More Sketches of Geniuses of British Comedy: Bob Monkhouse, Rod Hull, Emu, and their Victim Michael Parkinson

Bob Monkhouse is, in my opinion, one of the very great figures of late 20th century and early 21st century British comedy. He was not just a comedian, but also game show compering some of the nation’s favourite shows. I can remember him from the early or mid ’70s compering The Golden Shot, for those that can remember that far back. The contestants had to give instructions to blindfolded marksman, Bernie the Bolt to get him to aim a crossbow at a target. If he got it, they won the prize money. I can still hear the words, ‘Up a bit, left a bit…’ and so on. I don’t know if Monkhouse took over from someone else, but there are clips of it on YouTube with a Black presenter with a broad Yorkshire accent. Later on, in the 1980s he presented Family Fortunes. He was asked in one interview what the worse moment from the show was. He replied that it was when one contestant kept replying to each question, ‘Christmas turkey?’ This led to exchanges like ‘What item would you take to the beach on holiday?’ ‘A Christmas turkey’. ‘Interesting answer. We’ll see. Our survey said. -‘ and then the buzzer to indicate that the people surveyed definitely had not replied that they would take a Christmas turkey to the beach’. Monkhouse asked the poor fellow afterwards what happened. He said that he didn’t know, his mind just went blank. In the ’90s or early years of this century he started to come back after a period when he was off camera. I think this followed an appearance on Have I Got News For You, where he displayed his wit. Actually, I think he had scriptwriters with him handing him gags, or perhaps I’m confusing him with another comedian and entertainer whose career was revived by the show.

Monkhouse began his career away from the camera, writing jokes for other comedians and children’s comics. In an interview with the popular science magazine, Focus, he recalled how he nearly created Star Trek. He had been a science fiction fan, and so had an idea about a spaceship, called ‘Enterprise’, whose captain was a Scotsman called Kirk. Ah, that would have been interesting. He also gave praise to the other comedians he believed deserved it for their skill. One on series about various TV comedians, he described Jimmy Carr as ‘the comedians’ comedian’. But that phrase could also easily describe him. He was acutely interested in other comedians and the craft of comedy itself. In the 1980s he had his own show at about 7.30 in the evening, in which he interviewed comedians he admired from Britain and America. One of them, if I recall rightly, was our own Les Dawson. His house was also full of old film and clips of past comedians. He died of prostate cancer a few years. After his death one of the TV channels broadcast his farewell show, with commenters from other comedians. They said they didn’t realise how terribly ill Monkhouse was at the time, and that he was saying ‘goodbye’ to them. Another great comedian lost to us.

Rod Hull and Emu – another brilliant comedy act taken from us by the Grim Reaper. Hull said he was inspired to create Emu while watching a nature programme in New Zealand. This may have shown the country’s national bird, the Kiwi, another flightless bird rooting around on the forest floor. Or it may have shown Australia’s great flightless bird, the emu. Either way, the bird inspired Hull to create this avian monster of children’s television. It was the most terrifying puppet not to come out of Jim Henson’s Creature Shop, though some cruel individuals may detect a certain resemblance to the villainous Skeksis in the film The Dark Crystal. Whatever its inspiration, Emus temperament was more like the 12-foot carnivorous Terror Birds that lived after the demise of the dinosaurs. Hull and Emu had a variety of children’s programmes. I remember him from E.B.C. 1 – ‘Emu’s Broadcasting Company’ with Billy Dainty on BBC 1, and then he moved over to ITV and Emu’s World. On E.B.C., Hull and Emu attempt to perform pieces from the Bard, complete with Emu wearing an Elizabeth cap. I also remember a recurring segment where Dainty, another great performer in his own right, dressed in Edward strongman long johns, tried to give advice on getting fit. This was introduced by the 20th Jazz song, ‘Keep fit, take exercise, get fit, and you’ll be wise, whatever you do, keep fit’. The music that introduced the Shakespeare segment, I later found out, was the 16th century German Mohrentanz, played on shawms and crumhorns. Emus also did weather forecasts, which were introduced by the jingle, ‘Weather, weather, all together, what’s it going to do? We don’t know, and so let’s ask, weatherman Emu.’ In addition to his own programmes, he also appeared as a guest on others, most notorious on Parkinson.

Emu’s style of comedy was pure, anarchic slapstick, whether he was on his own programmes or a guest on a chat show. These performances usually started off calmly, with Hull talking quietly and the puppet behaving itself on his arm. If they were being interviewed, Emu would act docile, snuggling up to the interviewer to be stroked. ‘There, he likes that’, Hull would say approvingly. Then it would start to go wrong, the beak would curl up in a snarl and before long Hull, his guest star or the interviewer would be savagely attacked by the thing’s beak, all with Hull screaming, ‘No, Emu! No!’ This would often end up with the three struggling on the floor while the set collapsed around them in a heap of overturned furniture. Emu was a force of pure chaos, bringing down televisual order. And hilariously funny. But it wasn’t all laughs. I can remember my grandmother telling me I was not to get like him with the sock puppets I made, as Hull had admitted he couldn’t control it. I don’t know if that was true, or another reworking of the old fear about ventriloquists and their dummies. I think Emu was also like Sherlock Holmes as the artist’s creation its creator would like to kill off and move away from but couldn’t because of the characters’ immense popularity. Hull himself was sadly taken from us in a domestic accident. He fell off his roof trying to fix his TV aerial.

I couldn’t sketch Rod Hull and the monstrous bird without also including his most famous victim, the chat show host Michael Parkinson. Parkinson’s show, simply called Parkinson, was one of the mainstays of British television. Parkinson interviewed a number of great and famous stars, like Oliver Reed and Mohammed Ali. And then he had the misfortune to interview, and get assaulted, by Emu. This incident has gone down as a piece of broadcasting history. It became so notorious that it was included in a skit in Private Eye commemorating Parkinson being given an honorary degree or doctorate from one of the universities. Whenever a celebrity, actor, sportsman or whoever, is awarded one of these honorary qualifications, the Eye prints a piece celebrating it in Latin, with the title ‘The …. Laudation In Full’. The Latin is easily understood, recognisable from the Latin vocabular in English. The Parkinson laudatio mentioned his interview with pugilist Mohammed Ali, before adding ‘assaultam cum Emu, avis horribilis. Ave, Emu, salutamus Emu, laudamus Emu’. Or words to that effect. Parkinson had his revenge a few years later when he appeared on Room 101. Parkinson naturally wanted Emu to be consigned to the room containing everything rubbish and terrible in the world. He was obliged when Emu was brought on in a miniature guillotine. Parkinson naturally threw the switch or pulled out the block, and one of children’s television’s most comically terrifying puppets was beheaded, with Parkinson shaking his head as if he couldn’t quite work out whether this was appropriate or not.

Explaining Simon Webb: History, Race and the Manipulation of History

Several of the great commenters on this blog have questioned why I have put up so many pieces about Simon Webb. Gillyflowerblog in particular asked how anyone, who called himself a socialist, could follow Webb in some of his assertions. It’s a fair question, and deserves an answer. Webb is a Torygraph-reading man of the right. He is staunchly opposed to immigration and multiculturalism, which he regards as destroying traditional British culture. He believes that racial differences in IQ are real and based in genetics, citing scientific papers showing that Black people have more of the genetic markers for schizophrenia than Whites. I’ve no doubt that this is true, but schizophrenia is not intelligence. Furthermore, a greater biological inclination to schizophrenia does not necessarily rule out environmental factors. A mentally vulnerable person may remain psychologically well in the absence of emotional stresses that could drive them over the edge. If there are more Black people needing treatment for psychological problems, it may be because of the particular stresses faced by the Black community, such as poverty, greater unemployment, lower educational and career prospects, racism and the destruction of the Black family and the violent drug gangs operating in many Black communities.

Genetic Basis for Racial IQ Differences Questionable, If Not Disproven

He also believes, almost needless to say, in the bell-curve nonsense, in which Blacks are genetically less intelligent than White, who are genetically not as bright as Asians. In fact Thomas Sowell, who talks favourably about the book, has demolished some of its arguments. There’s no difference in average intelligence between Whites and Asians. The tests that showed it used out of date and biased IQ tests, which skewed the results. However, Asians peoples like the Chinese and Japanese do perform above the level of Whites with the same IQ score. As for Blacks, the average Black IQ is 85, but this is the same or actually better than many White groups when they started IQ testing. Jews, who are now judged one of the most intelligent sections of society, also had the same IQ level, as did various peoples from southern and south-eastern Europe. Their IQs have risen, and so the unspoken implication is that there is no reason why Black IQs shouldn’t. Individual Blacks may score extremely highly. One example is a nine year old Black girl, who had an IQ of 160-80 on one set of tests, and something very close or above 200 on another. Black children raised with White families, such as the mixed race children of German civilians and Black American troopers in the army of occupation after the First World War, had the same IQs as Whites. There are cultural and environmental factors behind the lagging Black IQ, it seems, rather than genes. Although even if there is genetic cause, Black educational performance can still be raised simply by improving teaching methods.

Causes of Economic and Political Crises in African Countries after Independence

Webb has also published videos looking back to a year in the 60s when he claims everybody was talking about repatriation and discussing the decline of South Africa after the abolition of apartheid, and the collapse of Zimbabwe in starvation and dictatorship under Black majority rule. To be fair, this is part of a general trend in African nations after they gain independence. Sowell talks about this in Conquests and Cultures, showing that in all too many cases the economies of the newly independent colonies declines, sometimes catastrophically. This is because the indigenous Africans who take over don’t have the cultural capital and technical skill to run these countries. Sowell has also argued in various videos that the collapse of democracy in many of these nations and their descent into dictatorships is because they haven’t had time during the period of White rule to absorb properly the conqueror’s democratic institutions and traditions. This is probably true, but I’m not sure how much democracy there was in practice when these nations were under the rule of colonial governors. And Webb’s videos on South Africa and Zimbabwe look like nostalgia for White rule and the social order in these countries when Blacks were inferior and knew their place.

He appears also to be a small government Conservative, who says he wouldn’t vote for either Labour or the Conservatives, and laments their supposedly high-spending policies. He is sceptical of the rise of mental illness and the number of people claiming disability for it, presumably feeling, like so many of the right do, that these people should just pull themselves together. Until, of course, it happens to them or the people in their class. Then it’s different.

Webb and Black History

But Webb’s specific focus is on history and debunking what he considers to be historical falsehoods. These are, almost totally, those of Black history. But I do wonder if Webb wasn’t at one time an idealistic anti-racist. I think he’s said that at one time he may have had a Black girlfriend, and among his friends are a number of Black ladies, whom he’s helping home school their children. He’s put up pictures of himself surround by Black children, so I don’t believe he’s racist in his personal relationships. He’s also no anti-Semite, and has posted a number of videos attacking anti-Semitic conspiracy theories such as the lie that the Jews are responsible for mass non-White immigration in order to destroy the White race. One of his most recent videos examines the origins of anti-Semitism. He also defends Israel and its claim to Palestine. He is also not an opponent of Islam as a religion. Another video he posted has as its title the description of Christianity and Islam as two aspects of a single jewel. He states that when he was home schooling his daughter, he took her to various places of worship, including a mosque. All this drives the Nazis and anti-Semites who comment on his videos right up the wall as they call for him to join Patriotic Alternative. Or suggest that he must be Jewish himself, or promoting their propaganda.

As to whatever made him like he is now, I wonder if it was simply the pressure of living in one of the deprived, Black majority areas of London. He seems to know places like Haringey extremely well, talking about how murders were extremely common there at one time as well as the problems caused when one of the local police forces declared they weren’t going to arrest people for cannabis possession. This, he states, resulted in drug dealers running up to people’s cars and banging on the roofs to get attention. If this did happen, along with the other problems of crime and violence, then perhaps seeing the very worst aspects of parts of the Black community eroded all the youthful idealism and anti-racism.

He has published videos denying that some of the great African cultures should properly be regarded as civilisations, because they had no written language, philosophy or science. They are not monuments to Black achievement in his eyes, because very many of them were based on the culture of Arab colonists. And the various histories of Black inventions are riddled with lies and appropriate the scientific achievements of Whites.

Genuinely Great and Forgotten Figures of British Black History

He wasn’t always quite so focused on race. An early video simply discusses the reasons the British shelled their cities during the Second World War. Another video asks whether the Victorians really were all that racist, citing as an example an Indian rajah who became a Tory MP. This could easily be a legitimate part of the Black history activists wish to be taught in schools. Much of this is about rediscovering and reclaiming lost Black historical figures. The classic example is the nurse Mary Seacole, but others include the son of a British planter and a Caribbean slave, who had a glittering political career and ended up as the Lord Lieutenant of one of the Welsh counties. This gentleman was the subject of a BBC Radio 4 programme a few years ago, though I’m afraid I’ve since forgotten his name. But those interested might be able to find him by Googling.

The Great Civilisations of Black Africa

As for Black African civilisations, it’s true that many were culturally influenced from elsewhere. The ancient Sudanese, for example, took over much of ancient Egyptian culture, including the use of hieroglyphs. These people invaded the Land of the Nile several times to claim the throne as pharaohs, before eventually being overthrown in their turn and expelled. They built pyramid monuments for their dead, and were a literate culture. Unfortunately their language was not related to any that have survived today, and there is no Rosetta Stone giving their ancient texts in their language and those which are known, thus allowing the language to deciphered. Scholars are therefore in the frustrating situation of being able to read their inscriptions, but have no idea what they say. We’re faced with a similar situation regarding the ancient civilisation of Meroe, also in that part of Africa.

Many of the great civilisations of Africa were part of the Islamic world. These included Mali in West Africa, and the Swahili in what is now Tanzania. I think their written language was Arabic, in the same way that medieval European civilisations used Latin as the language of religion, government, philosophy, history and science. But that doesn’t detract from their achievements or the sophistication of these cultures. Medieval books from the library of Timbuktu’s madrassa shows that the scholars there were copying and studying scientific texts from the wider Muslim world. One Black historian presenting a programme on Black African civilisation showed such a book. This had a diagram, which she was told showed that Muslims in the region knew that the Earth went round the sun. That’s entirely possible. One of the ancient Greek scholars presented an alternative to the geocentric universe of Ptolemy, in which the Earth did revolve around the sun. But all the other planets still revolved around the Earth. In east Africa, the Amharic, Tigrinya and Tigre languages in Ethiopia are based on the south Arabian language introduced by settlers from that part of Arabia. But even if that part of modern Ethiopian culture isn’t indigenous to the continent, it still doesn’t detract from the achievements of Ethiopian civilisation.

All Civilisations Advance by Borrowing from Each Other

Back again to Thomas Sowell, who states very clearly that cultures across the world borrow from each other. Europeans, for example, adopted gunpowder and paper from China and the numbers system, wrongly called Arabic, from India. Europe was able to rise because of its geography. The east-west nature of the Eurasian landmass meant that inventions in one part of it, such as China or the Middle East, could easily pass to other parts. Thus Europe was able to benefit by adopting and improving on inventions produced by other peoples. Africa lagged behind because it was cut off from the rest of the world by oceans on three sides and the Sahara desert on the north. There were few navigable rivers, so that trade and communication was difficult, unlike in western Europe, where there were many so trade, and hence industrialisation and economic development was easier, along with the passage of ideas and culture. Africa also suffered from highly variable rainfall, which can make agriculture and sailing on the navigable rivers difficult. In some places the soil is unsuited to agriculture, thus making it suitable only as pasturage for nomadic peoples, who are able to move on to better, more fertile land after it becomes exhausted. And the disease environment makes it unsuitable for pack and draught animals, unlike Europe. Goods therefore have to be carried by porters, which is much more expensive than horse or river transport. This also limits the value of goods that may be transported. Because these high costs, only very valuable goods could thus be transported across land. Which probably explains why Africa’s exports tended to be gold, ivory and slaves. Africa was held back, not by any lack of intelligence by its people, but simply because of the isolation created by its physical environment, just as nations and countries elsewhere were similarly aided or held back in their social and economic development by the same geographical factors, even if they were on other continents.

Also, some of the cultures that did not have a written literature could nevertheless be extremely sophisticated. I read somewhere that in one of the African city states, members of it aristocracy would engage in a ceremony in which they would perform a ritual dance accompanied by music. At various intervals they were expected to stop, and point to one of the city’s 17 shrines. If they didn’t point accurately, it would bring disgrace. But Webb is right in that Europeans took some time before they recognised some of the states as civilisations, not just from cultural prejudice but because of the differences between African and European ideas of civilisation. For example, several of the cities Europeans believed were the capitals of these kingdoms weren’t centres of government in the European sense. They were religious centres, which might be abandoned for most of the year.

Falsehoods and Mythmaking in Black History

But if some of his history is wrong or questionable, I think he has a point with others. There are problems with the accuracy of part of Black history writing. This can be seen at some of its most extreme in Afrocentric literature. This can range from claims that are controversial, but which can nevertheless be defended, to racist fabrications. At its heart, Afrocentrism holds that ancient Egypt was a Black civilisation and that it laid the basis for subsequent western culture. It’s a fair question whether the Egyptians were Black. They certainly depicted the men as reddish brown in colour and the women as yellow, in contrast to Europeans, who were painted pink. Herodotus describes them as Black. As for their influence on European culture, Basil Davidson in one his books states that he took the view because this is what the Greeks and Romans believed. On the other hand, the ancient Egyptians also show Caucasian heritage and the Greeks seem to have taken much of their mathematical and scientific knowledge from the ancient near east, and particularly Phrygia in what is now Turkey. However, some Afrocentrists have gone on to argue that ancient Egypt also conquered the rest of Black Africa, where they were responsible for all its peoples’ cultural achievements, and that the original peoples of Britain, China and just about everywhere else were also Black, based on long discredited 19th century White writers.

And there are severe questions about other Black history writing. Webb put up a video last week criticising the claim that the phrase ‘the real McCoy’ was based on a 19th century Black engineer, citing Brewer’s History of Phrase and Fable. I’ve come across the same assertion in a book Black Pioneers of Science and Invention. This also claimed that the refrigerator was also a Black invention and that open heart surgery was invented by a Black doctor over here during the Second World War. This man performed an emergency operation on a man injured during the Blitz. Webb denies that he invented the operation, but states that he was the first to perform it in Britain. Which is still a proud achievement. Not as spectacular as inventing it, but still very impressive.

Mary Seacole – No Nurse, But Pioneering Black Female Entrepreneur

And then there’s the matter of Mary Seacole. For many Blacks, she was a pioneer of modern nursing equal to Florence Nightingale. To her detractors, she was a businesswoman who went to the Crimea to open a hotel for the British officers. She may have done a bit of nursing on the side, but that wasn’t the real purpose of her time there. Webb sides with the latter view, citing her autobiography. And again, I think he’s right. But that doesn’t mean that Seacole should be written off as a lost Black historical heroine. Even if she wasn’t a nurse, she’s still important as an entrepreneur. For Black Conservatives like Sowell, what Blacks need is not state handouts, but to develop the entrepreneurial skills to enable them to allow them to rise economically and socially, as other ethnic groups like the Jews, Chinese, and Japanese have also done. You don’t have to be a Conservative opponent of state aid and the welfare state to adopt such a view. The motion put before Bristol city council the other year by the Labour deputy mayor Asher Craig and Green party councillor Cleo Lake for the payment of reparations for slavery wanted such monies to be given to Black organisations to develop self-reliant and sustainable prosperous Black communities. Which entails encouraging and supporting Black entrepreneurs in those communities.

Invented and Exaggerated History A Response to Continued Racism and Exclusion

In many ways I’m not surprised that various Black writers have made exaggerated claims for Black civilisations and Black inventiveness. They aren’t alone in appropriating great figures from other ethnic groups. Mussolini, for example, claimed that Shakespeare was Italian. Well, some of the Bard’s plays, like Two Gentlemen of Verona and Romeo and Juliet are set in Italy, but I think this may partly reflect the dominance of Italian renaissance culture. Some of the claims about historic Black communities in Britain, which present them as far larger and more numerous than they probably were, seem to me to be an attempt to assert their right to live in this country in the face of still being regarded as somehow foreign and not really belonging. I’ve met Black people, who do feel like that. They were ordinary people with White friends, and not angry radicals. And the promotion of Black cultures and civilisations as sophisticated and advanced seems to me to be partly a reaction to the previous generations of historians and academics, who dismissed them completely. It makes depressing reading going through the book Colour and Colour Prejudice by the last governor of Ghana and seeing one scholar after another make this assertion.

Black Commenters also Against Memorialisation of Violent Thugs as Victims

I also think Webb has a very serious point when he questions some of the assertions and memorialisation of Black persecution. For example, David Olasuga and Reni Edo Lodge were present at a ceremony a few years ago, where a memorial was laid at the docks in memory of Philip Wootton, who was a victim of lynching in the 1919 race riots. Except it seems from contemporary newspaper accounts that Wootton was a violent thug involved in fighting between a group of West Indian, Swedish and Russian sailors. During this a policeman was stabbed several times and there was an attempt to garrotte him. The West Indian gang shot several times at the police after fleeing back to their lodgings. Wootton attempted to escape out the backdoor, but was spotted and pursued by an angry mob towards the docks, where he slipped and fell in. This is very different from the victims of other lynchings, like young men who were killed for having a White girlfriend, or who spoke insolently to a White man.

For some Blacks, violent thugs like Wootton should definitely not be defended or promoted by the Black community. One of the Black American YouTubers got very angry and tearful about the BLM protests last week against the shooting of Tekle Sundberg. Sundberg had had some kind of episode and started shooting through his apartment wall, trying to kill a young mother and her two children. Fortunately the woman and kids were able to flee. The cops turned up and after a six hour stand-off, shot him dead. His adoptive White mother tearfully claimed that it was a racist shooting, as White perps would have had longer to comply. Meanwhile, Black Lives Matter turned up and started a protest to the justifiable fury of Sundberg’s intended victim. The Black YouTuber commenting on this angrily denounced BLM for celebrating criminals like Sundberg. This, he believed, was why everyone else looked down on Blacks.

Checking Reni Edo Lodge about Medical Experimentation on Blacks

As for Reni Edo Lodge, Webb stated that in one of her books she claims that Blacks in Britain were experimented upon and denied medical treatment. This is a serious claim and deserves to be investigated. It did happen in America. I’ve seen YouTube posts about the horrendous experimentation on pregnant Black women by a particular 19th century surgeon. In the ’90s there was outrage when government files released under the Freedom of Information Act showed that the American state had been conducting nuclear experiments on the poor and people of colour with neither their knowledge or consent. In the same decade, the American conspiracy journal, Steamshovel Press, carried an article by one man, who stated that he found Black Americans more likely to believe that AIDS was a germ warfare experiment escaped from Fort Dettrick because of the Tuskegee experiment. This was a nasty medical experiment in which a group of Black sharecroppers were infected with syphilis and denied treatment in order to investigate the disease’s spread. In return their funerals were paid for and their families looked after.

I am not aware that any similar experiments were done over here, apart from the nuclear tests on British servicemen, which wasn’t, I believe, racial. If such experiments didn’t happen, then Lodge is writing fake history. Dangerous fake history – it’s addressed to an audience that already keenly feels that British Blacks have been victimised and persecuted, and such claims only exacerbate such feelings. As if the terrible conditions in many Black communities aren’t bad enough already without inventing even more abuse and discrimination. That’s why I wrote to Lodge’s agent last week requesting Lodge to state where she got these claims from. If she can support them with government documents or properly researched secondary literature, well and good. I’ll support her claims. But if she can’t, then she’s manufacturing false history and in doing so actually making race relations worse.

Conclusion

This is why I’m interested in some of Webb’s videos. History is important, which is why there is so much interest now in Black history. It’s an attempt to recover forgotten Black politicians, nobles, writers and inventors in order to provide role models for contemporary Blacks, in the hope that this will inspire them to do better at school, and in the outside world.

But this has to be good, truthful history, whoever writes it. Otherwise, even if it’s being written with the best of intentions, it’s just propaganda. And that’s wrong, whether done by Whites, Blacks or whoever.

Vandal Attacks BBC Statue Because of Colston Verdict

This evening, a man climbed up to a ledge on the front of Broadcasting House, the Beeb’s HQ, and started to attack the statue of Ariel by Eric Gill. Someone took film of him smashing the statue’s feet with a hammer, and it’s been widely posted and reposted by right-wingers over YouTube. The man was David Chick, and there’s a phone call from him on the channel of someone rejoicing in the monicker ‘Tyrant Finder UK’. Chick and the Tyrant Finder are both men, who can’t utter a sentence without using the F-bomb nor other foul language, but in the phone call Chick makes it clear that he’s attacking the statue because Gill was a paedophile. Indeed he was. During his life he professed to be the model of Roman Catholic piety as a tertiary Franciscan. After his death it was discovered that not only did he rape his two daughters but also the family dog. But Chick also seems to have done it out of anger for the acquittal of the Colston Four. And he’s being applauded by people, who similarly believe, or seem to believe, that the BBC is promoting child abuse with the statue and who are also angry at the Bristol verdict. The attitude seems to be that if the woke can tear down statues, then so can they.

Mad right-wing Youtuber Alex Belfield was one of those who put up an approving video of the attack earlier this evening. He has his own grievances against the Corporation. He claims he was forced out of the Beeb because he’s a poor White kid from a pit estate and not one of the middle class, Guardian reading, university educated Naga Manchushy types, as he calls them. He also has some kind of personal feud with various broadcasters, like Jeremy Vine. He frequently rants against the Beeb demanding its privatisation and the Eric Gill statue is one of the weapon he uses in the attacks. He criticises the Corporation for keeping the statue on its facade, which he seems to claim shows the indifference to child abuse which allowed Jimmy Savile to carry on with his predations unstopped.

Gill certainly was a vile human being, and some of his art does pose a genuine moral problem. A few years ago Victoria Coren discussed him in her documentary, How to Be a Bohemian, which traced the history of bohemianism from 19th century Paris and the Romantics to Britain, the Bloomsbury Group, the Bright Young Things and today’s London and its drag queens. Gill was one of the Bohemians she discussed. She was particularly upset at a bas relief Gill had made of a nude girl. I can’t remember what the sculpture’s official title was, but Gill called it ‘F*cking’. The girl in it was his 15 year old daughter, whom he was abusing at the time. Victoria Coren was talking to a female art expert about the sculpture and the unsettling questions it raised. The expert denied that this was a problem with a comparison to W.B. Yeats and his poetry. Nobody, she declared, objects to Yeats’ poetry because he was a Fascist. Coren replied that they did, and she was particularly unhappy about it. As her father, Alan Coren, was Jewish, it’s very easy to understand why Victoria Coren would have deep misgivings about the poet. It must be said, though, that Yeats was only a Fascist for a short time. If I remember correctly, this was c.1919. He later left them and was very critical about them.

I’m sure most people would be unhappy at Gill’s sculpture of his nude daughter, and would have very strong moral questions against its display. But it isn’t the Ariel statue. And there is still a need to separate the artist from the art. Many of the greatest figures in the arts, literature and science were vile people, or had loathsome views, like Dickens, for example. He’s undoubtedly one of the greatest writers in the English language, but he fully supported General Eyre and his brutal suppression of the Morant Bay rebellion by former slaves on Jamaica. But that in no way invalidates his work, in the same way that Orwell pointed out that Hamlet isn’t diminished by the fact that Shakespeare left his wife his second best bed. I also don’t think you can quite compare the Ariel statue to that of Edward Colston. The Ariel statue is of a character from Shakespeare, used as a kind of mascot by the Corporation. It is not a monument to someone who was a slaver, even if he did give most of his money away in charity.

Those defending and applauding the attacker are wrong on another point. They seem to believe that Colston’s Four’s acquittal has somehow become a precedent, which they can use to defend their attacks. But this isn’t the case. Jury trials, according to Adam Wagner, a lawyer on the Net, don’t set precedents, so Chick could still find it difficult to defend himself if he’s arrested.

I’m deeply unhappy about cultural vandalism regardless of who’s doing it. The attack on Colston’s statue is understandable given that it’s been a subject of controversy and demands for its removal for decades. And now it seems the right have also decided that they are entitled to attack any statues they find offensive, and I’m afraid that this will kick off more vandalism rather than reduce it.

I don’t deny that there’s a good case for taking some statues down, but I don’t support violent attacks on public art, regardless of whether it comes from the right or left. And I think Belfield’s attacks on the Beeb’s statue largely come from his own personal feud with the corporation and the Conservative’s demands for the Beeb’s privatisation and its replacement by a private broadcaster. This hostility partly comes from the Tories’ deep ideological objection to nationalised industries, their loyalty to Rupert Murdoch and his shoddy empire and their hatred of the Beeb because, once upon a time, it used to hold them to account. Some of us can still remember the time Michael Heseltine stormed off Newsnight, tossing his mane after a grilling by Paxman.

Britain’s statues are now threatened not just by the woke left, but by a vengeful, intolerant Conservative right using the outrage it has generated against the offending statue as part of its campaign to silence its critics.

History Debunked on Diversity Working for Black Representation Against Asians

I’ve put up a number of videos from Simon Webb’s History Debunked channel on YouTube. Webb’s an author of a string of history books and a Torygraph-reading right-winger. He specialises in tackling the gross historical distortions and myths that are now being promoted as trustworthy Black history. He’s also, you won’t be surprised to read, an opponent of immigration and affirmative action. I think his videos criticising Black history are largely accurate, though as with anything else on the net you should also check it, and your well advised to take some of his other views with more than a little scepticism. But in the video below he seems to make a good point regarding the over-emphasis on promoting Black film and talent at the expense of other ethnic minorities. It’s shown in the forthcoming Beeb adaptation of Around the World in 80 Days.

Webb argues that Blacks are actually overrepresented in the media compared to their numbers as a percentage of the British population. The total BAME population of Britain is 15 per cent, with Blacks accounting for 3 per cent. But if you look on television or film, you find a much larger proportion of Black actors, performers and presenters and relatively fewer Asian faces. It seems that when it comes to ‘diversity’ and the promotion of non-White talent, in practice this means Blacks. This is shown in the way the Beeb has swapped the races of the leading characters in their version of Jules Verne’s classic yarn. Phileas Fogg remains White, but his servant, Passepartout has been made Black. The love interest is a White woman. But in the book she’s Indian, as apparently having two non-White lead characters would be too much.

It’s a very long time since I read the book, and I can’t remember very much about it, though I’ve got the film version on DVD. Assuming that what he says is right, and the leading lady in the book is Indian, I would have thought that made the story diverse enough without messing around with the other characters. Not so, apparently. Webb speculates that this emphasis on Black talent possibly comes from the TV companies’ need to sell to America, where Blacks constitute a much higher proportion of the population at 13 per cent. I think he has a point. A few months ago a Black actor or director appeared in the I calling for more parts for Black actors otherwise they would leave Britain and go to America. And it certainly seems to me that there are more opportunities for Black actors over the pond. It might also come from Blacks being rather more integrated into the western entertainment business. In America, people were listening to Black music, like Scott Joplin’s Rags since before the Jazz age. Over here, I think the pioneers were the Fisk Jubilee Singers, Americans who made a tour of Britain before the Second World War. And White Brits also listened to Caribbean calypsos before the emergence of Rock and Roll and such great performers as Little Richard, James Brown, Motown and so on. Despite the claims of racism in the music industry, which led to the establishment of the MOBOs as a set of separate music awards for Black artists, it really isn’t at all remarkable to see Black singers and musicians in the charts. In fact, I’d say it would be more remarkable if there weren’t any.

The same with drama. There are a number of Black Shakespearian thesps – Josette Simon, who played Dayna in the classic SF series Blake’s 7, had that theatrical background. I think a year or so ago Lenny Henry, who is very active promoted Black talent, appeared on stage as Hamlet. And this is apart from other plays from the classical repertoire, including those from Ancient Greece. There have also been a number of contemporary plays examining the position of Blacks in western society. I also wonder if part of the relative underrepresentation of Asians – and I am very well aware that there are Asian actors and presenters, like Anita Rani, Meera Syal, Sanjeev Bhaskar, Adil Ray – may come from that community’s general preference to choose careers other than the entertainment industry. Or at least, not the western canon. I am aware of the casting of an Asian actor, whose name I’ve forgotten, as the Master in last season’s Dr. Who, and others in Armando Iannucci’s film version of one of Dicken’s classics. But I wonder if the Asian community generally prefers to look to its own cultural traditions, like Bollywood movies and traditional Indian arts and theatre, rather than mainstream film, TV and music. There have been Asian artists and bands in the charts – Apache Indian, Corner Shop and Kula Shaker, and I remember Jaz Mann’s brief hit with Babylon Zoo in the ’90s. But there seems to be far fewer of them than Black performers.

Clearly in a White majority society, there are limited roles for Black and Asian performers, hence the demand for ‘colour blind’ casting, as actors from ethnic minorities are given the roles of White characters. I also wonder if some of the casting of Black performers for reasons of diversity isn’t part of an attempt to create work for them. I heard from academics years ago that there’s actually only work for a 1/4 of the drama students who graduate everywhere. I think if this was not tackled, it would be particularly acute for Black performers. And so to avoid another furore about racism and for the other reasons discussed, the entertainment industry is deliberately casting Black performers in greater proportion than they are as part of the general British population.

This forced diversity is unpopular with White right-wingers like Webb and Belfield, but it is a problem when it serves to discriminate against Asians. And that needs to be tackled, like any other form of racism.

Helen Pluckrose on Combating Postmodernism and Critical Race Theory on GB News

As Zelo Street and others have pointed out, GB News appears to be heading down the tubes fast. Andrew Neil has departed and viewing figures continue to be dire, despite the broadcaster taking on Nigel Farage. They have tried and failed to entice Piers Morgan to join them, and are considering taking on Ann Widdecombe and Martin Daubney, both from the Brexit party, and the Conservative blogger Mahyar Tousi. The Street points out this is hardly likely to inspire more people to start watching, as Widdecombe is a joke and Daubney ‘a dishonest whacko’. The channel also seems to be losing younger staff, who wanted it to be a mainstream channel with a right-wing slant not the British equivalent of Faux News. These employees are particularly upset that GB News has been discussing culture war topics. I have to say that I’m in two minds about the channel’s demise. I’m not particularly unhappy that the right-wing alternative to the ‘woke, wet’ BBC looks like it’s in terminal decline. On the other hand, it is providing a valuable service by tackling the culture war and issues like Critical Race Theory and the trans ideology. At the moment its one of the very few people willing to broadcast interviews with Graham Linehan, the writer of Father Ted, the IT Crowd, Big Train and co-creator of Black Books, and allow him to explain why the trans ideology is so dangerous and harmful. Much of the media is determined to deny him and other gender critical activists space, or smear them as ‘TERFS’ and transphobes. It similarly appears to be one of the few British broadcasters willing to interview Helen Pluckrose, a feminist scholar who is a bitter critic of Postmodern ideologies like Queer Theory, which underpins the trans movement, and Critical Race Theory. Yesterday I found this video of an interview of Pluckrose by presenter Andrew Doyle.

Pluckrose’s background is in medieval literature. She first became alerted to the damage Postmodernism was doing to genuine academic research and scholarship when she was studying 14th century women’s religious writing. She was interested in how medieval women used the Christian narrative to empower themselves. However, her approach conflicted with that of her supervisors, who wished to see her pursue a postmodern approach to the topic. She also encountered the same opposition when trying to study Shakespeare. There is considerable interest amongst some academics in searching the Bard for racism. But she points out that the 17th century was the period when colour racism was only just emerging. Shakespeare, whom she considers to have been a Humanist with Roman Catholic elements, was behind the times. He belonged to an age when religion was still more important than race. She got into particular trouble when discussing why Desdemona was attracted to Othello. She believes it was because the Moor was a hero. She was, however, told that she couldn’t say that, because it would offend certain Black religious communities in America. So much for trying to see the past on its own terms.

As Pluckrose describes it, Postmodernism is a form of philosophy which rejects empirical science and debate in favour of viewing the world through the use of language. There is no objective truth, and what is considered knowledge is socially constructed, expressing and maintaining power relationships. Hence western science is fundamentally about maintaining the social status of elite White men. It’s based on the philosophy of Foucault, although she states that Foucault would not have been a fan of what his successors have made of his theories. She discusses intersectionality, and how it sees power in terms of the privileged relationships between distinct groups. Intersectional postmodernists, for example, would see her as possessing heterosexual privilege against Doyle, who I presume is gay. At the same Doyle has male privilege over her. Critical Race Theory developed from legal scholarship and sees race relations through the same lens. As I understand it, it sees White people as privileged and racist, without exception. These new forms of Postmodernism emerged with a new generation of activist scholars in the 1980s.

She describes the real intolerance at the heart of Critical Race Theorists like Robin di Angelo and Ibrahim X. Kehindi. These two see the world purely in black and white terms. You’re either racist or anti-racist. Anti-racist means you agree with them. If you’re race neutral, you’re still racist. You’re also racist if you disagree with them. And from what I heard here, some of their doctrines seem designed to cause racism rather than cure it. In one of her wretched books, for example, di Angelo claims that White people being nice to Blacks is also a form of racism. Doyle looks astonished and says, ‘She can’t mean we must be…’ He is met with a silent, rueful nod from Pluckrose. Pluckrose goes on to describe how, when she was reading the book in which di Angelo argues this nonsense, she found herself checking herself when she met a Black woman and her little girl out walking. The little girl was lovely, and so Pluckrose smiled at her. She then started worrying about that simple gesture of ordinary humanity in case she was perpetuating racism. I realise Black people have complained about being patronised by Whites expressing friendship, but attitudes like di Angelo’s make genuine good relations between people of different races extremely difficult.

At the same time, the Postmodernists’ concern with language also causes difficulty. They don’t regard something as existing before a word was invented to describe it. Thus, despite the existence of bisexuality in ancient Greece, they don’t believe homosexuals existed until the word was coined sometime in the 19th or 20th centuries. They are also extremely fragile and do everything they can to silence their critics rather than engage with them, and react with extreme rage to any criticism. Pluckrose states that it is because they really do believe that counterarguments are a form of violence comparable to physical attack. Doyle states that he has had personal experience of this. When he was debating someone from one of the Postmodernist groups they burst into tears, complaining that by advancing his arguments Doyle somehow wished to harm them.

Pluckrose herself has founded an organisation to help people, who have become victims of this nonsense, and describes how it can be combated. She describes herself as a liberal, who wishes issues to be settled by the Enlightenment methods of science and rational debate. She wants Postmodernists to engage with liberals, who believe in individualism, science and universalism, as well as Marxists. But they won’t. She’d like there to be a conversation between trans activists and gender critical feminists, but this isn’t happening. While she’s not aligned with the extremists on either side, she is more worried about the gender critical feminists as they are being denied their right to speak. She also talks about the fundamental disagreement between the two groups. Gender critical feminists see everything as determined by biological sex. The trans activists stress gender, socially constructed sexual identity. Thus the two aren’t talking about the same thing when it comes to debate, hence part of the failure to find a common ground for agreement. When it comes to racism, she advises her viewers on the way to reply to any communications from HR departments about being put on anti-racist courses. She believes that one of the reasons Critical Race Theory has made such deep inroads is because most people genuinely don’t want to be, or to be seen to be, racist. At the same time, anti-racist activists have become more intolerant because the legislation designed to combat racism is unable to remove other forms of racism. She genuinely wants to see racism and other forms of bigotry fought, and objects to Critical Race Theory and Postmodernism because it is actually extremely poor at doing so. She advises her viewers that if they get any messages about anti-racism training from their employer, they are to reply congratulating them about doing something to tackle racism. However, they are to follow this up with other messages asking for assurances that this training will not require Whites and Blacks to feel a particularly way. In the case of Whites, this is guilt for their institutional privilege and racism, and in the case of Blacks, to feel they are victims of White privilege and racism.

This is important, as the BBC, NHS, Oxfam and various big companies have all bought into Critical Race Theory, while it also seems supported by left-wing newspapers like the Guardian. Oxfam and the NHS have demanded their workers fill questionnaires about how they see White privilege, for example. And some of those promoting Critical Race Theory could themselves be seen as racist. They discuss Priyamvada Gopal, a professor of colonial and post-colonial literature at Oxbridge. Gopal talks much about ‘Whiteness’, but its clear that sometimes she’s not talking about ‘Whiteness’ but about White people. A few months ago she tweeted that ‘White lives have no value’ adding underneath ‘as White lives’. They state that she maintains she wasn’t being racist, but she would have been well aware how her comments would have been interpreted. At one level, Critical Race Theory’s assumption that all Whites are racist is nothing new. My mother was told she had to be racist back in the 1980s by a group of anti-racism activists sent in to her school. She must be racist, she was told, because she was White and middle class. This says volumes about the unacknowledged racism of these activists.

Postmodern doctrines like Critical Race Theory are seriously damaging real scholarship while at the same time propagating their own forms of racism and intolerance. Pluckrose and her fellows are to be applauded for doing what they can to combat them. And while GB News really is a terrible right-wing broadcaster, it is actually doing immense good by providing an opportunity for the critics of such irrationality and intolerance to speak.

Quinn Looks at the Rave Reviews for Dune

Here’s a bit of fun to kick off Sunday. Quinn, the man behind the aptly named ‘Quinn’s Ideas’, is a Black American SF/comics writer and creator. He has a taste in classic SF tales of star-spanning galactic empires extending over centuries and millennia, intelligent stories that are part of the tradition of SF as ‘the literature of ideas’. Books like Asimov’s Foundation series, Dan Simmon’s Hyperion and especially, Frank Herbert’s Dune. Dune has now been adapted by Denis Villeneuve, the French-Canadian director behind Blade Runner 2049 and Arrival. Dune opens in America the end of October. I think it might the 20th, but I’m not sure. However, the critics have seen it, and the reviews are in. They rave about it!

Quinn wonders if his audience can tell that he can hardly contain his excitement. Well, it is noticeable. He’s almost shaking with joy and expectation. The critics have loved the film, including the musical score by Hans Zimmer. Amongst the praise, one critics compares it to the moment audiences first saw 2001: A Space Odyssey and Star Wars. This is high praise indeed! 2001 has dated, but it still one of the great SF films of all time. I was a junior school kid when I first saw Star War, and it completely blew me away. Michael Frayn, the literature professor and broadcaster, said in an interview about his favourite movies that he saw it, and the first moments immediately seized and amazed you. This was the moment the star destroyer appeared in pursuit of the princess Leia’s rebel ship. It appeared and grew and continued growing.

Quinn hopes the film lives up to this hype, as he wants it to be remembered as the cinematic version of Dune, not the 1980s David Lynch version. This took liberties with the book. One of these was the portrayal of Baron Vladimir Harkonnen. He was presented as a stupid, screaming madman. As Quinn says, the Dune miniseries was much better, although it had a much lower budget and the costumes were ridiculous. I have to differ from him here. I do agree with him that the Dune miniseries is an excellent adaptation, especially in the portrayal of the Baron. He’s closer to the character in the book, camp, but intelligent, subtle and cunning. I don’t know about the book, but the miniseries made him a kind of Shakespearean villain. He hated the Atreides because of the way that House looked down upon his family for generations. It recalled the line from King Lear where Edmund rants about how he is marginalised and excluded because he is a bastard, and so excluded from the throne. The Baron in the miniseries also versifies, celebrating his coming victories in rhyming couplets or haikus. Where I disagree is that I don’t think the costumes are ridiculous. I think the costume designer took his inspiration partly from 16th century Europe, shown in the uniform of the emperor’s Sardaukar shock troops, and also east Asia. The Harkonnen armour looks very much like it was inspired by Japanese samurai. Of course, it’s space age version of sixteenth century and Japanese armour and fashions. The costume of the guild ambassadors with their curiously curved headgear looks like it was inspired by some of the weird hats in Moebius, such as the one worn by his hero Arzach. I do, however, dislike the Fremen costume. I realise this is supposed to be clothes worn by harassed, persecuted desert-dwellers, but it’s tough rough and crude. The traditional clothes worn by modern desert peoples, like the Bedouin, are of much better quality even though these peoples may also be poor. I also found the miniseries’ version of the still suits, which collects the characters waste fluids from sweat, urine and faeces, and reprocesses them into drinkable water so that they can survive in the desert, disappointing. But then I don’t think they could ever match up to the stylish suits in the David Lynch movie.

I’m really looking forward to the new Dune movie, and hope to see it at the movies here, lockdown permitting. The trailers look superb and selected critics, including Quinn himself, were invited to special screenings of the first ten minutes of the movie. This massively impressed them. I’m a fan of both David Lynch’s Dune, which I consider to be a flawed masterpiece, and the miniseries. But I really hope Villeneuve’s version lives up to the hype. As Quinn’s commenters point out, what impresses the critics and the ordinary person in the auditorium are two different things. Blade Runner 2049 impressed the critics, but audience were much less impressed. It may be the same with his Dune, though I sincerely hope not. Any way, here’s the video he posted, so judge for yourself from his comments.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.

Alex Belfield Defending Boris to Attack BBC

Alex Belfield is an internet radio host and Youtuber. He’s a ragin Conservative, and so a large number of his videos are attacks on left-wing broadcasters and critics of the government, like Owen Jones, James O’Brien and Piers Morgan. He has also attacked Sadiq Khan, immigration, especially the asylum-seekers floating over on flimsy craft from Calais, and the recent moves to expand diversity in broadcasting. This includes Diversity’s dance routine about Black Lives Matter the Saturday before last on Britain’s Got Talent. Another frequent target of his attacks in the BBC, and at the weekend he decided to join the Conservative papers trying to get sympathy for Boris Johnson.

According to an article in Saturday’s Times, BoJob has been whining about how hard it is for him on £150,000. Not only has he been through a messy divorce, but he’s also trying to support four of his six children. I thought he himself didn’t know how many children he had. And how is it he’s only supporting four, not all of them? The article claims he’s overburdened – which is also strange. I’ve put up a piece on Russian gulag slang terms which could describe him. One of them is mankirovant, which means ‘shirker’. Because he seems to be off on his hols whenever it suits, unlike other Prime Ministers. Unlike other PMs, he also dodges working at weekends and turning up at Cobra meetings. He has, apparently, taken a cut in income and, oh, the hardship!, has to buy his own food.

Mike has put up a piece in which he, and the folks on Twitter, tear into our clown PM and give him all the sympathy he deserves: which is precisely zero. They point out that Boris’ salary is still five times more than the median wage and that people on ESA are, if they’re over 25, on less £4,000 a year. By any standard, Boris is still filthy rich.

See: https://voxpoliticalonline.com/2020/09/19/poorboris-uk-citizens-give-what-sympathy-they-can-to-pm-complaining-about-money/

Belfield crawled out from under whichever Tory rock he hides under to try and defend Boris. Ah, but he has to pay all the expenses required of him now that he is prime minister. Mike points out that he has a fair few those paid by the state. His current residence, No. 10, is provided by the state gratis. Also, Boris wanted the job. This isn’t like the Roman Empire, where the rich were forced to perform ‘liturgy’. This was a list held by the local authorities of everyone, who could afford to do some kind of public service to the state. This went from acting as a kind of clerk recording and filing people’s tax returns, to membership of the ordo or local council. If you were saddled with that, it meant that you had to make whatever shortfall there was between public expenditure and tax revenue up out of your own money. The pagan Roman emperors used it as one of the punishments they inflicted on Christians, apart from torturing them to death in the arena. Neither the Queen, Duke of Edinburgh, Sadiq Khan or anyone else suddenly leapt upon Boris and dragged him off to be prime minister. No-one forced him to start plotting to be head of the Tory party. He wasn’t corrupted by Cassius, as Brutus was in Shakespeare’s Julius Caesar. And neither Cameron or Gove, the two Boris betrayed, were Julius Caesar. Although both of them, like Boris, thought they should ‘bestride the earth like a colossus’.

Boris chose the job himself. But people on ESA and low incomes don’t choose them. They’ve had them foisted upon them by exploitative employers and a government determined to make ordinary, working people an impoverished, cowed, an easily disposable workforce.

As for the expense of having a nanny and providing for his children, well, the Tories, as Mike and his peeps have pointed out, stopped child benefit after two sprogs. The argument from the right for a long time has been that people should only have children they can afford to support. Not bad advice, actually. But it has led to the Tories and New Labour demonising those they consider as bad parents. Like Gordon Brown ranting about how ‘feckless’ they were. In the words of the old adage, ‘if you can’t feed ’em, don’t breed ’em’. But this was all right when applied to the hoi polloi. But when it hits the upper classes, somehow we’re expected to cry tears over them.

Belfield also tried defending Boris by pointing out that his salary was much less than those in many industries, including entertainment and television. And then, almost predictably, he started attacking the Beeb for the inflated pay it awards presenters like Gary Linaker. Linaker’s another of Belfield’s bete noirs. Linaker has made various left-wing remarks on Twitter and has said he’ll take into his house some of the asylum seekers coming across from France. Which has sent Tories like Belfield into a fearful bate, as Molesworth used to sa.

Now the pay earned by prime ministers is lower than many of those in industry. It always has been. I can remember under Thatcher or Major there were various Tory MPs whining about how much they earned. They demanded more, much more, to boost their pay up to that of private businessmen and senior managers. The argument was that they should be paid this money, as otherwise talented professionals would go into business instead, where their talents would be properly remunerated.

It’s another argument that didn’t go down well, not least because however poorly MPs are paid, they’re still paid far more than ordinary peeps. And for a long time they weren’t paid. Payment of MPs was a 19th century reform. Indeed, it was one of the six demanded by the Chartists. Many of the Conservatives responded by giving the money to charity. I think part of the reason politicians’ pay has remained comparatively low for so long is the ethos of public service. You are meant to want to enter politics because you are serious about serving your country and its great people. You are not meant to do so because you see it as a lucrative source of income. It’s an attitude that comes ultimately from the Stoic philosophers of the ancient world and Christian theologians like St. Augustine. It became the ethos of the public schools in the 19th century through the reforms of Arnold Bennet at Rugby. Boris therefore deserves no sympathy on that score.

Now I actually do agree with Belfield that some presenters at the Beeb are grossly overpaid. But it’s not just presenters. Private Eye has run story after story in their media section reporting how production staff and the ordinary journos in the news department, who actually do the hard work of putting programmes and news reports together, have been the victims of mass sackings and cut budgerts. At the same time, executive pay has increased and the number of managers with various non-jobs have proliferated. There is, apparently, someone presiding over a department with title ‘Just Do It!’ These departments are entangled and seem to overlap, much like the Nazi administrative system. Yes, I know, another gratuitous example of Godwin’s Law. But sometimes you just can’t help yourself.

The problem is, it’s not just the Beeb. They’re just following in the tracks of business elsewhere. Here ordinary workers have been massively laid off, forced to take pay cuts and freezes, while senior executives have seen their pay bloated astronomically. The Beeb is no different from them.

And watch carefully: Belfield isn’t telling you how much leading journos and broadcasters are paid elsewhere. Like in the media empire belonging to a certain R. Murdoch, now resident in America.

The argument used by presenters like John Humphries, for example, is that they are paid what they are worth. The argument goes that if the Beeb doesn’t pay them what they want, they can go and take their talent elsewhere, and the Beeb’s competitors will. Or at least, that’s how I understand it.

But you aren’t being told how much the presenters over at Sky are on. Or indeed, what kind of pay Murdoch and his senior staff at News International trouser. And you won’t, because that could be more than a mite embarrassing. Especially as Murdoch’s British operation is registered offshore in order to avoid paying British corporation tax.

But Murdoch, and Belfield are attacking the Beeb because the Tories hate the idea of state broadcasting and its mandated ethos of impartiality. Mind you, the rampant shilling by the Corporation on behalf of the Tories and their savage, flagrantly biased attacks on Jeremy Corbyn and Labour showed that they don’t too. The Tories have also been taking Murdoch’s coin in corporate donations. From Thatcher onwards, right-wing governments – and that includes New Labour – signed a Faustian pact with Murdoch. They gave him larger and larger shares of British media and allowed him to dictate policy, in return for which Murdoch gave them publicity in his sordid empire of ordure.

That’s the real reason Belfield’s attacking the BBC.

Murdoch wants to get rid of state-funded competition and step in himself as the major broadcaster. And if he does so, you can expect nothing except propaganda and lies, which will we keep you poor and the elite even more obscenely rich.

Just like Boris Johnson and the Tories, despite his moans of poverty.

Argentina Pulls Out of Friendly with Israel Due to Move to Jerusalem

Yet another short video, this time from that noted pro-Arab, Islamist propaganda mouthpiece, Al-Jazeera. Or it is in the minds of American Republicans and the Islamophobic ‘counterjihad’ movement, like the EDL and Pegida.

Argentina was due to play a friendly with Israel, but pulled out after the venue for the match was changed from Haifa to Jerusalem under pressure from the Palestinians. Jibril Rajoub, the head of the Palestinian Football Association, states that this was in response to the Israelis politicising the match. They had said that it was part of the celebrations for the 70th anniversary of the founding of Israel, and the 51st anniversary of the ‘liberation’ of Jerusalem.

Netanyahu is supposed to have phoned the Argentinian president, Maurizio Macri to try to get him to change the team’s mind, but he replied that it wasn’t up to him.

Reuven Rivlin, the Israeli president, issued a statement accusing the Argentinians of politicising the match. This read

It is truly a sad day for soccer fans, including some of my grandchildren, but there are values even bigger than Messi. The politicisation in the Argentinian decision is of great concern. Even in the most difficult times we made every effort to leave considerations that are not purely about sport off the playing field, and it is a pity that the Argentina team did not manage do so on this occasion.

Al-Jazeera’s reporter Bernard Smith concludes the piece by explaining that the Israelis want to normalise Jerusalem as the nation’s capital with the international community, and this was part of their strategy. But it’s backfired this time by reminding everyone how the status of Jerusalem is far from settled.

There are a number of reasons why the Argentinians would side with the Palestinians against the Israelis on this issue. Firstly, South America has long-established links with the Levant going back to the 19th century. Many of the merchants and traders, who supplied imported goods to communities across Latin America were ‘Turks’, actually ethnic Arabs from Lebanon and Syria, which were then provinces of the Turkish Empire. Carlos Menem, the right-wing president of one of the Latin American countries a few years ago, who was embroiled in a corruption scandal, was of Lebanese descent.

It also struck me that there was a possible element of anti-Americanism in this. The Latin American intellectuals, who formed the ideology of Arielismo in the 19th century, came from Argentina. Arielismo is the literary and political critique of US imperialism in Hispanic America. It arose after the US invaded and annexed parts of Mexico, and went to war with Spain in the last years of the 19th century to seize Cuba. It’s based on an anti-colonial reading of Shakespeare’s The Tempest. Arielismo sees the peoples of Latin America as having been cast as Caliban, Prospero’s brutish assistant in the play. They have been presented as a monstrous, backward ‘other’, by the Americans, in order to justify their own imperialism towards the continent.

American and Israeli foreign policy in the Middle East is so closely enmeshed that it’s identical. Trump caused widespread outrage when he moved the location of the American embassy from Tel Aviv to Jerusalem. The refusal by the Argentinian team to play there may also be partly an attack on Trump and the Americans for doing so.

Also, I read in a review of a book on Israel’s activities supporting the Fascist dictators in South America in Lobster, that the Israeli secret agencies had acted as an American proxies in the parts of the continent where it would be dangerous for the Americans themselves to operate.

If this is correct, then the Argentinians’ decision isn’t just about Israel, but a wider condemnation of American colonialism and imperialism, of which Israel has been a part.

Brian Blessed Talks about his Role as Boss Nass in Star Wars Prequels

In this clip I found on YouTube, the mighty Brian Blessed is interviewed by host Jaime Stangroom about his role as the amphibian alien king, Boss Nass of the Naboo, in Star Wars: The Phantom Menace. Stangroom opens the interview by declaring that Blessed is a British institution. Or belongs in one, referring to the great man’s over the top personality. He notes that among his other achievement, he’s the oldest man to go to the South Pole and has climbed Mt. Everest.

It seems George Lucas was quite a fan of his. Before they started filming, Lucas asked to be alone with Brian for about half an hour. He said he wanted to cast him as Jedi, but that he would be too powerful for such a role. What other role could he cast which would be more suitable for his energies? Quick as a flash, Blessed’s agent, who surely deserves their fee, suggested Boss Nass.

The scene where Nass finally offers peace between the Naboo and humans was unscripted. The crowd surrounding Nass were to kneel or stand respectfully towards him, waiting for him to make a pronouncement. But Nass’ lines hadn’t been written and it was left to the Dynamite Kid to make them up. Which he did. He made the characteristic noises, before making his pronouncement of peace between human and amphibian. Lucas was delighted, and said that was exactly what was in his mind.

Stangroom asked the inevitable question about what he thought of Jar Jar Binks. Blessed, like the professional actor he really is, is very careful in his reply. He states that it’s always dangerous to criticise another actor’s interpretation. He just says that you have to make sure that the noises the Naboo characters make do not overshadow the spoken lines, as you can lose a lot of plot that way. He then gives a demonstration from his own performance as Boss Nass to show how he avoided that problem.

Rather more entertaining is his tale of talking to the actor, who was unveiled as the true face of Darth Vader/Anakin Skywalker in last of the original trilogy, The Return of the Jedi. The actor, who played him had been a big star in the 1940s, but was now quite elderly, or at least when Blessed talked to him. He remembered that he’d been in a film, where they took a mask off him. He had a bit of a struggle remembering who he’d played, until it came to him: Darth Vader. Blessed was astonished. ‘You played Darth Vader! You don’t know how big that character is!’ before going on to explain how massively popular Vader was and how everyone wanted to play him. The actor replied by saying, ‘Well, they only gave me a little wage.’

Blessed’s got a reputation as something of a bit of a ham, thanks to his powerful personality. Well, as Fritz Leiber, who was the son of Shakespearian actors wrote in A Spectre is Haunting Texas, ‘All actors are hams and secretly love it’. But the interview reveals that behind the shouting there’s a very thoughtful mind that carefully considers what to say and what to put into the performance.

He’s also very left-wing. Blessed himself is working class, the son of a northern miner. When he did a one-man show back in the 1990s, He described going to the peace conferences in the 1950s. At one of these he found himself sitting next to a foreign gentleman. He asked who he was. ‘Picasso’, the stranger replied. ‘Oh yes, what do you do?’ ‘I’m an artist’. So Blessed asked him if he could draw something for him. So Picasso drew a picture of a dove on a bit of paper hankie Blessed had at the time. Of course, Picasso drew it in his extremely simplified, modernist style. When Blessed got home and looked at it, he declared it was ‘rubbish’, and that Picasso wasn’t an artist at all, and threw it in the bin. Thus throwing away potentially thousands of pounds.

Blessed for a long time said that he wanted to play Dr. Who. I think that time is long past, as he’s rather too old now. And the job of the new Doctor is already taken, and he’s the wrong gender. But he has appeared in the show. He was in the Colin Baker ‘Trial of a Timelord’ serial ‘Mindwarp’, in which he played an alien samurai warrior battling the evil Mentors, and the alien supercapitalist Sil.

Oh yes, and while Han was killed in the last Star Wars sequel, we can always take comfort in that Gordon’s Alive !