Posts Tagged ‘Transhumanism’

Alex Jones: KKK Are Leftist Jewish Actors Creating Division

August 20, 2017

I blogged a few days ago about a report on one of the American left-wing internet news shows about a particularly odious comment about Charlottesville from the conspiracy theorist, Alex Jones. Alex Jones is the head of the conspiracy internet show, Infowars, and its website, Prison Planet. As I’ve discussed many times before, Jones believes – or pretends to believe – in all manner of outre conspiratorial ideas. At their heart, however, is his unwavering belief that the ‘globalists’ in charge of politics and industry are paedophile Satanists, who worship and are possessed by demons, and are intent on enslaving and destroying humanity. Their ultimate aim is to create a one-world state. Among their weapons are socialism, feminism and gay rights, which he has described as ‘a transhumanist spacecult to create a genderless human being’. Oh yes, and they’re intent on taking away good, freedom-loving Americans guns.

In this clip from Sam Seder’s Majority Report, co-host Michael Brooks plays the clip from Jones’ Infowar broadcast in which he talks about how he protested the Klan. Jones states that back then there was no Antifa protecting him. He’s clearly a bit miffed at that, though depending how far back he was protesting – Jones has been around for a long time – the organization as such may not have existed back then. Brooks wonders why Jones was protesting. Was he protesting against their racism, or because he thought they were a front group funded by George Soros?

And then Jones gets very sinister. He claims that when the hoods came off, the Klansmen were all FBI infiltrators, played by ‘leftist Jewish actors’. He then states that they were so Jewish, they looked like the cast of Seinfeld. And concludes that Leftist Jews are posing as the Klan in order to create division.

Brooks and his team joke about Jones’ statement about the supposed actors impersonating the Klan looking like the cast of Seinfeld. Brooks states that the show had the weirdest portrayal of New York. They were no Black people, but also no inbred WASP-ish types.

I’m sure I don’t need to go into how dangerous and sinister Jones’ comments are to the readers of this blog. But just to make it absolutely clear, this is verging dangerously on the stupid, genocidal conspiracy theories at the heart of Nazism. Hitler believed that ‘Marxist’ Socialism – meaning everything from the Communist party to the reformist SDP and trade unions – and capitalism were both Jewish strategies for enslaving the Aryan race. The modern variant of this is that the Jews are still intent on establishing themselves as the rulers of the world, and are attempting to destroy the White race through racial intermixing, and the promotion of homosexuality and other forms of depraved sexuality, including Rock and other Black musical genres.

Now Jones hasn’t promoted these long discredited and murderous theories yet, but by talking about ‘leftist Jewish actors’ attempting to create division, he’s not very far away.

And especially as the stupid theories of government collusion with extraterrestrials produced a further theory in the 1990s that the American and other governments were cooperating with the aliens to enslave humans. These theories, at least those promoted by the infamous Bill English in his book, Behold a Pale Horse, drew extensively on the Tsarist forgery, The Protocols of the Elders of Zion. This is the spurious document at the heart of many of these theories of Jewish world domination. It’s supposed to be the minutes of a secret meeting of Jewish leaders outlining their plan to seize global power and enslave gentiles. It has inspired Nazis and Fascists all over the world. It was even supported by the right-wing press in Britain, until some of them woke up to how fake and dangerous it was, and turned against it.

The Protocols of Zion are absolutely fake. They were put together by the Okhrana, the Tsarist secret police, in order to encourage the last tsar, Nicholas II, to persecute the Jews even more harshly. Nicholas II believed in the old blood libel, that Jews murdered Christians during Passover and used their blood in the matzoh bread eaten at this Jewish holiday. He had a young man, Beilis, repeatedly tried for this non-existent offence, to the point where even some of his most anti-Semitic advisors realized that it was discrediting his regime.

English and the other conspiracy theorists took care when citing the Protocols to try to make their ideas seem more acceptable by excising, or rather, explaining away the Protocols’ anti-Semitic content. Where the text said ‘Jews’, they claimed it really meant ‘Illuminati’, the 18th century conspiratorial group under Adam Weishaupt, which infiltrated the Freemasons. The Illuminati have been blamed as the secret actors behind the major political events of world history, such as the French Revolution, and are intent on destroying Western, Judeo-Christian culture. One of the female leaders of the British Fascist movement in the 1920s was a very strong advocate of these claims. I can’t remember if it was Nesta Webster or Rotha Orne Linton. One of the two, anyway. Whoever it was, she was an alcoholic, who had been given this privileged information by the spirit Duc de Orleans, one of the aristocrats involved in fighting the French Revolution.

I think the John Birch Society in the 1960s also claimed that the Illuminati were responsible for the decline of civilization and the rise of Communism, so that today there is a distinct subculture around the world of ultra-Conservative people, who really believe it. Many of those, who believe in the existence of the Illuminati genuinely aren’t anti-Semites, and would probably be horrified if you called them that. But by citing the Protocols in his stupid UFO conspiracy theory, English did much to rehabilitate them. One bookshop in the north of England even stocked the wretched thing because of this.

Jones calls the ‘globalists’ he thinks are, in Jon Ronson’s phrase, ‘the secret rulers of the world’ the Illuminati. I don’t think he’s anti-Semitic, but by promoting these absurd views he’s coming dangerously close to the real, anti-Semitic conspiracy theories that form their basis. The right-wing political scientist, Daniel Pipes, in his book Conspiracy Theories, discusses how these theories first blamed the Freemasons when they emerged after the French Revolution. During the 19th century the Jews were introduced into them as allies and collaborators of the Freemasons. The final revision came in the 20th century, when the Jews were blamed as the prime cause of the liberal revolutions and left-wing dissent, displacing the Freemasons.

You can see from this that it’s only a very short step from Jones’ ranting about the Illuminati, who include ‘Leftist Jews’ as just one of the groups collaborating with them, to the full bilge of The Protocols.

This isn’t just an American problem. People have access to the internet all over the world, so that I’m sure Jones has viewers in many different countries. One of his co-hosts, Paul Joseph Watson, is British, and he’s also had David Icke on his show. I’m therefore very show that he has more than a few followers in Britain. He was even interviewed over here by Andrew Neil, who was far less than impressed with his sanity when Jones started ranting about gun rights.

I don’t know how many people honestly take Jones seriously. Certainly there are any number of videos on YouTube taking the mick out of him, using carefully edited excerpts from his show. These show him ranting nonsensically, including one where he screams ‘I am a fluoride-maddened chimpanzee’.

But at this point, the laughter has to stop. It’s beyond a joke. Jones is becoming dangerous. Not to the ‘globalists’ – the real corporate heads, who run multinational industries responsible for enslaving millions in sweatshops and trashing our planet’s already fragile ecology. He already embraced one, when he had Trump himself come on his show and gave his support to the orange buffoon during his election campaign.

He’s a danger to ordinary people, and particularly the Jews. It starts with them, before going on to the other racial and political groups Nazis and Fascists hate and fear – people of colour, gypsies, socialists, communists, trade unionists, gay and transgender folk. Other religions or sects, which are deemed to be subversive and dangerous. The Nazis persecuted either the Jehovah’s Witnesses or the Seventh Day Adventists – I’ve forgotten which, because they wouldn’t accept Hitler as a secular messiah. They and Mussolini also banned the Freemasons, and Fascist Italy also carried out a campaign against the Waldensians, a Protestant sect that had its origins way back in the 12th century with the merchant, Peter Waldo. And, as disabled rights activists have rightly pointed out, the Nazis also murdered the disabled and mentally handicapped.

For all his loud liberatarianism, Jones is coming perilously close to promoting the kind of lies that led to the death of nearly 12 million people in the Nazi death and concentration camps. These comprised 6 million Jews, and 5 1/2 million others, rounded up, persecuted and murdered because of their political or religious beliefs, or, as in the Roma, for their race. The Nazis also despised as untermenschen the Slavonic people of eastern Europe. Russian POWs were also worked to death and murdered in the camps as slave labourers.

I dare say this genuinely horrifies Jones. But as I said, he’s coming very, very close to promoting the same ideas and attitudes that created the Third Reich and its horrors.

It’s time the plug was pulled on his programme, and it was taken off the air.

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The Emergence of ‘Cyborg’ Chic?

August 8, 2017

Last weekend’s Sunday People carried a feature, complete with ‘tasteful’ nude piccie, of a former female British squaddie, Hannah Campbell. Campbell, had lost a lower leg while guarding a building in Basra a decade, and was mentally still scarred with PTSD. The accompany photo showed her wearing only Union Flag body paint and her artificial leg.

Aside from the questionable morality of using pictures of women in states of undress to sell newspapers, I’ve absolutely no objection to disabled women – or blokes, for that matter – appearing as sexy or glamorous. I don’t mean in a fetishistic sense, such as amputee fetishism, but simply as people, who remain glamorous and attractive despite their injuries.

But the picture also set me wondering how long it would be before disabled people also became style icons, because of the quality and aesthetic style of their prostheses.

A few weeks ago there was a piece on the news about a company based at UWE here in Bristol, which has developed relatively cheap artificial hands, which people can make for themselves. The designs are only, and I’ve got a feeling some of the components can be manufactured using a 3-D printer. The journos talked to one little chap, who was very well impressed with his new hand. One of the company’s directors also said that they were currently negotiating with Disney for the rights to use some of their characters. They were interested in developing an Iron Man artificial hand, based on the Marvel character’s body armour. I can see children absolutely loving that, and the lad, who wore one of their hands already said that the other kids really admired it. This is great, because the company’s turned something that could easily be a mark of shame – a missing limb, and its artificial replacement – and turned it into something cool.

These two stories have made we wonder how long it will be before models, celebrities, fashionistas and other style icons include those with disabilities, but who have managed to incorporate the latest trends in cybernetic or bionic aesthetics with their own natural good looks or stylish clothes. After all, a few years ago one newspaper, reviewing Britain as the centre of cool design, selected various pieces of technology – I can’t remember whether it was computers or mobile phones – as examples of British design excellence. And just as style is a part of modern computer design, it’s also a factor in that of artificial limbs.

And so there’s the distinct possibility that as the technology advances, so we could see the emergence of a kind of ‘cyborg’ chic, of glamorous people sporting equally glamorous artificial hands and legs. It’d be what the Transhumanists – those extreme technophiles that want to upload their minds into robots and computers – have partly been looking forward to all these years.

On the Selection of a Female Dr. Who

August 6, 2017

The week before last, the BBC finally broke the tension and speculation surrounding the identity of the actor, who is going to play the next Doctor. They announced that the 13th Dr would be played by Jodie Whitaker, an actress, who has appeared in a number of crime dramas. Like many people, I was shocked by this radical departure from tradition, but not actually surprised. The Doctor has been male for the past fifty years, but thirty years ago the Beeb announced that it was considering making the next Doctor a woman as Tom Baker was leaving the role and preparing to hand it on to the next actor. In fact, the announcement was joke dreamed up by the Baker and one of the producers and writing team, and the role went to Peter Davison. The announcement of a possible female Doctor resulted in a few jokes, such as ‘the most painful regeneration of them all’. One of the British SF media magazines – I can’t remember whether it was Starburst or Dr. Who Magazine, then went on to make a serious point, that nothing was known about the Time Lord family, and so it was quite plausible that this alien race could change their genders during regeneration.

I can also remember Mike telling me at the time that there was also a feminist group in the European parliament, who wanted a female Doctor, who would have a male assistant, which she would patronise, in a reverse of the usual situation. The role of women in Dr. Who has been somewhat contentious down the years. Critics, like the Times journalist Caitlin Moran, the author of How To Be A Woman, have criticised the show’s portrayal of women in the Doctor’s companions. She claimed a few years ago on a TV segment about the show that they usually were there to say, ‘But Doctor, I don’t understand’. Others have also made the point that their role tended to be stereotypically passive and traditional. They were to scream when threatened by the monster, and be rescued by the Doctor. It’s quite a controversial statement, though I do remember seeing one of the team behind the Classic Dr. Who saying that there was some truth in it. They had tried to make the Doctor’s female companions less stereotypical, and stronger. So you had Zoe, one of Patrick Troughton’s companions, who was a computer scientist from the future. Romana was a Time Lady, who had majored in psychology at the Academy. In her first appearance in the Tom Baker serial, ‘The Ribos Operation’, it was made clear that she was actually more intelligent than the Doctor, who had scraped through his degree after he retook his exam. Sarah Jane Smith was a feisty female journalist, who was fully prepared to talk back to the Doctor, representing the new generation of independent young women that came in with ‘Women’s Lib’ in the ’70s. And the strongest female companion of them all has to be Leela, a female warrior of the Sevateem, a primitive tribe descended from a group of astronauts sent to investigate a jungle world. Leela mostly wore only a leather bikini, but she was skilled with the knife and the deadly Janus Thorn, a poisonous plant, whose venom killed within minutes. Leela was quite capable of defending herself and protecting the Doctor. In the serial ‘The Invisible Enemy’, for much of the story she is the active member of the team, after she proves immune to the sentient virus that infects and paralyses the Doctor. There were also attempts to introduce strong female villains, such as the Rani, a renegade Time Lady of the same stripe as the Master, but who specialised in genetic engineering and biological transformation rather than mechanical engineering. But the producer or writer conceded that as time went on, these strong female characters tended to become weaker and more stereotypical, so that they ended up screaming and waiting to be rescued by the Doctor.

The stereotypical role of the female companions has become more outdated as traditional gender roles in society have changed, and Science Fiction as a genre began exploring and challenging issues of gender and sexuality. There’s a tradition of feminist SF, which has been present from the emergence of the genre in the late 19th century, but which became more prominent with the rise of the modern feminist movement in the 1960s. A few years an anthology of female utopias, created by late 19th and early 20th century female writers, Herland, was published. It took its title from that of a female utopia described by an early American feminist and campaigner for women’s suffrage. Feminist SF writers include Joanna Russ, Ursula K. Le Guin, best known for her ‘Earthsea’ fantasy novels, and Sheri S. Tepper. Russ is an American academic, and the author of The Female Man. She considers that the rise of the women’s movement is a far more revolutionary and profound social change than space travel and the other technological conventions of Science Fiction. And many of these SF authors, both female and male, have created worlds and species, in which the genders are fluid.

In Le Guin’s The Word for World Is Forest, conditions on the planet on which the book is set are so harsh, that little time is available for procreation. The people there are neuter for most of the time. However, they have a breeding season, during which they may become male or female. However, the adoption of a particular gender doesn’t necessarily recur, so that a person, who is female one season may be the male in the following season, and vice versa. Michael Moorcock also experimented with gender identity in some of his books. The Eternal Champion may be male or female, depending on incarnation. And at the end of the Jerry Cornelius book, The Final Programme, Cornelius is transformed into a beautiful hermaphrodite, which leads humanity to its destruction.

Other SF writers have envisoned futures, where humans are able to transform the bodies in a variety of ways, according to taste, including switching genders. In Gregory Benford’s ‘Galactic Centre’ novel, Across the Sea of Suns, the crew of an Earth ship sent to investigate the centre of the Galaxy following the attack of the Mechs, a hostile galaxy-spanning machine civilisation, devise special pods, which can remake and refresh the crew. This includes changing gender. And Ian M. Banks ‘Culture’ novels are also set in a future, where humans are able to use technology to switch genders easily. In Alastair Reynolds’ Chasm City, the bored, immortal rich of the titular city on a world orbiting Epsilon Eridani, are able to use nanotechnology and genetic manipulation to change their appearance, often into outlandish forms. One character, a woman, is called ‘Zebra’, because she has covered her self in black and white stripes, and sculpted her hair into a mane that runs down her back. She tells the hero, Tanner Mirabel, that this is only her latest appearance, and that she will probably change it and move on to another in the future. She also states that she hasn’t always been female either.

In the 1990s there was a particularly strong demand for Science Fiction to challenge gender stereotypes. This was a reaction to the traditional image of the genre as dominated by White males, and focused on issues of surrounding technology and hard science. Thus one of the American SF societies launched the Arthur C. Clarke award for Science Fiction that challenged traditional stereotypes. There has also been a demand for a better representation of women amongst the genre’s writers. The anthology of ‘Dieselpunk’ stories therefore has roughly as many women writers as men.

The exploration of gender roles has also included explorations of sexuality, including same sex attraction. Gay fans of Star Trek in the 1980s hoped that the new series, Star Trek: The Next Generation, would include a gay character, a wish echoed by David Gerrold, one of the writers of the Classic Trek series. They were disappointed when the series did feature a story, where Riker becomes romantically involved with a member of the Jnai, an alien race, who have evolved beyond gender, but where it re-emerges occasionally amongst a persecuted culture of throwbacks. Riker becomes attracted to one of these throwbacks, a female, and attempts to rescue her after she is arrested. However, he arrives too late. The corrective treatment meted out to such people has worked, and she is now as sexless as the rest of them.

Gay fans of the series felt that they had been cheated. Instead of a forthright endorsement of homosexuality, they’d been given a kind of half-hearted nod. The issue of gay rights was there, but so heavily disguised that it may as well not have been there at all. They also objected to it on the grounds thta it seemed to reinforce the prejudiced view of opponents of gay rights, who declare that it is about removing gender altogether. This prejudiced was clearly expressed by the conspiracy theorist, Alex Jones, a couple of years ago on his show, Infowars. Jones ranted that gay rights was a ‘transhumanist space cult’ intent on creating a race of genderless, cyborg people.

Er, not quite.

Gay characters and the exploration of alternative sexuality have been part of Science Fiction since William S. Burroughs’ books The Naked Lunch, and Samuel R. Delaney, a Black American writer, who also uses his novels to explore racial issues. Gay characters and issues of gender and sexuality have also been a strong element in the modern Dr. Who series. Captain Jack Harkness, a time traveller from the future, who became the lead character in the spinoff series Torchwood, is bisexual, and Ianto in the second series of that show was gay. This is probably mainly due to the series having a strong gay following, and that the writer behind its revival, Russell T. Davis, is also gay. For those, who can remember that far back, he was the creator of the gay series, Queer As Folk on Channel 4 in the 1990s.

There’s a sort of inevitability to the news that the next Doctor would be female, as the new Dr. Who series has also experimented with issues of gender roles. In the episode, ‘The Doctor’s Wife’, Matt Smith’s Doctor revealed that the Time Lords changed their gender, when explaining that another Time Lord he knew always retained the tattoo of a serpent on their arm throughout their regenerations, even when they were female. In the series before last, a Time Lord general shot by Peter Capaldi’s Doctor regenerates as female. And then, of course, there’s Missy, who is the female incarnation of the Master. My guess is that these changes were partly used to gauge how the audience would respond to a new Doctor. Once it was shown that most accepted the idea that Time Lords could regenerate as the opposite sex, then the way was clear for a female Doctor.

The show has also several times had strong female leads, while the Doctor has been more passive. Thus, in the last episode of the First Series, ‘Bad Wolf’, Rose Tiler becomes virtually a goddess, mistress of space and time, after peering into the heart of the TARDIS, saving Earth and Christopher Ecclestone’s Doctor from the Daleks. Catherine Tate’s character similarly rescued David Tennant’s Doctor from Davros and his Daleks after she gained all his knowledge as a Time Lord. And in one of the stories featuring the revived Zygons, it seemed to me that apart from the Doctor, all the characters in positions of authority – the heads of UNIT, scientists and so on, were all female.

The programme has also experimented with male gender roles. In one story about a year or so ago, one of the characters is a man, who has an alternative identity as a superhero following his childhood encounter with an alien device that can grant people’s deepest wishes. In his normal life, he’s a childminder.

It’s been said that there’s a division between TV and film SF, and literary Science Fiction, with the audience for TV and film uninterested in science fiction literature. I don’t believe that’s entirely the case, and the audiences for the various media clearly overlap. And literary SF has had an influence on Doctor Who. In the 1980s the BBC tried to recruit SF writers to give the series a great connection with SF literature. And several of the stories in recent Dr. Who series have shown the influence of literary SF. For example, in the last series, Earth suddenly became a forest planet, as the trees grew and spread everywhere. This, it was revealed, was to save humanity from some cosmic disaster. This looks quite similar to a book by Sheri S. Tepper, in which trees come to life to save people from danger and disaster. And to me, the name of space station in the last series’ story, ‘Breath’, Chasm Forge, sounds a bit too close to ‘Chasm City’ to be entirely coincidental, although the two stories are very different.

I also think that there have been social and political considerations that may have influenced the decision to make the next Doctor female. As well as the general demand within SF fandom for more women writers and female-centred stories, I got the impression that the audience for SF on TV may have slightly more women than men. This is not to say that the numbers of men watching SF is small – it isn’t – but that the fan organisations may have a very large female membership. I certainly got that impression from Star Trek. If that’s also the case with Dr. Who, then the series’ writers and producers would also want to cater for that audience.

I also think that there’s probably pressure too to create a female character, who would act as a role model and encourage more girls to enter science, particularly male-dominated subjects like Maths, physics and engineering. There have been initiatives to do this before, but they’ve had limited effect. You may remember the video one governmental organisation made a few years ago. Entitled Science: It’s a Girl Thing, this featured attractive young women in lab coats tapping away to a pop tune. Many women, including female scientists, felt it was patronising and demeaning. As the Doctor is very much the hero as scientist, who solves problems through his superior Time Lord scientific knowledge, I think those concerned to see greater representation of women in the sciences would welcome the Doctor’s transformation into a woman.

I have to say that, provided the transition is done well, I don’t think a female Doctor will harm the series. As I said, the rumour that there might be a female Doctor along the way has been around since the last Tom Baker series back in 1980s or thereabouts. If done badly, it could easily reduce the series to farce or pantomime by being just that little bit too incredible, or just plain weird. But the idea of gender-swapping Time Lords/Ladies hasn’t been so far, and from previous experience I think it will be done properly. The series might lose some viewers, but I think many of the real, hard-core Whovians, like Mike, won’t be bothered at all. I hope so in any case, will watch the new series with interest.

Conspiracy Theorist Alex Jones Claims NASA Operating Child Slave Labour Base on Mars

July 1, 2017

More madness from the very warped mind of Alex Jones. Jones is the head honcho behind the internet conspiracy theory show, Infowars, and its companion website, Prison Planet. Jones believes, or affects to believe, that the American government, the UN, the ‘globalists’, the elite and liberals, Socialists and feminists are engaged in dire and foul conspiracies against the world and its people, and particularly those in America.

Over the years he has claimed that the richest 1 per cent of American society and industry, or at least their menfolk, sacrifice children in Satanic rituals at their annual secret meetings in Bohemian Grove in California. The Twin Towers collapsed because of a conspiracy by the American government, and not because Saudi-backed terrorists hijacked and flew two planes into them. President Obama was going to use to the legislation permitting the establishment of refugee camps to house disaster victims to seize power and herd people into what were really concentration camps. Humanity and the world were under attack by evil extradimensional entities, who might be demons or simply alien intelligences. And Barack Obama was fully under their control. He was truly the Devil’s emissary, because, apparently, he looked demonic, smelt bad and flies were always hovering around him.

Ditto Hillary Clinton. She was also under Satanic influence. She was part of a vast, paedophile conspiracy supplying children to leading politicians from a pizza parlour in Boston. She was also some kind of robot or cyborg, because something metal fell out of her trouser leg when she had a fainting fit during her campaigning. When she momentarily had some kind of problem swallowing a glass of water, Jones seized on this as evidence that she was either demonically possessed, or carrying some kind of alien spawn, which was about to come bursting out of her like the xenomorphs in the Alien movies. She was herself also a participant, with Bill, in black magic ‘spirit eating’ orgies put on by a performance artist.

The UN, Socialists and feminists are all engaged in some weird plot to take over the world and enslave everybody in it, particularly White men. Gay and transgender rights activists are a ‘transhumanist UFO cult’ to create a new, genderless, form of humanity.

How much of this Jones actually believes is a moot point. His ex-wife was suing him for custody of their children, on the grounds that he was utterly made and it was damaging their kids to see their Dad ranting and raving in the TV studio he has at his home. Jones’ lawyers responded by stating that Jones didn’t believe any of it, and it was all ‘performance art’.

Recently Jones has also been forced to issue apologies to people he has libelled on his programme. Someone took his comments about the pizza parlour in Boston very seriously indeed, and walked into it waving a gun around in order to free the child captives in the basement. There weren’t any children kept prisoner there, in the basement or anywhere else. Fortunately, no-one was shot or hurt in this incident.

Then he was threatened with legal action from the Turkish owner of a Yoghurt factory, who had a deliberately policy of employing immigrants. Many of these were Middle Eastern. Jones claimed that this, entirely respectable businessman, who was another paedophile, and that his employees had been responsible for a series of rapes. The businessman wasn’t, and his employees were also innocent. After being threatened with a writ, Jones ended up making a statement that he was entirely mistaken about it all on air.

Now he’s done the same to NASA. On Thursday, Jones had on his programme Robert David Steele, a former Reform Party presidential candidate, who claims to have been a case officer with the CIA. Steele spun a yarn that NASA had been kidnapping children to send them on a 20 year journey to be used as slave labour on Mars. Oh yes, and they were also been frightened and then killed, so that their blood and bone marrow could be harvested for use by the elites. The children had to be terrified when they died as this would enrich it with adrenaline.

NASA responded by denying everything, and pointing out that they didn’t have any kind of child labour camp on the Red Planet.

See: http://www.news18.com/news/buzz/we-do-not-have-a-child-slave-colony-on-mars-nasa-1447965.html

This story is, of course, absolute nonsense. For a start, 20 years is far too long for a journey to Mars. Spacecraft have to go at a certain speed – escape velocity – to escape the Earth’s gravitational pull if they are to go anywhere else in the Solar system, whether it’s the Moon or the other planets. I think current plans for a Mars mission estimate that it would take about 2-3 years or so to get there. A long time, certainly, but not as long as 20.

Then there’s the logistics and engineering problems of getting people to Mars. You need rockets of a certain size and power. Furthermore, any colonists for Mars, whether free or not, would have to carry all their food, water and air with them. The spaceships will also have to be shielded against cosmic radiation and solar flares. These weren’t much of a problem when going to the Moon, because of the relatively short length of the journey – about a week. Even so, if a coronal mass ejection – a type of massive flare known as a sun storm – had occurred, it would have fried the Apollo astronauts. These are a real threat for those intrepid souls going on the lengthy journey to the Red Planet.

There are also other medical problems caused by the lack of gravity in space. As the astronauts’ bodies don’t have to fight against the pull of the Earth’s gravity, muscles shrink. They also go to the toilet more than they would on Earth, and so start to lose calcium, weakening their bones. Hence their health is monitored, and those crews staying in space for a long time, such as during the Skylab programme from 1973-5, have to devote a certain amount of time each day to doing their exercise.

As there is no ‘up’ or ‘down’ in zero gravity, and the fluid in your inner ear that tells you which is which also starts to float along with the rest of you, some astronauts suffer from ‘space sickness’, similar to the sea sickness some people feel travelling by ship.

There are also psychological hazards that may endanger the lives of the space travellers. I heard Dr Kevin Fong, who’s a specialist in space medicine, talking about them one year at the Cheltenham Festival of Science. Fong pointed out that the strange environment of space can also affect astronauts’ mental health. Several of them have reported hearing sounds, such as dogs barking and babies crying, while in orbit. They can also find themselves doing strange, irrational things, which can potentially kill them, before being snapped out of it. One astronaut aboard Mir described how he was asleep one night, before being suddenly awoken by a noise. He then found one of his fellow astronauts suited up, ready to take a spacewalk. But the poor fellow hadn’t connected the air hoses. It takes about seven hours or so to put on and inflate a spacesuit, so that it protects its wearer from the hard vacuum outside their craft. None of this had been done, and if the astronaut had walked through the airlock, he would have been killed. Fortunately, the other astronaut was able to wake his friends and colleagues, who woke up and managed to stop him.

These are the hazards facing the extremely healthy men and women, who manage to pass the rigorous testing and gruelling grueling training programmes. Hopefully, one day we’ll have learned enough to make space travel sufficiently safe so that families with children can venture into the Deep Black. But we very definitely aren’t anyway near that level now.

This is sheer bullsh*t, and it’s not hard to see where it’s ultimately coming from. Somewhere in there is the influence of Alternative 3. This was an April Fool’s Day joke, broadcast by ITV in 1975. It was a bogus edition of a fake science programme, ‘Science Report’, which claimed that the Earth was dying, and so the Americans and Russians had secretly shelved their differences in order to colonise Mars secretly. Leading scientists were disappearing as they took up their new lives on the Red Planet. Ordinary people, meanwhile, were also disappearing. They were being kidnapped, lobotomised and ‘de-sexed’ to turn them into slaves as ‘batch consignments’, serving their elite masters.

The programme was a hoax, but unfortunately many people were genuinely taken in and didn’t realise that it was a joke. There was also a tie-in novelisation, which until recently was unavailable in the US. This led to rumours that it was all true, and had been deliberately suppressed by Them.

The result has been that a number of other conspiracy theories about secret government space projects have grown up around it, or been inspired by it. This latest nonsense appears to be one of them.

I don’t know how many people actually believe Steele’s story. Possibly very few, the kind of people, who bought into the lurid revelations of Commander X and his tales about secret collaboration with aliens. Or the late Bill English and his rubbish about meeting the Zeta Reticulan ambassador, Omnipotent Highness Krill, at a military base.

I doubt very many people actually believe the story, but that hasn’t stopped Jones having an effect. During the American presidential elections, he gave very vocal support to Donald Trump, who was a guest on his programme several times. He has libelled various blameless individuals, such as the Turkish yoghourt manufacturer. It’s a mercy that his stories about paedophile gangs didn’t result in someone being shot at that pizza place. He also notoriously claimed that the Sandy Hook school shooting was all staged, and that the children and others, who were killed and injured were ‘crisis actors’. This has led to people approaching and accusing the kids’ grieving parents with these claims.

And anti-racist activists are worried about the links Jones and his show have with the racist Alt-Right. This includes his fellow presenter, Paul Joseph Watson, who has inveighed against the threat Islam and Muslim immigration supposedly poses to western civilisation.

Jones is a clown, and his ranting can be hilarious, but there’s a very serious, very dark side to his show. It’s almost the very definition of ‘fake news’, and it is having a pernicious effect on politics in the US, as more citizens are encouraged to fear the terrible, but entirely imaginary Others that mean to harm and enslave them. While, of course, supporting right-wing Libertarian policies, which will deny them proper, decent medicine, welfare support, housing, clean water and education.

West World and the Original Robots of R.U.R.

October 23, 2016

A few weeks ago H.B.O. launched the latest SF blockbuster show, West World. It’s a TV series based on the 1970s film of the same name, written by Michael Crichton. Like Crichton’s Jurassic Park nearly twenty years or so later, West World is about a fantasy amusement, presided over by a sinister inventor played by Anthony Hopkins, the man who scared audiences witless as the cannibalistic murderer Hannibal Lecter in the Silence of the Lambs and its sequel, Hannibal. While Jurassic Park was about scientific attempts to recreate the dinosaurs for popular amusement, in West World the amusement park was a resort which attempted to recreate past eras for fun. This included the Middle Ages, and a section devoted to the old West. Like Jurassic Park, things go disastrously wrong. A computer malfunction makes the robots break the inbuilt restrictions on their behaviour, so that they gain autonomy and independence. In the medieval part of the resort, a man, who is used to getting his way with the female androids has his advances rebuffed with the curt answer, ‘Methinks Sir forgets himself’. But the real action of the story is the attempts by the movie’s hero over in the West World part of the resort to overcome the black-garbed, robot gunfighter, played by Yul Brynner. Like Schwarzenegger in the Terminator films, the gunslinger is an implacable, unstoppable killing machine, and the hero has to destroy it before it kills him, just like it gunned down his friend.

The TV series has adapted and altered the story. The gunman is now human, rather than robotic, and the focus seems to have shifted more to the robots than the humans. They are the victims of the humans enjoying the resort, who come to act out terrible fantasies of rape and killing that they would never dare consider doing in the real world to other human beings. The robot hosts they use – and abuse – are repaired and have their memories wiped ready for the next set of visitors to do the same, all over again. But attempts to give the machines consciousness have had an effect. The machines are beginning to remember. The press releases to the series state that its premise is not about machines developing consciousness and intelligence, but what they will make of us when they do.

The artificial humans in West World are less robots in the sense of mechanical people, than artificial humans. The titles show artificial tendons and muscles being placed on synthetic skeletons by robotic arms in a more developed version of 3D printing.

This conception of artificial humans shows the influence of Blade Runner. Based on Philip K. Dick’s Do Androids Dream of Electric Sheep, the film changed Dick’s androids to ‘replicants’, artificial men and women created through sophisticated genetic engineering for use as slave soldiers and sex workers. Produced by the Tyrell Corporation under the slogan ‘More Human Than Human’, these genetic constructs have a desire for freedom and longevity. In order to stop them overthrowing humanity, they only have a lifespan of six years or so. They are also becoming increasingly sophisticated psychologically and emotionally. In the book and film, they can only be distinguished from natural people through the Voight-Comp Test. This is a complex psychological test in which the subjects have to answer a series of questions. Part of this is to measure their capacity for empathy. Replicants generally are unable to sympathise or understand others’ suffering. The test asks those undergoing its questions to imagine their in a desert. They see a tortoise lying on its back, dying in the hot sun. The animal is clearly in pain and dying, but they don’t help it. Why not? At the end of the movie, Deckard, the film’s hero, a Blade Runner – the special policemen charged with catching and ‘retiring’ replicants that have made it down to Earth, is in serious danger. In his battle with Roy Batty, the replicants’ leader and now their only survivor after he has tracked them all down, Deckard has failed to make a jump across two of the buried skyscrapers underneath the sprawling future LA. He is hanging from a girder, about to fall to his death. Until Batty, before his own programmed obsolescence kills him, pulls him to safety. Batty has developed genuine sympathy for another stricken creature. He has triumphantly passed the Voight-Comp test, and shown more humanity than the humans who made him and who enslave his kind.

It’s a very old theme, which goes all the way back to one of the very first Science Fiction plays, if not the very first SF play, to deal with a robot revolt, R.U.R., or Rossum’s Universal Robots. Written by the Czech playwright Karel Capek, this was the play that introduced the word ‘robot’ into the English language. The word comes from the Czech for ‘serf’ or ‘slave’. It’s set in a company producing these artificial people, which are used for everything from factory workers to domestic servants. They have also been stripped of complex emotional responses to make them suitable servants. But as with the synthetic hosts of West World, this is breaking down. Instead of simply performing their tasks, the robots are increasingly stopping and refusing to work. They simply stand there, grinding their teeth. Eventually their growing dissatisfaction turns from simple recalcitrance to outright revolt. The machines rebel, exterminating humanity and leaving the company’s accountant, Alquist, as the only survivor.

Like Blade Runner’s replicants and the synthetic hosts of West World, Capek’s robots were not machine so much as creatures produced through a kind of artificial biology. In the first act, the company’s general manager, Domain, explains the origins of the robots in the biological researches of the biologist, Rossum, to Helena Glory, the daughter of an Oxbridge prof.

‘It was in the year 1922’, informs Domain, ‘that old Rossum the great physiologist, who was then quite a young scientist, betook himself to this distant island for the purpose of studying the ocean fauna, full stop. On this occasion he attempted by chemical synthesis to imitate the living matter known as protoplasm, until he suddenly discovered a substance which behaved exactly like living matter, although its chemical composition was different; that was in the year 1932, exactly four hundred years after the discovery of America, whew!’ (The Brothers Capek, R.U.R. and The Insect Play(Oxford: OUP 1961) p. 5). Later Domain tells Helena a little about the industrial processes in which the robots are manufactured:

Domain: … Midday. The Robots don’t know when to stop work. In two hours I’ll show you the kneading-trough.

Helena: What kneading-trough?

Domain. [Dryly] The pestles and mortar as it were for beating up the paste. In each one we mix the ingredients for a thousand Robots at one operation. Then there are the vats for the preparation of liver, brains, and so on. They you’ll see the bone factory. After that I’ll show you the spinning-mill.

Helena: What spinning-mill?

Domain: For weaving nerves and veins. Miles and miles of digestive tubes pass through it at a stretch. Then there’s the fitting shed, where all the parts are put together, like motor-cars. Next comes the drying-kiln and the warehouse in which the new products work. (p. 15).

Like Blade Runner, the robots of R.U.R. end by becoming human emotionally. Just as the replicants in Blade Runner have a severely limited lifetime, so Capek’s Robots, as beings created purely for work, are sterile. After their victory, they approach Alquist requesting that more of them be created as their numbers of falling. Despite their entreaties, Alquist can’t. He is not a scientist, and the last of the company’s management destroyed the manuscript describing how they were made before they themselves were killed. Radius, the leader of the robots, requests Alquist to find out by dissecting living robots. When Primus, one of the male robots, and Helena, a female robot, each defend the other, refusing to let Alquist take them for experimentation, the old accountant realises that the mystery of their reproduction has been solved. The play ends with him reciting the text of Genesis describing God’s creation of Man. The last lines are him reciting the Nunc Dimissit : ‘Now, Lord, lettest Thou Thy servant depart in peace, according to Thy will, for mine eye have seen Thy salvation.’

This last marks the major difference between R.U.R. and modern treatments of the rise of robots and their possible replacement of humanity: R.U.R. is explicitly Christian in its underlying tone. It’s stated very clearly that Rossum was a militant atheist, who wanted to play God in order to show that God is unnecessary for the emergence of life. The ending, however, is ambiguous. Rossum was an anti-theist, but his artificial creations, which are based on a chemistry not found in nature, clearly work, and in turn become genuine, self-perpetuating, authentic men and women with intelligence, emotions and morality.

Some critics have said that R.U.R. really isn’t SF so much as a technological parable about the threat of Communism. It was written in 1920, a few years after the Russian Revolution and similar outbreaks of working class militancy across Europe, including Germany, Austria and Hungary. But other works, that are undoubtedly considered Science Fiction, are also veiled comments on events and issues of the time. Much of the SF of the former Soviet Union, like that of the Strugatsky brothers, who wrote the classic Stalker, was written in the ‘Aesopian Mode’. They were intended as parables to say in veiled form truths and comments that could not be overtly made under Soviet censorship.

And the conception of robots as a form of genuine artificial life does seem to be based on some of the scientific speculation of the time. Russian scientists, such as Oparin, were acutely interested in the emergence of life on the prehistoric Earth, and devised several experiments to suggest how the chemicals necessary for life may have been formed. And the Communists, as militant atheists, were keen supporters of Darwinian evolution, though I think they viewed it as proceeding through a form of dialectal materialism, and so bearing that theory out, rather than some of the more sophisticated, non-Marxist conceptions that have occurred later. Russian Cosmists, like the Transhumanists today, wished to develop scientific methods of resurrecting the dead and then colonising space as a suitable habitat for the new, perfected humanity.

Furthermore, some experiments and speculation in robotics has moved away from simple, mechanical processes. Human muscles operate biochemically. Messages from nerves changes the shape of the molecules composing muscles, which in turn makes those same muscles contract or expand, moving the organism’s limbs. Some scientists have therefore worked on trying to mimic this process of movement using artificial substances, rather than existing electrical or petrol-driven motors. This brings the construction of robots very close the type of 3D printing shown in West World’s titles.

My own feeling is that it will be a very long time, if ever, before humanity produces anything like the sentient robots of SF. As I mentioned in my previous article, one of the scientists interviewed by the science magazine, Frontiers, in 1998 stated that he didn’t think we’d see genuinely conscious, intelligent robots in his lifetime. Anthony Hopkins in an interview in this week’s Radio Times makes the same point, stating that we haven’t created anything as simply as a single cell. This does not mean that humanity won’t, or detract from stories about robots as entertainment, or as the means by which philosophical issues about creation, the nature of life and humanity, consciousness and intelligence, can be explored. West World in this sense is part of a trend in recent screen SF attempting to explore these issues intelligently, such as Automata and The Machine. These new treatments are far more secular, but as philosophical treatments of the underlying issues, rather than simple stories about warfare between humanity and its creations, like the Terminator, they also follow in a long line that goes all the way back to Capek.

A Stunningly Accurate Prophecy about 2016 from the 1970s

January 3, 2016

I found this prophetic depiction of the capacities of human intelligence in this year on another Tumblr site, 70s Sci-fi Art.

Dugs computers Intelligence

You can see it at http://70sscifiart.tumblr.com/post/136373197166

It’s still a goal of Futurists and Transhumanists like Kurzweil, and you can find similar idea in the Illuminatus! books of Shea and Robert Anton Wilson. Apart from mad conspiracies by subversive groups and mystical organisations, all plotting against each other, these books also looked forward to a future, where humanity had conquered death and aging, and had learned to expand their intelligence and consciousness through drugs. By this time, humans were also actively colonising space. I’ve got a feeling the former countercultural guru of drug mysticism, Timothy Leary, was also into this.

Well, who knows – it might all happen one day. But it definitely hasn’t happened yet. It’s another illustration of how difficult it actually is to predict the future in practice, and why Science Fiction is mostly wrong in its predictions. As for expanding consciousness and intelligence through drugs, the impression I have from some of the people I’ve met, who’ve been a little bit too enthusiastic about chemical enhancement of natural mental faculties, is that it very largely does the opposite. So instead of trying to expand your mind with psychochemicals, I recommend great speculative literature instead. C.S. Lewis once said that ‘Science Fiction is the only mind expanding drug.’ So, go borrow a couple of great paperbacks from the library and feed your head.

The Doctrine of Plenitude and Space as the Abode of Man in 17th Century Theology

May 17, 2013

I’ve blogged before on the doctrine of Plenitude in 17th and 18th century theology. This was the view that God had created the various planets and stars of the cosmos as homes for extraterrestrial, intelligent beings. It was held by theologians and Christian apologists such as Christian Wolf in Germany, as well Fontanelle in France and Thomas Burnet, Charles Blount and Robert Jenkin, the subject of my last blog post. Burnet wrote in his Sacred Theory of the Earth that

‘We must not … admit or imagine, that all nature, and this great universe, was made only for the sake of man, the meanest of all intelligent creatures that we know of; nor that this little planet, when we sojourn for a few day6s, is the only habitable planet of the universe: these are thoughts so groundless and unreasonable in themselves , and also so derogatory to the infinte power, wisdom and goodness of the first cause, that as they are absurd in reason, so they deserve far better to be marked and censured for heresies in religion, than many opinions that have censured for such in former ages.’

Robert Jenkin on Possible Colonisation of Space before the Fall and after the Resurrection

Robert Jenkin believed that the various worlds of the cosmos may have been deliberately created by the Almighty to house humanity before the Fall. After this, he considered that they may have been designed to serve as further homes for humanity after the end of the time and the resurrection. Then they would serve as homes for the righteous, and places of punishment for the wicked. In the present, however, they served to keep the world in its proper place in the universe and maintain the equilibrium of the whole system through their gravitational attraction:

‘I observe, that though it should be granted, that some planets by habitable, it doth not therefore follow, that they must be actually inhabited, or that they ever have been. For they might be designed, if mankind had persisted in innocency, as places for colonies to remove men to, as the world should have increased, either in reward to those that had excelled in virtue and piety, to entertain them with the prospect of new and better worlds; and so by degrees, to advance them in proportion to their deserts, to the height of bliss and glory in heaven; or as a necessary reception for men (who would then have been immortal) after the earth had been full of inhabitants. And since the fall and mortality of mankind, they may be either for mansions of hte righteous, or places of punishment for the wicked, after the resurrection, according as it shall please God, at the end of ht eworld to new modify and transform them. And in the meantime, being placed at their respctive distances, they do by their several motions contribgute to keep the world at a poise, and the several parts of it at an equilibrium in their gravitation upon each other, by Mr. Newton’s principles’.

Religious Attitudes in Russian Biocosmism and Western Transhumanism

A similar attitude survives today in the thinking of the Russian biocosmists. This arose in the late 19th century. Its gaol was the scientific attainment of immortality and the resurrection of the dead. It also advocated the colonisation of space to provide homes for the new, resurrected humanity. The great Soviet rocket pioneer, Konstantin Tsiolkovsky, was a member. Biocosmism wasn’t a specifically Christian movement. It also included elements of theosophy. Nevertheless, it can be seen as a secularisation of the theological attitude expressed by Jenkin. The Communist authorities initally tolerated Biocosmism after the 1917 Revolution before banning and persecuting it in the 1930s as a dangerous, heretical ideology. It re-appeared after the Fall of Communism, and has formed links with western Transhumanism. The similarity between the views of the Biocosmists, Transhumanists and Jenkin’s appears to bear out a remark on their identity of purpose by one of Transhumanism’s founders, the robotics engineer Mark Moravec. Moravec’s wife is a Methodist minister, and he once stated that Christians and Transhumanists wanted the same thing. They just went about it differently.

Moral Perfection and Cosmic Awe in Star Trek and Cosmos

You can also see a certain similarity with Jenkin’s views in Gene Roddenberry’s Star Trek, and the vision of human expansion in Carl Sagan’s Cosmos. Leonard Nimoy, who played Spock, has said in interviews that he believed the show’s popularity lay in its optimism. It envisages a future in which humanity has overcome its social and political problems, survived the horrors of the twentieth century, and gone on to produce an ideal, tolerant society in the Federation. Star Trek is very definitely a secular show, and its attitude to religion is ambivalent. Some episodes have a positive view of it, while others consider it a negative force holding humanity and alien races back from achieving their true potential. Nevertheless it shares with Jenkin a view of the cosmos that sees it as an area for colonisation by a perfected and morally regenerate humanity.

In his TV series and book, Cosmos, the late Carl Sagan expressed a profound awe of the vastness and intricacy of the universe. A Humanist and member of the Sceptics’ group, CSICOP, now the Centre for Scientific Inquiry, Sagan also campaigned for the human colonisation of space and contact with other alien civilisations. Cosmos was a truly inspiring series, and prepared the way for later scientific blockbusters like Stephen Hawking’s A Brief History of Time. Sagan’s attempts to show the universe as an object of literal cosmic awe approaches the religious feeling of the numinous, the sense of awe before the presence of God or the gods. His campaign for spaceflight and extraterrestrial contact therefore partakes of the same religious nature as Jenkin’s view that the other worlds revealed by science, with the difference that Jenkin’s believed that they would only be colonised by a humanity that had attained and been transformed through God’s grace.

Despite the rationalism and secularism of mdoern SF and the movements for space exploration and colonisation, they still contain much of the religious sense of wonder and human destiny expressed by 17th and 18th century theologians like Fontanelle, Burnet, Blount and Jenkin. For them, the heavens not only proclaimed the glory of God, but also offered a future home for humanity and other intelligent beings through God’s providential grace.