Posts Tagged ‘Tracy Emin’

Salvador Dali Wanted Materialist Religion to Destroy Christianity and Enslave Non-Whites

September 1, 2022

The Torygraph has published a piece today revealing that a letter has come to light from the Surrealist painter Salvador Dali from the 1930s, in which he reveals just what an anti-Christian, fascist sympathiser he really was. It dates from 1935. Dali had already been suspended from the Surrealists the year before because of comments praising Hitler, amongst other things. In a nasty bit of social snobbery he said that the train crashes he most enjoyed were those in which only third-class passengers were killed. The Torygraph article also states that in another letter in which he claimed that one of the reasons why he was expelled from the Surrealists 1939 was his positive view of the lynchings in America. He loved Hitler, was fascinated by the Swastika and apparently thought the Nazi party were an example of Surrealism in action.

Uggh. Pass the sick bag!

The Torygraph article begins

Salvador Dalí wanted to enslave races he considered inferior and establish a new “sadistic” world religion, a newly-discovered letter has revealed. 

In the letter, which was written by Dalí in 1935, the artist proposed the enslavement of “all the coloured races” as part of a new world order that would be “anti-Christian and materialistic, based on the progress of science”. 

“The domination or submission to slavery of all the coloured races” could be possible, Dalí wrote, “if all whites united fanatically”. He also insisted on the need for “human sacrifices”. 

As Europe was threatened by the fascist regimes of Hitler in Germany and Mussolini in Italy, Dalí’s letter to André Breton, the French writer and co-founder of the surrealist movement, speaks of the need for “new hierarchies, more brutal and strict than ever before” to “annihilate” Christianity. 

“I believe that we surrealists are finally turning into priests,” Dalí wrote.

Scornful of Christianity’s “altruism”, he added: “We don’t want happiness for ‘all’ men, rather the happiness of some to the detriment of others”. 

The letter was recently discovered in the digitalised personal archive of Sebastià Gasch, an art critic from Barcelona who died in 1982. It was published on Thursday by Spain’s El Pais newspaper.’

For the complete article, go to: https://www.msn.com/en-gb/entertainment/music/salvador-dali-wanted-to-enslave-non-white-races-and-create-new-sadistic-religion-letter-reveals/ar-AA11lIAc?ocid=msedgdhp&pc=U531&cvid=6310a88ab5f4477185b311aaebce1ed5

Dali scarpered to American during the War, returning afterwards to Spain as a supporter of the Fascist leader, General Franco.

Dali was a great artist but a revolting human being. He was greedy for fame and money, which is why some of the other Spanish Surrealists nicknamed him ‘Avida Dollars’. Malcolm McLaren presented a programme on him on Radio 4 a few years ago, in which he compared the publicity-hungry, media-savvy Dali with contemporary British artists like Damian Hurst and Tracey Emin. Well, Dali did share with Hurst, Emin and the rest of the Young British Artists the urge to shock as well as the pursuit of fame and cash, but YBAs, for all their excesses can never be accused of Nazism. Dali also wasn’t averse to selling his friends out to the authorities. Dali emigrated to America with Luis Bunuel, who also hailed from Catalonia. The two had worked together on the Surrealist films Un Chien Andalou and L’Age d’Or, both now regarded as classics of cinema. Surrealism was a mixture of Freudianism and Marxism, and many of the Surrealists were members of the Communist party. Bunuel was one of them. On arrival in the Land of the Free, Dali snitched that Bunuel was a commie to the FBI, and made little effort to excuse himself for doing so when Bunuel confronted him on his betrayal. Bunuel himself emigrated to Mexico where he continued to make Surrealist, anti-Christian films.

I’m fascinated by the Surrealists and love Dali’s art, but the man himself is quite a different matter. I can well believe, despite his later conversion to the Catholicism, that at heart he was an atheist with a hatred of the religion to which he nominally belonged. I didn’t realise he was so racist, however. This was definitely against the Surrealist ethos, which was firmly against imperialism, but patronised the world’s indigenous peoples as seeing their art and culture based as based on the Freudian unconscious. This was the respectable scientific view at the time, but modern anthropologists have rejected it. Instead they see indigenous art and culture as the products of centuries or millennia of conscious intellectual development and no more based on the irrational or Freudian unconscious than our own.

As one of the best known of the Surrealists, Dali is a fascinating figure and he painted some of the greatest works of 20th century art. But as this letter shows, he was in many ways a squalid human being.

Flanders and Swan on Pretencious Smut

June 18, 2016

Okay, I put up a piece a few minutes, which used Tom Lehrer’s satirical song ‘Smut’ to attack the moral panic about pornography on the Net. I share the same fears as the people worried about the exposure of children to porn and other unsuitable material. However, I’m also afraid that these perfectly natural, perfectly decent fears are being used to justify a broader campaign of censoring anything of which the Right disapproves, even if it has little or nothing to do with the sex.

The other side of this issue, is that a lot of intellectual and cultural pseuds have promoted some real rubbish as being high art or great literature, when it’s just basically filth. This pretty much describes, in my opinion, nearly everything ever produced by Damian Hirst and Tracy Emin and many of the rest of the Young British Artists, as promoted by the Turner Prize and Nicholas Serota. The best comment on this came a generation ago with Flanders and Swan and their song, ‘Pee Po Belly Bum Drawers’, commenting on the risqué literature coming out of the pens and typewriters of Norman Mailer, Alan Ginsburg and the Beat poets, and the rest of the artistic avant garde at that time. Here it is: