Violent Trans Rights Activism and Nazi Transvestism

Before I go further, this post is very definitely not aimed at trans people in general. As I’ve said many times on previous occasions, I condemn persecution against people because of their sexuality or gender expression. I don’t doubt that most ordinary trans people just want to get on with their lives in peace. And I am acutely aware of the danger of stirring up prejudice and hatred against sexual minorities. This post is not against them, but against the militant and violent trans rights activists, many of whom aren’t trans, who hurl accusations of fascism against gender critical feminists and their supporters and threaten violence.

Unfortunately, there have been numerous violent and threatening incidents by trans activists. There have been incidents in Spain where feminist protesters have been assaulted and knocked to the ground. This also happened in Britain to Maria MacLachlan of the Peak Trans blog, who was then prosecuted by her attacker for hate speech. The veteran gay rights activist Fred Sargeant was also assaulted and knocked to the ground because of gender critical banners he was carrying at a Pride march in America. A feminist demonstration in Spain was met with such menacing opposition by trans activists that the police ordered the women to go home as they could not protect them. There have also been ugly scenes at Kelly-Jay Keen’s rallies in Britain, including Manchester, where a woman was pushed over a low wall, Bristol and Brighton. At that event, trans activists let off smoke bombs, accused an innocent father of being a fascist and raising a baby fascist, and one was arrested with a bag of 12 knives. Katherine Holdstock, a gender critical feminist, was threatened at her university with a baying mob throwing smoke bombs around.

Many trans activists really do believe that ‘TERFs’ are fascists. I’ve reblogged a video from Peak Trans, in which she discusses this assertion and utterly refutes. No gender critical feminist, as far as I am aware, has ever recommended persecuting trans people, putting them into concentration camps or murdering and experimenting on them like the Nazis did to gay men and women, some of whom would probably today be considered trans, during the Third Reich. But still the accusation keeps being made. MacLachlan filmed her trip to Bristol to hear K-J K speak. At one instant, just as she was leaving, there was a young man solemnly telling the crowd that TERFs were fascists and that their Nazi persecution would start with trans people before being expanded to cover gays and other despised minorities. And yesterday the accusation surfaced once again that gender critical feminists were part of the far right.

It’s a dangerous assertion for trans activists to use. Not just because it’s wrong, but also because it can very easily be turned around against them. They are the people preaching violence and intolerance against their enemies, who refuse even to let their arguments be heard because somehow this makes them unsafe and constitutes violence. But also, because, historically, there was a very strong element of homosexuality and crossdressing within the Nazi party, despite the horrific persecution of gays. The German historian Ludwig Theweleit described this back in the 1980s or so in his book Male Fantasies. This includes passages on events such as the transvestite dances held by the German navy at their base in Kiel. And in 2018 Martin Dammann, another German historian, published a book Soldiers Studies: Crossdressing in the Wehrmacht, which discussed this peculiar phenomenon. The Daily Mail published a review of the book by Sarah Malm ‘His and Herrs: Photos reveal how cross-dressing Nazis loved to wear women’s clothes for fun during World War Two‘ in the 6th November 2018 edition. This began

‘Photographs show soldiers in the German Nazi Army dressing in women’s clothing

Some snaps show them putting on cross-dressing shows for each other while on the front line

Others see them mucking about in women’s underwear, and in some cases also make-up

A series of fascinating photographs showing how German Nazi soldiers would dress up in women’s clothing and put on cross-dressing shows on the front line, has been compiled in a new book.

Artist Martin Dammann had intended to research soldiers’ lives in the Third Reich, and ended up stumbling across a surprising number of amateur photographs of Nazi conscripts dressed as women.

They show Nazi soldiers in everything from bras and dresses to home-made crop-tops and skirts created from blankets. 

Cross dressing during times of war was not isolated to the German Nazis, and notably also took place during World War I. 

It is thought it served as a way to lighten the mood of soldier life, and to provide entertainment to tired and bored soldiers, a large majority of them heterosexual men starved of female company.’

The article was also illustrated by photos like the one below:

 

See: https://www.dailymail.co.uk/news/article-6357677/Photographs-line-German-Nazi-soldiers-dressing-womens-clothing.html

For Brits of a certain age, it’s all very like some of the weird antics of Herr Flick, Von Schmalhausen and Lt. Gruber of the German army in the long-running BBC comedy series ‘Allo, ‘Allo. One of the photos in the article even shows a group of soldiers with their little tank.

The trans militants also resemble fascists in other ways. There’s the superficial one of dress. They dress in ‘black bloc’, which has traditionally been the colour of fascism since the days of Mussolini and the black shirts. Their refusal to debate with their opponents and use of threats and violence instead follows the Futurist dictum that they supported ‘the punch, the slap, as the decisive argument.’ And the particular hostility directed to gender critical women recalls the Futurists’ advocacy of ‘scorn for woman’ in Marinetti’s Founding and Manifesto of the movement. This is very far from the attitude at a transvestite convention in Weston-Super-Mare during the 1980s. That event was covered in the Bristol Evening Post. At least of the attendees said that many men had terrible attitudes to women, which showed their sympathy and solidarity with the opposite sex.

Violence and intolerance from whatever quarter needs to be condemned. We need honest, reasonable debate, not shrill and baseless accusations. And fascistic behaviour can also come from trans activists, claiming to defend persecuted sexual minorities. This has to be condemned along with other forms of hatred and intolerance.

For further information, the Amazon page for the book is at: https://www.amazon.com/Soldier-Studies-Cross-Dressing-Martin-Damman/dp/3775744835

‘Mr H Reviews’ on the Casting of Robot Lead in SF Film

‘Mr H Reviews’ is a YouTube channel specialising in news and opinions on genre films – SF, Fantasy and Horror. In the video below he comments on a piece in the Hollywood Reporter about the production of a new SF movie, which will for the first time star a genuine AI. The movie is simply titled b. Financed by Bondit Capital, which also funded the film Loving Vincent, with the Belgium-based Happy Moon Productions and New York’s Top Ten Media, the film is based on a story by the special effects director Eric Pham with Tarek Zohdy and Sam Khoze. It is about a scientist, who becomes unhappy with a programme to perfect human DNA and helps the AI woman he has created to escape. 

The robot star, Erica, was created by the Japanese scientists/ engineers Hiroshi Ishigura and Hohei Ogawa for another film. The two, according to the Reporter, taught her to act. That film, which was to be directed by Tony Kaye, who made American History X, fell through. Some scenes for the present movie were already shot in Japan in 2019, and the rest will be shot in Europe next year, 2021.

The decision to make a movie starring a robot looks like an attempt to get round the problems of filming caused by the Coronavirus. However, it also raises a number of other issues. One of these, which evidently puzzle the eponymous Mr H, is how a robot can possibly act. Are they going to use takes and give it direction, as they would a human, or will it instead simply be done perfectly first time, thanks to someone on a keyboard somewhere programming it? He is quite enthusiastic about the project with some reservations. He supports the idea of a real robot playing a robot, but like most of us rejects the idea that robots should replace human actors. He also agrees with the project being written by a special effects supervisor, because such a director would obviously be aware of how such a project should be shot.

But it also ties in with an earlier video he has made about the possible replacement of humans by their Virtual simulacra. According to another rumour going round, Mark Hamill has signed away his image to Lucas Film, so that Luke Skywalker can be digitally recreated using CGI on future Star Wars films. Mr H ponders if this is the future of film now, and that humans are now going to be replaced by their computer generated doubles.

In some ways, this is just the culmination of processes that have been going on in SF films for some time. Animatronics – robot puppets – have been used in Science Fiction films since the 1990s, though admittedly the technology has been incorporated into costumes worn by actors. But not all the time. Several of the creatures in the American/Australian SF series Farscape were such animatronic robots, such as the character Rygel. Some of the robots features in a number of SF movies were entirely mechanical. The ABC Warrior which appears in the 1990s Judge Dredd film with Sylvester Stallone was deliberately entirely mechanical. The producers wished to show that it definitely wasn’t a man in a suit. C-3PO very definitely was played by a man in a metal costume, Anthony Daniels, but I noticed in the first of the prequels, The Phantom Menace, that a real robot version of the character appears in several scenes. Again, this is probably to add realism to the character. I also think that in the original movie, Episode 4: A New Hope, there were two versions of R2D2 used. One was the metal suit operated by Kenny Baker, and I think the other was entirely mechanical, operated by radio. Dr. Who during Peter Davison’s era as the Doctor also briefly had a robot companion. This was Kameleon, a shape-changing android, who made his first appearance in The King’s Demons. He was another radio-operated robot, though voiced by a human actor. However the character was never used, and his next appearance was when he died in the story Planet of Fire.

And then going further back, there’s Alejandro Jodorowsky’s mad plan to create a robotic Salvador Dali for his aborted 1970s version of Dune. Dali was hired as one of the concept artists, along with H.R. Giger and the legendary Chris Foss. Jodorowsky also wanted him to play the Galactic Emperor. Dali agreed, in return for a payment of $1 million. But he stipulated that he was only going to act for half an hour. So in order to make sure they got enough footage of the great Surrealist and egomaniac, Jodorowsky was going to build a robot double. The film would also have starred Orson Welles as Baron Vladimir Harkonnen and Mick Jagger as Feyd Rautha, as well as Jodorowsky’s own son, Brontes, as Paul Atreides. The film was never made, as the producers pulled the plug at the last minute wondering what was happening to it. I think part of the problem may have been that it was going well over budget. Jodorowsky has said that all the effort that went into it wasn’t wasted, however, as he and the artist Jean ‘Moebius’ Giraud used the ideas developed for the film for their comic series, The Incal. I think that Jodorowsky’s version of Dune would have been awesome, but would have been far different to the book on which it was based.

I also like the idea of robots performing as robots in an SF movie. A few years ago an alternative theatre company specialising in exploring issues of technology and robotics staged a performance in Prague of the classic Karel Capek play, Rossum’s Universal Robots, using toy robots. I can see the Italian Futurists, rabid Italian avant-garde artists who praised youth, speed, violence and the new machine world around the time of the First World War, being wildly enthusiastic about this. Especially as, in the words of their leader and founder, Tommasso Marinetti, they looked ‘for the union of man and machine’. But I really don’t want to see robots nor CGI recreations replace human actors.

Many films have been put on hold because of the Coronavirus, and it looks like the movie industry is trying to explore all its options for getting back into production. However, the other roles for this movie haven’t been filled and so I do wonder if it will actually be made.

It could be one worth watching, as much for the issues it raises as its story and acting.