The Privatisation of Channel 4 Is Another Assault on Journalistic Independence

I gather from today’s headlines that the Tories are going ahead with their wretched plan to privatise Channel 4. Well, they’ve wanted to do it for a long time, ever since Maggie Thatcher set it up in the 1980s. It was meant to be an alternative to BBC 2, and so was naturally going to have low ratings. But it also had some excellent programming and did much to offer the British public genuine alternatives to the mainstream medial

It’s director-general in that decade, Jeremy Isaacs, believed that people had latent tastes they didn’t know they had, and it was the channel’s task to offer material that they otherwise wouldn’t know they liked. He talked in his autobiography about giving the public a range of minority interests like miners’ oral history. Reviewing it, Private Eye got very huffy, accusing Isaacs of thinking that he knew better than the rest of us. But Isaacs was quite right. For example, Quentin Letts, former Daily Mail and now Times parliamentary sketch writer, who is very definitely a man of the right, praised Isaacs’ Channel 4 in one of his books because it opened up opera to a mass audience. Absolutely correct – my family’s working class, but Dad used to put Channel 4’s opera on occasionally. I remember coming back from seeing the western Silverado at the flicks to find Dad had on the box a big opera event being broadcast across Europe. And there were obviously a sizable number of ordinary, working people like Dad across the country, years before Pavarotti caused a storm at the World Cup.

But the channel also offered a range of other content, often of a multicultural flavour. There was an adaptation of the Indian epic, the Mahabharata, a season of films by the great Indian director, Satyajit Ray, as well as more popular Indian cinema with ‘All India Goldies’. It also gave a platform to the new, emerging alternative comedy scene with The Comic Strip, starring Rik Mayall, French and Saunders, Alexei Sayle and so on, and the group of Black comics, the Family. They had a series set in a Black barbershop. I only saw bits and pieces of it, but it was genuinely funny. In one episode, one of the characters finds out that he is the governor of a Caribbean island nation right at the same time they’re having revolution. He phones up his government on the island just in time to hear gunfire and one them report that ‘Such-and-such island has fallen’. Wearing his ceremonial uniform, the man then stands in a wastepaper bin and tears off his epaulettes. More seriously, the channel also presented a history of the world intended to challenge the Eurocentric bias of traditional history programmes. There was also news and documentary series about Africa, with Black presenters and a history of the continent presented by the White afrocentrist, Basil Davidson. I’ve been criticised here for describing Davidson as an afrocentrist in a previous post. But that is how Davidson, a respected historian, described himself in one of his books. Davidson is an afrocentrist in the sense that he believes that ancient Egypt is the ultimate source of western science and culture. He states that he has this view, because it’s what the ancient Romans and Greeks believed. While this is a very controversial view, he’s very far from the bizarre fantasies and pseudo-history of many on the Afrocentric fringe, like the notion that the ancient Egyptians somehow had quantum mechanics and advanced physics long before the 20th century.

To balance this, the channel also had more popular entertainment like Tell the Truth, a panel show that was ‘Would I Lie to You’ in all but name, the pop music programme, The Tube and the computer generated vid-jockey Max Headroom as well as the soap, Brookside. It also upset right-wing sentiments with sexually explicit movies and programmes, to the point where the Heil branded Michael Grade, the channel’s next director-general, ‘Britain’s pornographer in chief’. This was just when the channel had announced it was launching a season of gay and lesbian programmes and films. The best response to this came from the Archdeacon of York. The Mail’s journos had been contacting various people to ask what they thought about this latest assault on traditional British morality. The good clergyman replied, ‘Do you think anybody’s going to watch it if there’s Clint Eastwood on the other’. A common sense reaction against the Mail’s hysterical fearmongering.

The Tories seem to have hated all of this at the time, even if its programming was applauded by the critics. As I remember, they were particularly impressed by the Mahabharata, the Tube and the Family. Channel 4 was also set up to specialise in high quality news coverage. And it’s this which I think really annoyed the Tories. Channel 4 News had a reputation for being particularly good, and the channel also broadcast the current affairs documentary series Dispatches and The Bandung Files. The last I believe uncovered some of the dirty dealing by western politicos and multinationals in the Developing World. The channel became much more mainstream in the 90s under Bazalguette, who got rid of much of the alternative material. It still managed to annoy the Tories though with ‘yoof’ shows like The Word and The Girlie Show, both of which had reputation for being spectacularly bad in terms of content and taste.

But I think it’s the persistent, in depth coverage and incisive questioning of government policies by the news programmes that has particularly brought down Tory spite. Channel 4 News has done too good a job of holding the government to account. When anchorman John Snow announced he was retiring a few months ago, the Lotus Eaters put up a video celebrating it and calling him a ‘snowflake’. Hardly. Snow was just determined not to take BS from officialdom. During the bombardment of Gaza he called Israeli ambassador Mark Regev a liar to his face when Regev tried telling the British people that if they sent their aid packages to Israel, the Israelis would pass it on to Gaza’s besieged people. It was a complete lie, and Snow did his job as a decent journalist and didn’t put up with it.

The Tories loathe anyone questioning them. They hated Paxo on Newsnight when he regularly tore Tory politicos like Michaels Heseltine and Howard into raw, bloody chunks. Hence all the rubbish about the Beeb’s left-wing bias and the campaign to end the license fee. And they clearly also hate Channel 4 with a passion for the same reason. And so they’re determined to privatise it.

The hope is clearly that without state support, both the Beeb and Channel 4 will dwindle into insignificance. Genuine public service broadcasting, with the duty to be impartial, will die out to be replaced by a Murdoch-owned right-wing propaganda outlet, like Fox or GB News.

I’ve no doubt that this is all being presented as saving the taxpayer money for broadcasting material nobody watches – which was one of the arguments the Tories made against the channel back in the 80s when they part privatised it the first time. There’s almost certainly going to be talk about how it’s ‘woke’ bias is unrepresentative of British views, just like they ranted about it being ‘pc’ in 80s and 90s. But the real reason is that they despise its journalistic independence.

The privatisation of Channel 4 is yet another despicable assault on genuine, quality journalism in favour of right-wing propaganda pumped out by Murdoch. They want to destroy any journalistic independence so that right across the news media, only the right will be heard.

Alexei Sayle on Comedy and Politics in Yesterday’s ‘Metro’

Alexei Sayle, one of the pillars of the ’80s Alternative Comedy wave which spawned The Young Ones, French and Saunders, the Comic Strip and Ben Elton was interviewed in yesterday’s Metro (27th September 2019). The man’s 67, but still angry – although the interview also says he’s mellowing – and stars in a series on Radio 4 set in a sandwich bar and due to have a headline gig at the Southport Comedy Festival. Speaking to the paper’s Jade Wright, Sayle talked about his career, the state of modern comedy and attacked austerity, the Tories and supposedly ‘moderate’ politicians, who support them. It’s interesting in that Sayle also champions Jeremy Corbyn, without the paper trying to attack the Labour leader in response or a snide aside. The interview on page 51 and continued on page 54 is entitled ‘Sayle Now On’. It’s too long for me to type it up as a whole, but here’s the bits where he mostly talks about politics, along with his family background and the lack of left-wing comedians today.

Alexei Sayle might have been in the comedy business for 40 years, but he’s not lost any of his flair for contemporary analysis. His take that ‘austerity is the idea that the 2008 financial crash was caused by Wolverhampton having too many libraries’ has been spreading like wildfire on social media. May that’s because, as he claims, there’s a surprising shortage of anti-establishment comedians.

‘There’s a gap in the market. Even if they didn’t believe in it, you’d expect someone to do it, just for the money,’ he says. ‘there were loads of left-wing comedians in the 1980s. Where are the new Ben Eltons now?’

His new Radio 4 show, Alexei Sayle’s Imaginary Sandwich Bar, in which the Wolverhampton library gag first appeared, is the Liverpool comedian on his usual erudite, and angry, form. As is evident from the show, he’s become a passionate advocate for Jeremy Corbyn and the grassroots movement he has created. ‘When people sneer at Jeremy Corbyn, it drives me nuts,’ Alexei says. ‘To hear him being called a racist by racists, it’s beyond belief. And yet I have friends who are taken in by this s**t.’

‘I hear him talk, and it makes sense, then it gets deliberately misrepresented by people who have something to gain from that, people who are very much part of the establishment.

Alexei grew up in Liverpool. His mum, Molly, was a pools clerk from a Lithuanian Jewish family and his father, Joseph, was a railway guard. Both were members of the Communist Party. But, while always political, he was keen from a young age to find his own voice. ‘I don’t have a crystal ball, but I think things are changing’, he says. ‘Voters are seeing through the politicians who claim to have moderate views, but actually what they’re saying is really quite extreme.

‘For a long time the politicians from all parties were all fighting over the votes in the middle. Politics went from strongly right-wing to mildly left-wing and there were lots of voices that didn’t get heard at all, loads of people who didn’t vote.

‘You had all these modern, careerist MPs who were almost indistinguishable from each other. But austerity has disproportionately affected young people and other groups who felt there was no one to speak for them. There are new people registering to vote all the time. Maybe they have more hope now.’

So is Alexei more hopeful, too? ‘Yes,’ he says, before pausing. ‘Maybe. More so lately. Suddenly, from nowhere, they have a genuinely left-wing leader and new voices who are vocally opposing austerity as the political ideal it is.’

‘It was never a necessity for force terminally ill people to look for jobs or to close libraries. That was a series of political decisions that didn’t really save any money any way. Now we have a leader who will speak up.’

I was never a fan of Sayle’s comedy myself, as I simply didn’t find it funny. Much of it just struck me as just abuse, without anything really deep being said. But here he’s pretty much right. The only thing I differ from him here is when he says that things have gone from extreme right to mildly left-wing. Blair was always a member of the Thatcherite extreme right. He and the rest of New Labour really did want to sell off the NHS, although I think he definitely believed in making sure that medical care was free. And he also introduced the work capability tests that have caused so many desperately ill people to be thrown off benefits, to live and die in starvation and misery. What differed about Blair is that he was genuinely anti-racist, pro-gay and anti-sexist – so long as they supported him – and was careful to sound slightly left-wing. Even when he was aiming at the same voting constituency as the Tories, using the same ministers, who had crossed the floor from the Tory party, like Chris Patten, and was taking money from the same corporate donors.

But people are waking up to how they were fooled and the country run down by the ‘moderates’ as well as the Tories and the Lib Dems. People do feel they have hope for a better future under Corbyn. As for comedy, the complaint on the right is that there are few right-wing comedians and that it’s all biased against the Tories. Which is rubbish. Buddy Hell over at Guy Debord’s Cat also wrote a blog piece complaining that the contemporary aspiring comedians he’d seen really don’t have anything funny to say. Their act simply consists of them telling the story of their life. I’m not in show business, so I have no idea why this should be so. It might simply be that the people who aspire to be comedians have been inspired by the autobiographical, observational comedy of people like Sayle, but don’t really have anything to say. It may also simply be that as the left-wing comedians of the 1980s matured and were overtaken by other comics, there was a reaction against the older generation’s political comedy. Even so, shows like The Last Leg are still managing to put a well aimed kick to the Tories. But perhaps, if more people are being inspired politically by Corbyn, this will also spur a new generation of angry left-wingers to subject the establishment to bitter scorn and derision. While showing that there can be a better world without people like Johnson, May, Cameron, Swinson and the rest of them, of course.