, this photographed and decorated such historic monuments as the public benches and decaying boats. This was too ‘arty’ in the pejorative sense for some of the people at the seminar on it I attended. They saw themselves very definitely as scientists. It was too arty for me, and I see myself much more as coming from the arts rather than the sciences.

There was, at the time, a general movement towards drawing different disciplines together, and especially the arts and sciences. Interdisciplinary subjects were in vogue, and there was much talk about overcoming C.P. Snow’s ‘two cultures’ arts and science, in which people from one side of the cultural divide had no knowledge or interest in the other. One such artistic project based in science I read about in New Scientist featured genetically modified organisms. One of these was a cactus, whose DNA had been tinkered with so that instead of prickles, it grew hair. Ndiritu’s performances at the Wellcome Collection come from archaeology and anthropology, rather than genetic engineering, but they are part of the same project of mixing science and art.

Her Wikipedia entries also mentions work at the AfricaMuseum in Belgium. Way back when I was at the Empire and Commonwealth Museum I got material from Belgium about some of their museums looking at their countries imperial history. One of these was a series of artistic projects and performances in the country’s museum about the Belgian Congo. As I’m sure readers are well aware, King Leopold’s personal rule in the Congo is one of the bloodiest holocausts in African history. About 8 million people are supposed to have been murdered by his Force Publique in order to produce rubber for export. I’ve been told that the country tried to forget about it all, until the first years of the 21st century when these events were staged at the museum as part of the confrontation with this infamous period in Belgian history.

There have also been other archaeological and anthropological events and displays in which indigenous peoples have performed their religious rituals. A few years ago, if I recall correctly, there was one where Amerindian shamans performed their people’s rites. When the exhibit is of those peoples, then it is only fair to include the people themselves. I think this is what was going on in the Wellcome Museum with Ndiritu and her shamanism. It looks like it’s an attempt by indigenous African culture to claim a proper place in the exhibit as a counterpoint to western rationalism.

This does not mean, however, that it should be free from criticism or that such criticism is right-wing. The decolonisation movement does indeed have as its goal the decentring of western science and historiography. It goes far beyond the usual explanation about including overlooked non-western and indigenous perspectives. The ‘Science Must Fall’ movement really existed. And some of the critical of modern postcolonial theory are left-wing feminists. Asian feminists, for example, have complained that they are given no support by western postmodern feminists in their struggle against their cultures’ own restrictions on women, because postcolonialism is only interested in such problems if they are caused by the West. This is described by Bricmont and Sokal in their 90’s attack on Postmodernism, Intellectual Impostures. And Sokal is, or was, very much a man of the left. He was a physicist who gave up his career to teach maths in Nicaragua under the left-wing Sandinista regime.

I also wonder how this all fits with Edward Said’s critique of western views of the east, Orientalism. His book was a polemic arguing that the west since ancient Greece had regarded the east as the Other, and produced images to justify its conquest and domination. Western travellers and explorers had therefore presented it as backward, irrational and feminine and somehow unchanging. But Nditiru’s performances are based on the non-scientific irrational and traditional, which are now presented as positive. This is indeed a challenge to the view of magic in indigenous cultures that I remember from my childhood. I can remember watching a BBC documentary about African shamanism when I was in my early teens, in which the voiceover concluded that while western science had succeeded in discovering so much about the world and made so many advances, while magic had reached an end and could produce no such advances. The great British scientist and broadcaster, Jacob Bronowski, said something similar in his TV series and book, The Ascent of Man. He looked at the traditional culture of one of Iran’s nomadic people, and considered that it similarly locked them in a stifling, unchanging world. Bronowski was no man of the right. He was a member of the Fabian Society at a time when that actually meant something, before it was taken over by the Blairites.

I am also very much aware of the crisis that has affected many indigenous society with the collapse of their world of meaning through contact with western modernity and the legacy of colonialism and imperialism. But there are also dangers in idealising indigenous societies. I mentioned in my previous article that in Nigeria, priests from one of the country’s pagan religions had been involved in the acquisition of slaves, and that a South African anthropologist had attempted to defend muti human sacrifice at a convention in this country, as well as witchcraft and witch hunting in Africa. Those aspects of indigenous religion and spirituality shouldn’t be ignored. I am not saying they should be stressed to restore the old image of Africa as a backward continent needing western civilisation, but not all the continent’s ills should be ascribed to western rationalism either. Hence it should be perfectly legitimate to question this latest policy by the Wellcome Museum, regardless of whether one is politically right or left.

Robert Boyle and the Possibility of Spirits on Other Planets and Stars

This might interest any readers of this blog with an interest in mysticism and history. I’ve been reading, off and on, Tony McAleavy’s The Last Witch Craze: John Aubrey, the Royal Society and the Witches (Amberley: 2022). This is about how individual members of the Royal Society, set up to advance science, and the 17th century naturalist and biographer John Aubrey, investigated cases of witchcraft scientifically as part of a project to combat the threat of atheism. They were afraid that the rise of the new mechanical philosophy denied the existence of disembodied spirits and so led to atheism. But this in turn could be challenged by properly investigated cases of witchcraft, hauntings and what would now be considered poltergeists, supported by the testimony of reliable multiple witnesses.

Aubrey himself, the author of Brief Lives, a series of potted biographies of the great men of his time, and books on the natural history and customs of his native Wiltshire and other counties, was a practising ritual magicians, though also friends with Thomas Hobbes, who denied the existence of the supernatural and was suspected of atheism. The Royal Society had no corporate opinion on witchcraft, but individual members were staunch believers, writing and publishing books about it. One of these was Robert Boyle, whose book The Sceptical Chymist, founded the modern science of chemistry. Boyle was deeply Christian, and left a legacy to fund an annual sermon preaching Christianity against atheism. But as a scientist and man of faith, he was also interested in the possibility of the existence of disembodied spirits on other worlds and stars, and the theological implications of their existence.

‘Robert Boyle thought a lot about the supernatural. Not only was he sure about the reality of angels and demons, he also speculated on the possible existence of enormous numbers of spirits of other types, ‘an inestimable multitude of Spiritual Beings , of various kinds.’ Distant planets and stars might contain alien spirits about which we know nothing. There could be spirits inhabiting ‘all the Celestial Globes (very many of which do vastly exceed ours in bulk)’. This raised, for Boyle, interesting theological questions. Angels and demons were known to be saved or damned, respectively, but in other worlds there might be spirits who were still being tested by God, just as Adam and Eve were tested in the Garden of Eden.’ (p. 69).

There’s a link, or a chain of belief here with the Swedenborgians of the 18th century, who believed that the planets were inhabited and that they could travel to them in spirit and communicate with their inhabitants during seances. I think they also believed that people also travelled to these worlds and made their homes on them after death. Some of the Spiritualist mediums believed this. And Evans-Wentz records the view of an elderly Irish mystic in his book, The Fairy Faith in the Celtic Countries, that the fairies were an old race come from the stars.

And this also continues into the UFO phenomenon. I am not going to start a debate over whether all alien encounters are mystical in nature rather than encounters with real, nuts and bolts craft, whether alien spaceships or secret terrestrial aircraft. But there have been UFO encounters which do seem to be either hallucinatory or mystical in nature. One Australian woman was abducted and examined in an alien spacecraft on a deserted road one night. When she was taken back there by a member of an Ozzie UFO investigation group, she had another such experience. But she was still physically present with the investigator in his car, and no UFO was visible. Other experiencers have said that there abduction was an astral or out of body experience, rather than physical. Sceptics have suggested that UFO abduction experiences can be explained by Temporal Lobe Epilepsy. Some no doubt can, but others have occurred to seemingly normal individuals with no history of such a neurological illness.

I therefore wonder if Boyle was right after all, and this type of alien encounters are with disembodied alien spirits, which our brains interpret as physical alien beings in real nuts and bolts craft in order to make it comprehensible.

Wellcome Museum Purges Display on History of Medicine to Include African Shaman – A Piece of Cultural Relativism That Will Also Damage Blacks

This comes from a piece our favourite YouTube historian, Simon Webb, put up on History Debunked a few days ago. He was attacking the new policy towards the museum that has come in with its new director, a woman whose degree is in the arts. Before, according to Webb, the museum was excellent, covering the history of western medicine in rigorous detail and including displays of operating theatres. Much of this, however, has been junked because the new director has deemed it ableist, racist and colonialist. The gallery to its founder, Wellcome himself, has also gone because he did not hold the current, mandatory beliefs. In their stead a gallery has erected containing two photographs showing the horrors of colonial experimentation on Black Africans along with one Mrs Eruditu, a self-professed African shaman, who conducts healing ceremonies and will counsel visitors to the gallery traumatised by the pictures. Webb calls her a witchdoctor, and describes her as completely mad, as she believes inanimate objects also possess consciousness. She doesn’t like the British Museum and the Egyptology displays, because the exhibits there have told her that they want to be underground. Nor does she approve of the display of a Native American totem pole in the Musee Nationale in France, as this has told her psychically that it wants to be out in the open air. Webb states, quite correctly, that western medicine has produced amazing advances in combating disease and extending the human life span. This new policy is a direct attack on that.

I think Webb, if he’s right about the Museum’s new policy, and he seems to be, has an excellent point here. He views it, no doubt, as another attack on western culture in the name of anti-racism, anti-imperialism and post-colonialism. He is, unfortunately, also very likely right about this. There have been pieces on YouTube by other right-wingers attacking the current policies of the Museums Association, which are all about this. I’ve got a feeling that Manchester Museum has also fallen to these new policies, and that they are also reviewing their collections as a result. But this policy is also harming Black and particularly Black African advancement in ways which the founders of the ‘Science Must Fall’ movement, which is ultimately at the heart of this, probably don’t understand.

The ‘Science Must Fall’ movement was a South African campaign to decentre western science because it rejected indigenous knowledges about the world rooted in myth and legend. There was a video on YouTube of a student debate in one of the South African universities, in which a Black female student urged her White comrades to decolonise their minds and accept that tribal rainmakers could indeed make it rain. People are welcome to whatever mystical or religious beliefs they choose, providing these don’t break the law. But they are separate. Back in the 90s, the late Stephen Jay Gould, a biologist and palaeontologist, attempted to end the war between science and religious by stating that there were No Overlapping Magisteria (NOMA). Science dealt with fact, and religion with issues of meaning and values. Of course, militant atheists of the Dawkins type disagreed and thought that it was a capitulation to unreason. Gould’s wrong in that religion and science do overlap, but as a general point I think it’s fair. Science and religion, as a general rule, are separate.

I am also sure that the new director is right, and that Blacks were experimented on by surgeons and doctors in the past. It certainly happened in America, where one of the great surgeons of the 19th century experiment on Black women without anaesthetic. I read somewhere that H.G. Wells was partly inspired to write The Island of Dr. Moreau by accounts of a German doctor experimenting on Black Africans. But you have to be very careful in making such judgements. A while ago I provoked an angry reply in a piece I had written for the Journal of the British Interplanetary Society. I was talking about the history of medicine in the context of space exploration. One of the books I had consulted for the piece described one particular pioneering doctor of tropical medicine as a quack for his theories and treatment of diseases. Unfortunately for me, one of the other senior members of the Society knew him, and wrote to me stating that he was a dedicated, humane man of science. The problem was that he was facing completely new diseases unknown in the west and which nobody knew how to treat. This is a good point, and I wrote to the aggrieved gentleman apologising for the inadvertent smear and issued a correction to the Journal. I wonder if some of the other pioneering doctors and surgeons, whose work has similarly fallen into disfavour, were like the man I mentioned – a sincere medical man, working in the unknown.

Underlying the attempts to decentre western science are two related attitudes. One is the fact that many displaced, colonised peoples have been harmed by the destruction of their own, indigenous world view. This has left them without meaning, resulting in alcoholism and drug addiction in many indigenous communities like the Amerindians in the Americas and Aboriginal Australians. The other is the belief in the Noble Savage, in which indigenous communities like them are somehow better, and more noble than moral than White, western society. The attempts to decentre western science and include indigenous myth and religion are attempts to restore dignity to these colonised peoples.

But African paganism also has its dark side. The priests of one of the cults in Nigeria were actively involved in the slave trade, to the point where the Nigerian equivalent of the saying that someone has been sold down the river literally translates as they ‘have been stolen by the Oracle’. There is also a widespread belief in witches and witch hunting all across the continent. Many of the accused, as in the pre-modern west are women, and some of the trials are just as deadly. In one Nigerian ritual, the accused woman is given the Calabar Bean, a poisonous vegetable. If she doesn’t vomit it out quickly, she’ll die, and so be judged a witch. There have also been professional witch hunters of the same stripe as the infamous Witchfinder General, Matthew Hopkins, of Civil War England. Way back in the 19th century one of the Zulu kings went on a witch-hunting campaign. Witchsmellers, the indigenous Zulu witch hunters, were engaged and duly pointed the finger at a number of suspects, who were duly executed. A European official talked to the king, and said this all looked very dubious, and wondered if the witchsmellers were right in their accusations. The king laughed, said he wondered too, and had all one hundred of them executed as frauds.

And then there’s muti, which is really sinister. This is the sacrifice of humans, often young children, for their body parts, which are sold to the sorcerer’s clients to bring them good luck. I put up a piece I found on one of the YouTube channels about the amazing efforts of a Black British woman against it in Uganda. But it also appeared in Britain back in the early part of this century. The cops dragged the spine of a murdered boy, Adam, wrapped in various pieces of coloured cloth out of the Thames. The cloth’s colours were those of the muti cult, and it looked like child, probably 12 years old, had been sacrificed. And some African anthropologists have defended such murders. A little while ago one of them presented such a paper at an anthropological conference in Manchester. They claimed that these sacrifices were morally acceptable because Africans had a collective morality that saw that the sacrifice of an individual could benefit the community. Bear in mind that we are talking about the murder of children, whose body parts, including their genitals, are considered most effective if they have been hacked off while the victim was still alive. I believe that the anthropologist presenting the paper was asked to leave.

Indigenous African religion has also been the tool of White supremacist governments to keep Black Africans firmly in their very subordinate place. A few decades ago, a Zulu shaman, Credo Mutwa, had a book published in this country, in which he explained his mystical beliefs and practises. From what I’ve read, it was a mixture of native Zulu lore and western occultism, aimed at the New Age crowd. It was reviewed by the sceptical UFO magazine, Magonia, who were very scathing. Mutwa, they claimed, had been a stooge of the Apartheid South African government during their retribalisation campaign. This stressed the indigenous, separate identities of the various South African tribes, who by then had become a Black proletariat. The intention was to keep the Black population divided so they were too weak to successfully challenge the Apartheid government.

Magonia have also several times stated that these books extolling the joys of indigenous life without western science and technology are all aimed at westerners, who have no intention of living like their ancestors did. I think it’s a fair point. The satirist Alan Coren expressed similar sentiments, set in a European context, in one of his pieces for Punch back in the 1970s. It’s about a very middle class, academic couple, who take over a French village and undo centuries of civilisation in order to return to them to what they see as the inhabitants’ natural, pre-Christian, pre-scientific state. But they themselves have no intention of rejecting scientific modernity. The piece ends with one of them stating he intends to write a paper on it. I think the same mindset is at work here.

As for Eruditu’s beliefs about the British museum and its exhibits, this is just animism, pure and simple, the belief that every rock and object has a soul. But I’ve heard very different things about the unhappy state of some of the exhibits. I’ve got a strong interest in psychical research, and a few weeks ago went to an online meeting about ghosts and hauntings in the British Museum. The Egyptology section has something of a cult as some of the visitors there are worshippers, who leave offerings. One spiritualist visitor, a medium, is supposed to have said that the mummies like being on display, as they feel they have a role to teach, but are frustrated at not being able to communicate with the living. This, of course, is completely the opposite of what Eruditu has said, and you can take or leave either or both depending on your attitude to mysticism. I many people are unhappy about the dead being excavated and put on display in museums, and don’t need a mystic to tell them this. But Egypt is certainly one of the great, founding civilisations of humanity, and Egyptology has massively extended our knowledge of the human past and this civilisation’s undeniable achievements and contribution.

Back to Africa. Way back in the 1980s I read an article by a Black African historian, a Muslim, who had presented his own series on the continent’s history on the Beeb. He lamented the fact that the west’s scientific and technological knowledge, inherited from ancient Greece and Rome, was not being transmitted to Africa. He’s right. After all, India and China have made massive strides in development this century because they have embraced science and technology. Sun Yat-Sen, the Chinese revolutionary who founded the Kuomintang, said at the beginning of his movement that ‘We say hello to Mr Science and Mr Democracy’. Sadly, democracy in China got left behind, but science has been taken up with a vengeance so that the country is now a centre of serious technological innovation in space and robotics. And it was helped in this by the early translators of western scientific texts, who referred to it not as western science, but as ‘the new science’. Something similar may well be needed in Africa.

This attempt to decentre and stigmatise western science and medicine has the potential to seriously harm Black advancement. I do think that there is a genuine potential for science and technology in Africa that is currently untapped and stifled. And Webb complained a few months or perhaps a year ago about a piece in New Scientist, in which a Black, female scientist called for more Blacks in lab coats. This movement, which sees Blacks and other indigenous peoples as non-scientific, runs counter to that. It reminds me of some of the scathing criticisms of non-western cultures by the early orientalists, who felt that these peoples would not be capable of assimilating western culture.

And I dare say the promoters of this movement would accuse me of racism, but I am afraid that there are real dangers of encouraging the dark side of African religion and spirituality through an uncritical acceptance of such shamanism.

If Webb is right, then the new director has not only ruined a once great museum, but she’s part of a larger movement that poses a threat to the whole tradition of the Enlightenment, a movement that genuinely endangers scientific advancement for some of the world’s peoples, who most need it.

The Long Johns on the Pointed Lesson of the South Sea Bubble

Here’s another razor-sharp piece of satire from the Long Johns, the late John Bird and John Fortune, though it’s set very firmly in the past. It’s from Raveemismail’s channel on YouTube, and has them performing their dialogue in period costume as an ordinary investor caught out by a predatory broker selling shares in the South Sea Bubble of 1720. This was a notorious financial scandal when shares were being sold in the South Sea Company. Very handsome profits were promised, the shares skyrocketed in value but there was absolutely nothing backing them up. The whole affair collapsed ruining people. The dialogue also mentions a similar scandal of 90 years previously, the tulipomania that hit the Netherlands where members of the respectable Dutch middle class bankrupted themselves buying tulips. This is obviously acutely relevant to similar crashes far more recently, like the subprime mortgages and the bankers’ crash. From the comments to the video it seems that it was also relevant to the way bitcoin and other cryptocurrencies were being pushed. It just shows that how relevant some incidents from the past still are in the 21st first century.

This is so much the case that one American investment house used to require its employees to read the book, Extraordinary Popular Delusions and the Madness of Crowds, written in the 19th century. The book discussed a series of historical and contemporary fads, from alchemy and the witch craze in the Middle Ages to the craze for people saying ‘Quoz’ in England at the time. And one of these was the South Sea Bubble. It’s a pity nobody took that piece of history more seriously, or we might have avoided the bankers’ crash, austerity, and nigh on 15 years of austerity and poverty inflicted on the poor and ordinary working people in order to keep the banks afloat and give more money to the already bloated rich.

Teaser Trailer for ‘Return to Hogwarts’ Harry Potter Documentary

I found this video on the ‘Moviegasm’ channel on YouTube. It’s the trailers for the forthcoming documentary on HBO Max celebrating 20 years since the first Harry Potter movie. Entitled Return to Hogwarts, it naturally includes the films’ stars. Unfortunately, it won’t include J.K. Rowling herself. This is apparently because she’s too controversial, having been attacked as a transphobe because she does not regard transwomen as women, and has been accused of hating transpeople and wishing them dead. This is wrong.

I don’t believe Rowling hates transpeople by any stretch of the imagination. The accusation began when she issued a tweet backing another person, who had been attacked for stating that they didn’t believe transwomen were women. But in that tweet Rowling stated that transpeople should dress how they want, sleep with anyone who would have them and live their best lives before concluding with her statement about transwomen. For gender critical feminists and others who hold this view, this is just a statement of fact which must be lived with. I realise that it contradicts the desire most transpeople have to be regarded as proper members of the sex to which they have transitioned, although there are some transpeople like Debbie Hayton and Blair White, who don’t regard themselves as women. Rowling has further gone on to say that she doesn’t hate transpeople and has trans friends. She is, however, worried about the massive expansion of gender dysphoria amongst girls and young women, and believes that they are being harmed by a diagnosis being pushed on people, who are really suffering from various types of psychological disorder or anxiety. And unfortunately I think she’s right. While I’m aware that her views are controversial and if applied would stop transwomen getting certain sensitive jobs or sharing spaces with born women, such as prisons, Rowling has never expressed any hatred towards transpeople. Yet she has been grotesquely accused of hating them and wanting them dead.

However controversial her views are, Rowling is nevertheless the creator of the Harry Potter phenomenon. Her books were not only massively popular, but they encouraged children to read and crossed generations. Adults enjoyed reading them as much as children, which is a very rare gift confined to the greatest children’s writers. The Pope praised her for having given children the joy of using their imaginations. At the same time, American fundamentalists accused her of luring children into real magic and witchcraft with her books, which is just pure nonsense. As the books’ writer and the creator of the character, she should rightly have been included in the documentary.

Aside from that, while the documentary itself looks great, it’s on HBO Max so I wonder how many people will actually watch it.

Satanic Murderer Linked to Neo-Nazi Order of the Nine Angles

This is interesting. According to an article in today’s Evening Standard, Danyal Hussein, the murderer of Bibaa Henry and Nicole Smallman, was on an internet group run by a Nazi Satanist connected to the Order of the Nine Angles. The article, entitled ‘Danyal Hussein: Calls to ban Nazi-occultist group after Satanist murders of Bibaa Henry and Nicole Smallman’ runs

‘Campaigners have renewed a call to ban a UK-based Nazi-occultist group following the Satanist murders of Bibaa Henry and Nicole Smallman.

Killer Danyal Hussein, 19, was jailed for life on Thursday for the murder of the sisters as part of a twisted demonic pact to win the lottery.

Hussein is believed to have been influenced by a black magic practitioner called EA Koetting, who promotes his work to more than 80,000 followers on YouTube.

Since his Old Bailey trial, it has emerged that Hussein was an active member of online forum Becoming A Living God, set up by Koetting.

The American author has associated himself with a group called Order of Nine Angles (O9A) and its US branch, Tempel ov Blood, which has been linked to a string of recent terrorism cases in Britain.

As Hussein was jailed for life for the sisters’ murders, Nick Lowles, chief executive of anti-fascism campaign group Hope Not Hate, said: “Danyal Hussein was influenced by a man associated with the Order of Nine Angles before he launched his attack.

“This is yet another reason why the Government must move to ban this Nazi-occultist group.

“Bibaa Henry and Nicole Smallman had their lives stolen by this murderer, and the ideology which propelled him. Their families’ lives have been devastated.

“The Order of Nines Angles’ appearance in the story of these horrendous murders is shocking but shouldn’t be surprising.

“We have been warning of their promotion of terrorism and sexual violence, and called on ministers to act by banning the group.

“The Order of Nine Angles is determined to promote and inspire terrorism. They must be banned.”

Last week, Facebook announced that it had removed Koetting’s page and Instagram account for violating its Dangerous Individuals and Organisations policies, and YouTube said a review is under way. The PA news agency has previously contacted Koetting for a response.’

A few months ago when Danyal Hussein was arrested and charged with the murder, History Debunked put up a video suggesting that it was caused by Hussein’s own belief, as a Muslim, in the djinn. He stated that in his experience, it was very common amongst British Muslims and he had overheard Muslim students in his class discussing how one of their female relatives was being tormented by one of these spirits. That is why a murder, like something from the Middle Ages when people believed witches like Faust sold their souls to the Devil, and practiced human sacrifice, had returned to Britain.

Hussein did believe in the djinn, but it’s a bizarre twist that he was in fact motivated in this horrific act by a neo-Nazi. This might explain why the murder victims were two Black women, however. The Order of the Nine Angles is mentioned in Nicolas Goodrick-Clarkes book on contemporary Nazi occultism, The Black Sun. They sound absolutely bonkers, as if someone combined Norse mythology with a bit of crude Jungian theorising after reading the 2000 AD strip, Nemesis the Warlock, and thought that Torquemada was a good role model. The nine angles supposedly refer to the nine levels of Yggdrasil, the world-tree connecting the nine world in Viking myth. These are inhabited by acausal beings. The Order rejects the Theory of Relativity for the same reason the original Nazis did: Einstein was Jewish. After conquering the world and subjugating the non-White races, they aim to develop interstellar space travel and are eagerly awaiting the emergence of the future galactic emperor, Vindictus. Or something like that. The Nemesis the Warlock strip was set in a far future galaxy in which humans lived underground in a totalitarian hell. Earth was renamed Termight, and ruled over by Torquemada, grandmaster of the Terminators, a military order dedicated to exterminating all intelligent alien life. Creators Pat Mills and Kevin O’Neill based it on the cruelty and corruption they had experienced in their communities growing up as Roman Catholics, though bigotry, hypocrisy and intolerance certainly aren’t confined to any one religion. They’re found right across all human ideologies and religions as part of the human condition. Mills and O’Neill were making metaphorical statements about racism in wider British society and particularly at the National Front, which was then on the rise. The strip was launched after a series of racist murders and the rise of anti-racist youth groups to oppose it like Rock Against Racism. But the Order of the Nine Angles with its cult of Vindictus does sound like its creators read ‘Nemesis’ and thought Termight was cool, as against the real fans of the strip, who knew it lampooned such Nazi prats. I have to say, though, that I don’t think anyone in the Order of the Nine Angles has read the strip or been influenced by it. It just seems to me that Mills’ and O’Neill’s creation, which still retains a cult following amongst comics fans, was all too accurate in its depiction of the mentality of these psychopathic nutters.

As for Hussein, it’s ironic that a man of colour was influenced by a Nazi, who would no doubt have looked down on him personally because of his race. And it shows that the motives behind his murder is much more complex than simple explanations that it was all down to Islamic superstition and immigration.

https://www.msn.com/en-gb/news/uknews/danyal-hussein-calls-to-ban-nazi-occultist-group-after-satanist-murders-of-bibaa-henry-and-nicole-smallman/ar-AAQ3IXo?ocid=msedgdhp&pc=U531

The Satanic Rites of Glossop Tories

Ho ho! We suspected as much! People as evil as Boris Johnson, Dominic Cummings, Iain Duncan Smith and Esther McVile have to be in league with the forces of darkness. Now there’s the proof that at least one local Conservative club has had truck with the Evil One. ‘Cause archaeologists dug up the occult image they were using, as well as the remains of candlewax, chicken bones and other paraphernalia from their diabolical ceremonies.

A friend of mine helps run a psychic research society. Unlike the ghost hunters you see on TV, who every week seem to encounter real, unquiet spirits and run around screaming that they’re possessed, his organisation is very serious about investigating the paranormal scientifically. Quite a few of them have backgrounds in the medicine and the sciences. There is a very sizable academic literature on parapsychology and the proper investigation of paranormal events, including the proper scientific protocols to rule out misperception, fraud and false results. The paranormal is now regarded by very many people as something as a joke, but it was taken very seriously at one time. The founders of the British Society for Psychical Research included some of the most prominent politicians, academics and scientists of the 19th century.

As they’re unable to meet in person due to lockdown restriction, my friend’s been arranging a series of Zoom talks about the paranormal. He asked me if I’d like to give one. I agreed, and chose the archaeology of magic as the talk’s topic. There’s been a revival of interest in the history of magic and witchcraft by historians since the 1960s. This was pioneered in the 1960s and ’70s by French historians, who wanted to investigate the ‘mentalites’ – the mental worldview – of previous ages. Interest in witchcraft and the witch craze of the 16th and 17th is immense, because of the parallels between them and the persecution of minorities by the horrific totalitarianisms of the 20th century – Nazism, Fascism and Stalinist Communism – as well as parallels to the Cold War and ‘reds under the bed’. They’re also investigated because of what they say about these centuries attitudes towards women. Feminists are thus particularly interested, including activists who believe that the witches weren’t servants of Satan, but female adherents of an ancient mother goddess cult. Historians are also interested in witchcraft because it marks the transition from the enchanted world of the Middle Ages, when the universe was occupied by angels, demons, fairies and magicians, to secular modernity and the rationalism of the 18th century. And finally there’s the modern occult revival, which began in the 19th century, which has been particularly investigated by Dr Ronald Hutton of Bristol University.

Archaeologists have been rather late to the party. I think this is partly because archaeologist tended to identify anything with a vaguely supernatural use as ‘ritual’, rather than religious. There was an attitude that archaeologists could not reconstruct the religious ideas of past societies from their material remains, although in the case of temples and shrines, that’s clearly not the case. But it can be difficult without textual information. Also, many archaeologists didn’t want the sensationalism that came with the words ‘magic’ and ‘supernatural’. The first major book on the subject was Ralph Merrifield’s The Archaeology of Ritual and Magic. The kinds of items and remains investigated by archaeologists as magic include human and animal remains buried under houses, possibly as foundation sacrifices, charms and amulets, curse tablets, witch posts – carved posts in houses to stop witches or the walking dead entering – witch dolls and bottles, as well as items of clothing like shoes also left behind walls in houses. One of the books I’ve been using is The Materiality of Magic, edited by Ceri Houlbrook and Natalie Armitage (Oxbow: 2015). This is a collection of papers on archaeology and magic that came out of an interdisciplinary course run by the University of Manchester.

One of these papers, by A.J.N.W. Prag, ‘The Little Mannie with his Daddy’s Horns’, recounts how Manchester museum acquired a devil figure – so they thought – in the 1970s. The museum was running an exhibition of Celtic heads, and the cleaner at the local Tory club in Hollingworth had discovered one when she was cleaning the cellar. The museum experts came down, examined it, and found the remains left from the last time it was used. Which was apparently in 1916 to benefit the troops at the front. The museum quickly arranged to purchase it from her, partly because they were afraid that Satanists, especially American, would get wind of it. However, after they acquired it, their staff suffered a series of accidents. People who hadn’t had a car accident in their life suddenly scratched both sides of their vehicles, one worker cut his head open and then managed to lock the keys in the car of the colleague who took him to hospital. Eventually it got to the point where no-one really wanted to touch, until one of the women took to soothing it physically. But there was a further surprise when they were about to put it on display. A visiting expert on Africa told them that it wasn’t actually Celtic, but African. Specifically, it was a nomoli figure from the Mende people of Sierra Leone. This raises the question how such an exotic item found its way to a Tory club near Glossop. The paper speculates that it may have been brought to Manchester by one of the Jesuits involved in the exorcism of the possessed nuns at the 17th century French convent, which formed the basis for the Aldous Huxley book, The Devils of Loudoun, and the Ken Russell movie, The Devils, with Oliver Reed. It’s possible that the image, brought to the convent by a missionary clergyman, may have been at the heart of the accusations of witchcraft.

The idea of the local Tories practising their Satanic rites sounds like something from Last of the Summer Wine. Back in the 1980s there was an episode in which Sid and his wife at the local cafe were catering for a Masonic-style secret society, the Bullocks. As Foggy and Clegg are talking about it downstairs with Sid and Ivy, Compo comes down from their upstairs room where they’re holding their secret ceremony. He calls them a load of pansies, or something similar. When asked, they’re all there stamping their feet like hooves and holding their fingers in front of their heads like horns, chanting ‘Who’s a pretty bullock then, moo, moo? Who’s a pretty bullock then, you, you.’ Later Clegg and Compo embarrass Foggy by stealing their banner and running across one of the hills with it, so it proclaims to all and sundry, ‘Bullocks’.

Is this the kind of thing that’s going on in Tory clubs up and down England, we wonder? I find the whole thing peculiar and funny, and it inspired me to make this painting of Thatcher as the Satanic figure, Baphomet. If you can’t quite make out the text, it’s supposed to read ‘The Satanic Rites of Thatcher’. Hope you enjoy it and don’t have nightmares.

Thunderfoot Attacks Black South African Student Who Claims Western Science Is ‘Racist’

Thunderfoot is another YouTube personality like Carl Benjamin aka Sargon of Akkad, the Sage of Swindon, whose views I categorically don’t share. He’s a militant atheist of the same stripe as Richard Dawkins. He’s a scientist, who shares Peter Atkins’ view that science can explain everything and leaves no room for religion or mysticism. He’s also very right wing, sneering at SJWs (Social Justice Warriors) and attacking feminism. So he’s also like Sargon on that score. But in this video, he does make valid points and does an important job of defending science against the glib accusation that it’s racist.

Thunderfoot put up this video in 2016 and it seems to be his response to a video circulating of part of a student debate at the University of Cape Town. The speaker in this video, clips of which Thunderfoot uses in his, is a Black female student who argues that western science is racist and colonialist. It arose in the context of western modernity and excludes indigenous African beliefs, and if she had her way, it would be ‘scratched out’. One of the African beliefs it excludes is the fact, as she sees it, that sangomas – African shamans – can call lightning down to strike people. She challenges her debating opponent to decolonise their mind and explain scientifically how the sangoma is able to do that. Her interlocutor is not impressed, and laughs out loud at this assertion, which gets a sharp response from the moderator who claims that the debate is supposed to be a circle of respect and they should apologise or leave. The anti-science student states that western science is totalizing, urges her opponent to decolonize their mind, and calls for an African science. She also rejects gravity because Isaac Newton sat on a tree and saw an apple fall.

Thunderfoot answers these assertions by pointing out, quite rightly, that science is about forming models of reality with ‘predictive utility’. It is the ability of scientific model to make useful predictions which shows that the model is an accurate description of reality. Science’s discoveries are true for everyone, regardless of whether they are male or female, Black or White. He shows a clip of militant atheist Richard Dawkins talking to another group of students, and explaining that the proof that science works is that planes and rockets fly. The equations and scientific models describing them have to, otherwise they don’t. Dawkins is another personality, whose views I don’t share, and this blog was started partly to refute his atheist polemics. But the quote from Dawkins is absolutely right. Thunderfoot goes on to say that if African shamans really could call lightning down on people, then surely someone would have used it for military purposes. And to demonstrate, he shows a clip of Thor getting hit with a lightning bolt from an Avengers movie.

As for African science, he then hands over to another YouTuber, who talks about an attempted scam in Mugabe’s Zimbabwe. A women claimed that she had a rock which produced refined diesel oil, and called on the government to see for themselves. Which they did. If the woman’s claim was genuine, then Zimbabwe would be entirely self-sufficient in diesel. However, such hopes were dashed when it was revealed that the rock had a hole bored into it from which diesel was being pumped.

The video goes on to make the point that such ‘science denialism’ is dangerous by pointing to the claim of the former South African president, Thabo Mbeki, that HIV didn’t cause AIDS. He tried to stop people using the retroviral drugs used to treat HIV in favour of herbal cures that didn’t work. As a result, 300,000 people may have lost their lives to the disease.

Thunderfoot concludes that this is the situation this student would like to create: an African science which rejects gravity, asserts shamans can strike people with lightning, and in which hundreds of thousands of people die unnecessarily from AIDS. Here’s the video.

Racism and the Rejection of Conventional Science

Thunderfoot is right in that one current view in the philosophy of science is that science is about forming models of reality, which can make predictions. This is the view I hold. He is also correct in that science’s findings are valid regardless of where they are made and who makes them. And I’d also argue that, rather than science, it is this young Black woman, who is racist. She rejects science on the racist grounds that it was created by White Europeans. This is also the genetic fallacy, the logical mistake that a statement must be wrong because of the nature of the person who makes it. The Nazis, for example, made the same mistake when they rejected Einstein’s Theory of Relativity because Einstein was Jewish. They also believed that science should reflect racial identity, and so sacked Jewish mathematicians and scientists in an attempt to create a racially pure ‘Aryan’ science.

Science and the Paranormal

I don’t believe, however, that science automatically excludes the supernatural. There are very many scientists, who are people of faith. Although it’s very much a fringe science – some would say pseudoscience – there is the discipline of parapsychology, which is the scientific investigation of the paranormal. Organisations like the Society for Psychical Research and ASSAP have existed since the 19th century to carry out such investigations. Their members do include scientists and medical professionals. I don’t think it would be at all unreasonable for parapsychologists to investigate such alleged powers by indigenous shamans, just as they investigate appearances of ghosts, psychic powers and mediumship in the west. And if it could be demonstrably proved that such shamans had the powers they claim, then science would have to accommodate that, whether it could explain it or not.

On the other hand is the argument that science shouldn’t investigate the paranormal or supernatural, not because the paranormal doesn’t exist, but because it is outside the scope of scientific methodology to investigate it as different field altogether. Thus science can ignore the general question of whether tribal shamans are able to conjure up lightning bolts as outside its purview and more properly the subject of metaphysics or theology. In which case, it’s left up to the individual to decide for themselves whether these shamans are able to perform such miracles.

Muti Witchcraft and Murder

Thunderfoot and his fellow YouTuber are also right to point out the harm that bad and fraudulent science can do. And there are very serious issues surrounding the promotion of indigenous African magic. Years ago a South African anthropologist defended African muti at an academic conference here in Britain. Muti is a form of magic in which someone tries to gain success and good luck through acquiring amulets made of human body parts. These include the fingers and the genitals. It’s believed they are particularly powerful if they are cut off the victim while they’re still alive. There’s a whole black market in such body parts and amulets in South Africa, with prices varying according to the desired body party. Way back in 2004-5 the police found the remains of a human torso in the Thames. It had been wrapped in cloth of particular colours, and it was believed that it had belonged to a boy, who’d been killed as part of such a ritual.

Indigenous Beliefs and the Politics of Apartheid

Years ago the small press, sceptical UFO magazine, Magonia, reviewed a book by the South African shaman Credo Mutwa. This was supposed to be full of ancient African spiritual wisdom. In fact it seems to have been a mixture of South African indigenous beliefs and western New Age ideas. The Magonians weren’t impressed. And one of the reasons they weren’t impressed was Mutwa himself and the political use of him and other African shamans by the apartheid government.

Before it fell, apartheid South Africa had a policy of ‘re-tribalisation’. This was the promotion of the separate identities and cultures of the various indigenous peoples over whom the White minority ruled. This included the promotion of traditional religious and spiritual beliefs. These peoples had intermarried and mixed to such an extent, that by the 1950s they had formed a Black working class. And it was to prevent that working class becoming united that the apartheid government promoted their cultural differences in a policy of divide and rule. Mutwa was allegedly part of that policy as a government stooge.

Attacks on Science and Maths for Racism Dangerous

I’ve put up several videos now from Sargon attacking the assertion that western education and in particular mathematics is racist and somehow oppressed Blacks. I’m putting up this video because it does the same for the assertion that western science is also racist.

Not only are science and maths not racist, it is also very definitely not racist to reject some forms of African magic. Killing and mutilating people for good luck is absolutely abhorrent and should be condemned and banned, and those who practise it punished, regardless of its status as an African tradition. At the same time it does need to be realised that the South African government did try to keep Black Africans down and powerless partly through the promotion of indigenous spiritual beliefs. It’s ironic that the young woman shown arguing against science does so in an apparent belief that its rejection will somehow be liberating and empowering for Black Africans. And Thunderfoot has a chuckle to himself about the irony in her arguing against science, while reaching for her ipad, one of its products.

Belief in the supernatural and in the alleged powers of indigenous shamans should be a matter of personal belief. Disbelieving in them doesn’t automatically make someone a racist bigot. But this young woman’s rejection of science is racist and potentially extremely dangerous, because it threatens to deprive Black South Africans like her of science’s undoubted benefits. Just like Mbeki’s rejection of the link between HIV and AIDS led to the unnecessary deaths of hundreds of thousands of desperately ill men, women and children.

Conclusion

What is particularly irritating is that this young woman and her fellow students are affluent and, as students, highly educated. If the woman was poor and uneducated, then her views would be understandable. But she isn’t. Instead, she uses the language and rhetoric of postmodernism and contemporary anti-colonialism. It does make you wonder about what is being taught in the world’s universities, arguments about academic freedom notwithstanding.

In the past, there has been racism in science. Eugenics and the hierarchy of races devised by 19th century anthropologists as well as the Nazis’ attempts to create an Aryan science are examples. But attacks on conventional science and mathematics as racist, based on no more than the fact that modern science and maths have their origins in contemporary western culture is also racist and destructive.

Glib attacks on science by people like the young student in the above video not only threaten its integrity, but will also harm the very people, who most stand to benefit. They should be thoroughly rejected.

No Flesh Is Spared in Richard Stanley’s H.P. Lovecraft Adaptation.

Well, almost none. There is one survivor. Warning: Contains spoilers.

Color out of Space, directed by Richard Stanley, script by Richard Stanley and Scarlett Amaris. Starring

Nicholas Cage … Nathan Gardner,

Joely Richardson… Theresa Gardner,

Madeleine Arthur… Lavinia Gardner

Brendan Meyer… Benny Gardner

Julian Meyer… Jack Gardner

Elliot Knight… Ward

Tommy Chong… Ezra

Josh C. Waller… Sheriff Pierce

Q’orianka Kilcher… Mayor Tooma

This is a welcome return to big screen cinema of South African director Richard Stanley. Stanley was responsible for the cult SF cyberpunk flick, Hardware, about a killer war robot going running amok in an apartment block in a future devastated by nuclear war and industrial pollution. It’s a great film, but its striking similarities to a story in 2000AD resulted in him being successfully sued by the comic for plagiarism. Unfortunately, he hasn’t made a major film for the cinema since he was sacked as director during the filming of the ’90s adaptation of The Island of Doctor Moreau. Th film came close to collapse and was eventually completed by John Frankenheimer. A large part of the chaos was due to the bizarre, irresponsible and completely unprofessional behaviour of the two main stars, Marlon Brando and Val Kilmer.

Previous Lovecraft Adaptations

Stanley’s been a fan of Lovecraft ever since he was a child when his mother read him the short stories. There have been many attempts to translate old Howard Phillips’ tales of cosmic horror to the big screen, but few have been successful. The notable exceptions include Brian Yuzna’s Reanimator, From Beyond and Dagon. Reanimator and From Beyond were ’80s pieces of gleeful splatter, based very roughly – and that is very roughly – on the short stories Herbert West – Reanimator and From Beyond the Walls of Sleep. These eschewed the atmosphere of eerie, unnatural terror of the original stories for over the top special effects, with zombies and predatory creatures from other realities running out of control. Dagon came out in the early years of this century. It was a more straightforward adaptation of The Shadow Over Innsmouth, transplanted to Spain. It generally followed the plot of the original short story, though at the climax there was a piece of nudity and gore that certainly wasn’t in Lovecraft.

Plot

Color out of Space is based on the short story of the same name. It takes some liberties, as do most movie adaptations, but tries to preserve the genuinely eerie atmosphere of otherworldly horror of the original, as well as include some of the other quintessential elements of Lovecraft’s horror from his other works. The original short story is told by a surveyor, come to that part of the American backwoods in preparation for the construction of a new reservoir. The land is blasted and blighted, poisoned by meteorite that came down years before. The surveyor recounted what he has been told about this by Ammi Pierce, an old man. The meteorite landed on the farm of Nahum Gardner and his family, slowly poisoning them and twisting their minds and bodies, as it poisons and twists the land around them.

In Stanley’s film, the surveyor is Ward, a Black hydrologist from Lovecraft’s Miskatonic University. He also investigates the meteorite, which in the story is done by three scientists from the university. The movie begins with shots of the deep American forest accompanied by a soliloquy by Ward, which is a direct quote from the story’s beginning. It ends with a similar soliloquy, which is largely the invention of the scriptwriters, but which also contains a quote from the story’s ending about the meteorite coming from unknown realms. Lovecraft was, if not the creator of cosmic horror, then certainly its foremost practitioner. Lovecraftian horror is centred around the horrifying idea that humanity is an insignificant, transient creature in a vast, incomprehensible and utterly uncaring if not actively hostile cosmos. Lovecraft was also something of an enthusiast for the history of New England, and the opening shots of the terrible grandeur of the American wilderness puts him in the tradition of America’s Puritan settlers. These saw themselves as Godly exiles, like the Old Testament Israelites, in a wilderness of supernatural threat.

The film centres on the gradual destruction of Nathan Gardner and his family – his wife, Theresa, daughter Lavinia, and sons Benny and Jack – as their minds and bodies are poisoned and mutated by the strange meteorite and its otherworldly inhabitant, the mysterious Color of the title. Which is a kind of fuchsia. Its rich colour recalls the deep reds Stanley uses to paint the poisoned landscape of Hardware. Credit is due to the director of photography, Steve Annis, as the film and its opening vista of the forest looks beautiful. The film’s eerie, electronic score is composed by Colin Stetson, which also suits the movie’s tone exactly.

Other Tales of Alien Visitors Warping and Mutating People and Environment

Color out of Space comes after a number of other SF tales based on the similar idea of an extraterrestrial object or invader that twists and mutates the environment and its human victims. This includes the TV series, The Expanse, in which humanity is confronted by the threat of a protomolecule sent into the solar system by unknown aliens. Then there was the film Annihilation, about a group of women soldiers sent into the zone of mutated beauty and terrible danger created by an unknown object that has crashed to Earth and now threatens to overwhelm it. It also recalls John Carpenter’s cult horror movie, The Thing, in the twisting mutations and fusing of animal and human bodies. In the original story, Gardner and his family are reduced to emaciated, ashen creatures. It could be a straightforward description of radiation poisoning, and it indeed that is how some of the mutated animal victims of the Color are described in the film. But the film’s mutation and amalgamation of the Color’s victims is much more like that of Carpenter’s Thing as it infects its victims. The scene in which Gardner discovers the fused mass of his alpacas out in the barn recalls the scene in Carpenter’s earlier flick where the members of an American Antarctic base discover their infected dogs in the kennel. In another moment of terror, the Color blasts Theresa as she clutches Jack, fusing them together. It’s a piece of body horror like the split-faced corpse in Carpenter’s The Thing, the merged mother and daughter in Yuzna’s Society, and the fused humans in The Thing’s 2012 prequel. But it’s made Lovecraftian by the whimpering and gibbering noises the fused couple make, noises that appear in much Lovecraftian fiction.

Elements from Other Lovecraft Fiction

In the film, Nathan Gardner is a painter, who has taken his family back to live on his father’s farm. This is a trope from other Lovecraft short stories, in which the hero goes back to his ancestral home, such as the narrator of The Rats in the Walls. The other characters are also updated to give a modern, or postmodern twist. Gardner’s wife, Theresa, is a high-powered financial advisor, speaking to her clients from the farm over the internet. The daughter, Lavinia, is a practicing witch of the Wiccan variety. She is entirely benign, however, casting spells to save her mother from cancer, and get her away from the family. In Lovecraft, magic and its practitioners are an active threat, using their occult powers to summon the ancient and immeasurably evil gods they worship, the Great Old Ones. This is a positive twist for the New Age/ Goth generations.

There’s a similar, positive view of the local squatter. In Lovecraft, the squatters are barely human White trash heading slowly back down the evolutionary ladder through poverty and inbreeding. The film’s squatter, Ezra, is a tech-savvy former electrician using solar power to live off-grid. But there’s another touch here which recalls another of Lovecraft’s classic stories. Investigating what may have become of Ezra, Ward and Pierce discover him motionless, possessed by the Color. However, he is speaking to them about the Color and the threat it presents from a tape recorder. This is similar to the voices of the disembodied human brains preserved in jars by the Fungi from Yuggoth, speaking through electronic apparatus in Lovecraft’s The Whisperer in Darkness. Visiting Ezra earlier in the film, Ward finds him listening intently to the aliens from the meteorite that now have taken up residence under the Earth. This also seems to be a touch taken from Lovecraft’s fiction, which means mysterious noises and cracking sounds from under the ground. Near the climax Ward catches a glimpse through an enraptured Lavinia of the alien, malign beauty of the Color’s homeworld, This follows the logic of the story, but also seems to hark back to the alien vistas glimpsed by the narrator in The Music of Erich Zann. And of course it wouldn’t be a Lovecraft movie without the appearance of the abhorred Necronomicon. It is not, however, the Olaus Wormius edition, but a modern paperback, used by Lavinia as she desperately invokes the supernatural for protection.

Fairy Tale and Ghost Story Elements

Other elements in the movie seem to come from other literary sources. The Color takes up residence in the farm’s well, from which it speaks to the younger son, Jack. Later, Benny, the elder son tries to climb down it in an attempt to rescue their dog, Sam, during which he is also blasted by the Color. When Ward asks Gardner what has happened to them all, he is simply told that they’re all present, except Benny, who lives in the well now. This episode is similar to the creepy atmosphere of children’s fairy tales, the ghost stories of M.R. James and Walter de la Mare’s poems, which feature ghostly entities tied to specific locales.

Oh yes, and there’s also a reference to Stanley’s own classic film, Hardware. When they enter Benny’s room, glimpsed on his wall is the phrase ‘No flesh shall be spared’. This is a quote from Mark’s Gospel, which was used as the opening text and slogan in the earlier movie.

The film is notable for its relatively slow start, taking care to introduce the characters and build up atmosphere. This is in stark contrast to the frenzied action in other, recent SF flicks, such as the J.J. Abram’s Star Trek reboots and Michael Bay’s Transformers. The Color first begins having its malign effects by driving the family slowly mad. Theresa accidentally cuts off the ends of her fingers slicing vegetables in the kitchen as she falls into a trance. Later on, Lavinia starts cutting herself as she performs her desperate ritual calling for protection. And Jack and later Gardner sit enraptured looking at the television, vacant except for snow behind which is just the hint of something. That seems to go back to Spielberg’s movie, Poltergeist, but it’s also somewhat like the hallucinatory scenes when the robot attacks the hero from behind a television, which shows fractal graphics, in Hardware.

Finally, the Color destroys the farm and its environs completely, blasting it and its human victims to ash. The film ends with Ward contemplating the new reservoir, hoping the waters will bury it all very deep. But even then, he will not drink its water.

Lovecraft and Racism

I really enjoyed the movie. I think it does an excellent job of preserving the tone and some of the characteristic motifs of Lovecraft’s work, while updating them for a modern audience. Despite his immense popularity, Lovecraft is a controversial figure because of his racism. There were objections last year or so to him being given an award at the Hugo’s by the very ostentatiously, sanctimoniously anti-racist. And a games company announced that they were going to release a series of games based on his Cthulhu mythos, but not drawing on any of his characters or stories because of this racism. Now the character of an artist does not necessarily invalidate their work, in the same way that the second best bed Shakespeare bequeathed to his wife doesn’t make Hamlet any the less a towering piece of English literature. But while Lovecraft was racist, he also had black friends and writing partners. His wife was Jewish, and at the end of his life he bitterly regretted his earlier racism. Also, when Lovecraft was writing in from the 1920s to the 1940s, American and western society in general was much more racist. This was the era of segregation and Jim Crow. It may be that Lovecraft actually wasn’t any more racist than any others. He was just more open about it. And it hasn’t stopped one of the internet movie companies producing Lovecraft Country, about a Black hero and his family during segregation encountering eldritch horrors from beyond.

I don’t know if Stanley’s adaptation will be to everyone’s taste, though the film does credit the H.P. Lovecraft Historical Society among the organisations and individuals who have rendered their assistance. If you’re interested, I recommend that you give it a look. I wanted to see it at the cinema, but this has been impossible due to the lockdown. It is, however, out on DVD released by Studio Canal. Stanley has also said that if this is a success, he intends to make an adaptation of Lovecraft’s The Dunwich Horror. I hope the film is, despite present circumstances, and we can look forward to that piece of classic horror coming to our screens. But this might be too much to expect, given the current crisis and the difficulties of filming while social distancing.

A Common Sense Exorcism from a Sceptical Medieval Monk

The view most of us have grown up with about the Middle Ages is that it was ‘the age of faith’. Or to put it more negatively, an age of credulity and superstition. The scientific knowledge of the Greco-Roman world had been lost, and the Roman Catholic church retained its hold on the European masses through strict control, if not an outright ban, on scientific research and fostering superstitious credulity through fake miracles and tales of the supernatural.

More recently scholars have challenged this image. They’ve pointed out that from the 9th century onwards, western Christians scholars were extremely keen to recover the scientific knowledge of the ancients, as well as learn from Muslim scholarship obtained through the translation of scientific and mathematical texts from areas conquered from Islam, such as Muslim Spain and Sicily. Medieval churchmen had to master natural philosophy as part of the theology course, and scholars frequently digressed into questions of what we would call natural science for its own sake during examinations of theological issues. It was an age of invention which saw the creation of the mechanical clock, spectacles and the application of watermills as pumps to drain marshland and saw wood. There were also advances in medicine and maths.

At the same time, it was also an age of scepticism towards the supernatural. Agabard, a medieval Visigothic bishop of what is now France, laughed when he was told how ordinary people believed that storms were caused by people from Magonia in flying ships. The early medieval manual for bishops listing superstitions and heresies they were required to combat in their dioceses, the Canon Episcopi, condemns the belief of certain women that they rode out at night with Diana or Herodias in the company of other spirits. Scholars of the history of witchcraft, such as Jeffrey Burton Russell of Cornell University, argue that this belief is the ancestor of the later belief that witches flew through the air with demons on their way to meet Satan at the black mass. But at this stage, there was no suggestion that this really occurred. What the Canon Episcopi condemns is the belief that it really happens.

The twelfth century French scholar, William of Auvergne, considered that demonic visitations in which sleepers felt a supernatural presence pressing on their chest or body was due to indigestion. Rather than being a witch or demon trying to have sex with their sleeping victim, the incubus or succubus, it was the result of the sleeper having eaten rather too well during the day. Their full stomach was pressing on the body’s nerves, and so preventing the proper circulation of the fluids responsible for correct mental functioning. There were books of spells for the conjuration of demons produced during the Middle Ages, but by and large the real age of belief in witches and the mass witch hunts came in the later middle ages and especially the 16th and 17th centuries. And its from the 17th century that many of the best known spell books date.

One of the books I’ve been reading recently is G.G. Coulton’s Life in the Middle Ages. According to Wikipedia, Coulton was a professor of medieval history, who had originally studied for the Anglican church but did not pursue a vocation. The book’s a collection of medieval texts describing contemporary life and events. Coulton obviously still retained an acute interest in religion and the church, as the majority of these are about the church. Very many of the texts are descriptions of supernatural events of one kind or another – miracles, encounters with demons, apparitions of the dead and lists of superstitions condemned by the church. There’s ample material there to support the view that the middle ages was one of superstitious fear and credulity.

But he also includes an account from the Dutch/ German monk and chronicler, Johann Busch, who describes how he cured a woman, who was convinced she was demonically possessed through simple common sense and folk medicine without the involvement of the supernatural. Busch wrote

Once as I went from Halle to Calbe, a man who was ploughing ran forth from the field and said that his wife was possessed with a devil, beseeching me most instantly that I would enter his house (for it was not far out of our way) and liberate her from this demon. At last, touched by her prayers, I granted his request, coming down from my chariot and following him to his house. When therefore I had looked into the woman’s state, I found that she had many fantasies, for that she was wont to sleep and eat too little, when she fell into feebleness of brain and thought herself possessed by a demon; yet there was no such thing in her case. So I told her husband to see that she kept a good diet, that is, good meat and drink, especially in the evening when she would go to sleep. “for then” (said I” “when all her work is over, she should drink what is called in the vulgar tongue een warme iaute, that is a quart of hot ale, as hot as she can stand, without bread but with a ltitle butter of the bigness of a hazel-nut. And when she hath drunken it to the end, let her go forthwith to bed; thus she will soon get a whole brain again.” G.G. Coulton, translator and annotator, Life in the Middle Ages (Cambridge: Cambridge University Press 1967) pp.231-2).

The medieval worldview was vastly different from ours. By and large it completely accepted the reality of the supernatural and the truth of the Christian religion, although there were also scientific sceptics, who were condemned by the church. But this also did not stop them from considering rational, scientific explanations for supernatural phenomena when they believed they were valid. As one contemporary French historian of medieval magic has written, ‘no-one is more sceptical of miracles than a theologian’. Sometimes their scepticism towards the supernatural was religious, rather than scientific. For example, demons couldn’t really work miracles, as only God could do so. But nevertheless, that scepticism was also there.

The middle ages were indeed an age of faith, but it was also one of science and rationality. These were sometimes in conflict, but often united to provide medieval intellectuals with an intellectually stimulating and satisfying worldview.