Posts Tagged ‘Vaucanson’

‘Your Plastic Pal Who’s Fun to Be With’

November 2, 2015

Okay, this is something a bit lighter. This fortnight’s Private Eye carried in their ‘Funny Old World’ column a story from the Japan Times for 27th September of this year, 2015, reporting that a Japanese cybernetics company has brought out an emotional robot, ‘Pepper’. The article states

“When people are described as ‘acting like a robot’, Masayoshi Son of the Softbank Corporation told reporters in Tokyo, “it means they have no feelings or emotion, but we start challenging this concept today. for the first time in the history of robotics, we are putting emotion into a robot, and giving it a heart. ‘Pepper’ is 120 cm tall, and costs 198,000 yen (£1,110). It can read human emotions, hold conversations, make jokes, and move autonomously, but its affability should not be mistaken for something less innocent.

“For that reason, purchasers must sign an agreement, which forbids them from using Pepper for improper purposes. the policy owner must not perform any sexual act or engage in other indecent behaviour, or must they tamper with the software to give the robot a sexy voice. Any lewd acts will trigger punitive action.”

Concern about the possible misuse and exploitation of androids in Japan has also led to the formation of the Campaign Against Sex Robots. “As humanoid robots become more widespread,” the group argued in a recent press release, ” it is necessary to develop an engaged ethical response to these new technologies. Such machines could further sexually objectify women and children, and further reduce human empathy.”

The Campaign Against Sex Robots has a very good, moral point. People were, however, making sex robots as far back as the day’s of Vaucanson and the automatons of the 18th century.

But to me, the idea of an emotional robot raises another spectre entirely. It’s too much like the Sirius Cybernetics Company and Marvin, the Paranoid Android, from the Hitch-Hiker’s Guide to the Galaxy. The manically-depressed robot was part of a new line of sentient machines with their own personalities. And he was a personality prototype. As he said, ‘You can tell, can’t you?’

The emotional robot is clearly designed to function as a mechanical friend, meaning that we’re back to the Hitch-Hiker’s Guide to the Galaxy and the Sirius Cybernetics Company’s definition of a robot as ‘You’re plastic pal, who’s fun to be with.’

Which means this piece from the 1980s BBC TV adaptation of Hitch-Hiker is suddenly relevant …

The clip doesn’t include the further statement that a copy of the Encyclopaedia Galactica, which fell through a time warp from 1,000 years in the future, defined the Sirius Cybernetics Company as ‘A bunch of mindless jerks, who were first up against the wall when the revolution came.’

Douglas Adams was an atheist with an acute sense of the absurd nature of the world and humanity. He’s sadly no longer with us, but wherever he is, I bet he’s laughing.

Vaucanson and the First Strike against Automation

October 12, 2015

Living Dolls Cover

The week before last the BBC’s Panorama current affairs programme, amongst others, discussed the possible threat posed to jobs in Britain by further automation. There were extensive trailers for it, and the programme was plugged on that Monday’s six O’clock news. The usual opinions pro and contra were offered. One talking head for the automobile industry announced that there wouldn’t be massive job losses due to automation in the coming decades. They had already automated several of their factories, and as a result had to taken on hundreds, if not a thousand more people.

Well good luck to them.

For the rest of us, the news did not seem to be so bright and rosy. Panorama predicted that about a third of all jobs could go in the coming decades, particularly in the customer service industries. This meant, basically, that shop workers could look forward to losing their jobs due to the introduction of further machines like the self-service tills that have already been set up in libraries, shops and supermarkets. I got slightly irritated with this part of the news, due to bright and cheery way the presenter broke this piece of highly ominous forecasting. It was as if the spectre of millions more low paid workers being slung out of their jobs was just another piece of light, airy, and ultimately inconsequential pieces they usually put at the end of programmes, like the stories about surfing dogs and snails that enjoyed a pint.

There’s nothing new in this issue. It’s been around since the days of Ned Ludd in the Industrial Revolution, when craft workers facing unemployment rioted against the introduction of the new machines, which either replaced them, or reduced the need for their skills to mere ‘knacks’. Marx and Engels themselves protested against this in the Communist Manifesto.

Gaby Wood, in her book, Living Dolls, describes how the first modern strike against the replacement of human beings with machines occurred in 18th century France. The silk weavers struck against the invention of a new loom by Vaucanson, which made their skills obsolete by allowing almost anyone to operate it. Vaucanson was one of the leading makers of automata, creating mechanical people and creatures so lifelike that they raised and still raise disturbing questions about the nature of humanity and human uniqueness. Wood’s discussion of the strike is noteworthy for the way she takes the side of the workers, rather than castigate them for holding up the march of progress, as others have done. She writes

In his funerary tribute to Vaucanson, the Enlightenment mathematician and philosopher Condorcet defined a mechanician as one who ‘sometimes applies a new motor to machines, and sometimes makes machines perform operations which were previously forced to be reliant on the intelligence of men; or he is one who knows how to obtain from machines the most perfect and abundant products’. This, according to the silk workers of Lyon, was precisely Vaucanson’s wrongdoing. They rebelled against his automatic loom by pelting him with stones in the street; they insisted that their skills were needed, that no machine could replace them. In retaliation, Vaucanson built a loom manned by a donkey, from which a baroque floral fabric was produced, in order to prove, as he said, that ‘a horse, an ox or an ass can make cloth more beautiful and much more perfect than the most able silk workers’. This spiteful performance, surprising in the son of a craftsman, was the reverse of his golden duck: instead of producing excrement from a precious metal, he made luxurious silk emerge from the end of a live animal. The first was designed for man’s entertainment; the second was meant to show man that he was dispensable.

The biographers Doyon and Liaigre blame the silk workers for stalling the march of progress, for France’s Industrial Revolution lagging behind England’s; and Condorcet comments melodramatically that ‘whoever wishes to bring new enlightenment to men must expect to be persecuted’. The point of view of the workers seems to have been sidelined altogether in favour of the grant Enlightenment project. The Encyclopedie devoted sixteen pages (not including illustrations) to the making of silk and other stockings. ‘In what systems of metaphysics’, it reads, ‘does one find more of intelligence, wisdom, consequence, than in machines for spinning gold or making stockings? … What demonstration of Mathematics is more complicated than the mechanism of certain clocks?’ In the Encyclopedie’s illustrations, the men are secondary to the machinery. Vaucanson and his contemporaries contributed to a widespread sleight of hand: like wine into vinegar or base metal into gold, men were turned into machines. The new automata were not replicas, but real humans transformed. throughout the next century, factory workers came to feel they had been reduced to the mechanical pieces they were in charge of producing, hour after hour and day after day.

Gaby Wood, Living Dolls: A Magical History of the Quest for Mechanical Life (London: Faber and Faber 2002) 38.

There’s been that tension in process of mechanisation ever since, between deskilling and obsolescence, and industrial and scientific expansion, improvement and the emergence of new technical skills and industries. Kevin Warwick, the professor of cybernetics at Reading University, makes that very clear in his book, March of the Machines. Among the reasons he lists for automation are ‘reduction of labour costs’ – in other words, replacing expensive human labour with cheap machine production. I’ve a friend, who takes a very keen interest in these issues. He told me that we may well be at the end of the process, in which mechanisation creates new jobs as it replaces old. The traditional example is that of the mechanical digger. The number of people made unemployed through mechanical diggers, goes the saying, are made up for by the people taken on at the factory making them. Except with the mechanisation of the production of machines, this may now not be true. And so the kind of future predicted by some Science Fiction writers, of a society where there is mass unemployment and despair caused by mechanisation, may be about to become reality.

Welcome to the Megacity One of Judge Dredd, where nearly all the work is performed by robots, so that there is a 95 per cent unemployment rate.

I did wonder if some of the managers and engineers, confidently working on replacing their human workforce with machines would be quite so complacent about the process if they were faced with the same threat. Instead with retiring with plaudits, patents, and a generous pension, they had to look forward to joining the dole queue tomorrow, to be harangued by their job coach about how they were only being prevented from getting a job through their laziness. Then perhaps a few perspectives might change, and a few presenters on the Beeb might not be so jolly and complacent about millions more facing the dole.