Posts Tagged ‘Concentration Camps’

America’s Private Prisons: Capitalism’s Forced Labour Camps?

October 21, 2017

In this clip from the Jimmy Dore Show, the American comedian and his co-hosts, Ron Placone and Steffi Zamorano, the Miserable Liberal, discuss the use of convict labour supplied by the American prison system by businesses and the state. Many of the fire fighters now tackling the fires raging in California were female cons. Dore points out that this is skilled, dangerous work. But nevertheless, these women were sent to do it, and some of them have been killed doing so. He goes on to discuss Kamala Harris, who repeatedly refused to release prisoners when their time was up and they were due to go back to civil society. Eventually, she was sued and said in court that the reason she wasn’t releasing them was because they were too useful as workers. Now Steve Prettor, the sheriff of Caddo County in Louisiana, has appeared to tell the American public why he doesn’t like releasing good, Black prisoners either: because they’re too useful as workers for the prison system.

Dore calls this system exactly what it is: slavery. And there is a whole slew of firms using unfree, unpaid convict labour. These include McDonald’s, Walmart and a contractor for Starbuck’s. Dore makes the point that this is what used to happen in Communist countries like North Korea, which we – the West – denounced. Now it’s being done by capitalism in America.

In one of the many interviews with the radical American journalist Chris Hedges on YouTube, Hedges talks about the massive poverty and unemployment created by capitalism and neoliberalism. He states that in American towns which have particularly suffered, the prison population has expanded immensely. This is because the state and capital have no use for these men in normal business. However, they are immensely valuable as a source of contracts for the private prison system.

And Dore is exactly right when he compares unfree convict labour in America with the forced labour systems of the Communist bloc. I’ve blogged about this before. Stalin industrialised the Soviet Union using the forced labour of millions of Soviet citizens. Businesses and enterprises needing particular types of worker would send shopping lists of how many they needed to the KGB, who would then round them up as traitors and enemies of the Soviet state, and then send them to the Gulags. Where they would be put to work building some new industrial plant.

The Nazis also had a similar system using Jewish slave workers in the concentration camps. Skilled Jewish craftsmen were put to work in a company owned and operated by the SS producing luxury products. They even produced a catalogue.

As neoliberalism privatises and takes over more of the functions of the state, so contemporary capitalism increasingly takes on the features of the totalitarianisms of the 20th century.

I don’t think we in Britain have any cause to be complacent about this, as I can see the same system easily taken over by the outsourcing companies like G4S and Serco in Britain’s privately run prisons.

This is not justice, not punishment nor rehabilitation. It is simply capitalism and slavery. And needs to be stopped.

Advertisements

Pat Mills and Anti-Racism and Anti-Nazism in British and American Comics

September 22, 2017

This week I’ve put up a number of articles about a couple of interviews I’ve found on YouTube with the long-time British comics creator, Pat Mills. Mills was one of the recidivist offenders, who revitalized a moribund British comics industry in the 1970s with a succession of groundbreaking new magazines the war comic, Battle, Action, and, of course, the mighty 2000AD. Mills is of Irish heritage and distinctly left-wing, so that his sympathies are always with the poor and the persecuted against the establishment, and there was more than a little element of subversion in his strips. Judge Dredd from the first was meant to be a symbol of the Fascistic elements in modern American policing, and J.D. is as much villain as he is hero. The mutant heroes of the Strontium Dog strip are second-class citizens in a future Britain which barely tolerates them. They can only live in ghettoes, and the only work they can do by law is bounty hunting. It’s an explicit comment on racism and anti-Semitism. Nemesis the Warlock was a similar attack on religious bigotry, set as it was in a devastated Earth of the far future, ruled by Tomas de Torquemada and his terminators. They were a military order of warriors, who had whipped up fear and hatred of intelligent aliens and embarked on a series of holy wars to exterminate them across the Galaxy. This was partly based on the medieval inquisition in Roman Catholic Europe, with elements of modern Fascism. For example, the robes adopted by the Terminators recalled Ku Klux Klan costumes.

Comics at the time were increasingly focused on the issue of racism and persecution, particularly in the case of Marvel Comic’s X-Men. The mutants in this strip, like those of Johnny Alpha’s nuclear-scarred Britain, were also persecuted. One of the recurring villains in the strip were the Sentinels, a race of giant robots created to hunt down and kill robots by the stock mad scientist in the belief that this would preserve humanity from the threat to their survival the super-powered mutants – Homo Superior – represented. Another of Mighty Marvel’s villains was the Hate Monger, dedicated to whipping up bigotry and strife. This character also wore a costume based on the Klan, and was revealed as Hitler, or a clone of him.

The American comics industry was founded by German Jews, who brought with them their former homeland’s tradition of telling a story through a series of pictures derived from Wilhelm Busch. I think many of them had also seen combat fighting against Nazism in the army during the War. It’s therefore not hard to see in strips such as the X-Men a metaphorical treatment of the persecution of the Jewish people, as well as other outsider groups. As well as being a metaphor for racism, the X-Men also had an large following of gay young people, possibly because the social hostility shown in the strips towards its mutant heroes mirrored their own experiences as marginalized outsiders.

And concerns over the threat of Fascism were also seen in other British comics. The British version of the Captain Britain strip, written by Dave Thorpe and then Alan Moore, was set in an alternative Britain in which a deranged, mutant aristocrat, Mad Jim Jaspers, had created a biomechanical creature to hunt down and exterminate all mutants. At the same time, he had encouraged a Fascist dictatorship to seize power, which then began the process of persecuting and exterminating mutants.

This was succeeded by Moore’s V for Vendetta in the adult comic, Warrior, which featured an anonymous guerilla, V, fighting a personal war against the Fascist authorities of a near-future Britain. It was filmed with Hugo Weaving as ‘V’, Natalie Portman as his companion, Evie, with Stephen Fry as a gay TV host and John Hurt as the dictator. Moore himself dislikes the movie, partly because the contract he signed with the studio meant that the character is now their property. But it is a powerful film, which accurately shows certain aspects of Nazism, such as the use of concentration camp inmates for medical experimentation.

Pat Mills also says in the interviews I posted about earlier this week that the strip Charley’s War was subversive in that it was anti-war strip in a war comic. Mills is disappointed by the way the strip wasn’t included in an exhibition on comics and subversion, and notes that in this, the centenary years of the First World War, there seems to be a deliberate policy amongst the British broadcasters of not showing anything with an anti-war content, such as Blackadder Goes Forth. Radio 4 have made shows about the great stage play and film, Oh, What a Lovely War!, but it wasn’t that long ago that Michael Gove, the Tory minister for education, opened his mouth to say that children were getting an entirely wrong view of the War based on Blackadder. Mike naturally wrote a very sharp reply to that piece of nonsense.

But there were other strips in Battle, which also rose out of the mass of the usual gung-ho stories of courageous British squaddies winning against brutal and stupid Germans, and which did shock with their realism. Darkie’s Mob, which was about a mysterious commander, who takes over a failing British unit trapped behind Japanese lines in Burma was one of these. Another I remember which particularly shocked me was a short piece in Battle, in which British soldiers are fighting their way through Germany. I think it was a stand-alone strip, rather than part of a continuing storyline. The story ended when the squaddies reach a group of emaciated figures standing behind barbed wire, the inmates of one of the death camps. This was clearly about the Holocaust, and what it was really like, rather than the usual glamorous war stories, and I remember being shocked by the starved bodies of the inmates. As I doubtless was supposed to.

Battle, Action, 2000AD and Warrior were part of a trend that had emerged in American comics in the late 1960s, when they turned from simple escapism to dealing with real issues – such as racism and feminism. British comics up to the launch of Battle and Action had tended to avoid explicit politics, and in some cases had actually been very racist. And this tradition of commenting and attacking racism and bigotry continues in American comics today, and in 2000AD, now sadly nearly all that’s remaining of the British comics industry.

These are the type of strips, which Mike and I grew up reading, along with so many others of our age group. And they reflected the very real anxieties of the time. Left-wingers were worried about the rise of Maggie Thatcher, her links to the hard right and the violence and political threat posed by the BNP/NF. In the original comic strip version of V for Vendetta, the Fascists seize power in Britain after devastating nuclear war between America and the Soviet Union over the crisis in Poland. To many of us, the threat of nuclear annihilation in Maggie’s and Reagan’s New Cold War was only too real.

In his talk to the Socialist Workers’ Party, Mills reads out a letter he received from the CEO of a school, a former punk, who states that everything he learned about Fascism, he got from Judge Dredd; everything about racism, from Strontium Dog, and everything about feminism from Halo Jones. And he now considered it the most subversive thing he could do was to help produce open-minded, critical young people. And it isn’t just racism. When Thatcher tried to criminalise positive teaching of homosexuality in school – that it is perfectly natural – the British comics industry responded with the anti-homophobia anthology AWRGH!, whose initials stood for Artists and Writers Against Rampant Government Homophobia. Comics in the 1980s and ’90s sold much more than they do now, and so they made a very large number of young people aware and alert to these issues. It partly explains why British society has broadly become more tolerant, despite continuing bigotry in some areas. Like the right-wing of the Tories and UKIP.

This is also why I found Mills’ story of how the Board of Deputies of British Jews complained about a story in Crisis utterly amazing. Crisis was another adult comic, which dealt explicitly with contemporary issues of western imperialism, the power of the multinationals and the exploitation of the Developing World. The comic had featured a story about the beating of a Palestinian protester in Gaza, based on a real event told to Mills by a Palestinian. The Board complained because the lad’s broken body, left lying in the road, looked to them a bit like a swastika. As Mills himself said, it wasn’t there because comics creators aren’t that clever. But I was left amazed at the thought that anybody could accuse anyone in mainstream British comics at the time of racism or anti-Semitism, given how radical and anti-racist so many of them were.

It’s also why the accusation by the Campaign Against Anti-Semitism earlier this year against Mike is so outrageous. I’ve blogged before in Mike’s defence pointing out that he very definitely is not racist and not anti-Semitic, having both Black and Jewish friends and participating at College in a performance commemorating the victims of the Shoah. Mike read these comics, with the anti-racist and anti-bigotry message which they strove to impart to their readers. I realize that no doubt there were many people who read them, without really taking the anti-racist, anti-bigotry subtext onboard, but even so many people in the comics milieu were and are liberal in their attitudes towards tolerance of minority and marginalized groups.

But the Campaign Against Anti-Semitism and the rest of the Zionist lobby have no qualms about smearing genuine anti-racists, and people who have written about and denounced anti-Semitism and other forms of racism and persecution, like Jackie Walker, Ken Livingstone and Tony Greenstein. And there is the real danger that by doing so, not only will they libel and smear decent people, but trivialize real anti-Semitism in doing so.

I’ve blogged earlier this evening about the fine job Richard Coughlan did in producing his videos debunking Holocaust denial. But British and American comics and their creators, like Pat Mills, Alan Moore and Stan Lee and Jack Kirby, the creators of the X-Men, and that strip’s writers and artists since, have also contributed greatly to attacking racism and bigotry in the strips they produced.

Richard Coughlan Talks about His Video Debunking Holocaust Denial

September 22, 2017

Yesterday I put up a 25 minute video by the stand-up comedian, Richard Coughlan, debunking Holocaust denial. It’s a grim video, complete with images of the emaciated victims of the Shoah and the bodies packed into mass graves. It is, however, necessary with the Alt Right and the other Nazis trying to claw their way into power, and Coughlan did a very good job of it.

This video’s somewhat longer at half an hour. In it, Coughlan talks about how glad he is that his first video was so well received, and describes the immense amount of research he did to make it. He compares learning about the Holocaust to tugging at a loose piece of thread in your jumper – it looks tiny, but once you pull much more comes away. He says he spent many months preparing the video, to the point where it felt that he spent his whole life making it. He read extensively, the first couple of books were The Boy in the Striped Pyjamas and The Man Who Broke Into Auschwitz. The latter book was the true memoirs of a British soldier, who escaped from a P.O.W. camp. The escapee heard about the death camps, and in order to investigate the truth of what he’d heard actually broke out into the most notorious – Auschwitz. His book was covered on British breakfast television about a year or so ago when it was first published. Not only did he break into Auschwitz, exchanging clothes with a Jewish prisoner, but he did it twice.

Coughlan also goes on to talk about how he got the transcripts of the trial between Deborah Lipstadt and David Irving. Irving’s an extreme right-wing historian, who wrote at least one book minimizing the scale of the atrocity. Lipstadt’s an American academic, who called Irving what he was: a Holocaust denier. So he sued her, and lost. Coughlan says that by that point, Irving was losing popularity and credibility. Even so, I can remember the immense controversy that was caused when the Oxford Union invited him to speak. I can also remember talking to a co-worker at the Empire and Commonwealth Museum in Bristol, who had been in the public gallery watching the proceedings of the trial. He states that during the proceedings Irving himself was extremely confident and ebullient compared to some of the witnesses testifying against him. Not that it did Irving any good whatsoever. The trial exposed just how sloppy and fraudulent his own work on the Holocaust was. There were vital facts he didn’t mention, and he mistranslated some texts from the German. The trial resulted in Lipstadt being acquitted, and Irving’s reputation as an historian in tatters. I don’t think he’s ever recovered, and the last thing I heard the Austrians had sent him down in their country for Holocaust denial, which is a crime there and in Germany.

He also talks about one text he also read online. This was an encyclopedia of the death camps, also 45,000 or so of them. The book is divided into two volumes, each volume further divided into two parts. Each part is about 900 pages. And that’s just only some of the books he read.

He also talks about the monstrous horrors the Nazis perpetrated, such as the amount of ash generated by the cremation of the victims’ bodies, and the rooms full of the victims’ belongings and clothes. One room was full of children’s shoes. The victims’ were shaved, and their hair collected. In one camp, it was found stuffed into packs, so that there was a roomful of it, the total weighing many kilos. He wonders at the mindset of the guards, who could walk past these rooms full of their victims’ remains with complete indifference.

He also talks about how the people, who perpetrated this atrocity weren’t any different from us, citing once again the Stanford prison experiment. This was a psychological experiment, in which people were asked to play at being cops. After three days it was called off because these ordinary Americans were actually too brutal. Coughlan says that there have been three movies made of it. There was also a documentary about it shown on British television, which repeated the experiment. However, the documentary also added a few facts that I had never heard of. Such as when the experiment began, the volunteers playing the cops actually were too lenient, and those playing at the prisoners were more or less running amuck. So the experiment was stopped, and they were more or less encouraged by the experimenters to adopt a tougher approach.

And the psychology of some of high level officers responsible for implementing the Final Solution is bizarre. Joachim C. Fest in his book, The Face of the Third Reich, which is a collection of potted biographies of the leading Nazis, includes Hoess, the commandant at Auschwitz. Hoess is a vile character, who oversaw the mass murder of millions of innocents without any scruple. But he claimed he was no sadist. He said he was always at the back of the crowd, or tried to be away from it in his office, when the guards were beating or setting the dogs on the inmates. The Italian writer and chemist, Primo Levi, who had been imprisoned in the death camps, states that the guards ‘had our faces’. In other words, they were no different than we are. Coughlan says that Stamford Prison Experiment and the Holocaust shows how easy it is to turn ordinary people into monsters. And they do it gradually, drawing you into it little by little, until it all seems completely natural.

Coughlan highly recommends that his viewers take an interest in the subject, and do their own reading and research, ”cause it’s good to know stuff.’ Especially if you’re confronted by someone – and here he goes into a lengthy piece of invective to describe that kind of person- who tries to tell you that it didn’t happen, or that six million didn’t really die. At one point he mocks those, who try to argue for a lower number of deaths, such as two million, asking rhetorically what makes them think this will impress anyone. It’s still an horrific number.

He also says that studying the Holocaust teaches you so much, about politics, the media, how hate can be generated and used, and so on. He jokes about the old anti-Semitic remark about the media being full of Jews, who control it. Well, if that were to happen to him or people like him, he would definitely make sure his people would go into the media to stop it ever happening again. He also rebuts the objection to studying the Holocaust because there have been so many others. ‘No, not like the Holocaust’.

Actually, the unique nature of the Holocaust is a problem for historians and scholars of international law and politics. There are a number of different definitions of genocide. These can differ significantly, so that some cover certain forms of persecution to the exclusion of the others. The only thing they have in common is that they all cover the Holocaust. This means that some scholars advocate abandoning the quest to produce exact definitions of genocide in order to try to prevent the violent persecution of different groups at the societal level and prosecute those responsible as they really are and occur, unencumbered by too much ideological baggage.

What also comes out of this video is the sheer brazenness of the Holocaust deniers in seeking to refute what has been so extensively documented and witnessed. I’ve already mentioned how one judge in California ruled against one of the Nazi rags in his state that there was just so much supporting evidence for the Holocaust that it could not be reasonably regarded as anything other than a fact. Way back in the 1990s, when there were concerns about racist attacks in Bristol and the BNP nationally was trying to revive itself, one of the Black groups in the city held an evening, where the speaker was a Holocaust survivor, to hear his testimony about the reality of Nazism. They’re about, but obviously there are few of them because of old age, and the sheer, horrific efficiency with which the Nazis set about their extermination.

Coughlan describes how Holocaust deniers and Nazi apologists try to discredit descriptions and accounts of the death camps, by focusing on small discrepancies between them. Like in one account, it says there were 12 steps down to the gas chambers, but others say there are only eleven. They then move from this to the conclusion that this shows that people were making it all up. As if it followed from what had just been said. He also at one point describes how long it took for the victims to die when they were gassed with Zyklon B: 20 minutes. It’s another horrifying detail, and Coughlan appears quite naturally deeply moved by the fact.

This is a great video adding more information to his original piece. He also encourages others to learn as much about it as possible, so that they have all the information available to them to refute the lies of those who deny it ever happened, when they meet them, information which he couldn’t really put into the video here.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

TYT’s Francis Maxwell Tears Into Charlottesville Nazis in Less Than Five Minutes

August 30, 2017

In this short clip, The Young Turks’ Francis Maxwell uses his dulcet Scots tones to rip into the Nazis who goose-stepped into Charlottesville last week with stinging ridicule. Maxwell states that he’s mocking fun of them because they do not deserve to be taken seriously or to be given the dignity of anything but mockery and ridicule. And he also lays into those from the Right, from Donald Trump and Laura Southern on down, who condemn both sides. Because this equates anti-Nazis with Nazis, those who protest against racist violence and discrimination, with those who would perpetrate.

Amongst the Nazis and White Supremacists he attacks is the young man, who claims he wasn’t really a racist. He points out that if he seriously means that, then he should have take a trip to Las Vegas instead of joining a Nazi rally. He then posts up multiple pictures of the guy, with a paedophile moustache added so that he resembles his hero, Adolf Hitler.

He also tears bloody chunks off an older man, in T-shirt with long, greying hair, whom he calls ‘Gandalf’. This man spent years planning armed attacks against Black and Jewish businesses. He’s a career criminal, who, if they were serious about their march being all about heritage and not a campaign for racist violence, shouldn’t have been allowed in the local demonstration.

He also launches another attack on a yet another moustachio’d man, who cried that he’d better be kept a hundred feet away from a school.

He also mocks them for their lack of personal hygiene, their terrible fashion sense – deriding them as ‘neckbeards’ who have stolen their father’s khaki chinos, and their entire lack of attractiveness to women. He calls them ‘basement dwellers’, who have never ‘touched a breast’, and says that ‘Gandalf’ should have taken his crew to a brothel instead of the march, as there they would have had a 20 per cent chance of actually talking to a woman. Although this was still high estimate of their chances of success. He also accused the lad wearing the neckbeard of having grown it to hide how many times women had swiped left on him when they’d seen him on mobile phones.

The Young Turks in their blurb for the video state that this is how you rip into them, and they’ve got a very fair point. As for the Nazis’ sex appeal, or lack of it, The Young Turks have also made a video revealing that the young men, who joined their march were encouraged by the organisers, who told them that this would make them attractive to women and would get them girlfriends. Some hope of that! As the Turks themselves also pointed out, this was the same recruiting tactic ISIS uses: that if young guys join them, they’ll be inundated with jihadi brides all wanting their bodies and their children.

Counterpart also published a piece commenting on the Nazis’ sexuality as well by a female sex therapist, who has contributed a number of articles to their site. She also observed their massive lack of appeal to women, and stated that rather than confronting the fact, they simply retreated into massive misogyny and hatred towards women in order to try and explain it to themselves. She also declared that many of them were repressed gays trying to suppress their fantasies about their fellow stormtroopers, and tormented by fantasies of well-endowed Black men satisfying their wives or girlfriends.

As a general observation on the weird sexuality of Fascist groups, this is very accurate. Ludwig Theweileit, a German historian, wrote an entire book, Male Fantasies, arguing that an important psychological component in Nazism was homosexuality. 75 per cent of the SA, the paramilitary wing of the Nazi party, who were wiped out by the SS on Hitler’s orders during the Night of the Long Knives, were gay.

This doesn’t mean that the Nazis were at all tolerant of gays, as claimed by some supporters of the Republican party. They weren’t. Homosexuality amongst Jews was promoted before the Holocaust as a method of stopping the Jewish people from reproducing. Aryan gays were persecuted as well as the other racial, religious and political groups banned by the Nazis, and were interned in the concentration camps. If I remember correctly, there was even a play about the Nazi persecution of gays, Bent, staged in the 1980s.

And lurid fantasies and fears about the racial other preying on Aryan women is also a standard part of White racist/ Nazi psychology. Hitler had a recurring nightmare of a chained, blonde woman terrorized by a Jewish butcher. One of the anti-Semitic myths promoted by late 19th century racist ideologues is that Jews are more highly sexed than gentiles. And Blacks have also suffered from a similar racist myth – that they are more sexually motivated than Whites, and have larger genitals.

As for their lack of success with women, this reminds me of an article about a Far Right musician, who was part of the Nazi Black Metal/ Industrial scene in America in Adam Parfrey’s collection of articles on apocalyptic America, Cult Rapture. The article was entitled, ‘Where Can I Find a Girlfriend for this Nice, Young, Nazi Psycho-killer’ or something similar. This particular specimen of walking race hate had produced a book or pamphlet arguing that, rather than being prudes and puritans, the Third Reich was a sexual wonderland. The author himself was also spectacularly unsuccessful in attracting the attentions of the opposite gender. He did manage to get himself a date once with a female White supremacist, but he was too much even for her. She escaped from him by claiming out the windows of the ladies’ toilets after telling him that she needed to powder her nose.

Of course, they’re a very serious threat under all this. But the Nazis are such a bunch of twisted individuals that they deserve all the ridicule they get.

Joe Rogan on Conspiracy Theories and Alex Jones’ Comments on Charlottesville

August 18, 2017

It seems that Alex Jones just keeps going lower and lower in his statements and mouthings about stupid and poisonous conspiracy theories.

In this clip, Joe Rogan, the host of an internet radio show in the US, and his co-presenter talk about conspiracies and conspiracy theories. They discuss the problem of credibility and the refusal of people to accept when they genuinely don’t know anything. They also contrast real conspiracies with the wild, bogus theories spouted by Alex Jones.

Rogan gives as an example of a real conspiracy the plan by the Joint Chiefs of Staff in the 1960s to shoot down an American passenger aircraft and blame it on Cuba. There were also other strategies to arm Cuban friendlies to attack Guantanamo Bay, thus allowing them to blame it on Castro and start a war. These are genuine conspiracies, which have been revealed by documents released under the Freedom of Information Act.

He contrasts these with the bizarre, deep conspiracies, such as Kennedy being assassinated by his driver, and the rubbish pushed by Alex Jones.

Alex Jones is the main man behind Infowars, and I’ve blogged many times about his insane and dangerous theories. Jones is a 9/11 truther, but has gone on to claim that the ‘globalists’ who run the world really are demonic entities, either literally so, or are extra-dimensional aliens. The global elite sacrifice children to Satan, and perform black magic orgies. Barak Obama was possessed by demons. So is Hillary Clinton, though she may also be a robot or cyborg. The Clintons were also involved in a paedophile ring running out of a Boston pizza parlour. Gay rights activists are a ‘transhumanist space cult intent on producing genderless humans’.

And the global elite, including Obama, are just waiting to incarcerate true, freedom-loving Americans in concentration camps. They also manufacture emergencies, including gun crime and mass shootings, in order to pass legislation to deprive Americans further of the rights and liberties. Of which, the most important is the right to carry guns.

Hence he declared that the Sandy Hook school shooting was entirely fake, and that the victims were all ‘crisis actors’. Apart from being massively wrong and offensive, this has led to the nutters, who believe this nonsense approaching the bereaved parents to challenge them about the deaths of their children.

And now it appears Jones has done something similar following the events at Charlottesville. He has claimed that the violence there was staged by ‘Jewish actors’, at least according to Rogan. If this is true, then it’s a new low. The mob marching to defend the statue definitely included real Klan members and Nazis. These stormtroopers really did try to beat up and kill the counterdemonstrators, and the anti-racists inside a meeting hall, attended an inter-racial, interfaith meeting, in which the participants included Dr. Cornell West and Rev. Traci Blackmon, two Christian ministers committed to social justice. West and Blackmon have stated that it was the anarchists and the Antifa, who rescued them when it looked like the Nazis were going to beat them to death.

And the Nazis also marched on a local synagogue, surrounded it, and chanted ‘Sieg heil’, terrorizing those gathered for the evening service. The rabbi and staff were so frightened, that they smuggled the Torah scroll out of the backdoor in case the Nazis should try to damage it.

Rogan and his fellow presenter also state that these daft conspiracy theories are a distraction from what the authorities really are covertly doing.

This is all absolutely correct. Parapolitical writers, like Robin Ramsay, the editor of Lobster, draw a distinction between real conspiracies, such as those discussed by Rogan and his fellow host, which they sometimes term ‘parapolitics’ or ‘Deep Politics’, and the bogus conspiracy theories, such as Jones’ rants about the coming one world Satanic state, the various anti-Semitic theories about the Jewish bankers, and contact with shape-changing alien lizards.

As for Jones and his nonsense about ‘Jewish actors’, this is stuff of which the Nazis would have been proud. The Nazis and fellow Fascist parties in the rest of Europe, like Oswald Mosley’s British Union of Fascists, blamed just about every misfortune on the Jews, including their own negative image. Mosley devotes an entire chapter in his autobiography, My Life, to what he calls ‘Jewish opposition’, claiming that he was unfairly maligned by his Jewish opponents. Needless to say, he wasn’t. His biographer, Skidelsky, claimed that Mosley wasn’t originally anti-Semitic, but only became so after he was attacked as such by the Jews. He supposedly ordered one of his lieutenants, who came from the Britons or another of the anti-Semitic societies, to look into it. And this officer then duly came up with the daft conspiracy theories and libels blaming everything on them. More recent studies, such as by Stephen Dorrill and his biography of Mosley, Blackshirt, have shown Mosley was anti-Semitic from the start.

Jones, and those figures on the right like him, are going down a very dangerous path when they repeat the same type of lies that the Nazis used to try and fool people into believing that they weren’t a collection of violent thugs intent on mass murder.

It’s questionable how much of this bilge Jones really believes. Jones has tried to defend himself in the court case involving custody of his children by having his lawyer release a statement that he doesn’t believe any of it, and that he just a ‘performance artist’, like a ‘rodeo clown’. If true, it means he’s consciously lying, which makes him even more similar to Goebbels in this matter.

I admit, I’ve got a lot of pleasure before now from watching Jones’ insane rants and antics. But this is rapidly coming to an end. When he starts lying about real Nazis, who act like Nazis attacking Blacks, Jews, gays and anti-racist Whites, he’s crossed a line.

Even looking at him to get a laugh out of his ravings is dangerous. Karl Dietrich Bracher, a German historian of Nazism, describes in one of his books how some Germans turned up at Hitler’s rallies and his denunciation of the Jews and others simply as a bit of fun, without taking it seriously.

After Charlottesville, a number of internet servers are refusing to host Nazi and White supremacist sites. After Jones’ comments about the violence in Charlottesville being the fault of ‘Jewish actors’, his show should be treated the same way as well.

Conspiracy Theorist Alex Jones Claims NASA Operating Child Slave Labour Base on Mars

July 1, 2017

More madness from the very warped mind of Alex Jones. Jones is the head honcho behind the internet conspiracy theory show, Infowars, and its companion website, Prison Planet. Jones believes, or affects to believe, that the American government, the UN, the ‘globalists’, the elite and liberals, Socialists and feminists are engaged in dire and foul conspiracies against the world and its people, and particularly those in America.

Over the years he has claimed that the richest 1 per cent of American society and industry, or at least their menfolk, sacrifice children in Satanic rituals at their annual secret meetings in Bohemian Grove in California. The Twin Towers collapsed because of a conspiracy by the American government, and not because Saudi-backed terrorists hijacked and flew two planes into them. President Obama was going to use to the legislation permitting the establishment of refugee camps to house disaster victims to seize power and herd people into what were really concentration camps. Humanity and the world were under attack by evil extradimensional entities, who might be demons or simply alien intelligences. And Barack Obama was fully under their control. He was truly the Devil’s emissary, because, apparently, he looked demonic, smelt bad and flies were always hovering around him.

Ditto Hillary Clinton. She was also under Satanic influence. She was part of a vast, paedophile conspiracy supplying children to leading politicians from a pizza parlour in Boston. She was also some kind of robot or cyborg, because something metal fell out of her trouser leg when she had a fainting fit during her campaigning. When she momentarily had some kind of problem swallowing a glass of water, Jones seized on this as evidence that she was either demonically possessed, or carrying some kind of alien spawn, which was about to come bursting out of her like the xenomorphs in the Alien movies. She was herself also a participant, with Bill, in black magic ‘spirit eating’ orgies put on by a performance artist.

The UN, Socialists and feminists are all engaged in some weird plot to take over the world and enslave everybody in it, particularly White men. Gay and transgender rights activists are a ‘transhumanist UFO cult’ to create a new, genderless, form of humanity.

How much of this Jones actually believes is a moot point. His ex-wife was suing him for custody of their children, on the grounds that he was utterly made and it was damaging their kids to see their Dad ranting and raving in the TV studio he has at his home. Jones’ lawyers responded by stating that Jones didn’t believe any of it, and it was all ‘performance art’.

Recently Jones has also been forced to issue apologies to people he has libelled on his programme. Someone took his comments about the pizza parlour in Boston very seriously indeed, and walked into it waving a gun around in order to free the child captives in the basement. There weren’t any children kept prisoner there, in the basement or anywhere else. Fortunately, no-one was shot or hurt in this incident.

Then he was threatened with legal action from the Turkish owner of a Yoghurt factory, who had a deliberately policy of employing immigrants. Many of these were Middle Eastern. Jones claimed that this, entirely respectable businessman, who was another paedophile, and that his employees had been responsible for a series of rapes. The businessman wasn’t, and his employees were also innocent. After being threatened with a writ, Jones ended up making a statement that he was entirely mistaken about it all on air.

Now he’s done the same to NASA. On Thursday, Jones had on his programme Robert David Steele, a former Reform Party presidential candidate, who claims to have been a case officer with the CIA. Steele spun a yarn that NASA had been kidnapping children to send them on a 20 year journey to be used as slave labour on Mars. Oh yes, and they were also been frightened and then killed, so that their blood and bone marrow could be harvested for use by the elites. The children had to be terrified when they died as this would enrich it with adrenaline.

NASA responded by denying everything, and pointing out that they didn’t have any kind of child labour camp on the Red Planet.

See: http://www.news18.com/news/buzz/we-do-not-have-a-child-slave-colony-on-mars-nasa-1447965.html

This story is, of course, absolute nonsense. For a start, 20 years is far too long for a journey to Mars. Spacecraft have to go at a certain speed – escape velocity – to escape the Earth’s gravitational pull if they are to go anywhere else in the Solar system, whether it’s the Moon or the other planets. I think current plans for a Mars mission estimate that it would take about 2-3 years or so to get there. A long time, certainly, but not as long as 20.

Then there’s the logistics and engineering problems of getting people to Mars. You need rockets of a certain size and power. Furthermore, any colonists for Mars, whether free or not, would have to carry all their food, water and air with them. The spaceships will also have to be shielded against cosmic radiation and solar flares. These weren’t much of a problem when going to the Moon, because of the relatively short length of the journey – about a week. Even so, if a coronal mass ejection – a type of massive flare known as a sun storm – had occurred, it would have fried the Apollo astronauts. These are a real threat for those intrepid souls going on the lengthy journey to the Red Planet.

There are also other medical problems caused by the lack of gravity in space. As the astronauts’ bodies don’t have to fight against the pull of the Earth’s gravity, muscles shrink. They also go to the toilet more than they would on Earth, and so start to lose calcium, weakening their bones. Hence their health is monitored, and those crews staying in space for a long time, such as during the Skylab programme from 1973-5, have to devote a certain amount of time each day to doing their exercise.

As there is no ‘up’ or ‘down’ in zero gravity, and the fluid in your inner ear that tells you which is which also starts to float along with the rest of you, some astronauts suffer from ‘space sickness’, similar to the sea sickness some people feel travelling by ship.

There are also psychological hazards that may endanger the lives of the space travellers. I heard Dr Kevin Fong, who’s a specialist in space medicine, talking about them one year at the Cheltenham Festival of Science. Fong pointed out that the strange environment of space can also affect astronauts’ mental health. Several of them have reported hearing sounds, such as dogs barking and babies crying, while in orbit. They can also find themselves doing strange, irrational things, which can potentially kill them, before being snapped out of it. One astronaut aboard Mir described how he was asleep one night, before being suddenly awoken by a noise. He then found one of his fellow astronauts suited up, ready to take a spacewalk. But the poor fellow hadn’t connected the air hoses. It takes about seven hours or so to put on and inflate a spacesuit, so that it protects its wearer from the hard vacuum outside their craft. None of this had been done, and if the astronaut had walked through the airlock, he would have been killed. Fortunately, the other astronaut was able to wake his friends and colleagues, who woke up and managed to stop him.

These are the hazards facing the extremely healthy men and women, who manage to pass the rigorous testing and gruelling grueling training programmes. Hopefully, one day we’ll have learned enough to make space travel sufficiently safe so that families with children can venture into the Deep Black. But we very definitely aren’t anyway near that level now.

This is sheer bullsh*t, and it’s not hard to see where it’s ultimately coming from. Somewhere in there is the influence of Alternative 3. This was an April Fool’s Day joke, broadcast by ITV in 1975. It was a bogus edition of a fake science programme, ‘Science Report’, which claimed that the Earth was dying, and so the Americans and Russians had secretly shelved their differences in order to colonise Mars secretly. Leading scientists were disappearing as they took up their new lives on the Red Planet. Ordinary people, meanwhile, were also disappearing. They were being kidnapped, lobotomised and ‘de-sexed’ to turn them into slaves as ‘batch consignments’, serving their elite masters.

The programme was a hoax, but unfortunately many people were genuinely taken in and didn’t realise that it was a joke. There was also a tie-in novelisation, which until recently was unavailable in the US. This led to rumours that it was all true, and had been deliberately suppressed by Them.

The result has been that a number of other conspiracy theories about secret government space projects have grown up around it, or been inspired by it. This latest nonsense appears to be one of them.

I don’t know how many people actually believe Steele’s story. Possibly very few, the kind of people, who bought into the lurid revelations of Commander X and his tales about secret collaboration with aliens. Or the late Bill English and his rubbish about meeting the Zeta Reticulan ambassador, Omnipotent Highness Krill, at a military base.

I doubt very many people actually believe the story, but that hasn’t stopped Jones having an effect. During the American presidential elections, he gave very vocal support to Donald Trump, who was a guest on his programme several times. He has libelled various blameless individuals, such as the Turkish yoghourt manufacturer. It’s a mercy that his stories about paedophile gangs didn’t result in someone being shot at that pizza place. He also notoriously claimed that the Sandy Hook school shooting was all staged, and that the children and others, who were killed and injured were ‘crisis actors’. This has led to people approaching and accusing the kids’ grieving parents with these claims.

And anti-racist activists are worried about the links Jones and his show have with the racist Alt-Right. This includes his fellow presenter, Paul Joseph Watson, who has inveighed against the threat Islam and Muslim immigration supposedly poses to western civilisation.

Jones is a clown, and his ranting can be hilarious, but there’s a very serious, very dark side to his show. It’s almost the very definition of ‘fake news’, and it is having a pernicious effect on politics in the US, as more citizens are encouraged to fear the terrible, but entirely imaginary Others that mean to harm and enslave them. While, of course, supporting right-wing Libertarian policies, which will deny them proper, decent medicine, welfare support, housing, clean water and education.

Cartoon of Thatcher, General Pinochet, and the Man He Overthrew, Salvador Allende

June 29, 2017

This is another of my cartoons against the Tory party and its vile policies. This one is of the leaderene herself, Margaret Thatcher, and her Fascist friend, General Pinochet. Thatcher was great friends with Chilean dictator. He had, after all, given Britain aid and assistance in the Falklands conflict against Argentina. After the old brute’s regime fell, she offered him a place to stay in London and was outraged when the New Labour government tried to have him arrested and extradited to Spain on a human rights charge. Amongst the tens of thousands the thug’s administration had arrested and murdered over the years was a young man from Spain, and his government naturally wanted the old butcher arrested and tried.

The figure on the right of the picture is Salvador Allende, the democratically elected president Pinochet overthrew in 1975. Allende was a Marxist, and one of his policies was to break up the vast estates and give the land to the impoverished peasants. This was all too much for the Chilean military-industrial elite and the Americans.

Since the beginning of the Cold War, the Americans had been working to overthrew any and all left-wing governments in South and Central America and the Caribbean. These regimes were attacked because they were supposedly Communist or sympathetic to Communism. Many of the governments that the Americans plotted against or overthrew were actually far more moderate. They were either democratic Socialists, like Jacobo Arbenz’s administration in Guatemala, all were liberal. In many cases the accusation that they were Communists was simply an excuse to overthrow a government that was harmful to American corporate interests. Arbenz’s regime was overthrown because he wished to nationalise the banana plantations, which dominated the country’s economy. These kept their workers in a state of desperate poverty little better, if at all, than slavery. Many of these plantations were owned by the American United Fruit corporation. The Americans thus had Arbenz ousted in a CIA-backed coup. They then tried to justify the coup by falsely depicted Arbenz as a Communist. Marxist literature and material was planted in Arbenz’s office and photographed, to appear in American newspapers and news reports back home. The result of the coup was a series of brutal right-wing dictatorships, which held power through torture, mass arrest and genocide until the 1990s.

Allende was a particular problem for the Americans, as he had been democratically elected to his country’s leadership. This challenged the Americans’ propaganda that Communism was always deeply unpopular, anti-democratic, and could only seize power through coups and invasions. So the CIA joined forces with Allende’s extreme right-wing opponents in the military, business and agricultural elites, and fabricated a story that the president was going to remove democracy and establish a dictatorship. Allende was then overthrown, and Pinochet took power as the country’s military dictator.

In the following decades, 30,000 people were arrested by the regime as subversives, to be tortured and killed. Many disappeared. The campaign by their wives and womenfolk to find out what happened to them, which began in the 1980s, still continues. A few years ago, the BBC in once of its documentaries about the Latin America, visited Chile and filmed in the former concentration camp where the regime’s political prisoners were interned. It was situated high up in the Chilean desert. The place was abandoned, decaying and strewn with the desert dust, but still grim. The presenter pointed out the wooden building where the prisoners were tortured. It was called ‘the disco’, because the guards played disco music to cover the screams of the prisoners when they were raped.

As well as supporting its dictator against the threat of a popular Marxist regime, Thatcher and the Americans under Ronald Reagan also had another reason for taking an interest in the country. Thatcher and Reagan were monetarists, followers of the free market ideology of Milton Friedman and the Chicago school. Friedman’s ideas had also been taken up Pinochet, and Friedman himself used to travel regularly to the country to check on how they were being implemented. So much for the right-wing claim that free markets go hand in hand with democracy and personal freedom. All this came to an end in the 1990s, when a series of revolutions and protests throughout Latin America swept the dictators from power.

The links between Thatcher’s and Reagan’s administrations and the brutal dictatorships in South and Central America, as well as their connections to domestic Fascist groups, alarmed many on the Left in Britain. She also supported a ‘strong state’, meaning a strong military and police force, which she used to crack down on her opponents in Britain, such as during the Miner’s Strike. There were real fears amongst some that she would create a dictatorship in Britain. These fears were expressed in the comic strip, V For Vendetta, by Alan Moore and David Lloyd, which first ran in the British comic, Warrior, before being republished by DC in America. This told the story of V, an anonymous escapee prisoner and victim of medical experimentation at one of the concentration camps in a future Fascist Britain, and his campaign to overthrow the regime that had tortured and mutilated him. A film version also came out a few years ago, starring Hugo Weaving as ‘V’, Natalie Portman as the heroine, Evie, John Hurt as the country’s dictator, and Stephen Fry as a gay TV presenter. As is well known, it’s from V For Vendetta that inspired protest and revolutionary groups across the world to wear Guy Fawkes masks, like the strip’s hero.

To symbolise the mass killings committed by Thatcher’s old pal, I’ve drawn a couple of human skulls. Between them is a fallen figure. This comes from a 19th century American anti-slavery poster, showing the corpse of a Black man, who was shot dead when he tried to claim his right as an American citizen to vote. Although it came from a different country and time, the poor fellow’s body nevertheless seemed to symbolise to me the murderous denial of basic civil liberties of the Fascist right, and particularly by local Fascist regimes around the world, installed and kept in power by American imperialism, and its particular oppression of the world’s non-White peoples.

New Labour came to power promising an ethical foreign policy under Robin Cook. Apart from Pinochet’s arrest, this went by the wayside as Tony Blair and his crew were prepared to cosy up to every multimillionaire thug, dictator or corrupt politician, who were ready to give them money. Like Berlusconi, the Italian president, whose Forza Italia party had formed a coalition with the ‘post-Fascists’ of the Alleanza Nazionale and the Liga Nord, another bunch, who looked back with nostalgia to Mussolini’s dictatorship. This crew were so racist, they hated the Italian south, which they nicknamed ‘Egypt’, and campaigned for an independent northern Italian state called ‘Padania’.

Jeremy Corbyn similarly promises to be a genuine force for peace, democracy and freedom around the world. He might be another disappointment once in power. But I doubt it. I think he represents the best chance to attack imperialism and exploitative neoliberal capitalism.

So if you genuinely want to stop Fascism and exploitation here and abroad, and end Thatcher’s legacy of supporting oppressive right-wing regimes, vote Labour.

End Workfare Now! Part 1

June 20, 2017

This is the text of another pamphlet I wrote a year or so ago against the highly exploitative workfare industry. As the pamphlet explains, workfare, or ‘welfare to work’, is the system that provides industry with cheap, unemployed temporary labour under the guise of getting the jobless back into work by giving them work experience. If the unemployed person refuses, he or she is thrown off benefit.

These temporary jobs go nowhere, and it’s been proven that the unemployed are actually far better off looking for jobs on their own than using workfare. And it’s very similar to other systems of supposed voluntary work and forced labour, such as the labour colonies set up in Britain in 1905, the Reichsarbeitsdienst in Nazi Germany, and the use of forced labour against the ‘arbeitscheu’ – the ‘workshy’, as well as the compulsory manual labour required of all citizens in Mao’s china during the Cultural Revolution, and the Gulags in Stalin’s Russia.

Mike over at Vox Political has blogged against it, so has Johnny Void and the Angry Yorkshireman of Another Angry Voice, and many other left-wing bloggers. It’s another squalid policy which New Labour and the Tories took over from Reagan and Bill Clinton.

Jeremy Corbyn has promised to get rid of the work capability tests. I hope also that under him, the Labour party will also get rid of this vile policy, so that big corporations like Poundland and supermarkets like Tesco’s will have to take on workers and pay them a decent wage, rather than exploiting desperate and jobless workers supplied by the Thatcherite corporate state.

End Workfare Now!

Workfare is one of the most exploitative aspects of the contemporary assault on the welfare state and the unemployed. It was advocated in the 1980s by the Republicans under Ronald Reagan in America, and in Britain by Thatcher’s Conservatives. In 1979 the Tory party ranted about the need to ‘restore the will to work’. Geoffrey Howe, the Chancellor of the Exchequer, declared that ‘The Government and the vast majority of the British people want hard work and initiative to be properly rewarded and are vexed by disincentives to work’. At its heart is the attitude that the unemployed should be forced to work for their benefits, as otherwise they are getting ‘something for nothing’. Very many bloggers and activists for the poor and unemployed, including Vox Political, Johnny Void, Another Angry Voice, and myself have denounced it as another form of slavery. It’s used to provide state-subsidised, cheap labour for big business and charities, including influential Tory donors like Sainsbury’s. And at times it crosses the line into true slavery. Under the sanctions system, an unemployed person is still required to perform workfare, even if the jobcentre has sanctioned them, so that they are not receiving benefits. Workfare recipients – or victims – have no control over where they are allocated or what jobs they do. The government was challenged in the courts by a geology graduate, who was forced to work in Poundland. The young woman stated that she did not object to performing unpaid work. She, however, had wanted to work in a museum, and if memory serves me correctly, had indeed got a place at one. She was, however, unable to take up her unpaid position there because of the Jobcentre’s insistence she labour for Poundland instead. A young man also sued the government, after he was sanctioned for his refusal to do 30 hours a week unpaid labour for six months for the Community Action Programme. The High and Appeal Courts ruled in the young people’s favour. They judged that the government had indeed acted illegally, as the law did not contain any stipulations for when and how such work was to be performed.

Iain Duncan Smith, the notorious head of the Department of Work and Pensions, was outraged. He called the decision ‘rubbish’ and said, ‘There are a group of people out there who think they are too good for this kind of stuff .. People who think it is their right take benefit and do nothing for it – those days are over.’ This is rich coming from IDS, who was taking over a million pounds in farm subsidies from the EU. Eventually, Smith got sick of the criticism he was taking for the government’s welfare policies, and flounced off early in 2016 moaning about how unfair it all was that he should get the blame, when the notorious Work Capability Tests inflicted on the elderly and disabled were introduced by New labour.

Those forced into workfare are in no sense free workers, and it similarly makes a nonsense of the pretense that this somehow constitutes ‘voluntary work’, as this has been presented by the government and some of the participating charities

The political scientist Guy Standing is also extremely critical of workfare in his book, A Precariat Charter, demanding its abolition and making a series of solid arguments against it. He states that it was first introduced in America by the Republicans in Wisconsin, and then expanded nationally to the rest of the US by Bill Clinton in his Personal Responsibility and Work Opportunity Reconciliation Act. It was part of his campaign to ‘end welfare as we know it’. Single parents receiving social assistance were required to take low-paying jobs after two years. Legislation was also passed barring people from receiving welfare payments for more than five years in their entire lives.

David Cameron, unsurprisingly, was also a fan of the Wisconsin system, and wanted to introduce it over here. In 2007 he made a speech to the Tory faithful at the party conference, proclaiming ‘We will say to people that if you are offered a job and it’s a fair job and one that you can do and you refuse it, you shouldn’t get any welfare.’ This became part of Coalition policy towards the unemployed when they took power after the 2010 elections.’ Two years later, in 2012, Boris Johnson, speaking as mayor of London, declared that he was going to use EU money from the Social Fund to force young adults between 18 and 24 to perform 13 weeks of labour without pay if they were unemployed. In June that year David Cameron also declared that there was a need to end ‘the nonsense of paying people more to stay at home than to get a job – and finally making sure that work really pays. Ed Miliband’s Labour party also joined in. Liam Byrne, the Shadow Secretary for Work and Pensions, declared that

Labour would ensure that no adult will be able to live on the dole for over two years and no young person for over a year. They will be offered a real job with real training, real prospects and real responsibility … People would have to take this responsibility or lose benefits.

This was echoed by Ed Balls, who said

A One Nation approach to welfare reform means government has a responsibility to help people into work and support for those who cannot. But those who can work must be required to take up jobs or lose benefits as such – no ifs or buts.

Forced Labour for the Unemployed in History

Standing traces the antecedents of workfare back to the English poor law of 1536 and the French Ordonnance de Moulins of twenty years later, which obliged unemployed vagabonds to accept any job that was offered them. He states that the direct ancestor is the 1834 Poor Law Amendment Act, the infamous legislation that, under the notion of ‘less eligibility’, stipulated that those receiving support were to be incarcerated in the workhouse, where conditions were deliberately made much harsher in order to deter people from seeking state
support, rather than paid work. This attitude is also reflected in contemporary attitudes that, in order to ‘make work pay’, have demanded that welfare support should be much less than that received for paid work. This has meant that welfare payments have become progressively less as the various measure to make the labour market more flexible – like zero hours contracts – drove down wages. The workhouse system was supplemented in 1905 by the Unemployed Workmen Act, supported, amongst others, by Winston Churchill. This directed unemployed young men into labour, so that they should not be ‘idle’ and be ‘under control’. Nor were leading members of the early Labour party averse to the use of force. Sidney and Beatrice Webb, two of the founders of the Fabian Society, were also in favour of sending the unemployed to ‘labour colonies’, chillingly close to the forced labour camps which became such as feature of the Nazi and Communist regimes. Weimar Germany in the 1920s and ’30s also developed a system of voluntary work to deal with the problems of mass unemployment. This was taken over by the Nazis and became compulsory for all Germans from 19-25 as the Reicharbeitsdienst, or Imperial Labour Service It was mainly used to supply labour for German agriculature. Because of its universal nature, the Reicharbeitsdienst had no stigma attached to it, and indeed was seen as part of the new, classless Germany that was being created by Hitler. In a speech to the Service’s workers, Hitler declared that there would be no leader, who had not worked his way up through their ranks. Much harsher was the Nazi’s treatment of the serially unemployed. They were declared arbeitscheu – the German word, which forms the basis of the English ‘workshy’. These individuals were sent to the concentration camps, where they were identified with a special badge on their pyjamas, just like those marking out Jews, gay men, Socialists and trade unionists, and so on.

Liam Byrne also harked back to the Webbs to support his argument for workfare as Labour party policy. He stated

If you go back to the Webb report, they were proposing detention colonies for people refusing to take work … All the way through our history there has been an insistence on the responsibility to work if you can. Labour shouldn’t be any different now. We have always been the party of the responsibility to work as well.

The Workfare Scheme

The result of this is that many unemployed people have been placed on the Mandatory Work Activity – MWA – scheme, which requires them to perform four weeks of unpaid work for a particular company, organisation or charity. The scheme also includes the disabled. Those now judged capable of performing some work are placed in the Work-Related Activity group, and required perform some unpaid labour in order to gain ‘experience’. If they do not do so, they may lose up to 70 per cent of their benefits.

This has created immense fear among the unemployed and disabled. Standing quotes one man with cerebral palsy, who was so afraid of being sanctioned for not performing the mandatory work, that he felt physically sick. Mental health professionals – psychiatrists and psychologists, have also released reports attacking the detrimental effect the stress of these tests are having on the mentally ill. So far they have estimated that upwards of a quarter of a million people with mental health problems such as depression and anxiety have had their condition made worse – sometimes very much worse – through the stress of taking these tests.

The system also affects those in low-paid part-time jobs or on zero hours contracts. These must prove that they are looking for more working hours or a better paid job. If they do not do so, they may lose benefits or tax credits. In 2013 the Tory-Lib Dem government made it even harder for people to claim tax credits by raising the number of working hours a week, for which tax credits could not be claimed, from 16 to 24.

Trump Wants to Publish List Immigrant Crimes, Just Like Nazis Did to Jews

February 5, 2017

Here’s another step towards real Fascism by the Trump administration. In this clip from Democracy Now! anchor Amy Goodson and her co-host talk to Andrea Pitzer about yet another policy of Trump’s, which is very close to the Nazi vilification of the Jews. Pitzer is the author of One Long Night: A Global History of Concentration Camps. She and the Democracy Now! team discuss Trump’s proposal to publish official lists of crimes committed in sanctuary cities – those towns where the officials are unwilling to comply with Trump’s deportations of illegal immigrants. They point out that this is exactly what the Nazis did in the pages of their ‘newspapers’ Der Sturmer and Das Neues Volk with the Jews. Der Sturmer had a column called ‘Letterbox’, in which its readers were encouraged to send it stories about crimes committed by Jews. The Nazi life-style magazine, Das Neues Volk, which was mostly about wonderful Aryan families and their beautiful homes, also carried stories about crimes supposedly committed by Jews, or Jewish-looking people. This section of the clip illustrates the point by showing covers of the rags with their illustrations showing the blood libel – the anti-Semitic smear that Jews ritually kill gentile, Christian children, along with other vile charicatures.

They also point out that in America some newspapers have also used the same tactic of vilifying ethnic minorities. Before Japanese internment during World War II, the San Francisco Chronicle used to run stories about how the Japanese minority were unassimilable, and how they were also responsible for crime. More recently, Breitbart ran a ‘Black Crimes’ list, and their CEO, Steve Bannon, is now one of Trump’s closest advisors in the White House.

The show points out that immigrants to America have a lower crime rate than those committed by members of the host population. Some of this is possibly to avoid drawing attention from the immigration authorities. However, they also point out that detailing crimes committed by immigrants without providing any context is very dangerous, and it serves to place them in a simplistic ‘good’ versus ‘evil’ view of immigration. And this is particularly dangerous, as this view has the official imprimatur of a government document.

They also briefly discuss another of Trump’s proposals, that immigrants should hand over their cell phone information. Pitzer points out that totalitarian government is impossible without a secret police. Even with the resources of the Nazi state, it was still difficult for them. Himmler apparently used to complain about not having enough men. But you don’t need quite so many staff with the massive expansion of the American surveillance state and its powers and abilities to spy on the electronic communications of American citizens. This is far more than the Nazis had.

This is very frightening, and should concern everyone who’s genuinely concerned about racial justice and personal freedom on either side of the Atlantic. Over here in Britain, Black and ethnic minority campaigners bitterly objected to the way the British right-wing press misrepresented them as being disproportionately responsible for crime. The issue became particularly controversial after the 1981/2 ‘race riots’, when the newspapers became blatantly racist in equating Blacks with crime and anti-White racism. And sections of the Tory press are notoriously ready to run stories about immigrant criminality today, such as the Daily Heil and the Scum. If Trump goes ahead with this, and it is not successfully challenged, it will emboldened UKIP and very large sections of the Tory party to do the same, as well as encourage rags like the Mail, the Sun and the Express to become even more racist in their equation of Blacks and other ethnic minorities with criminality.