Posts Tagged ‘‘Young British Artists’’

The Painter of Cyberspace: The Art of Jurgen Ziewe

January 20, 2018

Earlier this week there was a piece in the press announcing that the Turner Prize Committee had decided to go public early about which artworks and artist they were considering. I have strong feeling, like many people, about the Turner Prize. Many of the works seem simply designed to shock, with nothing more substantial underneath. Those that aren’t, are simply banal. It’s highbrow kitsch, which says nothing while claiming that it actually does. And I think modern fine art has reached a dead end. it’s anti-art, which constantly raves about Duchamps’ urinal nailed to a piece of canvas. Duchamps did it to make the point that whatever the artist claimed to be art, was art. It’s over a century old, and the joke’s well past it’s sell-by date. It was always an adolescent, childish prank anyway. To some of these art experts, it’s a hallowed artistic statement that must not be blasphemed in any way. You remember those Chinese guys, who were arrested when they jumped up and down on Tracey Emin’s ‘My Bed’? The same two were planning to urinate in Duchamps’ urinal. Which I feel is in keeping with the piece itself, but the mere thought horrified the keepers of official art.

The real artistic boundaries are being pushed, in my opinion, not by the fine artists, or at least, not by those fine artists currently pushed by the very small clique that defines what ‘official’ art is, like Nicholas Serota. Rather, they’re being pushed by commercial artists and film makers, often inspired by the worlds of Fantasy and SF, using computer graphics. One of the foremost of these, in my opinion, is the German artist Jurgen Ziewe. Ziewe lives over here, and has an English wife. And we are fortunate to have such a talented artist. I do wonder what will happen to other talented EU migrants like him after Brexit, who can’t stay in this country because they aren’t married. We’re going to lose a lot of very talented people.

Ziewe uses computer graphics, including Virtual models of humans and objects, and fractals, to create prismatic, Virtual, interior worlds full of robots, strange creatures, synthetic humans, fairies, wizards, witches, priestesses and temples. He started out making cards showing dolphins under cosmic skies. He’s a very spiritual guy, in a New Age-y sense, and his work is inspired by concepts from Theosophy and C.G. Jung. Here’s some of the picture from Nigel Suckling’s book about his art, New Territories: The Computer Visions of Jurgen Ziewe (Paper Tiger, 1997).

The Fairy Queen

Picnic In Cyberspace

Journey of a Virtual Traveller

Apart from Ziewe, other artists working in film and television have also been using the concepts of computer graphics. One of the features of the BBC TV version of the Hitch-Hiker’s Guide to the Galaxy that most impressed me in the late ’70s or early 1980s were the, ahem, computer graphics for the pieces of information provided by the Book. In fact, they were hand drawn, because the computers at the time simply weren’t up to the task of creating pictures that detailed. But the art produced as ‘computer graphics’, was superb, and those, who watched the show were deeply impressed. As an example, here’s a piece from YouTube of the Book describing Vogon poetry.

Further examples can be seen in pop videos. Like this one from the American electro-pop band, Information Society, which uses scrolling alphanumerics to suggest passage through cyberspace in a computer game, made for their track, ‘The Prize’.

Other artistic explorations of medically or cybernetically enhanced vision can be seen in the films Pitch Black and The Chronicles of Riddick and the last of trilogy, entitled simply Riddick. Richard Riddick, the anti-hero in these movies, is a violent criminal, a murderer, who somehow ends up doing the right thing. While in slam for his crimes, he paid the prison doctor 20 menthol cigarettes to have his eyes surgically altered, ‘polished’, so that he could see in the dark. In these flicks, we so bits of the action through his eyes. The scene in Pitch Black, where he sees the predatory aliens pouring out of their underground lairs after the marooned crew of a crashed colony spacecraft, is awesomely beautiful. This is the trailer for the movie.

And this is the trailer for The Chronicles of Riddick.

In this movie, the Necromongers use visioners, cybernetically adapted humans, to seek and visually examine areas that are difficult or impossible for normal human eyes to see clearly. And the brief scenes, in which the audience is shown what they see, are also stunning.

But this is low, commercial art, and so unlikely to find any praise by the High Art people, no matter how popular it is, or how technically sophisticated and visually inspired. The best comment on this kind of artistic snobbery comes from the American SF/Fantasy artist and book illustrator, Bob Eggleton.

Being a commercial artist is itself a kind of pigeonhole in the art world, but it is not a label that troubles him. ‘Commercialism for the sake of commercialism is not a sin. What I hate is commercialism packaged as fine art. That’s what Abstract Expressionism about, you’re buying into a trend much of the time. There’s nothing wrong with any kind of art, provided the artist believes in what they’re doing.’

From Nigel Suckling, with introduction by Gregory Benford, Alien Horizons: The Fantastic Art of Bob Eggleton (Paper Tiger, 1995) page 83.

And the YBAs, such as Damian Hirst, Tracey Emin and Chris Offili, were very commercial, as was Salvador Dali long before them. This was pointed out on a programme on the great surrealist on Radio 4 several years ago by Malcolm MacLaren, the genius – well, he obviously thought he was – behind the Sex Pistols.

And here’s Eggleton’s picture of Great Cthulhu, painted for Weird Tales magazine, for all the Lovecraft fans out there.

I realised I’ve digressed a little way from the central topic of this post, the fantastic computer art of Jurgen Ziewe. But these are related issues, showing the way computers, robots, space and high technology – the stuff of Science Fiction – is pushing artistic boundaries in ways that the official fine art of Conceptualism really isn’t doing. I’m also exploring a few ideas here for a much longer article, or series of articles, I intend to do on this sometime.

Change.Org Petition to Have Boris Johnson Step Down as Foreign Secretary

November 7, 2017

There is now a petition on Change.Org for Boris Johnson to step down as Foreign Secretary because of his colossal, glaring ineptitude. The most recent example saw a women of dual British-Iranian nationality visiting friends for Nowruz, the Iranian New Year holiday, being arrested and threatened with imprisonment.

The explanation for the petition runs as follows

Boris Johnson has hit the headlines again for yet another gaffe.

Only this time in his muddle he said that British-Iranian mother Nazanin Zaghari-Ratcliffe had been in Iran to train journalists last year when she was imprisoned at Evin Prison. Her family and workplace say this is wrong, that she is not a journalist, but was visiting family on holiday.

Because of Boris’ mistake, Nazanin’s time in prison could be doubled by Iranian officials. She is there for allegedly plotting to topple the government in Tehran, although official charges were never made public. Nazanin suffers depression from being separated from her husband and three year old daughter. I’ve heard first-hand of the physical and psychological torture as one of my own family members served a term there. Evin is Iran’s main holding place for political prisoners.

Our government should be working day and night get Nazanin back home to her family.

As a British citizen, I want to make sure we have a Foreign Secretary that supports us. Instead we have someone who is unfit for the job. Because he lobs grenades at sensitive situations. He lacks attention to detail. And in doing so, is a threat to British people and damaging overseas relations. That’s why I’m calling for Boris to step down from his role as Foreign Secretary.

This is not the only mistake Boris has made. Just last month he made jokes about clearing away dead bodies in Libya to turn Sirte into the next Dubai. And in the past, he ran a magazine which accused Liverpool fans of ‘wallowing in it’ after the Hillsborough disaster.

Boris must apologise, Boris must repair the damage he has done to Nazanin and her case but most importantly Boris must go.

I’ve signed it, as I’m heartily sick of his incompetence embarrassing us as a nation. And I’m sick and angry that an innocent woman, who has already suffered five years in Evin prison, has been interrogated and threatened with further imprisonment by the Iranian authorities, thanks to Boris shooting his mouth off.

Iran is a fascinating country with a rich, ancient culture. But it is a repressive theocracy with an intense suspicion of Britain and the West dating from the days of British imperialism, our ownership of its oil industry, and support for the Shah’s brutal autocracy. In the 1990s there was a thaw in diplomatic relations between our two countries, and there have been significant cultural exchanges since. For example, the YBAs a few years ago hosted a show in Iran, and the British Museum leant the Iranians the Cyrus Cylinder, which dates from the period of the Persian Empire and records the conquests of the emperor Cyrus the Great. One of these was the conquest of Babylonia and the Holy Land.

Yet relations are still very delicate. Mrs. Zaghari-Ratcliffe isn’t the only one, whose safety could be placed in jeopardy by this buffoon saying the wrong thing. The Iranians have in the past arrested other British travellers in Iran on suspicion of spying, and our diplomatic people have had to work hard getting them out.

And it’s not just Iran. There are many other similar societies, where British imperialism and its memory are very sensitive subjects. It’s all too easy to imagine something similar happening elsewhere due to Boris talking uninformed nonsense.

Johnson has refused to apologise for this dangerous mistake, preferring to place the blame on the Iranian authorities. I completely agree that they should not have acted as they did. But considering the nature of the Iranian regime, which is pretty well notorious, it is very incumbent on Boris to make sure that he avoids giving unnecessary offence, or a pretext for the Iranian authorities to act in this fashion.

I’m also heartily sick of Johnson trying to present himself as some kind of loveable buffoon, who means well despite everything he says and does. He isn’t. He’s a scheming intriguer, who’s fiercely ambitious. He obviously feels that as an Old Etonian he is entitled to a seat, if not the highest seat, in British government. And I’m fed up with his attitude that he can go one and do whatever he likes, regardless of the consequence for this nation, and the ordinary people, he puts in danger.

If you want to sign it yourself, it’s at

https://www.change.org/p/boris-step-down-as-foreign-secretary?j=178294&sfmc_sub=269081008&l=32_HTML&u=33184044&mid=7259809&jb=3072&utm_medium=email&utm_source=aa_sign&utm_campaign=178294&sfmc_tk=qsSqDg4%2f%2bpD798KvauUzwd3ZfiuUegHU43mVbCYO0kKXOxvG9SYpXypwHbII5UEv&j=178294&sfmc_sub=269081008&l=32_HTML&u=33184044&mid=7259809&jb=3072

Donald Trump Now Satirised in Private Eye Cartoon

January 9, 2016

Donald Trump’s stupidity and bigotry are an increasing concern on this side of the Atlantic to the point where he’s wound up being satirised in the pages of this fortnight’s Private Eye. In addition to the other cartoons, like ‘Dave Snooty and His Pals’, ‘It’s Grim Up North London’, ‘Young British Artists’, and ‘The Premiersh*ts’, they’ve launched another strip featuring him, called ‘Trumpton’. It’s named after the well-loved ’70s BBC children’s programme, and is drawn in the same style as models used in the animated episodes.

In the first edition of the strip, Trump tells Mrs Ladyvoter, that if she’s voting for Hillary Clinton, it must be because she’s ugly, a lesbian or has lost her mind due to being on her period. These are all the offensive or misogynistic remarks Trump has hurled at women, who have dared to disagree with him. It’s shows just how coarse and graceless the man actually is. And as this moron could become President of the USA and leader of the free world, Private Eye are sending him up. Mind you, it’s not as if he needs much help from satirists to turn himself into a laughing stock, but it’s great to see the Eye making jokes at his expense.

And just to remind you how awesome the original was, here are the titles of the Trumpton TV series, and the rhyme about their fire brigade, to delight children of a certain age.