The German Workers Who Struck For Peace

Corpse of German trooper outside his dugout: a vivid image of the horrific carnage experienced by all the combatants in the ‘War to End All Wars’.

This year is the centenary of the beginning of the First World War. The BBC has already commemorating this by putting on numerous documentaries about the Great War, setting up on-line resources for schools so you can see what your particular bit of the country was like and did at the time. they’re also running trailers for forthcoming dramas where idealistic young nurses meet handsome soldiers in a saga of love amid the mass slaughter of the War. Documentaries about the World Wars are a staple of British television anyway. Dan Snow on the One Show has appeared several times striding across a World War I battlefield, while a few years ago Tony Robinson presented a Time Team special on the excavation of a system of WWI trenches in Flanders. Some of the coverage has already proven somewhat controversial. There was some comment a few weeks ago on television that something the BBC broadcast had provoked a complaint from the German embassy. There’s a difference of opinion here between German historians and the rest of the world. Most other nations see the War as being caused by Germany. German historians, on the other hand, believe that no single nation is to blame and that the growth of international tension and the web of alliances with which each nation surrounded itself led inexorably to the War. I really don’t know anything beyond the most general outline of events surrounding the First World War, and so leave it to people much better informed than I do to explain it.

One immediate result of the War was the break-up of international socialism. Previously the European Socialist parties had opposed working class involvement in any conflict between the European nations. For them, it would be a fratricidal conflict, as the working classes in each country had more in common with each other than with their rulers. The war would be a bourgeois war, started by the European ruling classes for their own further profit and enrichment, with the working class troops solely the exploited means by which they sought to do so. When the War finally broke out, however, the Socialist parties all over Europe joined the other parties in backing their governments.

Karl Kautsky, the head of the German Social Democrats, modified his party’s view of the conflict. He considered that Socialists in each country should now see the war only as defending their homelands. They should also campaign for a just peace, which would maintain the integrity of the defeated nations and avoid any cause for resentment on their part. This would prevent any further War from breaking out. He wrote

Further, the Social Democracy in every nation is obliged to consider the war only as a war of defence, and to set as its goal only defending itself against the enemy, not of ‘punishing’ or belittling the enemy. As this conception seeks the causes of the war not in the personal depravity or inferiority of the opponent, but in objective conditions, it will strive for the security which they conclusion of peace brings not by humiliating or mutilating its opponent, which would only cause new wars in the future, but by replacing those condition which led to the war – that is, imperialist conflicts and the armaments race.

Patrick Goode, ed. and trans., Karl Kautsky: Selected Political Writings (London: Macmillan Press 1983) 95.

It’s a pity that the Allies did not follow this advice when imposing the reparations and conditions on Germany afterwards. This could have removed some of the feelings of humiliation and resentment felt in Germany, feelings on which the Nazi preyed and used in their campaign to seize power.

Some Socialist parties continued to campaign against the War, such as the Bolsheviks in Russia, and the USPD – the Independent Social Democratic Party in Germany. One of those who campaigned against the War was the radical deputy, Karl Liebknecht, who went on to found the Spartacist League and the German Communist Party. There were also a number of strikes in Germany against the War. When Liebknecht was tried by a court martial for treason on the 28th June 1916, 55,000 workers went on strike in solidarity.

In April 1917 there was a much larger strike due to the government cutting the bread ration by a quarter. In Leipzig, the striking workers demanded in addition to the removal of their economic grievances the introduction of a direct, general and equal franchise, the removal of the state of siege, lifting of censorship, the release of all political prisoners, the re-instatement of the right to strike and hold political meetings. the government was also to make a declaration in favour of immediate peace without annexations.

On the 28th January 1918 a further mass strike broke out. In Berlin alone 200,000 workers downed tools and elected an action committee consisting of eleven Revolutionary Shop Stewards from The Turners’ union, and three delegates each from the pro-War Social Democratic and anti-War Independent Social Democratic Parties. Their demands included the

speedy conclusion of a peace without annexations and indemnities, on the basis of the nations’ right to self-determination, according to the provisions formulated by the Russian People’s Commissars at Brest-Litovsk.

They also wanted the removal of the state of siege and military control of the factories, the release of all political prisoners, the introduction of a general and equal franchise and a thorough democratisation of all institutions of the state. The strike spread rapidly to towns throughout Germany, including Munich, Mannheim, Brunswick, Bremen, Cologne, Hamburg, Kiel, Danzig (now Gdansk in Poland) Leipzig and Nuremberg. In all of these towns with the exception of Munich and Berlin the strike collapsed after a week. In Berlin Military Command suppressed it by placing the leading armaments factories under martial law. In Munich Kurt Eisner, one of the leading USPD politicians and opponent of the War, Kurt Eisner, was arrested before he could call for a general strike to bring down the government. The moderate Social Democrats were thus able to retake control and the Strike ended a few days later.

See F.L. Carsten, Revolution in Central Europe 1918-1919 (Aldershot: Wildwood House 1972) 14-15.

I’ve blogged about the bitterness caused by the First World War across Europe, and the anti-War poems of some of the soldiers, who fought in it, like Wilfred Owen and Siegfried Sassoon. Germany also has its great anti-War work from the time of the First World War, Remarque’s All Quiet on the Western Front. The original German title is Nichts Neues Im Westen – ‘There is Nothing New in the West’. It’s also a bitter comment on the belligerent nature of Western civilisation. I think it’s also important At this time to recognise that Germany also had its campaigners for an end to the War and for a just peace that would establish friendship between nations afterwards. It’s a point that could easily get forgotten in the programmes, documentaries and debates about the War during this centenary.

Patriotism, Idealism and Cynicism in First World War Britain

Photograph of a British Crowd Cheering the Outbreak of the First World War.

I’ve posted three pieces this week and reblogged others from Vox Political, criticising Michael Gove’s comments in the Daily Mail, trying to defend World War One as ‘a noble cause’, and the courage, honour and patriotism of the troops and the tactical expertise and competence of their leaders from misrepresentation by ‘left-wing academics’ and biased TV programmes like Blackadder and films like Oh, What A Lovely War! Far from the British public being alienated and cynical about the War, they actively supported it as a ‘noble Cause’, according to Gove. Mike, the Angry Yorkshireman over at Another Angry Voice, and myself have already demolished this, complete with quotes from some of the soldiers, like Harry Patch, Wilfred Owen and Siegfried Sassoon, were fought in the War. Now I want to go further, and examine where Gove possibly got the impression that most people supported the War.

Now there was massive enthusiasm amongst the British for the War when it broke out. The photograph above shows a crowd thronging the street cheering it when the news broke. Such crowds gathered in Parliament Square and the Mall, and sang ‘Land of Hope and Glory’. This enthusiasm was shared by many artists, writers and intellectuals. Malcolm Brown, in his book Tommy Goes to War, recorded one artist as saying, ‘Would they (the Germans) invade us, I wondered. By George! If they should they’d find us a t5ougher nut to crack than they expected. My bosom swelled and I clenched my fist. I wished to something desperate for the cause of England’.

The modernist writer and artists, Wyndham Lewis, wrote ‘You must not miss a war … You cannot afford to miss that experience’. Lewis, it should be said, was an admirer of the Italian Futurists, who praised war and combat, calling it the ‘sole hygiene of the world’ and denouncing anything that smacked of pacificism, liberalism and feminism as ‘passeism’. Lewis founded the Vorticists, a similar movement in Britain, and was later strongly suspected of Fascist sympathies because of his authoritarian political views, expressed in the book, The Art of Being Ruled.

This war fever was also shared by Baden-Powell and the Scouts. The motto ‘Be Prepared’ is an abbreviation of Baden-Powell’s statement urging his movement’s young members to ‘Be prepared to die for your country … so that when the time comes you may charge home with confidence, not caring whether you are to be killed or not!’ Baden-Powell had other, highly unpleasant political views. Among the reasons he founded the scouts was to indoctrinate working-class boys with healthy, British Conservative patriotic values to take them away from Socialism, trade unionism and other subversive ideas. His idea of using a uniformed organisation, patterned on the military to inculcate its members with comradeship, patriotism and social solidarity, and support for militaristic, authoritarian politics was later taken up by the Fascist movements on the Continent. It’s because of this that Baden-Powell has been the subject of criticism in parts of the Left.

Poems celebrating the War, and urging soldiers to join up, were printed in the press, such as Julian Grenfell’s Into Battle, which was published in the Times in 1915. This had the lines

The naked earth is warm with Spring
And with green grass and bursting trees
Leans to the sun’s gaze glorying
And quivers in the sunny breeze;
And life is colour and warmth and light,
And a striving ever more for these;
And he is dead who will not fight;
And who dies fighting has increase….

As the War went on, and lasted far longer than the six months they originally believed it would last, disillusionment and despair set in. A Radio 4 programme on the First World War noted that this started a year or two after the outbreak of the War, when the younger brothers of men already at the front became increasingly aware of the reality of the War from their brothers’ letters and conversation when home on leave, and became very much afraid for their own lives. Among those who expressed this disillusionment was Isaac Rosenberg. In his poem, Dead Man’s Dump, Rosenberg wrote

‘The wheels lurched over sprawled dead
But pained them not, though their bones crunched,
Their shut mouths made no moan.
They lie there huddled, friend and foeman,
Man born of man, and born of woman,
And shells go crying over them
From night till night and now.’

D.H. Lawrence, in Kangaroo,sharply criticised government propaganda and the patriotic exhortations to fight and die in the popular press: ‘It was in 1915 the old world ended … The integrity of London collapsed and the genuine debasement began, the unspeakable debasement of the press and the public voice, the reign of the bloated ignominy, John Bull‘.

Siegfried Sassoon

Sassoon shared this cynicism, and his poetry includes sharp criticism of recruiting sergeants, who encourage others to go to their deaths while keeping themselves safe and sound:

‘If I were fierce, and bald, and short of breath,
I’d live with scarlet majors at the base,
And speed glum heroes up the line to death.
You’d see me with my putty petulant face,
Guzzling and gulping in the best hotel,
Reading the Roll of Honour, ‘Poor young chap,’
I’d say – ‘I used to know his father well;
Yes, we’ve lost heavily in this last scrap.’
And when the war is done and youth stone dead,
I’d toddle safely home and die – in bed.’

In my opinion, this should be printed above any statement made by Bush and the other ‘chickenhawks’, who have destroyed a country and sent thousands of brave men and women to their death or mutilation in Iraq, whenever they give any kind of statement about the invasion and occupation of that country.

Sassoon himself was strongly influence by the 1916 work, Le Feu, written by Henri Barbusse in France, who inveighed against the War and the deaths of the hundreds of thousands of Frenchmen, that had died defending Verdun from bombardment. It was translated into English in 1917, and not only influenced Sassoon but also Owen, who was also inspired to carry on his campaign against the War after meeting the former in a hospital near Edinburgh.

Wilfred Owen

Owen was only one of a number of servicemen, who wrote about the War and their experience of it in order to prevent a similar conflict ever breaking out again. These works and memoirs include Robert Grave’s Goodbye to All That, Montague’s Disenchantment – surely a title that itself refutes Gove’s statement that the British people were largely supportive of the War, Blunden’s Undertones of War, as well as the more recent accounts by Harry Patch, the last British Tommy, who died only a year or so ago. In 1962 Benjamin Britten incorporated nine of Owen’s poems into his War Requiem.

Many Left-wing intellectuals were opposed to the War from the start. These included the Bloomsbury Grou, including Lytton Strachey and Bertrand Russell. Russell was fined by the government for ‘statements likely to prejudice the recruiting and discipline of His Majesty’s forces’. George Bernard Shaw also condemned the War and the fervid patriotism that sustained it. In an article in the New Statesman he declared that the best way of ending the war would be if the troops shot their officers and went home.

Now I’ve written that modern scholarship has suggested that there was much less disaffection and cynicism amongst the British public and servicemen than previously considered. There are, however, real problems in assessing just how widespread anti-War sentiments truly were. The problem is that much of the writings about the War from the men, who fought in it has been lost. It may be stored in attics and cellars, long ago thrown away, or lost with the rest of the fortifications and camps in which it was written. The material that has survived, from Sassoon, Rosenberg, Owen, Graves and others, did so because of the social connections of those officers to the middle and upper classes. The accounts of the War belonging to those lower down the social scale has been less fortunate. Nevertheless, it has survived, as the Angry Yorkshireman has pointed out in his piece on Gove’s attempt to revise the War. Another problem, highlighted by Lawrence in the above passage from Kangaroo, is that the government and media at the time were concerned to make sure that work critical of the War had a very limited circulation. This meant that not only was the pro-War sentiment preserved from much criticism, but it’s difficult to tell how many people actually agreed with it because of restrictions on its dissemination. The amount of material surviving, that patriotically supported the War, may actually be out of proportion to the number of people, who actually shared these views, simply because it was actively promoted by government and media while critical works were not.

I have, however, pointed out that even if the numbers of people disillusioned with the War is overestimated, nevertheless, the disillusionment still existed. I also pointed out that the servicemen’s newspaper, The Wipers Times, was very much like the depiction of the War and the black humour in Blackadder Goes Forth. This episode in the War’s history has been recently explored by Ian Hislop, the editor of Private Eye. It is therefore quite likely that further research will reveal much more material like this to challenge the revisionist accounts so loudly endorse by Gove.

Now Gove stated that children should be allowed to study opposing views. I actually agree with him about this. It is, however, hypocritical coming from Gove, who then goes on to attack the view of the War promoted by ‘Left-wing intellectuals’, which, as the Angry Yorkshireman has also shown, includes such notorious radicals as, er, Ken Clarke and Winston Churchill. Well, perhaps in a few years time, when Cameron has effectively turned this country into a one-party state and made the unemployed either beggars or state-owned slaves. Coming from Gove, these comments do pose a threat, as they strongly suggest that he believes that the state should dictate what views about the past should be taught in schools and universities.

Gove is wrong, often horribly wrong about the First World War, though others should certainly be free to share his views, if they agree with them. The danger is in the use of the power of the state to ensure that only the approved, Conservative version is taught. This must be strenuously resisted, so people can make their own minds up. This is the difference between education and indoctrination.

Another Angry Voice on Gove’s Great War Revisionism

Detail from the Painting Gassed, showing lines of men blinded in combat. This is what Wilfrid Owen described in his poem.

The Angry Yorkshireman over at Another Angry Voice has also weighed in with his comments about Michael Gove’s attempt to present the Great War as something better and nobler than the squalid debacle it was. It’s excellent, and well-worth reading. Entitled Michael Gove’s Great War Revisionism, it begins by referring to the posts by Mike over at Vox Political and others, before moving on to attack recent attempts, including Gove’s to present Haig as much more competent than he actually was:

‘In January 2014 the education secretary Michael Gove penned a ludicrous article in the Daily Mail invoking the spectres of left-wing academics and BBC bias in order to argue that the First World War was not “a series of catastrophic mistakes perpetrated by an out-of-touch elite”.

Other sites (such as Vox Political and The Huffington Post) have already covered this story quite comprehensively so I’ll try to avoid reiterating too much of what has already been said. I’ll go through some of Gove’s absurd ramblings and highlight some of the many things that he’s got wrong.

“The conflict has, for many, been seen through the fictional prism of dramas such as Oh! What a Lovely War, The Monocled Mutineer and Blackadder, as a misbegotten shambles – a series of catastrophic mistakes perpetrated by an out-of-touch elite. Even to this day there are Left-wing academics all too happy to feed those myths.”
The conflict has also been seen through the great volume of testimonies from people who served during the Great War, from the works of great war poets like Wilfred Owen and Siegfried Sassoon to the first hand testimonies collected by the Imperial War Museum and collated in books like Forgotten Voices of the Great War, The Soldier’s War and Britain’s Last Tommies (all of which I thoroughly recommend as infinitely more enlightening than Gove’s partisan wittering on the subject). Many of these first hand testimonies are pervaded by a sense of horror at the tactical blunderings of the generals that resulted in the mass slaughter of millions of men. Gove is desperate to discount the first hand testimonies of those who were actually there in order to present his favoured interpretation; that the war was noble and necessary, that generals like Douglas “butcher” Haig did a good job under difficult circumstances and that the battle of the Somme wasn’t a tragic and futile waste of life.

Despite his efforts to resuscitate the reputation of Field Marshall Douglas Haig, some of us are aware that Douglas Haig once said the “the machine gun is a much overrated weapon”. On the first day of the battle of the Somme 60,000 British troops were killed or injured, the great majority of them by machine gun fire.’

He then goes on to note that many of the historians, who argued that the generals were incompetent, were by no means all Left-wingers. The view that the British troops were ‘lions led by donkeys’ was articulated as far back as 1962 by Ken Clarke, who was a member of Maggie Thatcher’s cabinet. He then duly attacks Gove’s comments about the British troops recognising that it was a ‘noble cause’ and points out that to say that Germany did not recognise by the prevailing international order is hypocritical, as that order was composed of the militarily strongest European nations, Britain and France. He also skewers Gove’s statement that the war was fought against German ‘Social Darwinism’, by pointing out that as an imperial power, Britain also possessed a vast, subject population, who were excluded from politics and barred from voting. This is absolutely correct. The first British colony that gave a place on its council to one of its indigenous citizens was Ghana in the 1920s. This was extremely progressive for the time, and far ahead of the other British possessions. Even in Britain, a sizable minority of the British working class was excluded from voting due to the property qualification, and women only actually got to vote in 1928, although they had been granted the franchise much earlier. In fact, far from being ‘Fascistic’ in many ways the situation was the reverse: a higher proportion of the population in Wilhelmine Germany had the vote than in Britain, although their impact on politics was excluded by a property clause which divided the population into estates and guaranteed the aristocracy and wealthy political representation far beyond their numbers. Even here, one could reasonably compare this with Britain, and the unelected and very feudal House of Lords.

The Angry Yorkshireman also take Gove to task for his attacks on the Left, and totally ignores the fact that amongst the groups and organisations calling for war as response to Germany aggression against Belgium were the trade unions, who actively encouraged men to join the army.

He then ends the piece with a series of quotations from some of those, who actively fought in the War and were bitterly critical of its conduct and the actions of their superiors. These include the last surviving Tommy, Harry Patch, Arthur Graeme West, Henry Allinghame, Robert Graves, Siegfried Sassoon, and that notorious Left-wing revolution (not!), Winston Churchill, who said:

‘”How many have gone? How many more to go? The Admiralty is fast asleep and lethargy & inertia are the order of the day. However everybody seems delighted – so there is nothing to be said. No plans, no enterprise, no struggle to aid the general cause. Just sit still on the spacious throne and snooze.”

The article’s over at http://anotherangryvoice.blogspot.co.uk/2014/01/micael-gove-great-war-revisionism.html, if you want to read another excellent perspective on the War.

Blackadder, Patriotism and the First World War: Michael Gove Repeats ‘The Old Lie’

Anzacs at Passchendaele, 1917, the battle described by A.J.P. Taylor as ‘the blindest slaughter of a blind war’.

I’ve reblogged two of Mike’s articles on Vox Populi on Michael Gove’s latest attack on history and the received view of the First World War. In an interview in the Daily Mail, Gove criticised shows like Blackadder and the film, Oh, What A Lovely War!, for presenting the wrong view of the First World War and denigrating the courage, honour and patriotism of the men who fought there. It is, he said, the fault of left-wing academics, and seems particularly incensed at the cynicism and rejection of patriotism in the above TV series and film.

Now, Gove does have something of a point here. Recent scholarship within the last 30 years has criticised the old view that there was a profound gulf between the officers and the working-class men they led, and pointed out that there was more mutual comradeship, acceptance and respect between the two groups than previously considered. I was also told by a very left-wing friend, who has absolutely no time for the Tory party, that the amount of cynicism and bitterness generated by the War has been overstated. Of the men returning from the War, 1/3 bitterly hated it, 1/3 thought it was a good adventure, and 1/3 had no strong feelings about it one way or the other.

The same friend also told me that on the Western Front, the death rate was actually lower than in contemporary Edwardian factories. His comment on this was simply: ‘It’s sh*t.’ This does not exonerate the mass carnage of the First World War so much as show you how immensely cheaply life was held by the Edwardian factory masters. As for courage, George Orwell freely admitted in one of his essays that this was amply demonstrated by the numbers of the titled aristocracy, including dukes, knights and baronets, whose lives were ended in that savage conflict. He called the militaristic anti-intellectual upper classes ‘blimps’, and had nothing but scorn for their conduct of the War, but he did not doubt their courage.

The same friend, who knows far more about the First and Second World Wars than me, also told me that he felt that much of the cynicism about the First World War was a projection of the feelings of bitterness and alienation felt by many people after the Second, when the horrors of War and the Nazi regime seemed, to many, to discredit completely European culture. I dare say there is something in this, but, while the extent of such alienation after the First World War may have been exaggerated, the point remains that it was there.

Already in the 1920s there were complaints from British officers about left-wing propaganda about the War being spread by ‘acidulated radicals’. The film, Oh, What A Lovely War! is written from a left-wing perspective. It was based on the stage play, Journey’s End, which in its turn was based, I believe, on the experiences of First World War soldiers. The Fascist movements that sprang up all over Europe after the War, including Oswald Moseley’s BUF in Britain, were formed by ex-servicemen unable to adapt to civilian life, and who believed they had been betrayed by a corrupt political system. Martin Pugh in his book on Fascism in Britain 1918-1986, repeats that Moseley himself represented and kept true to the servicemen, who had fought and suffered in the War, and now had little to look forward to on their return to Blighty. I’m not so sure. Much of the conventional view about Mosely put out by Skidelsky’s biography has since been demolished. Rather than being a misguided, but at heart decent man, Moseley himself now appears very firmly as a cynical political manipulator all too eager and ready to jettison Mussolini’s ultra-nationalist, but originally non-racist Fascism, for the Nazis and Hitler. Nevertheless, the point remains: the First World created widespread bitterness, of which European Fascism was one expression.

As for Blackadder, this can be compared to the grim reality and the gallows humour with which British squaddies and their officers faced it in the pages of the Wipers Times. This was the servicemen’s newspapers, which took its name from the British mispronunciation of ‘Ypres’, where it was published. Private Eye’s editor, Ian Hislop, last year published a book and appeared on a BBC documentary about it. The Beeb also broadcast a drama about it. Hislop stated that it was full of very, very black humour, and was very much like Blackadder. You could hear the same sentiments expressed in the trooper’s songs of the period. Everyone remembers ‘It’s a Long Way to Tipperary’, but there were others with much less patriotic view of the War. A year or so ago I came across an old songbook, Songs that Won the War. Published about the time of the Second, it collected the songs sung by the troops during the First. Amongst the various patriotic ditties was ‘We Are Fred Karno’s Army’. Fred Karno, remember, was the Music Hall impresario, who launched the career of silent move stars like Charlie Chaplin and the Keystone Kops. The final verse imagines how the British army will be greeted by the Kaiser when they finally reach Berlin. It has the Kaiser looking at them in horror and saying, ‘Vot, Vot! Mein Gott! Vot a shabby lot!’ Somehow, I don’t think that one has been played much at Tory party conferences.

Civilian music hall stars also shared in the deep disillusionment felt by the troops. In a programme on the Music Hall broadcast several years ago on Radio 4, the programme’s presenter, a historian of the Music Hall, noted that after the War variety stars became much more sombre in appearance. Before the War there were stars like ‘The One-Eyed Kaffir’, a White man, who blacked up for his act except for one eye, which was kept as a white patch. After the War, such grotesque make-up vanished. The presenter felt that this was part of a general, more sombre mood throughout British culture engendered by the War. This mood was felt most bitterly by some of the Music Hall stars, who had sung patriotic, jingoistic songs to encourage young men to do their bit and join up. One such singer became very bitter indeed, and stated that he felt personally responsible for the men, who had been maimed and murdered as a result of listening to him.

The bitterness about the War has been expressed most famously, and most movingly, by the great war poets, such as Siegfried Sassoon, Wilfred Owen and others less well-known. One of the books in my old school’s sixth form library was Up the Line to Death, an anthology of poetry from the First World War. As well as poetry, Sassoon wrote a letter, ‘The Declaration against War’, in 1917, during his convalescence after being wounded in France. Rather than risk the scandal of a court martial, Owen was declared to be shell-shocked and hospitalised. His declaration is one of the piece anthologised in Colin Firth’s and Anthony Arnove’s The People Speak: Democracy Is Not a Spectator Sport. Here it is:

‘I am making this statement as an act of wilful defiance of military authority, because I believe that the War is being deliberately prolonged by those who have the power to end it. I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this War, on which I entered as a war of defence and liberation, has now become a war of aggression and conquest. I believe that the purpose for which I and my fellow soldiers entered upon this War should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects which actuated us would now be attainable by negotiation.

I have seen and endured the sufferings of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust. I am not protesting against the conduct of the War, but against the political errors and insincerities for which the fighting men are being sacrificed.

On behalf of those who are suffering now I make this protest against the deception which is being practised on them; also I believe that I may help to destroy the callous complacency with which the majority of those at home regard the contrivance of agonies which they do not share and which they have not sufficient imagination to realise’.

The last line sounds very much like a condemnation of the invasion of Iraq and the Neo-Con ‘chickenhawks’ – men who had themselves never seen active service and who indeed had shirked it – that demanded it. And I’ve no doubt whatsoever that it’s applicability to this situation was one of the reasons Arnove and Firth selected it.

As for Owen, I can remember we did Owen’s poem, ‘Gassed’, in English. This describes the horrific state of squaddies left dying and blinded by mustard gas in conflict. It ends with words attacking and repudiating ‘the old lie, ‘Dulce et decorum est, pro patria mori”, a Latin motto meaning ‘It is sweet and right to die for one’s country.

So there it is, Gove, a rejection of patriotism because of the carnage and suffering it caused, by two extremely courageous men, who fought and were injured in the War. I believe Owen was himself killed just before Armistice. Oh, you can argue that Blackadder is based on the prejudiced view of left-wing academics, but they based their views on fact – on what those who actually fought in it actually felt about it.

Yes, historians modify their views about the past all the time, as new research is done, and new arguments brought forth, new topics emerge and techniques used. And that means that some of the bitterness about the War has been revised. Yet there is no doubt that the War did result in mass bitterness amongst former combatants and the civilian population, and feelings of betrayal by the old society and elites that had sent so many to their deaths. Blackadder is fiction, and throughout its four series and numerous specials often took wild liberties with the facts. Yet Blackadder goes forth and its cynicism was based on fact, and I found, as someone who simply watched it, that the final moments of the last episode, in which Blackadder, Baldrick and their friends go over the Top to their deaths, actually a genuinely moving and respectful tribute to those who did die in the muck and trenches.

Way back in the 1980s the Observer wryly remarked that the Tories were now ‘the patriotic party’. This followed Thatcher’s vociferous trumpeting of patriotism as the great British value. ‘Don’t call them boojwah, call them British!’ screamed one headline from the Telegraph supporting her very class-based, politicised view of Britishness and patriotism.

Well, a wiser man, possibly, the great Irish wit, dear old butch Oscar (pace his description in Blackadder) once described patriotism as ‘the last refuge of the scoundrel’.
In this case, it is. And so is Gove.

Radical Voices from History to Today

The People Speak: Democracy Is Not A Spectator Sport (Colin Firth and Anthony Arnove with David Horspool (Edinburgh: Canongate 2012) is a collection of radical and anti-authoritarian texts from British history from 1066 to the present, collected and edited by the actor, Colin Firth, and Anthony Arnove. It was partly inspired by Howard Zinn’s A People’s History of the United States. Arnove had worked with Zinn translating the book into a series of stage readings of American radical and democratic texts, which toured the US. Realising that Firth was one of the book’s fans, Arnove approached him to do a British version. Firth, Arnove, and a number of their friends and other performers they admired did indeed stage a reading of some of the texts collected in The People Speak in 2010. This was filmed and broadcast by the History Channel. The two authors state that they hope a DVD of this reading will eventually be released to accompany the film of the same name made the year previously (2010) by Zinn and Arnove, with Matt Damon, Josh Brolin, and Chris Moore. Firth and Arnove rejected any claim that this was the ‘actorly activism’ attacked by critics such as Marina Hyde. Rather, they were simply doing what actors are paid to do – to act, and interpret other’s voices.

Firth states that the book is not an attack on history teachers or the history curriculum, noting that his own father is a history teacher. It comes from his feeling, dating from when he was studying history at school, that the kind of history we are taught is incomplete. It concentrates on kings and queens and politicians to the exclusion of everyone else, who are presented as a faceless, homogenous mass. This is his and Arnove’s attempt to put back into history the voice of the excluded, the Socialists, Anarchists, agitators, Chartists, suffragists, Lollards, Levellers, in short, the trouble-makers, like Zinn himself. Firth makes the point that democracy works from the bottom up, and that it’s protagonists are real trouble-makers. He also makes the point that the rights we now take for granted and accept as civilised and decent were at one point considered treason. The people, who fought for and won them were those without political power, and were hanged, transported, tortured and imprisoned, until their ideas were eventually adopted and adapted. Their continued existence is, however, precarious, and we need to defend them. ‘These freedoms are now in our care. And unless we act on them and continue to fight for them, they will be lost more easily that they were won.’

Firth and Arnove freely acknowledge that in covering two millennia, they have let much important material out. They hope, however, that their readers will feel rightly indignant about that, and be compelled to point it out, or, even better, write another the book, which will be the first of many. Firth hopes most of all it will inspire their readers to speak out, and make their voice heard on the issues they feel is important, ‘As Howard reminds us, democracy is not a spectator sport, and history is not something on a library shelf, but something in which each of us has a potentially critical role’.

Chronologically, the book has divided into five chapters, ‘1066-1450: Commoners and Kings’, ‘1642-1789: Representing the People’, ‘1790-1860: One Man, One Vote’, 1890-1945: Equal Rights’, and ‘1945-2012: Battling the State’ collecting some of the radical texts from these periods. Between these are other chapters covering particular political, constitutional, religious, national and economic issues and struggles. These include:

‘Disunited Kingdoms: ‘Our English Enemies’,
‘Freedom of Worship: ‘Touching our Faith’,
‘Land and Liberty: ‘The Earth is a Common Treasury’,
‘Empire and Race: All Slaves Want to Be Free’,,
‘Money and Class: ‘The Rank is But the Guinea’s Stamp’,
‘Workers United: Labour’s “No” into Action’,
‘War and Peace: ‘What People Have Your Battles Slain?’,
‘Gender and Sexual Equality: ‘A Human Being, Regardless of the Distinction of Sex’.

The chapter on the 400 or so years from 1066 to 1450 contains the following texts:

Ordericus Vitalis on the Norman Conquest of 1066,
The Liber Eliensis on Hereward the Wake,
Extracts from the Magna Carta,
Extracts from the Song of Lewes; written by a Franciscan monk in 1264, this sets out some early examples of the doctrine of resistance and popular rights.
It also contains a section devoted to the voice of the Peasant’s Revolt, including
Wat Tyler’s address to Richard II,
John Ball, ‘Until Everything Shall Be in Common’ (1381),
and William Grindcobbe, ‘I shall die in the Cause of Gaining our Liberty’.

The chapter on ‘Disunited Kingdoms – Our English Enemies’, includes the following pieces:
The declaration of Scottish independence at Arbroath, 6th April 1320,
Owain Glyn Dwr’s letter to another Welsh noble, Henry Don,
The Complaynt of Scotland of 1549,
Jonathan Swift’s bitterly satirical ‘A Modest Proposal’ of 1729,
The Speech from the Dock of the Irish Nationalist leader, Theobald Wolfe Tone,
The Speech from the Dock of Tone’s successor in the United Irishmen, Robert Emmet,
Rev. John Blackwell’s Eisteddfod Address in Beaumaris in 1832, stressing the importance of literature in Welsh,
Letters from the Rebecca Riots’,
The Letter from Nicholas M. Cummins to the Times attacking the English for refusing to supply the Irish with food during the Potato Famine,
The Speech from the Dock of the Irish American Fenian Leader, Captain John McClure, of 1867,
Padraig Pearse’s Eulogy for the Fenian Leader Jeremiah O’Donovan Rossa of 1915,
An extract from the Scots writer Lewis Grassic Gibbon’s Sunset Song of 1932,
Bernadette Devlin’s Speech in Draperstown when she stood as the candidate for the Nationalist Independent Unity Party in Northern Ireland,
Silvester Gordon Boswell’s Address to Travellers on Appleby Hill of 1967, and Boswell’s The Book of Boswell: Autobiography of a Gypsy of 1970,
The Dubliners’ Luke Kelly’s lyric, ‘For What died the Sons of Roisin?’ of 1970,
Pauline M.’s description of the events of Bloody Sunday,
An editorial on the Tax-Dodgers on the Isle of Man by the Manx Marxist group, Fo Halloo,
Bobby Sands’ prison diary for 1-2 March 1981,
and an extract from Gwyn Alf Williams’ history of the Welsh, ‘The Dragon Has Two Tongues’ from 1985.

The section on Freedom of Worship, begins with a section on the Pilgrimage of Grace, which includes
The examination of Nicholas Leche of 1536,
The Pontefract Articles of 2-4 December 1536,
The Examination of Robert Aske, 1537,
John Foxe, ‘The Mart6yrdom and Suffering of Cicelie Ormes, Burnt at Norwich the Testimonie and Witnes of Christes Gospell’ of 1557,
Matthew Hamont’s Trial for Heresy,
John Mush, the Life of Margaret Clitherow, 1586,
Daniel Defoe’s satirical ‘The Shortest Way with Dissenters:, Or, Proposals for the Establishment of the Church of 1702,
Ignatius Samcho’s Letter on the Gordon Riots of 1780,
William Blake’s ‘America’ of 1793, his Preface to Milton of (1804) and Preface to Book Two of ‘Jerusalem’ of the same year.
Grace Aguilar’s History of the Jews in England of 1847,
George Jacob Holyoake, Exchange with his Caplain on Atheism (1850),
An anonymous account of the Basingstoke Riots against the Salvation Army of 1881,
and Victoria Brittain’s ‘The Meaning of Waiting’, using the words of eight Muslim women married to prisoners in Guantanamo Bay.

The section on the period 1642-1749 contains
Elizabeth Lilburne’s Appeal against the arrest of her husband, the leveller leader John Lilburne,
Richard Overton’s An Arrow Against All Tyrants of 1646,
The Putney Debates of 1647,
John Lilburne’s Appeal to Cromwellian Soldiers of 1649,
The last speech of Richard Rumbold at the Market Cross in Edinburgh,
Reports of torture in prison from 1721,
The frontispiece to the anonymous pamphlet ‘Idol Worship, Or, the Way to Preferment, showing that the way to political power to was kiss your superiors’ rear ends,
Thomas Paine’s Common Sense, 1776,
The American Declaration of Independence,
Paine’s Rights of Man, 1791,
Samuel Taylor Coleridge’s ‘Destruction of the Bastille’,
An Advertisement for Commemoration of the French Revolution by Dissenters in Birmingham in 1791,
and An Anonymous Birmingham handbill to Commemorate the French Revolution, 1791.

The section ‘Land and Liberty’ contains
Robert Kett, ‘Kett’s Demands Being in Rebellion’, 1549, against the Enclosures in Kent,
Gerard Winstanley, ‘A Declaration from the Poor Oppressed People of England’, 1649,
The 1650 Declaration of the Wellingborough Diggers,
The ballad ‘Bonny Portmore’ of 1690, lamenting the destruction of the forest around Lough Beg,
Thomas Spence’s ‘Spence’s Plan for Parochial Partnerships in the Land of 1816), an early Utopian Socialist precursor,
John Clare, ‘The mores’, c. 1821-4,
W.G. Ward’s ‘The Battle, the Struggle and the Victory’ of 1873, on a battle between the National Agricultural Labourers’ Union and the employers and landowners, who refused to employ their members,
Richard Barlow-Kennett’s ‘Address to the Working Classes’ on Vivisection of 1883,
Henry S. Salts’ Animal Rights Considered in Relation to Social Progress (1892),
Ernest a Baker, The Forbidden Land of 1924 on the landowners’ denial of the right of access to land around the Peak District and the Yorkshire moors due to grouse shooting,
Benny Rothman on the Kinder Trespass in 1932 by ramblers,
and Voices from the Kingsnorth 6 Greenpeace protesters of 2007.

The section on Empire and Race has the above extracts,
William Cecil’s Speech in Parliament of 1588, against a bill against Strangers and Aliens Selling Wares by Retail, 1588,
William Shakespeare’s Sir Thomas More, Act II, Scene 4, c. 1593,
Anna Barbauld, Sins of Government, Sins of of the Nation; Or, A Discourse for the Fast, of 1793, against imperialism and war with revolutionary France,
Robert Wedderbu5rn’s The Axe Laid to the Root or A Fatal Blow to Oppressors, Being an Address to the Planters and Negroes of the Island of Jamaica, 1817,
Mary Prince, The History of Mary Prince, A West Indian Slave, 1831,
Louis Asa-Asa, ‘How Cruelly We Are Used’, 1831,
Joseph Sturge, Speech at the Baptist Missionary Society of Birmingham, 1836,
An Anonymous Member of the Walthamstow Free Produce or Anti-Slavery Association, Conscience Versus Cotton: Or, the Preference of Free Labour Produce, 1851,
Ernest Jones’, ‘The Indian Struggle’, 1857, supporting Indian independence during the Mutiny,
Richard Cobden’s Letter to John Bright on Indian independence, 1857,
Celestine Edwards, a Black Methodist preacher from Dominica, The British Empire, attacking imperialism,
‘A Voice from the Aliens about the Anti-Alien Resolution of the Cardiff Trades Union Congress of 1893, by Jewish worker protesting at a motion by William Inskip and Charles Freak to ban immigrant workers from joining trades unions,
Henry Woodd Nevinson, ‘The Slave Trade of Today’, 1906, against the cultivation of cocoa by Angolan slaves,
The Indian nationalist Ghadar Movement’s ‘An Open letter to the People of India’, 1913,
The satirical, ‘In Praise of the Empire’ by the Irish nationalist and founder of the Independent Labour Party of Ireland, James Connolly,
B.R. Ambedkar’s ‘India on the Eve of the Crown Government’, 1915,
John Archer’s Presidential Address to the Inaugural Meeting of the African Progress Union, 1918,
Manifesto of Bhagwati Charan Vohra, a Punjabi revolutionary Indian nationalist, 1928,
Gandhi’s Quit India Speech of 1942,
C.L.R. James’ Beyond a Boundary, on cricket and his experiences growing up in Trinidad, 1963,
Peter Hain, Defence in Trial from Picketing Apartheid South African Cricket and Rugby, 1972,
Linton Kwesi Johnson, ‘Inglan Is a Bitch’, 1980,
Sinead O’Connor, ‘Black Boys on Mopeds’, 1990,
The account of his own incarceration by an anonymous Tanzanian Asylum Seeker, 2000,
Benjuamin Zephaniah, ‘What Stephen Lawrence has Taught Us’, 2001,
Roger Huddle and Lee Billingham’s Reflections on Rock against Racism and Love Music Hate Racism, 2004,
The People’s Navy Protest on the eviction of the indigenous islanders from the islands, 2008,
and Mark Steel’s ‘The Poles Might be Leaving but the Prejudice Remains’, 2009.

The section on the period 1790-1860 has the following extracts and pieces
An Account of the Seizure of Citizen Thomas Hardy, Secretary to the London Corresponding Society, 1794,
‘Rules and Resolutions of the Political Protestants’, 1818. Political Protestants was the name adopted by a number of northern working class radical organisations demanding universal suffrage.
There is a subsection devoted to the Peterloo Massacre of 1819, in which the local militia and then a detachment of Hussars attacked and broke up a peaceful meeting in Manchester of protesters campaigning for an extension of the franchise. This section has
The Letter from Mr W.R. Hay to Lord Sidmouth regarding Peterloo, 1819,
extracts from Shelley’s The Masque of Anarchy
and William Hone’s The Political House that Jack Built.

The chapter also has following pieces
William Davidson, Speech to the Court in the Cato Street Conspiracy Trial, 1820,
and Mr Crawshay Recounts the Merthyr Uprising, 1831.
This is followed by a section on Chartism, including
Henry Vincent, Chartists in Wales, 1839,
Edward Hamer, ‘The Chartist Outbreak in Llanidloes, 1839,
and Chartist Protests in Newcastle, 1839.
Charles Dickens,’The Fine Old English Gentleman: New Version’, 1841, bitterly attack Tory feudalism and massacres of radicals,
and the Bilston, South Staffordshire Chartist Rally.

The section on money and class has a piece on the rebellion of William Fitz-Osbert against the way the Anglo-Normans barons shifted their tax burden onto the poor,
George Manley’s speech from the gallows at Wicklow, where he was hanged for murder, against the murder and plunder of the rich and general such as Marlborough,
Thomas Gray’s Elegy Written in Country Churchyard,
Robert Burns’ A Man’s A Man for A’ That,
and John Grimswaw’s ‘The Handloom Weaver’s Lament’.
This is followed by a section on Luddism, which contains
John Sykes’ account of machine-breaking at Linthwaite, Yorkshire, 1812,
An Anonymous ‘Address to Cotton Weavers and Others’, 1812,
The poem ‘Hunting a Loaf’,
The poet Byron’s speech on the Frame-Work Bill in the House of Lords, and his ‘Ode to the Framers of the Frame Bill’,
The ballad, ‘The Tradesman’s Complaint’,
An extract from Carlisle’s Past and Present in which he questioned the benefits of unrestrained economic growth,
Frederick Engels, The Condition of the Working Class in England,
An extract from Marx and Engels’ The Communist Manifesto,
Henry Mayhew’s ‘Labour and the Poor’,
‘The Last Sark’ by the radical working class poet, Ellen Johnston,
Thomas Hardy’s ‘To An Unborn Pauper Child’,
The Invasion of the Ritz Hotel in 1938, by Jack Dash, a Member of the National Unemployed Workers’ Union,
George Orwell’s ‘England, Your England’,
John Lennon’s ‘Working Class Hero’,
Jimmy Reid’s Inaugural Speech as Rector of Glasgow University in 1972,
and Dick Gaughan’s ‘Call It Freedom’.

The section ‘Workers United’ contains the following

An Address to the Inhabitants of Great Britain and Ireland by the Glasgow Weavers, 1820,
Richard Oastler’s Letter to the Leeds Mercury on Slavery, denouncing the harsh conditions endured by children working in the factories and mines,
George Loveless, the Tolpuddle Martyr,
Patience Kerr’s Testimony before the Children’s Employment Commission, 1842,
Thomas Kerr’s ‘Aw’s Glad the Strike’s Duin’, 1880,
William Morris’ The Depression of Trade and Socialism: Ends and Means, 1886,
Annie Besant on White Slavery in London,
Samuel Webber’s Memories of the Matchgirl’s Strike,
Ben Tillett on the Dock Strike, 1911,
The Speech, ‘I am here as the Accuser’ by John Maclean, a Revolutionary Glaswegian Socialist tried for sedition for trying to dissuade soldiers from fighting in the First World War,
An account of the General Strike of 1926 by an Ashton Sheet Metal Worker,
Hamish Henderson’s ‘The John Maclean March’,
Frank Higgins’ ‘The Testimony of Patience Kershaw’,
An account of the Miners’ Strike by Bobby Girvan and Christine Mahoney,
And Mark Serwotka’s ‘Imagine Not Only Marching Together, but Striking Together’, of 2011 against the Coalition.

The section on Equal Rights has an extract from Oscar Wilde’s The Soul of Man under Socialism,
Emmeline Pankhursts’ Kill Me or Give Me My Freedom,
George Orwell’s ‘A Hanging’,
and a section for the voices of those involved in the Battle of Cable Street against Mosely’s Blackshirts.
This section includes the testimony of William J. Fishman, a Stepney Labour activist, the then secretary of the Communist Party, Phil Piratin, Joe Jacobs, another member of the Communist Party, also from Stepney, Julie Gershon, a Stepney resident, Mr Ginsburg, from Cable Street, and Mrs Beresford, of Lascombe’s fish and chip shop.
These are followed by an extract from Aneurin Bevan’s ‘In Place of Fear’.

The section and war and piece begins with Thomas Hoccleve’s An Appeal for Peace with France of 1412,
a Handbill from the Weavers of Royton, 1808,
John Bright’s Speech against the Crimean War,
Bertrand Russell’s Letter to the Nation, 1914,
Siegfried Sassoon’s Declaration against War, 1917,
Wilfred Owen’s ‘Disabled’,
The section answering the question, ‘How Should War be Prevented?’ from Virginia Woolf’s Three Guineas,
James Maxton’s Speech Against War,
Charlie Chaplin’s Final Speech from The Great Dictator,
Phil Piratin on the Invasion of the Savoy Hotel, 1940,
Denis Knight, The Aldermaston Anti-Nuclear March, 1958,
Hamish Henderson’s ‘Freedom Come-All-Ye’, dedicated to Scots anti-Nuclear marchers,
and Adrian Mitchell’s ‘To Whom It May Concern (Tell Me Lies about Vietnam)’, 1964.

There is also a section of voices from the women involved in the Greenham Common Peace Protest, containing testimony and memories from Kim Besly, Sarah Hipperson,Ann Pettitt, and Thalia Campbell.
This is followed by Mary Compton’s speech at the Stop the War Coalition, and Robin Cook’s resignation speech to parliament against the invasion of Iraq.

The section and gender and sexual equality begins with an anonymous sixteenth century Song on the Labour of Women,
The Petition of Divers Well-Affected Women, 1649, against the imprisonment of four of the Levellers,
An anonymous article from the Saint James Chronicle from 1790, recording the ‘Extraordinary Female Affection’ between the ‘Ladies of Llangollen, Lady Eleanor Butler and Sarah Ponsonby,
Mary Wollstonecraft’s A Vindication of the Rights of Woman, 1792,
Anna Wheeler and William Thompson’s ‘Address to Women’, an extract from their pamphlet, Appeal of One Half of the Human Race, Women, against the Pretensions of the Other Half, Men, to Retain them in Political, and thence in Civil and Domestic Slavery, 1825,
A letter by an anonymous prostitute from the Times, 1858,
Josephine Butler’s An Appeal to the People of England, on the Recognition and Superintendence of Prostitution by Governments,
Edmund Kell, ‘Effects of the Acts Upon the ‘Subjected’ Women, against the humiliation endured by women through the examinations under the Contagious Diseases Act,
Oscar Wilde’s Second Trial for ‘Gross Indecency’,
Helen Gordon Liddle’s The Prisoner, an account of the force-feeding of the Suffragettes under the ‘Cat and Mouse’ Act,
Two passages from Virginia Woolf’s A Room of One’s Own,
Against the Law, by Peter Wildeblood, a journalist and TV producer arrested for conspiracy to incite acts of gross indecency,
The memories of Vicky and Janice of Lesbian Life in Brighton in the 1950s and ’60s,
Selma James and the Women’s Liberation Workshop, ‘Women against the Industrial Relations Act’, 1971,
Tom Robinson’s ‘Glad to be Gay’,
Quentin Crisp’s How to Become a Virgin,
and Ian McKellen’s Keynote Speech at the 2008 Stonewall Equality Dinner.

The section, ‘Battling the State’, has pieces and extracts from
Tariq Ali’s ‘The Street is Our Medium’, from Black Dwarf, the newspaper of the Vietnam Solidarity Campaign, with a copy of Mick Jagger’s handwritten lyrics to Street Fighting Man.
Paul Foot’s Speech on the Murder of Blair Peach, 1979,
The Clash, ‘Know Your Rights’, 1982,
Elvis Costello, ‘Shipbuilding’, against the Falkland’s War,
Pensioner Nellie discussing the Poll Tax revolt,
Jeremy Hardy, ‘How to Be Truly Free’, 1993,
‘Catching Buses’ by the Bristolian disabled rights activist, Liz Crow,
Harold Pinter’s ‘Art, Truth and Politics’, 2005,
Mark Thomas’ ‘Put People First G20 Protest of 2009,
Euan Booth’s ‘Subversively Move Tony Blair’s Memoirs to the Crime Section in Bookshops’,
The Speech on Student Protests by the fifteen-year old schoolboy, Barnaby Raine, to the Coalition of Resistance Conference.
The book ends with Zadie Smith’s piece attacking library closures in 2011.

As well as notes and a normal index, the book also has a chronological index, placing the pieces in order according to the dates they were written.

The book is indeed encyclopaedic and comprehensive in the range of its selected texts through two millennia of history. Firth is quite right when he says that much has been necessarily left out. Whole can and have been written about some of the subjects he has touched on, such as popular protest in history, the Enclosures, Chartism, the development of British Socialism, Irish, Scots and Welsh history and nationalism, Socialism in Britain, opposition to the workhouse, to name but a few. There are a number of works on gay, gender and women’s history. E.P. Thompson himself wrote a history of the English working class, which remains one of the standard texts on the subject. Labour history-writing goes further back than Thompson, however. The Fabians, Sidney and Beatrice Webb wrote two books on the country and town labourers respectively. A number of the first Labour MPs to be voted into parliament have also left their autobiographies, describing their rise from manual labourer to Member of Parliament.

The book does an important service by showing just how old some of the issues and techniques raised and used by today’s protesters actually are. Hoccleve’s appeal for peace with France shows that peace protests go right back to the Middle Ages. Indeed, in the Tenth Century the Church led a peace movement to establish God’s Truce. This was the ban on fighting by the knights and the aristocracy on certain days of the week, so that the peasants, their crops and livestock were harmed as little as possible. And some of the 19th century popular protests are surprisingly modern in flavour. I was struck in the 1980s by how similar Cobden and Bright’s peace meetings demanding an end to the Crimean War were to contemporary anti-Nuclear peace marches and protests. An earlier generation would doubtless be struck by the similarity to the anti-Vietnam protests. The various articles, pamphlets, books and letters written attacking British imperialism are a reminder that, even during the intensely patriotic Victorian age imperialism and colonial expansion were the subjects of criticism. One of Gladstone’s ministers was privately strongly anti-imperial, and wrote articles for the Liberal press denouncing imperialism. ‘A love of empire’, he wrote, ‘is the love of war’. It’s as true now as it was then.

The Anti-Saccherist League is another example of a startlingly modern Victorian protest. It was an early example of ethical consumption. It aimed to attack slavery by destroying the profits from sugar produced by slaves. Instead of buying sugar from the Caribbean, it instead promoted Indian sugar, which it believed was produced by free people. The book doesn’t mention it, but there were also feminist campaigns to end slavery. One of the petitions against slavery compiled by anti-Slavery activists, was by women, attacking the brutality experienced by enslaved women, and addressed to the Queen herself, Victoria. It was felt that she, as a woman, would have more sympathy to the sufferings of the other members of her gender in slavery than men. Mary Wollstonecraft’s Vindication of the Rights of Woman is justly famous, and has been published in Penguin Classics. It, and the 19th century pamphlet similarly protesting women’s subordination and exploitation are a reminder that feminism did not begin with the suffragettes or was a product of ’60s radicalism.

Some of the older, more ancient texts from the book could easily be reprinted today as an indictment of modern conditions and attitudes under the Coalition. The descriptions of the government and employers’ opposition to the dock and matchgirls’ strikes sound very modern indeed, and Annie Besant’s denunciation of white slavery in London – the gruelling work performed in factories by poorly paid and exploited workers, sounds exactly like the world Cameron, Clegg and the rest of the whole foul crew would like to drag us back to.

I do, however, have problems with some of the material included in the book. It’s true that the United Kingdom was largely created through military expansion and conquest, as the Anglo-Norman barons first took Wales, and then established the English pale and suzerainty over the Gaelic clans in Ireland. They tried to conquer Scotland, but England and Scotland were only politically united after the failure of the Darien colony in the early 18th century. The history of the British control of Ireland is one of repeated misgovernment and oppression, as well as missed opportunities for reform and improvement. If some of George III’s ministers had succeeded in enfranchising Roman Catholics, so that they had at least some of the same rights as Protestants, or Gladstone, himself very much a member of the Anglican Church, had succeeded in granting ‘Home Rule all round’ to the ‘Celtic Fringe’, then some of the sectarian and political violence could possibly have been avoided. Discrimination against Roman Catholics was widespread and resulted in the Civil Rights demonstrations by Ulster Catholics in the 1960s. It also produced the Nationalist terrorist groups, who, like the Loyalist terrorists, which opposed them, have been responsible for some truly horrific atrocities, including the mass murder of civilians. I do have strong reservations of parts of the Irish folk scene, because of the way folk songs describing and denouncing historic atrocities by the British, were used by Nationalist paramilitaries to drum up hatred and support for their murderous campaigns. I am certainly not accusing any of the modern folk groups included in the book, whose lyrics denounce what they see as the continuing oppression of the Irish people, of supporting terrorism. Firth and Arnove appear to have deliberately avoided choosing the contemporary folk songs that do glamorise terrorism. Nevertheless, there is a problem in that some of the Irish folk songs about the suffering of their country and its people can be so abused. I am also definitely not impressed with Protestant, Loyalist sectarianism and its vilification of and celebration of violence against Roman Catholics.

It’s also the case that historically at least, many Protestants did support the aspirations of their Roman Catholic fellow-countrymen for freedom and emancipation. A few years ago Mapping the Town, BBC Radio 4’s urban history programme, broadcast an edition from Belfast. This noted that one of the first Roman Catholic churches built in the town in the late 18th or early 19th century was half funded by the town’s Protestants. Although there denominations were recognised and permitted by the Anglican establishment, unlike Roman Catholicism, which was rigorously prohibited, they also suffered serious legal disabilities and were prevented from holding political office. They shared the resentment their Roman Catholic friends and fellow Irishmen felt, and so sometimes, as here, made common cause with them. The book does include some of the speeches from Wolfe Tone’s United Irishmen, the 18th century militant Nationalist organisation that included both Roman Catholics and Protestants. This makes the point that the struggle for an independent Ireland has historically included Protestants as well as Roman Catholics. Nevertheless, possibly some further Irish Protestant texts supporting independence or Roman Catholic emancipation would have been useful, to show such issues can and did transcend the religious divide.

Another problem with the section on Ireland is that in Northern Ireland the majority of the inhabitants were Protestants, who wished to remain part of the United Kingdom. Indeed, the province was created through an uprising against the possibility that it would become part of Eire. While the oppression of Roman Catholics in Ulster is definitely undemocratic, it also has to be recognised that Ulster has remained part of the UK through the wishes of a majority of its people. This has been implemented through democratic politics, which is something that needs to be recognised. Unfortunately, the exclusive focus on Irish nationalism in the book obscures the fact that the province’s inclusion in the UK does have a popular democratic mandate.

A further issue is the exclusion of a modern, working class Ulster Protestant voice. Nearly a decade ago now the Independent reviewed a play by a working class Ulster Protestant playwright about the Troubles. The play was about a family reacting to the rioting occurring outside. I’ve unfortunately forgotten, who the playwright was. What I do remember was his comment that working class Protestants in Ulster were disenfranchised, as there were no organisations representing them. It’s a controversial claim, but there’s more than a little truth in it. Many of the working class political parties in Northern Ireland, such as the SDLP, are more or less Nationalist. The Unionist party, on the other hand, was formed from the merger of the Conservative and right-wing parts of the Liberal party. There has therefore been little in the way of working-class Protestant political parties, although some of the militant Protestant paramilitaries did adopt a radical Socialist agenda in the 1970s. Again, it would have been good to have a text or so examining this aspect of Northern Irish politics, though one which would not support the Protestant paramilitaries and their violence.

Equally problematic is the inclusion in the book of the voices of the womenfolk of the men imprisoned in Guatanamo Bay, collected by Victoria Brittain. Now Gitmo is indeed a human rights abuse. The prisoners there are held without trial or sentencing. The reasoning behind this is that, while they are guilty of terrorism offences, wartime conditions and the pressures of battle mean that it has been impossible to obtain the level of evidence required to secure a conviction under civilian law. If they were tried, they would be acquitted, and disappear to continue their terrorist campaigns against the US. Hence, for national security they must be detained outside the law. It’s a dangerous argument, as it sets up a precedent for the kind of ‘Nacht und Nebel’ disappearances and incarceration without trial of domestic opponents that was ruthlessly used by the Nazis on their political opponents in Germany.

This does not mean that the men held without trial in Gitmo are democrats. Far from it. Those that fought for the Taliban supported a vehemently anti-democratic regime. It was a violently repressive theocracy, which rejected ‘man-made law’ in favour of the Sharia. Under the Taliban, no forms of religious belief or unbelief were tolerated apart from Islam. Women were prevented from going out in public except when clad in the chador. As they were supposed to be silent and not draw attention to themselves when in public, they were beaten if they made a sound. This included the noises made by the artificial limbs of women, who had been mutilated by the mines and ordnance used in the fighting. There was also an active campaign against female education. This situation has been challenged by the presence of the Coalition forces in Afghanistan. Jeremy Hardy in the News Quiz derided this as ‘collateral feminism’. He has a point. The war was not fought to liberate or improve the conditions of Afghan women. This is very much a side effect. However, if the Western occupation of Afghanistan does raise their status and give them more freedom, then it will have done some good.

As for the occupation of Afghanistan itself, I’ve read material that has argued that the real reason the Western forces are there is to secure access to and appropriate the country’s oil pipelines. There’s possibly something in that. However, the immediate reason for the invasion was al-Qaeda’s attack on the US on 9/11. The destruction of the Twin Towers and parallel attacks on the Pentagon and the White House were acts of war. There is simply no two ways about this, and the West’s counter-attack and invasion of Afghanistan was an entirely appropriate response. It is therefore somewhat disingenuous to include the piece of on the suffering of the wives of the men imprisoned in Guantanamo Bay, when the men themselves were the militant, murderous supporters of an oppressive regime that itself had absolute contempt for democracy and Western notions of human rights.

If many of the texts in this volume seem surprisingly modern, the extracts on the Ladies of Llangollen can be somewhat misleading in that historically British society has recognised a number of intense same-sex relationships, that were not at the time regarded as homosexual, or which included a homosexual element that was nevertheless seen in context as part of a wider relationship. There has been a book published within the last year or so on the homosocial relationship between medieval knights, which examined the all-male camaraderie and loyalty between them. The chivalrous concept of campiognage, which was the extreme friendship and loyalty between two knights, could be described in homosexual terms, even when one knight was helping his comrade in arms to escape with his lady love. In the 19th century there was the ‘romantic friendship’. This was a devoted friendship between two members of the same sex. These now can strike us as definitely gay, but at the time these were not seen as being necessarily homosexual or particularly extraordinary. Cardinal Newman’s request to be buried next to another priest, with whom he shared a profound friendship, was almost certainly such a Victorian romantic friendship, rather than a straightforward gay relationship. Although the ladies of Llangollen described themselves as having eloped, they always maintained that they devoted themselves to artistic and intellectual pursuits. They were celebrated at the time for their devotion to each other, and visitors to their home included many of the 19th century’s great and good, including the Duke of Wellington. It seems to me therefore that there relationship was seen as another romantic friendship, rather than a lesbian relationship.

It is also the case that the Victorians were aware of the existence of lesbianism. The story that when they were formulating the laws against homosexuality, Queen Victoria and her ministers did not outlaw female homosexuality because they didn’t believe it existed is a myth. They knew that it did. They just didn’t see it as a particular threat. The historian Martin Pugh makes this point in his book, British Fascism between the Wars. He argues that lesbianism was only perceived as a threat to British society after the First World War, when there was a ‘crisis of masculinity’. It was widely believed that the cream of British manhood had all been carried off by the War, and that only inferior men had been left behind. This created the atmosphere of sexual panic in which arose Pemberton Billing and his notorious black book. Billing was an extreme Right-wing Tory MP, who believed that the Germans were blackmailing British homosexuals into betraying their country. He claimed to have a little book containing the names of 50,000 ‘devotees of Sodom and Lesbia’, and regularly attacked other public figures with accusations that they were gay. At least one of his victims sued for libel, but the trial was called off when Billing accused the presiding judge of being another gay, whose name was in his book. I’m no legal expert, but it has struck me that the judge would have grounds for jailing him for contempt. Moral fears and legislation against gay women arguably date from this period, rather than the Victorian age.

These reservations aside, this is a powerful, inspiring book, that should encourage and empower anyone with an interest in radical history and who is determined to defend freedom and dignity today from the increasing attacks on it by the Coalition, the most reactionary regime this country has endured since the election of Mrs Thatcher in 1979.