As right-wing and terrible as it is, Talk TV appears even more dire and right-wing than GB News. GB News is the station that had Neil Oliver platform Peter Sweden, a Holocaust denier who has, according to an article by Zelo Street, also said nice, admiring things about Hitler and the Nazis, and thinks LGBTQ people should be put in concentration camps. He also believes that the Nazi camps contained theatres, swimming pools and cinemas.
I think Sweden, real name Imanuelsen, has been taken in by Nazi propaganda. During the War the Nazis masked the Holocaust by declaring that the Jews were merely being evacuated to the east. The lie was that the Jews were being given homes and land away from the rest of the German population. The Nazis even made a propaganda movie showing the happy, contented, well-fed evacuees were shown working on the allotments in the village the Nazis had so generously given them. When the camera had stopped, however, the troops moved in and forced them off to the death camps. That was the reality. But Goebbels and the rest of the horrors had manufactured these propaganda films, and their post-War successors have embroidered them with malicious lies about cinemas and so on, and pratts like Sweden have been taken in and are repeating them. And no-one should invite someone who believes and spreads such malignant nonsense on to their programme.
But most of GB News’ presenters at least make an attempt not to appear that malign and bonkers. They also seem to have a variety of presenters and panellists, even if their top one is Nigel Farage. Talk TV has Julia Hartley-Brewer, Times columnist and, if memory serves me right, former editor of the Depress. She’s another one who presents herself as immensely well-informed, especially on the subject of the EU, which she is firmly against. The reality is that she’s profoundly ignorant. Mike’s put up several articles pointing out how little she actually knows about the European Union on his site after she’s appeared on various programmes spouting her nonsense.
This week one of the major issues taxing her mighty intellect, and those of so many other right-wingers, was the breakdown of law ‘n’ order in Britain and the cops’ failure to deal with it. last week a gang of Black youths broke into an American candy store in London with nary a cop to be seen. Then there was the disturbances at the Notting Hill Carnival. A Bristol rapper had been stabbed, 209 people arrested for various crimes, including assault and theft, and 74 policemen had been injured. A policewoman had also been sexually assaulted with a gang of men grinding themselves against her. There was also footage of a group of young people dancing on the roof of a bus stop, which promptly crashes down, bring them down on top of the people underneath. On top of this were statistics showing that the police weren’t actually solving ordinary crimes like robberies.
This was contrasted with the woke attitude of the cops. Instead of going out and protecting people and their property, Britain’s finest were joining in with Pride parades. There was footage of a group of four cops doing the macarena at Lincoln Pride, to the dismay and disgust of various right-wing YouTube pundits. This was in addition to previous Pride and pro-gay events the cops had attended. As the Conservative critics showed footage of the Lincolnshire cops doing the macarena, they also shared the strange gay bumblebee costume one copper had worn at another event to stress the force’s pro-gay credentials, various policewomen waving the LGBTQ flag, a police car painted with the gay rainbow. There was also a very odd picture of a police dog handler posing with two gay fetishists dressed in leather dog masks, sitting at the coppers’ feet and wearing leashes. This was an example of the kind of kink seen at Pride events which make some people believe, not unreasonably, that it’s no longer suitable for children.
Talk TV, and to be fair, a number of other right-wingers, including, I think, GB News, showed these pictures as an example of the cops being ‘woke’ and therefore unable to do their jobs properly. Talk TV followed this up with a short questionnaire. Were the police prevented from properly doing their job due to ‘wokeness’ ? Or was it because of the cut to their numbers of 20,000 officers?
Now I don’t think that ‘wokeness’ has helped improve policing, though I well understand the cops’ desire to show the gay community that they’re on their side. As for the Notting Hill carnival, for as long as I can remember there have been murders and other crimes there. Some of it is, I think, simply because of the huge size of the crowd. There were about 2 million people there, or so I heard, and part of the problem was that gangs turned up from other parts of London in the hope of settling scores. There was footage from someone’s window shown, and it looked like a scene from the massively overpopulated future in the Charlton Heston SF flick, Soylent Green, based on the novel Make Room, Make Room by Harry Harrison. I would imagine that a crowd of that size and density would be difficult to police anywhere.
But to me the real problem is simply the shortage of cops and the budget needed to support them. And so I voted in Talk TV’s wretched poll. I appear to have been in the minority: only about 4 per cent or so of the people who responded thought as I did. The other 96 per cent thought it was down to ‘wokeness’.
Which shows you exactly how right-wing Talk TV’s viewers are, how they’re refusing to accept the fact that cuts in manpower and budget have affected policing, even before the cops made such obvious gestures of solidarity with minority groups.
And so they’ll accept and applaud even more cuts to the force, just so long as the remaining cops don’t go to Pride in uniform.
Here’s something that I hope will cheer you all up, or at least the SF fans among you. It’s another of my cartoons, though this time it’s not satire, but a mock movie poster for one of my favourite SF novels, The Stainless Steel Rat by Harry Harrison. Harrison was a serious SF writer. One of his novels was Make Room, Make Room!, which was filmed in the 1970s as the dystopian thriller Soylent Green with Charlton Heston. However, he’s probably best known for his series of humorous SF novels, beginning with the Stainless Steel Rat, about the galactic archcriminal, Slippery Jim DiGriz. They’re set in the far future, when humanity has spread across the Galaxy, and living conditions, society and psychology/ social services have all advanced so that crime is all but unknown. All but. Slippery Jim, the ‘Stainless Steel Rat’ of the title, is a career criminal who does it simply for the joy of outwitting the authorities. The interstellar police, however, eventually catch up with him, and he’s forcibly recruited into their ranks. And he’s shocked to find that they’re all former criminals. His boss, Inskip, was a notorious thief who robbed a spaceliner in mid-flight. It’s done on the principle of ‘set a thief to catch a thief’. And his first assignment is to capture a stunningly beautiful woman, who’s murdering her way across space. Spoilers: he finally catches her, she’s given psychiatric treatment to rehabilitate her, she’s also recruited by the space rozzers. Di Griz marries her, and the two then become a team, whose adventures are then told in the succeeding books as they, and their sons with them, travel across the universe solving crimes, overthrowing dictators and stopping wars with alien races.
I was wondering who I’d cast as the heroes, and have as director and the scriptwriter adapting it for cinema. The text on the cartoon shows who I decided upon. It reads
A Terry Gilliam film. From the book by Harry Harrison. Adapted by Douglas Adams.
Jacqueline Pearce David Tennant Don Warrington.
It’s definitely fantasy, because Adams and Pearce have sadly passed away, as has Harrison himself. Tennant would be the Stainless Steel Rat, Pearce, who you will remember was Servalan in the epic Blake’s 7, would be the murderess, Angelina, and Don Warrington would be the police chief, Inskip. Yes, I am thinking of his character in Death in Paradise, so it would be a bit of type casting. But he has done humorous SF before. He appeared in an episode of Red Dwarf in the ’90s as one of the members of a spaceship crew of Holograms, all of whom had massive intellects and egos to match. His character appeared on board Red Dwarf and promptly started making sneering remarks about Kryten and Lister. Kryten was described as nearly burnt out, while he described Lister as some kind of subhuman creature, that could in time perhaps be taught some tricks. Until Lister parodied him with a mock report of his own, in which he informed him that he had a sturdy holowhip in the ship’s armoury and was going to use it on his backside pronto if he didn’t leave. At which point Warrington’s arrogant spaceman vanished. And with a threat like that hanging over him, who could blame him?
Here’s the cartoon. I hope you like it and it give you a chuckle in these grim times and keep your chin up! The Coronavirus won’t last forever.
I found this edition of the BBC series, Time Out of Mind, over on Youtube. Broadcast in 1979, the series looked at four SF authors, who were either British, in the case of Ann McCaffrey, an American based in Ireland. Apart from John Brunner and McCaffrey, the other authors featured were Arthur C. Clarke, and Michael Moorcock and M. John Harrison. The fifth and final programme in the series was on that year’s SF convention in Brighton.
I vaguely remembered the series from the trailers running earlier in the evening, though I never watched it myself as I was probably too young. I’ve got a feeling it was broadcast long after my bed time.
Stand On Zanzibar
Brunner’s particularly interesting, as he’s known for writing very dystopian, near-future SF, such as his books The Shockwave Rider, The Sheep Look Up and Stand on Zanzibar. All of these are rightly classics of the genre, and I think Stand On Zanzibar has been republished under the Gollancz colophon as an ‘SF Masterwork’. It is indeed, though I think it’s also one of the most depressing books I’ve ever read. It’s very much a product of its time, which was the late 1960s-’70s concern about the ‘population bomb’ and the massive problems faced by an overpopulated world. It’s set in a near future, c. 2020, if I remember properly, in a massively overcrowded world, where living space is in short supply. The result is endemic domestic terrorist violence, and ‘muckers’ – frenzied spree killers. These are ordinary citizens, who’ve finally snapped under the strain of such oppressive conditions. They’ve taken their name from quite literally ‘running amok’.
In order to curb the population explosion, the government has passed eugenic legislation preventing those with genetic defects or inheritable diseases, like haemophilia, from having children. Recreational cannabis, on the other hand, is legal, but still vulnerable to the interest of organised crime.
Far more sinisterly are the attempts by the various government to find ways to control the population using genetic engineering. This includes the research of an Indonesian scientist, who the Americans send a special agent to extract.
Brunner, CND and Environmentalism
Brunner was politically active for a time in his life. He was a member of CND and attended their meetings and marches. The programme shows how he even took part in an exhibition of the horrors created by the bomb, and how this influenced him. He states on the programme that when he turned to writing near future SF, he didn’t have to do much research. While it was harder to write than stories set in the far future, where the imagination could run freely, he found that much of the nightmarish conditions he describes in his works have already happened. This includes the dangers of chemical pollution on the environment and agriculture in The Sheep Look Up.
The ‘New Wave’ and Literary Modernism
Brunner’s like Moorcock and the other members of the British ‘New Wave’, in incorporating the techniques of literary modernism into his work. Moorcock in the programme dedicated to him said he wanted to use the techniques of such avant-garde literary authors as James Joyce. He was bitterly disappointed when his literary aspirations were rejected by the rest of the SF milieu, who considered these models to be pseudo-intellectuals.
Brunner acknowledges that in creating the background for the world on Stand On Zanzibar, he took John Dos Passos as his model, and included clippings from newspapers, even poetry. These clippings also show how rooted the book was in present-day reality. Several of the clippings explaining the ‘muckers’, for example, are taking from 1960s reports of real spree killers. As for the ‘partisans’ and their terrorist campaigns in America, this looks like it was based very much on the urban terrorists that emerged in the late 1960s and ’70s, like the various paramilitary groups in Northern Ireland, the Baader-Meinhof gang, the various French Maoist rebels and the Weathermen, Black Panthers and Symbionese Liberation Front in America.
America as Dystopia
The show also makes the point that although Brunner’s British, he’s popular in America, partly because he speaks with a mid-Atlantic voice. Brunner is shown talking to friends and his publisher in the US. But Brunner was also very critical of the US. He says that he took America as his model for the dystopias he created, as much of what he describes in his books has already happened there. He follows this with the statement I’ve quoted at the top of this piece ‘I have seen the future, and it doesn’t work’.
Folk Music and Dancing
I also found the episode interesting, as Brunner was a folkie, who lived in the small town of South Petherton in Somerset. He and his wife were the organisers of the town’s folk festival. I found it rather incongruous that an author, who was concerned with the future and the problems that it would throw up, should also be a fan of, among other things, such very traditionally English pastimes as, um, Morris dancing. Brunner and his wife are shown opening the festival, and watching a group of Morris men dancing with the white flannels, handkerchiefs and bells.
Here’s the video:
Population Explosion or Population Crash?
While Stand On Zanzibar is a classic, it’s also somewhat dated. Europe and America don’t have the teeming, claustrophobically overcrowded cities of books like Stand On Zanzibar, or Harry Harrison’s depiction of similarly terribly overpopulated world, Make Room! Make Room!, filmed as Soylent Green. Indeed, birth rates around the world are falling, and in some parts of the West, China and Japan they’re actually below replacement level. Some demographers are talking of a ‘population crash’, and the problems this will cause. This in its turn has created its dystopian prophetic fiction in the film Children of Men, with Clive Owen and Thandie Newton. This imagines a world where humanity has become sterile. No children have been born for 18 years. The result is political instability, violence and ruthless control by a Fascist state. The only hope in this dystopia is presented by an immigrant woman, who has become pregnant.
Spree Killers and Religious Violence
We also don’t have intelligent, supercomputers cooled in liquid helium, like Shalmaneser. Other predictions are so accurate, as to be actually prosaic, such as influence of the media and the emergence of the pop video. Unfortunately, so are the ‘muckers’ – such as the maniacs, who walk into schools, restaurants or cinemas with guns and begin shooting. The book’s also accurate in that some of the crazed killers are religious fanatics. In the book the religious violence is carried out by Christians. This is true of part of the American extreme Right, as shown in the Militia movement and their fears of an atheist government, which will begin sending Christians to death camps run by FEMA as part of the establishment of a one-world global dictatorship.
The Pieds-Noirs and the Legacy of Algeria
Other predictions look dated, but contain a kernel of truth that has been subsequently hidden, but still remains a powerful influence in contemporary politics. Two of the characters, for example, are a brother and sister, Pieds-Noirs – former French-Algerian settlers, who have been forced out of the colony after independence. Despite the decades that have passed since France lost its war against its former colony, Pieds-Noirs still suffer from considerable stigmatisation because of the atrocities the former colonial overlord committed. Now, nearly five decades or so later, there is little special shame attached to the Algerian War. Nevertheless, it has influenced French politics in that many of the Arab, Muslim population of France are the descendants of Algerians, who chose to emigrate to the former colonial power. These have formed an immigrant underclass, who have suffered racism and discrimination. Much of the political disaffection French Muslims come from this background of emigration, dislocation and resentment by the host society.
The Corporate Take-Over of the Nation State
One of the most extreme of the novels predictions, and one which mercifully hasn’t occurred yet, it the literal corporate takeover of entire states. Another of the characters is the president of a small, west African nation. Unable to improve conditions for his people through normal politics and democracy, he literally signs it away to an American corporation. In return, that company promises to invest in his nation, develop it economically, and provide jobs and training for its people. It also, as Brunner makes clear, condemns them to corporate slavery.
This hasn’t quite happened like that yet, but there are some close parallels. The Socialist government of Alfredo Benz in Guatemala in the 1950s was overthrown by a CIA-backed coup, after Benz nationalised the banana plantations of the United Fruit company, an American corporation. Similarly, Mahmud Mossadeq, the Prime Minister of Iran, was overthrown by the Americans in the 1950s after his government nationalised the oil industry, including British-Persian Oil, which then became BP.
And the TTIP, if launched, will allow multinationals to sue national governments if they dare to pass legislation, which threatens to harm their business. Veolia has used similar legislation to sue the Egyptian government, after it raised the minimum wage for Egyptian workers.
The Psychological Legacy of Slavery and the Experience of Black Politicians
Another part of Brunner’s novel, that still retains its contemporary relevance, is that one of his characters is a Black American politician. This isn’t quite so novel as it was when the book was written, coming when Blacks in America were still very much fighting for their civil rights. America now has its first Black president in Obama. Nevertheless, the issues of racism, Black alienation from what they see as White power structures, and the psychological legacy of slavery, still remain a powerful presence. Although physically fit and able-bodied, the Black politician suffers from a psychological weakness in one of his arms, due to being told about how one of his slave ancestors had his amputated as a punishment by his owners. The organiser of a recent campaign against an exhibition on the White exhibition of Africans as subhuman others, staged a year or so ago by one of the Museums, stated that amongst her reasons for opposing it was a concern for the psychological health of Black people. She pointed to studies of young western Blacks, who have suffered Post-Traumatic Stress Disorder through material showing or discussing the sufferings of their slave ancestors.
Ambiguous Endings and Political Message
Brian Aldiss, discussing Brunner’s work in his study of the history of SF, The Trillion Year Spree, criticises him for failing to take an explicit stance. Despite being a very political novel, Brunner doesn’t take a party-political stance. There’s one incident, for example, in which an elderly lady is forcibly moved out of the home she has lived in for most of her life by the local authorities. This can be read in two ways. It can be seen as council busybodies, enforcing bureaucratic red tape and over-regulation, regardless of the harmful effect this has on the lives of ordinary people. Or it can be read in the opposite view, as local authorities blindly committed to corporate interests and commercial redevelopment.
Brunner also leaves the final results of his characters’ actions on the wider society ambiguous. One of the last sections of Stand On Zanzibar is entitled ‘And See Which Seed Will Grow’, taken from the line in MacBeth which about peering into the sands of time. He hints at their being two possibilities for the world and its millions: either pacification through specially engineered food introduced into its peoples’ diet. Or the possibility of genetically engineering humans themselves, as presented by the Indonesian biologist.
At the end of The Shockwave Rider, the authorities organise a plebiscite, which will hopefully liberate humanity from tyranny. This asks them to vote between two statements. These seem to offer strikingly different alternatives, but when read closely, don’t actually mean very much, and actually say pretty much the same thing. The book then concludes ‘Which way did you vote?’
Again, as in Stand On Zanzibar, the final result, the choice made by humanity, is never shown. There’s the possibility of hope, or a little more hope. But it doesn’t end with a total solution that will automatically improve everything, and the outcome is decidedly mixed.
Warning: 70’s Fashions on Display
I think Brunner died a little while ago. This documentary gives provides an insight into the life and views of one of Britain’s great writers of dystopian SF. As I said, his book’s don’t make an explicit party-political statement, but in his anti-nuclear activism, environmentalism and critiques of corporate power, Brunner does share many of the concerns of the Left.
You should be warned, however, that as the documentary was made in 1979, it shows it in some truly horrendous ’70s fashions.
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