Posts Tagged ‘Blake’s 7’

Cyborgisation and Mass Technological Mind Control

March 25, 2018

One of the big stories this week has been the scandal surrounding Cambridge Analytica’s datamining of the personal details of people on Facebook, in order to target them for electoral propaganda. Not only have they been doing it in America, but they’ve also been contracted by other governments around the world, including the Tories in Britain, as well as Kenya, and Israel, who wanted to interfere in elections in Nigeria and St. Kitts and Nevis. But reading Alex Constantine’s Psychic Dictatorship in the USA (Portland, Oregon: Feral House 1995) the other night I found a couple of chapters discussing CIA and Russian experiments in technological mind control. These were based on implanting electrodes in the human brain, which could then be operated remotely through a computer, which would effectively turn the person operated upon into a meat puppet. Constantine writes

The CIA’s experiments in radio control of the brain are based on the development of the EEG in the 1920s. In 1934 Drs. Chafee and Light published a pivotal monograph, “A Method for Remote Control of Electrical Stimulation of the Nervous System”. Work along the same lines allowed Dr. Jose Delgado of Cordoba, Spain, to climb into a bull-ring and, with the push of a button, trigger an electrode in the head of a charging bull and stop the beast in its tracks.

Further groundbreaking advances were made by L.L. Vasiliev, the famed Russian physiologist and doyan of parapsychology, in “Critical Evaluation of the Hypnogenic Method” . The article detailed the experiments of Dr. I.F. Tomashevsky in remote radio control of the brain, “at a distance of one or more rooms and under conditions where the participant would not know or suspect that she would be experimented with … One such experiment was carried out in a park at a distance,” Vasiliev reported, and “a post-hypnotic mental suggestion to go to sleep was complied with within a minute.”

By 1956 Curtiss Shafer, an electrical engineer for the Norden-Ketay Corporation could explore the possibilities at the National Electronics Conference in Chicago. “The ultimate achievement of biocontrol may be man himself,” Shafer said. “The controlled subjects would never be permitted to think of themselves as individuals. A few months after birth, a surgeon would equip each child with a socket mounted under the scalp and electrodes reaching selected areas of brain tissue.” In this psycho-Arcadia, “sensory perceptions and muscular activity could be either modified or completely controlled by bioelectric signals radiating from state-controlled transmitters”. (pp. 2-3). Constantine goes on to describe the various experiments in mind control and the sadistic scientists involved in them. Several involved using microwaves to beam auditory signals to people, and their possible use as a tool to manipulate assassins. One of these was supposedly Sirhan Sirhan, the killer of Robert Kennedy. He then goes on to describe the development of the technology of brain implants to control humans, and the connection to research into creating human-machine hybrids – cyborgs – a few pages later. He writes

The development of remote mind-reading machines in secret academic enclaves picked up again with ARPA backing in the early 1970s. Scientists mapped the brain, gigahertzed the nervous system and gauged biohazards at MIT, NYU, and UCLA. NASA launched its programme. A story on the ARPA brain effort appeared, not in the corporate press, but in the National Enquirer for June 22, 1976. ‘The Pentagon did not exactly deny the story. Robert L. Gilliat, an assistant general counsel for the Department of Defence, replied meekly: “The so-called ‘brain-wave’ machine is not capable of reading brain waves of anyone other than a willing participant in the laboratory’s efforts to develop that particular device.” Presumably, the brain of an unwilling subject was impenetrable to microwaves.

In 1972 an ARPA report in Congress announced, after Helms, that “the long-sought goal (is) direct and intimate coupling between man and the computer.” Four years later ARPA reported that thought-wave research had gone beyond to communication to enhance memory by downloading information into the brain. Based on these capabilities, the post-PANDORA team set out to upgrade the interpretation of neural signals, and broaden the program to invent realistic tasks of “military significance”.

‘This side of the electronic battlefield, the experiments contributed to medicine the “transmitter-reinforce”, a device that transmits data on a patient’s health. Ford:

The transmitter-reinforce utilizes space age technology to send accurate readings on the patient’s condition to a computer, which digests the data. The computer can monitor many patients simultaneously. If a patient needs a dose of aversion treatment, the computer acts as controller, delivering a tone signal or shock.

The original, clandestine purpose of the “reinforcer” was not lost on authoritarian types in the psychiatric wings. Rowan:

One study suggested that radio transmitter receivers should be implanted into the brains of patients to broadcast information to a computer which would monitor and control the patients’ behaviour.

Other “constructive” uses of CIA/PANDORA telemetric brain implants were championed by criminologists. In 1972, Drs. Barton Ingraham and Gerald Smith advocated the implantation of brain transmitters to monitor and manipulate the minds of probationers. “The technique of telemetric control of human beings offers the possibility of regulating behaviour with precision on a subconscious level,” the authors enthused in a 1972 Issues in Criminology article.

Surveillance expert Joseph Meyer of the DoD carried the idea a step further, proposing that electromagnetic mind control devices “surround the criminal with a kind of externalised conscience, an electronic substitute for social conditioning, group pressure and inner motivation.” The ideal subject for testing the implants was “the poor and uneducated urban dweller (who) is fundamentally unnecessary to the economy,” Meyer said.

Military doctors with hard-right political views were naturally drawn to electronic mind control as the final solution to the “useless eaters” quandary. One Air Force doctor went so far as to recommend, in the New England Journal of Medicine, that if a criminal’s brain waves did not test “normal” after five years, he should be put to death.

Dr. Louis Jolyon West, formerly a CIA brainwashing specialist and LSD experimenter, proposed establishing a computerised system of employing space technology to monitor and control the violence-prone. … This sort of Orwellian thinking led opponents of West to fear the prospect that computer data on young children could be used as justification for implanting them for state control.

The nagging ethical considerations prompted a report on future applications and possible abuses. Scientists as Lockheed and Stanford Research Institute prepared the report, which postulated the rise of “a technocratic elite” with dominion over intelligence and identification systems to monitor whole countries. Wars would be waged by robots.

Technological advances anticipated by the authors include computer operated artificial organs, biocybernetic device to provide “social conversation, entertainment, companionship and even physical gratification,” and a “machine-animal symbiont,” an animal or human monitor that transmits its perceptions to a central authority. Partially funded by the National Science Foundation, the report recommended the formation of an oversight panel of artificial intelligence specialists to uphold ethical standards. (pp. 16-17).

This is clearly the classic stuff of the paranoid, conspiracy fringe, the kind of material that informs Alex Jones’ Infowars net programme and the X-Files. However, the information in Constantine’s book is meticulously documented, and the CIA’s experiments in mind control have been discussed elsewhere, such as in the conspiracy magazine, Lobster. The suggestion that the technology could used to strip whole populations of their humanity and individuality clearly bring us close to Star Trek’s Borg and Dr. Who’s Cybermen, while the use of computer technology to control the brains of criminals recalls the limiter in Blake’s 7. This was a computer device implanted into the brain of one of the heroes, Gan, to rob him of his ability to kill after he slew a Federation trooper. And Pat Mills portrayed the use of this technology in an episode of Nemesis the Warlock in 2000AD, when the Terminators electronically monitoring the thoughts of the citizens of Termight pick up a dream of the heroine’s father, in which he fights against the future Earth’s evil Grand Master, Torquemada. The man is arrested shortly after. This episode is obviously inspired by a similar passage in Orwell’s 1984, but it does show the sinister uses this technology could be put to.

And there have been numerous stories in the papers over the past few months that scientists are coming closer, or have discovered ways of reading the human mind electronically. Mostly this is connected to the development of artificial limbs, and the creation of methods by which amputees or people, who have lost the use of their limbs, can move artificial arms or operate other machines, to give them more independence and movement. No-one would object to the development of this technology to benefit the physically handicapped. But this chapter also shows it can also be used for far more sinister purposes. And the comments quoted from various far-right military officers and doctors shows how they viewed the poor: as suitable victims for experimentation, who otherwise have no social or economic value.


Kitty S. Jones on Cambridge Analytica’s Datamining of Facebook

March 23, 2018

Aside from the Skripal poisoning, one of the major issues this week has been Cambridge Analytica and their datamining of Facebook to get the personal particulars of something like 50 million people, so that they could be targeted for political manipulation. Kitty’s article is a long one, but she makes some very good points. Not least is that GCHQ and the other western intelligence services discussed ways of using the internet to target particular individuals to manipulate them or disrupt groups that posed a threat to national security. She also connects this to ‘behavioural economics’ and the infamous Nudge Unit, which uses subtle psychological techniques to manipulate people into making decisions the government wants. With those two, we are well into the kind of dystopian future, where a totalitarian government manipulates the minds of its subjects portrayed in the Beeb’s classic SF series, Blake’s 7. Some of this datamining appears to have been done to benefit Russian oil interests. Michelle, one of the great commenters here, posted this to her piece, commenting on the immense value of personal information on the Net:

“The Wiley disclosure certainly had quite a media make over, he sits in a trendy bare room with a big photo shoot light for the Guardian and in a graffiti tunnel for ITV news, yet with all his intellectual prowess his deductive reasoning interestingly falls short on his employer making a link with Russian oil: “It didn’t make any sense to me,” says Wylie. “I didn’t understand either the email or the pitch presentation we did. Why would a Russian oil company want to target information on American voters?”


The spotlight on this company must be just the tip of the iceberg.

In 2010 I had blogged about the EU intending to make it clear how internet users would have their digital data exploited and the New York Times had a comment re the intended EU overhaul of privacy regulations. I had written that the publishers value was not based on content or brand but on the information that can be collected about each digital visitor, as we click away our preferences and online patterns are being delivered up to the advertising market because the ability to sell this information about us is the true value a publisher holds. Here is the comment in the New York Times (20 Nov 2010) about the E.U´s intention to overhaul the online privacy rules to protect personal data which would hamper the “development of services” – a great euphemism for snooping:

“Rules requiring Internet companies to secure users’ consent upfront could hamper the development of services that align online advertising with Web users’ personal interests, as reflected in the Web sites they visit or the preferences they express in social networks and other online forums. From a marketer’s perspective, this could dilute one of the big advantages of the Web over traditional media.”


Evidently the misuse of data has been understood for many years, (as you have pointed out Sue), I also noted in 2010 a New Scientist article: “EVERY move you make, every twitter feed you update, somebody is watching you. You may not think twice about it, but if you use a social networking site, a cellphone or the internet regularly, you are leaving behind a clear digital trail that describes your behaviour, travel patterns, likes and dislikes, divulges who your friends are and reveals your mood and your opinions. In short, it tells the world an awful lot about you.”


So how did the ‘security services’ miss Cambridge Analytica’s flagrant misuse of data when it has been clearly understood even in the public realm for almost a decade? These supposed revelations at this juncture come at a time when the hype to cold war status is already far too high…”

Kitty’s article is at:

And the Americans are not alone in using Cambridge Analytica, it seems. I found this report by RT about our government also using them and their parent company, SCL, to gather data on us. RT’s presenter, Polly Boiko, states that the two were hired by the Ministry of Defence, and paid for providing staff with training and for keeping government secrets on their computer, amongst other services. Yvette Cooper has demanded a wider investigation into their activities. They have also been hired by some very dodgy governments around the world. Like Kenya, where Cambridge Analytica was hired by the ruling party to gather data on its opponents, and create a psychological strategy that would allow them to hold on to power. The company has been accused of stirring up ethnic tensions as part of this. They were also hired by Ukraine to undermine the breakaway Donetsk Republic. This ended in failure, but the company’s report not only went to the Ukrainians who commissioned it, but was also shared with the British government. She concludes that the next stage of the scandal will probably be the company’s connections to the world’s governments.

This has been touched on today in the I newspaper, which reported that Israel had also hired the company to swing elections Nigeria and St. Kitts and Nevis.

This is a real threat to democracy, but I doubt that many people are paying attention, because of the way May and her team are ramping up tensions with Russia to distract everyone from just how terrible they are. And if the MOD have been using them to gather data on British citizens, then the immediate comparison that comes to my mind is with the Stasi and the other totalitarian secret police. It ain’t Corbyn who’s a threat to democracy, but Cambridge Analytica and their Tory government paymasters.

Painting of Blake’s 7’s ‘Liberator’ by David A. Hardy

September 9, 2017

This is for all the fans of the classic British SF series, Blake’s 7. It’s a painting of their spaceship, the Liberator, before it came crashing to an end in ‘Tereminus’, the last programme of the third series. I found the painting on the SF/ weird art site, Tomorrow and Beyond.

David A. Hardy is one of the great veterans of British space and SF art. He’s illustrated numerous books on astronomy, including several with the late Sir Patrick Moore. The best known of these is probably The Challenge of the Stars. Hardy’s unusual in that he crosses the divide between space and SF art. It seems ridiculous to me that there is such a division, considering how so much science fiction art is set in the Black, and the care with which many SF artists take to portray it. I was rather surprised to find this. I knew Hardy also painted SF, I didn’t think he’d painted any TV material.

Astronaut Chris Hadfield Plays David Bowie’s ‘Space Oddity’

August 11, 2017

This is awesome. It’s a video made by the astronaut Chris Hadfield, of himself playing the Bowie classic, ‘Space Oddity’, aboard the International Space Station. Which, when you think about, couldn’t be a better location.

Astronauts have played music in space before. I’ve got a feeling several Russian cosmonauts had their instruments with them back in the 1980s when they travelled to Mir, and had a jam session up there in orbit.

The SF writer Allan Steele wrote a short story, ‘Live from the Mars Hotel’ about the rise of fictional astronaut band in his anthology, Rude Astronauts. In this tale, a group of spacers on Mars form a band to keep boredom at bay during the long months on the Red Planet, especially when a howling dust storm comes down to blanket the entire world and nobody can venture outside. When they return to Earth, the band briefly find themselves celebrities. However, this rapidly wanes, and they go back to their day jobs after their all-too brief stint as space’s first rock gods.

Part of the reason for this is that they sacrifice their authentic sound for the image manufactured for them by the music industry. Their own sound, honed on Mars, is rough and gritty, authentic country ‘n’ western. However, when they play gigs back on Earth, they’re persuaded to wear spangly jumpsuits and perform with a full orchestra. It’s just too ‘Nashville’ for our roughneck space heroes. The fans sense this, and so stop listening to them.

The shots of the ISS itself and the Soyuz spacecraft, as well as Earth itself, remind me of the opening credits to the 1980s space detective series, Star Cops. This was set forty years in the future, when space was being opened up to industrial exploitation and regular space travel. Unfortunately, it only lasted a single season. Part of the problem was that many of the space/ SF fans, who would have seen it, never heard of it. I also think that it suffered because it was broadcast just after Dr. Who’s cancellation in the mid-1980s, and I think this overshadowed the show. I also think it probably suffered from being mismarketed. I think it was being advertised as detection, rather than SF, and so the trailers for it were aimed at the wrong audience. I’m quite aware, however, that there is an audience, and that there are SF stories that are basically detective yarns. They’re just set in the future with robots, aliens and mutants.

Here’s the beginning titles for Star Cops.

Well, it’s thirty years after the series was aired, and we’re still waiting for the future it envisioned. Star Cops was written by Chris Boucher, who was script editor on Blake’s 7, and was very much intended to be hard, near-future SF. The series boasted that all the technology was based on hard, science fact. Unfortunately, the dream of cheap, mass spaceflight hasn’t happened, possibly because the spaceplanes being designed at the time by Martin Marietta simply proved unviable in practice.

Still, perhaps in Skylon takes off next year, we might really see the space age begin in earnest. In the meantime, I hope there are a few more astronauts, who take the opportunity to lay down a few awesome tracks as they explore the High Frontier.

Ismahil Blagrove on Why the Days of the Mainstream Media Are Over

July 20, 2017

This is awesome. I’ve posted up videos from Blagrove before, particularly one in which he laid into the mainstream media for their reporting of the Grenfell Tower disaster. In this very short piece from Double Down News, he rips into the mainstream media for its class bias – for the White, middle class elite, and against poor Whites, Muslims and so on. He has very forthright views about the Heil, stating that, yes, he would use it as toilet paper. Well, it’s got to be good for something. He tells how he was asked by someone from the mainstream media what they were doing wrong. He told them about how they were for the elite, and constantly attacked Jeremy Corbyn. This even included nominally left-wing papers like the Groaniad. Corbyn’s popular because he gives people hope and builds them up. The MSM does the opposite. When they talk about youths committing crime, they aren’t talking about the children of the middle classes, but lower class Whites. The same with their constant attacks on Muslims, and their refusal to recognize that British foreign policy and military action abroad has an effect on terrorism.

He talks about how he was an independent film maker for about 17-18 years, and never got a commission from the Beeb or Channel 4. Now both channels want him and his team. He rhetorically asks where they were when he was young and hungry? They don’t want him; they just want his contacts. But he talks about an independent film on young gun crime, which garnered four million views. He seems to be talking directly to DDN at one point, stating that he dislikes their name, but good on them, because they’re successful. He concludes by saying that the days of MSM are over. The revolution will be livestreamed!

Warning: the video contains images of Eton or other public schoolboys acting as such, which some people may find offensive.

Blagrove’s absolutely right. Corbyn is successful, precisely because he does give people hope. And that absolutely terrifies the media and corporate elites. As Servalan, the supreme commander of the Terran Federation, once said in Blake’s 7 ‘Hope is very dangerous’.

It’s why the Heil and Torygraph a few days ago started ranting about how the young supported Labour and Corbyn because they’d been indoctrinated by left-wing teachers. They haven’t. The vast majority of teachers simply want to stand in front of a whiteboard and teach. When they do become political, and criticize the government, or start mooting strike action, it’s because of genuine professional concerns, both for their careers and the teaching profession as a whole, and also because of the harm Tory educational policies are having on schoolchildren and their intellectual and moral development.

There is also very stringent legislation in place to make sure teachers cannot indoctrinate young children. If there is a situation, where they are asked to make a judgement about a political or religious belief, they have to state clearly that this is only their view.

The idea that there are somehow legions of left-wing teachers poisoning young minds is just more propaganda. I really shouldn’t expect anything more or better from them. Back in the 1980s under Thatcher the Fail and the Torygraph, along with the rest of the right-wing press, were screaming the same lies about Communist teachers and the Peace Studies courses, taught in some schools. Quite apart from the scaremongering about Brent Council and its crusade against sexism, anti-gay prejudice and racism.

There are very good reasons why many young people are turning to Labour: Corbyn is giving them hope. Hope that they might actually get a job, or if they don’t, that they might actually receive unemployment or disability benefit from the state. That the 50 per cent, which the government wants to go to uni, will emerge without something like £40,000 worth of student debt, a debt that they will never be able to pay off, and will stop them owning their own home. Corbyn gives them hope that their parents just might be able to afford to retire to a well-earned, decent pension. Hope that we are going to live in a civilized Britain, where the elite aren’t constantly whipping up hysterical fears about immigrants to divide working people, or demonise the poor, the unemployed, the disabled, the weak, the disenfranchised.

But the corporate elite are so convinced of their own right to rule, that they simply can’t get their heads round all that. Or rather, they don’t want to. And more importantly, they don’t want the British public, who buy their disgusting rags, to understand that either. And so it’s all back to the stale, antiquated Thatcherite lies about teachers.

Blagrove is also absolutely right too, about the way Corbyn has been properly reported and supported by the internet and social media, just as Obama and now Bernie Sanders is in America. And the plutocrats, who own it are frightened. It’s why YouTube is demonetizing left-wing internet news shows like The Young Turks, The David Pakman Show, Secular Talk and so on. It’s why Mike and other left-wing bloggers have found that Facebook has changed its sharing buttons, to make it more difficult for them to be reblogged and shared.

Because, as Blagrove has said, he trusts blogger to report the news better than the professional media.

I also applaud this video because Blagrove stands up, not just for Muslims and people of colour, but also for poor White kids. I’ve commented on a number of pieces in Counterpunch, which have observed that White and Black in the working class need to stand together, and that Trump and elite are using White racism to divide working people. These articles argued that Whites needed to reject racism. Blagrove here has embraced poor Whites. He doesn’t accuse them of racism, but recognizes them as fellow victims of elitist class rule.

It’s a very trenchant criticism of the media, and its failure to serve the real interests of the public over its corporate masters. But the internet has put the power of the media in the hands of the ordinary, working people, who are excluded from the corporate elite. And they are livestreaming the revolution.

The Fantastic Space Art of David A. Hardy

April 22, 2017

This is another couple of videos from the redoubtable Martin Kennedy showcasing the amazing work of yet another space and Science Fiction artist, David A. Hardy. Hardy is one of the longest running space and SF artist working. The entry on him in Stuart Holland’s Sci-Fi Art: A Graphic History, runs:

David Hardy’s introduction to astronomical illustration was a somewhat rushed affair. In 1954, as a mere 18-year-old, he was commissioned to produce eight black and white illustrations for a book by legendary UK astronomer Patrick Moore: Suns, Myths, and Men. He had just five days to create them before British national service-conscription-required him to join the Royal Air Force. The commission was all the more remarkable as Hardy had only painted his first piece of astronomical art four years previously, inspired by the work of Chesley Bonestell.

Since those early days, Hardy (1936-) has garnered numerous awards for artwork that spans the science fiction/hard science divide. Born in Bourneville, Birmingham, in the UK, he honed his talents painting chocolate boxes for Cadbury’s. By 1965 he had become a freelance illustrator, beginning a career that resulted in covers for dozens of books and magazines, both factual, such as New Scientist, Focus, and various astronomical publications, for which he also writes; and SF, including Analog and Fantasy & Science Fiction. 1972 saw the publication of Challenge of the Stars, which Hardy not only illustrated but co-wrote with Patrick Moore (the book was updated in 1978 as New Challenge of the Stars). A bestseller, it joined the select pantheon of book that influenced a new generation of up-and-coming astronomical artists.

By now, Hardy’s work was receiving international recognition, and in 1979 he was nominated for the Hugo Award for Best Professional Artist. Tow years later, another book followed, Galactic Tours, which as the name suggests is a “factitious” guidebook for the interstellar tourist. As a result of the book, travel company Thomas Cook approached Hardy about becoming a consultant on the future of tourism in space-long before Richard Branson had planned Virgin’s conquest of the stars.

Hardy has written an SF novel, Aurora: A Child of Two Worlds; worked on the movie The Neverending Story, and on TV (Cosmos, Horizon, The Sky at Night, Blake’s Seven), and produced record covers for – unsurprisingly – Holst’s The Planets and for bands such as Hawkwind, the Moody Blues, and Pink Floyd.

In 2004, Hardy’s long-standing partnership with Patrick Moore culminated in the award-winning Futures, in which the two explored the changing perceptions of space exploration since they first collaborated in the ’50s, the ’70s (the era of Challenge of the Stars) and into the 21st century. Artistically, Hardy has also embraced the growing digital trend that started in the approach to the new millennium. While still painting in acrylic and oil, he now uses Photoshop as a matter of course.

In March 2003, Hardy was paid perhaps the ultimate accolade an astronomical artist can receive: he had an asteroid [13329] named after him. Discovered ini September, 1998, it was christened Davidhardy=1998 SB32-high praise indeed!
(P. 130).

Several of the paintings in the video come from the Challenge of the Stars and its updated version.

The videos also include his cover illustration for Arthur C. Clarke’s The Snows of Olympus: A Garden on Mars – the History of Man’s Colonisation of Mars, which is another ‘future history’, this time of the terraforming of the Red Planet.

I have to say that I’m really impressed he also worked on Blake’s 7. This was low-budget British SF, but it had some create scripts and a really beautiful spaceship in The Liberator. And I would far rather go into space on something designed by Hardy, and operated by Thomas Cook, than by Branson.

The War on Drugs, Racism and Eugenics in Modern America

January 29, 2016

There’s a particularly chilling passage in the chapter ‘The History of “Black Paranoia” in Cockburn and St. Clair’s End Times: The Death of the Fourth Estate, where they describe the revival and continuation of eugenics policies, including the use of castration and sterilisation, and the US government’s ‘war on drugs’. The chapter as a whole is intended to show that Black Americans have very good reason for not trusting the US government, considering the numerous policies that have been deliberately enacted against them. This has includes treating them as unwitting subjects for human experimentation, and the way crimes have been specifically framed by the legal authorities so that punishment bears down hardest on Blacks and other ethnic minorities. The various anti-drugs legislation is a case in point. Although middle class White Americans also used opium, marijuana and cocaine, the laws against them were formulated and promoted to specifically attack Blacks, Mexicans and Chinese, as a way of making them seem threateningly foreign. Cannabis was originally just called ‘hemp’. It was renamed ‘marijuana’ as a way of associating with Mexican workers, who were then competing with White workers in the Depression for jobs. It was associated with the racial threat supposedly posed by Black men, often using the crude imagery of school playground racial stereotype. One government headline screamed that ‘Negroes with Big Lips Lure White Women with Marijuana and Jazz.’ And all this was going on a mere few decades after one US cigarette manufacturer offered smokers cocaine-laced ciggies for their consumption.

The Destruction of Black Communities by the War on Drugs

Cockburn and St. Clair talk about the devastation wrought in downtown L.A. by the War on Drugs, which effectively turned poor Black neighbourhoods into war zones. Wards were walled off from each other, curfews imposed, and Black men were stopped and searched on the street. 89 per cent of those arrested were released without charge. Unemployment soared, as did the proportion of Blacks in US prisons. Poverty increased, and for the first in a century, the average Black life expectancy fell.

Fred Goodwin on Inner City Men Evolving Backwards

And as conditions in the inner cities deteriorated, there was a revival of eugenics. In 1992, Fred Goodwin, the director of ADAMHA, or the Alcohol, Drug Abuse and Mental Health Administration, declared that the increase in Black violence in the inner cities may well have been due to a gene for violence. He recommended that a national biomedical campaign should be launched to isolate the gene and treat the gene’s carriers. In February of that year he gave a speech to the National Mental Health Advisory Council, in which he explicitly stated that violence had increased, as individuals in the jungle conditions of the inner cities had reverted to more ‘natural’ behaviour. He stated:

There are discussion of “biological correlates” and “biological markers”. The individuals have defective brains with detectable prefrontal changes that may well be predictive of later violence. The individuals have impaired intelligence, in this case “cognitive deficit” … Now, one could say that if some of the loss of social structure in this society, and particularly within the high impact inner city areas, has removed some of the civilising evolutionary things that we have built up and that maybe it isn’t just the careless use of the word when people call certain areas of certain cities jungles, that we may have gone back to what might be more natural, without all of the social controls that we have imposed upon ourselves as a civilisation over thousands of years in our evolution.

Planting Electrodes in Brains to Control Violence

Cockburn and St. Clair link Goodwin’s attempt to find the genetic origins of violence and a medical treatment, with that of Lewis “Jolly” West, who presided over the neuropsychiatric institute at UCLA. In 1969 West announced his plan to plant electrodes in the brain of violent offenders, in order to control them. This caused such an outcry that he was forced to abandon his plans. There are shades here of the limiter in the BBC SF series, Blake’s 7. One of the early characters, Oleg Gan, had had a limiter – an electronic device designed to prevent him from killing anyone – implanted in his brain after he killed the Federation trooper, who’d raped his girlfriend. Blake’s 7 was a kind of ‘Dirty Dozen’ meets Star Wars, in which a motley crew of criminals led by the dissident Blake took on the totalitarian Federation. It was very much of its time, and strongly influenced by the medical abuse of psychiatry against dissidents in the former Soviet Union. West and his electrodes suggest that its creator, Terry Nation, the man, who gave children the world over the terrible joy of the Daleks, was also very much aware of the totalitarian tendencies in western science.

The Castration of the Violent

One of West’s own mentors was Dr Ernst Rodin, who was in charge of the Neurology department of Lafayette Clinic. He recommended neurosurgery and castration for the ‘dumb young males who riot’. His views were echoed by West after the Watts riots, but instead of surgery, West recommended sterilising them with cyproterone acetate. In 1972 he recommended that this should be carried out on the inmates in US prisons. This caused such an outcry that his funding was cut.

The Eugenic Sterilisation of the Unfit

Cockburn and St. Clair also cover the eugenics laws enacted in twelve US states in the first two decades of the last century. Between 1907 and 1964 about 63,678 people had been compulsorily sterilised in thirty states and one colony. But this was probably an underestimate of the true numbers of the policy’s victims. In 1974 Federal Judge Gerhard Gessell, reviewing the suit brought by them, declared that 100,000 to 150,000 people with low incomes had been sterilised annually over the past few years in federally funded programmes. Allan Chase, the author of a book on this, The Legacy of Malthus, states that this is comparable to the rate of the Nazis in their sterilisation campaign.

Such programmes were supposed to be voluntary, but Gessell ruled that an unknown number had been forced into it through the authorities threatening to take away their welfare benefits. Those most frequently targeted with this kind of pressure were women reliant on Medicaid to pay their bills for childbirth. One of the intended victims of this was Katie Relf, who successfully fought it off by locking herself into her room. Chase has estimated that by the end of the 1970s, the US was sterilising 200,000 citizens annually.

Winston Churchill, Eugenics, and the Bengal Famine

And the policy was not without its supporters over here. Winston Churchill also supported the policy, and wanted to see about 100,000 degenerates in the UK forcibly sterilised. This isn’t by far the most loathsome thing the great War Leader ever said or did. Last week, Secular Talk covered the story in the Independent that 40 per cent of Brits miss the Empire. The show covered a series of crimes against humanity committed by the Empire and its servants. These included the Amritsar Massacre, the incarceration of Afrikaaner women and children in concentration camps during the Boer War, and the Bengal Famine, in which 27 million people died of starvation. The wheat that could have fed them was diverted to British troops fighting in Europe in the Second World War. For the victims, Churchill had no sympathy. He said he hated Indians, and that it served them right for ‘breeding like rabbits’. He may have been the great leader who kept Europe free, but that doesn’t stop him from also being a moral slug.

Conclusion: Don’t Trust Those Who Claim to Have Found the Gene For Whatever

Apart from its main point – that American Blacks have every reason to be alienated and distrustful of the government and authorities, the chapter also shows how recently such racist attitudes were accepted by medical authorities, as well as the use of sterilisation against the poor generally. And it also provides very good reasons for being extremely distrustful of scientists when they claim to have found the gene for ‘X’. This includes the gene for schizophrenia, for homosexuality, and for violence. The latter surfaced yet again about a few months ago. Someone was claiming that extremely violent crims had a certain mutated chromosome. Then another biologist pointed out that roughly half of everybody also had the gene, and it didn’t make them into psychos. There’s a real danger here that if we pay too much attention to these scientists, we’ll be back with sterilisation and compulsory lobotomy. Just like the early 20th century and Nazis.

Motherboard Report on the Japanese Robot Hotel

November 25, 2015

This is another interesting video I found over on Youtube. It’s a piece by the science news programme, Motherboard, on the Henn-na – Japanese for ‘weird’ Hotel in Tokyo that’s staffed by robots. The presenter states that Japan has legions of industrial robots, and Japanese trends were believed to show what the future would be like. In the case of the hotel industry, a few decades ago this was believed to be the capsule hotels, where tired Sararimen hired what was basically a stacked space about the size of a coffin to sleep in. The presenter tries one of these out, and talks to a traditional Japanese hotelier about how he feels about the rise of hotels where everything is done by robots.

The human hotelier states that he believes that people actually want the human touch, and personal contact with other human beings. So to compete, he believes that ordinary hotels will have to concentrate on being more human, rather than like those run by the machines. The journalist then goes on to sample what a night in one of these robot hotels is like. He states that the Japanese are turning to robots in order to cut down on high labour costs.

Inside the hotel, he is greeted with the hotel reception, which consists of two robots on a desk. One is in the guise of a woman, the other is a dinosaur in a hat. To check in, he has to use a touch-screen, which he describes as like those used at checkouts. Any valuables you have is placed in a locker behind glass by a robot arm, which the journalists says could come from a state of the art factory. Your luggage is taken to your room by another robot, though this is a robot trolley, not any kind of humanoid machine. In the bedroom on the bedside drawers is another, rather diminutive robot, which responds to your voice, greets you, and asks if you want the lights on or off.

Back down stairs, there are no catering staff. All the meals come from vending machines. There is a small human staff of about three guys. When interviewed, they also talk about how these hotels are driven by the need to cut labour costs. The journalist also interviews the managers, who states that he believes these hotels will become more popular and appear around the world. He and his staff also believe that to compete, hotels staffed by humans will also have to offer a more uniquely human experience.

The presenter himself and some of the guests he interviews are, however, in the end less than enthusiastic about the experience. He states that while its exciting to begin with, it’s actually rather lonely. The group of young women he interviews actually state that it’s really rather boring.

Here’s the video:

Now the presenter makes the point that as machines take more of our jobs, businesses like these raise the question of what can be uniquely done by humans. I’d argue that hotel catering and accommodation may not be an industry that can only be done by humans, but at the moment its an industry that can only be done well by humans.

If you look at the type of robots that have been popular in SF, they’re fictional machines that have had real characters and personalities. Think of Robbie the Robot in Forbidden Planet, C-3PO and R2D2 in the Star Wars films and K-9 in Dr Who. The same with the sentient computers, like Zen, Orac and Slave in Blake’s 7, or the Hal 9000 computer in Stanley Kubrick’s 2001. Or even Marvin the Paranoid Android in the Hitch-Hiker’s Guide to the Galaxy. These machines became favourite SF characters because they were precisely that: characters. They were essentially artificial people, with human-like intelligence, personality traits and even flaws. Robbie the Robot had all the polite aloofness of a human butler. C-3PO was fussy and rather camp, but a foil for R2D2, who was cheeky and slightly wilful, in the manner of a child determined to have its own way. Orac in Blake’s 7 was arrogant and pedantic, like a rather tetchy university professor. Slave was grovelling and subservient. K-9 was a perky companion, eager to help his master, but also with his own mind and opinions. The Hal-9000 computer was proud of its model’s computing power, accuracy and reliability, stated it enjoyed human companion, even though it went on to kill the crew on the grounds that human unreliability made them a threat to the success of the mission. Finally, it felt fear, when Dave Bowman, the hero of that segment of the film, closed it down. Zen was the most impersonal of all the machines. Except for its dying moment in the last episode of the third series, ‘Terminal’, it did not refer to itself. It was basically a hemisphere in a corner of the Liberator’s flight deck, across which flowed patterns of lights. Yet these lights and the slight inflections in its voice gave the impression of a distinct personality, and again, real human-like intelligence. Peter Tuddenham, the voice actor for Orac and Zen, in an interview with Blake’s 7 magazine in the 1980s, stated that of the two, Zen was his favourite. Orac, he felt, had merely taken on the personality of its creator, Ensor, who was also tetchy, pedantic and professorial. Zen’s personality was a more natural growth of the machine’s basic nature. It could have become human-like, but had deliberately held back and remained as it was.

And back in the 1970s and ’80s, 2000 AD also gave their own very comic version of what form robot accommodation for humans would take in the Robohunter strip. This followed the adventures of Sam Slade, that’s ‘S-L-A-Y-E-D to you’, as he attempted to combat robot crime. In the first story, Slade found himself despatched to the distant planet, Verdus. This had been occupied by robots in preparation for human colonisation. The robots, however, had refused to recognise the colonists as humans on the grounds that humans would obviously be superior to them in the every way. When the human colonists turned up, the robots found that they were instead weaker, and less intelligent. They concluded that they must somehow be ‘sims’, simulated humans, sent to deceive them for some purpose they didn’t understand. As a result, humans were rounded up into concentration camps to be experimented on and culled. Slade managed to break out, find the original robot sent to colonise the planet, who duly recognised and testified that he was indeed human. This convinced some of the robots that the Sims were humans, while others remained unconvinced. A war broke out between the two sides, which was only stopped by Slade destroying every robot on Verdus. This restored peace, but left his employers furious.

All this makes the strip seem grimmer than it actually was. The strip, scripted by long-time 2000 AD writer John Wagner, and drawn by Ian Gibson, was funny and satirical with a distinct cartoonish quality. On Verdus, everything was done by robots. There was a robot parliament, occupied by deranged and moronic MPs, like the Stupid Parties, which existed solely to provide comic amusement to the planet’s true leader, Big Brain. There was a robot archbishop and chief rabbi, demanding rights for Sims as God’s creatures. The robot armies included stereotypical ‘Colonel Blimp’ generals, while members of the robot constabulary in Robopoly, a robot board game, where also corrupt and brutal, following several real police scandals of the time. There were also robot singers and TV stars, like Frankie Droid, and Valve Doonican, a pastiche of the Irish singer, Val Doonican, who had his own show on British television at the time.

In the last couple of decades, a number of computer entrepreneurs and SF writers have predicted that eventually, everything will have computers chips in and so be computer controlled. The Robohunter strip also depicted that possibility, but gave it its own, twisted slant. In the page below, Slade and his diminutive sidekick, Kidd, on the run from the robots break into an apartment. Once inside, they find that everything, from the kettle, to footwear and furniture, is a robot.

Robohunter Pic 1

What makes this interesting, and extremely funny, is that all these machines have their own personalities. They talk and argue. They discuss whether Slade and Kidd are really human, or just Sims, and then decide to put it to the vote whether they should turn them in or not.

This is absolutely unlike the real robot hotel. For all the talk about Artificial Intelligence, the machines there aren’t really sentient. They respond in a very limited way to a set of instructions. These may be verbal or keyed in. Unlike the fictional machines, there is no ‘I’, no sense of self lurking within the chips and circuit boards. And no real understanding of what they’re doing either. It’s just one set of circuits responding to a certain stimulus according to its programme or wiring. They’re moving mannequins, rather than the artificial people of SF.

So instead of the robotic maniacs of Verdus, what is instead presented is something far more like the antiseptic, alienated futures of Stanley Kubrick’s SF films. In 2001 everything is gleaming white, clean, and sterile. People speak, but don’t actually communicate or really say anything much at all. And that was deliberate. Clarke had told Kubrick that he had trouble writing dialogue for the movie. Kubrick told him not to worry. He liked it stilted, as he saw the people in this future as brittle and alienated. They had reached a high stage of technological sophistication but had little human warmth or empathy in their social interactions themselves. Critics have commented that the only real personality in the movie is that of Hal, the murderous computer.

The programme’s presented states that the increasing use of robots in Japan is driven by the need to cut labour costs. I dare say that’s part of it, but not quite what has been said elsewhere. Japan actually has a labour shortage, partly caused by a falling birth rate and strongly traditional attitudes against women in the workplace. As a result, there’s been campaigns not only to introduce robots into Japanese industry, but also to humanise them, to get the other, human members of the workforce to accept them as a fellow being, rather than just a machine.

And for all the country’s immense technological sophistication and ingenuity, it’s actually extremely reluctant to implement mechanisation itself as comprehensively as its competitors in the West have done. Way back in the 1990s I read a book on Japan written by a Times journalist. The author stated that while in the West were used to computer checkouts, if you went into a Japanese shop or the post office, the clerk there would be using old fashioned ledgers. The Japanese had worked out that if they fully automated their industry, it would put half their workers out of a job. And the actual numbers of robots in Japan may well be colossally exaggerated. Geoff Simons in his book Robots: The Question for Living Machines, states that most of the what the Japanese call robots are what in the west are viewed as machine tools. The impression I have is that the Japanese love robots, but want to introduce them as an addition to the human workers, not as a replacement.

The film shows the journalist enjoying the robot actors and dancers at a carnival or nightclub. Alongside some machines, are people dressed as robots, playing at them. This strikes me as what visitors to a robot hotel would really want from the experience – real humans alongside the machines, and the machines themselves to be more like personalities than just simple automatic mechanisms. The danger there is that if you did give robots personalities, you run the risk of creating miserable robots like the eternally depressed Marvin, the Paranoid Android. He was a ‘personality prototype’. ‘You can tell, can’t you?’ as he himself put it.

I’ve no doubt that the ruthless logic of capitalism means that there’ll be more of these hotels in the future. I think there’s already another like it in Los Angeles. But in the meantime I think human-run premises probably offer a better service. At least they have real cooks, rather than vending machines.

Danish Amateur Rocketeers Aim for Space

November 19, 2015

This is truly awesome! It’s a VICE documentary I found on Youtube about Copenhagen Suborbitals, a non-profit organisation formed by two Danish guys, Kristian von Bengtson and Peter Madsen, who are building their own spacecraft to carry a person on a sub-orbital spaceflight.

You probably won’t be surprised to learn that both have a background as professional rocket engineers. Bengtson used to work for NASA, while his partner, Peter Madsen, also has a background in rocket science. Bengtson got in touch with Madsen after Madsen built and launched his own submarine, the Nautilus, and stated that he’d like to go back to rockets.

Their spacecraft, Beautiful Betty, is built from off the shelf components, like domestic boilers. The rocket uses ethanol as its fuel, and LOX, liquid oxygen, to oxidise it to make it combust. At the time the film was posted in 2012 Bengtson and Madsen were still experimenting with crash test dummies rather than risking a human life. My guess is that they haven’t progressed beyond that, as if they had finally launched someone into space, even in a very short suborbital flight, it would most likely have been all over the news. Bengtson, Madsen and their team would have been celebrities.

The two also encourage others to copy them, in order to show that it doesn’t have to be massive corporations with extremely expensive launchers getting into space. Bengtson says at the end that people are welcome to join them, or copy the details of the spacecraft from their blog and go off and make their own spacecraft.

Here’s the programme:

This is truly inspiring. I strongly believe that the only way spaceflight will ever truly become a mass enterprise, will be when ordinary people have the opportunity to experience space. When the High Frontier is no longer the sole preserve of giant aerospace companies and national or international organisations, like NASA and ESA. When its more like the mass popular migration into space depicted by Ray Bradbury in his classic collection of short stories, The Martian Chronicles. Without, hopefully, the pessimism about human civilisation and it destructive effects contained in Bradbury’s book. In The Martian Chronicles the human settlers destroy the indigenous Martians, and then their civilisation collapses after a nuclear war destroys all life on Earth, or at least humanity there.

Now rocketry, even at the level of Copenhagen Suborbital, is very advanced engineering. Nevertheless, there’s a very large amateur rocketry milieu around the world. These range from hobbyists, who make and launch model rockets that travel only a few hundred feet up, to some extremely serious rocketeers. One year a group sent a 45 foot minuteman missile into orbit.

One of the issues that might strangle the popular, amateur exploration of space is domestic terrorism. In Britain, research into rockets and their use as spacecraft was seriously hampered by the Victorian legislation, nicknamed ‘the fireworks act’, which made it illegal for amateurs to manufacture explosives. The law was passed as a response to bombings by Irish nationalists. Unfortunately, as well as helping to prevent terrorism, it stopped the various early British amateurs from experimenting, though there were a number of rocket societies which developed in the 1920s. Out of them grew the British Interplanetary Society, which is still going today. It still publishes serious papers on rocketry and space science, as well as more popular coverage of spaceflight. Among its members are the late Arthur C. Clarke, and Matt Irvine, who was one of the special effects team building the models for the cult BBC SF series, Blake’s 7.

The legislation regulating the manufacture of explosives is quite correct. These are highly dangerous materials. Apart from anything else, there’s always the danger of accidents, quite apart from the renewed terrorist threat from ISIS and al-Qaeda much earlier. Even in America, which has much less strict firearms regulations, serious rocketeers have to obtain suitable certificates and permits from the Federal Aviation Authority.

Nevertheless, these Danish guys are showing what you can do with skill and ingenuity without the budget of the big space combines. The motto of the British Interplanetary Society is ‘From Imagination to Reality’ – and they’re doing it!
Godspeed, guys!

Vox Political: Time to End the Work Capability Assessment

February 12, 2015

Mike over at Vox Political wrote this piece, Shouldn’t we call time on the Work Capability Assessment? reporting and commenting on an article by Bernadette Meaden of Ekklesia attacking the work capability assessment. He writes

On the day Mrs Mike was at first supposed to take a new Work Capability Assessment, then told it was cancelled (then received a letter confirming this – and then this writer attended the centre to make sure), Ekklesia has published a piece by Bernadette Meaden asking whether there’s any point to the process at all.

She writes: “It’s important to remember that these assessments are not a ‘medical’, as the public may believe. They are officially described as a ‘functional assessment’: they assess people as if they are machines, to see which bits are working and which bits aren’t. They disregard many medical symptoms such as pain and exhaustion, which is why people who are obviously seriously ill can be assessed as ‘fit to work’, why so many people appeal their decision, and why the government’s own expert adviser, Professor Malcolm Harrington, once described the WCA as ‘mechanistic and inhumane’.

“Not all the people who have been through a WCA will have been given a face-to-face assessment. Some will have received a decision based on their completion of the lengthy and complex ESA50 form, and supplementary information they have supplied. But for all who have been assessed, whether face to face or via bureaucracy, it will have been an added stress at a time when they may be coming to terms with a life-limiting diagnosis, or going through unpleasant treatment.

“To have your doctor say you are unfit to work, but to have the decision as to whether you will receive support in the hands of a medically unqualified DWP Decision Maker is not conducive to anyone’s health.”

He also reports the findings of Nick Dilworth, of iLegal, that under the new, even tougher Work Capability Assessment, fewer people have in fact been found fit for work. He suggests, however, that this is just a lull before Maximus takes over.

Mike makes the point that the estimates of the number of people being found fit for work are notoriously unreliable, as the DWP plays very fast and loose with the stats. And the Department is also extremely treacherous with clients. He tells his recent experience going with his partner, Mrs Mike, to hospital after she was told that she had to attend a Work Capability Assessment. Only to be told, in turn, when he rang up the hospital, that she wasn’t actually booked for one. He went to the hospital just to make sure. Many of Mike’s commenters have had a similar experience, but in reverse: they were sanctioned for not attending Work Capability Assessment, about which they weren’t actually told. Mike asks the obvious question of how much stress incidents like his have caused to disabled people, who weren’t lucky to have able-bodied carers?

And he makes it very clear that it’s time the WCA was repealed and replaced with something else, as also recommended by Bernadette Meaden and New Approach, an organisation to which Nick Dilworth belongs.

The Work Capability Assessment: A Prize Piece of Pseudoscience

Earlier this week I blogged on a piece by George Berger on DPAC’s site, describing the origin of the welfare to work philosophy by Gordon Waddell and Mansel Aylward for Unum, the giant American insurance fraudster. Berger notes that Waddell’s idea – that sick people were somehow malingering and adopting a role, which made their condition worse, was methodologically complete rubbish. It was also strongly influenced by Behaviourism, a school of psychology set up by B.W. Skinner in the 1920s. Mike’s article and Bernadette Meaden’s comments about the way the Work Capability Test treats people as machines, and disregards medical symptoms such as pain and exhaustion, is very much in line with the Behaviourists’ approach to the human mind.

The Behaviourists had a very reductive attitude to the mind: they didn’t believe in it. They didn’t like the concept of the mind, because it involved subjective experiences, which they didn’t believe could be part of objective science, because you can’t properly, objectively quantify them. It was the Behaviourists who developed the concept of conditioning, in which you could control an individual’s environment or stimuli, to alter his mind and behaviour. This resulted in the development of the Skinner box. this was a box in which pigeons were kept, and their environment totally controlled by the experiment, so as to condition the pigeon. In his utopian novel, Walden 2, Skinner developed his fantasy of a complete society populated by well-adjusted people, who had spent years in Skinner boxes.

The Simpsons sent up Skinner’s ideas in an episode, where one of the characters decides they want to give their wealth to fund a worthy project. A mad psychiatrist comes along, asking for the money so he can buy an orphan to stick into such a total environment. It’s a Skinner Box in all but name. When asked if this will benefit the child, the mad scientist says, ‘No, it’ll send him nuts’.


Just how nasty the Behaviourists could be is shown in their treatment of ‘Little Albert’. To show how you could condition children through negative stimuli, they trained a toddler to be terrified of feather boas by giving him an electric shock every time he saw one.

The depictions of the brainwashing of political dissidents by the Federation in the BBC’s classic SF series, Blake’s 7, is partly based on the Behaviourists’ theories of conditioning. It’s also partly influenced, of course, by the Soviet Union’s abuse of psychiatry, which was revealed by Solzhenitsyn amongst other dissidents.

Behaviourism has now been discredited as a school of psychiatry. George Berger and others have also repeatedly shown that the Work Capability Test is also pseudoscience. It’s about time it was recognised as such, and thrown out.
– Along with this vile government that persists in using it.