Jewish Comics Artist Eli Valley Attacks the ‘Kapo’ Insult Hurled by Zionists

It must be the week for comics and the Israel lobby. This time last week the bug-eyed Zionists of JVLWatch tried again to smear Mike as an anti-Semite using his ‘Hardboiled Hitler’ strip from Violent. Violent is Mike’s small-press homage to the 1970s comic, Action, which caused outraged and ended up being banned because of its violent content. In ‘Hardboiled Hitler’, Mike satirizes the Fuehrer, presenting him as a superhero, who is nevertheless a grotesque, posturing, inept, flatulent clown. The flatulence is entirely historically accurate. Hitler suffered from meteorism – chronic flatulence. Apparently it got very loud and nasty when he was in full rant. JVLWatch, whoever they are, tried to present the strip as a glorification of the Nazi regime and that the poisonous clouds surrounding Hitler represented the gas chambers used to murder the Jews. They weren’t. The noxious fumes surrounding Hitler all came from the Fuehrer’s bottom, and very definitely didn’t make him look at all heroic or glamorous. Various newspapers have also tried to make the same claim that Mike’s anti-Semitic using the strip. And as Mike says, when he complained to the press-regulator IPSO about them, the regulator dismissed their claims out of hand.

On Tuesday Tony Greenstein put up on his blog a page of art by the American left-wing Jewish comic artist and writer, Eli Valley, published in Jewish Currents, attacking the ‘Kapo’ insult. The Kapos were the heads of the Warsaw ghetto under the Third Reich. The Nazis cruelly delegated to them the responsibility of choosing which of their community should be sent to the extermination camps, which they did under duress. If the leaders refused, the SS would have attacked and killed everyone there.

Since then it’s become an insult the Israel lobby hurls at those Jews, who criticize Israel and Zionism for its crimes against the Palestinians. In the page reproduced by Greenstein, Valley turns the insult around and hurls it back at them, showing how the Zionists deserve the epithet far more than the people they slander. He explains how he was once attacked in this way by the editor of the Jewish magazine, Commentary, because he published a story about a Jew’s crisis of conscience after Israeli settlers burned alive a Palestinian child. The current Israeli ambassador to Israel also used it against the centre-left Jews of J-Street. He goes on to make the point that the Israeli right believe that the lessons of the Holocaust are that gentiles will always hate Jews, who must survive by any means necessary. That means attacking as treason even objection to the most Fascistic forms of Israeli nationalism. Hence Netanyahu joined demonstration attacking Yitzhak Rabin as a Nazi.

But to Valley, the real Kapos are the supporters of Trump and Netanyahu, the people who support Trump’s separation of immigrant children from their parents in his own concentration camps on the Mexican border. He shows the similarity between recent American immigrants, who have committed suicide fearing deportation, and those Jews who did the same in Franco’s Spain fearing that they would be sent back to the Third Reich. He also attacks the Orthodox Union for its award to Trump’s politico, Jeff Sessions. American Jews, he argues, have forgotten the other lesson of the Holocaust, that atrocities like this should never again happen to anyone, anywhere, ever again.At the heart of this problem is the way the Jewish community has allowed Jewish identity to be defined by a mainly Zionist, Orthodox right-wing minority. The result is that the Jewish community has internalized this view, and sees themselves through its lens. Hence when Jews declared that they felt ashamed to be Jewish after Israeli snipers killed over a hundred Gazans, this showed that they had accepted the belief that only Israel embodied authentic Jewish values. The strip concludes by that Jews need to take control of the vernacular to express the values they share, and use it to excommunicate people like arch-Zionist Trump supporter, Sheldon Adelson. Valley concludes by comparing them to the real Kapos, who had no choice about their collaboration with the Nazis. He states of the Zionists and other Jews supporting Trump ‘Kapo doesn’t begin to plumb the depths of their betrayal.’

It’s strong stuff which makes an excellent point, particularly because of Trump’s own connections to and support for the genuine anti-Semites of the extreme right. Greenstein also provides a link in his article to the webpages for Valley and his work. Valley’s published a collection of his strips from over the years, Diaspora Boy, in which he attacks right-wing abuse and corruption in the Jewish community and wider American society. The webpages also have samples of his work. And along with the critical praise is a quotation from a very offended person, who felt that it shouldn’t have been published anywhere. Valley’s been compared to Robert Crumb, but that’s not quite right. His view of society and humanity is as bleak and vicious as Crumb’s, but his style is more like that of Charles Burns in his 1990s alternative comic, Skin Deep.

Greenstein also adds more awkward facts to support Valley’s view of Zionists as the real Kapos. Like the Ha’avara agreement between the Nazis and Israel in 1933 that broke the international Jewish boycott of Nazi Germany and the suppression of the Auschwitz Protocols by Hungarian Zionist Erich Kasztner in order to preserve a treaty between them and the Nazis. He describes how the founder of Zionism, Theodor Herzl, came to believe that anti-Semitism was inevitable and couldn’t be fought when he was in France during the Dreyfus scandal. Hence the head of the Israeli Labor Party, Avi Gabbay, told American Jews that the real place was in Israel after the Pittsburgh massacre on Saturday. And how Berl Katznelson, the founder of the Israeli party Mapai, declared the Nazi seizure of power in 1933 was an opportunity for the Jews to build and flourish as never before, at a time when the rest of German Jewry were preparing to protest. This is also the reason why Ben Gurion opposed the Kindertransport evacuating Jewish children from Nazi Germany to Britain, because they wouldn’t be taking them to Israel. As for the real Kapos, Greenstein writes

The kapos were themselves prisoners who were destined for extermination. They had no control over their situation and their collaboration, if that is what it was, was forced. Who knows what any of us would do in such a situation? The Jewish Agency was under no such compulsion yet it willingly collaborated lobbying the Gestapo not to allow Jewish emigration to countries other than Palestine.

He then goes on to discuss the way members of the Fascist right, like Britain First, are accusing genuine anti-racists of racism, and how the National Front and BNP try to present themselves as protecting British Whites from Black racism. He also mentions how Zionists frequently tell their Jewish opponents that they wish they and their families had died in the Holocaust. One of the victims of this vile abuse was Aurora Levins Morales, a Black Jewish New Yorker.

He also attacks James Dyer, a Christian Zionist and member of the Sussex Friends of Israel – a group that’s also close to the EDL – who called him a ‘Kapo’. He goes on to connect him to Christian millennialist support for Zionism, which believes that the foundation of Israel is part of the End Times. Before Christ returns, however, the world will suffer a great tribulation. And in the Book of Revelation this will result in the destruction of the vast majority of Jews, except a small number who convert to Christianity. One of the most prominent Right-wing American Christian leaders is Jack Hagee, the head of Christians United for Israel, who also believes that Hitler did God’s work. He’s one of the two pastors Trump has appointed as ambassadors to Israel. He goes on to connect this with Christian anti-Semitism during the Third Reich, such as the German Lutheran church’s installation of the pro-Nazi bishop, Ludwig Muller as Reich Bishop, and Monsignor Tiso, the Roman Catholic prelate in Slovakia who presided over the deportations to the death camps there. He concludes

It is therefore no surprise that today the successors of Muller and Tiso are to be found supporting the Zionists and decrying any notion of Palestinian rights. It is even less of a surprise that they assuage their consciences with the taunt of ‘Kapo’.

http://azvsas.blogspot.com/2018/11/kapo-anti-semitic-insult-that-zionists.html

To be fair to Hagee, he’s not the only person, who believed that Hitler did God’s work. Apart from Hitler himself, I think Holocaust survivor and acclaimed author Elie Wiesel also stated that Hitler was God’s servant, based on the way God in the Old Testament uses foreign invaders like the Assyrians and Babylonians to punish Israel before punishing them in turn. Wiesel, incidentally, was certainly no self-hating Jew. He was a staunch supporter of Israel, who never criticized its brutal maltreatment of the Palestinians.

And Christian Zionism has been attacked for its racism and distorted theology by the Christians of the American Presbyterian Church in several books, which have been reviewed by the Electronic Intifada, and which I’ve blogged about.

But Greenstein’s article and Valley’s cartoons show very graphically how the real Kapos and collaborators with Fascism are the Zionists, both Jewish and Christian.

Mike Smeared Again by Fake Anti-Semitism Accusers for Comic Strip

The Blairites and the Israel lobby must be getting the jitters about Mike and his forthcoming hearing to clear his name in the Labour party. And it looks like they’re absolutely terrified that he’ll get the money he needs to sue the newspapers and individuals that started the smears for libel. So they’ve decided to smear him again.

In a piece he put up on Thursday, Mike explains how he was told by a friend through email that a bunch of clowns calling themselves JVLWatch were on twitter. They were targeting those, who had contributed to his crowdfunding campaign to raise money for his libel case by misrepresenting a strip Mike created and wrote for his small press comic, Violent. Violent was Mike’s tribute to Action, the 1970s comic that drew outrage for its violent, gory content and ended up being banned. Its creators then went on to produce the mighty 2000AD. The strip JVLWatch cited as proof that Mike’s a Nazi is his satirical strip, ‘Hardboiled Hitler’. In this strip, Der Fuehrer is given superpowers similar to those of captain America. But while Cap’s powers are acquired decently, Hitler instead steals the syringe containing the supersoldier serum, and injects it into himself in a disgusting toilet.

Mike makes the point that he wrote the strip to satirise Adolf and Nazism, and to warn people about the dangers of their return. The Sun and the Sunday Times also tried to use the strip to show that Mike was a Nazi, and their case was dismissed out of hand by IPSO. As for Hitler punching through gas clouds to justify Aryan supremacy and the extermination of Jews, as JVLWatch claim, this is nothing of the sort. Yes, the strip shows Hitler surrounded by clouds of poisonous gas, but it’s the type coming from the Fuehrer’s bottom. Hitler suffered from meteorism – chronic flatulence. Apparently when he was in full rant, the noises from his rear end sounded off like cannonades. This is obviously not the image the Nazis want to present of their Aryan messiah. And so it is definitely one of the images Mike was determined to show in the strip, to present him as a kind of Fascist ‘Barry Fartpants’. And so Mike included in his piece about the accusation this image:

The caption for it on Mike’s blog is:

—Extreme flatulence: According to JVLWatch, this is a sign that Hitler is being portrayed as a superhero. How many superheroes do YOU know who have the farts?

Well, there is one: Mr. Methane, a man who turns up in superhero costume and makes his living breaking wind in supposedly funny and amusing ways. Like the original Le Petomane in 19th century France, who could fart the tune of the Marseillaise, ending with the fall of the Bastille. But he’s the only one.

For further information, go see Mike’s blog, where you can read the defence he gave to IPSO, and a story from the strip to show this mocks Hitler as a clumsy, posturing clown.

See: https://voxpoliticalonline.com/2018/11/01/fake-anti-semitism-accusers-are-fabricating-hate-to-turn-opinion-against-the-innocent/

Now I’ve some interest in the ‘Hardboiled Hitler’ strip, because I studied the rise of Fascist and Communist regimes as part of my history degree at College in the 1980s. Mike asked me for bits of historical information about Hitler and his squalid, murderous band.

And I confirm that Mike’s intention was always to satirise and humiliate the Nazi leader. He very definitely had no intention whatsoever of making him appear glamorous, or glorifying the Nazi regime.

And the literary style Mike is using to satirise Hitler is called ‘mock heroic’. It’s been used in British literature since at least the 18th century. In it, you give the objects of your ire a heroic treatment in order to show up their failings and paltry character. Which Mike has done here admirably.

I can also remember talking to Mike about the serious issues of the Nazi regime. At that stage, I don’t think Mike had any firm ideas regarding the story, but he was determined that if it did cover issues like the Death Camps, these would be presented absolutely straight. They would be written as grim as possible, with every sympathy going to the Nazis’ victims. Because the systematic slaughter of innocents, Jews, Blacks, or anyone else, is never, ever a laughing matter. He made it very clear to me that if he did show that aspect of the Nazi regime, it would be to shock readers with the terrible reality, to make the point that Nazism, although a suitable subject for satire and comedy, was also absolutely horrific. To make the point that the Nazis deserve to be sneered and laughed at, but the danger they represent should never be underestimated.

I should also point out here that the British comics milieu, as it is now, is very definitely not racist. Certainly not the parts I’ve seen. Mike and I grew up reading Marvel Comics, enjoying the creations of Stan ‘the Man’ Lee, ‘Jolly’ Jack Kirby and others. The American comics industry was the creation of American Jews, as shown in the book about the origins of the superhero strip, Men of Tomorrow. The creators of Superman, for example, Jerry Siegel and Joe Shuster, were both Jewish. As is Stan, and Jack Kirby. The Jewish background of Superman’s creators may explain why the Nazis hated the Man of Steel. They attacked him as a Jewish plot to destroy Aryan culture. The last thing Hitler wanted was a guy with superpowers, devised by two Jewish blokes, flying around defending Truth, Justice and the American Way, and particularly not Democracy. If you want to see something of the background in which many of the creators of the American comics industry grew up, try Will Eisner’s A Contract with God and Other Tenement Tales.

American comics often explicitly dealt with racism and prejudice. In one episode of the Superman radio series, the Man of Tomorrow went into action against the Klan. The episode was praised by civil rights and Jewish groups, including the NAACP – National Association for the Advancement of Coloured People. In the 1970s both DC and Marvel characters went out, exploring the contemporary racial issues around them. New, Black characters were created. In Marvel, these were the Falcon, Brother Voodoo, Powerman, alias Luke Cage, hero for hire, and the X-Men’s Storm. In fact the X-Men can be read as a reflection of the position of racial and sexual minorities in America. They’re a persecuted underground of people, set apart from normal society, like people from ethnic minorities and gays.

And these stories would deal explicitly with the horrors the Nazis perpetrated against the Jews, and would still like to do. I can remember reading one comic, in which the transhuman Nazi villains Armin Zola and his buddies were trying to create the Cosmic Cube. This was an object that gave its possessor godlike powers over the entire cosmos. They were using humans, wired up into a computer, to perform the calculations needed to create the artifact. However, the calculations were so difficult, they burned out the brains of the unwilling human components, leaving them mindless, drooling idiots. And so the people they were using in this grotesque experiment were Jews. The strip featured the attempts of the story’s heroine to save to her lover, Yusuf Tov, from this fate. And tragically, she’s unsuccessful.

I’m very much aware that this is a science fictional treatment of the Nazis, and that objects like the Cosmic Cube don’t exist. And Nazis themselves don’t look like Arnim Zola, who had upgraded himself through high technology so that he was now a TV with arms, legs and an aerial where his head should be. But it made the point that the Nazis had absolute contempt for human life, and regarded Jews as worthy only of exploitation and murder.

And on this side of the Atlantic, there was Pat Mills and the recidivists of 2000AD, the Galaxy’s Greatest Comic. Many of the strips there had a very definite anti-racist content. ‘Strontium Dog’ was set in a future Britain devastated by nuclear war. The Strontium Dogs of the title were mutant bounty hunters, named after Strontium 90, one of the products of nuclear fallout. These were deformed men and women, who were forced to live in ghettos. By law, bounty hunting was the only job they could do. And when they travelled anywhere around the galaxy, it was very definitely in steerage. The strip’s hero was Johnny Alpha, his norm partner Wulf, and their alien friend, the Gronk. One story in the 1980s was about the attempts by Nelson Bunker Kreelman, Alpha’s father, to exterminate Britain’s mutants while trying to hide the fact that his son was one of them. It’s definitely not hard to see that the strip was an anti-racist metaphor.

As was ‘Nemesis the Warlock’, set in a far future where Earth was under the control of the Terminators, a Klan-like outfit led by their Grandmaster, Tomas de Torquemada. They were a pseudo-religious order, who had led humanity into a new Dark Age, and were rabidly against all forms of alien life. Their leader took his name from his own hero, the head of the Spanish Inquisition in the 15th century.

Mike was given considerable assistance with Violent by many professional comics writers and artists, many of whom have worked for the mighty 2000AD. They’re great people, immensely talented, and if they had thought for a single minute that Mike’s strip was a genuine glorification of the Nazis, they wouldn’t have touched it or him with a bargepole.

As for the group which made these despicable allegations, their name reveals what they’re really terrified of: left-wing, Israel-critical Jews, and Jewish Corbyn supporters. Like Jewish Voice for Labour. And here we get into real racism and anti-Semitism. As I’ve also blogged about ad nauseam, the Israel lobby hate with a venomous passion self-respecting Torah-observant and secular Jews, who criticize Israel and support Corbyn. Because they give the lie to their propaganda that Zionism, Israel and Jewry are identical. And so they do everything they can to smear them as self-hating, anti-Semitic and use foul language against them, including wishing that they had died in the Holocaust. Tony Greenstein has made the point that Zionism is a Jewish form of anti-Semitism, because it holds that gentiles and Jews are fundamentally incompatible and that gentiles will always hate Jews. Hence their contempt for diaspora Jews, who wish to remain in their parents’ homelands, and who regard Israel with contempt for its colonialist maltreatment of the indigenous Arabs.

It is not Mike and his fellow comics professionals who are at fault here. It is the shabby people of JVLWatch, who had behind internet anonymity to smear and revile decent, anti-racist people and their campaign for a better, more inclusive, tolerant Britain.