Posts Tagged ‘‘The Essay’’

Radio 3 Series Next Week on Paul Robeson

March 26, 2020

Radio 3’s The Essay next week is doing a series of programmes on Paul Robeson. The show’s called ‘The Essay: Paul Robeson in Five Songs’, and is on from Monday to Friday at 10.45 pm. The short description of the series by David McGillivray on page 122 of the Radio Times runs

The turbulent life of Paul Robeson, the American performer whose career was shamefully curtailed by racism and anti-Communist hysteria, is reflected in five of his songs in a series of essays through the week. His was one of the most magnificent bass baritone voices of the 20th century, and the story behind his biggest hit, Ol’ Man River, is told by his granddaughter tomorrow [Tuesday]. Robeson’s most sustained success in films was in the UK but mostly the roles offered him were demeaning and he turned to political activism. The trade union ballad, Joe Hill (Friday) provides a melancholic epitaph.

Here are the blurbs for the individual episodes by day.

Monday.

No More Auction Block

The life and struggles of New Jersey-born bass-baritone singer, actor and civil rights activist Paul Robeson (1898-1976) are explored through five of his songs. Robeson’s signature performances include Show Boat and Othello, but spirituals defined his early career, and in 1925, Robeson and his accompanist Lawrence Brown turned them into “art music”. In this first installment, scholar and professor of black music Shana Redmond explores the ways in which Robeson’s performances of No More Auction Block map his own struggles.

Tuesday

Ol’ Man River

Susan Robeson explores the personal and political aspects of the song that is forever identified with her grandfather  – Ol’ Man River, written by Jerome Kern and Oscar Hammerstein expressly for Robeson for their groundbreaking 1927 musical Show Boat. But the singer would not wrap his unique voice around it  until the following year in the London production. He would have a lasting and complex relationship with the song, especially as a black superstar performing for white audiences. “My grandfather transformed Ol’ Man River from a song of submission and despair into a song of resistance.”

Wednesday

The Canoe Song

Paul Robeson and film should have been a perfect fit. The 20th Century’s first black superstar had presence, voice and fierce intelligence that projected from the screen. British audiences adored him, but for Robeson cinema was a constant betrayal of his political idealism. Matthew Sweet considers the confusing threads that make up Zoltan Korda’s 1935 Empire flag-waver Sanders of the River, which still hummed to the astonishing power of Robeson’s voice in the Canoe Song, prompting British audiences to declare him as “our Paul”. 

Thursday

Zog Nit Keynmol

When Paul Robeson stood before a Moscow audience on the evening of 14th June 1949 in the Tchaikowski Hall, few expected to hear him perform the Yiddish Partisan song Zog Nit Keynmol (Never Say). His rendition of this fierce anthem of defiance, composed in the middle of Nazi slaughter, was thick with emotion, and at the end the crowd either fiercely applauded or booed. Robeson had sung for those he knew were already murdered, imprisoned or facing death as a new wave of Stalinist repression against Soviet Jews was underway. Nigerian-born actor and singer Tayo Aluko explores Robeson’s torment and contradictory emotions that make this performance so dramatic.

Friday

Joe Hill

London-based cultural historian Marybeth Hamilton summons up the ghosts of both Earl Robinson’s 1936 song Joe Hill – about the Swedish-American labour activist – and Paul Robeson as she explores the ways Robeson was so completely erased from culture and memory for many Americans. “If any one song in Robeson’s repertoire sums up those histories of denial silencing it is Joe Hill.

Paul Robeson – one of the left-wing giants of the 20th century. I had a very left-wing aunt, who was a massive fan of Robeson. She would have loved this. I also wondered if all the Israel-critical Jews smeared and vilified by the Israel lobby shouldn’t sing Zog Nit Keynmol. From what I gather from reading David Rosenberg’s and Tony Greenbstein’s blog’s, the greatest resistance against the Nazis, including the Warsaw ghetto, came from the anti-Zionist Bund. The Zionists all too often made deals with the Nazis, as when the Zionist newspaper, the Judischer Rundschau, praised the Nazi Nuremberg Laws and urged its readers to ‘wear your yellow stars with pride.” Or when Rudolf Kasztner, the head of the Zionists in occupied Hungary, cut a deal with the Nazis whereby tens of thousands were deported to Auschwitz in return for a few being allowed to emigrate to Israel.

Radio 3 Programme Monday to Friday Next Week on Blade Runner

November 2, 2019

It’s November 2019, the time when Ridley Scott’s SF classic, Blade Runner, is set. Radio 3’s programme, The Essay is running a series of programmes next week entitled The Essay: The Year of Blade Runner, looking at the film and the issues it raised. The programmes are all on at 10.45 pm. The first installment, ‘Los Angeles, November 2019’, is on Monday, 4th November. The blurb for this in the Radio Times runs

Ridley Scott’s 1982 Sci-fi classic film Blade Runner, based on Philip K Dick’s 1968 novel Do Androids Dream of Electric Sheep?, is set in November 2019. Five writers reflect on the futuristic elements of the film and what it is to be human or a machine starting with Deyan Sudjic, director of the Design Museum in London. He considers Ridley’s depiction of Los Angeles and its life beyond the screen as its influence bled into architecture and design.

There’s another little piece in a sidebar on the same page by Tom Goulding, that says

Like Kubrick’s vision of 2001, or 2015 as depicted in Back to the Future Part II, in November 2019 we have finally caught up with the future envisaged in Ridley Scott’s Blade Runner. The classic sci-fi noir, an adaptation of of Philip K Dick’s Do Androids Dream of Electric Sheep?, is often touted as a benchmark of the genre. This week the Essay’s presenters offer their thoughts on the film’s grandiose themes, starting with how its dystopian versio of LA compares to cities of today. Let’s hope things have improved by the time we reach Blade Runner 2049.

Tuesday’s installment is entitled ‘The Year of Blade Runner 2: Sounds of the Future Past’. The Radio Times says

Frances Morgan, writer and researcher into electronic music, explores the sonic landscape of Blade Runner, with a Bafta-nominated score by Vangelis, and how the film shaped perceptions of how the future will sound.

Wednesday: ‘More Human than Human – Ken Hollings’

Writer Ken Hollings takes the film’s Voight Kampf test as he examines the ethical barriers between humans and machines.

Thursday: ‘Zhora and the Snake – Beth Singler’

Dr Beth Singler, junior research fellow in artificial intelligence at Homerton College, Cambridge, is inspired by Zhora the snake-charming replicant to ask what is real and fake when it comes to AI love.

Friday: ‘Fiery the Angels Fell – David Thomson’

Writer on Film David Thomas takes a look back at Ridley Scott’s rain-soaked mash-up of existential noir and artificial souls, released in 1982 and set in November 2019.

Blade Runner is definitely one of the classic, and most influential Science Fiction films, and it’ll be very interesting what they have to say about it.

And just to remind you how awesome the film was, here’s the opening titles from Guillermo St’s channel on YouTube.