Adele’s Adoption of Black Style Is In a Long Tradition of White Anti-Racism and ‘Allyship’

One of the controversies that has now broken out in the wake of Black Lives Matter has been over the dress and hairstyle Adele adopted yesterday. She was hoping, like many folks, to attend the Notting Hill carnival. But it was cancelled due to the restrictions on large gatherings imposed by the Coronavirus. I’ve heard that they held a Virtual one online instead. Adele decided to signal her support for the carnival by posting a picture of herself in a bikini showing the Jamaican flag and with her done in a Black hairstyle. So the league of those wanting to find any excuse to be offended have accused her of ‘cultural appropriation’.

I really don’t accept this. I believe that she wore the bikini and the hairstyle as a genuine gesture of support to the Carnival and the Black culture that created it. And moreover, without people like Adele adopting Black fashions and Black music, Black culture would not have the acceptance it does among Whites and the racism Black people experience would be much, much worse.

Real Appropriation of Black Music and Culture

I am very much aware that cultural appropriation has occurred. Black people have complained for a long time that ‘the White man stole the Blues’. One of the great stars of the Big Band era, Benny Goodman, is a case in point. Goodman was a White man, but all his hits were written by Black Jazzers. One of the most notorious cases is that of ‘Tar-ra-ra Boom-de-ay’ in the 19th century. It’s credited to a White musician, but he heard it from a Black lad singing it on the streets. And cultural appropriation also doesn’t just apply to Blacks. Native Americans are also uncomfortable when Whites adopt their traditional culture, like some of the New Agers and pagans, who have adopted aspects of their religion. And I can’t say I blame them. But what Adele has done is the opposite, and goes right back to the 1920s and before when White youths began adopting Black fashion and music.

The ‘White Negroes’ of Jazz and Rock-n’Roll and Anti-Racism

One of the first in the 1920s was ‘Mezz’ Mezzrow. He was a White kid, who first immersed himself in the emerging Jazz scene. He adopted Black culture to such an extent that he has been called ‘the first White Negro’. Later on, one the ‘White Negroes’ – I’ve forgotten which one, painted himself with melanin in order to see what being Black in America was really like. I think he got an unpleasant surprise. But this didn’t stop him writing a book pleading for reconciliation between Whites and Blacks. And after Jazz faded with changes in youth culture, it’s place was taken by rock’n’roll. The books on music I’ve read state clearly that it’s a hybrid musical genre – a mixture of White Country music and Black barrel house Jazz. I’ve got a feeling that the primacy given to the guitar in rock and pop, rather than the piano or keyboard, comes from the old Blues master Howlin’ Wolf when he was performing in Chicago. Little Richard, who passed away recently, once claimed in an interview that it was thanks to him Blacks and Whites started dancing together. Before he started performing, he noticed that White the dance floors were full of Blacks tripping the light fantastic, the Whites just stood around the edges watching. ‘White spectators, we used to call ’em’, he reminisced. Then he started playing and they suddenly joined the Blacks on the floor. ‘So a decade before Dr. Luther King, we had integration’.

Nazi Hatred of the  White Adoption of Black Culture

And those Whites that did adopt Black music got real hate for it from the real racists. It comes from the old biological determinism that sees culture as the product of biology. By this standard, Whites are somehow betraying their race and degrading themselves by adopting Black music and fashion. Back in the 1980s there was a book, The Best of Signal, which published articles from the big popular Nazi mag of the Third Reich. It was published by a mainstream publisher as I think one of the very many titles on the Nazis, the Third Reich and World War II that appear every year. I found a copy in a secondhand bookshop. One of the articles in it was an explicit attack on the contemporary Jazz scene in America. It showed a groups of American youths – I can’t remember whether they were White or Black – wearing the characteristic ‘Zoot suits’ and made it very plain what the writer and the vile regime he served thought of them. When White kids in the 1950s started listening and dancing to rock’n’roll, Conservative voices accused them of taking over ‘Negro sensuality’.

And the same criticisms was still being voiced in the 1990s. That was the decade that saw the emergence of the Militia movement in the US and the gathering of various neo-Nazi outfits in the Hayden Lakes area, where they started building communes and compounds. These are real Nazis, not the casual racists who are often simply called it for their vile opinions. I think Louis Theroux went to one of them in his Weird Weekends. It was built like an armed fort or concentration camp, complete with watchtowers and barbed wire fencing. The obergruppenfuhrer Theroux interviewed proudly showed him the stack of greeting cards he’d had printed for his storm troopers to send. For most people, it would have been blasphemy, as it showed Adolf Hitler as Santa coming down a chimney bringing presents. In the interview I read, the writer tried to tackle one of these Nazis on the subject of Whites. The reply they got was that contemporary White culture had been corrupted by Black. They listened to Black music, wore Black fashions and danced like Blacks. Except he didn’t say Blacks. He said ‘N***ers’. It’s the same sentiments David Starkey got rightly panned for in 2012 or so when he was asked what was responsible for the riots. He blamed Black music. When it was pointed out to him that a fair proportion, at least, of the rioters were White, he stated that ‘they have become Black’. I don’t doubt that same White racists would condemn Adele for her choice of dress and hairstyle yesterday.

Blacks and Musical Apartheid

And these sentiments are contributing to apartheid in music. One of the complaints that has been voiced in the wake of the Black Lives Matter has been by Black musicians about the racism in their industry. I remember reading newspaper interviews 25-30 years ago by Black British musicians complaining about the musical apartheid they found when they toured America and parts of the continent, like Austria. They found there that music was strictly compartmentalised between ‘White’ and ‘Black’. One section dealt with Black performers another with Whites. I can’t remember who the Brit muso was, but she was really shocked because back here in Blighty she performed for people of all colours. But when she went to America, there was an expectation in the record company that she’d only perform for Blacks. At the same time, she and other Black musos, when they toured Austria, found their CDs and records put in the section of the music stores devoted to Black music.

I’ve also heard since then about the racism and abuse Black artists have had to face when they’ve tried performing in ‘White’ genres. A friend of mine told me a little while ago about the amount of hate the founder of the Heavy Metal band, Living Colour, got. Living Colour was an all-Black band, who wanted to produce awesome Rock. And apparently they got a lot of hate from both sides, Blacks as well as Whites, for daring to play a ‘White’ style of music. A month or so ago Radio 4 one started broadcast a piece about a Black American Country and Western performer. I can’t remember who he is, but I think he’s pretty old and has been playing it for a long, long time. And he’s suffered the same kind of abuse from the same type of people. It’s hard for me not to think that by accusing Adele of cultural appropriation, her critics are supporting the same kind of racist attitudes that would keep Whites and Blacks from appreciating and performing music outside very strict racialised boundaries.

Whites and Black Fashions and Hairstyles

As for Whites adopting Black hairstyles, I’m old enough to remember the ’70s and the big Afros that were in style then. From what I understand, they did so as part of the ‘Black is beautiful’ movement. Instead of adopting White hairstyles, Blacks in America and Britain wanted to wear their hair more naturally. And because of the influence of Black musical culture, so did many Whites. Leo Sayer had one, and when I was child I honestly thought he was Black. I don’t know if anyone from the Black community complained, but as this was also when the NF were back on the rise over here, along with organisations like the ‘Anti-Paki League’ – that’s what they called themselves – I think people had colour had worse to worry about.

I only came across the accusations of cultural appropriation for Whites adopting Black culture in the 1990s, and that was only in the American satirical comedy, Spin City. This starred Michael J. Fox in one of his last roles, as the head of the communications team for a fictional New York senator. In one episode, his Black co-workers are upset because one of the Whites has moved into a Black neighbourhood. And to fit in, he’s started wearing stereotypically Black clothes. Like turning up in an African robe. Fox’s character tries to explain that the man isn’t trying to be racist. He’s just trying to identify with the people of his new community. He also tries to explain to the man that he is, inadvertently, causing offence. The next day the guy comes in very obviously wearing a hat. Fox whips it off to reveal that the guy’s had his hair dressed in dreadlocks.

At roughly the same time that was on, I knew White people with dreads. As there still are. And the Black people I’ve known and worked with had absolutely no problem with it. They told me they had White friends, who looked good with it. Victor Lewis Smith, the satirist, TV critic and practical joke responsible for such shows as TV Bile and Inside Victor Lewis Smith, used to wear dreadlocks. Now I’ve got very mixed views about Smith. Some of his material I found funny, but in other ways he could be anything but. And he was an ex-public schoolboy, and so could be accused of cultural appropriation. But I don’t think anyone did.

Western Black Traditional Culture, Hip Hop Fashion and Ethiopian Dreadlocks

It seems to have begun with some Black Americans claiming Whites were stealing Black culture when they took over Hip Hop fashion in the 1990s. But I also remember one Black celeb scornfully pointing out that expensive trainers and the designer accessories also aren’t a traditional part of Black culture. And then a few years ago there was a video clip going round on YouTube of any angry Black female student haranging a young White lad in an American university because he had his hair in dreads. It was clipped and repeated in posts by Conservative Whites attacking the aggressively intolerant anti-racist culture in parts of American academia. And now that same attitude appears to have crossed the Atlantic.

But what was said about Hip Hop style not being part of traditional Black culture, could also be said about dreadlocks. Don’t mistake me – they are an authentic part of African Black culture. They were taken over by the Rastafarians from the hairstyle worn by Ethiopian warriors. They did so because at the time – I don’t know if they still do – they revered the Ethiopian emperor, Haile Selassie Makonnen as the Black messiah they believed was foretold in the Bible, who would liberate western Blacks from their bondage. But it’s a hairstyle that was introduced from Africa, not one that was preserved in the traditional culture of Black slaves and their descendants. And many of the Blacks who wear it just do it because they like the style, but aren’t Rastafarians. Which, if we’re strict about the issue of cultural appropriation, raises all kinds of awkward questions. If it’s wrong for Whites to adopt Black styles, it could be argued that it’s also wrong for western Blacks, as the same dress and hairstyle properly belongs to its original African people.

Black Performers in White Makeup

And then there’s the question of how you judge Black performers, who have adopted White hairstyles and makeup. There are a number of videos, for example, where Beyonce actually looks White. She has straight hair, which appears blond rather than brown or black, and her skin has been made up to appear very pale. Certainly much paler than she appears in other videos, where she appears much darker. I am not accusing her of racism. But if people start flinging accusations of cultural appropriation around, then it could be applied to Black musos like Beyonce.

Skin Whiteners and the Damage to Black Skin

And incidentally, I am also very much aware of the harm being done to Black people by the feeling that somehow they should try to make themselves appear more ‘White’. Akala apparently discusses his book on race and racism the use of skin lighteners by many Blacks in a desperate attempt to appear Whiter. It’s nasty stuff. These chemicals work by taking off the top layers of skin. Other Black and ethnic minority writers have attacked their use. And there was a nasty incident that got into the pages of Private Eye’s ‘Funny Old World’ column. It was during a boxing match in Ghana. One of the boxers had been using these wretched potions, and as a result he lost the skin on part of his face after a particularly vicious blow from his opponent. Which provides an extreme, and very graphic argument why people shouldn’t use them. Skin has its own natural beauty, whatever shade it is.

I realise this is a long article and that some of the outrage is understandable coming after the condemnation of certain comedians for appearing in makeup as Black characters, like Bo Selecta and Lucas and Walliams in Little Britain. But Adele was not in Blackface, and she is nowhere near the Black and White Minstrels, who were subject of massive controversy in the ’70s before being axed in ’80s because they did perform the old Black minstrel songs in Blackface.

But Adele seems to be coming from a completely different direction. She’s following a century-old tradition in which the White aficionados of Black culture have shown their appreciation by adopting it. People like Mezzrow, who would now be viewed, using the jargon of intersectional feminism, as ‘allies’.

White Youth, Black Music and the anti-Racism Campaigns of the 1980s

It was people like Adele, who helped push back against the NF and BNP in the 1980s. Rock Against Racism before it collapsed thanks to a takeover attempt by the Socialist Workers Party brought Black and White youth together through a series of concerts by some of the great bands of the day. But I’ve friends, who are worried we’re losing that musical culture. I was watching the old episodes of Top of the Pops one of the cable/ satellite channels has been repeating. Yeah, I know it was cheesy and some of the bands that appeared were jokes even in their time. But some of the bands were awesome. The first pop video I ever bought was UB40. In case you’re too young, they were a reggae band with Black and White performers. I bought the video of their tour in Russia. They were one of the first western groups that were able to play when Gorby gave the country glasnost. And they rocked! The video shows the crowd dancing after their translator tells them that they can. This was the country that banned Boney M’s ‘Ra-Ra Rasputin’ as evil and subversive. There were other bands, too, who mixed White and Black performers. Quite apart from White groups like Madness, who played Ska- more Black music – and wore the characteristic suits. Yes, they took over Black music and culture, but it came from a place of affection and solidarity. The kids of my generation saw them bands like them on TV, in concert, heard them on the radio and absorbed the general anti-racist message as it was coming out.

A New Apartheid in Music?

But my friend was afraid that this is being lost because of hardened attitudes that Black and White performers should stay to certain genres within very racially defined boundaries. So racially mixed bands can’t come forward and perform. Because it’s cultural appropriation, or somehow betraying Black culture or some nonsense. Whatever it is, it’s still segregation.

Conclusion

I think before accusations of cultural appropriation are directed at people like Adele, there are some, who should do a bit of reading first. About Mezrow and the adoption of Black culture and music by alienated Whites. There are some classic studies of it. I think one of them has the title ‘White Youth and Black Culture’. They should understand why the Punks took over the Pogo – it came from the jumping style of dancing of the Masai. And at the same time they did so, they were mixing it on the streets giving the real Fascists – the NF, BNP and the rest of the scumbags the hiding they deserved.

Adele’s trying to show anti-racist solidarity. And it’s the people denouncing her for cultural appropriation who are strengthening real racism.

Because the opposite side of that coin is that the Whites, who do adopt Black culture are somehow betraying their Whiteness. And that’s always been an argument for real racism and apartheid.

 

 

Physics Textbook on Cosmology and Gravitation

M.V. Berry, Principles of Cosmology and Gravitation (Bristol: Institute of Physics Publishing 1989).

Yesterday came the news of the death of the great British physicist and cosmologist, Stephen Hawking at the age of 76. Hawking had suffered for most of his adult life from motor neurone disease, since he was diagnosed with it in his early 20s. He was given only three years to live, but instead managed to live out a very full lifespan working on his theories of the origin of the universe and Black Holes. He was a great ambassador for science. His book, A Brief History of Time, was a bestseller when it appeared in 1980s, although he admitted that it was probably a book few finished. And he showed that it was still possible for a disabled person to do cutting edge research, provided they had the necessary technical and medical support. In his case, it was his wheelchair and the machine that allowed him to speak, first of all by keying in the words, then by twitching just a single muscle. Some of the praise seemed a bit too fulsome to me. Like when they started saying that he was the greatest scientist since Newton and Einstein. I don’t think he was. And Hawking on his own didn’t unlock the secrets of universe or Black Holes, as the Beeb’s presenters also claimed. As for his great sense of humour, well, it existed, as his appearance on shows like The Simpsons demonstrated, but my memory of it is marred by him turning up with the TV critic, Victor Lewis Smith, telling fart jokes and laughing on the 1990s series, Inside Victor Lewis Smith. But it really was inspiring to see how he was a great hero to the ‘A’ level students at a science fair yesterday, and how he had inspired them to become interested in science.

One of the complaints Richard Dawkins has made about popular science programmes is that they’re too ‘dumbed-down’. He points out that they have to have lots of explosions, and they mustn’t include equations, in case that scares people off. There’s a lot with which I don’t agree with Dawkins. I’m not an atheist, and have argued on this blog against him and the other militant atheists. But he is right here. Scientists writing the popular science books have said that they’ve been told by their publishers to leave equations out, because every equation in a book damages sales.

I think this is the wrong attitude to have. It’s why I’ve put up this piece about the above book by M.V. Berry. It’s an undergraduate physics textbook, which does contain the fundamental mathematical equations for this area of physics. Its contents include

1. Introduction

2. Cosmography
2.1 What the universe contains
2.2 The cosmic distance hierarchy and the determination of galactic densities
2.2.1 Parallax
2.2.2 Distance from velocity measurements
2.2.3 Distance from apparent luminosity
2.2.4 Weighing galaxies
2.3 The red shift and the expansion of the universe.

3. Physical base of general relativity
3.1 The need for relativistic ideas and a theory of gravitation.
3.2 Difficulties with Newtonian mechanics: gravity
3.3. Difficulties with Newtonian mechanics: inertial frames and absolute space.
3.4 Inadequacy of special relativity.
3.5 Mach’s principle, and gravitational waves.
3.6 Einstein’s principle of equivalence.

4 Curved spacetime and the physical mathematics of general relativity.
4.1 Particle Paths and the separation between events
4.2 Geodesics
4.3 Curved spaces
4.4 Curvature and gravitation.

5 General relativity near massive objects
5.1 Spacetime near an isolated mass.
5.2 Around the world with clocks.
5.3 Precession of the perihelion of Mercury
5.4 Deflection of light
5.5 Radar echoes from planets
5.6 Black Holes

6 Cosmic Kinematics
6.1 Spacetime for the smoothed-out universe
6.2 Red shifts and horizons
6.3 Apparent luminosity
6.4 Galactic densities and the darkness of the night sky.
6.5 Number counts

7 Cosmic dynamics
7.1 Gravitation and the cosmic fluid
7.2 Histories of model universes
7.3 The steady state theory
7.4 Cosmologies in which the strength of gravity varies

8 In the beginning
8.1 Cosmic black-body radiation.
8.2 Condensation of galaxies
8.3 Ylem.

Appendix A: Labelling astronomical objects
Appendix B: Theorema Egregium
Problems
Solutions to odd-numbered problems
Useful numbers.

there’s also a bibliography and index.

I’m not claiming to understand the equations. I struggled at both my ‘O’ level maths and physics, and what I know about science and astronomy I learned mostly through popular science books. But in the mid-1990s I wanted to see at least some of the equations scientists used in their explorations and modelling of the universe. One of the popular science books I was reading said at the time that this book was at the level that people with ‘A’ level maths could understand, and this didn’t seem quite so much a jump from my basic maths skills. So I ordered it. I’m afraid I can’t say that I’ve read it properly, despite the fact that I keep meaning to. Some of the equations are just too much for me, but I can follow the explanations in the text. I’m putting this notice of the book up here, in case there are any budding Stephen or Stephanie Hawkingses out there, who want to go a bit further than the pop-sci explanations, and see for themselves what the maths behind it all is like.

The Beeb also said in their eulogy for the great man, that Hawking hoped that the people reading his A Brief History of Time would come away with one point, even if they hadn’t finished it: that the universe is governed by rational law. Actually, this ideas isn’t unique to Hawking by a very, very long way. It actually comes from the Middle Ages, and is the assumption that makes science possible. Hawking was an agnostic, I believe, and many scientists are atheists. But this assumption that the universe is governed by rational laws ultimately comes from Christian theology. The founds of modern science in the Renaissance pointed to the passages in the Bible, in which God’s Wisdom creates the universes and establishes the boundaries and courses of natural phenomena, like the tides and stars. And the anarchist of science, Feuerabend, pointed out that the assumption that the laws of the universe all form a consistent whole come from Christian doctrine, quoting the 13th century theologian and philosopher, Thomas Aquinas: ‘We must believe that the laws of the universe are one, because God is one.’

Hawking has passed away, but it’s clear that he has inspired many more people to become interested in this rather arcane branch of the sciences. I hope this continues, despite the Tories’ attack on education and science and research for its own sake.

Guy Debord’s Cat on the Deceptive Charm of Jacob Rees-Mogg, and Fascist Entryism in the Tory Party

The current popularity amongst the Tories and their lackeys for Jacob Rees-Mogg is a particular concern of mine. Mogg is the highly privileged son of William Rees-Mogg, a titled member of the aristocracy, who wrote at various times for the Times and Independent. Rees-Mogg senior lived in one of the villages around Bath, if I recall correctly. His son is the Tory MP for north Somerset, just south of where I live in Bristol.

Jacob Rees-Mogg has somehow endeared himself to the Tories and part of the British public through his polite, aristocratic and anachronistic demeanour. He’s been called ‘the minister for the 18th century’. He now has a fan club, Moggmentum, in imitation of Corbyn’s support group of Momentum. He also has 25,000 followers on Twitter. One fan of his in Somerset is such a mad fan of his, that he had Mogg’s face tattooed on him, which became one of the evening’s news stories for the local news programme, Points West here in Bristol a few weeks ago. He’s so popular indeed, that he’s being touted as a possible successor to Theresa May.

This should terrify anyone, with any real idea of politics and the true state of this country. For his smooth, cultured and quiet-spoken politesse, Mogg’s own views are highly reactionary, and frankly horrific. He began his career as a politician campaign in Fife, where the major platform of his campaign was trying to convince impoverished fisherfolk that retaining an hereditary House of Lords was supremely important and beneficial. And as a blue-blooded aristo, he is convinced that the poor should be kept firmly in their place, serving and transferring whatever wealth they have to the rich and powerful. A little while ago Mike did a feature on him on his blog. He discussed the numerous instances in which Mogg had consistently voted down bills, which would improve conditions for the poor and disabled, and voted instead for cutting benefits and privatizing what’s left of the welfare state.

It probably isn’t too much to say that many of those, who vote for him either believe themselves to be of the same class as him, and so will also benefit by his efforts to restore aristocratic privilege. Or else they’re members of the lower classes, who have been convinced through repetition of the same claims down the generations that the aristocracy are the country’s natural rulers, and working people should know their place. Like the various servants Mum met while working in that part of Somerset, who voted Tory because that’s the way Master voted.

Guy Debord’s Cat has written a very good piece over on his site, describing just how vile Mogg and what he represents actually are. He writes

It’s a sure sign of the Conservative Party’s dearth of talent that Jacob Rees Mogg should be talked up as a possible successor to the hapless and utterly useless Theresa May. Many people find Moggy endearing. They love his plummy RP accent. They love his double-breasted suit jackets. They love his fustiness. They love his toffee-nosed demeanour and they love his apparently Waugh-esque wit. At Nowhere Towers we take a different view: we find him tiresome and representative of an ages old problem with Britain. Namely, he reeks of privilege and his accent and ‘eccentric’ charm masks a ruthlessness and cruelty that is common to many members of his class.

When it comes to loving one’s oppressor, the Brits have both rationalized and elevated their oppression a fine art. We love our posh bastards. Don’t we? Remember how people fawned over Bozza? I haven’t forgotten. Both of them went to Eton and Oxford. Both of them are seen as rather buffoonish, though for very different reasons. And both are seen as thoroughly British eccentrics. But that’s the problem: many people refuse to see through their media-constructed façades and choose to see oh-so-disarming posh twits instead. Please, wake up!

That Moggy should be touted by some Tories as a counterweight to Jeremy Corbyn’s soaring popularity speaks volumes about the parlous condition of his party and the dire health of our media.

He goes on to mention three articles taking apart Mogg, his highly deceptive appeal, exposing what he really represents, from Skwawkbox, the New Statesman and Victor Lewis-Smith. But he goes on to discuss an event the other articles don’t. This is the time in 2013 when Mogg went off to a formal, black tie dinner with the Traditional Britain Group. His article includes a photo from the evening, showing Mogg seated next to two truly horrific fixtures of the British Far Right, Jack Buckby of the Cultural Nationalists and the BNP, and Gregory Lauder-Frost.

The Traditional Britain Group itself, from what I’ve seen of it, is another xenophobic, anti-immigrant, racist group, which particularly despises Islam. They also want to restore the old class system and privatize the NHS. Gerry Gable of the anti-Nazi organization, Searchlight, warned Mogg not to attend. But he did. When he was exposed by the press, he made a gushing Mea Culpa condemning racism, distancing himself from them, and claimed he had been misinformed and acted in ignorance.

To me, this is less than convincing. As the French philosophical feline points out, most people if invited to attend a function by a group they know nothing about would try to know what it stood for first.

The article then goes on to discuss just how unpleasant Buckby and Lauder-Frost are. As well as founding the National Culturalists, which was banned on campus as a racist, Fascist organization by the Students’ Guild at Liverpool University, Buckby was also a member of the BNP. He was their candidate for the Batley and Spen bye-election, caused by the assassination of Jo Cox. Which shows this character’s complete lack of class. He was also press officer for Liberty GB. The Cat’s article states that it is anti-immigration. That’s true, but it’s also specifically against one ethnic group of immigrants: Muslims. It was founded as part of the Islamophobic ‘counter-jihad’ movement by many of the same people involved in the EDL.

Demonstrating Buckby’s personal nastiness, the Cat’s article has a clip of him being interviewed by Krishnan Guru-Murthy on Channel 4 News, along with an Irish expert on White supremacist and Fascist movements and a young Black woman from Black students’ group. Guru-Murthy makes it very clearly that he despises Buckby’s views, but has to interview him as part of the programme’s mission to investigate minority opinions. Buckby spends much of the interview vehemently denying that he is at all racist, while loudly declaring that we shouldn’t allow more Muslim immigrants into the country because of their inherently violent, criminal nature. When one of the two women argues against him, he replies by saying ‘I hope you don’t get raped.’ Because all Muslims are rapists, right?

Lauder-Frost, it seems, is a former member of the Monday Club, who used to chair their Foreign Affairs Committee, and is the Traditional Britain Group’s vice-president and treasurer. Before joining them, he was one of the steering committee of the Conservative Democratic Alliance, formed by disaffected members of the Monday Club. There’s also a clip of him being interviewed on Vanessa Feltz’s radio show. Lauder-Frost spends much of the interview sneering at Doreen Lawrence, whom he feels should not have been elevated to the House of Lords. Because she’s ‘a nothing’, who he claims hasn’t done anything for this country and despises it. It’s not hard to see behind his attitude a mixture of racism and sheer class snobbery. Doreen Lawrence is a Black woman, and not a member of the British aristocracy. Hence Lauder-Frost is utterly horrified at her taking a seat in the upper house.

Now it’s true that Doreen Lawrence has made statements where she has said she doesn’t have any love for this country. Or that’s how it’s been reported. It grates, but she has every right. Her son, Stephen, was murdered by a gang of racist thugs, who got off scot-free. The Met investigating his murder was corrupt and riddled with racism, and the thugs were the sons of notorious gang bosses. See the press coverage at the time, and also Private Eye passim ad nauseam. She then dedicated her life to trying to obtain justice for her murdered child. This is a far better reasons for being given an honour than simply being Dave Cameron’s hairdresser.

Lauder-Frost also waffles on about how immigrant groups don’t support this country at sports matches, which recalls Norman Tebbitt’s infamous comment about coloured immigrants not supporting Britain at cricket. He also recommends that we should go back to the Tory party’s 1970s promise for ‘assisted repatriation’ for coloured immigrants to go back to their countries of origin. Feltz is definitely not impressed, and pointedly asks him where she should go, as she’s Jewish, and one set of her grandparents came from Poland, while another of her antecedents was also not British. Lauder-Frost simply says that if he was a Zionist, he would say she should go to Israel. To cap it all, Lauder-Frost is also a massive fan of the Nazis. No wonder Feltz was unimpressed. As were no doubt every other decent person listening to the programme, regardless of ethnicity or religious beliefs.

The TBG was also invited to a dinner by the Bow Group, another outfit like the Monday Club on the extreme right of the Tories. The Cat cites Louise Haigh, the Labour politico, who managed to get the Nazi youth group, Britain First, banned, who states very clearly that Lauder-Frost’s comments about Doreen Laurence and assisted repatriation are racist, and that the Bow Group should not invited them to their functions.

The TBG’s other vice-president is Professor John Kersey, a traditionalist Roman Catholic clergyman, a professor at a right-wing university with branches in the Caribbean and West Africa, who is nostalgic for the old days of feudalism. If you follow the link on the Cat’s blog, you come to a site for the British followers of the Austrian Libertarian, Von Mises. Kersey is also the Director of Cultural Affairs of the Libertarian Alliance.

Other members of the Traditional Britain Group are Stuart Millson and Jonathan Bowden. Together these two charmers founded the Revolutionary Conservative Caucus. Millson was also a former member of the BNP and an officer in Western Goals, which the Cat describes as ‘semi-Fascist’. He’s not alone in this assessment. Western Goals also got into the pages of Lobster as a Far Right organization. Also in the Revolutionary Conservative Caucus was Mark Cotterill a former member of the NF. The Cat then describes how Millson joined the Tories despite being a member of the BNP and having had dinner with Jean-Marie Le Pen. The Tories refused to throw him out, and Millson only resigned after this was exposed by the Mirror.

The Cat’s article concludes

The Tories may deny it, but many of their members are sympathetic to groups like the TBG. Indeed, in the 1970s NF members joined local Conservative Clubs and were members of the Monday Club. Others are members of The Freedom Association, the faux libertarian pressure group that talks warmly about their idea of ‘freedom’, while working hard to deny it to others. Tories may complain about ‘entryism’ in the Labour Party, but for decades extreme-right entryists joined the party and they’re still joining.

Moggy’s antiquated views are only matched by his sartorial style. If you find him amusing or endearing, you might want to ask yourself this: what kind of friends are the TBG? Rees Mogg only apologised when he got caught by Liberal Conspiracy. If that had never happened, Moggy would have got away with it. Makes you wonder…

The Cat’s article also has a link to the original piece by the Liberal Conspiracy website.

For more information, see: https://buddyhell.wordpress.com/2017/08/01/friends-like-these/

The Cat certainly ain’t wrong about Fascist infiltration of the Tory party. Lobster a few decades ago devoted several pieces to exposing this. And it’s something else you won’t see being reported by the Beeb. Way back in the 1980s the BBC was due to screen a Panorama expose, ‘Maggie’s Militant Tendency’, on the Far Right’s infiltration of the Tory. Maggie and the Tories, however, threw a strop and the BBC was forced to spike the programme.

As for the Libertarians, their definition of liberty is definitely reserved only for the upper classes. They hate socialism, trade unions and organized labour. I can’t remember which one of the libertarian organisations actually did it, but one of them invited the head of a central American death squad to their annual dinner. As for Kersey being a fan of feudalism, this adds a new dimension to Von Hayek’s book, The Road to Serfdom. Von Hayek thought it was socialism, but as subsequent events show, it’s really the far right-wing economics he advocated.

Libertarians have always denied being Fascists, but it’s becoming increasingly clear that’s exactly what they are. I’ve put up several pieces from the American YouTuber, Reichwing Watch, on how Libertarian not only shares many of the same tenets and attitudes of Fascism and Nazism, but that its adherents are beginning to admit this quite openly. One Black YouTuber, ‘That Guy T’, discusses and advocates ‘anarcho-Fascism’ on his vlog.

As for Mogg, while he denies sharing the Traditional Britain Group’s racism, he certainly shares their attitude towards aristocratic privilege, and keeping the poor and marginalized so. It shows how corrupt and class-ridden this country is that this man is at all popular, let alone an MP and possible successor to May.

Victor Lewis-Smith’s True Obituary for Jeremy Clarkson

Now that Clarkson has been once again sacked by the BBC, I thought it was an appropriate time to put up the mock obituary for him by the TV critic and prankster, Victor Lewis-Smith on his 1990s series, TV Offal. Enjoy!

Change of Plan: Clarkson Now Wants to Stand against Clegg, Not Milliband

According the MSN News this morning, Jeremy Clarkson has now said that he doesn’t want to stand against Milliband. He was, according to the Sun, a bit drunk at the time. He really wants to stand against Nick Clegg in his Sheffield Hallam constituency. See the story itself at http://news.uk.msn.com/trending-blog/jeremy-clarkson-%e2%80%98planning-nick-clegg-election-challenge%e2%80%99.

From one perspective, a victory by Jezza over Clegg actually wouldn’t make much difference. Clarkson said that he intends to stand as an Independent, despite being known as a Tory from Cameron’s Chipping Norton set. This would mean that he would stand as a closet Tory pretending that he isn’t, against Nick Clegg. Clegg isn’t a Tory, but has shown little difference from them so far. So, as far as that goes, they’ll be no change even if Clarkson wins.

From another perspective, this looks like a subtle – or not so subtle – attack on the coalition itself. Clegg is the Deputy Prime Minister. If he lost the election, he would have to be replaced. This could spark a crisis in the Liberal party, and strain the Coalition with the Conservatives. According to Monday’s Independent, the number of Libdems, who believe their party has changed for the worst since 2010 has increased by 59 per cent. Clegg’s successor in the Coalition could therefore be more Left-wing, and therefore far less co-operative with Cameron. On the other hand, as a Tory, Clarkson could split the Tory vote, and give Clegg an increased majority.

It’s even possible that this just a strategy to provide a plausible excuse for the Coalition, or at least the working relationship between the two party leaders to fall apart due to differences between Tories and Libdems. If Clarkson did win, and the Liberals forced to choose a successor, the Tories could simply claim that it wasn’t due to personal differences between Cameron and Clegg that ended the partnership. This would allow both politicians to save face. It does, however, still suggest that Clegg is either disliked by his Conservative masters, or simply seen as a tool that has outlived its usefulness and can now be discarded.

The political intricacies of Clarkson’s statement aside, it gives me another excuse to put up another satirical spoof of Clarkson. This time its the mock obituary from the notoriously splenetic TV critic’s, Victor Lewis Smith, aptly titled TV Offal. Enjoy!