Posts Tagged ‘Oliver Stone’

Abby Martin on the Jimmy Dore Show Talks about US Crimes of Empire: Part 1

November 18, 2017

This is a longish segment – about half an hour – from the Jimmy Dore Show, in which the two discuss the horrors of US imperialism abroad, domestic oppression and exploitation at home, and the complicity of the mainstream media. Martin is the presenter of The Empire Files on TeleSur English, the South American alternative broadcaster. The show was formerly hosted by RT, for which Martin has been pilloried as a ‘Commie’ and ‘collaborator’. Despite the fact that she has never said anything in prize of the arkhiplut Putin, the latest Kremlin silovik kleptocrat.

With her intelligence and fierce determination to tell the story she wants, Martin comes across to me like a younger, far more politically motivated and impassioned version of Kate Adie, the Beeb journo, who once put the fear of the Almighty into Colonel Qaddafy. It shows the major failings of US mainstream media that, as talented and committed as she is, she does not have her own show on the national networks. I’m a great fan of The Young Turks, and was delighted when they sent Nomiki Kunst over here to talk to the peeps at the Labour party conference back in October. I wish she’d come over this side of the Pond to do something over here. Our politicos are also neoliberal, neocon puppets for the War on Terror. I heartily wish we had someone like her on British TV. Instead, all we’ve got are the corporate shills from Murdoch, the Barclay Twins and Paul Dacre, who turn up occasionally on Have I Got News For You. People like Julia Hartley-Brewer.

The show begins with Dore paying tribute to the how intelligent her work is, calling it ‘Talk smart’. The two then joke about how she’s accused of being a ‘Russia-bot’ to the point where even she’s wondering if she’s human or just an on-line AI. They then go on to discuss her show, The Empire Files. She states that she’s trying to do what Oliver Stone did in his history of the US – covering the untold history of America, and particularly US imperialism. She takes the view that history is written by the victor, but she wants to give the stories of the marginalised, the excluded. The victims of Empire, and counter the dominant story told by the corporate media. She states that she has been most proud of going on location to places like Palestine. Now that she isn’t in RT, she has complete journalistic freedom, and so could spend four weeks in Palestine simply listening to its people. She states that everything, every issue, needs to be examined through the lens of Empire. She admires Dore’s show, because he also talks about the warmongering and imperialism. She states that the First World has risen on the backs of the colonised.

Dore replies by saying that Judah Friedlander, another comedian he’s had on his show, said he learned from travelling around the world that different peoples have a different perspective. Like in Vietnam they don’t talk about the Vietnam War. They talk about the War with the Americans. They also discuss how America is the world’s biggest purveyor of terrorism, as shown by Iraq, and the dropping of the nuclear bombs on Nagasaki and Hiroshima. But when you talk about how horrendous that is, you just hear b*llshit from people about how the Japanese shouldn’t have bombed Pearl Harbour. Which by the same logic means that the Mexicans have every right to nuke the US for what the US has done to them.

They then dissect American exceptionalism. This is the belief that America can run rampant across the world, because America’s morally superior to every other country. They joke that it means that everyone else in the world gets healthcare, but not Americans. As for the reasons why Iran hates America, it’s because the US launched a coup against the last, democratically elected prime minister, Mohammed Mossadeq. And why are we friends with the Saudis? It’s because of the Petrodollar. Kerry even went and publicly admitted it.

They then talk about whether Americans really understand the crimes that are being committed in their nation’s name, or whether they do, but the mechanism does not exist for them to influence their lords and masters in Congress. Martin states that it’s the latter, though she doesn’t think that the great American public truly understand how horrendous the situation really is. But she points to Trump as one indicator that people know to a certain extent what’s going on. Trump was elected partly because his rhetoric was occasionally anti-interventionist. People do see through this façade, but the mechanism to change anything isn’t there.

Dore concurs. He states that he’s a night club comedian. He switched to doing this show, because there was no proper media, not even the press. The media was pro-war, and attacked the critics, who opposed the invasions. Phil Donahue had the show with the highest ratings on CNN, but they sacked him because he spoke out against it. Ed Schulz got sacked from the New York Times because he opposed the TPP. Martin states that she joined RT because it was the only network that would allow her to tell this story. She and Dore then discuss the self-censorship of journos like Piers Morgan. Martin states that she paid for editorial freedom that others choose not to do. They then talk about how the media carries adverts for Boeing, the big American aerospace manufacturer and military contractor. As if ordinary peeps could afford to buy a plane.

To be continued in Part 2.

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Radical Journalist Chris Hedges and Cartoonist Dwanyne Booth on the True Horror of War

September 2, 2017

I see that the government have started running recruiting ads for the armed forces again. It was the navy a few months ago. Now it seems to be the army. The ads show a greasy, disheveled man, who clearly represents some kind of Latin American Fascist or other butcher, being hunted down and snatched by our brave boys, who then whisk him over the sea in the motorized dinghy to a waiting British warship and justice.

Oh, if that were the reality!

It ain’t, of course. Like the Americans, we seem to have spent the last seventy odd years since the end of the Second World War propping up every Fascist mass murderer we could, so long as he would protect British interests from Communism or local nationalist movements. In 1958 we and the Americans organized a coup against the Iranian prime minister, Mossadeq, because he dared to nationalize the Iranian oil industry, which included the equipment and complexes owned by Anglo-Persian Oil, which later became British Petroleum, now BP. Then there was Nasser and Suez, and Mrs. Thatcher’s fave South American buddy, General Pinochet. Quite apart from one of the Libertarian organisations that form part of the Tory party inviting the head of one of the South American death squads over as guest of honour at their annual dinner one year.

As for snatch squads, this ad looks inoffensive over here, but if it was shown on American TV it would actually be very sinister. One of the tactics the American military used to terrorise the Vietnamese during the war there was to use snatch squads to catch Vietnamese peasant farmers during nighttime raids. The farmers would then be killed and their bodies left as a mute message to their compatriots.

Britain’s invasion of Iraq with George Bush, in contravention of the UN legislation against pre-emptive war, and the continuing occupation of Afghanistan, have done precious little except create even more carnage and bloodshed in the Middle East. And these wars were not fought to defend America and the West against evil dictators. In the case of Iraq they were fought so that the oil industry and other western countries could loot whatever they thought was profitable in the country’s economic infrastructure. They also managed to wreck the economy by lowering trade tariffs in order to create the magical free trade utopia fantasised about by the Libertarians and Neo-Cons. Added to this was the ethnic and sectarian bloodshed unleashed by the occupation, and the use of mercenaries and Shi’a militias as death squads by the American overlords.

This makes this next video all the more urgently important. It’s not short – over fifty minutes long. It seems to be a film of the American radical journalist Chris Hedges speaking at an American university gathering about his experiences as a war reporter, and the anti-war cartoonist Dwanyne Booth, alias ‘Mr. Fish’, talking about his work. And it’s strong stuff, which doesn’t pull its punches.

Hedges has a degree in Divinity from Harvard. His father was a Presbyterian priest with radical political beliefs, who was strongly involved in the Civil and gay rights movements. Hedges trained in a seminary, but didn’t joint the clergy. After graduating, he joined the New York Times and served as a war journalist in South America in the 1980s, when Reagan was funding Fascists dictators and their death squads, like Contras in Nicaragua, El Salvador and Guatemala. After that, he then covered the war in Iraq.

And he presents the unvarnished truth about war and the dehumanizing effect it has on those who are involved, whether as combatants or observers. It’s bloody and horrible, and he states that being in a firefight is terrifying beyond imagination. In fact, terror really doesn’t describe the sheer fear felt during these encounters. These are wars fought for the benefit of big business, and the images and stories about it that we are brought up on are lies.

He describes some of the battles in which he was personally involved, and the times he was captured by hostile forces, like Contras in Nicaragua and the Iraqi Republican Army in Iraq, when he really thought they were going to kill him and his companions. He states that before going into battle, everyone, with himself excepted, used to get drunk or high. Particularly the photographers, as they had to do what you really shouldn’t do in a gun battle and stand up. He states he knew many of them, who lost their lives doing their job. He also states that it is not like the movies. He praises Oliver Stone and his movie about Vietnam, Platoon, but says that the battle in that film is not like real firefights. It’s choreographed. Real battles are just chaos, in which you don’t know what’s going or who’s firing. In all the very many battles in which he was personally involved, he only once saw someone firing in his direction.

He describes how the Contras in Nicaragua called the Sandinistas and forces allied or sympathetic to them ‘periacuas’, a Latin American term meaning ‘motherf***er’. The Contras especially despised the press and media as being allied to the Sandinistas, which made his job even more dangerous. They also used to launch night raids, in which they’d murder a couple of peasant farmers. These people, would have had nothing to do with the war or the Sandinistas, but they were killed and a message left for the ‘periacuas’ on their bodies telling them that this was what was going to be done to them next.

They captured Hedges and his team, when he went looking for a group of them, who had gone underground. He found them, and they really weren’t happy. After capturing him, they radioed their headquarters to ask them whether they should kill them. Fortunately, the answer was, ‘No.’ But they were told to release them and say that if they caught them again, they would kill them and burn their jeep. As if they cared what would happen to the vehicle when they themselves were facing death!

He describes how he and another group of journalists were caught in Iraq by the Republican Army, thrown in the back of a jeep, and had guns pointed at their heads. They were then driven out of the city, and were afraid that their captors would stop somewhere in the desert and shoot them. Fortunately, this didn’t happen, and they were captured by proper, regular soldiers rather than the various militias that had sprung up, including companies formed of 14 year old Shi’a boys, who’d been given guns by Iran.

He also talks about the numbing effect war has on its participants, and the way it becomes a drug. Nothing can beat the high experienced by actually surviving a battle. And so he, like the soldiers he covered, became addicted to combat, playing a weird game with God to see if he could survive ever increasingly dangerous situations and battles.

He also talks about the immense alienation former soldiers feel, an alienation that prevents them from fitting back into society when they’ve returned from combat. He describes them as speaking a language no-one can understand, and makes the point that no-one wants to hear what they’re saying. He makes the point that when you find yourself in a war, you realise that everyone, from your government, the media and your educators, has lied to you. He discusses how old soldiers hate being told how well they’ve served their country, and how no-one wants to hear from them what war is really like. Of the troopers who took Iwo Jima, for example, several took their own lives, while a couple of others drank themselves to death. Hedges himself states proudly that he concentrated on talking to ordinary soldiers. He didn’t talk to anyone above the level of lance corporal, because he wanted to get the truth from them, rather than get caught up in the propaganda spouted by the generals and commanding officers. And he was unique in this. Most journalists wanted to see the top people, and so when he went for the job with the Times, he was told that the queue for the job began and ended with him.

As for the brutal reality of war, it is not like it is portrayed on television on the nightly news. He describes how, when he was in Iraq, in one area they visited the Iraqi army had been without water for three days. Dying of thirst, they tried to cross a minefield in the hope that Hedges and the squaddies he was with would give them some. One of the Iraqi troopers had both legs blown off by a mine. It took him six hours to bleed to death.

Hedges says that it’s quite possible now to show incidents like that using a satellite feed, so you can see in real time real soldiers suffering and dying. But no-one wants to see it, or broadcast it, because if they did, there’d never be another war.

Booth in his work is also angry and bitter about war, and the corporations and individuals standing behind it. One of his cartoons shows a little boy pointing into the camera in the classic Uncle Sam/ Lord Kitchener pose in the war recruiting posters. The legend below reads

I want YOU to give me a future not f*cked up by all your crazy bullsh*t about how moral and just the United States of America is when it invades and occupies other countries and how heroic and brave I’d be to kill for you because you’re too f*cking lazy and bigoted and unimaginative to prefer peace to hegemony and terrorism.

Another of his cartoons shows a child’s body in its grave, with corporate logos covering the shroud.

After speaking, there’s also a question and answer session with members of the audience, who include staff at the university. Some of these link the military action of the American empire to the destruction of the environment and other issues.

This is hard-hitting stuff, and it needs to be heard. We still have our politicians telling us lies about Iraq, and the other interventions in the Middle East, like Libya and Syria. And we haven’t been told the whole truth about Afghanistan – that the Taliban were utterly defeated, but the allied occupation was so terrible, and created so much chaos, that they were able to return and actually be welcomed by the people, they’d formerly oppressed.

Despite the fact that he’s a war criminal, Tony Blair’s still at large and desperate to get back into politics.

We need journos like Hedges. But the corporate media aren’t going to allow them to speak. In fact, the New York Times did its best to suppress the truth about what was going on in Iraq. And tens of journalists have died out there in highly suspicious circumstances, which suggests that the American army might have been killing those members of the media, who didn’t follow the approved line and described what they saw, rather than what the military wanted them to.

Don’t believe the corporate claptrap and the rubbish put out in the recruiting films. Support the independent media that dares to say what they won’t. And for heaven’s sake let’s get our young men and women out of the Middle East. Let’s stop wasting the precious lives of courageous people, who are being butchered simply so Haliburton and Aramco can make even bigger, more obscene profits.

The Tories as the Party of Gordon Gekko: Part 94 – The Boris Johnson Years

November 30, 2013

I’ve commented several times before that the Conservative Party has all the morals of Gordon Gekko. Remember him? He was the monstrous incarnation of ruthless corporate greed played by Michael Douglas in Oliver Stone’s 1980s film, Wall Street. This had the now notorious scene in which Gekko makes a speech in front of his fellow financiers praising greed. ‘Greed is right’, he intones, ‘Greed is good. Greed … works’. The film ends with Gecko himself ruthlessly betrayed and discarded by a younger protégé, a man Gekko has been raising up through the corporate ladder according to his own set of amoral principles. Here’s the speech:

Unfortunately, it didn’t quite work out like this in real life. The global banking system nearly collapsed due to the colossal greed of leading bankers and financiers through a system of toxic debt and a web of complex fraud. This brought down Lehmann Brothers and a whole host of other firms in Britain and America. The system itself has been saved by a massive bail-out by Gordon Brown, amongst others, with the result that Cameron’s coalition has seized on this excuse to curt welfare services even further under the pretext of ending the massive national debt this incurred.

And the bankers and Tory politicians have learned absolutely nothing. Indeed, they have become every more like Gekko. On Have I Got News For You last night they reported a speech made by London’s mayor, Boris Johnson, this week, in which he expressed pretty much the same appreciation for greed as Stone’s fictional anti-hero. Greed, according to Johnson, was a good thing, as it could, in certain circumstances, lead to economic growth. Now greed as the motor of economic growth and material benefits, with private vices becoming public virtues, was first proposed in the late seventeenth and early eighteenth century by Bernard Mandeville in his Fable of the Bees. This was so shocking to the Christian culture of the time that he was bitterly attacked for his immorality, and denounced as ‘Man-Devil’. The idea was gradually taken up by other economists, including Adam Smith in his Wealth of Nations. Nearly three hundred years later, the idea is now so widely accepted that Johnson thought he could make it without adverse comment to his audience in the City. This is despite the banking collapse, and the recession and rioting, which then followed. One is reminded of the comment about the restored Bourbon monarchy in France after the Revolution: They have forgotten nothing. They have learned nothing.
And they are determined to act more and more like Gordon Gekko with no trace of self-consciousness or irony.

As an aside from this, one of the very few good things to be inspired by Yuppie greed in the 1980s is, in my view, Queen’s I Want It All. The song’s title and chorus seems to me to have been taken from the Yuppie culture of avarice. Unlike Yuppie culture, the song is genuinely bright, optimistic and fun. So to cheer everyone up after this post, and remind us just how great Freddy Mercury was, here it is: