Also on Radio 4 next week, on Friday, 20th October 2017 at 11.00 am., is a programme on the British invasion of Russia. This followed the Bolshevik coup of 1917, and was intended to overthrow the new Communist regime. The blurb for the programme in the Radio Times states
The story of a little-known war that took place a century ago along the frozen rivers of the Russian Arctic and transformed Russia’s relations with the West for decades to come. After the October Revolution, thousands of foreign troops under British command fought Russians on Russian soil for more than 18 months. Lucy Ash meets the 93-year-old son of General Edmund Ironside, who wrote at the time that he was in charge of “a tiny army of not very first class troops” stranded in the icy vastness of Russia “in the midst of a bitter civil war”. (Page 139).
Again, there’s a bit more information on the facing page, 138, written by Tom Goulding. This reads
The UK’s relationship with Russia has always seemed cold – coloured by by decades of menacing but empty rhetoric on both sides. so it’s often overlooked that just under 100 years ago a real and bloody conflict took place between Britain and the Bolsheviks in the frozen Arctic. Journalist Lucy Ash investigates this infamous incursion of British boots on Russian soil by speaking to the 93-year-old son of Edmund Ironside, the general who led Churchill’s crusade to put down the fledgling Bolshevik state. The intervention was a disaster, and the resulting mistrust between the two countries looms large to this day.
With 20/20 hindsight, it could be said that it’s a pity that the invasion didn’t succeed. The Bolsheviks were authoritarians from the start. They suppressed the other political parties and organisations, including left-wing and socialist groups such as the Mensheviks, Trudoviks and the Socialist Revolutionaries. Strict discipline was reintroduced, and the Bolsheviks reinstated the same proprietors and managers to manage the factories and other industrial concerns that they’d nationalised, against the desires of the anarchists, syndicalists and Left Communists, who wished to create a genuine worker’s state with worker’s control of industry. These were also suppressed, and their leaders and members arrested.
And if Bolshevik rule had been overturned, the Nazis may never have come to power as there would not have been a Communist threat that they could claim to be protecting Germany and the upper and middle classes from. And Stalin would not have come to power, to kill and imprison something like 30 million Soviet citizens – although some estimates put the death toll higher at 45 million – in the gulags and purges.
On the other hand, the Whites were also extremely brutal and oppressive. They, like the Bolsheviks during the Civil War, also held out the prospect of restoring democracy. However, the leader of one of the White counter-revolutionary bands was a maniac, who I think believed himself to be Jesus Christ or Buddha – or both. This butcher used to throw cold water over his prisoners’ naked bodies in the depths of the Russia winter so that they froze to death, and snap pieces of their bodies. Tony Greenstein in a recent blog post describes how the Zionist leaders approached another anti-Semitic White General, Petlyura, about sending Jews from Russia to Palestine. The Russian novelist Mikhail Bulgakov vividly describes the outbreak of anti-Semitic violence during the Civil War in the Ukraine in his classic, The White Guard, adapted from his play, The Days of the Turbins. He mentions the lynching of Jews by the peasants, and one of the characters killed by the mob in this way is a Jewish man, whose only crime was to have left his home to try to buy food and medicine for his family.
And if you read accounts of the Russian Revolution, it’s very clear why the peoples of the Russian Empire rose up, even if they mostly didn’t support Lenin and the Bolsheviks: they were pushed to the end of their tether through losing a war for which the ordinary squaddies were poorly treated and equipped, and by social conditions of horrendous poverty and near starvation in industry and the countryside. Russia was beset by strikes, and their were hundreds of peasant uprisings that occurred one after the other in the Russian countryside.
As for the British invasion, it seems to me it had two objectives. These were to keep the Russians in the War, fighting the Germans and Austrians, and to overthrow the Bolshevik state as a threat to capitalism. I dare say that it was accompanied with claims that it was about defending democracy, but as it wasn’t until the ’20s that all men got the vote regardless of property qualifications, and women finally gained the suffrage, such claims are probably rather specious.
Pat Mills, in one of the interviews I put up a few weeks ago, mentioned that he wrote a story for the First World War strip, Charlie’s War, in the comic Battle, which dealt with the British invasion of Russia. Mills is very left-wing, and says in the interview that the British officers ‘behaved like animals’. Which I don’t doubt they did, considering the stupid brutality they later unleashed in Ireland during their Revolution, though this was mostly done by the auxiliary units, the Black and Tans, rather than the regular army.
Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).
Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.
British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.
Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.
Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.
He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.
Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.
Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!
He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!
He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.
He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.
Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.
The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.
It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.
As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.
Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.
As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.
The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.
I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.
But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’
Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.
On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.
This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.
Private Eye was running the old Blairite line yesterday that under Corbyn, Labour was being infiltrated by Trotksyites from the Socialist Worker’s Party. In the ‘Focus on Fact’ strip, which seems to be just the Blairites trying to have their revenge against the old Labour left for slights and incidents in the 1980s, they quoted the Socialist Workers’ a saying that all Momentum events were open to them. As proof of this, they further cited the SWP as saying that they’d managed to sell 127 copies of their paper at Momentum rally Newcastle, and about 20 or 30 odd in one of the southern towns.
Now I might be missing something, but this seems less than conclusive proof that they’ve infiltrated the Labour party. The fact that they are not thrown out of Momentum might show that there is some sympathy for them in Momentum, but it does not show that they have infiltrated it. Look at what was not said: the Socialist Workers did not say that they had infiltrated Momentum, only that they weren’t kicked out of Momentum’s rallies.
As for selling newspapers, at one time all Labour party or trade union events attracted people from the extreme left-wing parties. Way back in the 1980s a friend of mine went to a demonstration in Cheltenham against the banning of trade unions at GCHQ. He came back with a stack of papers being sold by people from the Communist party, including a copy of Worker’s Dreadnought, which was the paper of the ILP, still just about hanging on at that stage. And the Anarchist Ian Bone on his website talked about heckling Ed Miliband when Not So Red Ed came to speak out at an anti-austerity rally.
All this piece really showed is that there were some in Momentum, who weren’t completely hostile to the SWPs attending. But that’s quite different from infiltrating Momentum. If the story is true, of course. And given the fact that the Blairites have lied and lied again as if it’s going out of fashion, there’s no reason to believe that it is.
Elsewhere, the Eye also saw fit to mention that the SWP was against parliamentary democracy. This was to frighten us all again with the spectre of Trotskyites worming their way into Momentum to seize control of the Labour party, win power, and turn this country into Marxist dictatorship. It’s the kind of stupid, paranoid conspiracy theory that the Scum ran in the 1987 General Election, Frederick Forsythe turned into a thriller, and Maggie read and approved. It’s classic Thatcherite scaremongering. But it perversely had the effect of making me actually think higher of the SWP for a moment.
I don’t have much sympathy for the Socialist Workers’ Party. Their leader, Dave Renton, has written some excellent articles for Lobster, but the part itself is a threat and a nuisance because it does try to infiltrate and take over other left-wing protest groups and organisations. I’ve mentioned before how they broke up Rock Against Racism by infiltrating it and turning it into front organisation. There was also trouble on campus in Cheltenham in the 1990s when some of the students organised a demonstration against student fees. Unfortunately, someone also naively invited the Socialist Workers, who turned up with their megaphones haranguing the students, before being chased off by College and NUS staff.
Despite their stupid and destructive tactics, they’re right about parliamentary democracy. The corporate domination of parliament has shown it to be increasingly corrupt. 78 per cent of MPs are millionaires, holding between them 2,800 directorships in 2,400 companies, with a combined workforce of 1.2 million people and £220 billion. The laws passed by parliament reflect this corporate dominance – pro-free trade, anti-welfare, with a concern for ‘flexible labour markets’ through zero-hours and short term contracts. This bears out the Marxist idea that the state is an institution of class oppression.
As for the horrors of soviet-style government, Trotsky and Lenin were champions of the workers, soldiers’ and peasants soviets set up spontaneously by Russia’s working people during the first phase of the 1917 Revolution. Before the Bolshevik coup, these were genuinely democratic institutions. Apart from the Bolsheviks, there were other Socialist parties elected to them, including the Mensheviks, Socialist Revolutionaries and Trudoviks, parties later dissolved and purged by the Bolsheviks. Now I think we need a genuinely democratic system of workers’ assemblies and a workers’ chamber in parliament in this country, because of the overwhelming upper class bias of existing parliamentary institutions. And it isn’t just the Trotskyites in the SWP, who want a system of worker’s soviets. I think Dennis Skinner says something positive about them in his autobiography. And I have the impression that the Tribune group within the Labour party also support this form of government. On their books website they offer a documentary history of the Council Revolution in Germany. This is interesting, because one of the major supporters of the council system, the Bavarian premier Kurt Eisner, did so not because he wanted to destroy democracy, but augment and buttress it using the workers’ and peasants’ soviets.
The Bolsheviks effectively neutered the workers’ council in Russia by taking them over and turning them into the instruments for exclusive Bolshevik government. But this doesn’t mean that they originally weren’t a good idea. And the Eye’s denunciation of the anti-parliamentary attitude of the Socialist Workers to my mind actually makes them look good when parliament is so corrupt, unrepresentative and increasingly hostile to working class representation and policies.
The word ‘Soviet’, as in the name for the old USSR – the Union of Soviet Socialist Republics – meant a council. These were original councils workers, peasants and soldiers, which were set up by the Russian working people themselves during the 1905 and 1917 revolutions before the Bolshevik coup. The largest and most important was the Petrograd Soviet, in what is now St. Petersburg. They were composed of delegates elected by the workers, peasants and squaddies of the Russian Empire, in contrast to the Russian duma, the country’s parliament. The soviets were not originally the sole monopoly of the Bolsheviks. Their members included representatives from all of the Russian Socialist and revolutionary parties, including as well as Lenin’s Bolsheviks, Mensheviks, Socialist Revolutionaries and Trudoviks. They became a pillar of the monolithic, totalitarian Communist state after the Bolshevik coup and the dissolution of all parties except the Communists. Lenin deliberately changed the name of his faction from Social Democrats (Bolsheviks) to Communists to show that the model for the new, Marxist Socialist society was going to be the Paris Commune of 1872, which rose up in protest against both the French monarchy and the German invasion during the Franco-Prussian War.
Lenin made the ideological nature of the new, governmental system through workers’ councils clear in the section ‘A new Type of State Emerging from Our Revolution’ in his April Theses. He wrote
The Soviets of Workers’, Soldiers’, Peasants’ and other Deputies are not understood, not only in the sense that their class significance, their role in the Russian revolution is not clear to the majority. They are not understood also in the sense that they constitute a new form or rather a new type of state.
The most perfect, the most advanced type of bourgeois state is the parliamentary democratic republic: power is vested in parliament; the state machine, the apparatus and organ of administration, is of the customary kind: the standing army, the police, and the bureaucracy – which in practice is undisplaceable, is privileged and stands above the people.
Since the end of the nineteenth century, however, revolutionary epochs have advanced a higher type of democratic state, a state which in certain respects, as Engels put it, ceases to be a state, is “no longer a state in the proper sense of the word”. This is a state of the Paris Commune type, one in which a standing army and police divorced from the people are replaced by the direct arming of the people themselves. It is this feature that constitutes the very essence of the Commune, which has been so misrepresented and slandered by the bourgeois writers, and to which has been erroneously ascribed, among other things, the intention of immediately “introducing” socialism.
This is the type of state which the Russian revolution began to create in 1905 and in 1917. A Republic of Soviets of Workers’, Soldiers’, Peasants’ and other Deputies, united in an All-Russia Constituent Assembly of people’s representatives or in a Council of Soviets, etc., is what is already being realised in our country now, at this juncture. it is being realised by the initiative of the nation’s millions, who are creating a democracy on their own, in their own way, without waiting until the Cadet professors draft their legislative bills for a parliamentary bourgeois republic, or until the pedants and routine-worshippers of petty-bourgeois “Social-Democracy”, like Mr. Plekhanov or Kautsky, stop distorting the Marxist teaching on the state.
Marxism differs from anarchism in that it recognises the need for a state and for state power in the period of revolution in general, and in the period of transition from capitalism to socialism in particular.
Marxism differs from the petty-bourgeois, opportunist “Social-Democratism” of Plekhanov, Kautsky and Co. in that it recognises that what is required during these two periods is not a state of the usual parliamentary bourgeois republican type, but a state of the Paris Commune type.
The main distinctions between a state of the latter type and the old state are as follows.
It is quite easy (as history proves) to revert from a parliamentary bourgeois republic to a monarchy, for the machinery of oppression – the army, the police, and the bureaucracy-is left intact. The Commune and the Soviets smash that machinery and do away with it.
The parliamentary bourgeois republic hampers and stifles the independent political life of the masses, their direct participation in the democratic organisation of the life of the state from the bottom up. The opposite is the case with the Soviets.
The latter reproduce the type of state which was being evolved by the Paris Commune and which Marx described as “the political form at last discovered under which to work out the economic emancipation of labour”.
We are usually told that the Russian people are not yet prepared for the “introduction” of the Commune. This was the argument of the serf-owners when they claimed that the peasants were not prepared for emancipation. The Commune, i.e., the Soviets, does not “introduce”, does not intend to “introduce”, and must not introduce any reforms which have not absolutely matured both in economic reality and in the minds of the overwhelming majority of the people. the deeper the economic collapse and the crisis produced by the war, the more urgent becomes the need for the most perfect political form, which will facilitate the healing of the terrible wounds inflicted on mankind by the war. The less the organisational experience of the Russian people, the more resolutely must we proceed to organisational developments by the people themselves, and not merely by the bourgeois politicians and “well-placed” bureaucrats.Lenin: The April Theses, 3rd Edition (Moscow: Progress Publishers 1970) 36-8.
Plekhanov and Kautsky were two of the great leaders of European Marxism at the time. Plekhanov was one of the founders of Russian Marxism, while Kautsky was the leader of the Austrian Social Democrats. Both defended parliamentary democracy. The Cadets Lenin also criticises aren’t students at a military academy. They were the Constitutional Democrats, a liberal party and I think the largest party in the duma at the time. Most historians now also believe that Marx, Engels and Lenin were wrong about the Socialist nature of the Paris Commune. The Communards weren’t motivated by Socialism so much as the Parisian local tradition of political autonomy, against the rest of the France, and patriotic outrage at defeat by Prussia, and the government that had failed to defend France, during the Franco-Prussian War.
Parliamentary democracy is superior to a government by workers’ councils, in that it does allow everyone in the state a vote and the opportunity to participate politically. This was recognised by Kautsky, who was a bitter critic of Bolshevik tyranny. However, there is still something deeply attractive about a governmental system that allow working people some measure of direct political power, rather than relying on a class of MPs, who may become distant from their electors, as has frequently happened.
Beastrabban\'s Weblog 