Posts Tagged ‘Upper Class’

Vox Political: London Tories Considering Breaking Away and Forming New Party

April 6, 2018

If this is true, then it shows that the Tory party is in a very dire situation, no matter what their cheerleaders in the media are trying to get us all to swallow. Mike has put up on his blog a piece reporting an article stating that the Conservative party in London is so afraid of being absolutely wiped out at the council elections in May, that they’re considering breaking away to form a separate party with its own name and programme.

I’m not entirely convinced, but it wouldn’t surprise me if it were true. A decade or so ago, at the height of Blair’s administration, one of the Tory journos wrote a piece in the Daily Mail about a similar eventuality. He also believed that the Tory party was in danger of dying out completely, and so recommended that they should become ‘the English Nationalists’. This was obviously when the SNP were riding high north of the border as support grew in Scotland for devolution, and the Welsh were also gaining their own, rather more limited measure of autonomy. It was about the same time that there were demands for an all-English assembly to debate matters affecting only England. It was an anti-Labour measure, as the Tories had rather more MPs than Labour in England, and hoped to gain a great measure of power by stopping Labour MPs from elsewhere in Britain voting on English matters. The Tories were clearly trying to whip up English nationalism in order to gain votes. Just like they’ve always whipped up xenophobia and hate against those they consider outsiders, like Blacks, Asians, Jews, immigrants, the poor and disabled. I never really took the suggestion that the Tories would reform themselves as a differently party seriously, but I’ve been told by others that it was seriously considered. It’s supposed to be described in the book, True Blue, which talks about how under Cameron they fought back from near collapse.

London’s a world city, with a large Black and Asian, and immigrant population. Brexit, and the return of racism under the Tories, threatens these people. And the Grenfell fire tragedy and the Tories’ refusal to honour the promises they made about fire-proofing buildings and putting those left homeless into proper accommodation, shows the absolute contempt they have for some of the poorest members of our society. Who happen to be Black, Asian or immigrants.

And this is apart from the growing inequalities of wealth in Britain generally, which is becoming particularly acute in the nation’s capital. Ordinary people are being priced out of London as more and more property is bought up by the rich upper and middle classes. It’s either gentrified, or else ‘landbanked’. Which means that it’s kept purely as a property investment by rich, often foreign investors, who make sure that it remains unoccupied. And I’ve no doubt people do still remember the ‘poor doors’ in one apartment block. These were a separate entrance put in so that the rich people living there wouldn’t have to rub shoulders entering the building with the hoi polloi. This, readers of H.G. Wells’ science fiction, will be aware is like the origin of the split between the eloi and the subterranean, cannibal morlocks in The Time Machine. Wells based it on how the upper classes in his time wanted to force the working class underground, to tend the machines safely away from their sight. Trained as a biologist, Wells projected the split far into humanity’s evolutionary future. And the result was not only an SF classic, but a criticism of the class attitudes and contempt for the working class in Victorian society.

Whether the Tories in London are planning to form a new party or not, I hope they are wiped out in the May elections. For forty years they have done nothing but try to privatise the health service piecemeal, deliberately running it down for the benefit of private healthcare companies. They’ve privatised the utilities to foreign investors, who have not given customers the service that they were promised. All again for corporate profit. And they’ve carried on New Labour’s project of benefit sanctions and the work capability test, all to make it increasingly difficult for the poor and disabled to get the state aid they need. This was in line with Tory policy under Thatcher, and followed the advice of the private health care insurers, like Unum, who were advising Peter Lilley and the Tories. As a result, hundreds of thousands of people now have a choice between eating and paying the bills, and tens of thousands of disabled folk have died after being found ‘fit for work’.

The sooner the Tories suffer a devastating electoral defeat, the better. And I hope it’s truly catastrophic.

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Tony Crossland on the Oppressive British Class System

March 29, 2018

I found this devastatingly perceptive criticism of the British class system by Tony Crossland in 100 years of Fabian Socialism 1884-1984, edited by Deirdre Terrins and Philip Whitehead (London: Fabian Society 1984).

Class feeling, and general social malaise, still persist in England to a deplorable degree. The feeling among workers of an external and irreconcilable conflict between wages and profits, capital and labour: their feeling too of non-participation in the control of the firm for which they work, and so of non-responsibility for its well-being: the acute sense of class that goes with different accents: the knowledge that differentials in education mean differentials in opportunity – these are all signs that Britain still is, and feels itself to be, a class society.

The purpose of socialism is quite simply to eradicate this sense of class, and to create in its place a sense of common interest and equal status.

From ‘The Transition from Capitalism’, in New Fabian Essays, 1952.

The situation is arguably worse now than it was when he wrote in 1952. Despite successive governments’ push to get more young people into university, the result has not been greater social mobility for graduates, but the reverse. Young people with degrees are instead forced downward to take unskilled work, which in turn puts more pressure on less educated, unskilled workers, who really need these jobs.

Social mobility died under New Labour, and it has most definitely not revived under David Cameron and Tweezer. Rather the reverse. The gap between rich and poor is now greater than it has been in over a hundred years. And working people are most definitely denied any say in how their firms are run, through the decimation of the unions and the imposition of exploitative contracts, and the repeal of legislation protecting workers’ rights.

As for the class basis of the British parliament, which legislates in favour of the upper and upper middle classes, you only have to look at the stats which show that something like 77 per cent of MPs have at least one or more directorships. Dave Cameron’s administration was a cabinet of toffs. So is Theresa May’s, even though she opened one session with the statement that none of those present were members of ‘the elite’.

And so is the Tories’ current darling, young master Jacob Rees-Mogg, a very patrician aristo, who has voted consistently to take money away from the welfare state and the poor and disabled, while voting in tax cuts and subsidies for the rich like himself.

It’s time to stop this, vote out the Tories and the Blairites, and vote in Corbyn and a government which will actually do something for working people.

Tony Linford on Toby Young, Eugenics, and Disabled People’s Right to Life

January 25, 2018

This is a piece I found on YouTube by the disabled vlogger, Tony Linford, commenting on Toby Young’s attendance at a eugenics conference at University College London. The video was posted on the 11th January 2018, so it’s somewhat old news now. But I wanted to put it up, as it gives the perspective of a disabled person on Young and his grotty views.

Linford makes the point that the Nazis considered the congenitally disabled ‘lebensunwertigen’ – ‘unworthy of life’, and that they were murdered by the SS as part of the Nazis’ eugenics programme. He goes on to stoutly defend the right of all disabled people to life, and movingly talks about his experience meeting one severely disabled youngster being cared. The lad was in a wheelchair, and was mentally challenged, in the polite way of talking about it. Nevertheless, the lad was full of life and energy, and bubbling with ideas. Linford states that he learned a lot from him. He sadly reflects that the lad’s probably dead by now, but as disabled as he was, he was certainly not ‘lebensunwertigen’.

And discussing Young and his vile opinions on selective breeding, he also wonders how many others in the Tory party also hold the same disgusting views.

My guess is that there’s quite a few, but they keep very, very quiet about it because their leaders know full well the storm of outrage they’ll cause if they ever make their beliefs public. Maggie’s mentor, Keith Joseph, provoked such indignation with his comment in the 1970s that unmarried mothers were ‘a threat to our stock’. Young clearly thought he could get away with such views. Looking at some of the videos on YouTube, it appears that the Spectator had published a piece ‘The Return of Eugenics’, which was plastered all over its front cover. It looks like that after this piece was published, and didn’t seem to have people rioting in the streets, Young thought he would be safe. I am glad that he was profoundly mistaken.

Young and the other Tory eugenics snobs, Ben Bradley, who wanted the unemployed sterilised and the police to play ‘splat the chav’ with watercannon during the London riots six years ago, and his defender James Cleverly, hold thoroughly disgusting views. It’s the same attitude Darwin’s cousin, Francis Galton, the founder of eugenics, had, who was terrified that the biologically unfit poor would outbreed respectable, biologically superior middle and upper class people. It’s the views of privileged public schoolboys, who see themselves as innately biologically superior to everyone else, and have nothing but contempt for their social inferiors.

Cleverly tried defending Bradley’s comments about sterilising the unemployed by bleating something about it being at heart, a ‘reasonable’ statement about personal responsibility. Er, no. If the argument was about personal responsibility, then it would have been about encouraging those, who can’t afford children to use contraception. That would be about personal responsibility, as the choice would still be that of the unemployed whether or not they wanted to bring another life into the world.

Bradley’s comment was about denying the unemployed any personal responsibility, by taking away their personal freedom and forcibly sterilising them. It was a moralistic, punitive attitude by someone, who clearly has nothing but a Daily Mail-type rage against the poorest members of society.

And it isn’t just proles and the lumpenproletariat, who become unemployed. It also strikes respectable middle class people. I can remember hearing Tim Waterstone, the founder of the chain of booksellers that bears his name, speaking on the radio one day about how he spent a period unemployed. He described his feelings of absolute humiliation at the experience. Waterstone was lucky, in that I think he went on from this to start up his chain of stores. But others aren’t. They are laid off, or their businesses fail. And the lifestyle they found easy to support on their previously high salaries suddenly become a heavy burden. What happens to these people, if they have large families that they may find difficulty providing for if and when they are made unemployed? In Ben Bradley’s ideal eugenics Britain, would they be sterilised? Or do they get a pass, because they’re nice and middle class? Given the way the Tory party does everything it can to give extra money to the rich, while denying the poor the financial and medical support they need, my guess is that if this happened to a large number of middle class people, Bradley would be loudly screaming about how disgraceful it all was and demanding government support for them. His attitudes show the class snobbery that runs through Tory politics, and particularly through May’s government of privileged toffs.

The Nazis used eugenics not just to murder the disabled, but as part of their attempted extermination of the Jews during the Holocaust. The German historian Martin Broszat, in his The Hitler State, points out that the Nazi murder of the disabled served as a trial run for the mass slaughter of the Jews, including the use of poison gas. And there were Nazis and Nazi-sympathisers over here, who shared the same horrendous views.

One of these was Lord Lymington, an aristocrat, who wished to recreate the rural, agrarian and feudal society he idealised over modern capitalist, industrial society. Lymington was also a fan of eugenics, and in his 1943 book, Alternative to Death: The Relationship between Soil, Family and Community, discussed ‘the dangers of losing our own character from alien influence and blood’ in which he ranted about the threat to British racial purity from ‘the marketer, the unscrupulous trader, the slick haggler, the seditious natural underdog’, who was a type of immigrant ‘too often conditioned to the mental slum and the bazaar’. (See Richard Griffiths, What Did You Do During the War? The Last Throes of the British Pro-Nazi Right (Routledge, 2017) 240-1.) All of which is coded way of playing on anti-Semitic prejudice, without actually spelling it out in so many words. The quote graphically demonstrates why so many people found Young and his belief in eugenics so repulsive, that he ended up resigning from his position on the universities’ regulatory board. And why so many people this week have been extremely unimpressed with Bradley and Cleverly, and their stupid, bigoted, dangerous and contemptible comments.

More Eugenics from the Tories: Voice of Conservative Youth Wanted Young Unemployed Sterilised

January 17, 2018

I just read this little bit by Mike over at his Vox Political blog. It seems that Ben Bradley, who was appointed by Tweezer as the vice-chair of Young People, put up a blog post in 2012 declaring that unless something was done, Britain would drown in a sea of ‘unemployed wasters’ due to unemployed people on benefits having too many children. He then argued that they should be forced to have vasectomies. The story was, apparently, uncovered by Buzzfeed, and when they came to Bradley for comment, he simply deleted the article.

Bradley’s a nasty piece of work anyway. He was four-square behind the benefit cap, and voted against scrapping tuition fees, against university maintenance grants, against nurses’ bursaries, against Education Maintenance Allowance, ending the public sector pay cap and increases to the minimum wage.

https://voxpoliticalonline.com/2018/01/17/the-voice-of-tory-youth-unemployed-wasters-should-have-vasectomies/

In other words, he’s a typical Tory, who thinks only of enriching himself and his class, and exploiting working people, who no doubt after Ayn Rand he also regards as ‘moochers’ and ‘looters’. His comments about sterilising the young unemployed are pure eugenics. In the early part of the 20th century, the chattering classes all over Europe and America were worried by the possibility that the ‘dysgenic’ poor would outbreed all the responsible, biologically superior middle and upper classes, and so demanded legislation to stop them breeding. This programme was then taken up by the Nazis, who sterilised the congenitally disabled and recidivist criminals, before launching the infamous Aktion T4, which saw the mentally retarded murdered by Nazi doctors in clinics, in an operation run by the SS.

One of those, who was impressed by the eugenics argument was Lord Beveridge, before he issued his report that laid the foundations for the NHS. Beveridge argued that the long-term unemployed should be granted state support, but in return they would have to be sterilised to prevent them producing more children like them, who would be a drain on the state’s resources.

It’s recently been revealed that amongst his other activities, Toby Young attended a eugenics conference at University College London, as well as writing an article supporting it. And way back in the 1970s, Thatcher’s mentor Sir Keith Joseph expressed similar sentiments when he claimed that unmarried mothers were a threat to ‘our stock’.

The Tory party, it seems, is full of borderline Nazis, who hate the poor and the disabled, and wish them nothing but harm. Because they consider them a positive threat, not just to their position in society, but also to their biological superiority and purity.

Here’s Chunky Mark’s perspective on Bradley’s comments, in which he states that Bradley’s comments about it aren’t really an apology. He merely says that ‘the language was wrong’. Chunky Mark states that we are just experiments to the Tories, with people dying in corridors, and hormones injected into our food animals, which contaminate the meat. The Tories really believe in eugenics, and we’re their dinner.

The Feminist Arguments against the Metoo Activism at the Golden Globes

January 15, 2018

Last Sunday, 7th January 2018, was the Golden Globes. This got on the news around the world, not just because of the coverage of which actors and films were given awards, but because the female actors wore black in solidarity with all the women, who had suffered sexual abuse, harassment and exploitation. This culminated in one of the leading actors at the ceremony announcing that Hollywood’s ladies would stand in solidarity with every woman, who had suffered such sexual abuse and assault, and that they would be dedicating a special fund to help poor women sue their abusers.

Coming after the scandals about Harvey Weinstein, Roger Ailes and others at Fox News, including its long running host, Bill O’Reilly, such an announcement is clearly well meant, and for many women facing the cost of having to drag their abuser, who is probably their boss, through the courts, the prospect of being able to get some money from a charity dedicated to helping them would surely be welcome. But not all women, and not all feminists, saw it quite like that.

Roza Halibi in Counterpunch and the Sane Progressive on YouTube both put up pieces about it, criticising the move. Many women, including the French actress Catherine Deneuve, are critical of the #Metoo movement as they feel it demonises men. All men are now being viewed as sexual predators, real or potential. They also object to the way distasteful and unpleasant forms of sexual contact – like the boss with wandering hands – has been lumped in and conflated with far more serious forms of sexual abuse, like rape and women being told that if they don’t sleep with their boss, they’ll lose their jobs. Groping is unpleasant and humiliating, and it’s quite right that there should be a campaign to stop it. But it’s not at the same level as the other two.

They also found the stance of the individual actresses involved in the speech and this display of solidarity hypocritical. Weinstein’s behaviour was known for years by people within Hollywood, including Meryl Streep. And at the time they kept their mouths firmly shut. Some of this might have been because Weinstein was a powerful man, and no matter how respected and successful they were as ‘A’ list actors, he could have the power to destroy their careers, as he threatened numerous aspiring actresses if they wouldn’t sleep with him. But some of it no doubt was also the attitude of the time, to put up with it regardless.

But there’s also an attitude that the speeches against sexual harassment and exploitation were also a form of faux feminism, by rich, entitled women, who were trying to appropriate the protests by ordinary, middle and lower class women. Critics like the Sane Progressive and Halibi have argued that the successful protests always come from below. They are won by ordinary working people standing up for themselves and demanding further rights and change. They are not achieved by members of the upper classes deciding that they will charitably act as the saviours of the lower orders. The #Metoo activism at the Golden Globes represents very rich, entitled women trying to take control of a protest by their sisters lower down the social scale, and wrest it away from any meaningful challenge to a corrupt system as a whole.

The same critics have also made the point that the #Metoo activism has also acted as a diversion. Sexual abuse is only part of a whole series of problems corporate capitalism is inflicting on American society. This includes mass poverty and starvation, the further denial of rights to low paid workers, Trump’s attempts to repeal Obamacare and destroy Medicare, the destruction of the environment, and the political paralysis caused by a corrupt party system taking money and its orders from wealthy donors in big business, rather than acting in the interests of ordinary citizens. All of these issues need tackling, but the leadership of the Democrat party has become, under the Clintons and Obama, as thoroughly corporatist as the Republicans, and has no interest in tackling these issues. That would harm the interests of their donors in big business. So they make symbolic liberal gestures. Like Hillary Clinton’s bid for the presidency last year. Her policies were more neoliberalism, corporate greed, and aggressive militarism. For ordinary Americans she offered nothing but more poverty and exploitation. But she claimed that, because she was female, she was somehow an outsider, and that a victory for her would thus be a victory for women. Even though, as the lowest paid group, women would have suffered the most from a Clinton presidency. If you didn’t vote for Clinton, you were automatically a misogynist. And if you were a woman, and didn’t vote for her, she and her followers denied it was because you had opinions of your own. Rather, you were just doing what your husband or boyfriend told you. So much for Clinton believing in women’s independence and their agency as human beings.

But this experience of a very rich, entitled woman trying to make herself appear liberal when she was anything but, has clearly coloured some left-wing and feminist attitudes in America towards other attempts by the rich to embrace or promote left-wing causes. Clinton’s liberalism was a fraud, and so some people are suspicious that the actresses stressing their commitment to rooting out sexual abuse are less than wholehearted in their determination to ending the general poverty, exploitation and other issues plaguing American society. And just as the corporate Democrats are desperate to take power away from the real radical left, like Bernie Sanders, so these ladies are trying to take power away from ordinary women, determined to solve the problem their own way. Because this challenges their position in society and their political influence as arbiters and spokespeople of the nation’s conscience.

Now I think the #metoo speeches were well meant, regardless of the possible hypocrisy of some of the actresses involved, and hopefully some women will benefit from the money available to sue their abusers. But the Guardian’s Marina Hyde a few years ago wrote a book, Celebrity: How Entertainers Took Over the World And Why We Need an Exit Strategy, pointing out numerous instances where Hollywood celebs decided to take over a cause, only to make the situation worse. There’s a very good case to be made against such Hollywood activism. And this problem may well become more acute, as more celebs decide to promote symbolic issues, while leaving the other problems affecting ordinary people untouched.

Radio 4 Programme Next Week Asking ‘Where Are All the Working Class Writers?’

November 15, 2017

Next Thursday, 23rd November 2017, at 11.30 in the morning, Radio 4 are broadcasting a programme, Where Are All the Working-Class Writers? by the writer Kit de Waal. The blurb for the programme on page 137 of the Radio Times runs

Birmingham-raised writer Kit de Waal published her first novel in 2016, aged 55. She used part of the advance to set up a scholarship in an attempt to improve working-class representation in the arts. She talks to writers, agents and publishers about barriers for writers from working-class backgrounds.

More information about her and the programme is in another piece on the opposite page, 135. This states

“I never expected to be a writer,” says Kit de Waal in this thoughtful exploration of class and writing. “I was working class, I was the daughter of immigrants. People like me weren’t even expected to go to university. ” De Waal did go to university, but at 51; she’d left school at 16. She knows that her background and – and how it influences the stories she tellls – makers her an oddity in literary circles. As she speaks to writers, agents and publishers to find out why this is, it becomes clear that class is an intrinsic part of the under-representation question, overlapping with race and gender. She gleans erudite contributions – take Tim Lott’s description of working-class writing as “the literary equivalent of soul music”, as he asks, “who’s making the soul music?’ Who’s making the rock ‘n’ roll?’

This is an issues that the great British comics writer, Pat Mills, raised in some of the interviews I posted up on here. Mills, who created the classic anti-war strip, Charley’s War, and wrote and created many of the classic characters in the SF comic, 2000 AD, has said that he felt angry that there were no working class characters in comics and very few in mainstream literature. Worse, there was an attitude amongst the media that was determined to exclude them. He has described how he was working on a story for Dr. Who in the 1980s, which was to have a working-class spaceship captain. This was rejected by the script editor, who really didn’t like the idea.

As for popular music, I was told by a friend of mine a little while ago that this was another traditional working class area that was being taken over by the middle classes. Most of the stars now in the charts, or at least at the time, were graduates of university courses in music or the performing arts. The pub rock scene, which emerged in the ’70s and which the launched the careers of many of the great working class bands of the ’70s and ’80s is now very much disappearing.

Once upon a time, back in the 1980s and 1990s, Private Eye’s literary column took a somewhat similar view of the contemporary literary scene. The reviewer back then was acutely critical of the snobbishness and cliquishness of literature and the publishing industry. The Eye believed and very strongly argued that British literature was dominated by a small clique of writers, who were largely vastly overhyped, to the exclusion of better writers and aspiring authors, who were rejected out of hand. They gave as an example of this a conversation they’d heard about with one of the editors of Granta. When the editor was asked about a piece submitted by one aspiring author, they responded by asking what colour the enveloped it was send in was. This, the Eye’s reviewer went on, showed precisely what the attitude towards outside submissions at the magazine was. It was geared entirely towards people within the literary clique. Those outside were automatically rejected, manuscript unread.

The Eye wasn’t particularly interested in the class aspects of this question. Which isn’t surprising, as Richard Ingrams, the former editor pointed out during a talk one year at the Cheltenham Literary Festival that the magazine’s founders – himself, Willie Rushton, Peter Cook and so on, were all middle-class and privately educated. The Eye’s reviewer said several times that there was no reason why working class writers should be particularly promoted over others. They also made the occasional sneering comments directed at left-wing authors stressing their very working class roots that they were ‘prolier than thou’. I think they may even have made a comment about ‘Prole-lit’ for a type of very stereotypical ‘working class’ literature.

But they also attacked authors, who seemed to be published solely on snob value, because they were members of the aristocracy or the upper-middle classes, rather than because their writing had any intrinsic merit. Regarding one such author, the Eye’s reviewer said that any miner, who ever picked up a pen to write a sonnet, was of far more interest and value than them. They also savaged authors from the upper classes, who struck them as having a particularly patronising attitude to the lower orders, who read her books. There’s one review, which takes Jilly Cooper to task for this, whether the reviewer writing as her, sends her up by describing her readers as ‘pawps’ as an example of the class snobbishness in her novels. I’ve never read Cooper, so can’t really say whether this attitude is entirely fair or not, or, if it is, whether Cooper is any worse than many other authors.

I think that in more recent years the Eye’s literary column lost a little of that fierce opposition to the cliquishness of the literary scene, and particularly the London literary milieu. It still attacks and parodies overhyped, bad writing, but this seems part of a simple attack on overrated, mediocre literature. This now includes the works of the stars of reality TV shows and vapid, but inexplicably popular, bloggers and vloggers on the Net. But working class representation in writing, and other areas of the arts is a genuine part of the wider issues of access and exclusivity. Whether the Net will have an impact here, in popularising the work of working class writers, who would otherwise remain unpublished if left to the world of traditional literary agents and publishers, remains to be seen.

‘Bomber’ Fallon and the Merchants of Death Arms Fair in London

September 17, 2017

Mike today has put up a piece over at Vox Political commenting on Michael Fallon’s speech yesterday at the DSEI arms fair in London. Fallon, who earned the monicker ‘Bomber’ because of a speech in which he declared that Britain had a moral duty to bomb the peoples of the Middle East, now went on to say that, thanks to Brexit, Britain’s future as the world’s leading arms exporter looked good. And that we should try to sell armaments to anyone in the world, regardless of morality.

Mike makes the point that Fallon’s comments are insensitive, coming as they do when Britain is selling arms to Saudi Arabia, which is using it to kill innocent civilians, including children in schools and madrasas, in Yemen. And Saudi Arabia has no qualms whatsoever against using such armaments against us. 17 of the 19 people involved in the 9/11 hijacking were Saudis, and the trail of responsibility for that atrocity goes right up to the top of the Saudi government itself.

http://voxpoliticalonline.com/2017/09/17/warmonger-fallon-wants-the-uk-to-sell-arms-to-anyone-who-wants-them/

This weekend’s Counterpunch also carries an article by Michael Dickinson, ‘Stop the London Death Fair’, about the DSEI trade fair and its dealings with some of the world’s most evil and repressive governments. It begins

Roll up! Roll up! Ballistic missiles and hand grenades! Drones, helicopters and warships! Rocket launchers, tanks and assault rifles! Welcome to the biennial London Arms Fair! Showing now until 15th September at the Excel Centre in Docklands, the Defence Systems and Equipment International (DSEI) – “a world-leading event that brings together the defence and security sector to innovate and share knowledge” – presents one of the world’s biggest arms bazaars, displaying the latest high-tech arms and surveillance technology, crowd control and weaponry. This year the exhibition is split into five key zones: air, land, security and joint, all showcasing the latest equipment and systems. DSEI is organised by Clarion Events, with extensive cooperation from the British government.

Military personnel, politicians, private defence contractors and consultants mingle as they shop. Countries accused of war crimes and human rights abuses, Algeria, Angola, Colombia, Iraq, Oman, Qatar, Pakistan, Turkey, the UAE, and Ukraine are among the invited. Although not an official guest, the Israeli arms industry has special pavilions at the venue, where over 34,000 visitors are expected to view the latest in killing weaponry for sale, exhibited by more than 1,600 arms companies, including the US and UK giants Lockheed Martin, Boeing, Raytheon and BAE Systems.

With authoritarian regimes such as Saudi Arabia, Egypt, Bahrain and Azerbaijan among the official UK government guests in attendance, this year’s keynote speakers at the opening day conference included British Defence Secretary Sir Michael Fallon, International Trade Secretary Liam Fox and many of the top brass in the UK military establishment. Fox said that overseas governments had an inaliable right to defend themselves and that if they could not buy the equipment they required from developed countries with effective controls, like the UK, they would look elsewhere. Last year Britain’s arms export industry turned over 3 billion pounds.

Andrew Smith, a spokesman from the activist group Campaign Against the Arms Trade (CAAT) said: “DSEI is one of the biggest arms fairs in the world. It exists purely to maximise arms sales. Prime Minister Theresa May and her colleagues may talk about promoting human rights but DSEI could not happen without the full support of government. A lot of the regimes in attendance have been linked to terrible human rights abuses, and events like DSEI only make them more likely in future. It is vitally important to spread as much awareness as possible of this terrible arms fair taking place. ”

https://www.counterpunch.org/2017/09/15/stop-the-london-death-fair/

Conservative governments, including Margaret Thatcher’s, keenly supported the British arms industry, and this policy was taken over, along with just about everything else, by Tony Blair and New Labour. It’s hardly surprising. George Orwell remarked when he finally gave up his anti-War stance in the face of the Nazi threat, and went to work for the BBC writing anti-Nazi and pro-war material, that if you’re a member of the British upper and upper middle classes, you’re bred for war. This has always been true, ever since the modern armed forces emerged from the military aristocracies of the Middle Ages. The officer elite has always been solidly middle class, although there has been some efforts to make it more diverse.

The government has tried to defend its massive support for the arms industry by arguing that arms sales open up foreign markets to British industry generally. After buying some of that ‘wonderful kit’ David Cameron enthused about, foreign nations would go on to buy other British products and services. But they don’t. They buy British weapons, tanks and other pieces of hardware, and nothing else.

And the British ruling class, its politicians and senior civil servants, also stand to benefit personally from the arms trade. Private Eye for decades has exposed the revolving door between the MOD and British defence ministers, and the arms industry, in which British generals and officials find very lucrative places on the boards of defence contractors and arms manufacturers once they retire or leave office.

As for the private military contractors, previously known as mercenaries, that the British government has supported, these have been used by the Tories to give unofficial support to regimes, where it would have been otherwise embarrassing for Britain to send in the regular army. Like Sri Lanka.

It hardly needs stating that the arms industry is a deeply immoral trade, and that by lauding Britain’s role in it Fallon has shown the complete absence of any kind of moral consideration for the victims of these weapons and a complete indifference to the nature of the regimes he intends to sell them to.

As far as he’s concerned, war is a business. And business is good.

Close down the arms fair, and kick out Fallon and the rest of his vile government.

As Children Starve, Rees-Mogg Finds Growth in Food Banks ‘Uplifting’

September 16, 2017

I’ve had to write this response to Rees-Mogg’s fatuous, complacent and quite frankly, evil comments about the massive increase in food banks, because it made me so furious. On Thursday, Mike over at Vox Political reported that the Camborne Pool and Redruth food bank reported that some children in Cornwall are literally starving. This food bank hands out 10,000 meals a month, but states that they know there are many more children that they aren’t reaching.

At the same time, Rees-Mogg, whom Mike describes as the darling of the Tory party, was on LBC radio saying that he found this ‘uplifting’. Mike responded by describing Rees-Mogg as an ignorant, homicidal fool.

http://voxpoliticalonline.com/2017/09/14/food-bank-says-children-are-starving-rees-mogg-finds-that-uplifting/

Yesterday, Mike also put up the news that a food bank in Bath has challenged Mogg to volunteer to work for them, so he can see for himself the hardship that the people coming to these banks are experiencing, and hear their stories. Mike commented that there was fat chance of that, as Mogg hasn’t done a day’s work in his life. But he would be improved by having to work in one, or, better still, having to go to one himself.

http://voxpoliticalonline.com/2017/09/15/after-rees-mogg-said-food-banks-that-couldnt-help-the-starving-were-uplifting-hes-challenged-to-work-in-one/

The I yesterday printed Mogg’s comments in full. Basically, the aristo Tory MP for north-east Somerset said that the amount of generosity shown by people in the expansion of food banks was ‘uplifting’, and then went to claim that state aid could not solve the problem of poverty or provide for all the poor.

There’s nothing new in what he said. Bill Clinton made pretty much the same speech when he was president of the US. Clinton stated that there wasn’t a government programme that could solve every eventuality, and so praised private charity and initiatives in doing so. His speech, and admiration for private charity, was part of his ideological commitment to reducing still further whatever was left of the vestigial American welfare state that Reagan and the Republicans hadn’t already destroyed.

Thatcher, and it seems Young Master Mogg, believed that reducing state aid would result in more people giving to charity. And it’s true that studies in the US have shown that Conservative religious people give more to charity than secular liberals. But this misses an important point:

Private charity on its own is insufficient to tackle poverty. State aid is far better at doing so.

I also found a piece in Lobster’s ‘View from the Bridge’ a little while ago, that quoted a biography of Thatcher. Before she died, Thatcher herself supposedly realized that destroying the welfare state hadn’t made people more generous.

Which completely contradicts what Mogg has said above.

As for Mogg’s own attitude, this is the arrogant complacency of a wealthy aristocrat, who has little understanding of the lives of working people, and who fears them and the state will undermine the position of himself and his similarly entitled monied chums at the apex of British society. Young Master Mogg has voted consistently against increasing welfare benefits for them, and voted for increasing the tax burden on working people. But he’s been dead opposed to increasing the tax burden on people earning over £150,000 a year.

It’s the attitude the complacent British upper and middle classes, that looked with bland equanimity on the grinding poverty and squalor of industrial Britain and saw nothing wrong with it. It’s the same attitude that produced this appalling piece of poetry on the benefits of work to children.

‘Tis proper, Sophy, to be sure,
To pity and relieve the poor.
But do not waste your pity here,
Work is not hard to her, my dear,
It makes her healthy, strong and gay,
And is as pleasant as your play.

from Peter Vansittart, Voices 1870-1914, p. 76.

And it’s also contemporary in that we’ve had for the past decade or so Tories and Blairites telling us how wonderful work is for the mental wellbeing of the disabled, even when the empirical evidence says the exact opposite.

Mogg’s a complacent, ignorant pratt, who looks on the growth of child poverty due to the free trade policies of his poverty with complete indifference. Get him out. He has no place in politics, and his views will lead to more starvation and suffering.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Credo! Pat Mills on 40 Years of Thrillpower!

September 14, 2017

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.