I’ve blogged about Mahyar Tousi before. He’s a British Asian YouTuber with very right-wing views, a true-blue Tory Brexiteer of pretty much the same hard right views as the Lotus Eaters. But today he said something interesting about Iran. The country’s been rocked for several months now by protests and demonstrations celebrating women and freedom against the theocracy. This was spurred after the appalling death in police custody of a young woman, who’d been arrested for not wearing a hijab, or not wearing one properly. Iran’s a great, ancient and highly civilised country, and its young people have taken to the streets. According to Tousi, the protesters are demanding the the republication of its constitution before the Islamic Revolution of 1979 and the installation of the Crown Prince, the son of the last Shah, as the head of state. I think Tousi himself is Iranian, as he talks about how the country was a constitutional monarchy and had a bill of rights thousands of years ago. Well, the Shah was a tyrant who tortured, imprisoned and murdered his political enemies, but yes, ancient Persia did boast of its justice. In one of his monuments, Cyrus the Great or perhaps Xerxes wrote, ‘It is not my will that the strong oppress the weak. It is not my will that the weak oppress the strong.’ I’ve also come across papers on the web arguing that Persian women had full equality with men and citing instances where ladies led armies into battle.
And the democrats seem to be winning. Or at least have got the mullahs seriously rattled. So rattled that the head of state transferred $4 billion to his bank account in Venezuela. It looks like the mullahs are preparing to scarper over there if they get toppled, just as the remaining Nazis fled to Argentina and South America following the defeat of the Third Reich.
But he also mixes this up with conspiracy theory. Like Alex Jones and people like Godfrey Bloom, he spouts about the secret machinations of the globalists. In this instance, he claims that Iran’s protests are anti-globalist. The late Ayatollah Khomeini was installed by the CIA and other American secret agencies because the Shah was becoming an equal player and threatening their dominance. They also wanted to support the Islamic Revolutionaries in order to prevent them being supported by the Soviets, and so the Russians gaining the new regime’s support and goodwill. This lasted all of a day until the Revolutionaries turned very firmly against the West. Tousi talks about the possibility that others will try and interfere in the ongoing revolution and that any western interference will be seized upon as evidence of hostility and malign intent by the mullahs. He therefore urges his viewers not to interfere and let the Iranian people free themselves.
I don’t know where Tousi got the idea that the Shah was toppled by the CIA. We studied the Iranian Revolution in Islam when I was at college in the 1980s. The evidence then was that the Americans and the rest of the world were completely unprepared for the Islamic Revolution until nearly the very last moment. The only people who knew that a revolution was coming was the Tudeh, the Iranian Communist party, and they deluded themselves that it would be a communist revolution. When it did break out, the CIA issued a report saying that the Ayatollah Khomeini would govern Iran as a peaceful, nonviolent spiritual leader like Gandhi.
If only.
My reaction is to doubt Tousi on this, as Iran is full of conspiracy theories. One of these even holds that Khomeini was in reality British and his true surname was Williams, and there are even slightly blasphemous jokes about it. But it might be right. In any case, I strongly feel that Tousi is also right when he says that the Iranians should be left free to make their own revolution and destiny. Other Iranian dissidents, such as Shirin Ebadi, who has radically different views to Tousi, have said the same. She has attacked the Iranian regime for its oppression of Iranian workers. I’m sure both of them are right, as it was western interference in Iranian affairs – the overthrow of the last democratic Prime Minister, Mohammed Mossadegh, by Britain and the CIA, that led to the Shah’s brutal autocracy against whom the Iranians understandably revolted.
Tousi is also looking forward to the Mullah’s overthrow, because of their support for the Palestinians and Hamas. He thinks that if they go, there could be peace in the Middle East. Well, there might, but it looks like the ethnic cleansing of the Palestinians would then go unchecked.
I was saddened to learn of the death on Monday of Kevin O’Neill, one of the great British comics artists behind many of the favourite strips in 2000AD over here and DC Comics and other publishers in America. O’Neill was the co-creator, with writer Pat Mills, of the Robusters, ABC Warriors and Nemesis the Warlock strips in 2000 AD, the galaxy’s greatest comic. Robusters was about a robot disaster squad, led by Hammerstein, an old war droid, and Rojaws, a foul-mouthed sewer robot, who formed a kind of double act. The squad was owned by the dictatorial Howard Quartz, alias ‘Mr 10 Per Cent’, because after some kind of disaster, only ten per cent of him – his brain – was still human, housed in a robot body. The penalty for failure or simply upsetting the boss was destruction, and the pair were always on the verge of being pulled apart by the sadistic but thick robot bulldozer, Mekquake. ABC Warriors was a continuation of Hammerstein’s adventures, first in a world war against the Volgan Republic, and then on Mars and a far future Earth, as the leader of an elite squad of robots dedicated to fighting evil. Nemesis the Warlock was a weird sword and sorcery strip set in the far future. The surface of the Earth had become a devastated wasteland and humanity had retreated underground. Renamed Termight, short for ‘Mighty Terra’, it was a medieval society ruled by an evil order of warriors, the Terminators, that hated and feared intelligent alien. Led by their Grand Master, Torquemada, Earth regarded such aliens as demonic and waged a war of extermination against them. O’Neill’s art, which is angular and geometric, was suitably Gothic and horrific, creating a nightmare variety of alien creatures. His art was so horrific, in fact, that later, when he was working on the Green Lantern Corps, a superhero comic for DC, it put the wind up the Comics Code Authority. This had been founded in the 1950s during the moral panic over comics. It was supposed to judge whether or not a comic was suitable to be read by children. Although it was supposedly voluntary, in fact all children’s comics had to be submitted to the Authority as otherwise the mainstream newsagents over there wouldn’t carry them. The writer, Alan Moore, who also created the cult strip about a future Fascist Britain, V For Vendetta, took the unusual step of contacting the Authority. Would the comic get approved if various changes were made? No, they replied. It wasn’t the strip’s story; it was the artwork. It was totally unsuitable for children. This became something of a source of pride and amusement to O’Neill and the other creators at 2000 AD. So grim was his art that rumours started circulating that he had an occult temple in his basement and drew only at night. These were completely false. On the other hand, a fan once told his fellow 2000 AD artist, Dave Gibbons, that O’Neill’s art gave him nightmares which he could only cure by looking a Gibbons. When O’Neill wasn’t traumatising people with his serious strips, he made them laugh with Dash Descent, a parody of the old Flash Gordon serials. He also drew the Tharg’s Future Shocks strip which a court later ruled had been plagiarised by the film maker Richard Stanley for the film Hardware. This was set in a decaying city in which a scavenger in the radiation deserts finds and brings back the remains of an experimental war robot, the B.A.A.L. His artist girlfriends reassembles it and it then goes off on a frenzy of killing. Hardware is a cult film, which stands up even now, three decades after it was made. Highlights include cameo appearances by Lemmy, as a water taxi driver, and the voice of Iggy Pop as a radio announcer. It’s just a pity Stanley didn’t work out a deal with 2000 AD first. He also contributed in other, minor ways to the comic. He created the look of Tharg, the comic’s alien editor from the star Betelgeuse, and introduced the credit cards telling readers who the writer, artist and letterer were, quite against the publisher’s policy. But this allowed the people, who actually created the strips, to gain the proper recognition and respect for their work.
O’Neill left 2000 AD for work with the American comics companies. He and writer Pat Mills created Metalzoic for DC. This was another robot strip, set on a far future Earth where an ecology of robot animals had developed and taken over, and followed the adventures of a tribe of robot ape men and the human woman they had rescued. It still is one of my favourite strips, but sadly flopped, though it was later reprinted in 2000 AD. O’Neill was far more successful with the League of Extraordinary Gentlemen, written by Alan Moore. This had the idea that the great figures of 19th and early 20th century SF, Fantasy and Horror – Alan Quatermaine, the Invisible Man, Dr. Jekyll/Mr Hyde, Captain Nemo and Dorian Grey – had formed a kind of superhero group. It was filmed with Sean Connery as Quatermaine. Back to causing gleeful mayhem, O’Neill and Mills created the violent, nihilistic Marshal Law. This was an adult comic set in a near future San Francisco. Devastated by an earthquake, the city was renamed San Futuro, and plagued by warring superhero gangs. The superheroes had been created to fight in a war in South America. As a result, many of the survivors had returned to America mentally and physically scarred, some turning to violent crime. Law was the member of a small anti-superhero squad, moved by a deep hatred of superheroes. He uttered phrases like ‘They say I hate superheroes. They’re wrong. Hatred is far too bland a word for the way I feel about them’ and ‘I’m hunting heroes. I haven’t found any yet’. Mills hates superheroes and has very left-wing politics and poured that into the strip. It commented on recent developments in genetic engineering and the patenting of GMOs, insane CIA plans to overthrow Fidel Castro and other South American left-wing regimes and how America trained the sadistic torturers for the continent’s Fascist dictators. There was also an overt feminist critique of the genre and the fictional glamorisation of the real horrors of war. The Marshal’s opponents were vicious parodies of various superheroes. Despite its grim premise, it was a hilarious strip, although the humour was pitch-black. It was too much for one publisher, however, and moved from one to another. It has now been collected into a single album, although sadly without the crossover strip featuring the Marshal fighting Pinhead from Hellraiser.
Outside of comics, O’Neill apparently published his own fanzine, Just Imagine: The Journal of Film and Television Special Effects. I also remember him being credited in Starlog for designing the aliens in the Disney film, Return to Witch Mountain.
I met O’Neill extremely briefly at the UKCAC 90 comics convention, 32 years ago. From what I can remember, he was a short, slightly built chap in a T-shirt championing solidarity with Nicaragua, whose left-wing regime was under attack by the brutal Contras funded by Reagan and Thatcher. He was drawing people’s favourite characters for them on badges supplied by the convention’s organisers. But he was an amazing artist, producing very high-quality drawings in a blur of speed. There are a series of videos of him speaking at various comics conventions about Nemesis, Marshal Law and the League of Extraordinary Gentlemen, where he appears as short, jolly fellow with a great sense of humour, chortling over the daft incidents he’s experienced during his career.
In a separate interview, also on YouTube, Alan Moore commented on his art, praising him as one of the greatest British artists of all time. Moore remarks that O’Neill’s celebrated for his robots and aliens, but not for his humans. But Moore considers that he is brilliant depicter of humans as grotesques, and in that sense is one of the best artists since Hogarth. It sounds like something that should go in Private Eye’s ‘Pseud’s Corner’, but in my opinion it’s absolutely correct. Particularly as Hogarth produced sequential art himself as the kind of precursor of comics. I strongly believe that comics artists, or at least the very best, are insufficiently appreciated. I think they can be as good as serious fine artists. Way back in the 90s I submitted a piece to one of the art magazines arguing that comics artists like O’Neill and Jack Kirby were artists, whose styles meant that they should receive the same appreciation as those of the Soviet austere style, Francis Bacon and H.R. Giger. The Nemesis the Warlock strip had scenes of pure body horror. In one of the two precursor strips that launched the character, Killerwatt, Nemesis and Torquemada chase each other down the teleport wires, in which people are transported electrically similar to the telephone. At one point they have to cross the Sea of Dead Souls, a nightmare morass caused when a gooney bird, a massive mechanical bird, sat on the wires. Those unfortunate enough to be there when it happened are turned into a mass of hugely distorted body parts, such as giant feet with eyes. It resembles the scene of the ‘shunt’ in the 80s horror movie, Society, where members of America’s elite class are portrayed as predators who can twist and distort their bodies into any shape whatsoever. The Shunt is an orgy in which they melt down into a similar morass of bodies to feed off tramps and other members of the lower orders. Society’s a great film if you like that kind of ‘orror, but came out a few years after Mills and O’Neill got there first.
There have been a number of great obituaries for him at Bleedingcool and on 2000 AD’s website. These give the reactions and messages of grief and appreciation from the other comics creators. The 2000 AD page gives a full potted biography and examples of his truly amazing artwork.
RIP great man. May your art continue to shock, amaze, amuse and inspire.
Here’s another piece of socialist music I really had to put up. It’s Quilapayun – Venceremos on the Commieball channel on YouTube. The images accompanying the song simply show the late, democratically elected Marxist president, Salvador Allende, who was overthrown in the CIA-backed coup that ushered in the bloody reign of Maggie’s friend General Pinochet.
‘Veneremos’ is Spanish for ‘We shall prevail’, and the song is about how the Chilean people – peasants, soldiers, miners, women, students, employees, workers’ will prevail over fascism and sow a new land, ending with pledges to ‘fulfil’. It’s a stirring tune with overtones of Andean indigenous melodies on the panpipes. The American right and the secret state regarded Allende as a threat not only because he was a Marxist, but because he was a democratically elected Marxist. His election showed that Marxism could be genuinely popular and not imposed by force or gerrymandering, as with the Bolshevik coup that inaugurated Communist rule in Russia and the way Stalin rigged the elections and political systems in eastern Europe to foist Communist regimes on its peoples. Allende’s election threatened the image of Marxism as a threat to democracy, and so Allende had to go.
The blurb for the song on the YouTube mentions Allende’s overthrow in Pinochet’s coup that outlawed all political parties, but especially the socialist and communist ones, and gives the Spanish lyrics.
According to magazine Newspunch, recently released declassified documents reveal a plot by the CIA to install a regime in Ukraine led by the followers of Stepan Bandera, a nationalist who fought against the Soviets as a member of the SS auxiliary regiment in the country. The article, headed ‘Declassified CIA Documents Reveal Agency Plans to ‘Nazify’ Ukraine’ states
‘The U.S. has had a hand in numerous projects intent on destabilizing Ukraine’s governments including two CIA programs that attempted to install Nazi leadership in the country.
A recent declassification of over 3,800 documents by the Central Intelligence Agency has revealed it operated two major programs intent on not only destabilizing Ukraine but ‘Nazifying’ it with followers of the World War II Ukrainian Nazi leader Stepan Bandera.
The documents, which were released in 2016, said that programs, spanning over four years, provided funding and equipment for such anti-Soviet Ukrainian resistance groups as the Ukrainian Supreme Liberation Council among a host of others.
The papers gave details of the AERODYNAMIC program which intended to destabilize Ukraine, using exile Ukrainian agents in the West who were infiltrated into the Ukrainian Soviet Socialist Republic.
“The purpose of Project AERODYNAMIC is to provide for the exploitation and expansion of the anti-Soviet Ukrainian resistance for cold war and hot war purposes,” the formerly top secret document dated July 13, 1953 says of the project.
“Such groups as the Ukrainian Supreme Council of Liberation (UHVR) and its Ukrainian Insurgent Army (OUN), the Foreign Representation of the Ukrainian Supreme Council of Liberation (ZPUHVR) in Western Europe and the United States, and other organizations such as the OUN/B will be utilized,” the document continued.
The CIA documents show that under the AERODYNAMIC program the CIA operated an affiliate project codenamed CAPACHO.
According to the Signs of the Times magazine CAPACHO “took on more of a psychological warfare operation veneer,” with the CIA setting up a propaganda company in Manhattan that “catered to printing and publishing anti-Soviet ZPUHVR literature that would be smuggled into Ukraine.”
The AERODYNAMIC and CAPACHO projects continued in operation through the Richard Nixon administration during the 1970s.’
The article also states that in 2014, former US agent Scott Rickard told Russia today that US foreign aid agencies gave $5 billion of funding to the groups protesting against former Ukrainian president Viktor Yanukovych. Yanukovych was overthrown in February 2014 after indicating he intended to move closer to Russia instead of America and the EU.
This is very much the kind of material Lobster specialises in. Newspunch describes itself as going where the mainstream fears to tread, which definitely includes anything about covert western intelligence operations like this. If this is correct, then there’s a very long history of secret western meddling in the region.
This video from Novara Media aims to set the record straight about the far right in Ukraine, refuting Putin’s lie that he is liberating the country from Fascism. Hosts Michael Walker and Aaron Bastani talk about the Maidan, or Orange Revolution, that saw the pro-Russian Ukrainian president ousted in favour of a pro-western, pro-EU candidate. The pair state that the revolution was completely democratic. Umm, possibly. In fact the revolution was overseen by Victoria Nuland for Hillary Clinton’s state department and the National Endowment for Democracy, which is the quango to which the American state delegated the job of regime change when they took it away from the CIA. Not that this means that Zelensky is an American puppet or that Putin’s invasion is at all justified. They make the point that it was a popular revolution, but that far right groups were also involved and talk about the attack on a trade union building. This was set alight, several trade unionists were shot and killed, and Nazi graffiti was scrawled on the building. However, the identity of the attackers is unknown.
The Fascist groups active in Ukraine include the followers of Stepan Bandera, who fought for the Nazis as an SS auxiliary during World War II before turning against the Nazis. The Ukrainian authorities caused outrage a few years ago when they honoured him as a national hero. His followers today also wear SS auxiliary uniforms. Then there’s the infamous Azov Battalion, whose uniform includes the SS ‘wolfsangel’ badge and who have been active fighting the Russian separatists in the east. Walker and Bastani state that they try to recruit western Fascists, and the film includes a brief interview with a Swedish Nazi who joined them. They’ve also turned up in this country to try and gather the bigoted and stupid here. They rocked up at one of the neo-Nazi demonstrations a few years ago along with a group of Italian Fascisti. The Azov Battalion run a Fascist summer camp for children, shots of which show school age kids doing exercises and learning to shoot. They also have a very slick recruitment video. This shows them marching about, ready to defend the fatherland with a voiceover boasting about their patriotic values and ending with ‘Join us’. Also in this toxic stew is the Right Sector. There are interviews with various members of these horrendous groups, who say, among other things, how attractive the idea of ‘one nation’, but deny that everyone in these organisations is a Fascist. One high-ranking member successfully sued a journalist for calling him a Nazi, despite the fact that Nazi ideology is very much what their wretched rants sound like. The video includes a clip of one of their leaders at rally ranting from a stage about homosexuality. It’s unnatural, and being promoted by a certain racial group. Gosh! I wonder who he could mean? Yeah, it’s the old Fascist anti-Semitism. Years ago The Young Turks discussed these bonkers Nazi conspiracy theories. Ben Mankiewicz, one of their guests, responded to them by saying that if there is a Jewish conspiracy, nobody told him. I’ve seen other videos attacking various anti-Semitic conspiracy theories in which other Jews and people of Jewish descent have said the same thing. And if the Jews were so keen to promote it, why does Miriam Margolyes need to work with an organisation for gay Jews dedicated to challenging prejudice in the Jewish community? I’m not saying that Jews are any more prejudiced against gays than anyone else. I merely mention it to show how stupid and wrong the accusation that they’re pushing homosexuality is.
Bastani and Walker state that Zelensky himself is a political moderate and Jewish. As for these Nazis, the most they got at an election was 10 per cent of the vote. That’s a lot, but not the same as Jobbik in Hungary, which got 20 per cent. From this high point their share of the vote has declined to 2 per cent. This is roughly the normal proportion of votes gained by Fascist groups across Europe, including the BNP and NF in this country. Under normal circumstances, Fascists aren’t popular. The problem in Ukraine is that these scumbags have been taken up and formed links with members of the political elite, including a judge. The Azov Battalion has also been merged with the Ukrainian army, which has led its apologists to claim that it’s no longer a Fascist organisation. Fuelling support for the far right is the decline in living standards. Over the last 30 years the Ukrainian population has shrunk by 8 – 10 million, and the life expectancy is now what it was in the 1960s. I have a feeling that’s another consequence of the collapse of communism. My guess is that the dismantlement of the Communist economy and its replacement with capitalism has led to the same kind of poverty, unemployment and the closure of businesses and factories that has occurred elsewhere in the former Communist bloc. Just as Yeltsin’s wholesale privatisations in Russia resulted in the complete meltdown of the Russian economy. Putin’s popularity among ordinary Russians is partly based on his restoration of economic stability after the chaos the old drunk caused. And I understand that depopulation has also been a factor in the rise of the Nazi right in Germany. According to an online conversation with a German anti-fascist posted by left vlogger Kevin Logan, the former east Germany has been hit particularly hard with the transition to capitalism. Many of the former country’s industries and businesses have been unable to compete, and so have closed down. As a result, whole towns and villages have been abandoned as their people have moved away to seek employment elsewhere. When you have an economic crisis like that, people start looking around for a scapegoat, and Fascism provides it in the shape of immigrants and Jews.
I also think that whatever popularity Fascism has is also partly due to its claim to be a third political alternative against socialism and capitalism. Communism failed, capitalism isn’t living up to its promise and so some may turn to Fascism as an alternative.
Walker and Bastani also point out that there are other political groups fighting the Russians, including anarchists, so it isn’t true that the Fascists are the only people defending the country apart from the regular army. They also make it clear that they feel that the regular Ukrainian deserves its support from the West. It’s just that this should not be given to the Azov Battalion and the rest of the Fascists.
I went to a brilliant Zoom meeting Thursday night. It was a talk about some of the weird myths surrounding the Beatles. This included the conspiracy theory that John Lennon was assassinated by the CIA, and that his killer had been brainwashed using MK-Ultra mind control techniques as a ‘Manchurian candidate’. Other myths are that Paul McCartney had died in 1966 and been replaced by a double. I can’t remember the double’s name, but he came third in a Beatles lookalike competition. There was a similar myth about George Harrison, which claimed that he had died in the early ’70s of cancer. The source from this was a mad American woman, who believed his spirit was still hanging around in the astral plane somewhere giving her telepathic messages. Like the Macca myths, there were also supposed to be clues in on the covers of his albums. One showed him as the only person in colour in a posed scene that strongly resembled Leonardo’s painting of the Last Supper. Another had him as some kind of ascended being in the sky looking down on Earth. The myth appears to have gained some verisimilitude because Harrison’s musical style changed radically after he left the Beatles to the extent that he lost many of his former fans. Hence the belief that he had been died and been replaced by an imposter.
The speaker also presented a very strong argument for Ringo Starr being greatly underappreciated. Rather than a mediocre drummer, he’s actually a very skilful performer. He was deliberately headhunted and lured away from another band by McCartney and Lennon, who were also in competition with King Size Taylor and the Dominoes for his talents. The film Hard Day’s Night, made on a shoestring by Richard Lester, showed that he had real acting chops that were greater than the other Beatles. The film was instrumental in achieving the Beatles’ popularity in America. Starr has continued to make a number of movies, although Caveman, where he was constantly drunk on set due to alcoholism, does not redound to his credit. As a musician, he’s been more prolific than Paul McCartney. And then there is the pernicious rumour that he’s really Jewish. I think this is because of his surname, ‘Starr’, which is actually assumed. His original surname was ‘Starkey’. Nevertheless a website, Jew Or Not, devoted to discussing which celebs are really Jewish, gave him 80 per cent on the grounds that, although he was a gentile, he ticked the right boxes. The rumour resulted in Ringo being given police protection during a 1966 concert in Montreal with a detective squatting next to his drums because he’d received an anti-Semitic death threat.
Then there’s all the stories about backmasking and backward messages. But the speaker considered the best example of this to be on one of the songs by the 90s band the Boo Radleys. They really do have a bit of backwards music. When you play it backwards, however, what you hear is them singing the advertising jingle ‘If you like a lot of chocolate on your biscuit, join our club’. This may also be a deliberate link, as Jane Asher, a former girlfriend of Macca’s, appeared in the advert and the Boo Radleys were very much into the Beatles and would have been aware of this.
Then there are all the rumours that the Beatles never really split up, and have continued releasing songs under the guise of other bands. Some of these have sounded so much like the Beatles, that they appear in bootleg Beatles recordings. This happened to such an extent with one track that Yoko Ono, unable to find out who really made it, copyrighted it. These tracks are based on the myth that there are several unreleased Beatles’ tracks with titles like ‘Deckchair’ and ‘Pink Litmus Paper Shirt’. In fact this is based on a spoof article written in the early 1970s by a journo at the music magazine Disc. He made the songs up, which really didn’t exist, and then reviewed them as if they did. ‘Deckchair’ was supposed to be Macca, and ‘Pink Litmus Paper Shirt’ was a piece of psychedelia by John Lennon. But this has led to bands releasing tracks with those titles, such as a weird piece by the very weird band Strange Turn,and he played a couple of them. I’ve found them on YouTube. Have a listen for yourself. They’re actually good songs and so much in the Beatles’ style that it’s totally understandable how some people have come to believe that the first, at least, really was by the Fab Four.
First the fake song:
Now Strange Turn’s take on the title. A comment to the song by Secrettimewarp adds the following information: ”Pink Litmus Paper Shirt’ was a fake song title devised by Beatle fan Martin Lewis (along with “Colliding Circles”). This is just that old favorite ‘Peace of Mind’, a demo by the Pretty Things.’
Now for Strange Turn’s piece with the same title:
I actually like Strange Turn’s track and think it’s really good. And this is only a couple of the songs released by various artists with that title.
With the threat of a confrontation between NATO and the Russians in Ukraine rising daily, I felt I had to put up this video. It’s from an interesting left-wing YouTube channel, Not The Andrew Marr Show, whose host wears the spangled jackets sported by game show entertainers of a certain vintage and who interviews some very interesting people. In this video he talks to Chris Nineham of Stop the War Coalition about an article Starmer has penned in the Guardian accusing Jeremy Corbyn and the Coalition of siding with NATO’s enemies. Nineham states that this resulted in an article in the New York Times, the most right-wing of Murdoch’s newspapers, praising the Labour leader. He also states that the coalition has received masses of support over the past few days, with new members flooding in and messages backing them piling up. He feels that the majority of British people don’t want war. As for NATO, he dismisses Starmer’s statement that NATO stands for freedom and democracy as illiterate. That isn’t what the invasion of Afghanistan was about, and it wasn’t what the Iraq invasion was all about. He also makes the point that Starmer has scored a point against himself, as Starmer claims that he marched against the Iraq War. Well, I realise that was nearly 20 years ago now, and that people can and do change their opinions. I’ve certainly changed mine, as I initially supported the invasion. But now, having read more about it, I’m convinced that the Coalition were absolutely right to oppose it. Just as they are right to oppose war in Ukraine. But Starmer’s opinions seem particularly flexible. I really wonder if he has any principles at all.
Nineham also makes the point that at the end of the Cold War NATO assured Gorbachev that they wouldn’t expand up to Russia’s borders. Which was immediately broken as a the former vassal states of the Soviet empire joined. Mike’s mentioned this in his blog post about this whole affair. Russia has for a long time had a fear of encirclement, dating back at least to the Communist era. When Communism collapsed in eastern Europe, Russia wanted an agreement whereby the former Communist countries remained neutral, respected by both parties, who would guarantee their independence and security.
And there’s much more that could be said. The Maidan Revolution of ten years ago wasn’t spontaneous, but run by Killary under Barack Obama and the National Endowment for Democracy, the non-governmental organisation the US government has outsourced regime change to after taking such murky affairs out of the hands of the CIA. They wanted the previous, pro-Russian president out, and a pro-western one in. Unfortunately, such covert schemes are only covered by radical YouTube channels like The Jimmy Dore Show and online conspiracy magazines like Lobster, so they’re easy to dismiss as conspiracy theories.
Mike in his blog post has said that there is much about the western arms build up that we haven’t been told. Like the stationing of nuclear-capable weapons. I’m sure he’s absolutely right. And I think some of our generals have been planning a confrontation like this for years. Way back c. 2015/16 a senior British general wrote a book predicting war between the west and Russia in Lithuania in 2017. Mercifully that didn’t happen, but it seems the threat and the theatre of war has simply moved south, away from the Baltic.
Nineham has also said that the Coalition has been inundated by people asking for news of local demonstrations. Well, we need them, even if our leaders look like they’re going to turn a deaf ear. Because all the talk about the use of nuclear weapons in Europe absolutely terrifies me. Putin’s a thug, and I don’t want the Russians to invade Ukraine. But I don’t want to see the world turned into a radioactive cinder just because of stupid geopolitics and the monstrous egotistical desire of Johnson and Biden to be seen as strong men countering the Russian threat.
Macron has got the right idea seeking a diplomatic solution.
At the moment it looks like Johnson and Biden’s sabre-rattling brings nothing but the threat of death and carnage.
This video comes from WION, which I think is an Indian news network. The Supreme Leader of Iran, Ali Khamenei, has released a mock video on his website of Donald Trump being assassinated by a drone while playing golf. The video was produced as part of a competition to mark the American drone assassination of General Soleimani, and the Iranian president, Ebrahim Raisi has pledged to avenge his death. The Americans have responded with a statement that Iran will face dire reprisals for any attack on an American national.
This comes a few days after Iran issued a demand for Trump to be prosecuted and killed, while over the Christmas period the regime’s armed forces simulated an attack on an Israeli nuclear installation.
Readers of my blog will know what I think of Iran’s government: I despise them as ruthless, theocratic dictators. But I can’t condemn them for producing the video or calling for Trump’s prosecution. Trump was responsible for the killing of Soleimani by drone, and while I don’t think Soleimani was in any way an angel, the Americans don’t really have a counterargument if other countries use the same methods against them. As Kant said, ‘When you legislate for one, you legislate for all’. Which is why we have international law.
As for the simulated attack on an Israeli nuclear plant, again it’s immensely hypocritical for America or the Israelis to condemn it. Israeli has nuclear weapons, which is against international law but no-one seems to condemn them for it. They have launched attacks on Iranian nuclear facilities, though I think they’ve so far been with viruses rather than drones. Even so one of these attacks left a number of Iranian nuclear scientists dead. Benjamin Netanyahu and the rest have been trying to tell the world that Iran’s trying to develop nuclear weapons and we should all be very worried. The Iranians have said that, on the contrary, they’re developing it for their power industry. This is actually quite likely. Iran’s economy depends on its oil exports, and if they want to increase that then one way to do it is cut down on domestic oil consumption. Nuclear power would be a way of doing so, with the oil saved sold for export.
But I also wouldn’t blame the Iranians for developing nuclear weapons either. They’re on the list of the seven countries, whose regimes the Neo-Cons want overthrown. The same people behind the Iraq invasion and their theft of its oil and state industries are no doubt also keen to do the same to Iran. The reason America had Mossadeq, the last democratically elected prime minister of Iran overthrown in a CIA sponsored coup, was because he had nationalised the Iranian oil industry. Previously it had been owned and controlled by foreigners, principally Britain. And there is a very good reason why Iran would want to acquire nuclear capability simply for domestic safety. Bush and Blair both claimed Iraq had weapons of mass destruction, but only invaded when Saddam Hussein assured them he didn’t have nuclear weapons. This teaches any country at the receiving end of western imperialism that the only way they can protect themselves is through acquiring nuclear weapons. The Iraq invasion has encouraged nuclear proliferation, not discouraged it, and has made the world less safe.
I don’t want Trump killed in a drone strike, nor do I want him executed, although I do accept that there is a case for prosecuting him for the drone strike that killed Soleimani. Not that I don’t think that Soleimani wasn’t a butcher himself. I also don’t believe that Iran has the capability to launch any kind of drone attack against anyone in America. If they had, they wouldn’t bother putting up fake videos about it.
My guess is that Trump is perfectly safe from Iranian drone strikes. I don’t want one to happen, but I don’t blame the Iranians for dreaming about it either.
I found this grimly fascinating video on the YouTube channel for Gravitas, which I think is the news programme of the Indian WION – World Is One – network. The anchor woman considers the prediction by a Canadian academic that American democracy is in crisis and that the country will have a right-wing dictator by 2030. This will follow a period of civil disturbances in 2025. America is becoming more polarised. 64 per cent of Americans believe democracy is in crisis, according to polls, and 66 per cent of Republicans that the last election was rigged. 70 per cent of Americans also believe that democracy is failing. And 66 per cent believe that violence against the government is justified. These views explains the attack on Congress by Trump’s supporters last year, and there’s a prediction that the Orange Buffoon will return in 2024. At the same time, White nationalism is on the rise. She states that democracies dies through a deeply polarised society and distrust of government. She also claims that White supremacy is rising in the US army, aided by legislation that does not forbid squaddies from joining Fascist organisations like the Klan. She is careful to say, however, that she is not claiming soldiers are joining these organisations.
She also notes that last year America was put on a list of different nations as a ‘backsliding democracy’. If the attempted invasion of congress that occurred precisely a year ago, on 6th January 2021, had happened in west Asia (the Middle East) or Latin America, the US would, she claims, have sent in the CIA and a couple of thousand marines ‘to restore democracy’. She goes on to say that for decades, democracy has been whatever America says it is. There are many examples of this American arrogance. One report says that the US tried to topple Latin American regimes 41 times in the 20th century. The US funded juntas and plotted assassinations,. Another example is the CIA-funded overthrow of the last democratically elected prime minister of Iran, Mohammed Mossadeq, in 1953, backing the Shah. No-one asked them to do it, certainly not the Iranian people, ‘but that’s what America is for you’. America interferes because it can. It overthrew the Taliban in 2001, which was great, but their next step was to impose their presidential system on a country with more than a hundred ethnicities taking no account of tribal loyalties. The problem is the attitude that the American system suits all peoples ‘but democracy doesn’t work that way’. She concludes ‘So this prophecy of American collapse is karma, plain and simple.’
It’s a blistering attack on post-Trump division and the emerging far right in America, as well as American imperialism from the perspective of the Developing World. And she is absolutely correct. The late, long-term critic of American imperialism, William Blum, lists all the countries, whose governments the US has overthrown and in whose elections they have interfered in his books. The list and its brief descriptions of American meddling, take up two whole chapters each. America, and also Britain, did overthrow Iran’s prime minister, Mossedeq in the 1953 because he nationalised the oil industry. This was then owned and controlled by foreign companies, like BP, which employed Iranian workers on much lower wages and with poorer conditions than westerners. As for Afghanistan, the country, like others in the region, is a mosaic of different tribal and ethnic groups. It has no tradition of western-style democracy, and the president the Americans and the west back, Hamid Karzai, was massively corrupt. And the corruption reached all the way down through his regime and the new state to exploit and alienate ordinary Afghans. The result was the rapid collapse of Karzai’s government and the seizure of power by the Taliban almost as soon as American troops departed. In Iraq too George W. Bush and the other Neo-Cons had absolutely no idea about the society they had invaded and were trying to remodel. They believed the lies of Ahmed Chalabi, that he led a massive resistance movement against Hussein and that he and the American troops would be welcomed with flowers as liberators. Worse, the Neo-Cons actively resented and removed officials and senior military leaders, who attempted to tell them they were wrong. General Zilli, the head of the Middle East section of the Pentagon, was given the boot because he dared to do so.
As for the type of democracy the Americans wanted to introduce into Iraq, this was a very narrow version governed by Neo-Con doctrine. The government was to be democratic, but it was to be constitutionally prevented from interfering in business or private industry. It was democracy, but only as far as big business and American corporate interests allowed it.
As for the assertion that the collapse of American democracy and the emergence of a right-wing dictator is karma, I think left-wing political commenters like Noam Chomsky and the peeps at the radical magazine and website, Counterpunch, have said that America is suffering from imperial blowback. The tactics it has used to destabilise foreign regimes are now coming back to be used against America’s own citizens. And because of the powerful corporate influence on American politics, Harvard University several years ago described America, not as a democracy, but as an oligarchy.
There are deep divisions in current American politics between Trump’s supporters on the right, who include White supremacists, and the radical left, as shown in the rise of Black Lives Matter. Some of the BLM protests and demonstrations have degenerated into destruction and rioting, and in the most extreme example an anarchist community rejecting the American state emerged, only to collapse into violent anarchy in the pejorative sense and be retaken by local law enforcement. This has created a sense of crisis on the American right, while the invasion of congress looks very much like an attempted coup, comparable to Mussolini’s March on Rome. I am not surprised that many Americans feel their democracy is failing.
I don’t want American democracy to collapse. I believe that Fascism and dictatorship has to be fought everywhere in the world, and an America dominated by a dictator would be horrific, not just for the country but also for the rest of the world. American democracy needs to be supported.
It just shouldn’t impose dictatorships or its very contrived versionof democracy on everyone else.
Sufism is Islamic mysticism. It’s all about achieving a mystical union with the Almighty, and it’s organised into various orders and brotherhoods rather like western monasticism. The orders are led by a shaykh, a spiritual leader, and they use different methods of achieving the state of mystical union. Some use music, while others, like the famous Whirling Dervishes of Istanbul, revolve in a kind of mystic dance. It can be a very syncretistic form Islam, taking elements from other faiths. I found this peculiar video on YouTube from the Muhammadan Way Sufi Realities channel on YouTube. Entitled ‘Why Reptilian Jinn Posses Members of the Elite? Shapeshifters Archon Annunaki Sufi Meditation Center’, it seems to show very strongly the influence of western UFO conspiracy theories, particularly about reptoid aliens popularised by David Icke.
The shaykh in the video, who seems to be based in Los Angeles, is responding to a question about reptoids. However, he regards them not as aliens, as per Icke and the western UFO peeps, but as a particular variety of the djinn. The djinn are supernatural creatures in Islam, created by Allah out of smokeless fire. They live for many hundreds or thousands of years. Like humans, they are of different religions, so that there are Muslim, Christians and Jewish djinn, but they also have supernatural powers. Shaitan, or Satan, the Devil, is one of these djinn in Islam and not a fallen angel as in Judaism and Christianity. The shaykh answers the question by telling his followers and viewers that these reptoid djinn get sent to possess the rich and elite in what sounds like a Faustian bargain with them. This may physically affect the possessed person, with them losing their head and body hair. It is through such possessions that the Devil gains control of businesses and corporations, including the music industry. Thus the aspiring musicians that sign on to record and music companies owned and controlled by those possessed by the reptilian djinn are rewarded with audiences of tens of thousands and become immensely wealthy.
I find it interesting as it appears to be a particularly Muslim form of two conspiracy theories that have been going round the west for decades. One is the belief, formulated by David Icke, that the world’s elite, the rich and powerful, are really reptoid aliens. The other is that there is a Satanic conspiracy within the music industry, and all the stories and urban legends about various pop bands, mostly Rock and Heavy Metal, being really Satanists and including secret satanic messages, recorded backwards, on their records and CDs.
John Simpson, one of the Beeb’s foreign correspondents, wrote an excellent book on Iran a few years ago. He noted that the Iranian people, whom he loved and respected, were very inclined towards conspiracy theories. I think that probably comes from the country’s long history of authoritarian rule, first as an absolute monarchy and then as a repressive Islamic theocracy. I think it’s also the product of the vast changes the country has experienced as it made the transition from a traditional, agricultural economy to a modern, mass, industrial society accompanied by rapid westernisation. These changes caused immense social stresses and bewilderment, with the new values often in conflict with traditional attitudes and made worse by the shah’s brutal personal rule. The shah gradually assumed total political control of the country during his White Revolution following the CIA-organised coup against Mohammed Mossadeq. Mossadeq was the last democratically elected prime minister of Iran, and was overthrown because he dared to nationalise the oil industry and run it for Iranians rather than it’s foreign owners, like BP. As the shah became more dictatorial and autocratic, so dissent increased until it culminated in the 1979 Islamic Revolution. It’s to be expected that conspiracy theories should arise in a society where there is no freedom of speech experiencing rapid change, and where a significant section of the population believe this is out of their control and orchestrated not for their benefit, but instead by mysterious, malign outsiders. I also have the impression that other parts of the Muslim world, like Pakistan, are also prone to conspiracy theories for much the same reason.
International trade, migration, telecommunications and the internet has brought the world closer together, and so weird conspiracy theories in one part of the planet can spread to the others, which may interpret them according to their own culture and beliefs.
Thus David Icke’s reptoid aliens have instead become reptoid djinn, who are seeking to lead humanity away from God through the music industry.
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